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00:00Previously on Devious Mates
00:02What's that on your back seat?
00:03Nothing
00:04Is that blood?
00:05Miss, you're gonna have to come with me
00:07Who did you kill, Nick?
00:09I'm not a murderer
00:10When you get home, I won't be there
00:12I know what you're doing
00:15You'll just give me a chance to explain
00:17Give me my cane
00:19Mr. Cannon!
00:21Uncle Cannon had a fall
00:22What?
00:23She took my kid
00:24Drinking won't get him back
00:26I'll get my act together, I promise
00:30I know you're sleeping with Tony
00:32Tony makes me happy
00:33The husband has found out about the affair
00:35We just have to come up with a new plan
00:37When I knew him, his name wasn't Tony
00:39You must tell me more
00:45Your bodyguard's real name is Amir Hassan
00:48But he's gone by a half a dozen different aliases
00:51He's a con man with a record as long as your yacht
00:54Fraud, forgery, assault
00:56Who says there are no more renaissance men?
00:59His usual racket is to target wealthy, middle-aged, married women
01:03He lures them into an affair
01:05And then blackmails them by threatening to tell their husbands
01:08Evelyn will be devastated when she finds out
01:12I can't wait to tell her
01:14Thanks again, Rick
01:15Let me know if there's anything else I can do for you
01:18Wait
01:20I already know they're involved
01:22Tony knows I know
01:23He does?
01:24Yes
01:25So how can he possibly think he's going to blackmail her?
01:28He must have thought of some other way to get money out of you
01:31But how?
01:39Hello, you
01:40Good morning, Mrs. Powell
01:44Here's the schedule for today
01:47You and I are going to make love
01:48I will orgasm two times
01:50Then you will drive me to the sale at Gucci where I will orgasm twice more
01:53I'm not really in the mood
01:56Since when?
01:57Mrs. Powell, please
01:59Why do you keep calling me Mrs. Powell?
02:00I'm not trying to upset you
02:02Well, then I think you should be a good employee and get naked
02:08All right
02:09I can't afford to lose this job
02:11Oh, you won't
02:13Not if you keep kissing me like that
02:16Oh!
02:18Oh!
02:19Oh!
02:20Oh, my God!
02:21Oh, my God!
02:36Hey, you
02:37Good morning, Javi
02:41Did you have a good time last night?
02:43Am I making you a frittata?
02:45You must have had a very good time
02:47I did indeed
03:03Yes
03:04I'm Pablo
03:08Zoila's Pablo
03:09Her ex-husband
03:10Her current husband, but thanks for asking
03:13Is she here?
03:14She's making breakfast
03:16That smells good
03:17If you invite him to eat with us, I'll kill you
03:20We have to talk
03:22No, we don't
03:22We really, really do
03:25Could you leave us alone?
03:27Okay
03:27Stay right there
03:30Okay
03:30Zoila, please
03:31This is important
03:32If it's so important
03:33Why did you call me?
03:34I did call you ten times last night
03:36Where were you?
03:37Well, first we were in the shower
03:39Not now, Javi
03:40Zoila, grab your purse
03:42You gotta go with me
03:42Listen to me, Minso
03:44You left after twenty years of marriage
03:46Destroying my self-confidence
03:48And my self-esteem
03:49The one thing in this world
03:51I am sure of
03:52Is that I don't have to go with you
03:53Anywhere ever again
03:56Valentina's in jail
03:57The police found blood in her car
03:58And she won't say where it came from
04:01I have to go
04:09It's gorgeous
04:10It is
04:12Reggie's a very generous boyfriend
04:14Not really
04:15We've been dating for months
04:17But we haven't
04:18You know
04:19He thinks a necklace will get me in the mood
04:21This is a four-carat diamond
04:23He's got me in the mood
04:24Well, I will not sleep with him
04:26He's a worm
04:27A worm that paid for a platinum setting
04:29Carmen
04:30Okay, I'll shut up if I get to wear it
04:32So, why do you think Reggie's a worm?
04:34He got Mr. Kenneth to kick his daughter out of the house
04:37And then his wife
04:39And now, Mr. Kenneth is in the hospital
04:41Because of a mysterious fall
04:44Why would Reggie want to hurt his uncle?
04:46He's embezzling Mr. Kenneth's money
04:48And with everybody gone
04:49He can get away with it
04:50Maybe you should call the police
04:52I will
04:53Once I have proof
04:54How are you gonna get that?
04:57I'll go through Reggie's papers
04:59If I can find copies of his bank statements
05:02Or wire transfers
05:04Well, just don't let him know that you're onto him
05:07He doesn't think I'm smart enough to figure this out
05:09He just sees me as some dumb immigrant
05:12Then he is in for a rude awakening
05:15Well, I should get going
05:16I'll call you girls in a few days
05:18Carmen
05:19The necklace
05:21Oh
05:21Did I forget to take this off?
05:24Hmm
05:25I'm sorry
05:40Thanks for coming, man
05:41I had to cut class for this
05:42What the hell's going on?
05:44I need to borrow some money
05:45Dude
05:46I gotta get out of town for a while
05:47Can you help me out or what?
05:51I mean, I only got a couple bucks
05:52What's going on?
05:55I think we're about to be caught
05:57Did you tell someone?
05:59Valentino
06:01How could you do that?
06:02I got stabbed and she's not stupid
06:05This is bad
06:06I mean, if she tells someone
06:07I don't think she will
06:08But I'm getting out just in case
06:10You might want to do the same
06:20Remy
06:22Where is she?
06:22She's in some room being questioned
06:24They won't let me see her
06:25Oh my god
06:26She didn't want me to call you guys
06:28But I didn't know what else to do
06:29No, you did the right thing
06:30I don't understand
06:31Do you know what happened?
06:35You'll have to ask her
06:41Johnny
06:41Mia
06:44What's going on?
06:44They said they found blood in your car
06:46I know it looks bad
06:47But I didn't do anything wrong
06:48I swear
06:49I'm willing to believe her
06:50She tells us whose blood it is
06:51And how it got there
06:53So tell them
06:55I can't
06:56Valentino, Josefina, Diaz
06:57You tell these people
06:58What they want to know now
06:59Can we talk about it at home?
07:03First she has to answer our questions
07:04Wait a minute
07:05Has she been placed under arrest?
07:08Not yet
07:09Then that means you can't hold her
07:11Am I right?
07:12It would be in her best interest
07:13To assist with this investigation
07:14Yeah, well I'm her father
07:15And I think it's in her best interest
07:17As soon as she goes home
07:17Sarah, please
07:18You heard the man
07:19We're leaving
07:20I think
07:52Rosie!
07:58Hey.
08:00I've got good news.
08:01Really?
08:02I've received all the affidavits the immigration judge asked for.
08:05You and Miguel are literally days away from getting resident status.
08:11Isn't that great?
08:13Yes, it is.
08:15Thank you so much for all your hard work.
08:18It's my pleasure.
08:21What is this?
08:23Where'd you get that?
08:25I found it on the floor.
08:28Oh.
08:30That's a brochure for Maple Park.
08:32Best assisted living center in the country.
08:34They have pools, tennis courts, the works.
08:38Why would you have this?
08:40Well, after his fall, Uncle Ken will need more help than we can provide.
08:43And Maple Park has 24-hour medical care.
08:46But this is in Sacramento.
08:48How could we visit him?
08:50I'm sure we'd find a way.
08:52Look, the paperwork has been signed.
08:55There's no point arguing about it.
08:56So when are you sending him there?
08:58Two weeks.
09:01No.
09:03Why are you getting so upset?
09:05My uncle's going to be well cared for.
09:07You're going to get a green card.
09:10Come on, Rosie.
09:12It's a happy ending for everyone.
09:21Son of a bitch.
09:22What's wrong?
09:23Those idiotic writers, they put my character in a coma.
09:26Dr. Lance is in a coma?
09:29Nurse Jenny's going to be so upset.
09:31You know why they did it?
09:32So they gave more screen time to that punk playing Dr. Blake.
09:35Oh, he's so dreamy.
09:39For a punk.
09:40I can't believe this.
09:42Look on the bright side.
09:43They're paying you to sleep in bed all day.
09:45I wouldn't mind that.
09:46Hint, hint.
09:48No, it's humiliating.
09:50Being hooked up to an IV while Mr. I went to Juilliard.
09:53He's making out with my love interest.
09:55What are you looking for?
09:56Some scotch.
09:58I threw all the liquor away because you stopped drinking, remember?
10:01I just need something to calm my nerves.
10:03Here we go.
10:04Hiding booze.
10:05It's for emergencies, and that script is an emergency.
10:07Needing alcohol to cope is the emergency.
10:10You're my maid, Carmen.
10:12Not my mom.
10:13So if you don't mind.
10:18I appreciate your meeting with me, Mrs. Porker.
10:20It's my pleasure.
10:22Mr. Dresden tells me that we have a friend in common.
10:26What's he calling himself these days?
10:28Tony Beshara.
10:29He presented himself as a bodyguard.
10:32He told me he was a chef.
10:34Tony knows how to cook.
10:35Not really.
10:36But he was attentive and caring
10:39and looked at me with desire in his eyes.
10:42Something my husband hadn't done for years.
10:45And with that body of his,
10:46he could have served me Chinese takeout,
10:48and I wouldn't have cared.
10:49So you began an affair.
10:52I'm not a stupid woman, Mr. Powell.
10:55But he knew all the right buttons to push.
10:57That is his talent.
11:00That's why I hate him.
11:02Mr. Hassan ended up soaking Mrs. Parker for $80,000.
11:06It would have been more.
11:07But my husband unexpectedly died
11:11without that leverage.
11:14I'm so sorry.
11:18If I may ask,
11:20are you going to tell your wife what you've learned?
11:23How can I not?
11:25I suppose you have no choice.
11:28But I implore you to proceed carefully.
11:33Women need to feel beautiful and loved,
11:39especially those of a certain age.
11:40And when we discover that we've been fools,
11:47it can break us in ways men can't imagine.
12:02How can I help you, detectives?
12:04Are we trying to build a timeline for the night
12:06of your husband's accident?
12:07Do you know when he left the house
12:08to go for his run?
12:09I was in bed reading,
12:11and I fell asleep.
12:12Can't Nick tell you?
12:12Well, he doesn't remember much,
12:14which isn't surprising.
12:15I wish I could be more helpful.
12:17This is a big property.
12:18Do you have security cameras?
12:19We do.
12:27That's the end of the driveway by the front gate.
12:299.05 p.m.
12:31Thank you, Miss Deering.
12:34Please don't hesitate to call
12:35if you have any other questions.
12:37I have one.
12:39Can you think of anyone
12:41who would want to hurt your husband?
12:42What?
12:43Well, typically,
12:44drivers brake before the moment of impact,
12:47but there were no skid marks on the bridge,
12:48which means the car never slowed down.
12:50Indicating this hit and run was deliberate.
12:53Oh, my God.
12:55Well, at this point,
12:56it's just a theory.
12:58Thank you for your time.
13:06Tony!
13:07I was just about to pour myself brandy.
13:09Join me.
13:10That's quite all right.
13:11I'm sharing my wife with you.
13:14At least you could do a share of drink with me.
13:20Hey, you got it, Tony?
13:22Or do you prefer Apollo?
13:25Or Maximilian?
13:28You have quite the assortment of aliases.
13:31Gunther surprised me.
13:33I would have thought you'd be too swarthy
13:35to pull off Germanic.
13:36Good for you.
13:38I don't know what to say.
13:40Well, for starters,
13:41why don't you tell me what your plan B is?
13:43My plan B?
13:45Historically, you like to blackmail your victims,
13:47threatening to expose their tawdry affairs,
13:49but clearly that won't work with Evelyn and I.
13:51So I'm just dying to know.
13:54What is your next move?
13:59I intend to file a lawsuit.
14:01Excellent.
14:02What kind of lawsuit?
14:03For harassment.
14:04Your wife forced me to perform sexual acts
14:08and threatened to fire me if I failed to comply.
14:13I have a recording.
14:15Oh.
14:18Is that what I found in your clock?
14:24Whoops.
14:25Son of a bitch.
14:28That is a hell of a thing to call the man
14:30who's about to give you $100,000.
14:35What?
14:35That's what you wanted, isn't it?
14:37My money?
14:38Why would you just give me $100,000?
14:40Because I love my wife.
14:42And I'd like to spare her the embarrassment
14:44of finding out that you used her.
14:47Is this some sort of trick?
14:49Not at all.
14:51Now, which phony name shall I make out the check to?
14:54If it's Mustafa,
14:56you'll have to help me with the spelling.
14:58Make it out to cash.
15:00I think I can handle that.
15:07But there's one condition
15:09you'll need to agree to.
15:20Your mom and I have been talking.
15:24We think you're protecting that boy
15:25you've been dating.
15:27Are we right?
15:29Is that Ethan's blood in the car?
15:31Huh?
15:35Yes.
15:39Why was he bleeding?
15:44He got stabbed.
15:47And how did he get stabbed?
15:51Mija, please.
15:59He's part of that gang
16:00that's been rowing houses
16:01in Beverly Hills.
16:04The one that killed
16:05Alejandro Rubio?
16:07That was an accident.
16:09Oh, my God.
16:12How long have you known about this?
16:13I just found out.
16:15We call the police now.
16:16No!
16:17I can't turn Ethan in!
16:18A man died.
16:20You can go to prison
16:22for not telling.
16:23He's important to me.
16:24I'm not gonna ruin his life.
16:27Mija.
16:29Listen to me.
16:31When I was 17
16:35a couple of friends
16:36convinced me
16:36to help them steal a car.
16:38Pablo.
16:40It's okay.
16:45We thought we got away with it
16:47right up until we saw
16:48the police lights
16:48coming up behind us.
16:50What happened?
16:52I spent 14 months in jail.
16:56Is he serious?
16:57Your father never wanted you to know.
17:03He thought you would be ashamed of him.
17:07I hooked up with the wrong crowd
17:09and it cost me a year of my life.
17:12I'm begging you.
17:15Please don't make the same mistake I did.
17:26Mrs. Powell.
17:28I'm afraid I have some troubling news.
17:31Don't tell me you're too tired
17:33for our afternoon romp.
17:36Actually,
17:36I've been offered a unique
17:38business opportunity
17:41which means that I'll be leaving.
17:44Tony.
17:46If money is the issue...
17:48It's more than that.
17:49It's become
17:51increasingly difficult
17:53for me to work here.
17:55Why?
18:00You're an extraordinary woman.
18:03Mysterious, smart, beautiful.
18:07Keep going.
18:09The point is
18:10I can't continue to work here
18:12knowing you'll never be mine.
18:14It's pure torture.
18:17I had no idea
18:19you felt this way.
18:21Why didn't you ever say anything?
18:23Because I knew it was pointless
18:25falling in love with you.
18:26You'd never leave your husband.
18:28That's quite an assumption.
18:30It's true.
18:32You love him so very much.
18:35Almost as much as he loves
18:37and needs you.
18:38So?
18:40When are you leaving?
18:43Now.
18:45I have to go to the bank
18:46and deposit some money
18:47and then I'll be off to the airport.
18:50That's not fair.
18:50Can't we have one last glorious tryst?
18:53There isn't time.
18:54Well
18:55one last kiss
18:57then
18:58for old time's sake.
19:11We really must go.
19:14Goodbye, Tony Beshara.
19:21Thank you for loving me.
19:38Where's my residence?
19:40Oh, sorry.
19:41He's at work today.
19:43He never showed up?
19:45That doesn't make any sense.
19:49Hold on.
19:50Spence.
19:51Hi.
19:53Spence.
19:53Spence.
19:54It's 8.30.
19:55You were supposed to be
19:55at the studio half an hour ago.
19:57You should really work
19:58on that accent.
19:59I have no idea
20:00what you're saying.
20:03Hi.
20:04Yeah, just give him
20:0515 more minutes.
20:06You know,
20:06he's having problems
20:07with his car
20:07but I'm sure
20:08he's going to be there
20:08very soon.
20:10Okay, thanks.
20:12Come on, get up!
20:22Let's go!
20:24Let's do this.
20:25Come on.
20:30Let's go!
20:34Where the hell
20:34is Westmore?
20:35If we don't start
20:36shooting in 10 minutes
20:36we're not going to make our day.
20:38He's here!
20:40Everybody,
20:40come down.
20:41He's here.
20:42Finally.
20:43Wardrobe,
20:43let's get him ready.
20:45Why does he send
20:46that thing up?
20:47What's going on here?
20:49Since he found out
20:50that he was going
20:50to be in a coma
20:51he refuses to get
20:51out of character.
20:53What a pro, huh?
20:55Right.
20:56All right,
20:57move like you got
20:57purpose, people!
20:59Come on!
20:59You're doing good.
21:00Get it to better.
21:01Come on.
21:01We're ready to do this?
21:02Go!
21:02Can you help me?
21:06No, no, no, no, no.
21:06Don't face up, amigo.
21:09Let's go!
21:12Come on,
21:13are we ready?
21:16All right.
21:17Plate's good.
21:20Everybody to one.
21:21Camera one,
21:22just in touch.
21:23And set.
21:26And action.
21:28What's wrong, Jenny?
21:30I keep thinking
21:31about last night.
21:32What did I let you do to me?
21:34I want to apologize
21:34for kissing you.
21:35But Lance is in a coma.
21:36When he wakes up...
21:38We'll have some
21:38explaining to do,
21:39but until then,
21:41I need to love you.
21:43Oh.
21:54Damn it!
21:54Cut!
21:56Cut!
21:57Somebody get him
21:58some coffee, please!
21:59Wake up!
22:09Mr. Kenneth,
22:11I need to talk to you
22:12about your nephew.
22:14Did you know
22:15he's planning to put you
22:16in a nursing home?
22:19Mr. Kenneth,
22:21did you hear me?
22:22We have to stop him.
22:25What's the point?
22:27What?
22:29I spent my life
22:30trying to control everybody.
22:32Now, the people I love
22:34most,
22:36Dee Dee,
22:36Lucinda,
22:38they hate me.
22:39Mr. Kenneth,
22:40you have to be strong now.
22:43We have to get you out of here
22:44before Reggie sends you away.
22:46Whatever's about to happen to me,
22:49I got it coming.
22:52Excuse me.
22:53This man isn't supposed
22:55to have visitors.
22:56I was just leaving anyway.
22:59Don't give up, Mr. Kenneth.
23:01We'll think of something.
23:21Hello?
23:21This is Nate
23:22from Doheny Medical Center.
23:24He told me to call
23:24if anyone came
23:25to see your uncle.
23:26Sounds like that was
23:27money well spent.
23:28Yeah, well,
23:29this pretty little
23:29Mexican chick
23:30was just here.
23:31Didn't really catch her name.
23:34That's okay.
23:35I know who you mean.
23:43Script delivery.
23:44Yeah, thank you.
23:45I'll take it.
23:46And please tell Mr. Westmore
23:48I'm really sorry.
23:48It was always
23:49really nice to me.
23:55Uh-oh.
23:56Who's that?
24:00So,
24:01they just delivered
24:02your script.
24:03I think you should read it.
24:05Why?
24:05I'm in a coma.
24:06It's not like I have
24:07any lines to memorize.
24:08Well,
24:08it looks like the writers
24:09changed your storyline.
24:11Really?
24:12Am I waking up?
24:14Not so much.
24:18They're killing me off?
24:20I'm sorry.
24:2120 years I'm on this show?
24:23They can't tell me in person?
24:26Well,
24:27on the bright side,
24:28now you have time
24:28to visit Tucker in Europe.
24:30How am I going to pay for that?
24:31I don't have a job.
24:32I'm sure you have savings.
24:34The divorce cleaned me out.
24:35I can't even afford you.
24:37That's not good.
24:39Where are my keys?
24:40Why?
24:41The producer lives
24:41a mile from here.
24:42I am going to go
24:43tell him off.
24:44No, no,
24:44you've been drinking.
24:45I'm fine.
24:46Where are my keys?
24:48Carmen,
24:49give me those.
24:49Let me drive you.
24:50No,
24:50I'll drive myself.
24:51Not until you're sober.
24:52Mm-hmm.
24:53Huh?
24:56Give me those keys!
24:57This is for your own good!
25:03Open this door!
25:05I want those keys,
25:06you hear me?
25:06Do you?
25:08You hear me?
25:21Hey, Rosie.
25:23Oh,
25:24hi.
25:25I'm sorry I'm late.
25:27The store was so busy today.
25:31Don't lie to me.
25:32I know you went to the hospital.
25:36Only because I was worried
25:37about Mr. Kenneth.
25:39Well,
25:40I'm glad he got a chance
25:41to say goodbye.
25:43Why are you smiling?
25:45The doctor said
25:45he's well enough to travel.
25:47I'm sending him to Maple Park
25:48on Monday.
25:49Monday?
25:51You can't!
25:52Why not?
25:54Because
25:57if you do,
25:58I'll go to the police
25:59and I'll tell them
26:00what you're up to.
26:02And just
26:03what am I up to?
26:04Mr. Kenneth
26:05was getting stronger.
26:06He wanted to take back
26:07control of his business
26:08so you made him fall
26:09to get rid of him
26:10just like you got rid of
26:11Mrs. Diddy
26:12and Miss Lucinda.
26:13Now,
26:13why would I do that?
26:15To get Mr. Kenneth's money.
26:17I know what it means
26:18to have someone's
26:19power of attorney.
26:20I'm not stupid.
26:23So how long
26:23have you known?
26:26Long enough.
26:27You're not the only one
26:28who can lie to people's faces.
26:30If you shouldn't
26:30screw with me.
26:32Not when I have
26:32your future in my hand.
26:34Go ahead.
26:35Fire me.
26:36I'll be thrilled
26:36not to be working
26:37for you anymore.
26:38Or kiss you.
26:41I'm not talking
26:42about firing you.
26:45There's an immigration
26:46hearing next week.
26:47It could go well
26:48for you and your son.
26:51Or not so well.
26:53You're threatening
26:54to send us back
26:55to Mexico?
26:57Picked up on that,
26:58did you?
27:02I guess you're not
27:02that stupid.
27:04I guess you're not
27:22can you think of anyone
27:24who would want
27:24to hurt your husband?
27:41I guess you're not
27:45going to hurt your husband.
28:11Hello.
28:13Hello, Opal.
28:14Marisol.
28:16What a pleasant surprise.
28:18Sorry to bother you,
28:19but the police dropped by.
28:21They wanted to know
28:22what time Nicholas
28:23left the house
28:24the night of the accident.
28:25So I showed them
28:26the security footage.
28:30You did?
28:31Relax.
28:33I didn't show them
28:34the part where you
28:34drove off a few minutes later.
28:37I can explain.
28:38Of course.
28:40Why don't you come
28:41to the house
28:41and you can tell me everything?
28:43Then I don't have to
28:44get the police involved.
28:46I'll be right over.
29:20I'll be right over.
29:21What happened earlier?
29:22You scared the hell out of me.
29:24I know, I know. I was out of control. I'm so sorry.
29:28I promise it will never happen again.
29:30I know it won't.
29:32Because you're going to rehab.
29:36That's not necessary. I can control my drinking.
29:39I don't think you can.
29:43Don't get that. I don't want to talk to anyone right now.
29:45Spence, you want to see this person?
29:51Who is it?
29:52Someone you listen to.
30:00Hey.
30:03I heard you haven't been feeling well.
30:07Yeah, I've had a rough couple of weeks.
30:10Carmen says you've been drinking too much.
30:13Oh, I don't know if she told you, but I can get myself together.
30:15I don't need to go to rehab.
30:17When she became your maid, I asked her to look after you.
30:22And if Carmen thinks you need help, then I think so too.
30:27This is so embarrassing.
30:30Why? Because do people care about you?
30:33I never wanted you to see me like this.
30:38All I see when I look at you is a wonderful man.
30:44So you don't hate me?
30:47Of course not.
30:52Go to rehab.
30:55When you get back, I will be here waiting for you.
31:23What is that?
31:24I stumbled across some of our old records.
31:26I thought I'd give them a spin.
31:28Digitally speaking.
31:30I haven't heard that tango in ages.
31:33We danced to it on our honeymoon.
31:35Did we?
31:40I can't remember that far back.
31:45Luckily for you, I can.
31:50Are you serious?
31:52Tell me he's gone.
31:53No one will walk in on us.
31:55Wouldn't it be easier to attempt a waltz?
31:58Oh, we could.
31:59But let's face it.
32:02You and I were meant to tango.
32:04Too much longer.
32:18Good Chirpy.
32:22Good Chirpy.
32:25Good Chirpy.
33:27Where I was made to feel insecure, distrustful, paranoid.
33:33But that's about to change.
33:35And why is that?
33:37Because you're going to answer some questions for me.
33:41Starting with, who did Nick kill?
33:46That's how you were blackmailing him, wasn't it?
33:48You had some sort of evidence, some proof you were holding on to.
33:57You, we had such a nice life.
34:02Ethan and I, we lived in this home like it was ours.
34:10Like we mattered.
34:15That was the deal I had with Nicholas.
34:20And then you showed up and ruined it all.
34:23You have two seconds to tell me what I need to know or I am driving that security footage right
34:28over to the police.
34:31You keep taking everything I have.
34:36It's not fair.
34:38Please, don't do this.
34:40What other choice do I have?
34:42No.
34:45Mom, what are you doing?
34:55Hi.
34:56Do you have a couple of minutes?
34:58Of course.
34:59Come on in.
35:05I just wanted you to know I've decided to tell the police about Ethan.
35:09Oh, well, you're doing the right thing.
35:11And I'm not going to tell them you stitched him up.
35:14I don't care about that, Val.
35:15All that matters to me is that you're okay.
35:19Can I ask you something?
35:22Why didn't you turn Ethan in?
35:24I know you don't like him.
35:26I told you I wouldn't.
35:28I don't bring my promises to you.
35:37Look, um...
35:39I know that you're kind of going through a lot right now,
35:42and, well, the timing really couldn't be worse,
35:44but when you're ready, I think...
35:54So does this mean that we're...
35:55Don't ruin it.
36:03Okay.
36:06What did the lawyer say?
36:07He wants to meet with us right before Valentina talks to the cops.
36:10I'll meet you at his office.
36:12Great.
36:15So I should probably take off.
36:17It's getting past my dinner time.
36:21Can I make you something?
36:23Well, I did see some chicken in the fridge.
36:26I'd love some arroz con pollo.
36:27You got it.
36:29Of course, I might need some help to get this going.
36:32If you could grab me...
36:36The...
36:37Oh.
36:38Thanks.
36:39Sure.
36:43You know, Helen, she's not much of a cook.
36:48Oh, that's too bad.
36:49Javier's a chef.
36:51And handsome, too.
36:52Should have traded me in years ago.
36:54Oh, shoot.
36:55I have chicken hands.
36:56Could you hand me...
37:00Again.
37:03So Javier's a good guy?
37:06He's great.
37:07I mean, it's only been a month, but so far...
37:11How's Helen?
37:13Terrific.
37:14She never laughs at my jokes, though.
37:17I don't think she gets my sense of humor.
37:19Papi, we were married for 20 years.
37:22Believe me when I say...
37:25You're not funny.
37:29Hey, you just called me Papi.
37:32Old habits.
37:34Still.
37:40You know, I've been carrying a lot of anger, Pablo.
37:43I know.
37:45But today I was thanking God for you.
37:48Really?
37:49I know it was hard for you to tell Valentina you went to jail.
37:53But I'm so glad you did.
37:57That's what turned her around.
37:59Well, you softened her up for me.
38:02We always did make a great team.
38:05We did.
38:28Have you lost your mind?
38:30She knows I ran over Nick.
38:33And your solution is to shoot her?
38:37Mom.
38:40I apologize for my mom's insanity.
38:42You okay?
38:43Yeah.
38:46Marisol, there's a book on that shelf over there.
38:48A big red one.
38:49Could you bring that to me?
38:52Sure.
38:53She's gonna...
38:53Call the police!
38:54Yes, Nick?
38:55Ethan, please!
38:56I don't have time for your BS right now.
38:57Just sit down and shut up, okay?
39:00Is this the one you want?
39:02Yeah.
39:05Thanks.
39:08Nick keeps money in here for emergencies.
39:11He didn't think I knew about it, but...
39:14Oh, well.
39:15You're taking Nick's money?
39:16I got myself into some trouble.
39:18I need to disappear for a while.
39:19What kind of trouble?
39:23Ethan, before you go, I need to ask you something.
39:25Make it quick.
39:27Why?
39:28Why did Nicholas let your mother live here all these years?
39:31Did she have something on him?
39:35I'm not sure what it was, but yeah.
39:38She had something.
39:40Of course, Mom couldn't really tell anyone...
39:43...because Nick saw her push Dolly off the bridge.
39:49We both did.
39:52Why did you have to tell her that?
39:56Seeing as I just saved your life, I'd appreciate it if you didn't tell the police that I was here.
39:59Ethan, what did you do?
40:04You'll find out soon enough.
40:08Ethan!
40:15I'm so sorry.
40:20For everything.
40:23I wish I cared.
40:35I'm going to call the police now.
40:38After I'm done, would you like to call a lawyer?
40:43I'm going to call the police now.
41:12Hi, I'd like to speak with Detective Figueroa.
41:15It's Muddy Sol Deering.
41:17I am calling in regards to a hit-and-run.
41:20Yes.
41:21I'll hold.
41:31Opal, no!
41:33No!
41:34What's he doing?
41:35What?
41:37What?
41:49What are you doing?
41:55I want to ask for yourошels.
41:56Is that aля师?
41:57What?
42:01I'd like to know.
42:02How did you want to respond to the commission?
42:02You're on!,
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