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Watch Man on Fire () free Season 1 Episode 7 online in HD on Dailymotion (2026).
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's
00:29broken our way. How could that possibly be a point in our favor? Because I know how he
00:34operates. A deal with a dictator only lasts as long as they want it to. Once you become
00:41inconvenient they take you out. Tapping lights will take that option off the table. What do you mean?
00:48Tapping lights to you is a dead man's switch. I couldn't be more supportive of your goals.
00:54What I'm talking about is how you achieve them. You can take control at the barrel of a gun.
00:59But you'll never be able to put that gun away. Or you can have everything you want handed to you
01:05in response to tragedy. I believe the phrase is what's in it for you. Once your control is
01:12permanent and secure you'll be able to aid in regional matters that will ultimately help me
01:16elevate my own position. Tapping tells his partners that not only has he collected and recorded evidence
01:22of their crimes. But that if anything happens to him that that evidence gets automatically released
01:30to the press and law enforcement all around the world. That means they can't take him out without
01:35taking themselves out. But if I eliminate Tapping that triggers his dead man's switch and Carmo and
01:42Sores goes down when whenever he had over them comes out. We can't be sure he made this kind of
01:47agreement.
01:48Tapping was the man on the motorcycle. Poe saw his face that makes him a liability. If he didn't have
01:53anything over them he'd be dead already.
01:55Well that's all well and good but how are you planning to take out Tapping if you can't even go
02:00out for a soda?
02:02I turn myself in.
02:07I see how that gets you killed.
02:09They won't get rid of me until they have Poe. If I get into a room with Tapping I can
02:16take him out.
02:17Even if that were true how are you planning to get out of the room?
02:20You can't go in there just to sacrifice yourself.
02:22That's not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why?
02:29Because I fear I might yell at you and I don't want to wake up the others.
02:40You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me.
02:48It wasn't even supposed to be her building. It was supposed to be the other tower until her dad brought
02:52me in to help.
02:54And with the two of us working together Tapping knew that it was only a matter of time before
02:58we figured out that something was wrong with the operation and that made him nervous and so he blew up
03:03his building.
03:06Everybody around me keeps dying and I keep on making it out and I don't know why.
03:18Listen to me.
03:21You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Bo, she will suffer all over again.
03:41Because she needs you.
03:43Not just to finish this, but your survival comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just need to be strong enough to scare them. I'll take care of
04:23the rest.
04:26But how do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:41Hello, gentlemen.
04:43I know this isn't the voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:12A tunnel?
05:14There's no fucking tunnel.
05:16Like the one you described.
05:18I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Gracie? Come on.
06:04What the fuck are you doing here?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:29Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts,
06:40Gracie had the time to plan almost anything.
06:42Well, then what? We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy,
06:50you've worked out for yourself. You received the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for creatures.
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, but I can have you dragged there.
07:34Okay, let's be quick. Take all these paintings now.
07:38Who's back those chairs?
07:41One, two, three.
07:58Where's the saw?
08:01Where's the saw?
08:05Rico was supposed to grab it.
08:15What happened?
08:18What happened?
08:19What happened?
08:54L. E. S. S. R. 1.
09:22Hey. I thought you might be thirsty.
09:30You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:46But I remember why I'm doing it.
09:50What is...
09:51What is L. E. S. R. 1?
09:55L. E. S. R. 1?
09:57It's left, straight forward, stereo on the right, first four.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:54His wife has to be at home.
10:56He always forced me to give up, he's after hoax with his son his son.
10:56And I told him to come.
11:03The only woman is the last show.
11:04A-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
11:08-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
11:17-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
11:19-a-a-a-a-a-a-a...
11:33I'm so excited about this guest today.
11:35Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good day, Brazil.
11:43Today I'm going to...
11:44We're witnesses of a incredible cruelty.
11:48And we're going to respond with force total
11:52in this day so dark in the history of our nation,
11:55in which more than 600 lives inocentes
11:58were sent out by these crimes abominable.
12:01We're going to kill them.
12:03And the American John Creasy and the people who helped them.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38You for it?
12:47Let's go, everybody, to the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go.
13:24Go, go, go, go, go, go.
13:25Go, go, go, go, go, go, go.
13:35Where's Suzy?
13:39He said it make his way back, just go.
14:06What are you doing?
14:07The tracks. We didn't leave anything.
14:09It won't work.
14:13What are you doing?
14:16Fico!
14:18Go, go, go!
14:21What the fuck?
14:23Go, go, go!
14:39Go, go!
14:48Go, go!
14:50Go, go!
15:01Go, go!
15:09Go, go.
15:11Go, go!
15:12Go.
15:25have you sich einladğin?
15:30Lasch!
15:31Come on, come on.
15:36Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that!
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:03That was supposed to be the easy part.
16:14Where's Bo?
16:30Where's Bo?
16:34Where's Bo?
16:35Go.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me your photos.
16:48Chrissy hit this place earlier today.
16:52Middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well then what?
17:13I don't know.
17:16You know, for all your talk of understanding how Chrissy operates and all that shit, you don't seem to be
17:25any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're going to like it.
17:50Water.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37It's like all the memories that have been poisoned.
18:50It's like all the memories that have been poisoned.
19:19What was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing, and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all I did.
20:11And...
20:15At the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:38That's not poison.
20:45That's not poison.
20:49Everything you care about...
20:51It's all still in there.
20:56And that doesn't mean that...
20:57You won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07He's gonna be there.
21:23I will.
21:29Really?
21:31Yes, ma'am.
21:37Okay.
21:53What now?
21:58He's bouncing a signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but...
22:04Nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom?
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chrissy may have told him.
22:53Tapping and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, ma'am.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you'll want to help.
23:10It's John Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Ray Burns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:35I just called to make sure that you have the opportunity that the Ray Burns and all those other families
24:40in that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to that member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:36I can assure you.
25:48You're welcome.
25:53You're welcome.
25:55You're welcome.
26:00And you're welcome.
26:01Hey!
26:03Respondi!
26:05Me pagaram pra estourar um cofre.
26:07O que tinha no cofre?
26:09Tinha só uma chave pra uma caixa dessas de banco.
26:13Certeza.
26:14Fui eu que abri o cofre e tirei a chave de lá.
26:18Fiquei até me perguntando como é que eles vão me pagar com essa porra.
26:22Vocês estavam esperando encontrar dinheiro no cofre.
26:26E agora eles esperando encontrar dinheiro nessa caixa.
26:30Não era dinheiro, era uma coisa que eles estão querendo vender.
26:37Tipo...
26:38Eu não tenho certeza, mas eu ouvi eles falando de uma gravação.
26:43Uma fita.
26:45É.
26:47Do maluco falando com o presidente.
26:49Presidente Carmo?
26:51Era o presidente Carmo?
26:52Era, era. Era o presidente Carmo.
26:54Que era o maluco?
26:55Ferraz.
26:58Ferraz.
26:59Olha pra mim.
27:01Você tem certeza que é uma gravação do presidente Carmo com o Ferraz?
27:05Tempo.
27:06Por quê? Qual é da parada?
27:15Junta toda a equipe agora e manda eles indo pro banco BCI cofre 4488.
27:20Vai.
27:23Fica duro nele.
27:35Fica duro nele.
27:39Fica duro nele.
27:47Fica duro nele.
27:48Fica duro nele.
27:49Bye.
28:33Fuck.
28:57Hello gentlemen, I know this isn't the voices you were expected to hear, and that's just
29:06the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder, that you've already
29:15released the toxins that will kill you.
29:17What?
29:21Now you might be feeling a slight burnish insulation in your nostrils, I want to assure you that
29:28it will not last long.
29:29In 20 to 30 minutes you will be dead.
29:34It's toxic!
29:35Let's go!
29:52Come in!
29:55Yeah!
29:57Creasy.
29:58Go ahead.
30:16You know your part?
30:21Yeah.
30:21I go in.
30:23I make sure they see me and draw security so we can get to happen.
30:28Yeah, little girl.
30:33Everyone in place?
30:35Yeah.
30:36Leave her an eye a set.
30:48Hey, I'll be okay.
30:49I'll be okay.
31:01I'll be okay.
31:03All right.
31:04We set.
31:04We set.
31:05We set.
31:05We set.
31:11We set.
31:26We set.
31:28We set.
31:31We set.
31:34We set.
31:43We set.
31:44We set.
31:48We set.
31:48We set.
31:49We set.
31:49We set.
31:57We let the solchen интересно to
31:59We set.
32:01We set.
32:01We have the most fighters.
32:33Oh, get up, get up.
32:37No, I can do this.
33:11Fuck you.
33:15What's your location, Paul?
33:16What's your location, Paul?
33:43What's your location, Paul?
33:48Paul, what's your location, Paul?
33:49On the left.
33:51Let's go!
33:53Paul, you get him? You want one more way?
33:58Stand down, Chrissy. I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tapp and Bella.
34:02We're headed to the staircase.
34:04Okay, go.
34:08What?
34:22Fuck, Vico!
34:26How did you get out of here?
34:27I'm crazy, bitch. I've gone for this.
34:31We're moving to the meeting point.
34:34Get out, get out, get out!
34:36Hey, if Poe's here, then so it's crazy.
34:40This is a fucking shame.
34:42I can't.
34:44I'm over, not to happen.
34:50All right, lock it down.
34:51Get on the radio, lock it down.
34:56What is this?
34:57Do you know what the police have done?
35:00I'm not sure what the police need to do.
35:02We need to err.
35:05I have to get in.
35:05I'm sorry.
35:27Oh, my God.
36:14Oh, my God.
36:27Oh, my God.
36:47Oh, my God.
37:07Oh, my God.
37:15Oh, my God.
37:17Oh, my God.
37:20Oh, my God.
37:20Stop fucking shooting.
37:34Get out of the way.
37:35Oh, my God.
37:43Oh, my God.
37:45Oh, my God.
37:56Are you okay?
37:59Go, go, go, go, go, go.
38:15Are you okay?
38:16Yeah.
38:16Stay here.
38:17Oh, my God.
38:23Oh, my God.
38:25Oh, my God.
38:28Oh, my God.
38:29Oh, my God.
38:33before they do.
38:33Can you get to us?
38:47Are you okay?
38:48Yeah.
39:23We can either hold them or the grenade.
39:25We can't do both.
39:26Come with me.
39:27Melo, now.
39:28Go.
39:29Go.
39:33Go.
39:34Go.
39:35Go.
39:43Go.
39:45Go.
39:47Go.
39:47Go.
39:47Go.
39:47Hold on, hold on.
39:48He stays not to fire.
39:52Huh?
39:52Leave.
40:02Go.
40:02Go.
40:03Go.
40:14I gotta give it to you.
40:15That tape?
40:17That tape was some inspired shit.
40:20You know, that's the greasy I used to know.
40:21No.
40:22No.
40:22You know, the one who I had high hopes for,
40:25Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah, I think you should be.
41:00Oh, shit!
41:03What the fuck?
41:04I'm going to save you!
41:05I'm coming!
41:15Ah, fuck!
41:16Ah!
41:22Greasy, you've got to hurry up a bitch!
41:26Greasy!
41:35I don't want to die.
41:37Get back up!
41:38No!
41:42No!
41:44Greasy!
41:50Uh!��
41:51травay Jackют
41:51heart
41:51that
41:55Get
41:56back up,
41:57you're gone.
41:58Fuck. ? Oh,
42:10Oh! Go!
42:12This one
42:13hell?
42:32The lights areってる from the site.
42:33I don't know where it is.
42:33I will go to the house,
42:34and don't forget to be friends.
42:34Take care of yourself.
42:34Take care of yourself.
42:34Get your kids.
43:00You're on the right, bro.
43:12Let's go.
43:15Come on!
43:16Who's there?
43:21He's going! He's going!
43:30Let's go! Let's go!
43:33Let's go!
44:10Shed her mouth!
45:35Let's go.
45:35Let's go.
45:36Go, go, go, go!
45:40Go left, go left.
45:43Ah!
45:45Shit!
45:47Just go.
45:47Creasy.
45:48Just go.
45:48I'll be right there.
45:49No Creasy, I can't just leave you like this.
45:51No, just go on Paul.
45:52Shit.
45:59No.
46:06Mom!
46:13Mom!
46:17Shh.
46:19Shh.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:53Given that you've killed Teppin, I'm not seeing a lot to look forward to.
47:02So, drop your fucking gun or the last thing you see will be another dead Rayburn.
47:07Drop it!
47:11Drop it!
47:24Good boy.
47:28Now, stand up.
47:31I'll give you the honor of going first.
47:36Stay up!
47:38Please!
47:40Please!
47:41No!
47:42No!
47:46No!
47:47No!
47:48No!
47:50No!
47:52No!
47:54No!
48:03Oh, my God.
48:28Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:12Oh, my God.
49:14Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17Oh, my God.
49:18Let's go.
49:21Oh, my God.
49:22Oh, my God.
49:33Christy, God!
49:35Oh, my God!
49:42Stunning developments tonight as Brazilian President Joao Carmo was arrested
49:46after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez, and a rogue American CIA agent named Henry Tappet
49:55took conspiracy to use the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Christy, at one point implicated in the bombing,
50:03instead turned out to have been coordinated with a girl orphaned by the bombing,
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, olha quem eu achei.
50:13Melo.
50:14Tudo bem? Tudo bem, e você? Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura? Imagine eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não. A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein? Tô preocupado.
50:38Eu também. Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:42Grandes merdas.
50:45Vem pra ação.
50:47Não foi pra ser fã ali de Carmo, não.
50:49Ivan disse que você precisa trabalhar em seu inglês antes de qualquer outra coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você prefer a learn o russo, isso foi o mesmo.
51:09Se você prefer a learn o russo, foi o o horno da guerra a guerra.
51:21the last time I saw my family I wasn't at my best and sometimes it feels like that regret is
51:32gonna
51:32swallow me whole because of what happened to them I have nothing to bury no ashes to spread
51:44but I've come around to the idea that because they raised me the way they did my family ultimately
51:53left me with all that I could have asked for you don't always realize what you have until somebody
52:03tries to take it away and you don't always realize what you need
52:12until you're facing something too big to tackle alone
52:20what my family has given me is the strength to go on and what I've learned from my friends
52:29is that I never have to do so alone
52:47so
53:02hey hey you know if you want you can just stay here have lunch with everybody else
53:15no no I want to go I could use some time away from grandma's house yeah yeah
53:28give me a minute okay
53:35yo
53:36John director Montcrieff how are you
53:39I've already done two debriefs and I'm not answering any more questions
53:42John that's not why I'm calling look I have tremendous respect for what you were able to do
53:46and a fair amount of egg on my face that one of our guys was the reason you had to
53:50do it
53:51okay well I accept your apology
53:56not an apology John it's an invitation
54:00I got a situation developing I'd like you to take a look at
54:04pretty sure you already have guys for that
54:06I do but they're actually long listen to that
54:08no one else has had a first-hand experience with these guys
54:13and I do
54:15yeah you ran into them in Mexico City
54:19I guess the only question is
54:21if that's something you're ready to revisit
54:27send me what you got
54:37do
54:45do
55:04yeah
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