00:00The suspect's name is Kenji Yoshida.
00:03He is the chef at the restaurant Binzu.
00:05Binzu?
00:06Ooh, impossible to get a table at Binzu.
00:08I've been there several times.
00:09And why don't we like Kenji?
00:11Our informant tells us that Mr. Yoshida is his source for high-end contraband.
00:16Meaning?
00:16Could be anything.
00:17Fine cigars, pharmaceuticals.
00:18Mmm.
00:19Shall I make as a reservation?
00:21This mission is recon only.
00:22You'll be going in after hours to place cameras.
00:25So when the footage just happens to land on your desk...
00:27The judge will give me my warrant.
00:29So we go in as property managers.
00:34Public health inspectors.
00:35Film crew scouting for locations.
00:37You'll be going in as exterminators.
00:46I had me there for a second.
00:48Oh, the Bureau will provide you with uniforms, spray cans, whatever else you may need.
00:51You guys don't have to do that.
00:52No, no, we'll do it all ourselves.
00:54We'll come up with our own cover.
00:55Yeah, we have our own equipment.
00:56You'll pay for it, obviously.
00:57Well, I get it.
00:58You guys are pros.
00:59Independent contractors.
01:01Artisans, really?
01:02The best con men in the business.
01:03Which is why I can't trust you.
01:05I mean, would you trust you if you were in my position?
01:09Which is why we're doing things my way.
01:12Or go back to prison.
01:13It's your choice.
01:23It's your choice.
01:25Oh, God, yeah.
01:26I mean, there are so many terrible people in this world.
01:28Yes, there are.
01:31Yeah, no, look, you know what?
01:32That was a sordid chapter in my life.
01:36It was a terrible time, and thank God it's over.
01:39Because I'll tell you something, crime does not pay.
01:41I think we can all agree on that.
01:43You don't want to end up in a chokey like Benji.
01:44You know what?
01:45You were in prison?
01:47What for?
01:47It's a funny story.
01:48Tommy, it's not polite to ask people what they went to prison for.
01:51They had him up on all sorts of charges.
01:53Theft, fraud, conspiracy.
01:55How did he get out?
01:56Technicality.
01:57He made a deal.
01:59You know what?
01:59Enough about us.
02:00Let's hear about you.
02:02Yeah, Thomas.
02:02What brings you to town?
02:04Well, actually, I have this problem.
02:05Tommy's in between jobs at the moment,
02:07and I'm trying to convince him to stay in L.A. and work for me.
02:09You are?
02:10You are?
02:11So you two are close then?
02:12Yeah.
02:13You know.
02:14I mean, we don't get to see each other very...
02:16Nearly as much as we'd like.
02:17We'd like to, but...
02:18We've been through a lot together.
02:20That's sweet.
02:21You know what?
02:21That almost makes me miss my big sister.
02:24Although Alice will tell you
02:26what a vicious little sour-faced wrecking ball she is.
02:32Mine, anyone?
02:35How do I look?
02:37Justine had them sent over.
02:38There's one for you, too.
02:40Take that off right now.
02:41Ooh, Benji, I thought you'd never ask.
02:45This is ridiculous.
02:46The only reason the FBI recruited us...
02:48Recruited you.
02:50...is because we are the very best at what we do,
02:52and we didn't get to be that way
02:54by taking orders from other people.
02:56Well, Margot...
02:57We don't need Margot.
02:58If Justine wants us to take down this smuggling ring...
03:00Which she emphatically does not.
03:02She will.
03:03So we might as well do it the only way we know how.
03:06Not as bug people.
03:07Not as bug people.
03:11I'll use your contacts to get a reservation.
03:15Good afternoon.
03:16And then I'll arrange a meeting with Kenji.
03:19But not as Benjamin Jones.
03:22Excuse me.
03:23The gentleman that just walked in,
03:25is that William Sales?
03:27Food critic?
03:28Yeah.
03:28Is it?
03:29No one's ever seen a photo.
03:30It is him.
03:32Usually he's in disguise,
03:33but I saw him once at a bistro in Paris,
03:36which he then gave a rather nasty review.
03:39Will you excuse me?
03:41Sure.
03:58Give me, give me, give me.
04:34I'm sorry.
04:35I know I shouldn't say anything,
04:37but I know who you are.
04:39Ah.
04:41Well...
04:41I realize it's inappropriate,
04:43but I have to know.
04:45Are you enjoying the Razor Clams?
04:48The only way I could enjoy them more, Chef,
04:53is if you'd join me.
05:09We know you said this mission was recon-able.
05:11You only wanted us to plant the cameras.
05:12But this is better.
05:13This is so much better.
05:15Kenji loves Benji.
05:17And I love Kenji.
05:17I know he may be a smuggler,
05:19but his sushi, the Kohata.
05:20Ah, it will change your life.
05:22And not only that,
05:23he's invited Benji back to the restaurant for dinner tonight.
05:26Including an all-access tour behind the scenes.
05:29So, when we plant the cameras...
05:31Yeah, we won't have to sneak around like bug people.
05:33We'll have total access.
05:35You won't even need a warrant.
05:35Total access.
05:37What do you think?
05:40I think...
05:40that what I think
05:43doesn't matter.
05:45You boys are pros.
05:47You don't need the FBI giving you directives
05:50or resources or backup.
05:52Well, I don't necessarily...
05:54Which means if this goes south,
05:56or you blow your cover,
05:57or if it happens to get back to Kenji
05:59that the food critic William Sayles
06:00is in fact a black man...
06:02Wait, is he?
06:03You're on your own.
06:04I can't help you.
06:06But you don't need my help
06:07because you got this.
06:10Right?
06:13William.
06:14Ah.
06:15Bashaima Sek.
06:16How are you?
06:17To see you.
06:17See you?
06:18Oh, I see you proud of friend.
06:20And a beautiful friend indeed.
06:22Yes.
06:22Oh, thank you.
06:23Yes, we're, um...
06:25Darling.
06:26Here you are.
06:30Chef Yoshida Nigel Underhill.
06:33This is my wife, Beatrix.
06:37Tonight is our 10th wedding event.
06:39And we are huge fans, aren't we, darling?
06:43Yes.
06:45Then you must do me the honor
06:46of dining hall makase.
06:48Chef's choice.
06:49Well, we couldn't possibly.
06:51Oh, no, come on.
06:52B, surely you can give up control
06:54for one night.
06:57I take that as a yes, please.
06:59I take that as a yes, please.
07:08If I keep staring, you'll blow his cover.
07:12Is that why you showed up to make sure
07:13we don't succeed without you?
07:15I am responsible for you two.
07:17You are lucky.
07:18We are very good.
07:18So you keep telling people.
07:21Why are you here?
07:22Because of what your boss will say
07:23if we fail?
07:24Or is it because you're starting
07:27to feel about me the way I feel
07:30about the homarche?
07:33I'm here as backup.
07:34Mm.
07:35Unnecessary, but very thoughtful of you.
07:37I'd like to give you these.
07:40What are these?
07:42Oh, and they're cameras.
07:43They're adorable.
07:44Mm, Wi-Fi enabled adhesive back
07:46and connected to the app
07:48I put on your phone this morning.
07:50And you want me to get lost
07:52on the way to the toilet
07:53and plant these?
07:54Lucky for me.
07:55You're very good.
07:58All right, fine.
07:59Just make sure there's some homarche
08:01left by the time I get back.
08:03Darling.
08:06What are you doing?
08:07They're on the move.
08:10He's giving him the tour, remember?
08:11They're not going anywhere.
08:12And neither are we.
08:13Especially when we can watch
08:15everything from here.
08:28Comfy?
08:29Very.
08:32You can't arrest Kenji.
08:34He's a smuggler.
08:35He's a culinary genius.
08:37He's a pawn.
08:38And if you arrest him,
08:39he'll scare away his investors,
08:40his suppliers, and his buyers.
08:42All of whom you can arrest
08:43if you don't go after Kenji tonight.
08:45Do you always get this invested
08:47in your marks?
08:47Every time.
08:48No.
08:48We just need more time.
08:50No.
08:50The longer this thing stays open...
08:52The bigger the bust
08:52when you finally shut it down.
08:54Plus, think of all the lovely sushi
08:55we could have in the meantime.
08:58How much time?
09:00A week.
09:01You're not getting a week.
09:11Does Alice know you're here?
09:13No, she doesn't.
09:15And I would prefer to keep it that way.
09:20Why's that?
09:21Because I have access to $3 million.
09:30And I need someone
09:32in your line of work
09:33to help me steal it.
09:35And I'll see you learn that.
09:35.
09:35.
09:35.
09:35.
09:35.
09:35.
09:40.
09:41.
