The Great Flamarion (1945) is a classic noir mystery thriller filled with suspense, betrayal, jealousy, and deadly secrets.
Starring the legendary Erich von Stroheim, this gripping film follows a mysterious stage performer whose dangerous obsession leads to deception, revenge, and murder. With dark cinematography and unforgettable performances, this vintage crime drama remains one of the hidden gems of classic film noir cinema.
Experience the tension and mystery of this timeless 1945 thriller from the golden age of Hollywood.
#FilmNoir #ClassicMovies #TheGreatFlamarion #MysteryThriller #CrimeDrama #VintageCinema #OldMovies #ClassicFilm #NoirMovies #BlackAndWhiteMovies #1945Movies #HollywoodClassics #RetroCinema #ClassicThriller #GoldenAgeHollywood
Starring the legendary Erich von Stroheim, this gripping film follows a mysterious stage performer whose dangerous obsession leads to deception, revenge, and murder. With dark cinematography and unforgettable performances, this vintage crime drama remains one of the hidden gems of classic film noir cinema.
Experience the tension and mystery of this timeless 1945 thriller from the golden age of Hollywood.
#FilmNoir #ClassicMovies #TheGreatFlamarion #MysteryThriller #CrimeDrama #VintageCinema #OldMovies #ClassicFilm #NoirMovies #BlackAndWhiteMovies #1945Movies #HollywoodClassics #RetroCinema #ClassicThriller #GoldenAgeHollywood
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00:03:56Ladies and gentlemen, please, quiet.
00:03:59Quiet!
00:03:59Quiet!
00:04:01I regret to announce that we are forced to terminate tonight's performance.
00:04:05There has been an accident here tonight, but there is no need for alarm.
00:04:09Just walk out quietly and your money will be refunded at the box office.
00:04:12Oh, that's fine.
00:04:13Good night.
00:04:14Hey!
00:04:50Don't leave the theater.
00:04:52You'll all be questioned later.
00:04:53Come now, step lightly, please.
00:04:59If you tell the truth, you'll save us a lot of trouble.
00:05:02You quarreled with your wife tonight, didn't you?
00:05:05Didn't you?
00:05:06Yeah, we had an argument.
00:05:08It all adds up to murder.
00:05:09No, I tell you, I didn't do it.
00:05:11I had nothing to do with it.
00:05:13Do you expect me to believe that?
00:05:14I tell you again, we just had an argument.
00:05:17All married people argue once in a while.
00:05:19It doesn't mean anything.
00:05:20But this was more than an argument.
00:05:22Look, haven't you got any feelings?
00:05:24My wife's just been killed.
00:05:29Well, I just found this on the sofa.
00:05:32Four shots fired.
00:05:34I found two of them in the vault.
00:05:36I guess the other two are in the body.
00:05:37Poor Eddie.
00:05:39It's a dirty shame.
00:05:41Yep.
00:05:42I've been working here for 17 years.
00:05:45Never saw a prettier smile.
00:05:46She was nice to everybody.
00:05:48You should know.
00:05:49She was dynamite.
00:05:51When me and Sam played on the same bill with her, I never let him out of my sight.
00:05:55Well, only last night her light was out and she wanted me to fix it.
00:05:58And now her light is out forever.
00:06:02You see, them that least deserves it, gets it.
00:06:06Better phone headquarters again.
00:06:07Get everyone on stage for questioning.
00:06:09Yes, sir.
00:06:12Everybody on stage.
00:06:14I guess this simplifies the whole matter.
00:06:16What does?
00:06:17Look at this.
00:06:20I suppose you never saw it before, did you?
00:06:23You're right.
00:06:23I didn't.
00:06:24They just found it in your dressing room.
00:06:26This is the gun you killed her with, isn't it?
00:06:28She was my wife.
00:06:29I loved her.
00:06:30You don't kill the woman you love.
00:06:36Get the rest of the performers up here.
00:06:38They're with Rosita.
00:06:39She's fainted.
00:06:40But I'll get them, sir.
00:06:41Right away, sir.
00:06:42Yes, sir.
00:06:43You?
00:06:45Monsieur, name?
00:06:46You see, Francois Gaston de Barrier, you see?
00:06:48Profession?
00:06:48I am an artist, monsieur.
00:06:50You see, I am, how do you say that?
00:06:51Comment dit-on ça?
00:06:52I jump in and out of the barrel.
00:06:54Why do you call it?
00:06:55You see?
00:06:56Hiding in a barrel.
00:06:57Oh, c'est fantastique, monsieur.
00:06:58Oh, monsieur.
00:06:59Oh, monsieur.
00:07:00Monsieur, comment ça veut dire ça?
00:07:01All right, voyons ça.
00:07:02Over here.
00:07:03All right, sir.
00:07:04C'est fantastique, sir.
00:07:04Tout de même.
00:07:05All right, sir.
00:07:05Don't you understand?
00:07:06Don't you understand?
00:07:08Name?
00:07:09Sam and Sally Hampton.
00:07:10Ten minutes of snappy songs and sassy sayings.
00:07:12That's us, right?
00:07:13Right.
00:07:14What do you know about this killing?
00:07:15Oh, not a thing, your honor.
00:07:16I mean, Mr. Officer, we were in our dressing room.
00:07:19We didn't see nothing.
00:07:21We don't know nothing, right?
00:07:23Right.
00:07:23Did you know the deceased?
00:07:25I'll say.
00:07:26And if you want my opinion, she didn't get no more than was coming to her.
00:07:29Right?
00:07:30Wrong.
00:07:31Uh, right.
00:07:32Next.
00:07:42She was trying to...
00:07:50So, she wasn't shot.
00:07:53She was strangled.
00:07:55Now what?
00:07:56Strangled?
00:07:57I don't believe it.
00:07:58I don't believe it.
00:07:59Well, you're the only one who doesn't.
00:08:02Take this man to the headquarters for further questioning.
00:08:10I wish I hadn't been here tonight.
00:08:13It was awful.
00:08:15Yeah.
00:08:16Just like I say.
00:08:18You can live a whole life backstage in just one night.
00:08:23Last week, this stork almost caught up with your own wife.
00:08:27And tonight...
00:08:29I don't even want to think about it.
00:08:31Those screens.
00:08:32Yeah.
00:08:33Now that I think of it, I should have investigated them sooner.
00:08:36Pop, you've seen a lot of things in your time, haven't you?
00:08:39Every day.
00:08:41Makes me feel that fellow was right.
00:08:43Life's nothing but a stage.
00:08:45And everybody plays on.
00:08:48Yeah.
00:08:49Only some of them get better billing.
00:08:52Guess you never know when your exit's coming.
00:08:54Better that way.
00:08:56Well,
00:08:58I better go and finish my work.
00:09:00Oh,
00:09:01and don't forget to turn out the lights when you're through.
00:09:03Okay, Pop.
00:09:32Who is it?
00:09:34Who's up there?
00:09:49Who are you?
00:09:51Say, I've seen you before.
00:09:54Sure I have.
00:09:56You're Flammarion.
00:09:57The great Flammarion.
00:10:01Great Flammarion.
00:10:02I'm Tony.
00:10:03The clown.
00:10:05I played on the same bill with you in Pittsburgh.
00:10:08Remember me?
00:10:13Water.
00:10:38I played on the same bill with you in Pittsburgh.
00:10:48You're hurtful, Flammarion.
00:10:50I'll get a doctor.
00:10:51No, no.
00:10:51Please don't.
00:10:52But,
00:10:53but you're liable to die.
00:10:55Let me.
00:10:56Oh,
00:10:57you don't know what you're saying.
00:10:58Nobody wants to die.
00:11:00I do.
00:11:01Why?
00:11:05Because
00:11:05I killed Connie.
00:11:08You?
00:11:11She shot me.
00:11:13I stranded.
00:11:15But they're holding her husband.
00:11:18Tell them
00:11:20he's innocent.
00:11:22Well,
00:11:23you better tell them yourself.
00:11:23They may not believe me.
00:11:25I'll have them here in no time.
00:11:27No use.
00:11:29I'll be dead
00:11:30before they get here.
00:11:34but
00:11:36before I die
00:11:39I want to tell you,
00:11:41Tony,
00:11:42why I killed you.
00:11:46Let me.
00:11:48Let me.
00:11:52Go ahead.
00:11:54Talk to him.
00:11:57It all started
00:11:59in Pittsburgh.
00:12:03Do you remember my act
00:12:05and my
00:12:07two sisters,
00:12:09Connie and
00:12:10Howard Wallace?
00:12:12There he is.
00:12:13I've never
00:12:13been
00:12:13I've never
00:12:14been
00:12:31so
00:12:31it all,
00:15:11My act runs according to my rules.
00:15:13Those who break them are out.
00:15:19Mr. Flammarion.
00:15:23Mr. Flammarion.
00:15:25I'm sorry about Al's performance.
00:15:27So am I.
00:15:30I promise you it won't happen again.
00:15:32It's not up to you to make that promise.
00:15:36Don't worry, Al will do as I say.
00:15:38There is no room for mistakes, no matter what.
00:15:40I must be absolutely sure of my assistance.
00:15:44But, Mr. Flammarion, you can always be sure of me.
00:15:49I guess you don't realize how important all this is to me.
00:15:53The continued success of my act is my only concern.
00:15:55And mine.
00:15:56It's the only thing that makes my life bearable.
00:15:59I couldn't look forward to the theater and the lights.
00:16:02Just seeing you, I wouldn't care if I never woke up again.
00:16:07Your personal feelings do not interest me in the least.
00:16:10I repeat once and for all.
00:16:11One more mistake and I'm through with both of you.
00:16:22I had picked up Connie and her husband, Al, six months before
00:16:26when they were a third-rate dancing act.
00:16:30I had always thought of them as a happily married couple.
00:16:42Okay, Lush, that'll be enough of that.
00:16:44You heard Flammarion.
00:16:46Maybe you like sleeping on a park bench, but I don't.
00:16:49Scared it might cramp your style?
00:16:53Crack like that and you're going to be down for the count.
00:16:55Don't try playing rough with me.
00:16:59Brother, you're asking for it.
00:17:02Can't you stay sober long enough to stooge for a couple of guns?
00:17:05Seems even a moron at a backbone enough to...
00:17:07So now I'm a moron, huh?
00:17:09You changed your tune since the day you bought our wedding ring.
00:17:13Were you scared I might slip off the hook?
00:17:16Now look, Al, let's not go into that routine again.
00:17:19There's an easy way out of all...
00:17:20That's another routine we won't go into.
00:17:22If you think I'm going to let you go so that some other guy can have you,
00:17:25you're off your nut.
00:17:27I'll get away from you sometime.
00:17:30You haven't got a prayer.
00:17:33Let's see.
00:17:34There was that business with a diamond ring in Memphis.
00:17:38The insurance company is still interested in that.
00:17:41And that little trick you pulled on the guy in Salt Lake City.
00:17:45He'd love to know where to find you.
00:17:47And that quick shuffle you gave the bank president in Des Moines.
00:17:51Whatever did become of those bonds, Connie?
00:17:54I didn't find out till after I married you.
00:17:57What a busy life you'd led.
00:18:00No, I don't think you'll get away from me.
00:18:03Not until I'm good and ready to let you go.
00:18:08I'll quit it, Han.
00:18:10You're just wasting a lot of valuable time on yesterday's bad news.
00:18:14Doesn't it interest you?
00:18:16No.
00:18:17Only tonight interests me.
00:18:19Going someplace?
00:18:21Sure I am.
00:18:23I'm going home with my husband.
00:18:28I'm going home with my husband.
00:18:29Connie, no matter what you do, you're the only dame for me.
00:18:31You're a bad habit I can't cure, even if I wanted to.
00:18:40Any guy that wouldn't fall for you is either a sucker or he's dead.
00:18:51I lived a lonely life.
00:18:53I had no friends.
00:18:55I didn't like people, and people didn't like me.
00:18:59I didn't drink.
00:19:01I didn't smoke.
00:19:03I retired every night immediately after the performance.
00:19:07For hours I practiced to strengthen my eyes.
00:19:12This afternoon my schedule was broken.
00:19:15I had an unexpected visitor.
00:19:20Who is it?
00:19:22Me, Connie.
00:19:23Mrs. Wallace, I'm busy.
00:19:25I'll see you at the theater.
00:19:26I've got to talk to you.
00:19:30I'll see you.
00:19:35This sign means exactly what it says.
00:19:38You must listen.
00:19:38It's important.
00:19:42Well?
00:19:44I found out why Al's drinking.
00:19:46The reason for his conduct doesn't interest me, except as it affects my act.
00:19:51This affects you because it's personal.
00:19:54He's jealous of you.
00:19:56Ridiculous.
00:19:57Jealous of me because I'm a star and he's a nobody?
00:19:59Am I responsible for his being a drunkard without ambition or talent?
00:20:04Has he any idea of how hard I had to work to get where I am?
00:20:07Al knows all that.
00:20:09But there's more to life than what happens in the theater.
00:20:11What is it then?
00:20:12I think he knows how I feel about you.
00:20:16How you feel about me?
00:20:18Why, your work has always been satisfactory.
00:20:21You work for hours to strengthen your eyes, but you can't see.
00:20:24You're blind.
00:20:26Well, it had to happen.
00:20:29I'm only sorry that he found out before you did.
00:20:31I don't understand.
00:20:33Imagine what I go through every night.
00:20:35The music starts and the act begins.
00:20:38I move about the stage like a puppet.
00:20:39And then you enter.
00:20:41And everything begins to live.
00:20:42Come to the point, please.
00:20:44Excitement of standing on stage, facing the man who holds my life in his hands.
00:20:47You don't have to be afraid.
00:20:49No.
00:20:50It's a strange sensation.
00:20:53You look at me.
00:20:54Your eyes are so steady, so piercing.
00:20:57You aim and fire, and the bullet cuts through the air.
00:21:00I close my eyes, and then I feel a bullet hit the target, and my shoulder strap falls.
00:21:06I tell myself that it was your hand.
00:21:09Every bullet is a caress.
00:21:12Do you see now?
00:21:19Mrs. Wallace, of course you realized it.
00:21:21Now I have to look for two new assistants.
00:21:23Oh, no, Flammaria.
00:21:24No, please.
00:21:24You've left me no choice.
00:21:27Okay, so we close tonight.
00:21:29And you go to Frisco alone.
00:21:31See how the act goes without us.
00:21:35Wait.
00:21:38Considering the fact that it will be impossible for me to replace you on such short notice,
00:21:44I'll have to overlook what happened.
00:21:47You can go with me to San Francisco.
00:21:49Thank you, Flammaria.
00:21:51Thank you, Flammaria.
00:22:13That was the way Connie began.
00:22:16It was her first approach.
00:22:19I didn't know what was coming.
00:22:37I've been waiting for you for half an hour.
00:22:39I thought you'd never get here.
00:22:41How did you get in here?
00:22:43Wouldn't you rather know why than how?
00:22:45I'm not interested.
00:22:45In me or in anything about me.
00:22:47I know the line.
00:22:50Mrs. Wallace, please go.
00:22:52Close the door.
00:22:53I don't see any reason why I shouldn't.
00:22:55Please, Flammaria.
00:23:07I know all about Alma.
00:23:10How do you know?
00:23:12You went through my suitcase?
00:23:15You are human.
00:23:17Oh, darling, I wasn't really spying.
00:23:18Maybe a lady wouldn't have done it, but I'm just a woman in love.
00:23:21I had to find out what made you afraid of me.
00:23:23I'm not afraid of anybody.
00:23:24Oh, yes, you are.
00:23:26You're afraid of your heart.
00:23:27I never allow a woman to enter my life again.
00:23:29Isn't that silly?
00:23:30Just because you were burned once.
00:23:32I must ask you again to leave.
00:23:34I had to come.
00:23:35Al's at it again.
00:23:36He beat me.
00:23:36I'm not interested in your domestic problems.
00:23:39You don't seem to want to believe anything.
00:23:41Do I have to prove everything to you?
00:23:42I'll show you.
00:23:43Never mind.
00:23:44Get out.
00:23:44What are you?
00:23:45Oh, haven't you any feelings?
00:23:48Isn't there any place in your life for anything but your work?
00:23:51Don't you care about what happens to me at all?
00:23:53I thought I had made that perfectly clear.
00:23:55We work together, but that's all.
00:23:56Understand?
00:23:58Well, Flammarion, you can't toss me out like this.
00:24:00I haven't any place to go.
00:24:01Al's crazy drunk.
00:24:02If I go back now...
00:24:03I'll ring for the porter and he'll get you another room.
00:24:05The train's sold out.
00:24:07That's no concern of mine.
00:24:09Isn't it?
00:24:10Doesn't it mean anything to you that when I'm in trouble my only thought is of you?
00:24:13I've forbidden you to speak this way.
00:24:15I can't help it.
00:24:16And it is your affair.
00:24:18Al's on a bender because...
00:24:22Because he knows I love you.
00:24:25That settles it.
00:24:28You both leave the act in San Francisco.
00:24:31Simple, isn't it?
00:24:32I'm honest and what are my thanks?
00:24:34You fire us.
00:24:35Exactly.
00:24:37So it's curtains for the Wallaces, huh?
00:24:39Now I guess it's up to me to go back and break the glad news to Al.
00:24:43He'll probably start in right where he left off.
00:24:45The funny part of it is I don't give a hoot.
00:24:47And you don't either, do you, Flammarion?
00:24:50I do feel a certain responsibility.
00:24:52Then let me stay here.
00:24:53No.
00:24:53Please.
00:24:56Life's funny.
00:24:57I guess it happens to everyone sooner or later.
00:25:00It's not much fun to show your heart and then watch it get kicked around until it breaks, is it?
00:25:08Well, thanks for the lesson.
00:25:10All right.
00:25:13You may stay.
00:25:15You know, Flammarion, I just found out what's the matter with you.
00:25:19You're asleep.
00:25:22Maybe this will wake you up.
00:25:45It struck me like lightning.
00:25:49Not for 15 years, not since the tragedy of Alma and my dismissal from the army, had I been so
00:25:56close to a woman.
00:25:58One look into her mirror would have shown me that I was not for her, that there must have been
00:26:03something else behind it.
00:26:05It was three days from Pittsburgh to San Francisco, and in all that time she never went back to her
00:26:11husband.
00:26:12I suppose he was too drunk to care.
00:26:15It seemed that a new life had just begun.
00:26:20In reality, it was the beginning of the end.
00:26:32Shall I serve now?
00:26:34No, I'm waiting for a lady.
00:26:36And this is a very special occasion.
00:26:54Hello, darling.
00:26:58Remember what you said that night on the train?
00:27:01I thought you'd never get here.
00:27:05Orchids and champagne.
00:27:06You think of everything.
00:27:08I'm trembling.
00:27:10You were as steady as a rock during the act of night.
00:27:12Yes, but I wasn't waiting for you then.
00:27:16I love your hands.
00:27:22I stopped in at a little shop on Grand Avenue.
00:27:25Oh, a present.
00:27:27I hope you like it.
00:27:29It's the first gift I've made to a woman in 15 years.
00:27:37Oh, for Mary, and it's beautiful.
00:27:40I bought it because I, I bought it because I, I seem to see you in it.
00:27:45And you will, darling.
00:27:46But you must keep it for me.
00:27:48I would know I could never afford anything so expensive.
00:27:54His drinking's getting worse.
00:27:56It worries me.
00:27:58Yes, during the last show in Pittsburgh, I had to watch his every move.
00:28:02Yes, I know.
00:28:04One mistake...
00:28:05One serious mistake on this part might be fatal.
00:28:10Frightens me even to think of it.
00:28:11He should be the one to think about it.
00:28:14But does he realize that my only reason for keeping him is you?
00:28:19If you want me, you've got to keep him.
00:28:21I've always been his meal ticket.
00:28:25Perhaps if I spoke to him and told him how we feel about each other.
00:28:30Oh, no, darling.
00:28:31That would only make things worse.
00:28:35But now we have each other today and tomorrow and all the other tomorrows.
00:28:43Just leave it to me.
00:28:46I'll figure it out.
00:28:49She made it sound so wonderful, so convincing.
00:28:54I believed her because I wanted to believe her.
00:28:58But what I didn't know then was that on the same bill was a bicyclist rat.
00:29:05He was young, handsome.
00:29:34Come over here, Eddie.
00:29:37Eddie, you know something, honey?
00:29:39No, what?
00:29:40You look better to me now than you ever do.
00:29:43Why didn't you write me?
00:29:44I'm the kind of guy that likes to deliver things in person.
00:29:51How long are you going to be in town?
00:29:52Two weeks.
00:29:53Me too.
00:29:55Separated for months, I think, I guess.
00:29:58Look, Eddie, our next jump's Los Angeles.
00:29:59Couldn't you get on the beach?
00:30:00Look, if I don't make it, it won't be because I didn't try.
00:30:03Sixteen bars and I'm on.
00:30:04Keep me up to the show.
00:30:05Don't, I wish I could.
00:30:06Al's on the warpath.
00:30:08Let's make it tomorrow.
00:30:09That little bar around the corner.
00:30:16Hiya, babe.
00:30:17Hello, Cleo.
00:30:18What's new?
00:30:18Not a thing with me.
00:30:20Collecting men steal your hobby?
00:30:22Can you think of a better one?
00:30:24Yeah.
00:30:25I'll take my dogs every time.
00:30:26You don't sit up nights waiting for them.
00:30:28Good evening, boss.
00:30:30Good evening.
00:30:30They've got a lot of class, ain't they?
00:30:32Plenty.
00:30:33Don't you think so, Con?
00:30:35Yeah, they're swell performers.
00:30:37He certainly is.
00:30:39Hiya, maestro.
00:30:40What gives?
00:30:42That guy's family must have been awfully fond of children.
00:30:45Plumerian's all right.
00:30:46He's just a little strange.
00:30:48Keep right on calling it strange, but in my book, he's strictly a heel.
00:30:51Well, I guess it's time to get down to the office.
00:30:53I'll see you around, Cleo.
00:30:54Don't go leaning into no bullets.
00:30:55Don't worry.
00:30:56Plumerian knows what he's doing.
00:30:58Meaning that I don't?
00:31:01See?
00:31:01That's what I meant when I said I'd take my dogs.
00:31:08You like it, darling?
00:31:09Very much.
00:31:12And do you like me a little, too?
00:31:17Connie, we've got to do something about Al.
00:31:21Well, I thought if I were to make it worth his while, I mean financially...
00:31:25He'd only spend what you gave him.
00:31:27And then no dough, no wife, and no meal ticket.
00:31:30Oh, no.
00:31:31He'd never stand for a deal like that.
00:31:33I want to make a new life for us.
00:31:36That would be wonderful.
00:31:38Even if there isn't any chance of making it come true.
00:31:41It must come true.
00:31:50You're proud of these, aren't you?
00:31:54They were my only friends until I found you.
00:31:59I hope you take as good care of me.
00:32:01Put that down.
00:32:02That's dangerous.
00:32:03Now you know how I feel.
00:32:05What if I had as little faith in you?
00:32:08I entrust my life to you every night.
00:32:11That's another reason why we belong together and always will.
00:32:15I won't even think about tomorrow without you.
00:32:18I know.
00:32:19I can't sleep at night.
00:32:20I just lie awake and dream about tomorrow.
00:32:23Our tomorrow.
00:32:25The other night I dreamed about the three of us.
00:32:27It was on stage.
00:32:30You and Al and I.
00:32:32As Al stood before the mirror, you fired and missed.
00:32:36I'd never miss.
00:32:38Of course not.
00:32:39Al was drunk.
00:32:41It was an accident.
00:33:12I've asked you to come here because I want to talk to you.
00:33:15Okay.
00:33:16Start talking.
00:33:18Sit down.
00:33:23None of my warnings have meant anything to you.
00:33:26You still continue to drink.
00:33:29I know how to take care of myself.
00:33:32Don't you realize, Al, that every time we step onto that stage, that you're nothing but a live target, which
00:33:37I must miss?
00:33:38I knew that when I took the job.
00:33:42Won't you let me help you?
00:33:45Help me?
00:33:46Let me lend you some money.
00:33:48Why?
00:33:48We're booked solid, aren't we?
00:33:50Yes.
00:33:51Well, that means the old letters will be coming in every payday.
00:33:55Of course, I could always use a little extra money.
00:33:59Has it ever occurred to you, Al, that you might not be cut out for this sort of work?
00:34:05Why not go back to dancing?
00:34:07That costs dough.
00:34:08You may leave that entirely to me.
00:34:13I don't get this.
00:34:16Why should you put up your dough so that Connie and I can go back to dancing?
00:34:21I did not say you and your wife, did I?
00:34:24That's out.
00:34:27But I know now what you're trying to do and why you're trying to do it.
00:34:32Connie's been giving you the business, hasn't she?
00:34:34Well, she's not going to get away with it.
00:34:36Sink or swim, survive or perish.
00:34:39The Wallaces stick together.
00:34:42Fifteen minutes.
00:34:44All right, thank you.
00:34:45I got to get made up, but what I said still goes.
00:34:49The Wallaces stick together.
00:34:51So stop trying to run our lives right now.
00:35:14Al stood before the mirror.
00:35:16You fired and missed.
00:35:19Fired and missed.
00:35:21Fired and missed.
00:35:31What's eating you?
00:35:32I've had just about all a Mr. Flammarion I can use.
00:35:36And vice versa, I should say.
00:35:38What goes with you and him anyway?
00:35:41With me and Flammarion?
00:35:43Oh, don't be a sap.
00:35:44That guy wouldn't be interested in Venus unless she had a couple of guns in her girdle.
00:35:48Well, he just had me in his dressing room for a pep talk, which ended up with him trying to
00:35:52ease me out of the act and keep you in exchange for a little dough.
00:35:57Are you kidding?
00:35:58Do I look like it?
00:36:00What a nerve that guy's got, trying to run our lives for us.
00:36:04He covered up by telling me it was for my own good.
00:36:06Why, that dirty chiseler.
00:36:08Imagine trying to come between a husband and wife that way.
00:36:11And the crummy way he did it, offering you money.
00:36:14Just as though I were...
00:36:14I don't know what kept me from punching him right in the nose.
00:36:20Honey, you know what we're going to do?
00:36:22We're going to quit the act.
00:36:25But baby, we ain't got no dough.
00:36:27We can't afford to lay off...
00:36:28Now that I know what sort of a man he is, I won't work with him any longer.
00:36:32And I'm surprised at you, hon.
00:36:35Haven't you any pride left?
00:36:36Yeah, but that check coming in every Tuesday is the difference between meat on the table and no bread in
00:36:41the house.
00:36:42Don't worry, sugar.
00:36:44We'll get another job.
00:36:45And we'll get it quick.
00:36:49You're a funny kid, Con.
00:36:52I don't mind telling you I had you figured all wrong.
00:36:57Just what did you think the score was?
00:37:00I don't know.
00:37:02But it looked to me like you were getting ready to take a powder on me.
00:37:29This evening I was waiting for her at the usual time.
00:37:32She didn't come.
00:37:35I grew more and more restless.
00:37:39Time dragged and always ringing in my ear was that terrible refrain.
00:37:46Repeated over and over.
00:37:49Al stood before the mirror.
00:37:51You fired and missed.
00:37:55You fired and missed.
00:38:00It haunted me.
00:38:02It took possession of me.
00:38:09What about Los Angeles, son?
00:38:11Can you make it?
00:38:12It's out.
00:38:13They offered me a Central American tour.
00:38:16Well, Betty, you can't take that.
00:38:17I won't let you.
00:38:19You know, we're in a couple of heels.
00:38:21Al's a good guy.
00:38:23Here I am hiding in dark corners with his wife.
00:38:26We don't have to.
00:38:27Couldn't make any difference if he knew all about us.
00:38:31I just can't figure that way.
00:38:34With you, it's all or nothing, huh?
00:38:36Yeah.
00:38:37That's what makes me think I'll sign for that tour.
00:38:41Then we wouldn't see each other for a whole year.
00:38:44Well, I might be able to get you out of my blood that way.
00:38:47Is that what you want?
00:38:49To get me out of your blood?
00:38:51It's going to be tough, but it's the only way out.
00:38:54It's a cinch.
00:38:54It's no good this way, so, well, Central America.
00:38:57Eddie, don't sign yet, please.
00:39:01I've got an idea.
00:39:03Let me try and see if I can make it work.
00:39:06I know you and your ideas, hon, and, well, some of them are good, but...
00:39:13Hey, there's Al.
00:39:16No matter how blind he gets, he doesn't need a seeing eye to lead him to a joint.
00:39:19Shall I...
00:39:20No, stay where you are.
00:39:21I'll handle it.
00:39:23Oh, Al.
00:39:24Over here.
00:39:34What are you doing here?
00:39:36I was waiting for you.
00:39:38I thought maybe I could keep you sober for a change.
00:39:41Eddie asked me to have a drink with him.
00:39:43Is there anything wrong with that?
00:39:45Hi, kid.
00:39:46Hello, Al.
00:39:47I was looking for you.
00:39:49I need some dough.
00:39:50I don't have any with me.
00:39:52What did you do with...
00:39:52What did I do with it?
00:39:54How much do you think there's left in the grouch bag after the way you've been kicking it around?
00:39:57For the love of Mike, cut out the preaching.
00:40:01Hey, George, give me your bourbon.
00:40:04Let's see what the boys in the back room will have.
00:40:06Same here, George.
00:40:09Better make mine a double bourbon, George.
00:40:11I'm in kind of a hurry.
00:40:13Okay, champ.
00:40:15You know, no matter how fast you drink it, the distilleries can still stay way ahead of you.
00:40:20Yep.
00:40:21But by next week, I'll have them working nights to do it.
00:40:27Someday you're gonna do that and not pull back anything but a stump.
00:40:31I've got something better to do than to sit here and watch you get plastered.
00:40:36Thanks for the drink, Eddie.
00:40:37I'll be seeing you.
00:40:54You're giving yourself quite a beating, aren't you?
00:40:57You're gonna start that, too?
00:41:00It's your wagon, chum.
00:41:01Paint it any color you want to.
00:41:04Look, Eddie.
00:41:06Do you know why I'm drinking?
00:41:08No, and what's more...
00:41:09Then I'll tell you.
00:41:11It's her.
00:41:12Connie.
00:41:14She's got me bats.
00:41:15I don't know which ends up.
00:41:19What do you mean, Al?
00:41:24I can't tell you, Eddie.
00:41:27It's a question of honor.
00:41:30But if she don't cut out some of the stuff she's pulling, I'm gonna...
00:41:35You're right, Al.
00:41:36You shouldn't be talking to me about it.
00:41:38Me nor anybody else.
00:41:40It's strictly between you and Connie.
00:41:43I'll be seeing you.
00:41:45Eddie.
00:41:46How's chances of a fin till Tuesday?
00:41:49Sure, Al.
00:41:54Here you are.
00:41:56Thanks.
00:41:58Thanks.
00:41:59Now, how's about me buying you a drink?
00:42:03No, thanks, Al.
00:42:04I'll be seeing you later.
00:42:12You're late again.
00:42:14Where have you been?
00:42:16Al was suspicious.
00:42:17I thought I'd never get away.
00:42:18I was afraid something had happened to you.
00:42:21We've got to be careful.
00:42:23Al's changed since you talked to him.
00:42:24He's all burned up.
00:42:26In all fairness to him, I had to do it.
00:42:28Of course you did, darling.
00:42:30But you've only managed to make things tougher for us.
00:42:32In what way?
00:42:34Al's forcing me to quit.
00:42:35Oh, I'm sure I can talk him out of that.
00:42:39Nobody's ever been able to talk Al Wallace out of anything.
00:42:42Once he makes up his mind, nothing can change it.
00:42:44And you know what that'll mean.
00:42:46I'll never see you again.
00:42:48And I can't go on without you.
00:42:51You won't have to.
00:42:54You mean you've thought of a way?
00:42:56I'll cancel on my contract since we leave the country.
00:42:59He'd manage to find out where we were and he followed us somehow.
00:43:03I know you don't like to be reminded of it, but this is the past repeated.
00:43:10You'd grow to hate me like you did Alma.
00:43:12You'd blame me and you'd be right.
00:43:14No.
00:43:17Once a woman you loved double-crossed you.
00:43:19But I'm on the level.
00:43:21Lucky for you, unlucky for me.
00:43:23I just can't let you do it.
00:43:50Connie.
00:43:51I've been thinking.
00:43:55So have I.
00:43:57We haven't a chance.
00:44:01There is one chance.
00:44:03The way you said.
00:44:05The way I said?
00:44:07Remember your dream.
00:44:09Well, I had the same dream.
00:44:12Al was drunk.
00:44:13You mean?
00:44:14Al stood before the mirror.
00:44:16I fired.
00:44:18And missed.
00:44:19Don't ever say that.
00:44:21It was just like your dream.
00:44:24When did it happen?
00:44:27Tomorrow of the matinee.
00:44:29No.
00:44:31Saturday night performance.
00:44:33Everybody lets down.
00:44:35I'm certain I will be drunk.
00:44:38Absolutely certain.
00:44:41No, it's all just a matter of timing.
00:45:03What's the matter?
00:45:04Where's Connie?
00:45:06Well, if you don't know, I'm sure I wouldn't.
00:45:09I've looked all over the hotel for her.
00:45:12I need some dough.
00:45:14You're drunk already, Al.
00:45:15Why not?
00:45:16What else is there to do?
00:45:19My office still holds, Al.
00:45:22Let me get you another job.
00:45:24I won't leave Connie.
00:45:26This way, you're driving her away.
00:45:28I'll get her back.
00:45:30Don't you worry about little Alcy.
00:45:33Maybe you could let me have ten bucks to payday, huh, boss?
00:45:37Sure.
00:45:46It's a hundred dollars.
00:45:49I'm going to change.
00:45:51That's all right.
00:45:52I trust her.
00:45:55Me, too.
00:45:57You're my pal.
00:45:59That's what I say every night.
00:46:02How about a drink?
00:46:05A cigarette to celebrate, hmm?
00:46:09I never smoke.
00:46:11Good night.
00:46:13Night.
00:46:38Change.
00:46:39Change.
00:46:40Change.
00:46:44Change.
00:46:44Change.
00:46:44Change.
00:46:45Change.
00:46:45Change.
00:46:45Change.
00:46:45Change.
00:46:46Change.
00:46:46Change.
00:46:47Change.
00:46:48Change.
00:46:54Change.
00:47:34Hello, darling.
00:47:36Hey, what'd you get me up in the middle of the night for?
00:47:38What's it all about?
00:47:39I had to see you right away.
00:47:40Eddie, everything's going to be all right.
00:47:42Yeah? How come?
00:47:43Don't ask him any questions. Just do as I tell you.
00:47:45Call your agent first thing in the morning and tell him you'll take that Central American tour.
00:47:48I don't get it. I thought you didn't want me to go.
00:47:51I've changed my mind.
00:47:53Because now I'm going with you.
00:47:55With me? Hey, what about Al?
00:47:57Al's a dead pigeon. And I'm clearing out for good.
00:47:59And I do mean good.
00:48:01He'll never let you go. You've tried that.
00:48:03Oh, yes, he will.
00:48:05I just found something out tonight that...
00:48:09Never mind what it was.
00:48:11You take my word for it.
00:48:13I've got enough money now so that when my lawyer tells him I want to go bye-bye,
00:48:17he can't say no.
00:48:19But that's blackmail.
00:48:20So it's blackmail.
00:48:22As he played straight with me, kicking me around, taking my dough, he forced me to...
00:48:28Hey, wait a minute.
00:48:30Who are you worrying about?
00:48:33Al or me?
00:48:35You wouldn't know the answer to that one.
00:48:38Well, then act like it, will you?
00:48:44Go ahead.
00:48:57I'll be right back.
00:49:02I'll be right back.
00:49:12I thought I did all the drinking for the Wallace family.
00:49:15I kind of got the willies tonight. I thought maybe a drink might help.
00:49:19You worried about leaving the act?
00:49:21I wondered if I should have made you quit.
00:49:24Oh, sure you should.
00:49:25When we get away from here, things will be a whole lot better.
00:49:29There's room for improvement.
00:49:33Honey.
00:49:41I guess you know why I act like this.
00:49:44I'm jealous.
00:49:46But once Flammarion's out of our lives, it'll be just like it used to when we first started out.
00:49:52Yeah, I bet it will at that.
00:49:54I know the going's been pretty tough, baby.
00:49:57But at least we've been together.
00:49:59Hey, wait a minute.
00:50:00What are you doing? Going sentimental on me?
00:50:03Maybe I got a funny way of showing it.
00:50:07But I'm just as crazy about you as I ever was.
00:50:10You know, you're kind of a sweet kid at that.
00:50:14Maybe you're right.
00:50:16Maybe from here on, things are going to be a whole lot better.
00:50:20Fifteen minutes.
00:50:21Okay.
00:50:23Well, here's how.
00:50:27Well, here's how.
00:50:47Five minutes.
00:50:48I know the time.
00:50:50I know the time.
00:51:18Hi, boss.
00:51:19Everything all set?
00:51:34I was like a man who walks through a nightmare with feet of lead.
00:51:40I didn't speak.
00:51:42I didn't dare to.
00:51:43I simply went on because now there was no turning back ever.
00:51:49There.
00:51:51There.
00:51:53There.
00:52:02There.
00:52:04There.
00:52:05There.
00:52:06There.
00:52:14There.
00:52:15There.
00:52:15There.
00:52:15There.
00:52:15There.
00:52:15There.
00:52:21There.
00:52:22There.
00:52:24There.
00:52:25There.
00:52:27There.
00:52:29There.
00:52:31There.
00:52:31There.
00:52:43There.
00:52:46There.
00:52:53There.
00:52:55There.
00:52:57There.
00:52:58There.
00:53:06There.
00:53:12There.
00:53:14There.
00:53:36There.
00:53:37There.
00:53:44There.
00:53:46There.
00:53:48There.
00:53:48There.
00:53:49There.
00:53:50There.
00:53:50There.
00:53:51There.
00:53:51There.
00:53:51There.
00:53:52There.
00:53:53There.
00:53:53There.
00:54:21There.
00:54:25There.
00:54:28There.
00:54:28There.
00:54:28There.
00:54:28There.
00:54:31There.
00:54:44There.
00:54:45There.
00:54:47There.
00:54:59Aren't you ever on time?
00:55:01Did you miss me very much?
00:55:04These last two days were the most miserable I've ever spent.
00:55:07I missed you too.
00:55:16Tickets for Las Vegas?
00:55:18I went to the bank this morning and I drew enough money out for a honeymoon.
00:55:21You shouldn't do that, darling.
00:55:23You shouldn't have bought tickets on the same train. That's dangerous.
00:55:25Then I can leave the next day and meet you there.
00:55:27If anyone found out that you took all that money out of the bank,
00:55:30then they saw us together. You'd just be begging for a call from the DA.
00:55:36Are you afraid?
00:55:39No, it isn't that.
00:55:41It's just that I don't want anything to happen to you.
00:55:45Nothing will, I hope.
00:55:48You know, it might be a good idea if I did go away for just a little while.
00:55:54But I told you I don't want to be separated from you again.
00:55:56Let's be sensible, darling. You've got to let the grass grow over it.
00:56:01We've got the rest of our lives to be together.
00:56:04When you figure it that way, three months isn't such a long time.
00:56:08Three months?
00:56:15Do you think I like the idea of leaving you?
00:56:18But where will you go?
00:56:21Hibbing, Minnesota.
00:56:23I haven't seen my mother in eight years.
00:56:26There never was enough time or money before.
00:56:30I'll write you every day.
00:56:32No, no letters, please.
00:56:33Never put anything in writing.
00:56:35Well, then I'll telephone you.
00:56:36Don't you understand? We've got to be strangers.
00:56:39Even my family wasn't nowhere friends.
00:56:42But we'll make up for it.
00:56:44Connie, you haven't even given me your address.
00:56:48So that I know at least where you are.
00:56:52I'd like to send you little presents to let you know that I'm thinking of you.
00:56:592907 Ferndale is the address if it's any easier for you.
00:57:03But no gifts.
00:57:05Widows shouldn't have it, Mars.
00:57:09Please take this.
00:57:10It will remove one of my worries until I see you again.
00:57:16That will be exactly three months from tonight.
00:57:19October 14th.
00:57:21Where shall we meet?
00:57:22As far away from here as possible.
00:57:24What about Chicago?
00:57:26I love Chicago.
00:57:28Chicago?
00:57:29The Empire Hotel?
00:57:30Well, I'll register under the name of H.J. Brant.
00:57:35Can you remember that?
00:57:37Mrs. Brant joins you in Chicago at the Empire Hotel.
00:57:41On October 14th.
00:58:15My name is H.J. Brant.
00:58:17I have reservations.
00:58:18How do you do, Mr. Brant?
00:58:20Your reservation is for October 14th.
00:58:22Yes, my wife arrives tomorrow, but I would like to check in now and prepare everything.
00:58:27Yes, of course.
00:58:32Show Mr. Brant the bridal suite.
00:58:34Yes, sir.
00:58:34This way, please, Mr. Brant.
00:59:11Do you like it, sir?
00:59:13Yes, needs flowers.
00:59:14Is there flowers in the house?
00:59:16Yes, sir.
00:59:17Well, tomorrow morning I want six dozen roses, various colors, long-stemmed.
00:59:21I want some flowers for this vase and another basket with mixed flowers.
00:59:26Six gardenias for her pillow and a standing order of a corsage, three orchids, the best, white, to be delivered
00:59:34every morning with our breakfast.
00:59:36Yes, sir.
00:59:36You got that straight?
00:59:37Yes, sir.
00:59:38Is there anything else, sir?
00:59:39Yeah, you can bring me some ice water.
00:59:43And I want good service.
00:59:45Thank you, sir.
01:00:22Good morning, Mr. Brant.
01:00:23Good morning.
01:00:25That's pretty good.
01:00:27All right, Todd.
01:00:55Thank you, sir.
01:00:56Thank you, sir.
01:01:24Good morning, Mr. Brant.
01:01:25Good morning.
01:01:26I would like to get the schedule of all incoming trains and planes, please.
01:01:30Yes, sir.
01:01:33Anything else, sir?
01:01:34No, thanks.
01:01:41Good morning.
01:01:42Good morning, Mr. Brant.
01:01:43Good morning, sir.
01:01:43Have you any mail?
01:01:45No, sir.
01:01:45There's nothing.
01:01:46Have you anything under the name of Flammarion?
01:01:48Flammarion?
01:01:49F-L-A-M-A-R-I-O-N.
01:01:51He asked me to pick it up for him.
01:01:52I don't think there's anything under that name, but I'll see.
01:01:58Sorry, Mr. Brant.
01:01:59There's nothing.
01:02:01Well, in case anything should come, you'll let me know immediately.
01:02:04Yes, sir.
01:02:24Hopper, give me the desk, please.
01:02:26That guy in 1406 is nuts.
01:02:28He's done nothing but call me all day.
01:02:31Well, desk, it's Mr. Brant, 1406.
01:02:37Haven't there been any calls, messages, letters?
01:02:44Has there been anything for my friend Flammarion?
01:02:50All right, thank you.
01:03:14Mr. Brant, call me Mr. Brant.
01:03:16Yeah.
01:03:17Mr. Brant?
01:03:19Brant.
01:03:20Oh, I'm sorry, sir.
01:03:20It's a Mr. Brant.
01:03:21A Mr. George Brant.
01:03:25Call him Mr. Brant.
01:03:26Call him Mr. Brant.
01:03:29Call him Mr. Brant.
01:03:31Call him Mr. Brant.
01:03:50Hello?
01:03:51Yes, this is Mr. Brant.
01:03:54Telegram.
01:03:55Well, send it up.
01:04:09Telegram for you, Mr. Brant.
01:04:21Telegram for you, Mr. Brant.
01:04:22Is there any answer, sir?
01:04:24Sir?
01:04:26Thank you, sir.
01:04:43Address unknown, addressee unknown.
01:04:57Thank you, Mr. Brant.
01:05:03Any forwarding address, Mr. Brant?
01:05:06I'll let you know.
01:05:07You appreciate that?
01:05:09I had lost all sense of time.
01:05:13The only excuse she could have had was death.
01:05:18Otherwise, she had double-crossed me.
01:05:21I didn't know which would have been worse.
01:05:25I had to find her.
01:05:28I remembered her ticket to Las Vegas.
01:05:32It was a wild chance, but my only clue.
01:05:36After I'd searched for days, I ended in the gambling club, like the rest of the suckers.
01:05:44For what money I didn't lose gambling, I lost Tracy and Connie.
01:05:51Every day, some racketeer gave me some new clue.
01:05:55All false.
01:05:57Then I went to Los Angeles to see the agent, who'd placed Connie and Al in my act.
01:06:04Sorry.
01:06:05I've tried everything.
01:06:06I've checked with the NVA, Central Casting, and every agent in the business.
01:06:12Maybe she went back to dancing.
01:06:14I've covered all those angles, too.
01:06:16There's no trace of her.
01:06:18Look, Flammarion.
01:06:19Why don't you start rehearsing with the new team?
01:06:22All you need is a couple of studios who know how to stand still and keep sober.
01:06:27Okay.
01:06:28Then do a single.
01:06:29I can book you anywhere.
01:06:31Get back in your own racket, and forget all this.
01:06:36Do you...
01:06:37Do you need money?
01:06:44Well, I guess I've got to keep on looking.
01:06:49Well, good luck.
01:06:59I've covered the country.
01:07:01Seattle, Detroit, Minneapolis, Philadelphia, Kansas City, everywhere.
01:07:09I was obsessed by one thought only.
01:07:12The thought of finding her.
01:07:15That's a mighty nice set of guns you got there.
01:07:17What do you want to do?
01:07:17Pond them or sell them?
01:07:19Sell them.
01:07:20I'll give you $80.
01:07:25Better keep this one.
01:07:27Oh, if you're going to break the set up, I'll have to give you less money.
01:07:30I'll give you $60.
01:07:31I'll take it.
01:07:46I never figured a smart guy like you'd let a dame make a sucker of him.
01:07:50I don't even know whether she's dead or alive.
01:07:53She's alive, all right.
01:07:55Her kind never dies.
01:07:57Well, then why can't I find her?
01:07:59Because you don't know what you're looking for.
01:08:00That's why.
01:08:02I don't know why I should help you, but here it is.
01:08:07Remember a bicycle act that was on the bill when we played San Francisco?
01:08:13The wheeling...
01:08:14Wheelers.
01:08:15I understand they had a lot of trouble finding someone to replace Eddie when he left the act.
01:08:20The big, good-looking one.
01:08:21Connie was nuts about him then.
01:08:24And it ain't more than a year ago, so she probably still is.
01:08:27Last thing I heard about Eddie, he was someplace south of the border.
01:08:31So if you really want to find her, you better start hunting for him.
01:08:36But what you want with that dame after the way she crossed you up is something I'll never be able
01:08:41to figure out.
01:08:46At last, I had found something tangible to guide me.
01:08:50I hitchhiked my way to the border, then I walked.
01:08:54Finally, I got a ride on a truck here to Mexico City.
01:08:58I made the rounds of the whole town.
01:09:01I was born to...
01:09:19Chita, por ti yo canto mi canción
01:09:23y te entregué mi corazón la noche que te vi, mi chita.
01:09:35Eres la loma de una flor y cuando te entregué mi amor
01:09:41tu imagen fue mi inspiración.
01:09:47Yo tengo un padre en misión capistrano
01:09:55triste, espero tu contestación
01:10:01y feliz mi vida pasaré
01:10:08y desde el día en que logré tu amor
01:10:11yo pienso siempre en ti
01:10:15tú eres mi amor
01:10:25¡Gracias!
01:10:41¡Gracias!
01:11:04¡Gracias!
01:11:33¡Gracias!
01:11:55¡Gracias!
01:12:00¡Gracias!
01:12:30¡Gracias!
01:12:56¡Gracias!
01:12:57¡Gracias!
01:13:23¡Gracias!
01:13:29¡Gracias!
01:13:46¡Gracias!
01:14:16¡Gracias!
01:14:31¡Gracias!
01:14:56¡Gracias!
01:14:57¡Gracias!
01:15:17¡Gracias!
01:15:48¡Gracias!
01:15:48¡Gracias!
01:15:48¡Gracias!
01:15:50¡Gracias!
01:15:50¡Gracias!
01:16:03¡Gracias!
01:16:04¡Gracias!
01:16:06¡Gracias!
01:16:07¡Gracias!
01:16:09¡Gracias!
01:16:11¡Gracias!
01:16:12¡Gracias!
01:16:13¡Gracias!이야
01:16:17signico!
01:16:33I held on as long as I could, until the lights went out, everybody had gone, all the time
01:16:45I was growing weak, loss of blood, and then I let go.
01:16:54Tell them.
01:16:59It's the police for you.
01:17:01I said I was going to be dead when they got here, didn't I?
01:17:15The law.
01:17:17The law.
01:17:19The law.
01:17:24It's the law.
01:17:24The law is the law.
01:17:25This law is the law.
01:17:25You're going to be straight.
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