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sahof
  • vor 8 Stunden
**Hallo zusammen!**

Wie ihr vielleicht schon gemerkt habt – mein vorheriger Account wurde gelöscht.
Das hier ist mein neuer Kanal, und leider muss ich ganz von vorne anfangen…
Alle Videos, meine gesamte Arbeit von über 9 Monaten – verloren!

Aber ich gebe nicht auf, und ich hoffe, ihr auch nicht ;-)
Gerade jetzt ist eure Unterstützung wichtiger denn je!
Bitte abonniert meinen Kanal – das hilft mir enorm weiter.
Und wer mich finanziell unterstützen kann: das wäre jetzt besonders wertvoll!

Weil mein alter Account gelöscht wurde, sind viele Videos verschwunden.
Ich habe nicht genug Speicherplatz auf meiner Festplatte, um alles dauerhaft zu sichern.
Eure finanzielle Hilfe würde direkt dem Kanal zugutekommen – ich würde neue große HDDs kaufen, um künftig alle Filme lokal zu speichern.
So könnten wir gemeinsam viele alte und nicht ganz so alte Filme bewahren!

**Vielen Dank im Voraus für eure Unterstützung!**
Alle Daten zur Unterstützung findet ihr unten:

💳 **Unterstützungsmöglichkeiten:**
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📧 **Wünsche oder Fragen:** sahof8619.1@gmail.com

P.S. Viele Filme kann ich nicht auf Dailymotion hochladen!
Deshalb wenden Sie sich bitte privat per E-Mail an mich!

Kategorie

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Kurzfilme
Transkript
00:00:07Music
00:00:39Music
00:01:14Music
00:01:41Music
00:02:11Music
00:02:38Music
00:02:38Music
00:02:38Music
00:02:57Marco
00:02:58What happened then?
00:03:00How can you get here?
00:03:02If Isabella sees us here
00:03:03What? Did you get something?
00:03:05No
00:03:06If I don't get something immediately
00:03:10I can't take it anymore.
00:03:13I really have nothing
00:03:14Why don't you try Isabella?
00:03:18Isabella doesn't want to anymore
00:03:21She's not giving anything more out.
00:03:22We had a falling out.
00:03:24Franco, pull yourself together!
00:03:25I'll be finished with work soon.
00:03:27Then we will definitely find something.
00:03:30Definitely
00:03:31Please go
00:03:33Okay.
00:03:34Hurry, I'm waiting
00:03:35Music
00:03:36I'm almost not from here
00:04:16Isabella, your head is good.
00:04:18Oh yes.
00:04:19Ciao.
00:04:37Ciao.
00:05:08Ciao.
00:05:42Ciao.
00:06:06Ciao.
00:06:45Ciao.
00:07:12What is?
00:07:14The shield.
00:07:16It's already started happening again.
00:07:18Should I turn it on?
00:07:20No.
00:07:21Please, not now.
00:07:22It's better to do it tomorrow.
00:07:23Should I?
00:07:27OK.
00:08:06Imagine, Isabella is late again.
00:08:09How can I possibly break her of this habit? It's already the third time.
00:08:12Why are you the boss here, anyway? Why don't you finally teach her a lesson?
00:08:16I will do that too. If it happens again, I'll throw you out.
00:08:34Good night, Signora.
00:08:35Good night.
00:08:39Nicole, take a look at this. You could be a little more careful with the models, judging by how it looks.
00:08:46I am terribly sorry, Madame.
00:08:48Yeah, yeah, sorry, because you're in such a hurry to leave as usual. Typical, you all have a problem with quitting time.
00:08:52hurry.
00:08:54What more does she want? Should we kill ourselves because of her?
00:08:57Since her husband's death, she is no longer enjoyable.
00:09:10Isabella!
00:09:32Perhaps you were murdered when the power went out.
00:09:34Possible.
00:09:37No thanks.
00:09:40How long was the light out?
00:09:42Approximately ten minutes.
00:09:45And how long has the girl been working for you?
00:09:48Maybe two or three years.
00:09:51What kind of person was she?
00:09:55Quite full of life.
00:09:57A little undisciplined, but I can't say anything negative about you.
00:10:02Do you know if she had many friends?
00:10:06Well, I can't tell you anything about that, Inspector.
00:10:09As managing director, I don't concern myself further with the private lives of my girls.
00:10:22Horrible, isn't it?
00:10:40Inspector Silvestri, Signora Cristiana, the owner of the studio.
00:10:44Good day.
00:10:45Good morning
00:10:46But we know each other from somewhere.
00:10:49Or not?
00:10:51Oh yes, of course.
00:10:54Now I remember.
00:10:55After my husband's death.
00:10:58Yes, the accident.
00:11:00That was the car accident.
00:11:03I hope you can help me.
00:11:05Surely you can tell me more about the girls' private lives.
00:11:08But please, this isn't an boarding school.
00:11:10Once the girls are finished here, you can of course do whatever you want.
00:11:16The phone.
00:11:17I have to go to the office.
00:11:19Please excuse me.
00:11:21Yes, please.
00:11:35Peggy, please calm down already.
00:11:45You told me earlier that you were outside putting up the sign.
00:11:48What time was it then?
00:11:49It was about seven.
00:11:51The noise made Signora Cristiana so nervous.
00:11:53And so I immediately went outside to put the sign back up.
00:11:56But after that I immediately went back to...
00:11:58Signor Mulaki!
00:11:59I protest.
00:12:00I demand an explanation.
00:12:02Signor Mulaki, I'm just passing through the garden gate, completely innocent.
00:12:04Then these two men rushed at me.
00:12:06Complain to the inspector.
00:12:07Inspector?
00:12:08Calm down.
00:12:08Tell me what you want here.
00:12:10Allow.
00:12:11Marquese Riccardo Morelli, the Castelfan...
00:12:13Okay, okay.
00:12:14Answer my question.
00:12:15He wanted to pick me up.
00:12:16He is my fiancé.
00:12:18Fiancé(e).
00:12:20What's so funny about that?
00:12:21He doesn't need to laugh, it's true.
00:12:24Do you know Isabella?
00:12:26Isabella?
00:12:28You introduced her to me once.
00:12:30Is it this one?
00:12:32Yes, then of course I know her.
00:12:34But only by sight.
00:12:35I understand.
00:12:39Peggy, please stop already.
00:12:44But Peggy...
00:12:47I think you're the only one here who seems to be affected by it.
00:12:50They were both very close friends.
00:12:52Did you live with Isabella?
00:12:53Yes, both of us.
00:12:54Where was Isabella yesterday?
00:12:56Who did she have a date with yesterday?
00:12:58I don't know.
00:12:59She didn't tell me anything.
00:13:00Leave them alone already.
00:13:01We all know what her boyfriend was like.
00:13:04And who are you?
00:13:06Cesare Lazzarini.
00:13:07I'm a fashion designer here.
00:13:08Now tell me the name.
00:13:09Which one?
00:13:10From Isabella's boyfriend.
00:13:11Nascalo.
00:13:12Franco Scalo, the antiques dealer.
00:13:19Criminal Investigation Department, where is the inspector?
00:13:21Back there.
00:13:21Thanks.
00:13:25I assure you, Inspector.
00:13:28I don't know anything.
00:13:29Mr. Inspector!
00:13:30Just a moment please.
00:13:33Please?
00:13:35We found it.
00:13:38That's true.
00:13:40You can go, Sankin.
00:13:42Good.
00:13:52So, what kind of relationship did Isabella and you have?
00:13:58We were just friends.
00:14:01Not more?
00:14:02No.
00:14:04It might sound a bit shocking to you, but believe me, I don't hold back.
00:14:09a great deal of the so-called firm bonds.
00:14:12Yes I understand.
00:14:14Sounds a bit cynical.
00:14:15But it's certainly practical and, above all, comfortable.
00:14:18Have you ever seen anything like this before?
00:14:22No.
00:14:24I don't know.
00:14:25What is it?
00:14:27Cocaine.
00:14:29We just found it.
00:14:32During the search of Isabella's apartment.
00:14:35At Isabella's?
00:14:36So you knew nothing about it?
00:14:38No.
00:14:40That's all for today.
00:14:43That's not much.
00:14:45But I suppose we'll see each other again soon, Senior Carlo.
00:14:48See you soon.
00:14:57Is this better now?
00:14:58Yes, I am good.
00:14:59I need to get to it right away.
00:15:04Change your ways.
00:15:06I'm fine with that.
00:15:07You can leave.
00:15:08Come on.
00:15:08The autumn evening.
00:15:13Cesaretto, what is it?
00:15:14Tell me, what will happen to the model that poor Isabella was supposed to model?
00:15:17Oh yes, of course.
00:15:18Who should I take it from?
00:15:19Wait a minute, that should...
00:15:20Yes, Peggy, you'll demonstrate that now.
00:15:22Me? No, please don't.
00:15:22No, I can't.
00:15:23Peggy, please don't start crying.
00:15:25You'll ruin your makeup.
00:15:26Greta, then you demonstrate it.
00:15:29No, it doesn't dress itself.
00:15:30Oh, don't try to grab you.
00:15:31No, that will definitely bring bad luck.
00:15:33But someone has to demonstrate it.
00:15:34I will wear it, Signora.
00:15:35Okay, come along.
00:15:37Of course, Nicole.
00:15:38The ice-cold piece.
00:15:41Okay, you can go.
00:15:44Thanks.
00:15:45Amen.
00:16:19Great. Now go over there.
00:16:29Wait a minute. Something's missing here.
00:16:31The brooch. There used to be a brooch here, Nicole.
00:16:34She can't have disappeared. Do you understand?
00:16:37Isabella must have arranged them.
00:16:38Maybe it's in one of the boxes. Let's take a look.
00:16:49Here she is.
00:17:00A diary. Isabella kept a diary.
00:17:11Listen. It says here.
00:17:13You are a man who evokes deep feelings in me that I have never known before.
00:17:17I could give you everything, even my life.
00:17:20Give it here.
00:17:22I think we'd better leave that alone.
00:17:23What's going on? Don't you want to continue?
00:17:25Should we cancel the fashion show?
00:17:27Come on, come on, come on, get changed! What are you waiting for?
00:17:34We absolutely must hand this over to the police.
00:17:37Excuse me, I found it, Madame.
00:17:39And I also want to hand it over to the police.
00:17:44Whatever you want.
00:17:55Now we will show you the Sylvia model.
00:18:05And now, black Osteen.
00:18:09And now, black Osteen.
00:18:28And now, black Osteen.
00:18:42Well, black Osteen.
00:18:45And now, black Osteen.
00:19:11Hello.
00:19:13Hello?
00:19:14Hello, Franco.
00:19:15Why didn't you come?
00:19:17I wanted to, but I don't feel well.
00:19:19You know why.
00:19:20Yes, of course.
00:19:22Try to get here.
00:19:23I got you something.
00:19:25And one more thing.
00:19:27I have the diary.
00:19:29Isabella's Diary.
00:19:31Does anyone know anything about this?
00:19:34What should I do, Franco?
00:19:37Unfortunately, I hadn't thought of that right away.
00:19:38that there might be something about you in it.
00:19:41I can't make it disappear.
00:19:42I have to hand it over to the police.
00:19:44Absolutely not, before I've read it.
00:19:46I'll be right there.
00:19:49Franco, what's wrong with you?
00:19:50Are you feeling so bad?
00:19:52Franco, can you understand me?
00:19:55Yes.
00:19:57Yes, Nicole.
00:19:58I find it so hard to take.
00:20:00But when I take it again, I immediately feel better.
00:20:02Ciao.
00:20:03I'm waiting for you.
00:20:08Hurry up.
00:20:09It's your turn next, Greta.
00:20:12Is everything alright, Marco?
00:20:14Yes, Señor.
00:20:14Good.
00:20:20Cesaretto, where have you been all this time?
00:20:22Well, here of course.
00:20:23I've looked for you everywhere.
00:20:24I had to do everything alone over there.
00:20:31Nicole.
00:20:32Nicole.
00:20:33Yes?
00:20:33You will ask for it on the phone.
00:20:35I?
00:20:35Yes, you.
00:20:41Hello?
00:20:42Nicole.
00:20:43Is that you?
00:20:44Yes.
00:20:45Who is speaking?
00:20:46I am a friend of Franco.
00:20:47I'm with him right now.
00:20:49He is very ill.
00:20:50He collapsed.
00:20:51Please come here immediately.
00:20:53He needs you.
00:20:54I can't leave here now.
00:20:57Okay, I'll give it a try.
00:20:58I will try to get away.
00:21:00Maybe someone will lend me their car.
00:21:06Yes, that's better.
00:21:08Peggy, can't you lend me your car?
00:21:10I have to go.
00:21:11I have to go to Franco immediately.
00:21:12He is not well.
00:21:13I absolutely must see him.
00:21:15But you can't just get a prescription from her.
00:21:16Oh, I'm not interested in that right now.
00:21:17Please get me the car key, but make sure no one sees you.
00:21:31Peggy, what are you looking for then?
00:21:33Nothing, I just got my tissue.
00:21:41There is an anti-theft device in the glove compartment.
00:21:43You have to turn them off first.
00:21:44Nice.
00:21:45Thank you.
00:22:02Thank you.
00:22:30Thank you.
00:22:59Thank you.
00:23:29Thank you.
00:23:54Thank you.
00:23:58Thank you.
00:23:59Thank you.
00:24:13Thank you.
00:24:29Thank you.
00:24:46Thank you.
00:24:55Thank you.
00:25:01Thank you.
00:25:19Thank you.
00:25:33Thank you.
00:25:45Thank you.
00:25:54Thank you.
00:26:02Thank you.
00:26:12Thank you.
00:26:34No, no, no, no, no, no.
00:26:40No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:27:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:27:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:27:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:27:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:27:01no, no, no, no, no, no, no, no, no, no, no
00:27:12Thank you.
00:27:53Thank you.
00:28:31Have fun, but don't come home too late.
00:28:33No fear.
00:28:42Marco, what are you doing here?
00:28:44I have been waiting for you.
00:28:46I wanted to keep you company until Taoli returns.
00:28:50I don't want to leave you alone today.
00:28:53No, please don't be angry with me.
00:28:54I'm very tired.
00:28:55And I want to go to sleep right away.
00:28:57At least stay up until Nicole brings the car back to you.
00:29:03Please.
00:29:05If you really want to.
00:29:06Come join us.
00:29:08Thanks.
00:29:09Otherwise I wouldn't have had any peace.
00:29:10After what happened, I can no longer leave you alone.
00:29:36Oh, Clarice, you're still here?
00:29:39Good evening, Signorina.
00:29:40Yes, I just finished.
00:29:45Didn't Signorina Tali come along?
00:29:47No, she'll come later.
00:29:49She's still at a party.
00:29:50Clarice always worries about us.
00:29:52Yes, then I will leave her alone now.
00:29:54I kept his dinner warm.
00:29:56Goodbye.
00:29:58And I got rice for Signorina Tali.
00:30:01He is also prepared.
00:30:02Thank you, Clarice.
00:30:03Good night.
00:30:04See you in the morning.
00:30:04Good night.
00:30:14Peggy.
00:30:16Why don't you want to understand me?
00:30:19But I...
00:30:20Peggy.
00:30:21Every time I start talking about it, you avoid me.
00:30:24I finally want to know where I stand with you.
00:30:28I told you that I'm in love with you.
00:30:31But you don't believe me.
00:30:32Why?
00:30:33Why?
00:30:35Come on, sit down.
00:30:47You know I'm sick.
00:30:51And that's why I'm always so nervous and behave like an idiot.
00:30:59But what am I supposed to do?
00:31:01How can you say something like that?
00:31:02I'm always there for you.
00:31:03Come on, stop it now.
00:31:11Do you have cigarettes?
00:31:14Leave my bag.
00:31:15What is it?
00:31:16I just wanted a cigarette.
00:31:18What is wrong with you?
00:31:21I'll give you one.
00:31:23But you can't just go through my bag.
00:31:27Here.
00:31:41Hello?
00:31:43Inspector Silvestri.
00:31:46I'm calling about your car.
00:31:48We just found him.
00:31:50I just wanted to know if it had been stolen from him.
00:31:53No, I had given it to my friend Nicole.
00:31:56Yes.
00:31:57Yes.
00:31:58She was in a great hurry and had to go to her boyfriend's house.
00:32:02What happened to the car?
00:32:04I would prefer to tell you that in person.
00:32:07May I come and see you for a moment?
00:32:09Okay, I'll be expecting you.
00:32:11So what's going on?
00:32:12They found my car.
00:32:14Without Nicole.
00:32:15I simply cannot comprehend this.
00:32:17Is the inspector coming here?
00:32:18Yes, he wants to talk to me.
00:32:20Then, uh, then I'd rather disappear.
00:32:23I don't want him to meet me here.
00:32:26Yes, maybe it's better.
00:32:29Yes, for me, uh...
00:32:31So hurry up.
00:32:33See you tomorrow, Peggy.
00:32:34See you in the morning.
00:32:36See you in the morning.
00:33:13Today I surprised Peggy.
00:33:16She tried to steal money from my handbag.
00:33:19She started crying and told me that she was expecting a child.
00:33:24I felt sorry for her, so I lent her the money.
00:33:28So tomorrow I'm going to demand double from that guy.
00:33:34Charge double.
00:33:37Double.
00:33:40Double.
00:33:51Double.
00:33:54Double.
00:34:05Double.
00:34:08Double.
00:34:09Uh!
00:34:40Yours?
00:34:41Oh no, my God.
00:34:48Uh!
00:34:53Uh!
00:35:04Ah, ah, ah, ah, ah, ah, ah, ah!
00:35:13Ouch!
00:35:34I burned it!
00:35:35I burned it! Really!
00:35:56I burned it!
00:36:40I burned it!
00:37:10I burned it!
00:37:26Signorina, that's strange, come with me.
00:37:56Thank you.
00:38:19That's it.
00:38:47Good evening. Please excuse me for disturbing you at this unusual time. But it is very important.
00:38:53But please, take a seat. What can I do for you?
00:39:00That's a shame. I don't need you anymore.
00:39:13I just got home and found Nicole in my shop. She's been murdered.
00:39:20My God.
00:39:23I had driven to the studio to pick up Nicole.
00:39:28You know, we did meet on the way.
00:39:31I looked everywhere for Nicole, but I couldn't find her.
00:39:35Then I went back to the store.
00:39:38Believe me, I will never forget that sight.
00:39:41Why are you coming to me with this? I don't understand.
00:39:44Why didn't you alert the police?
00:39:46So what? Nicole was friends with me.
00:39:50She was murdered in my shop.
00:39:53The police will of course suspect me.
00:39:55I need an alibi.
00:39:58And you must help me with that.
00:39:59I?
00:40:00What does that have to do with me?
00:40:04You will be suspected just as much as me.
00:40:08We need to tell the police that we were together.
00:40:10All evening.
00:40:12This would help both of us.
00:40:14To you, Morelli, and me.
00:40:16I believe that would be the best solution.
00:40:18I must have misunderstood you.
00:40:19The police have no reason to suspect me.
00:40:22But they are in deep trouble.
00:40:24Perhaps they really did kill you.
00:40:26No no.
00:40:28Inform the police immediately.
00:40:29Otherwise, I will do it.
00:40:30Please?
00:40:31But don't forget then,
00:40:33to mention the matter of the failed exchanges.
00:40:35Which changes?
00:40:37The changes you made for Isabella
00:40:38signed for seven million.
00:40:41Changes that then fell through.
00:40:43Is that correct?
00:40:44Ricardo, why did you keep this from me?
00:40:48My God!
00:40:49You can't fool me.
00:40:51They don't have any lira left.
00:40:53And they are completely broke.
00:40:54They are afraid of the scandal.
00:40:57That would be a sufficient motive,
00:40:59to eliminate Isabella.
00:41:01But then there was the diary.
00:41:03You knew nothing about that.
00:41:04That would have exposed you to the police.
00:41:06And who knows,
00:41:07It surely contains something.
00:41:09Take detailed notes about your exchange fraud.
00:41:11What a diary.
00:41:12I know nothing about that.
00:41:14You're lying, Ricardo.
00:41:15I had told you,
00:41:16that Nicole found Isabella's diary.
00:41:18So,
00:41:19We're all in the same boat.
00:41:21Dear Marquise.
00:41:23If you don't want to,
00:41:24that the police your nose
00:41:25in your business
00:41:27You will probably
00:41:28They must respond to my proposal.
00:41:30So,
00:41:30For the police, we were
00:41:31together all evening.
00:41:34I will now
00:41:35Call the inspector.
00:41:37Good this way?
00:41:39Buena not.
00:41:44Good this way.
00:42:37Good this way.
00:42:40It contained something about me.
00:42:42something nobody was allowed to know.
00:42:43I really burned it.
00:42:44I swear to you.
00:42:53I burned it.
00:42:55I burned it.
00:42:56Really.
00:42:57I burned it.
00:43:18I burned myself.
00:43:24No!
00:43:31Yes!
00:43:35No!
00:43:45Can you explain to me how the girl got in here?
00:43:48She had a key.
00:43:50Only today?
00:43:52No, of course not.
00:43:55She came to visit me quite often.
00:43:56Only, Nicole?
00:43:59Inspector, I already explained to you...
00:44:00Yes, yes.
00:44:02So, which of the ladies still had a key?
00:44:08There are no more keys.
00:44:10No.
00:44:18So they both took drugs.
00:44:22How did you come to that conclusion, Inspector?
00:44:23Do you think you can pull my leg, Skarno?
00:44:26You'll have to get up earlier.
00:44:29They are drug addicts.
00:44:31Whether you want to admit it or not.
00:44:34I can even tell you where you got that stuff.
00:44:37And, uh...
00:44:39As for the girls who, let's say, kept you company, either you tried to wean them off their hobby, or...
00:44:47Isabella, or you shared the poison with them, like that lady there.
00:44:52Nice.
00:44:53Might be.
00:44:55But does that mean I'm a murderer?
00:44:58And besides, I have an alibi.
00:45:00I was there the whole...
00:45:01I didn't ask you about that.
00:45:02That's still to come.
00:45:04But we'll discuss that another time.
00:45:07Where, then?
00:45:08In the Presidium.
00:45:10Come.
00:45:19Come.
00:45:34Let's go.
00:45:52Is that the car?
00:45:53Yes.
00:45:55Are you sure?
00:45:55Yes, yes. Just a moment.
00:45:57I was able to note down the first numbers.
00:46:00Four, five, three. There you go.
00:46:04Was your driver a man? Or a woman?
00:46:07A man, I know that for sure.
00:46:09He was wearing black clothes. His face was blurred.
00:46:13Are you saying that he was wearing a mask?
00:46:15Maybe. I only looked at him because of the insane honking.
00:46:18What a racket!
00:46:19It sounded like the horn was stuck.
00:46:22First it honks continuously, then it suddenly stops.
00:46:25And then the car stopped.
00:46:30Perhaps the steering lock was connected to the horn.
00:46:33Let's see.
00:46:38I can't find anything.
00:46:41Yes, here on the dashboard in the glove compartment.
00:46:45How long did the horn sound?
00:46:47What else do you expect me to know, Inspector?
00:46:49I didn't look at the time.
00:46:50Well, approximately.
00:46:53No, no, stop.
00:46:54No longer than that, definitely.
00:46:55And if someone doesn't know where the switch is hidden, it will certainly take them longer to find it.
00:46:59I think so too.
00:47:01But if someone knows where they are, it only takes seconds.
00:47:12Then it won't work.
00:47:20Then you need to attach it with a switch, or something similar.
00:47:21He doesn't know how long he's been there.
00:47:21And then you have to make him fall in love with a stupid dark woman who doesn't switch on at the end.
00:47:21And then you can't fall in love with a switch.
00:47:24Good.
00:47:36Please come, it won't be long, you can see each other again soon.
00:47:50Gentlemen, have you ever seen one of them in the car of a senior citizen? Appeal, good.
00:47:55Tomorrow they know they can if they don't mind, she knows me in my car in
00:48:02Whether they're in their car or even on foot, that might already be suspicious; it couldn't be the opposite.
00:48:06So they claim, one after the other, that he knows the car of the elderly woman. Appeal, so what? That's silly, isn't it?
00:48:14It's not a state secret; they would have known that from me too. I think they talk too much. You didn't...
00:48:20I only saw you in the car. Please move along. What's he doing with that? You see him there.
00:48:25Perhaps for the first time, I should just say I've seen very little in the car, why? Because this gentleman
00:48:34Last night at the senior citizen's house, they came home together, oh look, that's...
00:48:40Yes, very interesting, you disgusting mixed piece. Do you perhaps want to suspect me? You want
00:48:45Finish me off, I'll bring you back, that damned dog, he's the murderer, take him
00:48:52He was definitely the inspector, let him investigate, he's the sex murderer pig, the principal hates everyone
00:48:59He would kill all women because he's never had a woman before. Why don't you say something?
00:49:04The inspector said that his wife left him immediately after the wedding, and that's the only reason I get...
00:49:11I get a pick, I pick, I pick, I pick, I pick, I pick, I pick, I pick, I pick
00:49:31I didn't know he was epileptic. You can go now.
00:49:40Look, it's clear, I'm sorry, but to my great regret I have to keep them here now.
00:49:48Signor Malaki and she too is in Jola Zeringi here, what does that mean? That means my
00:49:53Gentlemen, I must take you both into custody provisionally. Please forgive me, Inspector. Do you believe...?
00:49:57that they have a valid reason for this arrest; Nicole's murderer must have the
00:50:06He knew Peggy's car very well because he knew that the anti-theft device in the car was working.
00:50:11The glove compartment was hidden, can I leave now? And no, they both stay here too, so idiotic.
00:50:19I do have an alibi; the marchese can confirm it, it's true, we were together.
00:50:26You don't need to be afraid, I haven't forgotten, but I'm afraid I have to disappoint you.
00:50:30They were together until 11 pm, while Nicole was murdered at 10 pm, so what do they want?
00:50:35Then one thing is certain for us: when we found Peggy's car it was 11:30 pm. I have her
00:50:41I called immediately, and about a quarter of an hour later I was in her apartment. Erge was no longer there.
00:50:47She doesn't seem to have left voluntarily; she was probably kidnapped.
00:50:54even murdered, and for the relevant period, her alibi is unfortunately just as worthless as a
00:50:59expired ticket
00:51:18expired ticket
00:51:19around nine o'clock
00:51:36Do we absolutely have to sit in the dark? I can't stand it anymore.
00:51:43Do what you want, but try to pull yourself together. I can't stay calm after everything that's happened.
00:51:47What happened is I'm completely at my wit's end, I feel exactly the same as you, but what can you do?
00:51:52I'll try not to think about it, maybe that will help. Why did they have that?
00:51:59Men were picked up; you can't link them all to the murders.
00:52:08Hello
00:52:09Oh, Señor Molaki, finally! What happened?
00:52:18What
00:52:21But please
00:52:23Please, this is absurd, and why? What right do they have to arrest her?
00:52:35Oh right
00:52:38good
00:52:42good
00:52:42good
00:52:44But of course, please don't worry.
00:52:49but how the
00:52:59All five have been arrested.
00:53:01But why?
00:53:05The police must assume that one of them is the murderer.
00:53:08I think so too
00:53:12please
00:53:14Can we leave now, please?
00:53:17Yeah, it's okay.
00:53:18Do not worry
00:53:23They're lucky, they all live together. I can't stand being alone after what happened.
00:53:31I'm leaving now too
00:53:34please
00:53:39Taoli, wait, don't you want to come with me and stay overnight?
00:53:43But Greta, I'm supposed to drive so far out with you, even though I'm dead tired and only live a few steps away.
00:53:48from here
00:53:49Can't I at least sleep at your place?
00:53:52No, please don't be angry with me, I'd rather stay alone.
00:53:55Besides, you would certainly be even more afraid of me.
00:53:58Aren't you afraid of being alone?
00:54:01Isabella was murdered and Peggy
00:54:05Yes, nevertheless
00:54:07I can't imagine anything will happen again tonight.
00:54:11All the men have been arrested.
00:54:14And I'm sure one of them is the murderer.
00:54:21Good night, madam.
00:54:23please
00:54:25I want to stay here, let me sleep here
00:54:28But Greta, you'll go home just like everyone else.
00:54:31I am all alone
00:54:32I live way out in the countryside, not in the city.
00:54:35Greta, don't drive yourself crazy
00:54:36Think about tomorrow, we have a busy day ahead of us.
00:54:38Just forget this terrible story already.
00:54:40believe me
00:54:42Isabella and Nicole were probably involved in a dubious matter that doesn't concern us.
00:54:47So you have absolutely nothing to fear, believe me.
00:54:51and now go
00:54:52have no fear
00:54:54Yes
00:54:54Good night, signora
00:54:55good night
00:54:59Yes
00:55:06Yes
00:55:35Subtitles by ZDF, 2020
00:56:06WDR mediagroup GmbH on behalf of WDR
00:56:35Subtitles by ZDF, 2020
00:57:05Subtitles by ZDF, 2020
00:57:36Subtitles by ZDF, 2020
00:57:44Signorina, the Signor Marchese has asked me to convey to you.
00:57:47He is held back by obligations in the city.
00:57:49Thank you, I already know that. Please make me some tea.
00:57:52Very well, Signorina.
00:57:53Yes.
00:57:55Yes.
00:58:03Yes.
00:58:06Yes.
00:58:07Yes.
00:58:18Yes.
00:58:20Yes.
00:58:29Yes.
00:58:31Yes.
00:58:33Yes.
00:58:36Yes.
00:58:41Yes.
00:58:48Hello Hello?
00:59:16Hello?
01:00:03Signorina, I have prepared the tea as requested.
01:00:09One moment please, Charles.
01:00:40Please come, Charles.
01:01:02That's fine, Charles. Thank you, you can go now.
01:01:06Very well, Signorina.
01:01:21Please come, Charles.
01:01:51Please come, Charles.
01:01:54Oh, please come, Charles.
01:02:38SUBTITLES
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01:03:41Oh, oh, oh, oh, oh, oh.
01:04:28Oh, oh, oh, oh, oh, oh.
01:04:30One after the other, four pretty girls.
01:04:33Perhaps it is merely a coincidence, or perhaps it really is female beauty that drives him to murder.
01:04:38Well, and we're just as smart as we were at the beginning.
01:04:41Excuse me, the forensic team is here, Inspector. Would you please come down to the garden?
01:04:46Is that the inspector?
01:04:47Yes.
01:04:57We found traces coming from over there.
01:04:59The murderer must have arrived by car, parked the car, and walked along the embankment until he reached the
01:05:04A house.
01:05:05The tracks match those we found in the park of the fashion studio.
01:05:08Is that certain?
01:05:09Perfect, Inspector. Our plaster casts prove it.
01:05:22We really got carried away there. I was certain that the murderer was among those arrested.
01:05:27Do you want to release them now?
01:05:28I suppose I have to. Unfortunately, this time our guests have a bulletproof alibi.
01:05:35And I even got it for them.
01:05:38Morelli, Ricardo.
01:05:39It's me.
01:05:40Please check the content.
01:05:42Something she can rely on.
01:05:48Molachi, Massimo.
01:05:53Nazarini, Cesare.
01:05:55Here.
01:05:56Okay, now you can all go.
01:06:01But.
01:06:26Okay, now you can leave straight ahead.
01:06:30That's it.
01:07:14Yes?
01:07:17Excuse me, Signor Molaki, could I please speak to you for a moment?
01:07:21But of course, please come in.
01:07:29Signor Molaki, I am certainly not afraid, but the idea that there is a sex offender in this house who has already committed four murders is frightening.
01:07:35I can't bear to think that he killed my colleagues.
01:07:40For this reason, I would like to leave here for a while.
01:07:43I've already booked a flight to Paris for tomorrow.
01:07:46Paris?
01:07:48Okay, Tauli.
01:07:50Thanks.
01:07:51By the way, are you still living near the Marquesa?
01:07:54Yes why?
01:07:55Oh, nothing special.
01:07:57Mere memory.
01:07:58I used to go there more often when the Count was still alive.
01:08:02A pretty house.
01:08:03And then the view from the terrace over all of Rome.
01:08:07Yes, but now I prefer the rooftops of Paris, Signor Molaki.
01:08:10I can understand that.
01:08:11Goodbye.
01:08:11Good luck.
01:08:12Thank you.
01:08:51Thank you.
01:09:21Thank you.
01:09:53You don't need to search.
01:09:55I burned everything that could burden you.
01:09:59When you were arrested, I immediately got rid of Peggy.
01:10:04So that they can't be found here.
01:10:05And to give you an alibi, I killed Greta.
01:10:09Perfect.
01:10:11Perfect, but horrendous.
01:10:14I can't understand it myself.
01:10:16I never would have believed that I was capable of something so terrible.
01:10:22But I did it for you.
01:10:24I can imagine what a huge effort it must have taken.
01:10:28But I don't understand how you transported Peggy's body to Villa Morelli on your own.
01:10:34I just put them in the trunk of Greta's car.
01:10:43How did you come up with Greta in particular?
01:10:46Because I knew that Greta was alone in the house.
01:10:51Thank you.
01:10:55The police are surely looking for a sex offender now.
01:11:00Isabella, Nicole, Peggy and now...
01:11:06Greta, make four.
01:11:12Stop it.
01:11:15Oh, darling, darling, what's wrong?
01:11:21Kiss me.
01:11:34But what about you?
01:11:37This is bound to go wrong.
01:11:39And all because of that crazy, money-grubbing Isabella.
01:11:45But their blackmail had to finally stop.
01:11:48More and more money, and even more money.
01:11:50And only because they found out by sheer luck.
01:11:55That my husband's car accident wasn't an accident at all.
01:11:59She should have known better if someone was trying to blackmail her.
01:12:03One should never overstretch oneself.
01:12:04But no, no, no.
01:12:06It was never enough for her.
01:12:08And what does she get out of it?
01:12:12Why couldn't she stop in time?
01:12:14She simply felt too secure.
01:12:17And believed she had us completely under her control.
01:12:22And that was their mistake.
01:12:25But who could have guessed,
01:12:27That this vile creature kept a diary?
01:12:33Everything is done now.
01:12:35Now we don't need to worry anymore.
01:12:38It's all over now, darling.
01:12:40It's all over.
01:12:41No, you are mistaken.
01:12:43We will never find peace again.
01:12:47The police are still searching for the murderer.
01:12:49Police.
01:12:54Christiana, you will not stop searching for the murderer.
01:12:57We will find no peace here.
01:13:00Never.
01:13:01They will not let us out of their sight.
01:13:04Because all the girls worked in your studio.
01:13:07They have no evidence against us yet.
01:13:09But still, believe me, they won't give up.
01:13:11And that will wear us down in the long run.
01:13:13that we will ultimately betray ourselves.
01:13:15We need to find a solution.
01:13:21But what are we supposed to do?
01:13:24I know something.
01:13:26We'll both fly to the moon, darling.
01:13:33There is only one way out.
01:13:35Taoli must die.
01:13:37And you will.
01:13:42No.
01:13:43But.
01:13:44Because I will continue to be monitored.
01:13:46Have no fear.
01:13:47We will find a perfect alibi for you.
01:13:50You have to do it.
01:13:51No.
01:13:52No.
01:13:52Never again.
01:13:53You can't ask that of me, Basil.
01:13:55I can't do that.
01:13:56I can't do that for you anymore either.
01:13:57You've done it before.
01:14:00That's true, Abner.
01:14:02But that was something completely different.
01:14:04What choice did I have?
01:14:05You were in danger and I wanted to save you.
01:14:08I was completely desperate.
01:14:09Because I knew exactly,
01:14:11If I didn't do it, I would lose you forever.
01:14:13Only.
01:14:15Only my love for you gave me the strength.
01:14:19Never again.
01:14:21It was too much.
01:14:23Never again.
01:14:24Stop crying.
01:14:29Stop it.
01:14:31There's no other way.
01:14:32You have to do it.
01:14:34It has to look like a suicide, you understand?
01:14:37Like a suicide.
01:14:39You have to find the mask on her.
01:14:42So that one believes,
01:14:44Tao Li was the murderer.
01:14:46Christiana, you must, or everything will have been for nothing.
01:14:48For free.
01:15:18Subtitles by ZDF, 2020
01:15:49ZDF, 2020
01:16:18ZDF, 2020
01:16:45ZDF, 2020
01:17:00Music
01:17:26Music
01:17:55Music
01:18:30Music
01:18:53Music
01:19:03Music
01:19:04Music
01:19:05Music
01:19:05Music
01:19:05Oh, oh, oh, oh.
01:19:35Oh, oh, oh, oh.
01:20:05Oh, oh, oh.
01:20:37Oh, oh, oh.
01:20:49Oh, oh, oh.
01:21:00Oh, oh, oh.
01:21:07Oh, oh, oh.
01:21:38Oh, oh.
01:22:12Oh, oh, oh.
01:22:21Oh, oh, oh.
01:22:31Oh, oh, oh.
01:22:35Oh, oh, oh.
01:22:45Oh, oh, oh, oh.
01:23:05Oh, oh, oh.
01:23:49Oh, oh, oh, oh.
01:23:53Oh, oh, oh, oh.
01:24:25Oh, oh, oh.
01:24:54Oh, oh, oh, oh, oh, oh, oh, oh.
01:25:11You must believe me, darling.
01:25:14That's all untrue
01:25:16I need you
01:25:20I love you
01:25:23Your accident has caused you a terrible shock.
01:25:26Darling
01:25:28I swear to you, it was an accident.
01:25:32It was an accident, Christiana
01:25:34You must believe me.
01:25:35We will leave
01:25:38And always stay together
01:25:40Forever
01:25:40I do love you
01:25:42I will never leave you
01:26:34I will not leave you
01:26:37I will not abandon you
01:26:38What is that?
01:26:44I am at the
01:26:52I am with myself
01:26:53What is that?
01:27:02police officers
01:27:03I want, I want, I want Inspector Silvestri.
01:27:59I want, I want, I want to give the inspector.
01:28:32Music
01:28:40Music
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