- 8 hours ago
Euphoria Season 3 Episode 4
Category
🎥
Short filmTranscript
00:00Some say it's just the facts.
00:06Others say it's what's right.
00:11Some even claim there's no real truth at all.
00:14Just opinions.
00:18The funny thing is,
00:22while we may disagree about what the truth is,
00:33we all know when we're telling a lie.
00:55This is all the canine unit fun.
01:01You seem surprised.
01:03Nope, not at all.
01:04I told you guys I wasn't lying, so...
01:06Where are you coming from and where are you going?
01:08You know, it's funny.
01:10I was actually headed to a wedding.
01:12At 10 p.m.?
01:12Yeah, well, I was headed back.
01:14What do you mean, back?
01:16Yeah, I was at the wedding earlier.
01:17Why did you leave?
01:19I had a friend.
01:20It's like an emergency thing.
01:21What kind of emergency?
01:23She wasn't invited to the wedding, you know?
01:25So it was like the whole thing,
01:26and I don't really want to get into the details,
01:28but, yeah.
01:30What is your relationship with Lori?
01:38Um, is that the, uh, the monotone lady?
01:40The monotone lady?
01:41Yeah, she, like, talks like that.
01:43So you do know her?
01:44I mean, like, not like that.
01:47I know her, kind of.
01:49So you and Lori don't call each other?
01:50No. Oh, God, no.
01:52Have you ever been to Mexico?
01:55Um, nope, nope.
02:01Never been.
02:03Is it nice?
02:06Some parts.
02:07So if I had a photo of you in Mexico,
02:09would you say it wasn't you?
02:12Me?
02:14In Mexico?
02:15But you say it's never been.
02:16You have a photo of me?
02:17So it's not you.
02:17In Mexico?
02:18Yes.
02:19I'd have to see the photo, then.
02:21I don't have it.
02:22So it's a hypothetical scenario.
02:23Well, I can tell you with absolute certainty
02:24that I have never been to the moon.
02:26Have you been to the moon?
02:27I've never been to the moon.
02:28Are you sure?
02:29Positive.
02:29Well, if somebody comes and says
02:30they have a photo of you in the moon...
02:31It wasn't me.
02:32Why not?
02:33Because I've never been to the fucking moon.
02:35Makes sense?
02:36So far.
02:37So if I had a photo of you in Mexico,
02:39what would you say?
02:42Like, we're in Mexico.
02:44So you've been to Mexico.
02:46I mean, I'm, like, I've been to the border.
02:48I drive for Uber and Lyft.
02:49Oh, but you've never driven into Mexico.
02:51I mean, I may have gotten lost
02:53or turned around or some shit, you know?
02:55Like, I used to be an addict.
02:56It gets fuzzy sometimes.
02:58But you will remember
02:59if you drove 20 or 30 minutes into Mexico.
03:01Absolutely.
03:07I said you didn't have a photo.
03:09I lie.
03:11Do you remember meeting this guy?
03:14I mean, I don't...
03:16He's a cartel member.
03:17His name is Bruno.
03:18Your parade's a club 20 minutes from the border.
03:20I don't know what this is, but...
03:21Post statement to a federal agent.
03:2318 U.S.C. 1001.
03:25Five years in federal prison.
03:28So you guys can lie to me,
03:29but I can't lie to you.
03:30Correct.
03:31That seems fucked up.
03:32Apparently, we have different definitions
03:33of what constitutes fucked up.
03:57We also lie to you when we say
03:58we didn't find any drugs in your car.
04:02Recognize this?
04:09Yeah.
04:10This is 20 years in federal prison.
04:12And federal inmates don't get parole.
04:14We know who you work for
04:15and what you've been doing.
04:16We know the federal you've trafficked
04:17has killed people.
04:18For each death we can link to you,
04:20it's an additional 20 years.
04:22You may never see the light of day again.
04:25Look at me.
04:27I can see it deep down
04:28that you're a good kid in a bad situation.
04:30Our job is to take the drugs off the streets
04:33because too many lives have been destroyed.
04:36Wouldn't you agree?
04:39Yeah.
04:40So this can go two ways.
04:42We can either take you into federal custody
04:44or you become a confidential source
04:47and help us take these people down.
04:49Oh, fuck.
04:51The fuck is accurate.
04:53If you want to turn her cursing to a blessing,
04:57I will say this is your opportunity.
04:59Okay.
05:05And that is how I became a snitch.
05:12They swapped out the drugs
05:14for sugar pills and laxatives.
05:18Told me to stay cool
05:19and they'd be in touch.
05:30A little twirl.
05:31Get it, get it, get it.
05:34What do you think of the booty?
05:36It's all right.
05:38Could be a bit juicy, huh?
05:39We don't want to scare off the whites, though.
05:41In my mind,
05:42I'm picturing a tasteful tush, you know?
05:45Commercial, classy ass.
05:47Bitch, you look like shit.
05:53Me?
05:53Ain't nobody else in here looking like shit.
05:55Oh, sorry.
05:57I was just a little hungover, that's all.
06:00Mama, need you to smile.
06:03Not you.
06:04You.
06:05Oh, me.
06:06Again, sorry.
06:06Are you hungover or fucking retarded?
06:09I'm just confused.
06:10Mild, bitch.
06:11Oh.
06:14Never see those fucking pearly whites.
06:16Ah!
06:17Ah, that's what I'm talking about.
06:19Now that's a fucking smile.
06:22For all the Sammy Davis group.
06:23Let me see that.
06:24Ha, ha, ha, ha, ha, ha, ha, ha.
06:27You know why you're fucking smiling?
06:30No, sir.
06:30Because I gave that bitch Lori
06:35a taste of her own medicine.
06:37What?
06:38What?
06:39What?
06:40What?
06:40No, I got a feeling
06:42that's the last fucking pickup
06:43you'll ever do.
06:44Then who are we, uh,
06:46buying from them?
06:47You think there's a fucking shortage
06:48of dealers in L.A.?
06:49Not in this L.A., partner.
06:53Right.
06:56So I'm in the mood to celebrate.
06:59Yeah.
07:00Luckily,
07:02I got me a newfound friend, Kitty.
07:04Come on over here, baby.
07:06Look at that.
07:08Oh, wow.
07:12And Kitty likes to dance.
07:16You're gonna do a lot of that money
07:17when you start me.
07:21The beach can dance.
07:22You're from Kansas.
07:23Cut it some slack.
07:27What is Kansas?
07:41You look like death walked up.
07:46Yeah, I think it's just like
07:47a tummy thing.
07:52Plan on taking that off.
07:54Hmm?
08:01Okay, so what happens
08:02when they find out
08:02the drugs are fake?
08:03I assume they will call Lori
08:04and ask her to correct the mistake.
08:07Okay, but aren't they
08:08just gonna blame me?
08:09Why would you swap out the drugs?
08:11Sound like you're a snitch.
08:20They also installed
08:21an app on my phone.
08:26We added a new number
08:27under your mom's contact.
08:29Tap it,
08:29and the ball goes hot.
08:32Can I just keep it in my pocket?
08:34It can get muffled.
08:36It's better in the open.
08:38Isn't that suspicious?
08:39Sometimes.
08:40Sometimes not.
08:47You guys are gonna give me
08:48a fucking heart attack.
09:02I can, uh, pack it.
09:05Noni, it's after.
09:06I can, uh, pack it in my pocket.
09:11I can, uh, pack it in my pocket.
09:25I can, uh, pack it in my pocket.
09:25I can, uh, pack it in my pocket.
09:25I can, uh, pack it in my pocket.
09:25I can, uh, pack it in my pocket.
09:25I can, uh, pack it in my pocket.
09:26I can, uh, pack it in my pocket.
09:26I can, uh, pack it in my pocket.
09:28I can, uh, pack it in my pocket.
09:29I can, uh, pack it in my pocket.
09:31I can, uh, pack it in my pocket.
09:39the toe is a metaphor what the toe it's a metaphor you know i thought that i'd lost it forever
09:51but we were smart and we put it on ice and we took it to the hospital
09:56and they were able to put it back on what's the metaphor when you break something you got
10:01to pick up the pieces right you got you got to be real careful with it and you got to
10:05glue it back
10:06together so the toe is us in a way the toe is never going to be the same how do
10:19you know
10:22because the doctor said so you said the toe will never feel the same i think you're misinterpreting
10:27the metaphor no metaphor doesn't mean what you want it to mean you can look at a scar as a
10:33sign
10:33of weakness or you can look at it as a strength okay so now you're changing the metaphor no i'm
10:38not
10:40first you said that we're the toe and now you're saying we're the scar are you an english teacher
10:44i'm talking about our relationship when i look at my toe it motivates me to build back better
10:51everything you've built is built on a lie not everything some things yeah well just
10:57a relationship this house our finances your business
11:05you didn't say our love
11:13how much do you owe this guy somewhere between a little and a lot what's the number you know it
11:20depends on the interest you know how quickly we can pay what's the number nate you know a million
11:32i feel sick i am going to fix this you have to keep faith in what me us our life
11:46the fairytale's over
11:56what does that even mean
12:01cassie called the one person who could actually help her
12:22where are you going
12:28to work
12:49thanks this is something about your look
12:53okay
13:15hey what are you doing
13:18uh just working
13:20nice okay well i have a really cool opportunity that i think you might be good for
13:25you interested
13:28really at an art show maybe two to three hundred people will see your work
13:32but ellie night's average is seven million a week
13:35what that would be life-changing
13:37i mean thanks for getting it done today by the way
13:39thank you so much for thinking of me
13:41it's just right up here
13:43the character oceana is inspired by george sarah so we were thinking sort of a sunday in the park
13:49picnic kind of feel
13:50okay yeah like the woman with umbrellas
13:53thing
13:54well you don't need to copy anything like it should feel distinct
13:57okay
13:59yeah sure
14:00basically do whatever you feel it'll be great
14:02i have to go
14:03bye
14:15this is cassie
14:17hi
14:19the goal is to take her from the suburbs to the city
14:23cool
14:33cool
14:35okay
14:37here we can see if he's next
15:04THE END
15:29Right here on the wall
15:31And center it, please
15:39Yeah, we have an emergency
15:42What kind?
15:43It's hard to explain
15:56Has your friend lost their mind?
15:58I don't know
15:58It's insane
15:59It's not like there's one penis
16:01There's 14
16:02What were you thinking?
16:03I told her to paint a picnic
16:05Does this look like a picnic?
16:07I don't know what happened
16:08I don't think my character
16:09Would paint something like this
16:11I agree completely
16:12Did you say George Soros?
16:13Yes
16:14Women with umbrellas?
16:15Yes
16:15Children sailing boats?
16:16Yes
16:17Is she trying to sabotage the show?
16:18No, of course not
16:19Who in their right mind
16:20Would paint something like this?
16:22It's insane
16:22Well, she's
16:23What?
16:25Trance
16:25Jesus Christ, Lexi
16:26We're gonna have to handle this
16:29Delicately
16:31Hey, I think I'm outside
16:32Yeah, we're on set
16:34Just come in
16:48Okay
16:50So nice to meet you
16:52Nice to meet you, too
16:53Yes, thank you so much
16:54Thanks for having me
16:55Very talented
16:56Thank you
16:58So, I don't know if Lexi told you
17:01But this is a network show
17:03Which means that we have to answer
17:05To standards and practices
17:06Ugh, and they are like the censors
17:09Okay
17:11The penises are too much
17:15How many peni do you want me to get rid of?
17:17Let's say all of them
17:19Like paint clothes over them?
17:21That could work
17:21Or you can make them into bread loaves
17:24Bread loaves
17:25To stay in theme with the picnic
17:29And, uh, I'm just, like, struggling
17:31With how many limitations there are
17:33The only limitation is
17:35We have to get rid of the penises
17:36Okay
17:37But the breasts are okay
17:40Let's just get rid of the nudity in general
17:42Put some clothes on them
17:45Blankets
17:45You know
17:46I'll leave that to the interpretation of the artist
17:49How long do you think that'll take you?
17:52A couple hours
17:53Just punt the scene
17:54We'll move it till next week
17:57Thanks
18:24I'm so sorry
18:27I feel horrible
18:29Horrible
18:30Well, that makes sense
18:31Mistakes happen
18:33Some are just more expensive than others
18:37I know
18:39Do you?
18:40Because I'm not sure that you do
18:42We lost an hour and a half of shooting
18:45Fifty-six thousand dollars
18:48I have to hold stage nine for another week
18:51That's Grips Electric Rentals
18:54Your failure to communicate
18:59What do you think that costs us?
19:01Fifty-six thousand dollars?
19:03No
19:04It's a hundred and ninety-one thousand dollars
19:15Don't be a net negative, Lexi
19:18I won't
19:19Okay
19:23No, thank you
19:27Close the door
19:42Thank you
19:45To be Mary
20:29I'm so sorry.
20:30Am I a perfect little guy?
20:39How do you want to deal with this?
20:41I want to kill them all.
20:44But I don't know if that's painful enough.
20:56The reason you're walking free is so you can set up a buy.
21:00What the fuck do you want me to do?
21:01He killed her bird.
21:02They're never going to do business together again.
21:04Then we got no use for you.
21:06Then we might as well put you ass in prison.
21:09Listen, what if I can set up a buy with a different dealer?
21:12What dealer?
21:18Lexi had agreed to let Cassie stay at her place for a while.
21:21Yeah, put your chin up.
21:23Poke the ass up.
21:24I need a smile.
21:25Come on.
21:26You're happy to be here.
21:28Gorgeous.
21:30Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
21:32Can you turn that back on?
21:34I don't know why it went off.
21:35Well, just turn it back on.
21:37What a great idea.
21:37Wait, hold that pose.
21:39When she gets the boy working, I'll pose.
21:41I just feel like you're worth more than your body.
21:44My body's worth a lot.
21:45Man, these girls are out here making millions.
21:48Who?
21:49Well, like Bad Baby.
21:51Bad Baby?
21:52Yeah.
21:52She was on Dr. Phil.
21:54She cussed him out and got super famous.
21:56Then when she turned 18, she made an OnlyFans and made like 53 million in a year.
22:0153 million?
22:02We're not making this up, Lexi.
22:04This is the business world of today.
22:05I mean, if I do this...
22:17I need to get some drugs.
22:21You relapsed?
22:22No, no, it's not for me.
22:23Don't worry.
22:24Is this blower ever going to fucking work?
22:26I don't know.
22:26I'm not a gardener.
22:28Wait, I thought you were clean.
22:29I am.
22:30It's not for me.
22:30It's for my boss.
22:31So, what kind of drugs do you need?
22:33Coke, Molly, heroin.
22:35Heroin?
22:36For your boss?
22:37Or for you?
22:38No, not for me.
22:39And I don't have time to explain this shit.
22:40Is this machine really important?
22:42Yes.
22:42I need hair movement.
22:43It brings energy to the shot.
22:45Listen, Maddie, you can just give me the contact and I'll do rest.
22:47Well, I don't feel comfortable helping you get drugs.
22:49Okay, but it's not for me.
22:50My hair is not with cells, okay?
22:52It's my body.
22:53And my body doesn't need wind.
22:54It needs a photographer.
22:55Do you guys hear yourselves right now?
22:58Like, what's wrong with you people?
23:01You're looking for drugs.
23:03You're selling your body on your porn site.
23:05And you're like some internet pimp.
23:11It's sad.
23:12And it's pathetic.
23:14And it's really disturbing, honestly.
23:16Oh, Jesus.
23:17Who would have thought we would have come here?
23:18Did you shut that fucking thing off?
23:21It's so annoying.
23:22Yeah.
23:23Yeah, yeah, yeah, yeah, yeah.
23:26Yeah, yeah, yeah, yeah.
23:51Nathaniel Jacobs' son, Suttler's court.
23:55Nate knew this was definitely his last chance.
24:06I believe everything happens for a reason.
24:10The discovery of these endangered flowers on my land happened for a reason.
24:18It was a sign.
24:21And in all my excitement and passion for the elderly, I had overlooked the greater meaning of the Sun Settler
24:29mission.
24:30God said to Adam, for dust you are, and to dust you shall return.
24:38This is a fundamental human truth known all too well by our senior citizens.
24:42So I'd like to propose a new design for Sun Settlers.
24:47Imagine our hospice wing, where families can gather in the final days of their loved ones' lives
24:52and look out at a beautiful garden of white fritillaries.
24:55These flowers should not be dug up and moved.
24:59No, we should move around them with an elegant curve design done by our A-plus architecture team.
25:09Motion denied.
25:10Motion denied.
25:10When the environmental studies come back, we can discuss.
25:14Motion denied for now.
25:19I have put my entire life on the line for this.
25:22Motion's denied.
25:23Every penny I have.
25:26My marriage is in shambles because of you.
25:31Sorry, is this a personal thing, Bill?
25:33Do you have a personal problem with me, Bill?
25:36Is that what this is?
25:37I don't.
25:38Are you trying to ruin my life?
25:40What do you want from me, Bill?
25:42Don't tell me.
25:43What do you want from me?
25:45You want me on my hands and knees begging you to give me my life?
25:49Is that what you want?
25:51Sir, your time is out.
25:53I'll do it.
25:55We have other people waiting.
26:07Here it is.
26:11I'm begging you, Bill.
26:13I want my hands and knees.
26:15I'm begging you.
26:16I'm trying to do a good thing.
26:19This is a good thing, Bill.
26:20This is a good thing.
26:21This is good.
26:22Okay, that's enough.
26:23This is good for the world.
26:25Mr. Jacobs.
26:27Please just let me see this through.
26:28I can't be back.
26:29Mr. Jacobs.
26:30This is a good thing.
26:31I'm trying to do a good thing, Bill.
26:35For the last time, motion denied.
26:41Sir, just get your things together and pack them up.
26:45You can go.
26:48Let's take a five-minute recess.
27:00Cassie had pawned her wedding ring, took the cash, and invested it in herself.
27:12And Nate would always say, it takes money to make money.
27:19Do you accept cash?
27:23Just so happened, her new place was across the pool from Lexi.
27:36Rags, a dollar, and that's a hundred dollars.
27:39You didn't hear from Laurie yet, did you?
27:41Not a little Bo Peep.
27:42And on a scale to one to ten, how sad you think that bitch Laurie is?
27:46I feel like an eleven.
27:48Like a hundred and eleven.
27:49He was a beautiful bird.
27:52Nigga, you said that like he didn't kill his ass.
27:54I didn't want to, but I was told to.
27:57This nigga looking at me like he looked at the damn pair.
28:01Call.
28:02Call.
28:03Oh, shit, we got a three-hander.
28:08So, uh, when we run low at the club, where am I supposed to pick up from?
28:12Goodbye with you, little lady.
28:14I'm focused on this hand right here.
28:24I was just, uh, I was just thinking, because, you know, I saw my connects in New Mexico.
28:29And, uh, I could always, like, do a pick up and then sell at the club.
28:34Bet 175.
28:36I mean, we could make a lot of money.
28:38You could make a lot of money.
28:40Y'all just a little too fucking rich for my blood.
28:42What?
28:48Call.
28:50Didn't you say you wanted to get out of that world?
28:53Now you just want to get back in.
28:56Let's see the time.
28:57I was just thinking that.
28:58That's all.
29:06You know, something don't add up.
29:10Bet 200.
29:11Why in the fuck would you ask me something so catastrophically dumb?
29:17I don't know.
29:18I don't know.
29:18Nah, see.
29:20You didn't just think it.
29:21You thought to say it.
29:23And then you said it.
29:25So I'm gonna need a much better explanation of a motherfucker and I don't know.
29:30I'm sorry.
29:31I shouldn't have overstepped.
29:34Nah, that don't cut it.
29:40I just figured, like, at the club, the more people that do drugs, the more money they spend.
29:45You know?
29:46Are you gonna call?
29:47Or not?
29:49Nah.
29:50See you high or something.
29:53No.
29:55Why the fuck are you sweating?
29:58I just know I have a good hand, that's all.
30:02Call.
30:04I've seen that look before.
30:06See, you got that look in your eye.
30:10Like a motherfucking rat.
30:13Trying to figure out where it's gonna go next.
30:17Yeah.
30:19Where you gonna go next?
30:27Let's see the river.
30:28Shut the fuck up, nigga.
30:34You've been using it again, ain't you?
30:47Yeah, I had a slip-up.
31:08Check.
31:12All in.
31:14Ooh, shit got real.
31:16Call.
31:22Oh!
31:23Fuck!
31:24You've been setting that shit up the whole time.
31:26Let me make one fucking thing clear to you.
31:30You fuck with hard drugs.
31:34You're likely to wind up killing your black ass.
31:39Got it.
31:41What happened again?
31:44Damn, Bishop.
31:46Well, you got BTA.
31:47Belt to motherfucking ass.
32:04Andrel's not coming back.
32:06Not at all.
32:08She ran away from rehab.
32:11Disappear.
32:14It's sad.
32:17But life goes on.
32:25Last night I was dreaming.
32:27It's yours.
32:27I dreamed about the age bomb.
32:30Where the bomb went off and I was caught.
32:34I was the only girl on the ground.
32:43There were thirteen men and me, the only girl in town.
32:48There were thirteen men and me, the only girl in town.
32:54And as funny as it may be, the one and only girl in town was me.
33:01A thirteen men and me, the only girl in town.
33:06I gave a ten men and every morning.
33:10I seen that I was well fed up.
33:13I believed in the universe.
33:15I knew that you were the only girl in town.
33:19I knew that you were the only girl in town.
33:22It's almost like Angel knew she was never coming back.
33:28And just like Tish, everyone would soon forget.
33:50Maddie told Cassie to put on her best outfit.
33:53She was gonna introduce her to some friends.
34:01The stash was running low.
34:03And I was running out of time.
34:13You look good, bitch.
34:19Sir, let's go.
34:42This is Brandon Fontaine's house.
34:44He's got twenty million followers.
34:46Whoa.
34:46The goal is simple.
34:48Get him to post a video of you looking hot tonight.
35:11And who knows if the DEA would even protect me.
35:36All he cares about is pussy.
35:38You're gonna tempt him with pussy.
35:40You're not gonna give him pussy.
35:41Because the moment you do, he'll never speak to you again.
35:45Don't trust these girls.
35:46These bitches are dogs.
35:48Stray dogs.
35:49And they're looking at you like a fucking Pomeranian.
35:51The cute new bitch.
35:53So stay sharp.
35:54Stay focused.
35:56And it's fucking wind.
35:58It feels like we're going to war.
36:02Come on.
36:07Shh.
36:08Shh.
36:09Shh.
36:11Shh.
36:17Shh.
36:24Shh.
36:30Shh.
36:30Shh.
36:31Shh.
36:43So what would you like?
37:02So what would you like to do?
37:51So what would you like to do?
38:02So what would you like to do?
38:33So what would you like to do?
38:57So what would you like to do?
39:06How do you know Brandon Fontaine?
39:08Oh, my best friend's like best friends with me.
39:11Oh, who's your best friend?
39:12Maddie Perez?
39:13She's like a manager to all these super famous actors.
39:16Yeah, I know Maddie.
39:18I love Maddie.
39:19Is she here?
39:21Oh, she's somewhere around here.
39:27What's up?
39:28What's up?
39:29Hi.
39:32Hey, you guys want to have some more fun?
39:34I have some Coke.
39:35Oh, my God.
39:36I love Coke.
39:37She loves Coke.
39:39All right, come on.
39:39Oh, my God.
40:08I love God.
40:35Let's go.
40:39Making a money's worth?
40:40Yeah.
40:50Make yourself at home.
40:53Casa su casa.
40:54I can't believe you actually live here.
40:57It's dope, right?
40:58How long have you guys known each other?
41:01Forever.
41:05Does Maddie rep you?
41:07Yep.
41:08That's weird.
41:26Cap?
41:30Cap?
41:31Come and get it.
41:36Did you test it?
41:37It's my usual plug.
41:38It's fine.
41:40Are you sure?
41:41Yeah.
41:41Okay, no, sorry.
41:42I don't want to die or anything.
41:44I love my life too much, you know?
41:48Um, you're not going to offer it to me first.
41:52I thought you were a gentleman.
41:59Ladies first.
42:03I love my son.
42:14What?
42:23Oh my God.
42:27Oh my God.
42:30do me right here right there right there I think it's my turn
42:41his turn my turn baby my turn your turn
42:48yo smile get the fuck up here
42:54oh I like it too
42:57he really likes it
43:02I can't open the door and I need to get in there
43:07I think it's my turn
43:11oh no I got it
43:15you're a fucking crazy bitch aren't you
43:17fucking wild you're no good
43:19I'm no good
43:24I'm dealing with a locked door here
43:26oh fuck
43:27oh fuck
43:33oh fuck
43:39about to go viral
43:47I need to get some water
43:49okay good
43:53oh no
43:56she's sick
43:58she's puking
44:02oh fuck
44:06I'm gonna fuck it
44:07really
44:08really
44:10right now
44:11right now
44:17hey Brandon who's your new friend
44:19yo yo yo
44:20it's just me Cassie and that's my handle
44:36hey
44:37hey
44:44I'll help you
44:51do you have any more ketamine
44:52do you have any more ketamine
44:55you doing okay
44:58okay
45:00those guys
45:03did they
45:04did they hurt you
45:20um
45:21no I saw what happened
45:25are you sure you want to be doing this
45:30are you being forced
45:37I like to dance
46:00I like to dance
46:01I like to dance
46:43you good
46:45yeah
46:46just uh making a phone call
46:53fuck
46:54fuck
47:06hermano
47:06tenemos que hablar
47:09la tipa esta
47:10no me fÃo un pelo de ella
47:12speak english
47:14she asked it if someone was forcing her to work here
47:46me
48:07hey
48:13I um
48:16I just forgot my phone
48:23I let you break one of my rules
48:31nobody enters my office alone
48:46I don't know why she's calling
48:48must be important
48:53do you mind if I
49:05mom
49:05listen very carefully
49:06pretend I'm your mom
49:08ask me about grandma
49:11wait what did you say about grandma
49:12you're compromising
49:14the girl in there just told your boss
49:15that she thinks that you're a snitch
49:16you gotta find a way to discredit her
49:24okay
49:25okay
49:33okay
49:33I'm glad she's okay
49:36love you too
49:40close the door
49:41we need to talk
49:55you got their attention
49:57now you gotta keep it
50:04no I think it's very clear
50:05what the fuck is happening here
50:06because this spanish hood rat
50:08is just a dude
50:09hood rat
50:12hood rat
50:12hood rat
50:13that's what you are
50:17liar
50:18liar
50:18I don't know what you're saying
50:20I don't know what you're saying
50:27I don't know what you're saying
50:32are these
50:33yeah I got them right
50:34yes
50:34pull out the right carpet
50:36motherfucker
50:39no I bent
50:40okay okay
50:40hey
50:42never spoke to you
50:43no I fucking
50:44I spoke to her
50:46but I just said
50:47like you know
50:47are you okay
50:48which is my job
50:49is it not
50:50look after the girls
50:51right
50:51bullshit
50:52look if you want to believe
50:53this fucking drug addict
50:54that's up to you
50:55we got a fight
50:58I'm not
51:02What the hell are you talking about?
51:03I didn't steal a fucking truck.
51:04Okay, let's open up the fucking locker then,
51:07because I know what the fuck I saw.
51:08Yeah, go check it. Yeah, go check it.
51:10I'll go check it. Let's check it.
51:10One of you bitches is lying.
51:12She's lying. She's probably the bitch that's lying.
51:15She's the one the fucking fake ass now, Brayson.
51:17I'm the one who's lying. That's hilarious.
51:18What? I don't...
51:20Whoa, whoa, whoa! I wouldn't do that, motherfucker!
51:23I can just see.
51:24Hands! Hands! Hands where I can see them!
51:28Now, I imagine you got a safe in here?
51:31You have any fucking idea who you robbing?
51:33Well, that's the exciting part.
51:36I hope in that safe I'm dead.
51:37You die here or you die later
51:39don't seem like a fucking tough decision to me, boy.
51:42You kill me, you never get that shit open.
51:48Then shoot the girls.
51:52All right. Come here.
52:00Oh, look. Two birds, one stone.
52:04You got five seconds, boy.
52:06Five, four, three.
52:09Keep praying, baby.
52:11Two.
52:13You're a cold, motherfucker.
52:15One.
52:17Move!
52:17No!
52:39Did you hear that?
52:40What?
52:44A big bang?
52:46No.
52:58What do we gotta do to convince you to open the safe?
53:04How about we blow off that donkey dick?
53:09How about we blow that thing off?
53:14It's either your balls or the motherfucking safe, man.
53:18What's it gonna be, Doc?
53:22Behind the painting.
53:24What's that?
53:27Behind the painting.
53:29That wasn't so hard now, was it?
53:32Open it.
53:33It's all I'm getting.
53:40It's gone.
53:59Proceed.
54:01Looks like you shit your drawers.
54:23How we looking?
54:25Jackpot.
54:30Door!
54:30Door!
54:34Oh, shit.
54:35Fuckin' object.
54:37Get my wild ass mother fucker!
54:46Yo, Bishop.
54:46I think we need to get him to the hospital, man.
54:48He can wait.
54:49Rewind the footage.
54:51Hey.
54:55They in a pick-up truck.
54:57There's a woman on the plates.
55:01Hey, yo, man.
55:02Come on.
55:03Come on.
55:03Stay up, bro.
55:07There are no plates.
55:08Can you see anyone's face?
55:11They're masked up.
55:13Even the driver.
55:20I think I got it.
55:23What do you see?
55:26It's a woman.
55:28She has gigantic lips.
55:37You know her?
55:40It's a girl named Faye.
55:44She works for Lori.
55:49you know that you are
55:55you're cold enough to me
55:57oh shit
56:02you're as cold enough
56:04yeah
56:05you're willing to say
56:06yeah
56:08you're as cold enough
56:10you're willing to say
56:23I like to welcome motherfuckers to the back of the minor beer
56:26see I'm for real
56:28we're delivering these M.O.P. tactics
56:30I'll bury you bastards
56:32I custom make cash
56:34it's the B.G.
56:35the Y.G.
56:37even the O.G.
56:39I may come with my gun in my hand
56:42to make sure you motherfuckers understand
56:44pardon me
56:45how the fuck you gonna stall with me
56:47I'm a heavyweight in this game
56:49you just ball with me
56:50you get laced down from your face down
56:52drop your shit
56:53niggas throw them on peace
56:54stand for mopping shit
56:55dump dump dump
56:56get it twisted
56:57I told you that
56:58we top of the line
56:59design realistic
57:00for instance
57:01mash up I say
57:03we come through and clear your ass out
57:05dump and hear your ass out
57:06jump we cold
57:07you're as cold as ice
57:09you're free
57:09you're willing to sacrifice
57:12you're as cold as ice
57:14you're willing to sacrifice
57:16come on
57:17you're as cold as ice
57:19you're willing to sacrifice
57:23you're as cold as ice
57:25you're willing to sacrifice
57:27I'm for the kick gun buster
57:28I passed all classes
57:30one of the fastest
57:32that blasted flashes
57:33you've seen my work
57:34you know my sneeze
57:36there's a slip chance
57:37that I'ma hesitate to squeeze
57:38please
57:38money never made me
57:40money never played me
57:41and money better not make me
57:43and break his ass
57:44subtract his ass
57:45when I step through his hood
57:46fuck dropping you
57:47I'm meant to stopping you for good
57:49stop him if you could
57:50you're as cold as ice
57:51and you'll be stiff as a log
57:53in the suit
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