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  • 2 days ago
27 May 1985; Cliff surprises Esther Bennett and sings Living Doll, Move It and Do You Wanna Dance
Transcript
00:24Hi, are you Gillian?
00:26You're the one that wrote to Uncle Jim, is it?
00:27Yeah.
00:28Great. Now listen, what have you done with your mum?
00:30She's in touch with me.
00:31How long has she got to be away?
00:33She won't come back and catch us now.
00:35Okay, I'll just hide the car.
00:37Ron, you can hide this thing, can you?
00:39Thanks.
00:40Now then, where are we going to hide it?
00:42I don't know.
00:43You don't know?
00:44Um, oh, crappy.
00:48How long has this been here? Has your mum seen this?
00:53Well, there's nobody in it. Shall we use it?
00:55Right after you. We'll hide in here until she comes along.
00:57Okay.
01:00Do you fancy a cup of tea?
01:05Can you see her?
01:06No.
01:07No, look, I don't know what she looks like. Can you describe her for me?
01:09She's got grey brown hair and wears white shirt and black skirt and black jumper.
01:15Okay, grey brown hair. How tall is she? Eight foot?
01:20I don't know.
01:21I don't know. She's not eight foot.
01:23Anyway, she's not expecting us, is she?
01:25No.
01:25This is a total secret and it's got to stay that way until she gets here.
01:28Oh, is that her? Hang on. Hold it.
01:31Oh, you've found it. There's two of them. Which one's your mum?
01:33The one with the whitish coat.
01:34The whitish coat?
01:35Call your neighbours.
01:36She's saying, see you later.
01:38I don't know if it's happening.
01:39She knows all about this, does she?
01:41Oh, she's acting well, isn't she?
01:42Yeah.
01:43Okay.
01:45There she is. She's just going in now.
01:47Your dad's open door.
01:50Right.
01:50You know, he's going to be talking.
01:51Do we go straight out?
01:52Come on, come on.
01:54Right, let's run before this car comes across.
01:57What are you going to say? You're going to change up this wall?
01:59Okay, here we go.
02:00Oh, I know about this. I don't have any training.
02:03Right.
02:04Have you got a friend of mine?
02:06Right, you stand behind me.
02:13Morning.
02:15Morning.
02:16Is this Esther?
02:17Yes.
02:18Come on out here a minute, Esther.
02:19Is this Gillian?
02:20Yes.
02:21Gillian wrote to Uncle Jim and said, would he fix a meeting?
02:24Because apparently, of all the people in the world you want to meet, you want to meet me.
02:27And I thought, this is a woman of taste.
02:30So, it's nice to meet you.
02:32But listen, we thought rather than just meet you, why don't I sort of...
02:35Can I sing something here or something?
02:37I'm very good at that.
02:38Lead on.
02:41I'm done, I'm done.
02:44Morning, Dave.
02:45Morning.
02:46That's the husband.
02:48Right, come on through.
02:53It is your house, Esther.
02:55Listen, if I'm going to sing, I thought, well, I might as well do it properly and have all the
02:59speakers.
02:59I mean, this is the kind of stuff we use on stage.
03:01And so, I'll just test it out.
03:04Hello, testing.
03:05One, five, two.
03:08Turn it down a little bit.
03:09And I'll get to this.
03:12Now, hang on.
03:13So, Esther, before I do this, I've got to tell you, I need a band.
03:15And it just so happens that we've got one here.
03:17At great expense, they cost ten quid.
03:19Not each, the whole band.
03:21There they are.
03:21All in, fellas!
03:22That's all right.
03:24Okay.
03:26Sit right down here.
03:27I can't believe it.
03:27Come on, sit down.
03:28Make yourself comfortable.
03:30Jillian, make sure that cushion fits in the right place.
03:33Right.
03:35Okay.
03:36I got myself a-crying, talking, sleeping, walking, living off.
03:42I got to do my best to please, just cause she's a living dog.
03:50I got a roving iron, that is why she satisfies my soul.
03:57I got the one and only walking, talking, little dog.
04:04Take a look at her head.
04:07Well, it's real, and if you don't believe what I say, just be up.
04:13Put a locker up in her trunk, so no big hug can steal her away from me.
04:20Got myself a-crying, talking, sleeping, walking, living off.
04:26I got to do my best to please, just cause she's a living dog.
04:33I got a roving iron, that is why she satisfies my soul.
04:41I got the one and only walking, talking, little dog.
04:50Hurry, hurry, hurry, for the time is slipping by.
04:55You don't need a ticket, cause it belongs to you and I.
05:01Come on and join me, day out in the country.
05:06You're gonna find me, way out in the country.
05:12Where the air is good, and the day is fine.
05:15And the pretty girl has a hand in mine.
05:18And the silver stream is a ball man's wine.
05:22In the country.
05:25In the country.
05:31Come on, baby.
05:33Let's move it in the groove.
05:37Shape, baby.
05:38Shape the honeybee's gonna lose it.
05:42This rhythm that gets into your heart and soul.
05:48Well, let me tell you, baby, it's called rock and roll.
05:54They say it's gonna die for honey, please let's face it
05:59They just don't know what's going to replace it
06:05Balanced eclipses have a love and not
06:08Real country music that just rides along
06:11Come on, come on, come on, come on
06:13Pesta, come on, come on
06:16Do you wanna dance in all my hands?
06:19Tell me, baby, that I'm your man
06:22Baby, do you wanna dance?
06:27Well, do you wanna dance to a rockin' roll band?
06:30Come on, baby, give me your hand
06:33Baby, do you wanna dance?
06:38Do you, do you, do you wanna dance in the country?
06:42Do you, do you, do you wanna dance in the country?
06:45Do you, do you, do you wanna dance?
06:51What's up, baby, gewinnut?
06:54it's gonna dance with You What about
06:54her? Good,
06:54what? I'm
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