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00:27Come on, Johnny, cut us a break.
00:29Johnny, one of you snakes slither under the rocks you came from.
00:32Then where are you going to sleep, Johnny?
00:36Johnny, come on.
00:38Hey, Johnny, you kill anybody lately?
00:40No, but you're giving me a good idea.
00:45Let's go.
00:46Come on, honey, I'm going to make you a start.
00:48I'll give you something real special.
00:55What'd you have to do that for?
00:56Is it my fault he's no taller than the door?
01:07I'm going to make you a start.
01:33we're just friends johnny you know what your problem is honey your problem is you don't know
01:40who your friends really are maybe my problem is they're all like you good night
02:00women hey johnny how about one for the hollywood confidential as far as we're concerned you're
02:06the real star here baby
02:23what do they do
02:38why do they seem to picture a dream of love
03:03i always like it when they burn down little man
03:06puff puff puff puff puff your cares away
03:20the year 2007 time travel is a reality and it's fallen into criminal hands
03:27with history itself at risk the united states has formed the time enforcement commission
03:33a top secret agency responsible for policing the temporal stream
04:01an elite team of agents track unlawful travelers across time
04:05their mission protect the past preserve the future these agents are known as time cops
04:30got it
04:31last lady of the year
04:321956
04:34i've had bigger scratches than this ripple
04:39okay folks give me a reason to worry about a ripple this small
04:42it's been caused by the death of one johnny the chin fontaine a bag man for the genovese family
04:47he was supposed to die september 3rd 1956 but he died two weeks early
04:51i don't mean to seem unprofessional but maybe that's a good thing
04:54not necessarily he was supposed to die taking a bullet that was meant for me to lay
04:58the actress
04:59in 1956 she was a rising star unfortunately she was being stalked by someone
05:03someone obsessed with her hey i like movies as much as the next guy but we can't even be certain
05:08that bullet will kill her i don't have the resources to send a time cop back on the chance
05:12some actress may be murdered she went on to win an academy award
05:16so did we rent in ten she also married senator charles warren
05:20they had a son albert baker warren who grew up to be 44th president of the united states
05:26if she dies it could affect the course of world history
05:30all right let's target whoever's stalking rita lake and arrest them
05:34logan suit up and find out who's trying to kill her
05:36let's go people lock it down
05:37you launch at two minutes at the counter
05:45the 50s were thought of as the time of innocence
05:48call shop driving theaters carefree prom night
05:51hey don't even mention prom nights to me
05:54lois hill dumped me three days before my junior prom
05:57you jack logan dumped
05:59same stunt reaction emmys
06:02they helped me grow
06:04thank you
06:04it still fit into the sled
06:06ready
06:06maybe with an elvis costume
06:08i guess your favorite tune would be heartbreak hotel
06:14initiate temporal download
06:16now
06:21see you later alligators
06:23where the summer may be walking
06:26where's another man today
06:29where the summer may be walking
06:33where's another man today
06:33it's music from the launch countdown
06:35that's in 30 seconds
06:38after a while
06:39we're in the launch band
06:41see you later alligators
06:53initiate temporal strength
06:57five
06:59four
07:00three
07:01two
07:02one
07:04one
07:07monkey
07:12the next time that i saw her
07:15reminded her of what she said
07:18see you later alligators
07:21oh
07:22oh
07:39Hi.
07:40Hi.
07:41Can you direct me to the men's department?
07:43Uh, it's to your right.
07:46Thanks very much.
07:50Oh, uh, that dress?
07:52It's you.
07:53Huh?
08:05There's no evidence of explosive residue anywhere.
08:08It must have been some sort of short circuit in the electrical system.
08:12How can you be electrocuted by a cigarette lighter?
08:15What, do I look like an electrician to you?
08:17There's no evidence of foul play here, Joe. Case closed.
08:21Boy.
08:21Boy, I don't think AAA's going to cover this one.
08:25Who the hell are you?
08:28Oh, I'm starting a neighborhood watch.
08:29What's the cause of death?
08:32Smoking.
08:33All right, let's clear it out.
08:35Everybody.
08:37Man, oh man, two detectives eats this crap up.
08:41You're at the studios, right?
08:42One of those PR boys looking to cover Rita's back?
08:45Am I on point here?
08:48I get you figured for a name or a leech.
08:54Am I on point here?
08:56Define amoral.
09:29Microwave receptor, shortwave.
09:31Not very 50.
09:3550.
09:38What are you doing?
09:40Dropped my matches.
09:44Let me give you a light.
09:47I must have left my smokes in the car.
09:50Have one of mine.
09:58Sir, you're a reporter?
10:00No.
10:02So what are you doing here?
10:05Just thought you might need someone to talk to.
10:08So you mean the studio sent you?
10:11Well, not exactly.
10:18It's a nice house.
10:20How long you lived here?
10:22Just moved in six months ago.
10:26Right after I signed my studio deal.
10:29Leads the heck out of that rat trap I left in Burbank.
10:35Two mile.
10:38How well did you know Johnny?
10:41Well, enough to know I didn't like him.
10:42What about his friends?
10:44It's no secret someone's been after you.
10:46If a mob guy was trying to kill me, I'd already be dead.
10:51Now, this is, uh, it's much spookier.
10:54What do you mean?
10:56I hear Russ laying outside my house at night.
10:59Footsteps following me.
11:00Just creepy stuff.
11:02It's like a B-movie.
11:04It's like a bad B-movie.
11:07Well, I don't know how this one's gonna end.
11:09Don't worry.
11:11In Hollywood, there's always a happy ending.
11:21Rita Lake.
11:22Jack Logan.
11:25It's nice to meet you, Jay.
11:57What do you want me to sign?
12:06A ledger?
12:09You actually know how to ride.
12:12Huh, I guess we're getting a better class of clientele.
12:27Very minimal.
14:02This is way ahead of its time.
14:32This is way ahead of its time.
14:42This is way ahead of its time.
14:49Well, you should get a real big kick out of yourself, then.
14:52I don't like a smart mouth.
14:54Now, you have two choices.
14:56You can talk to me here, or you can talk to me downtown.
14:58It's your call.
15:00Let me show you something.
15:04Well, it looks like some wackos really got the hots for Rita.
15:39Well, there must be a thousand guys just like him in this city.
15:41Why don't you just go back to the studio and tell Sam Berman to leave the police work to me.
15:50I don't know.
15:51I don't know.
16:04I don't know.
16:05I don't know.
16:22I don't know.
16:47Oh, my God.
16:56Johnny?
16:57Hello, Rita.
16:59I missed you.
17:04But you're dead.
17:06You're talking about that little accident I had in the car?
17:09Just a mild cigarette burn?
17:14He's a gateway for me.
17:16Come on, Rita.
17:18You know you can't hurt a ghost?
17:22I've been looking forward to this, Rita.
17:24For a very long time.
17:46Oh, my God.
17:52Did you see his face?
17:54He's trying.
18:00Bye.
18:14Contact J. Logan.
18:17Ah, unscramble the cipher.
18:22Logan must have found something critical to his investigation.
18:24He's securing it for retrieval.
18:26I'll tell Matusak Logan's onto something and sending it back.
18:31I was so thrilled to hear about your marriage.
18:34Congratulations.
18:35Oh, thank you very much.
18:36Actually, I was hoping to get a little advice from you.
18:38From me?
18:39Oh, yes.
18:40On marriage?
18:41No, on children.
18:42Oh, wonderful.
18:43You're going to have children.
18:44Well, the first thing I...
18:58Five minutes, Miss Lake.
19:01So, I got a call that somebody broke into your house last night.
19:05A little late in the writing, aren't you?
19:06Well, I had one homicide and an arson, and B&E wasn't exactly my top priority.
19:11It wouldn't buckle under that kind of pressure.
19:19You see this line?
19:21This line runs through the entire city.
19:23And whenever you and I meet, it's going to be there.
19:25And if you ever cross it again, that's going to be the last move you ever make.
19:28You got that?
19:29I'll keep that in mind.
19:31Excuse me.
19:40So, can you give me a description of the man who broke in?
19:42I got info Mr. Berman's going to be real interested in.
19:46You want a deal?
19:47He looked just like Johnny Fontaine.
19:52I'd be happy to question Johnny, but I don't think I'd get much out of him.
19:57What kind of information?
19:59About the guys stalking Rita?
20:04You know who it is?
20:05I might.
20:06For the right price.
20:10I'm not a being the four figures, by the way.
20:12Meet me at the Starlight Bowl at closing time.
20:15Bring cash and come along.
20:29Here you are, sir.
20:43What do you make of this?
20:44This cover's from 1957, so what's it doing in 1956?
20:49And the DVD wasn't even developed till the late 90s.
20:53Exactly.
21:06What have you got?
21:07Trouble.
21:08This cover is a reproduction of the original.
21:10The paper that was used to copy it is from a polymorphic fiber with a compound carbon base.
21:18I got eyes, Emmings.
21:20I know a polymorphic carbon, whatever it is when I see one.
21:25Hold this.
21:26Yes, Ms. Wizard.
21:28Watch.
21:49This paper hasn't even been invented yet.
21:52It's from the future.
21:54Our future.
21:55And whoever used it wanted to make sure it survived the trip back to 1956.
21:591957 picture of Rita, the DVD.
22:02This guy obviously wanted Logan to know he's there.
22:06Does this mean we have more than one stalker after Rita Lake?
22:11This is nice, Jack.
22:14A little corny, I guess, or something like you.
22:17Someone like me.
22:19Rhoda Lakeland from Davenport, Iowa.
22:22Can you get cornier than that?
22:27Thought I hated my real name, but Rita Lake just doesn't feel like me.
22:34I think it suits you.
22:37It suits what I've become.
22:39I'm not sure I like that much either.
22:43You know what I think?
22:46What?
22:47I think you're too tough on yourself.
22:52You're special, Rita.
22:57Just gonna have to learn to live with that.
23:00And you're sweet.
23:04Remind me of the boys back home.
23:07Which is where I feel I ought to be.
23:10Miss Lake, I've come to take you to the studio.
23:14I stand. Just give me a second.
23:16You guys been leaving?
23:18I've got a picture to finish, Jack.
23:21I don't think it's safe for you to go back there.
23:23I'll be at the studio.
23:25There are guards everywhere.
23:27Need pass to get in?
23:29I'll be fine.
23:33So, um, can I see you later?
23:36You can count on it.
23:53Nice shooting, Opal.
23:55Let me guess.
23:56What do you average?
23:57Ninety-eight?
23:58Pulling's not my favorite pastime.
24:00What is?
24:02Traveling.
24:04Tell me what you got.
24:06Step into my office.
24:09What I got is gonna rock your socks.
24:12I'm telling you, this info was so hot that it would get me into a heap of trouble.
24:15So, please, before I spill the beans, let me see the bread.
24:29I know who's gonna kill Rita.
24:32It's...
24:36Dead man tell no tales.
24:39Don't you just love a good cliché, Jack?
24:42Ian Pascoe, what are you doing here?
24:44Haven't seen you since London, 1888.
24:46Well, isn't it clear?
24:48I'm here to kill you.
24:51Ready to rock and roll, Jack?
25:06Man, that's Petsky 7-10 spread.
25:11You know, I think the trick is to angle the shot.
25:18Attention, bowlers.
25:19We have a red light special on lane six.
25:27I'm going for a personal best, Jack.
25:30Why are you stalking Rita?
25:32The most beautiful actress in history?
25:35Well, who better to murder her than the greatest killer in history?
25:38I'm here to be the game, but too much you'll shake.
25:43You've left me to creep all alone.
25:49Too real is this feeling of faith.
25:54Believe.
25:56Too real when I feel what my heart can't conceal.
26:12I hope you've got a real good reason for being here.
26:17I like bowling.
26:18You got a problem with that?
26:19No, I got a problem with you.
26:21I got a tip Joe Arturo had something for you.
26:23You were meeting him here.
26:24Tip from who?
26:25Maybe you haven't figured it out yet.
26:26I'm an LAPD detective.
26:27I got a lot of sources.
26:30So, where's Joe?
26:33Gone.
26:35Gone.
26:37See, I hope you don't take this the wrong way,
26:39but I think you're full of crap.
26:43So, why don't we go on back inside?
26:45Come on.
26:55Is it my imagination, or does trouble just follow you wherever you go?
26:58Well, you've been following me, haven't you?
27:01See, this is interesting.
27:03This is very interesting.
27:05This reminds me a lot of Johnny Fontaine the last time I saw him.
27:08And as I recall, you were there, too.
27:12You have a point here.
27:13Maybe you killed them both.
27:17Come on, come on.
27:18If you confess now, I promise I'll recommend to the DA that you only get life.
27:22Huh?
27:22But no, what?
27:24What's the matter?
27:25See, now you're not talking.
27:26What, are you waiting for your lawyer?
27:34You remember that line I told you about?
27:38Yeah.
27:39You just crossed it.
27:44How far advanced is the technology that was used?
27:46The composition of this is at least 20 years ahead of ours.
27:50So our stalker is from 2027.
27:52And he's left a trail for Logan.
27:54The magazine cover a year ahead of its time, the digital video player.
27:58Logan's being trapped.
28:00Does it sound like anyone we know?
28:05Ripper.
28:07Bingo.
28:10Whoa, whoa, hold up.
28:12I just found something of some historical significance.
28:14It seems there was a detective who investigated the death of Johnny Fontaine by the name of Nolte.
28:20So?
28:20Well, naturally, he was involved with several other homicide investigations, but five of them were of men who had dated
28:26Rita Lake.
28:27And they were all murdered?
28:28In exactly the same way, with a .38 caliber bullet.
28:31Standard police issue in 1956.
28:33Were the killers ever found?
28:35They were written off as mob hits, but I dug a little deeper, and...
28:38None of the victims was actually involved with the mob.
28:40Right.
28:41They were only involved with Rita Lake.
28:43Nolte closed the files on all of them within a few weeks.
28:46Huh.
28:47You know, there's a stalker from 1956 after Rita.
28:51Think this Nolte could be him?
28:53I'd say the probability of that is quite high.
29:06Someone posted bail for me?
29:15Mr. Logan, I'm sorry about all this.
29:17And you are?
29:18Rita Lake's attorney.
29:21How'd she know I was arrested?
29:22I have no idea.
29:24She wouldn't even tell me where she was calling from.
29:27I guess a girl can't be too careful.
29:29Well, actually, you know, it's a bit of an inconvenience.
29:31I have about 20 contracts for her to sign.
29:34Right now, I think Rita's got more important things on her mind.
29:38Look, Mr. Logan, if Rita's in some kind of trouble,
29:40I'd like to help.
29:42If she wanted your help, I'm sure she would have confided in you.
29:44Well, not everybody confides in their lawyers.
29:46Some people have the impression we're a cold and uncaring lot.
29:49Maybe in 1956, huh?
29:51Well, I think that sentiment has been expressed throughout the ages.
29:54Wasn't it Shakespeare who said,
29:56let's kill all the lawyers?
30:04It's a dangerous world we're living in, Jack.
30:11Rod with peril.
30:13You of all people, you're a ruler's trust in you.
30:21Jack, look around.
30:23We don't want anybody hurt.
30:27Let me ask you one thing.
30:29Why Rita?
30:31And I know it's not just because she's beautiful.
30:33True enough.
30:35A woman's beauty is such a fleeting thing.
30:38It's because she gives birth to the 44th president of the United States, right?
30:41Bravo, Jack.
30:43You've just won the bonus round.
30:44You see, if you try hard enough, you can change history.
30:48I'm not going to let you do that.
30:50Jack, you can't stop me.
30:52But because you're such a smart boy,
30:54and because I know that you care so much about Rita,
30:59I'm going to reward you.
31:03You see, I'm going to let you live just long enough to watch her die.
31:16Hey, fella.
31:17Could you give me a hand?
31:18I'm kind of stuck a long way from home.
31:21Where's home?
31:232007.
31:27Hemmings.
31:27Yeah.
31:28Wow.
31:29Yeah, well, you know, it's what they wore.
31:31I researched it.
31:34I did.
31:36How's it going?
31:38Just had a conversation with Ian Pascoe.
31:40And lived to tell about it?
31:41He's stalking Rita.
31:43Yeah, well, we have another problem.
31:45It's a detective named Nolte.
31:46Nolte?
31:47We think the bullet Johnny Fontaine was supposed to take for Rita was fired by Nolte.
31:51Stay close to Nolte.
31:53I'm going to check on Rita and make sure she's okay.
31:57Could you get my HUD?
32:00Does this thing actually work?
32:06Whoa.
32:07Whoa.
32:08Clutch, Hemmings.
32:10Clutch.
32:11What's a clutch?
32:12Good.
32:13Goodbye.
32:26And you're sure about the time?
32:29Yeah, and you...
32:30And you're sure that she'll be there?
32:33Yeah.
32:34All right.
32:35Yeah, yeah.
32:35Yes?
32:36Officer, I was just walking down the street minding my own business, and someone ran up behind me and snatched
32:41my purse.
32:43Did you happen to read the sign on the door?
32:45It says, Homicide.
32:46I investigate murders, not purse snatchings.
32:49Oh, God.
32:50I'm really sorry.
32:52You know, I'm just...
32:52I'm so frazzled.
32:54You know, it's not easy being a woman alone in this city.
32:56Alone?
32:58Yeah.
32:59I wouldn't have thought someone like you would be unattached.
33:02Oh, well, you know, I meet a lot of guys.
33:04I guess I just haven't met the right one, you know.
33:08How about you?
33:10You married?
33:11Divorced.
33:16Look, why don't you leave me your name and number, and I'll have the desk sergeant file a report on
33:21my purse.
33:23That is so nice of you.
33:24Well, you know our motto, miss.
33:26To protect and serve.
33:28Oh, Claire, please.
33:30Call me Claire.
33:31Rick.
33:34Look, I'm really very sorry.
33:36I have a meeting with my captain, so...
33:37Oh, of course, I understand.
33:39You've been so nice to me.
33:41Do you mind if I use your phone, see all my keys were in my purse?
33:44Now I have to call my landlord to get in my apartment.
33:49No, please, be my guest.
33:51No, that's...
33:51Thanks, Rick.
33:54Here's my name and number.
33:56After you give it to the desk sergeant, you can keep it if you'd like.
34:01I might do that.
34:21You're supposed to stay out of sight.
34:30You're supposed to stay out of sight.
34:32I just got a call from the director wondering when you'll be arriving on set.
34:35Mr. Berman, I'll be there right away.
34:37Good, good, good.
34:38I've already sent a car for you.
34:40Should be arriving any minute.
34:42Rita, I understand you're under a lot of pressure.
34:45Just rest assured that at my studio you'll always be protected.
34:49Thank you, Mr. Berman.
34:51See you on set.
34:59I'm sorry.
35:01It's a closed set.
35:02It's a quick scene.
35:03I'll come and get you.
35:24Jack!
35:29Can you give me a hand here?
35:30We didn't rehearse it this way.
35:33Yeah, well, something's wrong.
35:35There's no work scheduled for today.
35:41These locks won't budge.
35:42They're real.
35:44This is creepy, Jack.
35:45Just get me out of here.
35:47Yeah, let me find something to bust these locks with.
36:06It's nice to see you again, Rita.
36:07No, T.
36:10This must be my lucky day.
36:12Finding you like this, you're almost wrapped up like a little present.
36:17Why don't you give me a hand?
36:19That is your job, isn't it?
36:20That's my day job, Rita.
36:23This is my night job.
36:28You have no idea how long I've waited for this moment.
36:34How many other men were in line in front of me?
36:39Or how many of them I had to kill?
36:47You killed Johnny.
36:49Johnny?
36:49No.
36:49No, Johnny, but I killed a lot of them.
36:57You want to know why I killed him, Rita?
36:58I mean, are you interested at all why I killed him?
37:03I killed him because they didn't treat you the way you deserve to be treated.
37:10They didn't treat you special.
37:15But I'm going to change a lot.
37:18I'm going to treat you real special.
37:24Hey, hey, hey, hey.
37:26No, no, no, no, no, no, no, no, no, oh, oh, you.
37:28Look, okay, one more step and Miss Lake takes her final curtain call.
37:35Ex, cut, prince.
37:37Wonderful, detective.
37:39My God.
37:40You're obsessed with her.
37:43I admire that.
37:46It's nothing like a good old death scene to get the blood boiling, eh, Jack?
37:52Only I've, um...
37:54Well, I've rewritten the...
38:00You know, I've added a certain touch of reality that I found to be profoundly missing from the script.
38:05Where are all the good writers these days?
38:11Now, we have a few minutes before the grand finale,
38:15and although I think the rope may be a bit archaic,
38:18I'm sure we're going to get a big bang when the safe drops on her head.
38:22Who the hell are you?
38:23The editor.
38:25I'm sorry, but, well, Rita's already promised me the last dance.
38:30Drop the gun.
38:33Wow.
38:35Yeah.
38:36Yeah.
38:38I emptied the chamber when I was in your office.
38:42Excellent move.
38:43Excellent move.
38:44Well, I guess she's all mine now.
38:54Excellent!
38:59See, Jack, run.
39:02Remember, Jack, you have a choice.
39:04You can save her, or you can come after me.
39:07I'm going to be around a whole lot longer than she will.
39:29I'm going to be around a whole lot longer than she'll be around a whole lot longer than she'll be
39:29around a whole lot longer than she'll be around a whole lot longer than she'll be around a whole lot
39:29longer than she'll be around a whole lot longer than she'll be around a whole lot longer than she'll be
39:29around a whole lot longer than she'll be around a whole lot longer than she'll be around a whole lot
39:30longer than she'll be around a whole lot longer than she'll be around a whole lot longer than she'll be
39:30around a whole lot longer than she'll be around a whole lot longer than she'll be around a whole lot
39:30longer than she'll be around a whole lot longer than she'll be around a whole lot longer than she'll be
39:30around a whole lot longer than she'll be around a whole lot longer than she'll be around a whole lot
39:30longer than she'll be around a whole lot longer than she'll be around a whole lot longer than she'll be
39:33around a whole lot longer than she'll be around a whole lot longer than she'll be
39:41Emmy, search his pockets for the keys.
39:54Time to get you home.
39:56That actor, Earl, you won the battle.
39:59I am going to win the war.
40:01Come on.
40:03I saw a beam of light shoot out of his gun.
40:07Oh, it's a prop from that Marshall movie on stage 16.
40:11It looks so real.
40:13So what killed Nolte?
40:17I'll have to wait for the coroner's report on that one.
40:20Do you have any idea why he was stalking you?
40:22No.
40:24Now that I think of it, I mean, he was always around when there was trouble,
40:27but I thought it was because he was a cop.
40:31His badge just made it easy.
40:34I hope this doesn't sound like a line out of some dumb movie,
40:39but I've never met anyone like you before.
40:45I'll take that as a compliment.
40:49Well, maybe, maybe now we can get to know each other better.
40:54I'd like that.
40:58But I'm going to be leaving L.A. tonight.
41:04I have a job offer I'm going to be taking.
41:11You never wanted anything from me.
41:14Why?
41:15I wanted something for you.
41:19I wanted you to be safe.
41:20I want you to be safe.
41:52She was beautiful.
41:55Innocent.
41:56I was framed.
41:58Yes, she was.
42:00Tell me, Logan, when you were alone with Rita,
42:03were you ever tempted, you know, risk-changing history?
42:07I'm a total professional, Amix.
42:09Thoughts like that never crossed my mind.
42:12Yeah.
42:13I'd give anything to be a psychic right now.
42:15Shh.
42:15You're missing the best part.
42:28Want to see that again?
42:29Oh, ho, ho, ho, ho.
42:32Oh.
42:43Innocent.
42:44I was framed.
42:53Call me an incurable romantic
42:56Don't like my ending much better
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