- 3 hours ago
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Short filmTranscript
00:00:28Transcribed by ESO, translated by —
00:00:58Transcribed by —
00:01:28Transcribed by —
00:01:36Transcribed by —
00:01:36Winter in New England is a time to slow down and go within.
00:01:41It's a time to reflect on things past and how to move forward.
00:01:46The weather won't generally allow for much else.
00:02:09The weather won't generally allow for much else.
00:02:25I wear a rubber band around my wrist in case I get too lost in these reflections.
00:02:29Some call it dissociation, but with one quick snap of the rubber band, I'm back in the present moment.
00:03:03For me, it's not a time of rest.
00:03:06It never is.
00:03:09It's a time to embrace the dark or be consumed by it.
00:03:35Like Robert Frost said,
00:03:38The woods are lovely, dark and deep.
00:03:42But I have promises to keep.
00:03:46And miles to go before I sleep.
00:03:50Miles to go before I sleep.
00:03:57Sometimes it can be the smallest thing.
00:04:02A certain scent of decay in the air.
00:04:05The sun at the right angle.
00:04:06The coolness of the breeze.
00:04:10One of these elements, or maybe the perfect combination of all of them, hyper-awareness sets in.
00:04:18Then the adrenaline kicks in.
00:04:21And you start to wonder what it was that happened that made these simple pleasures that now seem dangerous.
00:04:29Or maybe you do your best to ignore it.
00:04:33Other things too.
00:04:35Like the smell of a cigarette or whiskey.
00:04:40It's taste.
00:04:42Even though you hadn't had a drink in years.
00:04:45You swallow and there it is.
00:04:50A coffee.
00:04:52How about you, Michael?
00:04:53The usual?
00:04:54Yes, please.
00:04:55I know.
00:04:56I know.
00:04:57Boring and predictable, but...
00:04:59So, what do you do for work, predictable man?
00:05:03Insurance search man?
00:05:04Something like that?
00:05:06I'm an artist.
00:05:08Oh, I didn't expect that.
00:05:10What kind of art?
00:05:11Graphic design?
00:05:13No, um...
00:05:15Figurative work.
00:05:16You know, um...
00:05:18I'm Beatrice.
00:05:19Beatrice Sofia.
00:05:22Beatrice Sofia...
00:05:23What?
00:05:25Beatrice Sofia what?
00:05:28What do you mean, what?
00:05:30Is that it?
00:05:31That's your whole name?
00:05:33Yes, that's it.
00:05:34That's my name.
00:05:36Oh, um...
00:05:38Sorry, it just seemed...
00:05:40Seemed what?
00:05:42I, uh...
00:05:43I, uh...
00:05:43I don't know.
00:05:45Incomplete.
00:05:46Incomplete?
00:05:47Do I appear incomplete?
00:05:48No, no.
00:05:49Not at all.
00:05:49It's, uh...
00:05:50It's just that your surname is the same as the first name.
00:05:54Surname.
00:05:55What is the surname?
00:05:57Last name.
00:05:58Uh...
00:05:59Family name.
00:06:01Ah, thank you.
00:06:02And not a moment too soon.
00:06:04I will blame Black Coffee for my ignorance and my rudeness.
00:06:07Oh, really?
00:06:08And what's your excuse the rest of the time?
00:06:11Ignore her.
00:06:12She is my sister.
00:06:16I'm Michael.
00:06:16Michael George.
00:06:17Michael George?
00:06:20Michael George...
00:06:21Incomplete.
00:06:23Very.
00:06:24Incomplete.
00:06:25So we both have, uh, sir...
00:06:27Surnames.
00:06:28Surnames as our family names.
00:06:31Apparently.
00:06:32Michael George, eh?
00:06:34Too bad not George Michael.
00:06:36You are like the bizarro world George Michael.
00:06:39Bizarro world George Michael?
00:06:41Yeah, see, it's like in Seinfeld's show.
00:06:44Uh, you are the opposite of George Michael.
00:06:47Especially in the men's room.
00:07:00Sometimes it isn't the smallest thing.
00:07:04Sometimes it's something much larger.
00:07:07And from out of nowhere.
00:07:10Wham!
00:07:11There was a time when Michael was a man of great faith.
00:07:19It's good to see you, Michael.
00:07:22Father Tom?
00:07:24You're a priest.
00:07:31Father Tom, we've seen the reports.
00:07:34We know about your intimate and exclusive predilection for experiences with young boys.
00:07:42And we don't, we don't need that kind of trouble visited on the doorstep of the bishop.
00:07:52We're going to reassign you?
00:07:55Yeah.
00:07:57Are you still...
00:07:59Yes, of course, I'm a priest.
00:08:01It's my calling to serve the Lord.
00:08:04Father Tom, we've seen the reports.
00:08:07We know about your predilection for companionship and affection for young boys.
00:08:16And we don't, we don't need that visited on the bishop or in this church.
00:08:23We're going to ask that you be reassigned.
00:08:28So what brings you back here?
00:08:29A funeral.
00:08:31My sister passed away.
00:08:36I'm very sorry for your loss.
00:08:38Grazie, grazie.
00:08:40Che bello, cento vite.
00:08:42Sego Roma?
00:08:44Si, yes.
00:08:45Ah, Roma.
00:08:46El splendore dovericano.
00:08:49Magnifico.
00:08:52Minacomoto.
00:08:53Eh, si, Roma è così bella.
00:08:56Mi manca la Fontana di Trevi, Galleria Borghese.
00:08:59Ah, the Borghese Gallery.
00:09:02Big fan of Bernini.
00:09:04His statue of David is...
00:09:06Fa'zozo?
00:09:08Ya, si.
00:09:35I'm sorry about your sister.
00:09:38Coming from you, Michael.
00:09:39That means the world to me.
00:09:41The world to me.
00:10:07A mystery.
00:10:35Okay, well, um, I should probably be going.
00:10:38Yeah.
00:10:39Back to your predictable life.
00:10:42What?
00:10:43You said it this morning when you ordered your coffee yourself.
00:10:47Predictable.
00:10:48Predictable and incomplete.
00:10:52But then again, we've always known that, haven't we?
00:11:22You said it.
00:12:27Oh, I'm sorry.
00:12:28I didn't see you standing there.
00:12:32Uh, I should probably be going.
00:12:35Oh, no.
00:12:36That's too bad.
00:12:37I would like to learn more about your art.
00:12:40My art?
00:12:43Si, yes.
00:12:44It's not usual to meet someone discussing Bernini.
00:12:48It makes me curious about your work.
00:12:51My work's nothing like his.
00:12:53Sculpture is beyond me.
00:12:56No, my work is dark.
00:13:00I don't know.
00:13:01Rooting, maybe?
00:13:03Morbid.
00:13:05Use a lot of charcoal.
00:13:07But you are familiar with his work.
00:13:10Oh, yeah.
00:13:11Thematically, I find him interesting.
00:13:13He was commissioned by the Pope.
00:13:15And, you know, he would do things like the ecstasy of St. Teresa and the rape of the...
00:13:20Proserpina, si.
00:13:20The rape of the Proserpina, a marble statue by Bernini, depicts the abduction of Proserpina
00:13:29by Pluto and taken to the underworld.
00:13:32It was commissioned by Cardinal Borghese in 1621.
00:13:37He was the nephew of Pope Paul V, who was the first to warn Galileo that it was heresy
00:13:43to speak about the Compertecan view that the earth revolved around the sun.
00:13:49Heresy was pretty deadly in the days of the Inquisition.
00:13:55Unless you were a cardinal.
00:13:58Well, it's...
00:13:58One thing we have in common is commissioned work.
00:14:01Ah.
00:14:02Portraits.
00:14:03Portraits.
00:14:04That doesn't sound brooding or morbid.
00:14:08Sometimes they're...
00:14:10portraits of people who have recently died.
00:14:15Thank you, Michael.
00:14:18I can't tell you how much this means to me.
00:14:21To all of us.
00:14:30Sometimes I use their ashes.
00:14:43Use a lot of hand sanitizer.
00:15:06Well, I should probably get going, get to my studio, and get to work.
00:15:12I just want to say it was a pleasure meeting you.
00:15:14It was very nice to meet you, too.
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00:23:55I don't know.
00:24:39Hello. I didn't see you come in. Are you all right?
00:24:46Yeah, I'm fine. I think.
00:24:56Ah, a fan of Rewald, are you? I have to say, the man could sure capture a mood. He that
00:25:04believeth in me, though he were dead, yet he shall live.
00:25:08I'm guessing that group weren't members of the believeth club.
00:25:16Disparaging our friend Mr. Rewald again?
00:25:19I'm not disparaging.
00:25:21You just resent that he's considered a focus.
00:25:23Do you see any color in that at all?
00:25:25This is not his only series.
00:25:27But it's his masterpiece, even in its dark and brooding way.
00:25:30It does reflect the human condition at that time period, but he juxtaposed it with Christ's suffering for our redemption.
00:25:36What are you doing?
00:25:38You just had this argument.
00:25:40We have this argument all the time.
00:25:42Frequently. Every two minutes.
00:25:44Well, not that often.
00:25:46Twice a year.
00:25:47You just had this argument moments ago.
00:25:51We did?
00:25:53Yes.
00:25:55Where?
00:25:57Right here.
00:25:59The two of you were standing right there and having this very argument.
00:26:03It's impossible.
00:26:05I'm only here just now.
00:26:09Patricia?
00:26:12Patricia?
00:26:27Have a coffee?
00:26:29Love one.
00:26:30Then I'll have to go.
00:26:32Have you seen Mr. Peace?
00:26:36It's kind of blasphemous, isn't it?
00:26:38Because he's so well-endowed.
00:26:39What's he trying to say?
00:26:40Jesus was well-hung?
00:26:42Nailed that one, didn't you?
00:26:44Well, it's got a bit of life in it.
00:26:46It's not morbid like his other one.
00:26:48Like that red stripe thing.
00:26:50You find that morbid?
00:26:51What, you don't?
00:26:52It's like he's singing in the shower.
00:26:53Singing in the shower?
00:26:54He's all twisted and contorted.
00:26:56Maybe it's a song by Leonard Cohen.
00:27:04She then realized that man is canned soup.
00:27:08Hard on the outside and full of shit.
00:27:10Just add water.
00:27:15You're going to take a short break and then we'll be back with tonight's main attraction.
00:27:32Just remember, God never gives you more than you can handle.
00:27:36As long as you remember, you're safe for it.
00:27:39Michael, how are you?
00:27:41Just with a mask.
00:27:42Look, this thing, it's what I do.
00:27:48It's my gimmick.
00:27:49Your gimmick?
00:27:50Yeah, like a priest wears a dress on Sunday.
00:27:54Gimmick.
00:27:59So I haven't seen you in a group in a while.
00:28:01How are you?
00:28:03I'm fine.
00:28:05By the way, I brought that book for you.
00:28:08Hey, Nick, can you grab that book for me?
00:28:10Which one?
00:28:11The big one.
00:28:12Big.
00:28:13This thing's friggin' huge.
00:28:16Here it is.
00:28:18I don't understand why you're so enamored with this guy.
00:28:21I mean, his work is brilliant, but...
00:28:23I know, I know, I know.
00:28:25You both paint Jesus.
00:28:28But this guy is a crazy believer.
00:28:31You, not so much.
00:28:32Well, most people only know my portrait work.
00:28:34Only a few of you have seen my personal stuff.
00:28:37And most of you I would not consider to be believers.
00:28:41Well, for one, I'm grateful I'm not.
00:28:44If it wasn't for our shared experiences,
00:28:46I could be just like them.
00:28:48Going to church every Sunday.
00:28:50Following the Catholic League.
00:28:53I'm glad of that.
00:28:56Funny thing is, no one reads the Bible.
00:28:59Do you know what it says in the Bible?
00:29:01And do not call anyone on earth Father.
00:29:04For there is only one Father.
00:29:06And he is in heaven.
00:29:08Hello, Michael.
00:29:19Hi, Susan.
00:29:21It really says all that?
00:29:23Matthew 23, 9.
00:29:25How do they reconcile that?
00:29:27It's like Ruro said.
00:29:29I'm a believer and a conformist.
00:29:32Anyone can revolt.
00:29:34It is much more difficult to obey our inner promptings.
00:29:39Everyone just conforms.
00:29:41Quoting artists and the Bible.
00:29:43No wonder nobody drinks here.
00:29:44I know.
00:29:45I know all of this, Phil.
00:29:47You know, sometimes I feel like you.
00:29:49You know, liberated.
00:29:52A lot of times I just feel robbed.
00:29:59Hey, Michael.
00:30:01Hey.
00:30:02How you been?
00:30:03Good.
00:30:03Good.
00:30:04I haven't seen you here in a while.
00:30:05No.
00:30:06Nope.
00:30:06Nope.
00:30:07Looks like everyone's really happy to see you here.
00:30:12Yeah, I should probably, um, just really keep going.
00:30:14See?
00:30:15All this Catholic talk and people head for the door.
00:30:17Can we talk about sports?
00:30:19Sports?
00:30:20Yeah, sports.
00:30:21Have you ever a sports bar?
00:30:22Television's on the wall.
00:30:24That market is oversaturated.
00:30:26This market's dry as a bone.
00:30:27So, Nick, what do you want to talk about?
00:30:30I don't know.
00:30:30Anything.
00:30:31Just small talk.
00:30:32Like the Seinfeld episode about shrinkage.
00:30:35That was a good one.
00:30:36Well, the humor's base, but still funny.
00:30:40I guess all you could do is laugh, really.
00:30:42What do you mean?
00:30:43It's like when I go to my tailor.
00:30:45You don't go to the tailor.
00:30:46And he asked me to which way does it hang,
00:30:48and I say hang is a very generous word for what this thing does.
00:30:51Mostly just is.
00:30:53I call it the quantum physics penis.
00:30:55It has leapt from this realm of existence,
00:30:57and I'm just waiting for it to return.
00:30:59But only my dick could get stuck in a wormhole.
00:31:02Ha!
00:31:02Ha!
00:31:04Ha!
00:31:05Ha!
00:31:06Ha!
00:31:07Ha!
00:31:09Ha!
00:31:09Like I said, I should probably get going.
00:31:20Don't forget your book.
00:31:22Right.
00:31:23Thanks.
00:31:27Listen, I get it.
00:31:29All right, I know what you did back there.
00:31:33It's okay, I guess.
00:31:35I know you have your boundaries, and you felt crowded.
00:31:39I just, I'm uncomfortable around women.
00:31:43Around people.
00:31:45I don't know how to act.
00:31:46You know, this is, uh, this is safer for me.
00:31:51I know.
00:32:01I have a black dog who once was well-fed.
00:32:05I have a black dog who used to be fat.
00:32:09Now he's meekness, he's weightless, a heartbeating skin drum, heavy only with snarls and a dark eye shine.
00:32:17He jumps from the rug where he sleeps while I'm sleeping and lands in my bed.
00:32:24Looking to chew me, I hate him, I love him, I own him, I fear him.
00:32:30I sing him a lullaby to get him to heal.
00:32:34C'est tout, c'est tout, is French for that's all.
00:32:39Basta, basta, Italian for enough.
00:32:42I can't give you my heart, for my heart is too tough.
00:32:46C'est tout, basta, that's all, that's enough.
00:32:51The mother, the father, the lovers, the brothers, the liars and smilers who've drained all the colors.
00:32:59Whose once red appetites are still salty on the wounds from the end of a cutlass one could scarcely imagine.
00:33:07They come to my bedside, push me to the floor.
00:33:11I speak to their shadows, cast my one good spell.
00:33:16C'est tout, c'est tout, is French for that's all.
00:33:20Basta, basta, Italian for enough.
00:33:23I won't give you my soul, for my soul is too rough.
00:33:28C'est tout, basta, that's all, that's enough.
00:33:33Ho mai creduto che sarebbe stato facile.
00:33:37Ho mai creduto che potesse essere ignorato.
00:33:41Ho mai creduto che potesse divenire polvere o vento, o racconto di fantasmi, o fiaba, o essere dimenticato.
00:34:05I awake in the morning, or even the evening, there's breakfast or supper.
00:34:11There's something to do, I stand up, I move.
00:34:15I don't see the dog, if there's a question to be answered here, I know what to say.
00:34:22C'est tout, c'est tout, is French for that's all.
00:34:26Basta, basta, Italian for enough.
00:34:34C'est tout, basta, that's all, that's enough.
00:34:38C'est tout, c'est tout, is French for that's all.
00:34:43Basta, basta, Italian for enough.
00:34:46I can't give up my heart, my heart is too tough.
00:34:51C'est tout, basta, that's all, that's enough.
00:35:05God never gives you more than you can handle.
00:35:09As long as you remember your safe word.
00:35:12Our safe word is amen.
00:35:20The moon, the moon, you're afraid.
00:35:29Non hai niente di cui preoccuparti.
00:35:33Il matto ha una saggezza interiore e ha il sole alle sue spalle che gli illumina la via.
00:35:41Va tutto bene.
00:35:44Questo è un nuovo percorso per te.
00:35:48You have it within you.
00:35:50I can sense it.
00:35:53Just follow the path.
00:35:57When the Puritans settled in New England,
00:35:59it was the law that if you wanted to start a new village,
00:36:02you had to first build a church in the center of town.
00:36:07With the old growth forests of the time,
00:36:09it was easy to make them out of wood
00:36:11and make them simple and quaint.
00:36:15The only town that blatantly disregarded this was Provincetown,
00:36:19an outlaw city from the beginning.
00:36:23When the potato famine hit Ireland,
00:36:25they came to New England and brought with them the Roman Catholic Church.
00:36:29And churches began to take a more European feel.
00:36:35And that's not to say the Puritans weren't from Europe.
00:36:37They were, but like Rouault and Chagall,
00:36:40they both like to honor their gods differently.
00:36:43One with supposed humility and the other with shame.
00:36:49The poet Horace once said that it is the false shame of fools
00:36:53to try to conceal the wounds that not yet healed.
00:36:58Catholics hide in the beauty of guilt.
00:37:04St. Augustine said that repentant tears wash away the stain of guilt,
00:37:09but that requires effort.
00:37:12I prefer Annie Youngman's philosophy.
00:37:14If you're going to do something tonight
00:37:15that you're going to feel sorry for in the morning,
00:37:18sleep late.
00:37:28In the name of the Father, and of the Son, and of the Holy Spirit.
00:37:31Amen.
00:37:33May the grace of our Lord Jesus Christ,
00:37:35love of God, and the fellowship of the Holy Spirit
00:37:38be with you all.
00:37:39And also with you.
00:37:40Please be seated.
00:37:57Amen, Amen, Amen, Amen, Amen, Amen, Amen.
00:38:19Amen.
00:38:25Ah.
00:38:27It's a recital.
00:38:32There's not too many people here.
00:38:35I can't speak for anyone else.
00:38:37I'm here to see my daughter.
00:38:41Oh, which one is she?
00:38:45Which one is young enough to be my daughter?
00:38:49Young enough?
00:38:51Or old enough, you take your pick.
00:38:59She's cute.
00:39:03What's her name?
00:39:04What's her name?
00:39:07Yeah, what's her...
00:39:09name?
00:39:11None of your business.
00:39:15What?
00:39:16Or maybe you didn't hear me.
00:39:18I said none of your goddamn business.
00:39:22Now why would you want to know her name?
00:39:24I was... I was just trying to make conversation.
00:39:26Sure, yeah.
00:39:29You wanna...
00:39:29You wanna familiarize yourself with her.
00:39:33Know her name so that someday when nobody's around, you can come up to her and say,
00:39:39Hey, Amy.
00:39:41That's not her name, by the way.
00:39:42I'm just using it as a case of pulling.
00:39:44Okay, okay. Just wait a second.
00:39:45You can say, Hey, Amy.
00:39:48I'm a friend of your dad's.
00:39:50We were sitting together at the recital.
00:39:52No, I... I...
00:39:54Because as you noted,
00:39:56there's nobody else here but you and I.
00:39:59I was just making conversation.
00:40:02Yeah.
00:40:04Your dad phoned Amy.
00:40:06He said...
00:40:07He said you might need a ride home.
00:40:11I'll give you a ride home.
00:40:13I'll give you a ride home.
00:40:13Everyone here looks old enough to ride... to drive here.
00:40:15I'll give you a ride home.
00:40:17After you helped me find my puppy.
00:40:22Is that your game?
00:40:23No. No. No game. Okay?
00:40:26I... we're just making conversation.
00:40:28Sure.
00:40:28I can't even tell who she is.
00:40:31That's why you said she was the one that was cute.
00:40:34It just...
00:40:35It seemed like a safe thing to say.
00:40:38I gained my trust.
00:40:41I know how you people think.
00:40:44No. No. No. No.
00:40:46I'm... I'm... I'm... I'm not like that.
00:40:58Everyone always denies it.
00:41:00Until they're caught.
00:41:02And they're so sorry.
00:41:04Ask for forgiveness and such.
00:41:07Real contrite.
00:41:08We've heard it all before.
00:41:09No. It's not...
00:41:11Like that.
00:41:12I just...
00:41:13I came in here to find Beatrice.
00:41:16Is she a friend of yours?
00:41:20I just met her this morning.
00:41:22So you're stalking her then?
00:41:25Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:41:26Sit right down.
00:41:29Welcome to the feast of...
00:41:32Eh, it's just a feast.
00:41:43I'm so sorry.
00:41:43Do you see my friend at his dies?
00:42:02Like...
00:42:05Let's see.
00:42:05It's meating.
00:42:06I love you.
00:42:07Do what I see.
00:42:082019.
00:42:09What have eles onto it?
00:42:23Oh, you have to stop this.
00:42:53Hi, sweetie.
00:42:58Love you.
00:43:25Hold your breath, Michael, do you need me?
00:43:53Hold your breath, Michael, do you need me?
00:44:25Hold your breath, Michael, do you need me?
00:44:36You can go now.
00:44:38You should never leave now.
00:45:07Hold your breath, Michael, do you need me?
00:45:39You should never leave now.
00:46:07Hold your breath, Michael, do you need me?
00:46:14Don't be afraid.
00:46:17Don't be afraid.
00:46:17It's all right.
00:46:19Did you know that the Prenestina Fort was built in 1880?
00:46:30I mean, shortly after the unification of Italy.
00:46:34And up until 1871, Italy as we know, it didn't even exist.
00:46:39It was just a lot of small states.
00:46:43Rome became the capital.
00:46:46The citizens built the forts to protect themselves.
00:46:50Napoleon was still on their minds.
00:46:54After World War I, Mussolini used the forts to secure himself and his protection.
00:47:03After World War II, it was all in ruins.
00:47:10Do you know what?
00:47:11Do you know what it feels like to be in ruins?
00:47:22To be in buildings?
00:47:25To be in buildings?
00:47:27In life?
00:47:31In complete?
00:47:33In complete?
00:47:39This is wrong.
00:47:42This is...
00:47:43This is...
00:47:44This is all wrong.
00:47:50We shouldn't be doing this, mother.
00:47:52It's father.
00:47:54It's father Tom.
00:48:01Don't worry, Michael.
00:48:03I'll be around to help out your mom when your baby sister comes, even while your dad's away.
00:48:09And you know, one day, I'll take you to Rome with me.
00:48:16Yeah, with your mother's permission, of course.
00:48:31Social center now?
00:48:33I know. Do you need me now?
00:48:37No. Not now.
00:49:04If you're still doing a girl, I'll be around to help you.
00:49:05If you have any of the problems, do you need your child?
00:49:05If you change your child, you'll have to change your child.
00:49:07If you change the signs of your child, do you want to make your child?
00:50:09Oh, the tower card.
00:50:16Non è così impressionante come sembra.
00:50:22Vedi?
00:50:24Vedi tutte queste luci?
00:50:26Queste rappresentano la distrazione di tutti i vecchi concetti sulla relazione tra il conscio e l'inconscio.
00:50:38L'illusione è...
00:50:43Shattered.
00:51:13Oh, in 1377, a Dominican monk named Johann von Reinfeld amused them in his teachings.
00:51:20A Dominican monk?
00:51:21Tarot?
00:51:23Tarot?
00:51:25Whatever.
00:51:27Look, you can't prove something like this without spiritual study and scientific study.
00:51:33Carl Jung did.
00:51:34Oh, Christ, Jung.
00:51:35No such thing as coincidence, including the cards that are pulled.
00:51:40It's not random.
00:51:41It's a synchronistic message from the collective subconsciousness.
00:51:45So, Michael, let me ask you a question.
00:51:49Are you young at heart?
00:52:00Tear it down.
00:52:02Tear it down.
00:52:03Tear it down.
00:52:25Today's reading is from the New Testament.
00:52:29Matthew, chapter 18, verses 1 through 9.
00:52:34At that time, the disciples came to Jesus and asked,
00:52:37Who then is the greatest in the kingdom of heaven?
00:52:40He called the little child to him and placed the child among them.
00:52:44And he said, Truly I tell you, unless you change and become like little children,
00:52:49you will never enter the kingdom of heaven.
00:52:53Therefore, whoever takes the lowly position of this child is the greatest in the kingdom of heaven.
00:52:59And whoever welcomes one such child in my name welcomes me.
00:53:07And everyone who commits an offense against one of these little ones who believe in me,
00:53:13it would be better for them to have a large millstone hung around their neck
00:53:19and to be drowned in the depths of the sea.
00:53:24Woe to the world because of the things that cause people to stumble.
00:53:30Such things must come.
00:53:31But woe to the person through whom they come.
00:53:34If your hand or your foot cause you to stumble,
00:53:38cut it off and throw it away.
00:53:40It is better for you to enter life maimed or crippled
00:53:44than to have two hands or two feet and to be thrown into eternal fire.
00:53:52And if your eye causes you to stumble, gouge it out and throw it away.
00:53:59It is better for you to enter life with one eye
00:54:03than to have two eyes and be thrown into the fire of hell.
00:54:13Please be seated.
00:54:31We don't read that passage very much.
00:54:34People may ask questions.
00:54:38But seeing how most of you don't read the Bible anyway,
00:54:43no harm, no foul, as far as you're all concerned.
00:54:56I was trying to remember when we first met.
00:54:58It was so long ago.
00:55:01If I remember correctly,
00:55:04he introduced us.
00:55:05Right?
00:55:17He introduced me to a lot of people.
00:55:20You?
00:55:22No.
00:55:24Too bad.
00:55:26You could have used more friends.
00:55:30Matt was a horrible reading.
00:55:34He's stumped with a sermon,
00:55:36so he just stands there gawking.
00:55:40Funny thing is,
00:55:42funny thing is,
00:55:42it always ends up being the children who tie the millstones around their necks.
00:55:47Not those that commit an offense against them.
00:55:51Nope.
00:55:52They stand dry on the shore,
00:55:55smiling,
00:55:57always smiling,
00:55:59watching.
00:56:01So,
00:56:03you're breaking up with me because you like a girl.
00:56:12How old are you?
00:56:1416?
00:56:15Well,
00:56:16I suppose this had to happen.
00:56:18I was considering ending this relationship anyway.
00:56:22To be honest with you,
00:56:24you're just not that good.
00:56:26You're inadequate in technique and size.
00:56:34So,
00:56:35you like a girl.
00:56:37What's her name?
00:56:49THE END
00:57:14THE END
00:57:44THE END
00:57:46THE END
00:57:47THE END
00:57:47THE END
00:57:47THE END
00:57:47THE END
00:57:49THE END
00:57:50THE END
00:57:50THE END
00:57:50THE END
00:57:51THE END
00:57:51THE END
00:57:51THE END
00:57:52THE END
00:57:54THE END
00:57:54THE END
00:57:54THE END
00:57:54THE END
00:57:55THE END
00:57:55THE END
00:57:55THE END
00:57:57THE END
00:57:57THE END
00:57:57THE END
00:57:57THE END
00:58:09THE END
00:58:11THE END
00:58:11THE END
00:58:11THE END
00:58:13THE END
00:58:24THE END
00:58:27THE END
00:58:28every day. Come on, Michael, you know that. I taught you that when I took you to Greece.
00:58:33We went to Rome.
00:58:36Same difference.
00:58:46That's right. Sisyphus was doomed to push a rock up this hill, only to watch it roll
00:58:52back down again. And then, he had to do it all over the next day.
00:59:01Don't let me live in this. Like we have no choice.
00:59:07Albert Camus thought differently. He thought Sisyphus had a way out.
00:59:13What's that?
00:59:16Suicide.
00:59:22Suicide.
00:59:25Suicide.
00:59:26Suicide.
00:59:35Suicide.
00:59:37Suicide.
00:59:40Suicide.
00:59:41Suicide.
00:59:43Suicide.
00:59:45Suicide.
00:59:45Suicide.
00:59:46Suicide.
00:59:48Suicide.
00:59:48Suicide.
00:59:49Suicide.
00:59:51Suicide.
00:59:51Suicide.
00:59:52Suicide.
01:00:46Do you need me now?
01:00:53Do you need me now?
01:01:26Thank you, Michael.
01:01:28I can't tell you how much this means to me, to all of us.
01:01:45I can't wait to show this to Father Tom.
01:01:48He loved her so much.
01:01:51Just like he loves you.
01:02:23I can't wait to show this one, I can't wait to show this one.
01:02:33Funny thing, this millstone story, it's a misquote, there weren't any millstones then.
01:02:41There weren't any mills, they were grinding stones, used to ground wheat mostly, grains.
01:02:50We've been doing it forever.
01:02:54Grinding seems more of an appropriate word in this case, don't you think?
01:03:01Just kidding.
01:03:03Maybe industrial mills were named after the stones, what do I know?
01:03:11As hard as I tried, I could never get the knot tied around your neck.
01:03:16We had the millstone in place and everything.
01:03:19I just needed you to pick up the stone, to give me some slack.
01:03:24You almost never did, except for that once.
01:03:34You'd had enough.
01:03:36Nightmares kept you awake, so you had a prescription to sleeping pills.
01:03:40They were easy to get.
01:03:43And you took all of them, simply because you read his name in the paper.
01:03:49But instead of dying, you woke up groggy the next morning.
01:03:54Not even remembering taking the pills.
01:03:57Until later, in the shower.
01:04:00It was then you realized why you were so groggy.
01:04:05Without a second thought, you went to work as if nothing happened.
01:04:10And I mean nothing.
01:04:11Nothing.
01:04:12Not even a coma.
01:04:14Nothing.
01:04:16No break from reality for you.
01:04:18No.
01:04:21No.
01:04:30No.
01:04:47I'm a little bit scared.
01:05:23This is a new card for you, Michael.
01:05:26It is the devil.
01:05:31No, no, no.
01:05:33It is supposed to be upside down now.
01:05:36You are indifferent to the devil.
01:05:38He no longer has power over you.
01:05:47It is time.
01:05:49Tear it down.
01:06:10You're twitching?
01:06:11I don't know.
01:06:52I don't know.
01:07:11I don't know.
01:07:41I don't know.
01:07:45I don't know.
01:07:51Amen.
01:07:52Amen.
01:08:06Amen.
01:08:11Michael!
01:08:12Look what you've done!
01:08:13What did you just do?
01:08:15Back off!
01:08:17You okay?
01:08:18You okay?
01:08:19Here.
01:08:20Is he fine?
01:08:21It's okay.
01:08:21Sam, is he fine?
01:08:24I'm so sorry.
01:08:27I'm so sorry.
01:08:29Is he okay?
01:08:40Michael.
01:08:41Michael.
01:08:42You always, always make a mess.
01:08:47I always have to clean up after you.
01:08:53Have to clean up.
01:08:56I'll do it.
01:08:59I'll do it.
01:09:00I'll do it.
01:09:02I'll do it.
01:09:04I'll do it.
01:09:05Come on.
01:09:10I'll do it.
01:09:13I'll do it.
01:09:17You kind of show.
01:09:19I don't know.
01:09:54I don't know.
01:10:28I don't know.
01:10:49I don't know.
01:11:41I don't know.
01:11:50Projecting yourself is just a way for you to carry the guilt and shame that we've all carried wrongfully.
01:12:00As painful as it is, you have to remember it as it was.
01:12:06If you were a child, there was nothing you could have done.
01:12:18I don't know.
01:12:18I don't know.
01:12:18I don't know.
01:12:19I don't know.
01:12:25I don't know.
01:12:38I don't know.
01:13:03I don't know.
01:13:13I don't know.
01:13:23I don't know.
01:13:27I don't know.
01:13:56I don't know.
01:14:16I don't know.
01:14:26I don't know.
01:14:28I don't know how you must feel.
01:14:30But you wouldn't be the person you are today if it were not for me.
01:14:35What is this?
01:14:35A boy named Sue?
01:14:36Are you kidding me?
01:14:36Who encouraged your pursuit of the arts?
01:14:39Hmm?
01:14:40Not your school.
01:14:42And certainly not your family.
01:14:44Fuck you!
01:14:44Who took you to Rome?
01:14:46Yeah, that might interest a federal prosecutor, but not me anymore.
01:14:49Who took you to the Borghese?
01:14:51Who taught you of Caravaggio, Bernini?
01:14:59Who encouraged your artwork and to pursue the life of an artist?
01:15:05I do portraits of dead people with their dead ashes.
01:15:09Art is to reflect life.
01:15:10Mine only reflects death.
01:15:12Mike.
01:15:12Mike.
01:15:14You make something beautiful out of death.
01:15:20You wouldn't be the person you are today if it were not for me.
01:15:25Yeah, you're right.
01:15:28If I hadn't met you, I might know how to be complete.
01:15:34But I'm not.
01:15:37I don't know how.
01:15:41You haven't tried.
01:15:45Get out.
01:15:46Get out!
01:15:47Get out right now!
01:15:50Michael's too polite.
01:15:51He's always trying to rise above pieces of shit like you.
01:15:53But you know what?
01:15:54I'm not.
01:15:55I will happily kick your ass if you don't get out of here right now.
01:16:10I must say that this is no way to treat a grieving old man.
01:16:17Let him go.
01:16:19That's what he wants.
01:16:21I know.
01:16:22I know.
01:16:23It's over.
01:16:26Free refill?
01:16:29No thanks.
01:16:30I should probably go.
01:16:38Hi.
01:16:57Hello.
01:16:59I don't know.
01:17:40I don't know.
01:18:05I don't know.
01:18:29I don't know.
01:19:04I don't know.
01:19:39I don't know.
01:20:09I don't know.
01:20:33I don't know.
01:21:05I don't know.
01:21:38I don't know.
01:22:00I don't know.
01:22:32I don't know.
01:23:08I don't know.
01:23:31I don't know.
01:24:08I don't know.
01:24:38I don't know.
01:25:01I don't know.
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