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20:58Come on.
21:30Come on.
22:04Come on.
22:05It's coming.
22:17We're trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:29Oh, my God.
22:31Chrissy.
22:34Chrissy.
22:36All right.
22:42Chrissy.
22:44Chrissy.
22:44Chrissy.
23:01Chrissy.
23:03Chrissy.
23:05Chrissy.
27:54Hello?
28:03Hello?
28:20Hi.
28:23No one followed me.
28:27You leave your cell phones behind?
28:29Yeah, and I got these, like you asked.
28:34What's this?
28:35That's the beginning of something long and messy that doesn't need to concern you.
28:43Look, all I'm asking is that you find somewhere safe for us to assess things,
28:47and then I'll make sure that your fee is taking the deal.
28:50I told you what I need.
28:53Relocation with proper papers.
28:56Do we have a deal?
28:57Yeah, we do.
29:01Okay.
29:04I'm sorry.
29:05All right.
29:07I thought I heard someone.
29:11Hi.
29:13I'm Alu.
29:16Po.
29:23Creasy.
29:24Jesus, it's a relief to hear your voice.
29:26Is Poe with you?
29:27Is she okay?
29:28Yeah, she's safe for the moment.
29:30But after what happened this morning, I absolutely cannot rely on the Brazilians.
29:34I'm 100% on my own with this one.
29:35You're not on your own.
29:36Sir, I have-
29:37You've got us, and I'm gonna get this taken care of for you.
29:40Hey, Martin.
29:41Tell me who we got on deck and ready to move.
29:43I'm gonna send you an extraction transport plane.
29:45Totally dark, no Brazilian involvement.
29:47I'm gonna get you and Poe home as quickly and safely as possible.
29:51Yeah, okay.
29:52Look, I'm gonna need some cash for protection and transportation.
29:55You got it. Done.
29:57And beyond that, you give me some exit options, and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know, and until I do, I can't commit to anything.
30:13Okay.
30:14Well, then, John, I-I think you need to ask yourself, is she really safe with you?
30:20I mean, this is fucking Rayburn's daughter.
30:22We're talking-
30:30We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need? Music.
30:49What do you like? Pop, maybe?
30:55Can you turn it off?
30:57You don't like this one?
30:58I do, I just...
31:00I don't want to take songs I like and...
31:04have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we switch it up.
31:21Yeah!
31:25Oh well, the midnight headlight
31:27Find you on a rainy night
31:29Steep trade
31:29Upper heads
31:30Slow me down
31:31Make it no time
31:33I gotta keep rolling
31:37Touch the windshield wipers
31:39Slapping out of tempo
31:40Keeping perfect rhythm with the song on the radio
31:44I gotta keep holding
31:47Ooh, I got a
31:53Ooh, I got a
31:55Ooh, I got a
31:57Ooh, I got a
32:10So are you safe here the favela has its own police and my cousin's an important member
32:22you're gonna have to pay for this
32:28Mr. Budge, you made that work?
32:34Welcome to your new home
32:59Mr. Budge, its head
33:09Mr. Budge, it would be necessary
33:12to do it
33:12Mr. Budge, it's not there
33:13Mr. Budge, it's been a great time
33:14Mr. Budge, it's been a great time
33:23Mr. Budge, this week
33:23Mr. Budge, it's been a long time
33:26Make yourself comfortable.
33:33I'm going to go talk to my cousin.
33:35I'll be right back.
33:38Are you sure about this?
33:42You're safe.
33:43Places like this are completely off the radar.
33:46You should try to get some sleep.
33:49I still have through most of the drive here.
33:51Apparently, country music has a set of effect on me.
34:04God, not you two.
34:07My dad always used to try to get me to play.
34:11Who do you think taught me?
34:14He talked about chess like it was a religion.
34:17No, not a religion.
34:18A metaphor.
34:22You have a plan.
34:23The other guy has a plan.
34:25And when you get surprised, you see who's smarter.
34:28Who reacts.
34:29Who attacks.
34:32You learn to play chess.
34:34You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play.
34:53If you, um...
34:55If you want.
34:58You settle, man.
34:59I'll be back.
35:00You're going to leave?
35:02Yeah.
35:03I got to go take care of a few things.
35:06Are you talking about the man in the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you going to kill him?
35:20No.
35:21Just...
35:23Just talk to him.
35:24Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
35:47au, au, au.
35:48Anw, au.
35:51I'm going to die.
35:53I'm going to die.
36:22There's a place that you can watch two blocks away.
36:27Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:34A hard case, my favorite.
36:40I have a daughter, and when my husband was killed I had a neighbor who would come over
36:46to just talk to her.
36:49Talking is how she process things.
36:52I think Poe is just like my daughter, if you want, I'm happy to stay with her and just
37:00listen.
37:04But you, you're just like me.
37:09When things are bad, what we seek is silence.
37:16Out of shop, just around the corner.
37:19See you later.
37:36Hey.
37:39I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
37:58But these are kushina.
38:03It's kind of like a, it's kind of like what you call a nugget.
38:09Skin nugget, right?
38:11Hmm.
38:12Yeah.
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07How can you tell?
39:11Well, when you drive a car, you're not just meet lots of different people.
39:18You learn to really see them.
39:25What else do you see?
39:30Someone who needs a friend.
39:41You speak Spanish?
39:44Yes.
39:47You like the movies?
39:51How do you realize when someone has seen a lot of movies?
39:58Look if they get a battery from a car and they tell you they're going to work on you.
40:06That's bullshit.
40:07The car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:18Acido sulfórico.
40:21Let me mess you up.
40:25That'd take time.
40:27But if you mix it,
40:30with hydrogen peroxide,
40:32make something they call jugo de piraña.
40:35Tú sabes que hacen las pirañas, no?
40:39Ellas comen tu carne.
40:42Yo soy un terco hijo de puta, y te lo digo ya.
40:47They got everything out of me.
40:53There's one skull right here.
40:57Put this on your forehead.
41:01It's going to eat away at your skin.
41:03Then slowly drip down.
41:06Once it gets into your eyes,
41:08it's lights out.
41:11Littlemente.
41:14Once it's on, you got about two minutes
41:15before it gets into your eyes.
41:17So talk fast.
41:19No, no, no.
41:20Hey, hey, hey.
41:21Move like that, you're going to get this all over.
41:22¿Qué se fÃjate, porra?
41:24Yo, fÃjate, yo fÃjate.
41:26Yo, fÃjate.
41:26Yo, fÃjate.
41:27Yo, fÃjate.
41:28Me dices que quieres intentar hablar.
41:30SÃ.
41:31SÃ.
41:34Estoy dispuesto a intentar,
41:37pero me das penajaras y me aseguro
41:39que te arrepientas.
41:41Está claro?
41:42SÃ.
41:44¿Cuál es tu nombre?
41:46Chico.
41:47¿Quién te contrató para matarnos?
41:49Yo, yo no sé.
41:51Yo no sé.
41:53I don't know.
41:55He just told me that we could call him.
41:57But I don't think it's his real name.
42:04You also helped him with the bombardeo.
42:09Bombardeo, bombardeo.
42:11I don't know anything about bombardeo.
42:12I don't know anything about bombardeo.
42:25The clock is ticking now, Chigo.
42:28You better come up with some answers.
42:33F.O.P.
42:36That's the people of Osman.
42:52F.O.P.?
42:52F.O.P.
42:54It didn't have to hit the base.
42:57He had to attack the bombardeo.
43:00He said that this would be to where he wanted.
43:03F.O.P.
43:04F.O.P.
43:05He said that he'd be Novagane from things
43:08that tells me
43:09everyone else.
43:11F.O.P.
43:12F.O.P.
43:13F.O.P.
43:13F.O.P.
43:14F.O.P.
43:15Por favor, por favor, por favor, por favor, por favor, por favor.
43:30Como encuentro a Osmar.
43:33The issue here is this Mr. Creasy.
43:35I need your assurance that he's being extracted as well.
43:38It's one thing when he was offering to work with us.
43:40It's another to have a loose cannon who's gone completely unresponsive
43:44while I'm having to deal with terrorism and tragedy,
43:48not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy,
43:52and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:57everything I know about him leads me to believe that he's not leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief, I wonder how your government would react
44:10if you had a foreign national on the loose in your country
44:13operating independently, without authority,
44:16and in a way that potentially jeopardizes your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey, how did he go?
44:35I need a car.
44:36Why? What happened?
44:38There's a way I can get this guy to lead us
44:40to the people coming after Poe.
44:41So she's not going home?
44:42No.
44:43Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
45:13Good time to go?
45:17Not sure.
45:28I need your help with something first.
45:31What?
45:35How do you feel about the sight of blood?
45:40normally?
45:53No, no, no.
46:00How do you feel about it?
46:00How you'd find yourself?
46:00you're in a bit of 물로.
46:00What happened to someone like interfered?
46:01You know, maybe a Gab Parce,
46:01Maybe 1812 or a perist?
46:02No.
46:07Can't wait?
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