- 3 hours ago
Actress Fiona Torran discovers the ugly truth about Font, the nations only academy for the arts.
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Short filmTranscript
00:00:28Transcribed by ESO, translated by —
00:00:58Transcribed by —
00:01:00Transcribed by —
00:01:00Sometimes young people make mistakes. Maybe you've made one. And maybe you paint, sing, dance, write, act, or play an
00:01:09instrument.
00:01:10Artistic temperaments are passionate on so many levels. And you may have let that passion carry you away. And you're
00:01:18left with the consequences. A baby.
00:01:55Transcribed by —
00:01:55Transcribed by —
00:01:56Transcribed by —
00:01:56You can create an artist to share with the world and start over. Guaranteed job placement with each precious donation.
00:02:04The font, your wellspring of hope for the future.
00:02:35Transcribed by —
00:03:05Transcribed by —
00:03:09I don't know.
00:04:01How about Fiona?
00:04:03Fine with me.
00:04:04What about a last name for her?
00:04:05How about Torrent?
00:04:06I think it's appropriate, don't you?
00:04:08She came to us on a rainy day.
00:04:10Good enough.
00:04:11Fiona Torrent, it's official.
00:04:13I think we'd better get rid of that watercolor of her mother that came with her.
00:04:16I'm afraid we can't do that.
00:04:18The guy that brought her in wouldn't hand her over unless we agreed to keep it with her
00:04:22until she comes of age.
00:04:26Guilt does strange things to these donors, doesn't it?
00:04:29Yep.
00:04:30But without them, we'd be out of a job.
00:04:34Without them, there'd be no fun.
00:04:36Then what would America do for entertainment?
00:04:37I'm ready to do it.
00:04:38Oh, no.
00:04:55Theoda!
00:05:01Get off him now!
00:05:03This time you went too far!
00:05:09This is only going to get worse if the two of you insist on getting attached to each other.
00:05:14The other kids are going to keep picking on you.
00:05:16He's my brother.
00:05:17You know that's not true.
00:05:19The only family you have is the Font Home.
00:05:21The Font Home is a school, not a family.
00:05:23I'm her family.
00:05:25As I've told you before, you need to learn to form useful attachments, not emotional ones.
00:05:32You can't invest too much in others.
00:05:34You want to become a star someday, don't you?
00:05:37Not if Rich can't be with me.
00:05:39That's a bad attitude.
00:05:40You both show so much promise.
00:05:43Just remember, the more you go against the grain, the more splinters you'll get.
00:05:55What do you think she meant by that?
00:05:57That if we're friends, we might not get to be stars.
00:06:00I'll kill myself if I don't become famous.
00:06:03Maybe she's right.
00:06:04Don't say things like that.
00:06:06It's stupid.
00:06:07Come on, we'll hit for drama class.
00:06:27Hi.
00:06:28Do I just leave this here with you?
00:06:30You can just put your application right there.
00:06:56No mommy to the rescue this time.
00:06:58I'm going to kick his ass.
00:07:00I don't think so.
00:07:02He started it.
00:07:03I never asked him to critique my performance.
00:07:05So I offer Teen Idol Tom here a critique of my own.
00:07:08A rather pointy critique.
00:07:10Truth is, you actors don't know s***.
00:07:13Do you know how much I'll be worth when I graduate?
00:07:15Do you have any idea how much I'm going to be worth?
00:07:18Squat compared to me.
00:07:19You're only in level C.
00:07:21You know what?
00:07:21The fact is, you painters don't know s***.
00:07:24You're ridiculous, Rich.
00:07:26You're just jealous.
00:07:27I don't hear anyone calling you Teen Idol rich.
00:07:29Will you two stop budding egos?
00:07:31That's all anybody does around here.
00:07:33I just state the obvious.
00:07:35He'd do the fun a favor if he'd just off himself like he's always threatening to do.
00:07:39Don't know s***.
00:07:54The fact is that we've damaged one of our major assets, Fiona.
00:07:59And you've never had much regard for our rules.
00:08:02We can't, in good conscience, let you go to the fun at the end of the term with Rich and
00:08:07the rest of the class.
00:08:09You can't.
00:08:10I was the...
00:08:11No, I'll do whatever you want to fix it.
00:08:16You won't be going to the fun for a year.
00:08:19And you'll be transferred to level F.
00:08:21That's really cruel.
00:08:24Fiona's in level A.
00:08:26I mean, all they let them do is Shakespeare plays.
00:08:29And no soap scripts.
00:08:32It's humiliating.
00:08:34On the contrary, it's more than fair, Mr. McGraw.
00:08:38I'd have a mind to expel both of you for the rules you've broken.
00:08:41Maybe a year apart will allow you to detach and to examine your lives more objectively.
00:09:02I don't know how to...
00:09:05You don't have to.
00:09:07But I owe you absolutely...
00:09:10Nothing.
00:09:21You're absolutely wrong.
00:09:22You're absolutely wrong.
00:09:49I don't have to.
00:13:51Excuse me?
00:13:52Do you know where I...
00:13:53Right through that door.
00:13:54Thanks.
00:13:56Thanks.
00:14:13Hi.
00:14:15Fiona Torrent.
00:14:16Nice to meet you.
00:14:17Welcome to the font.
00:14:18I'm Ariana Ray.
00:14:20I'm so glad to be here.
00:14:22Are you showing me around?
00:14:25No.
00:14:26Hold on.
00:14:26I've got it here.
00:14:29That was you out there.
00:14:30It's so professional.
00:14:32You're really good.
00:14:33Oh.
00:14:34Well, I'd better be.
00:14:35I'm in my senior year.
00:14:36Oh, here it is.
00:14:37Your guide is Rich Magro.
00:14:38Great.
00:14:40Wow.
00:14:40I can't wait to see him.
00:14:42Yeah.
00:14:43Well, here's your uniform packet.
00:14:47Do you want me to put it on now?
00:14:49Oh, yeah.
00:14:50There's a changing room out there.
00:15:03These are a little drafty.
00:15:07You sure it's not the wrong size?
00:15:09There is only one size for the female actors at the Font Fiona.
00:15:13Are you kidding?
00:15:15At the Font Home?
00:15:16Well, it's different here.
00:15:17Just think of your uniform as inspiration.
00:15:21To what?
00:15:22Be an anorexic mannequin?
00:15:23To become one of us.
00:15:26It's time for you to go meet Rich.
00:15:50I can't believe I'm finally here.
00:15:52Believe it.
00:15:53Welcome to the Font.
00:15:55Nice to see you again, Rich.
00:15:57I miss my little brother.
00:15:58You don't need to humor me with that fake family stuff.
00:16:02Fake?
00:16:03Yeah, I'm more confident here.
00:16:06And you know, they were right about those emotional attachments.
00:16:09They just drag you down.
00:16:12What's happened to you?
00:16:15You've changed.
00:16:16Look, I'm just supposed to give you a tour and then take you to your room.
00:16:19Fine with me.
00:16:21Go ahead.
00:16:48Don't fret.
00:16:49You'll get more private rooms in your junior year.
00:17:04I understand we got a new one with disciplinary problems.
00:17:07What's her name?
00:17:10Fiona Torrent.
00:17:21Here's your schedule.
00:17:27I really think this is my best one, don't you?
00:17:29I love it.
00:17:30It looks like a starry night.
00:17:33Though I really like aspects of all of them.
00:17:36They're awesome, Tom.
00:17:37You are going to be so famous.
00:17:40Hey, do you think you could tutor me sometime?
00:17:44Yeah.
00:17:45Your apartment?
00:17:46What time?
00:17:47Yeah.
00:17:48Your apartment?
00:17:48What time?
00:17:50And past the dance studios or the cosmetic rooms?
00:17:53An actor's best friend.
00:17:55You know, blemishes show up a mile wide on screen.
00:17:58Surface is everything here, isn't it?
00:18:02I'll show you the concert hall.
00:18:04Check out my new clip.
00:18:05Pat Arrogate?
00:18:06I don't pay a single dime for this thing.
00:18:08He's really successful now.
00:18:09You need to give me stuff more often.
00:18:11I'm kind of enjoying this.
00:18:13He's going to be famous.
00:18:14You used to think he was a jerk.
00:18:17Remember last year?
00:18:18Please, let's not dredge up the past.
00:18:20You pretty much got what you deserved.
00:18:22You should apologize.
00:18:24What?
00:18:25You never said you were sorry for pushing him down the stairs and breaking his hand.
00:18:29What the hell are you talking about?
00:18:32I don't know why, but I felt completely guilty.
00:18:36Until I remembered everything so clearly.
00:18:39And I forgave you completely for lying to me, so he'll forgive you completely for hurting him.
00:18:44What is going on here?
00:18:46Am I losing my mind, or are you losing yours?
00:18:49Tom's going to be rich and famous someday.
00:18:52It pays to be on his good side.
00:18:55Say you're sorry, and when you do, put on something revealing.
00:18:59But I mean, I'm not all positive.
00:19:03Things seem to work out.
00:19:06I mean, remember, life's too short to be shallow.
00:19:16Oh, I love it.
00:19:19I like how you spread the paint on so thick, like Van Gogh.
00:19:23It is awesome.
00:19:25That's my palette, Nina.
00:19:28Even your palette is gorgeous.
00:19:30It's so beautiful.
00:20:13Is this the main office?
00:20:15Right through that door.
00:20:17Thanks.
00:20:30Hi, I'm Fiona Torrent.
00:20:31I was told to report to...
00:20:33Me.
00:20:33Nick Colchart.
00:20:35I guess this has something to do with my work study.
00:20:38I'm supposed to assist a font student for two hours a day for a semester.
00:20:41That's right.
00:20:42All new students are assigned to an undergraduate for several months.
00:20:45I have the name of yours right here.
00:20:47For the next few months, your slave driver will be Tom Simeon.
00:20:51What?
00:20:53You have something against artists?
00:20:55Tom and I have issues.
00:21:01Miss Torrent, you have to put aside any personal issues and get on with it.
00:21:06No emotional roadblocks allowed.
00:21:08Can you bend the rules just this once?
00:21:12Those are font rules.
00:21:38What will you be required to go without for a period of time?
00:21:52Mr. Carl, recording message.
00:21:55Ms. Ray, due to the fact that you neglected to come to your appointment for your annual physical,
00:22:00you are required to report to the infirmary immediately.
00:22:03This is a mandatory examination.
00:22:06And negative consequences will result if you do not agree to comply with this font requirement.
00:22:13Mr. Carl.
00:22:19Keep your eyes open.
00:22:22Goddammit, Simeon.
00:22:23I'm tired.
00:22:25It's 2 a.m.
00:22:27Why can't you work normal hours like everybody else?
00:22:30Look, I've got a quota to fill.
00:22:32I don't produce enough.
00:22:34Why can't you just sit there, follow orders, and keep your mouth shut?
00:22:37Why can't you just find a staircase and fall down it?
00:22:40Huh.
00:22:41Why the hell do they have to give me a psycho for an assistant?
00:22:44Should I get you a knife, Vincent?
00:22:47Huh, funny.
00:22:48Believe me, you're the last person I'd send my ear to.
00:23:10The meeting for all theater majors has been canceled until 8 a.m. tomorrow morning.
00:23:17Please meet in conference room B.
00:23:20Hmm, so?
00:23:21Uh, Fiona wanted to apologize to you for last year, among other things.
00:23:28Are you sure?
00:23:30I mean, she could have fooled me.
00:23:32Well, she does, yeah.
00:23:35But just show up at her place, and she'll take care of the rest.
00:23:39You sure?
00:23:40I mean, she was a viper in the studio today, man.
00:23:42Oh, I'm sure.
00:23:43I'm sure.
00:23:44Uh, you just gotta get the ball rolling.
00:23:47I'll think about it.
00:23:58What are you doing here?
00:23:59You just told me you wanted to apologize.
00:24:01What are you talking about?
00:24:03Oh, come on.
00:24:04Swallow your pride and get on with it.
00:24:06Whoa, he gave you one of these?
00:24:09Easy.
00:24:10Tell me it's important.
00:24:12Not so fast.
00:24:14You know, it took me six months to heal these bones.
00:24:17And you've been a lousy assistant on top of it.
00:24:20I feel really sorry you were hurt.
00:24:21That's not good enough.
00:24:23Prove to me how sorry you are.
00:24:25And you could stop by taking your clothes off.
00:24:35Come on.
00:24:36We need privacy.
00:24:45We need privacy.
00:24:52Okay.
00:24:53Hello.
00:24:54It's always been a cleaner.
00:24:55There's no beer down here.
00:25:07You're all hype, what would I want with a void like you?
00:25:10Look what the hell is going on here?
00:25:19I think that Nick Colchart might be my father.
00:25:29What's your assessment of him?
00:25:31Should I risk it?
00:25:32Well, there's no doubt he's going to be big, but his output is minimal.
00:25:37Half the time he produces this, frankly, creepy stuff that we'll never be able to sell.
00:25:44Watercolors of howling faces, masks, it's very disturbing.
00:25:49Throw them out and make him focus on the marketable stuff before I get him.
00:25:53I think something has to be done about it.
00:25:55Then hold his nose to the grindstone, Colchart.
00:26:00You've done it before, Colchart.
00:26:06You wouldn't tell me his name.
00:26:07So I used you like you were trying to use me.
00:26:10Feels really great, doesn't it?
00:26:12Not exactly.
00:26:14But you still owe me something for busting my hand.
00:26:17How about the truth?
00:26:21Sounds good.
00:26:23Tom, it wasn't me that hurt you.
00:26:25It was Rich.
00:26:27I've been covering for him.
00:26:29All my life I've tried to protect Rich.
00:26:31Because I thought he cared about me.
00:26:34But the fonts changed him.
00:26:36Everybody seems fake here.
00:26:39No one seems really here.
00:26:42I'm real.
00:26:45So prove it.
00:26:47But stop playing games.
00:26:50You know, I will.
00:26:52Tomorrow.
00:26:53In the studio.
00:27:15I need to speak with Mr. Colchart, please.
00:27:18He's busy right now.
00:27:20It'll only take a second.
00:27:21I can make an appointment for you tomorrow.
00:27:22I'll just stop by.
00:27:23No, no, no, no.
00:27:26Never mind, Liz.
00:27:33I mean, I was just in your office a week ago.
00:27:37And you didn't say a thing.
00:27:42Yes.
00:27:45Do you know why I'm here?
00:27:55Because you found out.
00:27:59She's my mother, isn't she?
00:28:07She killed herself that much, I know.
00:28:18And...
00:28:19You are?
00:28:21Yes.
00:28:22Yes.
00:28:23I am.
00:28:27Why'd you give me a?
00:28:30I had to, Fiona.
00:28:33Artists without font connections can't survive.
00:28:40Well, I had a plan.
00:28:41You at least told me where you were.
00:28:44I couldn't.
00:28:46For your own good.
00:28:51Believe me, it was one of the most excruciating things I've ever done.
00:28:56I thought...
00:28:58I was just...
00:29:00a burden you wanted to get rid of.
00:29:17Nothing could be further from the truth, Fiona.
00:29:21I took this job just to be near you.
00:29:24No one knows you're my child.
00:29:26If they did, they'd fire me.
00:29:31Once you left me the picture to find you.
00:29:35Exactly.
00:29:37When you were old enough to understand.
00:29:39And keep my secret.
00:29:42I was trying to make the best of a bad situation, Fiona.
00:29:46But now we're together again.
00:29:49And I'm never going to leave you alone.
00:30:01Hey, come on in.
00:30:03Just take a seat over there.
00:30:26Come back a little bit.
00:30:49Time for a stretch.
00:30:51Can I see?
00:31:00Hey!
00:31:01You were kind of poisonous before.
00:31:04Now, here's the real one.
00:31:09Wow.
00:31:12That's really me.
00:31:13From the inside out.
00:31:16You're really good, Tom.
00:31:18Thanks.
00:31:22Hey, what's that?
00:31:25Uh, that's really me.
00:31:28That's my self-portrait.
00:31:32You're right.
00:31:34You are real.
00:31:36You feel just like I do.
00:31:39Told ya.
00:31:39Move it.
00:31:40Hey, uh, can you keep a secret?
00:31:43They don't let me show any of these in the phone gallery.
00:31:47See, it's not marketable enough.
00:31:49Too naked.
00:31:50Hey, I look naked.
00:31:52Yeah, something I learned the other day in the hallway.
00:31:55That wasn't, uh, exactly what I meant.
00:31:59You know, I'm beginning to believe they're all wrong
00:32:01on what they say about attachments.
00:32:13Alright, I'll, uh, see you in the atrium tomorrow.
00:32:15Yeah, at 12.
00:32:16See you, Tom.
00:32:17Come on.
00:32:17Come on.
00:32:37Come on.
00:32:39I'm gonna let it be a little fond of music.
00:32:43I'm gonna go to the core of the studio of the day.
00:32:46I'm glad to congratulate Ariana Ray on the start of her new career at Wolf Works Studios.
00:32:52Ariana is our most successful story.
00:32:55And we are proud that once again the font has demonstrated its own position.
00:33:00And we are proud that once again the first day we reach down to you.
00:33:04Are we detained?
00:33:08No.
00:33:11No.
00:33:13No.
00:33:14No.
00:33:16No.
00:33:17No.
00:33:17No.
00:33:21No.
00:33:49No.
00:33:52No.
00:33:53Tom? Have you seen Tom?
00:33:54Hello.
00:34:12Rich! Where'd you get that?
00:34:15Excuse me?
00:34:16This is Tom's painting. These are all Tom's paintings.
00:34:20I'm aware of that. And it's really none of your business.
00:34:24I just don't understand why he just left without saying anything.
00:34:28I mean, I just talked to him last night. It's not like he forgot.
00:34:33I can't believe you still want attachments.
00:34:36Yeah, well, I do. Ever since you froze me out.
00:34:40Grow up, Fiona. Control yourself.
00:34:42How can you control your heart?
00:34:44You deep freeze it. And you keep your eye on the prize.
00:34:47Yeah, well, that's not my style.
00:34:50And I think Tom really cares about me.
00:34:53If Tom really cared about you, he would have told you he was gone.
00:35:08Retreating data.
00:35:13And search complete.
00:35:16No! Wrong!
00:35:17Search for Tom Simeon. Painting major. Font.
00:35:22Final results displayed.
00:35:26Hey, uh, they just announced that you wanted a Nick Kulture's office.
00:35:30Yeah, I'll be there in a minute.
00:35:32Okay, let's see if I were to...
00:35:38See ya.
00:35:39What happened?
00:35:41I don't know what happened to him.
00:35:47Not in the beginning...
00:35:48I don't know what happened.
00:35:54Can I do this?
00:35:55I'll be there.
00:35:56Mr. Get off me for him.
00:35:56I'm sorry...
00:35:58I'll be there.
00:36:01I can't do it.
00:36:02How about it?
00:36:24Hi, you wanted to see me?
00:36:26Yes. Liz told me you were knocking on my door earlier.
00:36:29I just wanted to tell you that if you ever need anything, I'm always around.
00:36:33I do, actually. I'm looking for my friend Tom.
00:36:37Hey, that's the same picture that came up when I was looking for him.
00:36:40Yes, that's Tom's brother. I've been hunting around, too.
00:36:45Apparently Tom was inspired to go off and try to find him.
00:36:49I can't imagine why he would suddenly do such a thing. He's throwing his talent away.
00:36:53He never said a word to me.
00:36:56Don't invest too much in other people. He'll drag you down.
00:37:01Is that how you really feel? About me?
00:37:05Of course not. But we have to play by font rules.
00:37:19Please select search for the font database.
00:37:24Photo archives.
00:37:26Please make your next selection.
00:37:30Altered photos.
00:37:31Searching. Retreating data. Final results displayed.
00:37:54Who are you?
00:37:57Video archives.
00:37:58Displaying footage.
00:38:13Footage.
00:38:14Footage.
00:38:15Inclusion.
00:38:18Close file.
00:38:19Paperia.
00:38:35Officer Alam.
00:38:38Motor voices.
00:38:41You might see Henry just unable to see you.
00:39:31I just wanted to let you know that you'll be working with an acting student now that Tom has left.
00:39:36Brad Seed.
00:39:40Fiona, you're still not obsessed with finding Tom, are you?
00:40:02You're late.
00:40:03Sorry.
00:40:04I was just told to come.
00:40:11Sit there.
00:40:15I'm sorry.
00:40:16I'm sorry.
00:40:19Start on page 23. Your character is Marie.
00:40:22Okay.
00:40:27You start.
00:40:30Jim, why don't you come to dinner anymore?
00:40:33Because I can't stand to look across at your accusing face any longer.
00:40:38Hold on a second, I need some hair gel.
00:40:40Why? There's only a rehearsal.
00:40:42It helps me get into character.
00:40:45Now go to the supply room and get me some hair gel.
00:40:49Your character doesn't even have hair. He's coming out of chemotherapy.
00:40:52Will you just get the goddamn gel?
00:40:55I'm having a bad hair day and it interrupts my concentration.
00:40:59I think it's vanity that interrupts your concentration.
00:41:02Just go.
00:41:02I didn't know what it is.
00:41:14I don't know what it is.
00:41:16You can't do this.
00:41:16No.
00:41:17Nothing good here.
00:41:19Where at all?
00:41:20I don't know.
00:41:22We're going to go.
00:41:35Don't worry, don't worry, I'll be there.
00:41:45Come on, give me some bread.
00:41:47You think I'm going to fall out of that right?
00:41:59I can't handle this anymore, but what about you?
00:42:13This heard Tom's voice coming out of a vent near the supply room.
00:42:17So what? Did you get the gel?
00:42:23Good afternoon, Theodore.
00:42:28Display current information.
00:42:34Play.
00:42:41Pause it.
00:42:47Enhanced age of boy by 20 years.
00:42:50Existing image always stored in front of staff archives.
00:42:54Despair.
00:42:56Baby.
00:42:57I can't believe it.
00:42:59No problem.
00:43:01I can't believe it is.
00:43:02I can't believe it.
00:43:04I can't believe it.
00:43:04Oh!
00:43:32I don't know.
00:43:35I don't know.
00:44:09I don't know.
00:44:23I don't know.
00:44:52I don't know.
00:44:55Come, Rich.
00:44:57Sit down.
00:45:03You're exactly on time.
00:45:06That's good.
00:45:08Punctuality is extremely important in a theatrical profession.
00:45:16Rich, I'm going to be honest.
00:45:18This is quite a nice treat.
00:45:20Usually I have to come and get the students for their medical examinations.
00:45:25I've never known why kids avoid their annual checkups.
00:45:29I've always believed in preventative medicine.
00:45:35Good.
00:45:38I'm glad to hear that.
00:46:12I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:12I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:12I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:13I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:13I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:13I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:14I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad I'm glad
00:46:17I'm glad I'm glad I'm glad I'm glad I
00:46:33It's cold.
00:46:36I don't think you're going to die.
00:46:41No!
00:46:44No!
00:46:47No!
00:46:48No!
00:46:49No!
00:46:50No!
00:46:53No!
00:46:55No!
00:46:57No!
00:46:59No!
00:47:01No!
00:47:01No!
00:47:24Rich Magro is a quality product.
00:47:26He's got the looks and ambition you need.
00:47:28What if he doesn't live up to my expectations?
00:47:31We have a reputation to uphold, so that's a very rare occurrence.
00:47:35He's groomed to love the line.
00:47:36He'll strive to succeed at any cost.
00:47:40But in the unlikely event that he doesn't produce for you, we'll help you tweak your
00:47:44promotional strategy and you can put him back on the market and get good value for him.
00:47:48Sounds too good to be true.
00:47:50May I have your opening bid, please?
00:47:52What if he refuses to work?
00:47:54Somehow that's never been a problem.
00:47:57All font students are told that they voluntarily go off to work with their employers, such as
00:48:02yourself.
00:48:03Except for their costly training in the arts, of course.
00:48:07That way, you receive compliant instruments, if you get my drift.
00:48:11All I want are beautiful warm bodies with quality skills, not rebellious divas twittering
00:48:17about receiving a wage and making independent career decisions.
00:48:21I have studios to run.
00:48:23We have money to make.
00:48:25We shape clueless lumps of coal into diamonds.
00:48:29You can't imagine all the years of tedious manipulation and trickery necessary to squeeze
00:48:35a profit from our student stones.
00:48:37I've devoted my life to it.
00:48:39I'd sacrifice my firstborn for the font, if I had any offspring.
00:48:47Five million?
00:48:49We'll discuss the final price when I see you in person.
00:48:52I'll see you soon.
00:49:10We are the pond, we are the pond,
00:49:12the struggle for excellence,
00:49:14the living is the same.
00:49:16We are the pond, we are the pond,
00:49:19the struggle for excellence,
00:49:21the living is the same.
00:49:25We are the pond, we are the pond,
00:49:27we are the pond, we are the pond,
00:49:29the living is the same.
00:49:33We are the pond, we are the pond,
00:49:35we are the pond, the living is the same.
00:49:37We have to do this,
00:49:38the evening, the second tour is restored
00:49:43and the droids stay from here.
00:49:46Dr. Weaver, please listen to me,
00:49:48for a moment.
00:49:49Dr. Weaver, come here, please.
00:49:55Dr. Weaver, please come here.
00:49:57I need some help with this.
00:50:25Hello.
00:50:25Hey, Mr. Kulture.
00:50:27This is Brad.
00:50:27Fiona didn't show up for her work-study program today.
00:50:30Yesterday, I gave her my mirror to borrow.
00:50:32And it was my favorite mirror.
00:50:33It was really expensive, and she never returned it.
00:50:36Listen, I got it when I was four years old for my grandmother.
00:50:45Let me have font security.
00:50:50Yes.
00:50:53Hello, Mr. Kulture.
00:51:18Her name is Fiona Torrent.
00:51:21I need you to look in all of the dorm rooms.
00:51:22She's hiding.
00:51:23So search everywhere.
00:51:24All of them?
00:51:25Absolutely.
00:51:26Who's gonna stand there?
00:51:28Get going.
00:51:38What do you want to do now?
00:51:43But let's just do a little sou-sou.
00:51:45Attention lock setup is June 5th.
00:51:48Report anti-site evacuation manager.
00:51:50The Ola Torrent.
00:51:51Security immediately.
00:51:53For your own safety, do not observe.
00:51:55Until the Ola eg patenting your name.
00:52:03It's my favorite new說.
00:52:11The Ola Torrent.
00:52:16Hi.
00:52:16This is a Altar but Sheikh.
00:52:29Nothing? What is the matter? I thought you guys were good.
00:52:32She's a clever kid.
00:52:34Yeah, no doubt. Smarter than security.
00:52:37Just find her. Search the whole damn building. This is really important.
00:52:49Here you are, Mr. Colchart.
00:52:51Well, thank you, Mr. Wolfe. Everything here seems to be in order.
00:52:55I'm going to go and get your new star.
00:52:57I expect he'll be ready to start tonight.
00:53:00We've had him here now for several days, prepping him to come to work for you.
00:53:17Would you like to come in? Your new family awaits.
00:53:21Hey, can I go to the bathroom real quick? Coffee goes right through me.
00:53:26Yeah, that'll be fine. Just don't be long.
00:53:38Oh, I got to tell you. If you sit down first, just sit down quick.
00:53:43You're going to get hurt now.
00:53:47That's what I'm talking about.
00:53:50People need to give me stuff more often.
00:53:53I'm kind of enjoying this.
00:53:54But, I mean, I'm not all bells and whistles.
00:53:58I think things seem to work out.
00:54:01I mean, remember, life's too short to be shallow.
00:54:08You guys realize you'll be unemployed soon, don't you?
00:54:11What's all the fussing about, anyway? She's just a kid.
00:54:14I need... Just find her. Now.
00:54:28Here's your supply of medication to control his libido, his emotional ups and downs, and his assertiveness, as usual.
00:54:38Fiona, what are you doing down here?
00:54:40Don't get down here.
00:54:44They said you left school to find your brother.
00:54:48Fiona, I don't have any siblings that I know of.
00:54:52Look, I'm sorry I blew you off the other day.
00:54:54The director insisted.
00:54:55I was going to explain when I came back.
00:54:57They're not going to let you come back, Tom. It's a lie.
00:55:00Look, we have to get out of here as soon as we can.
00:55:02I can't explain, but you just got to trust me.
00:55:04We heard full security detail.
00:55:07Safe guard perimeter.
00:55:09Intensifying search for Fiona target.
00:55:12Fiona, let's be clear here.
00:55:15You're a fugitive.
00:55:17Why are you risking all this for me?
00:55:24I want you to send me your ear, Vincent.
00:55:32I want you to feel that way about me.
00:55:41I feel that way about you.
00:55:46You're all I have to hold on to.
00:55:48To hold on to, Fiona?
00:55:49I don't know.
00:55:51It's like no son of a nap.
00:55:54Death do his part.
00:56:00Something like that.
00:56:05Alright.
00:56:07Let's make a break for it, girl.
00:56:15I'm beginning to feel sorry for you guys.
00:56:16Are you really this incompetent?
00:56:18Why don't you go out and look?
00:56:19See how damn easy it is.
00:56:21I am sorry you're lousy at your job.
00:56:22But for the good of all of us here at the font,
00:56:24I just need you to find her.
00:56:26And when I do?
00:56:27Restrain her.
00:56:28Do whatever it takes.
00:56:29Just don't let her go.
00:56:31Wurt her?
00:56:32Whatever.
00:56:32Just don't let her go.
00:56:42We've got a serious situation in the end.
00:56:45Fiona built.
00:56:46We saw her on camera,
00:56:48but security hasn't caught her yet.
00:56:49I...
00:56:52I...
00:56:53I don't know.
00:56:59Next though.
00:57:00I don't know.
00:57:01I don't know.
00:57:04I don't know.
00:57:06I don't know.
00:57:07I don't know.
00:57:09Um...
00:57:09Actually, everything is right here.
00:57:11I'm sorry, I'm busy.
00:57:14Oh, that's right.
00:57:16Fiona?
00:57:31What are you doing with me?
00:58:02He insisted on speaking to you.
00:58:05You had a security here?
00:58:07Yes, how may I help you?
00:58:08Well, you can start by keeping that renegade I bought from escaping the building.
00:58:11Sir, I can assure you that my team is working on it.
00:58:16There he is now!
00:58:19Get four guards to the 18th floor in the photography area.
00:58:28I'll bring them right around.
00:58:50Welcome to Fond Auditorium.
00:58:54Welcome to Fond Auditorium.
00:58:57Welcome to Fond Auditorium.
00:59:39Welcome to Fond Auditorium.
01:00:01There's no glory in anonymity Tom, without the fog you're a nobody like I was, like Fiona
01:00:10It is, she'll ruin your life, just like she's ruined mine
01:00:42She can't wait, they'll ruin your life, just like her friend
01:00:46Turn off the page, just like I got on these, like my ears
01:00:48My eyes are so good, nothing but nothing but nothing but nothing but nothing but nothing but nothing but nothing
01:00:57but nothing but nothing but nothing but nothing but nothing
01:00:57It was something that Gabby did was lost, so she only would have to be a no-one
01:01:09I mean, I'm so upset that she would probably have to jump to the table
01:01:33I don't know.
01:01:39I don't know.
01:02:15I don't know.
01:02:15We just saw them heading to the cafeteria.
01:02:17Should we stand guard at the top exit, too?
01:02:20No need.
01:02:21Coach already got him.
01:02:23Forgive me, Fiona, but you can't fight the Fombs.
01:02:26I've got to feed you to the Beast or it'll eat me instead.
01:02:28Think again.
01:02:32No more games, Tom.
01:02:34Look, just don't hurt her.
01:02:36Tell me what to do.
01:02:37Just move out into the hallway.
01:02:39There are some security guards who are dying to meet you.
01:02:42If you try anything, anything at all, I'll put a bullet in her head.
01:02:48I'm going to count to three.
01:02:52One.
01:02:56Two.
01:02:57Five sets are activated.
01:02:59So tough, sir.
01:03:01We can do it now.
01:03:18Thank you, Fiona.
01:03:19I've been looking everywhere for you.
01:03:21Get out of the way.
01:03:22No one's going anywhere until I get my mirror back.
01:03:24I'm personally taking you to the director's office.
01:03:27Get off!
01:03:27Hey, you lost it, so you're going to find it.
01:03:29Life's too short to be shallow, bro.
01:03:31Is this it?
01:03:32Oh, ass.
01:03:36Hey, you can't come down here with a gun.
01:03:38What?
01:03:38Give me the gun.
01:03:39What, sir?
01:03:39Give me the gun.
01:03:40Take it.
01:03:41Take it.
01:04:04Come on, Tom.
01:04:05Come on.
01:04:06They just went into the heat event.
01:04:08Sending someone after them.
01:04:10Sir, do you understand how many openers there are in the heating system?
01:04:14Get a blueprint, for God's sake.
01:04:16Figure it out.
01:04:23Fiona, hold on.
01:04:24Let me get in front.
01:04:25Here.
01:04:26Tom, come here.
01:04:41Unfortunately, we don't have any blueprints on the school computer records, but we might
01:04:45have a hard copy in the basement files.
01:04:54Yes.
01:04:57Mommy's here.
01:04:58Mom's here.
01:05:00I'm sorry.
01:05:20they're bringing the copy up now this is taking too long where are they flush them out turn up
01:05:27the heat maximum sir that's too risky do you know who you're talking to your employer's best client
01:05:36that's who i don't think you want to run me the wrong way if you value your job
01:05:46central heating activated warning heat at 100% iron curries up heat heat happens
01:06:25we have to stop you're going to kill him
01:06:27i pay for him he's mine so i can make an example of him
01:06:32ahhh
01:06:32ahhh
01:06:32ahhh
01:06:33ahhh
01:06:33ahhh
01:06:33ahhh
01:07:00ahhh
01:07:15ahhh
01:07:16ahhh
01:07:17ahhh
01:07:20ahhh
01:07:20ahhh
01:07:20ahhh
01:07:20ahhh
01:07:21ahhh
01:07:22ahhh
01:07:22ahhh
01:07:23ahhh
01:07:24ahhh
01:07:24ahhh
01:07:24ahhh
01:07:24ahhh
01:07:25I don't know.
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