00:00After the incredible success of Sorda, what has been the most emotional part
00:09to connect with the public and with everyone in the world and have received so many galardons?
00:17The most emotional part has been seeing in the public and also in the journalists
00:28the emotion I felt when I read the film, which I felt when I read the film
00:35and when I started with the process and I discovered many things
00:41and everything that I discovered, that I shared with my family, with my friends
00:46I wanted to discover the spectators and the spectators
00:52so to see that that happened and that we could share it in a conversation, in a meeting
00:59it was very emotional
01:00The character of Héctor has given you a lot of satisfaction
01:04you have a Goya, now a Platino, what does it mean for you?
01:10It means a recognition to the work and especially to the movie
01:18and I think the most important thing is that the movie
01:23keep connecting with more public
01:25so that the audience and the spectators who still haven't seen it
01:30can approach it
01:31and I think the awards are mainly for that
01:36to communicate the movies and that they keep connecting with the audience
01:42and that is what has been happening in every show, in every show, in every festival
01:45and now in these awards
01:48that we believe that we inspire the interest of people to be able to see it
01:56in the cinema, in the countries where they are streaming
02:01or then in the platform
02:02Do you remember the biggest challenge that you faced during the film?
02:08Well, the biggest challenge
02:10was to work with babies
02:12in this movie
02:13because it is evidently
02:16learning the language of sign
02:17but well, it was a year of work
02:19and at the end
02:20the work result
02:24in the fact that
02:26you integrate it
02:27and it is already in you
02:30but of course
02:31the babies
02:32and children
02:33in the cinema
02:34are impredecibles
02:36and they have to be so
02:37evidently
02:38how not
02:38but of course
02:39this exercise
02:41of absolute presence
02:42we also lived with
02:43with
02:44with
02:45with the
02:47a little more
02:47that is called Daniela
02:49that
02:50that was
02:51a exercise
02:52of
02:53all the
02:53team
02:53in the
02:54that
02:55was
02:55and
02:56to
02:56to
02:56to
02:56to
02:56to
02:56to
02:56to
02:57to
02:57to
02:57to
02:57to
02:57to
02:58to
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