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John Simm's scenes from episode 2x03 of 'The Catch' (2017)

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00:00three million dollars in an offshore account in my name Thomas I
00:05underestimated you I get that a lot and you want me to help you disappear for a
00:12while I'll need a new passport new social an entirely new youth is that
00:17something that someone in your line of work can do for you of course be happy
00:22to help I mean you're practically family ah thank you Reese which is why I'm only
00:26charging you the friends and family rate course may I ask for both our sakes is
00:35Alice Vaughn gonna be all right with you disappearing Kenji's gone I know before
00:43you get too mad he's not in LA he's not an Osaka it's okay Kenji is not our guy
00:48there's a bigger bad you keep saying that but there's no yes there is thanks to
00:51you and your surveillance cameras well I plot it does cameras we have proof well
00:55thanks to me and my rather Wellsian camera placement we now have our big bad
01:00on film thing is she's not that big she walks into the freezer knows exactly
01:07where the diamonds are grabs them heads out the back door to her car
01:17oh no what does this matter it's a diplomatic pouch that's an ugly word isn't it pouch it's the
01:24diplomatic part that's ugly our big bad is a diplomat which means you can't go after her
01:29not without creating an international incident our big bad really is a big bad
01:34and who is she I'm almost afraid to run the plates and find out we're wasting our time we have
01:41necklaces
01:41brooches hair clips sure hello is this Albert Ollerman no and yeah you have the wrong number it's Reese
01:53and from now on you are Albert Ollerman sorry about the name uh your paperwork is here where are you
01:59I am
02:00buying an apology gift oh I wouldn't in my experience that kind of gift only works one out of every
02:05eight
02:05times those are the hair clips you're not buying a hair clip it's just the earrings they just seem a
02:11little I don't know is there a professional there with you yes put them on the phone please he would
02:17like to talk to you hello this is Vicki Vicki darling do me a favor put the hair clips back
02:23where you found them and tell me about the earrings they are diamond studs one and a half carats each
02:28in a white gold setting how much 12,000 he'll give you 10 cash go and talk to your manager
02:34and put my
02:35friend back on the phone with you thank you dear thank you thank you what just happened well if you
02:42insist on spending that money before you leave the country which I strongly suggest you do not
02:48I just saved you two thousand dollars yeah I have to do something I wouldn't even have the money if
02:53it wasn't for her so our mysterious diamond smuggler do we know who she is yet no but thanks to
02:59Alice
02:59we know who she works for Kohana Takashi Japanese consul general here to promote trade between Japan
03:06and the US and apparently to smuggle diamonds from Japan to the US using her diplomatic status as cover
03:11brains and beauty is she single a widow one son Jesse so I swan into her life posing as a
03:19charming
03:20British single dad perhaps I have a slight a stutter she can help me overcome we meet cute we make
03:26love
03:26or since Kenji's restaurant is closed she'll need a new front for her operation so I'm a sexy single
03:31restauranteur with a taste of cocaine and diamonds and the two of us convinced the consul general to use
03:36our restaurant fine whatever do we have a restaurant we will and then when her next shipment
03:43of diamonds comes in we hand her over to the FBI except the FBI is not going anywhere near Kohana
03:49Takashi the boss said no the bureau can't get caught investigating a Japanese dignitary well it's a good
03:54thing that recently aren't actually FBI agents what are you suggesting well we go into business with her
04:00and then we leak enough evidence to the press to force an arrest you get to tell your boss I
04:03told you so
04:04we get out of the doghouse and Kohana Takashi gets a swift extradition everybody wins all you have
04:08to do is trust us last time I did that you lost my only suspect yeah well to be fair
04:12you didn't trust
04:13us then I don't trust you now you'd be operating without the approval of the FBI going rogue without
04:19a safety net or any bureau oversight so as your handler I absolutely can't allow this which is why it
04:27just
04:39might work do you need to take that that is not the conversation I need to have right now not
04:47with
04:47my friend Albert Ollerman in the house driver's license passport hand age birth certificate work
04:56visa and a first-class ticket to Slovenia the skiing in crunch scagora is supposed to be not terrible
05:11you don't have to do this you know I mean you still have to pay me but you don't have
05:17to go
05:18through with this I'm sure your sister could find at least a dozen ways to get you out of it
05:24I can't keep asking her to do that for me yeah I have a sister like that myself
05:31here you go thank you
05:37chill out Bertie I'm sure Alice will forgive you eventually maybe she already has I'm sure
05:42the earrings helped yeah those earrings work for Alice she suspects anything it's over Kona Takashi
05:53is a powerful woman impossible to get to so the director approaches out we're working fortunately
06:05there's one thing she cares about more than work her son Jesse and there's only one thing Jesse cares
06:11about status there's a hot new club or restaurant Jesse's always first on the scene same goes for
06:17fashion trends all that latest high tech tools obsessed with anything new limited or exclusive so
06:22we'll bait him with a dinner party a dinner party well not just any dinner party the most exclusive
06:27dinner party in Los Angeles one night only and you'll invite him no no no no we'll invite his friends
06:33instead they'll all receive a personal summons to the dining hall an underground dining experience
06:39promising a who's who of artists celebs and tastemakers invite everyone but Jesse which should lead
06:45him right to us eyes on Jesse turning left headed your way copy that I've got it from here
06:57wow that was fast yes where the hell's my brother
07:12where's Tommy this is not actually an ideal time is he here Tommy Tommy he's not here he's not here
07:20I
07:20promise you Reese is that Alice what is Alice doing the mark will be there and you're either hiding
07:24him or helping him which is it I'm actually working right now Ben and I have a mark on approach
07:30Reese get
07:30Alice out of there and just I mean ask her to please not be there I would like you to
07:35leave oh would he
07:36I said ask not tell you tell Ben I will leave when you tell me where my brother is
07:43Reese do you know Tommy is kind of then tell her all right don't be upset too late fine
07:55he's traveling under the name of Albert Allerman now you really have to go okay uh just one moment
08:04Alice B yes what is it hey uh is this the dining hall depends entirely upon who's asking the consul
08:14general of Japan she's in charge of US Japanese relations foreign trade yeah I know what a consul
08:20general does thank you oh then you know she's super well connected she has total access she knows
08:24everyone including you apparently yeah um she's kind of my mom so can we come if your mother really
08:36is the consul general tell her dinners at eight all right cool awesome you and Tommy start talking
08:51anything happens to Tommy Vaughn it won't you should be thanking me I saved his life
08:56how much you charging him friends and family Ray
09:01what are you doing here look at you we're going rogue remember I'm hosting this little dinner
09:05party well that is quite an outfit you've got on there yeah quite a necklace you borrow that from
09:11the evidence locker why would you assume that because I know how much you make and I know how
09:15much that costs maybe my husband gave it to me oh you have a husband does he know about us
09:29so what are we thinking leading with the hamachi or the albacore scallops right oh I forgot about the
09:34scallops you can actually cook it's not that impressive you show off
09:49tonight is all about the seduction we're not here to close the deal or even begin negotiations
09:54we're here to give Kohana Takashi a taste of what she's been missing
09:58now that Kenji's gone would you like some champagne
10:01thank you
10:03thank you
10:04thank you
10:07three little words over time
10:10over heard and over used
10:13used
10:16no sweet nothing could ever be turned into something new
10:26No one gesture could ever be made to measure you
10:36I know what I've got and I know where we're going
10:39You don't need to show it, I already know it all
10:42It's what you don't do, it's what you don't say
10:49I know you love me, I don't need proof
10:52It's what you don't do, the games you don't play
10:57It's what you don't need
10:59Oh, I know you love me, I don't need proof
11:02I know what I've got and I know where we're going
11:04Without saying a word, we will show her that we can deliver the same way Kenji did
11:10By delivering exactly what Kenji did
11:16We have a network of exclusive suppliers throughout Southeast Asia that can move anything, anywhere
11:27Mom, what are you doing?
11:30Enjoying myself for a change, go play with your friends, go on
11:35What is that?
11:36Fugu, puffer fish
11:38It's poison, it's have some
11:42You were drunk?
11:43No
11:44Yes, you're going back to the consulate, I'm calling a car, let's go
11:47What?
11:48Let's go
11:48I'm fine
11:49No
11:49I'm not drunk
11:51I'm going to offer to drive Kohana home since she's drunk and may confess who knows what into my phone
11:56Well done
11:57Yes
12:00Did you see Kohana's face when she saw the fugu?
12:03Almost as good as the look in your face when she groped you under the table
12:06You saw that, did you?
12:08My god, those hands are so strong that you could make diamonds with those things
12:11Yeah, the only problem is my mom's not the diamond broker
12:16I am
12:21Just like Kenji used to make
12:24So, you're going to get rid of all these people
12:26And you're going to tell me what you did with Kenji
12:28Or Yumi here is going to kill you
12:39Now that we're alone
12:41Who are you two?
12:42Well, I'm Oswald Delacroix
12:44No
12:44And this
12:45Who are you really?
12:48I'm Benjamin Jones and this is Reese Griffiths, formerly of the Kensington firm
12:52Now that Kenji's gone, we can be the pipeline for your product in the U.S.
12:56Why would I do that?
12:57You've already cost me two million in misshipments
12:59Well, let us make it up to you
13:01I'm thinking you should have stayed with the Kensington firm
13:02Three million
13:04I can get you three million dollars in cash
13:08Okay
13:08I'm listening
13:09So am I
13:11It belonged to Tommy Vaughn
13:13You didn't
13:14Well, how could I know?
13:15Okay, where's the money?
13:16It's in my car
13:18Okay
13:19But I'm going to need some collateral
13:20You know, to make sure you don't drive off
13:23What kind of collateral?
13:25Ah!
13:26What?
13:27You
13:28Get the cash
13:30What did you do that for?
13:31You hit on my mom
13:32Dude
13:32Not cool
13:34I'll be right back
13:35Make it quick
13:37This is the same knife you used to carve the fugu
13:39And it would be a shame
13:40If he died from the toxin before you got him to the hospital
13:43Just tell me, I'll be right back
13:45My father
13:46I'm not on that
13:46That's the same knife you used to carve the fugu
13:49It's the same knife you used to carve the fugu
13:51And you can find the own knife you used to carve the fugu
13:51And it's not possible
13:52It's not possible
13:52I'm not sure

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