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00:18Welcome to a brand new series and welcome to my dear old friends. Let's begin with squeeze
00:31music.
00:32Why don't you scratch me if it makes you feel good, go on, attack me. I promise I won't look,
00:40let me wipe the sweat from your brow. It's so easy when you know how. I want your love and
00:49I want it now.
00:54Why don't you kiss me
00:56Like they do on the screen
00:58You know this is me
01:00You don't know where I've been
01:02Stand up closer, I won't find it all
01:06I'd never think that my love is small
01:09I want your love cause it's such a ball
01:16She's like a baby in a cradle
01:19I rock her past the street
01:20A man who's at the table
01:23A baby in a tree
01:24But I want love
01:26And I'm a little too
01:47Why don't you hit me
01:49Give me a heart attack
01:51Go on and love me
01:53I might love you back
01:55I know you're much younger than me
01:59When I pulled you off of the street
02:02It's cool love and it sounds to me
02:09She's like a baby in a cradle
02:12I rock her past the street
02:14A man who's at the table
02:16A birdie in a tree
02:17But I want love and I don't do too
02:23She's like a baby in a cradle
02:25I rock her past the street
02:27A man who's at the table
02:29A birdie in a tree
02:31But I want love and I don't do too
02:37She's like a baby in a cradle
02:39I rock her past the street
02:41A man who's at the table
02:43A birdie in a tree
02:45But I want love and I don't do too
02:59I want love and I don't do too
03:08I want what you do
03:09I want love and I don't do too
03:11She's like a baby
03:13ALEX COOKums
03:18How lovely to have my dear friends in this room
03:21Thank you, Squeeze!
03:24With, Why Don't You?
03:25from their new album, Trixie's.
03:26A marvellous array of incredible guests this evening,
03:29because we will be welcoming, from Sussex and Bergen
03:32in Norway, Tamora.
03:35CHEERING
03:36From Minehead, it's Get Down Services.
03:39CHEERING
03:41From New York, the extraordinary Aja Monet.
03:45CHEERING
03:47But now from Mullinger in Ireland, it's Niall Horan.
03:52CHEERING
04:13PICKING UP BOXES WITH OUR TEETH
04:17PLAYING GAMES WE NEVER PLAYED BEFORE
04:21NOW A SLIDTER SAILY
04:23YOU TISORT
04:24THE SCREENS ARE T fashioned
04:26IT LOOKS rzecz honestly
04:30NIPS
04:32THINGS
04:34I'VE NEVER SEEMッ
04:36BEFORE
04:37CRASHING
04:38LIES
04:39WHEN YOU FIRST SAW ME
04:41Yeah, I met you at a dinner party
04:45Shoulder leaves and we have coffee
04:49Yeah, I met you at a dinner party
04:54You were pretty strong, thought just for the fun
04:58But who would be the first thing?
05:03On kiss on your neck, you're so concrete
05:07I'm done looking for somebody
05:10And I know the story
05:14Things I've never felt before
05:18But she lied to me if her saw me
05:23Yeah, I met you at a dinner party
05:27Shoulder leaves and we have coffee
05:31Yeah, I met you at a dinner party
05:35But she lied to me if her saw me
05:39Yeah, I met you at a dinner party
05:43Shoulder leaves and we have coffee
05:48Yeah, I met you at a dinner party
05:52Yeah, I met you at a dinner party
06:17Shoulder leaves and we have coffee
06:21Yeah, I met you at a dinner party
06:36The wonderful voice of Niall Horan
06:40The dinner party's a entitled track from his fourth coming album
06:44I'll be chatting to him later
06:45But now I'm going to chat to my dear old friends over here from Squeeze
06:50Chris Difford and Glenn Tilbrook
06:52How lovely to see you there
06:53All right, lovely
06:57So it's lovely to have you here on the show
07:00And your new album Trixies
07:03Which came out in March
07:05And it's really almost 50 years, I think
07:07Since it was first conceived
07:09It was
07:10And I was a small part of that
07:11But it's an amazing set of songs that you both wrote
07:15Tell us what it's about
07:17It's about a fictitious nightclub
07:18A dodgy place to go
07:21Sort of places that we wouldn't have been able to get into
07:23At the age that we wrote this
07:25But of course we could now
07:26Yes, you'd probably run one
07:28Probably run one, yeah
07:29And what sort of people inhabit this club?
07:33Sort of people that I think we hadn't met at that time
07:36I mean, I remember you and I were playing in pubs
07:38And we'd meet some nice people there
07:40But I think there was a mixture
07:42I think the thing that Trixie's portrayed
07:44Is a mixture of different classes
07:46And different types of people mixing together
07:48I think that had an element of danger to it
07:51Is it based on some of the characters
07:53That we actually sort of seen in our younger days
07:56In South East London
07:57And on the fringes of the nefarious world
07:59Yeah
08:00We used to play in a pub called The Bell
08:01Do you remember that?
08:02Yes
08:02And there were some dodgy monkeys there, wasn't there?
08:05Let's face it
08:06But you're still friends with them, of course
08:08Speak for yourself
08:11I mean, I loved hearing all these songs
08:12Because, I mean, between you
08:14You have a catalogue of extraordinary songs
08:17Everybody's covered your songs
08:18And they range from songs that are, to put it simply
08:21Are like ones that Burt Bacharach might have written
08:24Or ones that might have been written for sort of a rock and roll band
08:27What keeps you inspired now?
08:30Well, the fact that we've got such a great catalogue of songs
08:34When we go on tour
08:34Which we're doing later in this year
08:37With Billy Bragg
08:39You know, the fact is
08:40We've got all these great songs
08:41We've got to preserve them
08:42Make use of them
08:44Love them
08:44And with a great band
08:46Take them out on tour
08:47So, you know, Trix is
08:49We're playing live
08:50And it sounds amazing
08:51We've just done it on a European tour
08:53We played the whole thing
08:54From beginning to end
08:56And it was just amazing
08:58You know, people loved it
08:59Now, we grew up together
09:00And learnt our sort of
09:02Trade
09:02We learnt our trade together
09:04By going in the back of a van
09:05And doing all that stuff
09:06And it was at the time
09:07Called New Wave and Punk Music
09:09We were one of the first groups
09:10To go to America and do that
09:11And it was a very strange time
09:12And it was a very turbulent time
09:14Do you look back on those days
09:15With fondness now?
09:17I think, you know
09:19One of the things about Trixie's
09:20That struck me
09:21Is that we would never
09:22Have got away with releasing
09:23Anything like that
09:24In 1977 or 78
09:26It was just
09:27Too diverse a bunch of songs
09:29Too many chords
09:30Too many chords
09:31Something I've always been guilty of
09:33But, you know
09:34I think that in a way
09:35When we broke through
09:37We had to sort of simplify
09:38What we did
09:39And learn to grow out of that
09:41And so, you know
09:42It was a great time
09:43It was a very exciting time
09:43And it was also a time
09:45When you could identify
09:47With the other bands around you
09:48To a certain extent
09:50I mean, some of the songs
09:51Are just so fantastic
09:52And it also includes
09:53The original demos
09:54Which were done
09:55In a tiny sort of
09:56Shoebox studio
09:57In Islington
09:58Which I think are great
09:59You know
09:59It's a
10:00The whole
10:01You're on some of them
10:01The whole
10:02Exactly
10:02Me with very long hair
10:04And skinny
10:05But we haven't played together
10:07This century
10:08And people have tried to
10:09You know
10:09Said, oh, well
10:11You know
10:11Jules, are you going to be back
10:12With Squeeze at some point
10:13And just because of circumstances
10:16Really
10:16It's never
10:16It's never worked out
10:17There was even
10:18Offers in America
10:19There was a TV show
10:20That tries to get together
10:21But one thing or another
10:22It hasn't worked out
10:23But I propose
10:24That we actually do play
10:26To show the love tonight
10:28For the first time ever
10:29For years
10:29Would you like to do that?
10:31I think we should
10:31That's a great idea
10:32Would that be okay with you?
10:34Great
10:34And I'd love it too
10:35And it made me very happy
10:36Because we made great music together
10:38And I'm very proud
10:39To be part of it
10:41Oh, thank you very much
10:42So it's great to have you here
10:43Thank you very much
10:44For joining us
10:45And the world
10:45Are hearing more from Trixie's
10:46In a moment
10:47And I'm going to go over this way
10:48Thank you very much
10:49Chris Difford
10:50And Glenn Tilburg
10:57Next
10:57An extraordinary
10:59Grammy-nominated
11:00Surrealist
11:01Blues poet
11:02Who began writing
11:03At the age of eight
11:04With a song
11:05She describes
11:06As the
11:07Portal of Possibility
11:08Please welcome
11:09Aja Monet
11:16Thank you very much
11:37Aja Monet
11:38Says we're going to the elsewhere
11:40As the
11:41Yeah, yeah, yeah, yeah.
11:49Said we're going to the elsewhere.
11:51We be somebody-ness.
11:56When the street lights in your veins go on,
11:59and some are walking up and down the sidewalk of your grin.
12:04Diamonds twinkling on the street.
12:07The thirst of our cool.
12:13On the shorelines of a smile.
12:17Washing up against moon-shuttle-lit eyes.
12:21Freeing impulses, whereas folk we know.
12:26Laughter, laughter in the face of death.
12:32The carnival of flowers sprouting from clothes.
12:36Fifth.
12:37Earth's skin.
12:39The perfume of stones kissing cuss words.
12:44The rhythm echo and reverb riffing.
12:49Where the garments of Jupiter genius.
12:53Sparkling of space ships.
12:57Scattered in desire.
13:00Dressed in vibration.
13:03Cooking on a stove skillet.
13:06Afro-curl satellite levitating.
13:08Comb the skies.
13:10Heaven words.
13:12Embrace the marvelous.
13:13Embrace the marvelous daydreams born in the forest of our refuge.
13:18We, we, we, we were born to be sun-ray.
13:21We were born to be sun-ray.
13:25Radiant.
13:25Radiant.
13:26Falling upon the horizon.
13:27Newly each day.
13:29Shining.
13:30Waywardness.
13:31Let's go.
13:34Let's go.
13:35Let's go.
13:35To the elsewhere.
13:38Set loose.
13:40Where as we escape the strangeness.
13:43Whispers of flesh as mirror.
13:46Treasuring the mystery of ourselves.
13:47Where the, where the spirit dwells from not so distant constellations.
13:53Let's go.
13:55Let's go.
13:57To the elsewhere.
14:05Set loose when we get there.
14:08Set loose when we get there.
14:14Set loose when we get there.
14:15We're going to the elsewhere.
14:22Set loose when we get there.
14:25We need not climb on the shoulders of our elders to look at their toes.
14:35There's love in the elsewhere.
14:40There's, there's, there's liberation in the elsewhere.
14:45Talk, talk, talk about the blood.
14:50Talk, talk about the blood.
14:55There's revolution. There's revolution in the elsewhere.
15:01Peace of mind in the elsewhere.
15:06Neither here nor there. Neither here nor there.
15:10The end. The end of the world.
15:14The end of the world as we know it.
15:16Let's go. Let's go to the elsewhere.
15:44With elsewhere from her new album, The Color of Rain.
15:48Thank you, Arja Monet.
15:55Now, let's move over to this corner because Tom Rowlands of the Chemical Brothers
16:01and Norwegian artist Aurora have formed a remarkable duo.
16:06So please welcome, Tamora.
16:18I don't think I understand this thing.
16:30See you next time, Dave.
16:35Come on.
16:37See you next time.
16:43Bye veryads.
16:56I wanted to touch what I couldn't
16:59I wanted to feel what I shouldn't feel
17:03I wanted to taste the world on my palm
17:09Oh, I drink alone
17:13Oh, I drink alone
17:17I drink alone
17:20Oh, I want to feel
17:26I want to feel what I can't feel
17:36I want to feel what it feels
17:44I want to feel what it feels
17:55As I count the lights on the runway
17:58I'm chasing the speed of an airplane
18:02I just want to feel the most strong in my mouth
18:08Oh, I drink the load
18:12Oh, I drink the load
18:44Oh, I drink the load
18:49Oh, I drink the load
18:51I want it to feel
18:54I want it to feel
18:56I want it to feel
18:58I want it to feel
19:16To the waves of the world of the life rain
19:20We're reaching the height of the floodwaves
19:24I want to be one with a twirling of love
19:29Oh, I dream to love
19:33Oh, I dream to love
19:37I dream to love
19:40I dream to love
19:43Oh, I dream to love
19:46Oh, I dream to love
20:01Oh, I dream to love
20:15Oh, I dream to love
20:22Oh, I dream to love
20:58I drink the light from the album come closer. Thanks tomorrow
21:06Ravishing and mystical sound that was and now I am delighted to have at the piano my dear friend Niall
21:13Horan
21:18Thanks so much for coming on the show great to have you here
21:23Album about to go on tour and everything since one direction you've had two number one albums
21:28But let's go back to the beginning moment. Where does music start for you?
21:31What's the first music that you thought hey, this is for me? What got you excited?
21:36I remember like a lot of vinyl at home when I was a kid
21:40My parents are mainly 70s American rock music fans
21:45So I grew up a lot on like Laurel Canyon stuff like the Eagles, Fleetwood Mac, Crosby Stills
21:50All that kind of stuff. So I remember going to an Eagles concert when I was four
21:55The RDS in Dublin and just looking at the stage and just not really knowing who they were or what
22:01it was
22:01I was I was at but I remember thinking that's what I want to do
22:04That's that's the kind of thing and to this day
22:07I'm still a lifelong Eagles fan. Yeah, love them very much
22:10How great what a great interesting start to the whole thing and when you did start your solo career
22:15Did you have an idea of what you wanted to do or did it evolve?
22:20I think it's a it is a constant evolution, but it all starts from from rock
22:25Really, I think you know, the fact that I picked up a guitar at a young age
22:28It's always helpful when you go to write a song and I think that kind of
22:34Guitar pop rock sound is something that I
22:37knew exactly where I was going to go with it
22:39What it was and the initial stuff was going to sound like but then I also had this like
22:42Love for singer-songwriter I grew up on damien rice and a lot of irish
22:47Folk music that kind of got me into the singer-songwriter side of things, too
22:51So I think both of them played into
22:54What I do now. Yeah, and earlier tonight you played dinner party. Yeah, what was the inspiration for that song
22:59great song?
23:01The the inspiration is it's actually about the first night that I met my now girlfriend
23:06Years ago, and yeah, it tells the story of what happened that night, but
23:12After I'd written the song it kind of it told me what the rest of the record was going to
23:16be about and the dinner party not just being
23:19That one night it being you know the nucleus for the rest of our time together
23:25And it allowed me to write songs from
23:28All the different angles of a relationship whether to be the good and the bad times
23:31um, I think after I wrote I'd written a lot of songs up to that point
23:36But once I'd written that song I thought right mama. I'm out the gate here
23:39I know exactly what I need to say what I need to do and thinking of a dinner party who
23:42would some of your if you were throwing a dinner
23:44Party say next week obviously being
23:47Thank you very much. Correct
23:49Who else would you who else would you be having your dream dinner party?
23:53That's a good question. Um
23:56I've spent a little bit of time around
23:57uh, the actor joe pesci yes very good and he's um
24:02He's a big golf fan like myself playing we played at the same club in los angeles and um
24:06I see him around waving his hands and being very joe pesci like obviously and uh
24:10He could tell a yarn. He could spin a yarn. He can and I think he'd be a good guest.
24:15I'd like to see um
24:17Fleawood mac in the same room. That'd be fun
24:19All of them. All of them would be a good laugh. Don Henley. Yes, uh, don henley joe pesci and
24:28Bill Murray
24:30Nice mix. Yeah, nice weird mix. Yes. Yeah, I think that's a very oh, thanks very much. Yeah, I'd enjoy
24:35that very much
24:35Yeah
24:36Now you are a global mega star, but when you've got time off, what do you do?
24:39What's your sort of little down time to quiet thing that you do that no one knows about?
24:44If it was up to me, I wouldn't leave the house
24:46Um, no, I like being at home of going to a bit of cooking mowing the lawn bit of gardening
24:52these days
24:52I'm only I'm only 33 of it
24:56I'm a big big golfer and I spend a lot of time playing golf and I have my own golf
25:01management company and we manage some players and that's
25:04A bit of a side hustle for me, but yeah, I like to get I like the freedom of golf
25:07sticking a phone in the bag
25:09Not worrying about you know, whatever happened
25:12Whatever's going on in life and just getting out there and concentrating on that one thing
25:16Yeah, so golf is my kind of my thing and always like golf courses. They look so lovely. Don't you?
25:20It's a dream nation. It's been great. I'm looking for I'm counting the moments till our big dinner together
25:25And it's been great having you on the show of the songs of fantastic. What are you going to play
25:28for us in a moment?
25:29I'm gonna play the song that comes with the album in June tastes so good. Can't wait to play it
25:33first time ever
25:34Thank you so much. It's great. Thank you
25:42And now I go to this
25:44Bit of the room here where there's a duo who met in school in minehead Somerset performing a song
25:50Inspired by faulty heating, please welcome get down services
26:00My name's josh everyone say yes
26:02Yes
26:03Yes
26:04Yes
26:05My name's Ben scream come on
26:08Thank you
26:10We get down services balcony
26:12Scream
29:17What is going on?
29:57Yes.
34:07And, um, first of all, it's fantastic seeing you earlier on. Your voice sounded amazing
34:13and the vibrations. But how did this project come about? How did you meet?
34:17Well, we were making music together in the studio, which is something we love to do,
34:22isn't it?
34:22Very much so.
34:23And, um, the feeling was so strong with these songs we'd written that we thought this deserved
34:28a band. This deserved, like, a project of its own as opposed to just a featuring kind
34:33of thing.
34:34It's own name. So, it's been, like, it's been ten years since we met and, I guess,
34:39two years since we began making this world.
34:41And did Tom approach you?
34:43Yes.
34:44He came out of my mail.
34:46Yes.
34:47And he said, please, come home. No, yes, it was kind of like that. And then I was like,
34:50yes, of course, I want to make more. And it's just been, yeah, absolutely wonderful.
34:56Am I right in saying, did you see a war as perfumes?
34:58I saw it at Glastonbury, yeah. I was actually, it was a year I didn't go to Glastonbury.
35:01I was sitting on the sofa and there she was singing. And she pulled me off the sofa and was
35:08like,
35:08come on.
35:09There's a lot of this in our relationship.
35:11Yes.
35:12There's something happening here.
35:13Yes.
35:13Yeah.
35:14How did you decide on the name?
35:17Wow.
35:18Well, we, um, one name we really wanted to have was Taken.
35:23We couldn't be called The Thing.
35:25And then...
35:26You wanted to be called The Thing?
35:27Yes. For like a minute.
35:29But it's over.
35:29Yeah.
35:29That's so yesterday.
35:31And then for a while I wanted us to be Rat, because I love rats.
35:34Rat, with double A.
35:36Rat.
35:36You know, but thank God.
35:37Yeah.
35:38But then you've got a boomtown rat, you know.
35:39Maybe not.
35:39Yeah, true.
35:40People could get confused.
35:41We do do that.
35:43And then Tomora.
35:44It's just a good smash.
35:45The mix of your two names.
35:46I believe, am I right in thinking that it also means friendly companion on earth?
35:51On Japanese.
35:52In Japanese, yes.
35:53You're right.
35:54They have some good words for things that we don't have words for.
35:56Isn't that wonderful?
35:57Yeah.
35:58And how would you describe your working relationship with Tom?
36:01Who does what?
36:04We share a lot, don't we?
36:05Everything.
36:05All the production and the playing.
36:07Obviously, I don't sing quite as much.
36:10We do sing a bit.
36:11A little bit, yes.
36:12Aurora tries to get me to sing more.
36:14And I'm like, it's all right.
36:16I think you have this.
36:18And dance more.
36:18But you have it in you, Tom.
36:19Yes, I do.
36:20And where do you record?
36:22Well, between our two studios.
36:24So Aurora has an amazing studio above a fjord.
36:27You play music with the windows open and it drifts across the most beautiful place you've ever seen.
36:33And I have a little cave in Sussex.
36:36Nice.
36:37Where we get together.
36:38Nice.
36:39And is it right that after you finished recording, your parents gave you a present?
36:44Oh, it was a very moving handover, wasn't it?
36:47Yeah, my parents gave you a present.
36:49A very important thing to our country, a cheese cutter.
36:53Cheese cutter, yes.
36:54Yeah.
36:54Antler horn.
36:55Made from horn.
36:57But for brown cheese only.
36:59Yeah, for brown cheese.
37:00Well, what happens if you try and cut yellow or soft cheese, what happens?
37:03Or you just die.
37:04Yes.
37:05Immediate.
37:06Yes.
37:06It's very sad.
37:07Finally, Niall earlier was talking about, you know, the things he liked to do when he
37:12was relaxing and that, you know, just simple things often brings the most happiness.
37:15Simple things.
37:16What would you do both?
37:16What would you do to relax and enjoy yourself?
37:21I like to ride my bicycle.
37:23It's very boring, but that's what I like to do.
37:25Where do you ride it?
37:26I mean, out in the woods, on the downs.
37:28Oh, yeah.
37:29It's nice, you know.
37:30I like riding, but I like riding a bicycle in the city because I'm a nosy parker, so I
37:34like looking at you.
37:35I have a little look at you.
37:36I have a little look at you.
37:36I have a little look at you.
37:36I love it.
37:37And how about you?
37:39Rora, what's your thing?
37:40What would you do to relax if you were?
37:42Well, I like having really, really, what the heck is it called?
37:48When you play just really low, you know, on piano, and I do like a very...
37:54Pianissimo?
37:55Yeah, pianissimo.
37:56Very softly to myself.
37:58That really calms me down because in piano, my favourite sound is often in between, in between
38:05when you hit the notes, the lingering of the notes, so that is very relaxing to me.
38:10And, of course, reading books and pleasuring myself.
38:16Yeah.
38:19I was going to say, if you were just to show us, when you enjoy yourself, how you play
38:24the piano, pianissimo.
38:30That's just, well, just, yeah.
38:32OK, so I'm really...
38:33There's a soft pedal.
38:33I'm really terrified.
38:35No, but that's OK.
38:35You just do it very soft.
38:36Terrified of the sound.
38:37I play piano, but I hate it.
38:39Pianissimo, because a piano can be pianissimo.
38:45Oh, yes.
38:48I hope this is what I do to relax.
38:55Enchanting.
38:57Wow, OK.
38:59Congratulations.
39:00What a lovely, lovely sound.
39:02In the meantime, thank you so much for joining us tomorrow.
39:11And now, let's welcome back in this corner the wonderful Niall Horan.
39:16CHEERING AND APPLAUSE
39:35APPLAUSE
39:37I'm not free.
39:40When you're not swimming in my bloodstream.
39:46Not in my pocket with my car keys.
39:51Got me exactly where you want to be.
39:56Exactly where you want to be.
40:00Can't take another breath without you.
40:03Can't walk down the street.
40:04No, I don't know what you're made of
40:08But it tastes so good for me
40:10With my hands tied back around you
40:13No, I can't fall asleep
40:15No, I don't know what you're made of
40:19But it tastes so good for me
40:26Pathetic weed
40:28And I look in places that you'll never be
40:34Perfectly torturing me physically
40:37A symphony
40:39A voice is up in my mind
40:42Saying you're just struggling like
40:45Every night
40:48Can't take another breath without you
40:50Can't walk down the street
40:53No, I don't know what you're made of
40:56But it tastes so good for me
40:58With my hands tied back around you
41:01No, I can't fall asleep
41:03No, I don't know what you're made of
41:07But it tastes so good for me
41:12But it tastes so good for me
41:20Controlling my body
41:22Starting my pain
41:25I know I'm the one
41:27But I want you to stay
41:30I want you to leave
41:32But I want you to stay
41:41Can't take another breath without you
41:44Can't walk down the street
41:46No, I don't know what you're made of
41:49But it tastes so good for me
41:51When my hands tied back around you
41:54I know I can't fall asleep
41:56I know I don't know what you're made of
42:00You can't talk to me
42:02You can't talk to me
42:07You can't talk to me
42:13You can't talk to me
42:19Thank you
42:30Yes, thank you, Niall Horan.
42:35And thank you to all of my guests this week.
42:37So we're going to finish.
42:38As I said earlier, for the first time ever,
42:41not since I started with Squeeze,
42:43that Chris Difford and Glenn Tilbrook wrote Take Me, I'm Yours.
42:47That was our first hit single in 1978.
42:49We haven't played together as one since probably the 1980s or something,
42:54but I'd like to play for the first time ever on British television this century, certainly,
42:59to have us reunited here in this room.
43:01Please welcome Squeeze.
43:22I've come across the desert to greet you with a smile.
43:26My camera looks so tight.
43:28It's hardly worth my walk to tell you.
43:31My travels across the door to the east.
43:34I see your preparations.
43:37Invite me first to please.
43:42Take me out of yours.
43:45Because dreams are made of this
43:49Forever there'll be a heaven in your ears
43:57Oh, listen, barely, don't just distract me from my wine
44:05And cross to the mountain
44:07So never is the mind
44:09That's this and the same on the street
44:11Late as ever else
44:13We've got it in our paper
44:15My chills have bells
44:17Take me out of yours
44:24And on the streets of the place
44:28Forever there'll be a heaven in your ears
44:33Yeah
44:54Thank you
45:07It's really been some walkin', you never seem to change
45:11Your great attention, your legend, your romantic, just as strange
45:15My ego buys tomorrow, it's the game I'll change the bill
45:19To seek out this future, my love at last I hear
45:27Take me out of yours, because the streets are made of this
45:34Forever there'll be a hole in your ears
46:22And I'll see you next time
46:36We'll be right back
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