- 8 hours ago
The last of Victoria Shalet's appearances in the TV series Love Hurts, this is from Series 1, Episode 5, and sees Zoe Wanamaker (as Tessa) organizing a Fun Run for the company she works for. She has agreed a 'open relationship' with Frank (Adam Faith), who decides to play the field, but finds himself overcome with jealousy when he sees two other suitors bidding for Tessa's affections - so much so he decides to enter the Fun Run himself just so he can keep an eye on her!
Among the cast is regulars Jane Lapotaire and Tony Selby, as well as appearances by Leslie Ash, Stephen Moore and David Horovitch. And keep an eye out for a guest appearance by Rik Mayall at the Fun Run!
Among the cast is regulars Jane Lapotaire and Tony Selby, as well as appearances by Leslie Ash, Stephen Moore and David Horovitch. And keep an eye out for a guest appearance by Rik Mayall at the Fun Run!
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TVTranscript
00:13Let's get started.
01:00Miss Pickett?
01:01Yes.
01:15Frank.
01:25Oh, my God.
01:33So, what do you think?
01:36What do you think?
01:38Huh?
01:38Sorry, love.
01:41The record, Dozie.
01:43Oh, yeah.
01:44Of course, it's only a demo.
01:45But it's better than the rubbish they make you turn out every night in the clubs.
01:52So?
01:52What do you think?
01:54Well, I think it's better than the rubbish they make you turn out every night in the clubs.
01:57Ow.
02:00I have missed you.
02:02Get away.
02:04If I was in Barbados, even I wouldn't miss me.
02:06All those bronze playboys.
02:08A bunch of wrinkled prunes, more like.
02:11I kept getting requests for Jim Reeves songs.
02:15Say something.
02:17I mean, say you didn't miss me.
02:18I won't mind.
02:19Yeah, of course I missed you.
02:21I've got something on my mind, that's all.
02:23Business.
02:24Yeah.
02:25Business.
02:27It's good.
02:28Honest.
02:30It's very catchy.
02:34Do you fancy hearing it live?
02:38When?
02:39Next month.
02:40Florida.
02:41We've got a three-week residency in Fort Lauderdale.
02:44It'd be lovely if you came over.
02:46Yeah, well, next month.
02:48It's a bit...
02:50You know.
02:53Never mind.
02:57No, I don't.
03:00Well, I'm certainly not saying that.
03:03Yes, I'm sure you do.
03:06It's a valid point, Lady Sinfield.
03:08An extremely valid point.
03:10Yes.
03:11Yes, I look forward to it.
03:13Goodbye, Lady Sinfield.
03:16What interesting sponsors we have.
03:18Overpopulation again?
03:19According to Lady Sinfield, all the ills of the third world could be cured by an airlift of
03:23contraceptive pills.
03:24Pity they haven't got the water to wash them down with.
03:27Remind me to point that out to her at next month's meeting.
03:29It's tomorrow.
03:31Hugh Mariner's brought the serious money meeting forward.
03:33It's tomorrow at 11.
03:34I've checked your diary.
03:35You're clear.
03:36Damn.
03:37Any problem?
03:37No, just damn.
03:40Really, Chris, no problem.
03:41Thanks.
03:44Damn.
03:46It sounds like a good deal you've got with that Tessa bird.
03:49Multiple bunk-ups, no strings.
03:51No strings for her either, Max.
03:53Hmm.
03:55How was Val?
03:57Fine.
03:59She's a great girl, Val.
04:01Yeah, one of the best.
04:02Yeah.
04:03I'm going to have to look into this open relationship business.
04:06A bit of posh for the weekends and a nice uncomplicated leg over for alternate Wednesdays.
04:10Max.
04:11Yeah?
04:11Shut up.
04:13Think these chairs will go?
04:15Leave off.
04:16They're ethnic, mate.
04:17The first lot went in a week, didn't they?
04:20Every home should have one.
04:21Your home?
04:22Yeah, Mum loves it.
04:24Rather you than me.
04:25They're real classy, mate.
04:27You wouldn't know classy would have bit you on the bum.
04:30Is that what it does, then?
04:41Have you been waiting long?
04:42Not long.
04:43You should have come in.
04:44Nah, just got here.
04:45No problem.
04:50Hello.
04:51You look tired.
04:52I'm knackered.
04:53Feel like I've done the fun run myself.
04:55Don't put me off.
04:57Are you going to do it?
04:58Me and the team.
05:01You're a star.
05:05I thought we were going home.
05:08We are.
05:09So I'm finally going to see your pad.
05:11Let me guess.
05:12Leather and chrome, Pirelli calendar, of course.
05:14Of course.
05:15And the black satin sheets.
05:16They're at the dry cleaners.
05:18You don't really have black satin sheets, do you?
05:19Sure.
05:20And a mirror on the ceiling.
05:21King-size water bed.
05:22No, that'd be fun.
05:38Where's Jane?
05:39Vienna.
05:40We're from college, for instance.
05:41Vienna?
05:42Well, she's looking into Sigmund Freud.
05:44Investigating the Oedipus complex, whatever that is.
05:51Impressed?
05:53Oh, impressed.
05:55Want to change anything?
05:58Oh, one or two things.
06:01To Dalton.
06:03Bannon trying to intercept, but flailing.
06:05Passes to Walker.
06:07Passed Mackie.
06:08And it looks wide open.
06:10Tackled by Langley.
06:11Come on, come on.
06:12But Kit gets it back.
06:13Get that ball across.
06:15It's clear.
06:16There's nobody there.
06:17That's it, that's it.
06:17He shoots.
06:18Hit it.
06:19Oh, you miscate.
06:21Ferg!
06:22What sort of things?
06:23What?
06:24What sort of things would you change?
06:26Can I take that useless cart horse off the field first?
06:29Come on.
06:29Seriously.
06:31Nothing.
06:32It's your place.
06:34So you like it?
06:36I like it.
06:37We'll be back after the break.
06:39Commercial break.
06:41Ever made love in two and a half minutes?
06:45Do you think you're up to it?
06:46Do you think you're up to it?
06:52Did you get this in the Gambia?
06:59No.
07:00Down the market.
07:01It arrived yesterday.
07:03Like it.
07:05Hmm.
07:06Not really my kind of thing.
07:12Good match, wasn't it?
07:14Was it?
07:19Do you mind dropping me home?
07:21I want to change.
07:23Got a busy day.
07:25I have to meet you today.
07:35So you'll be wanting to look your best, then?
07:38Yes, I will.
07:39Yeah, of course you will.
07:43I'm not looking forward to it.
07:47You'll be fine.
07:49Just rub his nose in it.
07:52In what?
07:56And what is missing?
07:59Six miles, eh?
08:01Well, I think it all sounds rather jolly.
08:04I only wish I were 50 years younger.
08:06Thank you, Lady Sinfield.
08:08Yes, I'm confident that Sunday's fun run
08:10will be part of this same process
08:11of lifting and sharpening Seed's profile,
08:14all of which will make serious money's task
08:16that much easier.
08:18In other words, it's looking good, Mr. Chairman.
08:22And if you're not all stripped for action on Sunday,
08:24I'll require a note from your doctors.
08:28It's really strange being back here.
08:30I can imagine.
08:32We have missed you, you know.
08:33Really?
08:34I certainly have.
08:36Well, I've missed your shoulder from time to time.
08:38Seriously, we should see more of each other.
08:40Will we?
08:40Oh, Malcolm.
08:42Malcolm, I hear you've entered the fun run.
08:43Have I?
08:44Splendid.
08:45I'll sponsor you.
08:46A hundred pounds a mile.
08:47Tess, may I have a word?
08:48See you at the run, then.
08:50Sure.
08:51Ciao.
08:53Good meeting, Tess.
08:54Very good indeed.
08:58It'd be nice to see you again.
09:00Why?
09:02Unfinished business, Tess.
09:04There is no unfinished business, Hugh.
09:07Isn't there?
09:20I thought you handled old smoothie chops very well.
09:23I suppose I was anticipating a little more resistance.
09:27That's why you kept working with me, I expect.
09:31Quite.
09:32How long were you and he...
09:35What?
09:36How long were we what?
09:38Well, you know, going out, staying in, whatever.
09:42Seven years.
09:43And you thought you'd call in old debts when you got him involved with serious money?
09:48No, fine.
09:49I mean, that's why they made you director of Seed, so that you could use your contacts.
09:53Bob, I'm not using Hugh.
09:55You sure he's not using you?
09:57It's immaterial.
09:59Anyway, it's over.
10:01Excuse me.
10:07You may think so, but I got the strong impression he doesn't.
10:11None of my business, of course.
10:16Hi.
10:17Hello.
10:18I'm sorry, mate.
10:20Worth waiting for.
10:22You'd be silly.
10:22I've been in this all day.
10:24Did it do the trick?
10:26What do you mean?
10:29Did you rub his nose in it?
10:37So, how was he?
10:39He looked awful.
10:40And?
10:42I didn't probe.
10:43Why not?
10:44You don't get all steamed up about your ex, do you?
10:47That was 15 years ago.
10:49Hugh is a bit different.
10:50I can still see the bruises.
10:53Seven years is a long time.
10:55It's difficult not to.
10:56Only natural.
11:00Anyway, we don't worry about that sort of thing, do we?
11:04Not at all.
11:06You want to eat?
11:08Not yet.
11:12You want to call him?
11:17What do you think?
11:19It's Frank's idea.
11:21I know it, Frank.
11:23I suppose I've been thinking about it, but it was Frank who suggested it, so I did.
11:28So, what was the matter with Hugh?
11:31He didn't say.
11:34I'll bet it's Georgiou girls giving him the elbow.
11:37Georgiou?
11:38She works on the perfume counter at Alders of Croydon, 23 years old.
11:42I'm sure that's what it is.
11:44I bet her name's Tracy.
11:46Or Sharon.
11:51I'm having dinner with him.
11:53Is that wise?
11:55Stop.
11:56It's a new question.
11:57I don't suppose wise comes into it, does it?
11:59Not much.
12:01It's just that I don't know.
12:03It was seven years.
12:04He hurt me terribly, and now he seems a stranger.
12:08I suppose I want to make sense of it.
12:10Or take revenge?
12:11I hope not.
12:12Oh, come on, let me...
12:14Oh.
12:16What does Frank think?
12:17There's nothing to do with it.
12:19You said he suggested it.
12:20Is he jealous?
12:21Don't worry.
12:22Oh.
12:24Alex nearly got run over.
12:26I didn't.
12:27A man in a car shouted at him, but he didn't realise he couldn't hear.
12:31He called him a stupid little sod.
12:33Sod, sod, sod.
12:34Anthony, stop that right now.
12:37Hello, boys.
12:38He's always forgetting his great cross-code.
12:41He shouldn't do that.
12:43No, he should, but I look after him.
12:45That's good.
12:46Daddy pulled a big chair.
12:50Sod, sod, sod.
12:51You heard what I said.
12:53Go on, you, into the kitchen.
12:55Hello, Simon.
12:56Hi, Tessa.
12:57Thanks.
12:58What do you think?
12:58Hmm.
13:01Frank's got one just like it.
13:05Where the hell is he?
13:06I'll give you a choice.
13:07And the booze are on the nest or in the nick.
13:10What's all this thing made of, anyway?
13:11Third world charities.
13:13Skip's very interested in third world charities, aren't you, Skip?
13:16Yeah.
13:16Skip's got a new bird.
13:18She talked him into this.
13:20Nobody talks me into anything, mate.
13:23There he is.
13:28Come on, Devlin.
13:29Get your act together.
13:30What's all this thing made of, then?
13:31Favourite, Sir Frank's Bird.
13:32Oh, which one?
13:33Some charity tarts.
13:34I don't know.
13:35I can't keep up with your love life, Skip.
13:37That's not the only thing you'll have trouble keeping up with.
13:39Get him on his feet, let's...
13:40Oh, come on.
13:41This way, put...
14:07Want me to call the flying doctor?
14:09Have a bit of sympathy, Max.
14:10I've got six pints from the Vindaloo backing up from me from last night.
14:13Just as well you're trailing the pack.
14:16Oh, Frank must have it bad.
14:18Putting us through all this for a bird.
14:19Oh, this is just the beginning.
14:21He'll have you abseiling off of the NatWest building next.
14:24Bloody hell.
14:25I've got a stitch.
14:26Come on.
14:27Get those legs up.
14:29Come on, son.
14:30You've got you behind you.
14:31You've got all I've got behind me.
14:33I can tell you.
14:56Damn.
14:56Come on.
14:59Hello.
15:01Is there a doctor in the house?
15:03Malcolm.
15:04What's left of him?
15:05What a surprise.
15:07Any chance of a cup of tea?
15:13I thought running was just running.
15:15It isn't.
15:17I wouldn't have come in, but you did say we ought to see more of each other.
15:21Mad fool.
15:23Absolutely.
15:25Are you going to be seeing Hugh again?
15:28No.
15:30Listen, I couldn't help noticing.
15:31He was a bit...
15:33Yes, he was a bit.
15:34Yes.
15:37I'm seeing someone else now.
15:39Hugh is a disease.
15:41I think I'm cured now.
15:42Who are you seeing now?
15:44The plumber?
15:45Yes, the plumber.
15:50Hugh didn't look a trailing way.
15:51To hell with Hugh!
15:52I'm the plumber.
15:53I just want you to know that I knackered myself because I still want to marry you.
15:56That's why I'm doing the run.
15:58Just thought I'd set the matter straight.
16:02It's called moral blackmail, I think.
16:05Are you drunk?
16:06Just a little.
16:07You're supposed to be in training.
16:10Yes.
16:11Are all your fellas doing this bloody run?
16:16What's it called again?
16:18What's it called again?
16:18St. Clement's.
16:19No.
16:20What's the word you used?
16:21Rehydrating.
16:22What's wrong with rehydrating with a couple of pints of lager?
16:25Like we usually do.
16:26Because we are not going to stumble through this pan like a bunch of boozers.
16:30Suppose we're not allowed to get our leg over tonight either.
16:32Well, he doesn't recommend it.
16:33But on the other hand, he can't ask you to do anything he isn't prepared to do himself.
16:39The responsibilities of the skipper.
16:41Murder, isn't it?
16:42So have you given Val the elbow then, Skip?
16:44I thought you two were a permanent part-time fixture.
16:46She's a great girl.
16:47Yeah, she is.
16:48Now, where are you lot going?
16:49Slash.
16:50Those and Clemence don't touch the side, Skip.
16:52Slash, my old Fanny.
16:53I might as well have a pint.
16:55Well?
16:56Well, what?
16:57Are you giving Val the elbow?
16:59Well, I'm thinking about it.
17:01Be fair, her honour.
17:03I wouldn't do it.
17:04Keep her for insurance.
17:06You know where you are with Val.
17:14Malcolm, can you get that?
17:16Okay.
17:20Good afternoon.
17:21The Tessa Piggott resident.
17:23Is Tessa there?
17:24Who's calling?
17:25Frank.
17:26Frank Carver.
17:28Certainly.
17:31It's the plumber.
17:32Oh, hello, hello.
17:34Hello.
17:35Hi.
17:36Who is that?
17:37It's only Malcolm.
17:39Who?
17:40Malcolm from Bound Blatt.
17:42Oh, yeah.
17:43Well, just caught to say I'll see you tomorrow.
17:47Do you want to pick it up?
17:49Well, I have to be at the park for nine.
17:52So, for't you hang around for three hours?
17:56How's the training going?
17:58Well, I'm sitting there.
18:01Okay, so too little too late.
18:03You will be there.
18:05Barring the coronary, yeah.
18:07Well, I'll see you tomorrow, then.
18:09Well, have a good time tonight.
18:12See ya.
18:13Goodbye, then.
18:14Bye.
18:42Hey, you two.
18:43Hello?
18:44Where is everybody?
18:48Where's Jonathan?
18:50Jonathan's in bed.
18:51He's got a temperature.
18:52Misha's with him.
18:53Temperature?
18:54Oh, he must have come down with that cold.
18:57Misha should be off by now.
18:58Where's Daddy?
18:59He should be with him.
19:00Gone to Birmingham.
19:02What do you mean, gone to Birmingham?
19:05Anthony, will you stop swinging when I'm talking to you?
19:09Anthony, what are you talking about?
19:11He can't have gone to Birmingham just like that.
19:14What did he say?
19:15Nothing.
19:16Nothing?
19:18Well, did he leave me a note?
19:19He said he'd telephone.
19:21Did he leave me a number?
19:24Oh, this is ridiculous.
19:26Come on in, you two.
19:31That guy's going to Birmingham.
19:34He's calling.
19:37Thank you, darling.
19:39Thank you for telling me.
19:40He's a funny old dad, isn't he?
19:42I think he's lazy.
19:43He doesn't want to go on the wrong man.
19:46Yes, he is.
19:47He's lazy.
19:49But that will stop us going, will it?
19:51Mummy, Daddy's gone to Birmingham.
19:54I know.
19:55What are you doing out of bed?
20:07Well, Emma has sided with Jennifer, of course.
20:10Daughters do, don't they?
20:13Nick will come round, I'm sure.
20:15And Jennifer, well, she'll be properly looked after.
20:17I see no point in fighting over the silver.
20:20What about the house in Wales?
20:22It's on the market.
20:24Jennifer didn't want it.
20:27Did you tell her we used to go there?
20:35And what about Tracy?
20:37Tracy?
20:38Just a name I made up for her.
20:41Yes.
20:42Karen.
20:43Yes.
20:45How is she?
20:47Oh, it's over.
20:49She...
20:50I don't need to know why, Hugh.
20:53Why?
20:56She met someone else.
20:59Someone more charming and powerful than you.
21:01Well, la-dee-da.
21:03A window dresser.
21:10The hell are you, really?
21:12Really?
21:14I like my job.
21:15I like it very much.
21:17It's given me a focus.
21:19I've just about learned to live on 24,000 a year.
21:22You're joking.
21:24And I've met someone I like.
21:27And I'm in control of the relationship this time.
21:31And it seems to be working well for me.
21:34I think I deserve that.
21:35Yes, you do.
21:38What is it that you want, Hugh?
21:40I would like us still to be friends, Tess.
21:49I wish...
21:51If we could only...
21:54Perhaps when we've...
21:56I'm not putting this very well.
21:59But I would like us still to be friends.
22:04We've known each other too long not to be.
22:06Of course.
22:07I'll understand if...
22:09Well, you know.
22:11Look, I just can't.
22:13I mean, I don't see how we can go on any longer.
22:16It wouldn't be fair on you.
22:20It wouldn't be fair on us.
22:24Sounds like love.
22:28Is it?
22:31Something like that.
22:37Well, I hope she knows what she's getting.
22:40God.
22:41I feel terrible about this, Val.
22:44You don't have to.
22:48I mean, we were always more off than on.
22:51Even when we were on.
22:53It's not the way I saw it.
22:57At least you didn't buy me some overpriced piece of jewellery as a consolation prize.
23:05Do I want your pudding?
23:07It's creme brulee.
23:09I don't think so.
23:11Sorry.
23:21I'd better go.
23:27You've been bloody good for me, Val.
23:29I won't forget you in a hurry.
23:31That's nice.
23:35Well...
23:36I expect I'll see you around.
23:39Hope so.
23:41As soon as my broken heart mends.
23:45Yeah, it's a very good heart.
23:48One of the best.
23:49Don't you forget it.
23:54Oh.
23:57Don't worry.
23:58I won't throw it back at you.
24:03I'll flog it.
24:06Stay out in Florida for a month.
24:08Yeah, you do that, love.
24:13Thanks.
24:29See ya.
25:12I used to like this place.
25:14I haven't been here since we broke up.
25:17We didn't break up, Hugh.
25:19You dumped me.
25:22Yes.
25:25Tess.
25:27What?
25:28About?
25:28I need to know how you feel.
25:30About what?
25:32About us.
25:33Us doesn't exist anymore.
25:36Does that answer your question?
25:38Can I at least see you again?
25:44Unless you pull out of serious money, you're going to have to.
25:47No, I mean there's a sponsor's lunch for the new opera season on Wednesday.
25:51Would you like to come?
25:52Jana's new soprano is guest of honor.
25:55What opera are you sponsoring this year?
25:57Aida.
25:58That was the last opera we went to.
26:00You hated it.
26:01Yes.
26:02All those elephants.
26:03I know.
26:15Hello.
26:16Hi, it's me.
26:18What on earth are you doing in Birmingham?
26:20Well, it came out of the blue.
26:21David rang in a complete lather and said that the seminar was falling apart and he wanted
26:24me to wind it up tomorrow.
26:25I'm terribly sorry.
26:28How's Jonathan?
26:28Oh, it's fine.
26:30There's nothing serious.
26:30It's just a cold.
26:32It's very odd to come back and find you disappeared.
26:35I mean, no warning, no nothing.
26:38I'm sorry.
26:39I don't make a habit of it, do I?
26:43Oh, look, you better give me the hotel number just in case.
26:46Oh, yes.
26:47Okay, of course.
26:48Oh, look, Diane, I'd better call you back.
26:50It's just that I'm in one of those booth thingies in the lobby and they don't have a
26:53number.
26:54They just have an extension.
26:56It's 681 something like that.
26:57I'll try and call you back later.
26:59Anyway, I'm going to see you for supper tomorrow anyway.
27:02All right.
27:03I'm sorry to miss the fun run.
27:05You're not sorry at all.
27:07That's more like it.
27:09Love to the boys.
27:10Oh, and you.
27:12Good night.
27:14Good night.
27:17So, welcome once again, not only to our guest's delivery mail, but to all our customers
27:21have a chance of a few words, Rick.
27:27Absolutely not.
27:28I promised myself that until the family in Africa was completely eradicated, I'd only
27:31speak to the media while bouncing up and down.
27:34No, this is a joke.
27:36Seriously.
27:40Seed does do some amazing work in Africa.
27:43And Tessa here promised me that if I turned up today, that it would help raise loin-quickening
27:49amounts of dosh.
27:50Of course, it's only when I got here, I realised that none of it was for me.
27:52But what the hell?
27:52The pubs aren't open yet, so let's get on with it.
27:59Hi darling.
28:01Oh, hi Frank.
28:02Quite a do, isn't it?
28:03Yes.
28:04Oh, Tessa's over there.
28:05Charming the media.
28:07Oh, well.
28:08Better not interrupt her.
28:10Are these yours?
28:10Mm-hmm.
28:11Alex, Anthony.
28:12The other one's at home with flu.
28:13Are you going to run?
28:14Well, that's the idea.
28:16How do we run back here from the way?
28:17Sounds like a sensible fella.
28:20Well, let's get on with the fun.
28:21Okay.
28:26Tell her I'll see her in the St John's ambulance tent afterwards, will you?
28:29If I can fight my way through the fans.
28:31Yeah.
28:33Thanks.
28:41Well done, Megastar.
28:42Thank you so much.
28:44See you later.
28:46Very impressive.
28:47Ah, it's a doddle.
28:49Where's Frank gone?
28:50I think he's sagging himself up for a world record.
28:53Is Simon not here?
28:54No, he, Anthony.
28:55Come back here.
28:56You've gone to what?
28:56Last minute thing in Birmingham came up out of the blue.
28:59Oh, look.
29:01There's four.
29:03Hey.
29:04Oh, one, two, three.
29:06There's no business like show business.
29:09Oh, come on, Teddy.
29:10Right.
29:11Come on, you lot.
29:11Get these one.
29:12Are you sponsoring yourself, Skip?
29:14Yeah.
29:14Tenner a mile.
29:15Same as you lot.
29:16Save money, are you?
29:17Eh?
29:18If you don't warm up, mate, you'll be crippled after 200 yards.
29:21Well, that'll be one pound twelve for a good cause, very smart arse.
29:24Right.
29:24Come on, you lot.
29:27Maybe he's got something on his mind he can't tell you about.
29:29Some worry or other.
29:30Well, if he can't tell me, you can he tell?
29:33Anyway, he just calmly announced out of the blue that he was going to Birmingham.
29:36What is he?
29:37Nothing.
29:37Oh, not nothing.
29:42Hello.
29:43Perfect.
29:48What do we do if we need a slash?
29:49You won't.
29:50I will.
29:51I need one now.
29:52You'll sweat it out.
29:53No, he won't.
29:53He bloody will.
29:54Won't we?
29:55Won't we?
29:56Won't we what?
29:57Live happily ever after.
30:00The race is now about to begin against gentlemen, and here to set the 1991 fun run in motion is
30:05our guest celebrity, Rick Mayley, who has kindly agreed to drop the starting flag for us today.
30:11On your marks!
30:12Get set!
30:14Let's go!
30:21Let's go!
30:25Let's go!
30:26Let's do it.
30:29Let's go!
30:34Rather than me, Frank doesn't have an injury.
31:33You should have got your leg over last night, Skip.
31:36It's a wonder for me.
31:39Get stuck.
31:54And we've got our winner.
31:56First part of the coast is number 288.
31:58The winner of scene was 1991 fun run.
32:01Best two winners of West London.
32:03Congratulations, Ben.
32:04And what about this music jackie?
32:07Oh, what's his name?
32:08He gives the things away, doesn't he?
32:11Why not get him involved?
32:13After all, what's half a million Johnnies to a multimillionaire?
32:17I'll certainly give it a thought, Lady Sinfield.
32:19It may not be the glamorous solution, but it is practical.
32:23Get them used for some simple contraceptive device, and in ten years' time, you'll see some results.
32:30Or rather, you won't.
32:32Quite.
32:32Will you excuse me, Lady Sinfield?
32:33There's so many people to thank.
32:35I quite understand.
32:36Lady Sinfield.
32:36How are you?
32:37Go get my doctor's note tomorrow.
32:38That's a call from my solicitors.
32:40Mr. Mariner coughed up yet?
32:42Oh, your OBE's in the post.
32:45Last one at the bar's a pop.
32:49Nice glass of St. Clements.
32:53What's up with you?
32:54You didn't come last.
33:01Ah, what did you expect?
33:03Champagne and an olive wreath?
33:07I'll tell you the truth.
33:08I think the third mile was the worst.
33:10Or was it the fourth?
33:11No, it was definitely the third mile.
33:13And I'd like to thank you both.
33:16Well, if you'll excuse me, I'll go and have a quick blood transfusion.
33:21Well, all this seems to be agreeing with you.
33:23I told you I needed a focus.
33:25Hi.
33:27Oh, hello.
33:27How are you?
33:28Oh, not bad, considering.
33:30Here.
33:30Courtesy of Max and the team.
33:32And you.
33:37Frank, this is Hugh.
33:39Good to meet you, Frank.
33:41Hi.
33:42Enjoy the run?
33:43Rather more than you did, I think.
33:46Enjoyed every minute of it.
33:48I was just telling Tess, this job seems to agree with her.
33:50And I agreed with him.
33:52Now, well, then we all agree, haven't we?
33:55Well, call me about Wednesday.
33:57No, it's okay.
33:58You stay and talk.
34:00Got to give the boys a debriefing.
34:02See you later.
34:06Did I say something?
34:07You may find this hard to understand, but I don't need your approval on this one.
34:11I'm sorry.
34:12It's okay.
34:14Now we've got that clearly understood.
34:17What do you think?
34:18What do you think I think?
34:20I think I'm jealous.
34:28I saw an old friend last night.
34:33So?
34:35I told you about Val.
34:37Val, yes.
34:38Well, I won't be seeing her again.
34:41Why not?
34:42I knocked her down the head.
34:44It wasn't fair on her.
34:47I thought you ought to know.
34:51Well, it was your decision.
34:52Well, I figure it affects you, too.
34:55In what way?
34:57Because I was seeing her.
34:59I was seeing her.
35:01I know.
35:02You told me.
35:03Was she upset?
35:04Yeah, of course she was.
35:06So was I.
35:07I'm sorry.
35:12But, well, you didn't have to do it.
35:14Well, I did it.
35:15Why are you telling me about it?
35:16Look, all I know is that every time I see you, there's some new bloke hanging about.
35:20If that's what you see, that's what you see.
35:23And what's this about Wednesday?
35:25Except for you to call him about Wednesday.
35:26He's taking me to a sponsorship lunch for an opera.
35:29I'm sure you can come, too.
35:31Leave it out.
35:32It's my life, Frank.
35:34That's what we agreed.
35:37You just got the needle about Val.
35:39I haven't.
35:40Well, you should have.
35:42You dropped me off here.
35:43I need some shopping.
35:44Right.
35:56Frank, I don't need this.
35:59Oh, you think I need it?
36:01You think I need to be hanging around playing good speed to you two?
36:04You're being ridiculous.
36:05I'm not being ridiculous.
36:06Ridiculous and unreasonable.
36:11Nice one, the book.
36:31All right.
36:31See you at shul.
36:37So, what did he say to that?
36:39That was it.
36:40I got out the car.
36:43That hardly qualifies as a tip.
36:45It does from where I'm sitting.
36:47Don't be so silly.
36:50Men are consistently more jealous and possessive than women.
36:54That's true.
36:56Hugh was always jealous.
36:58Even in meetings.
37:05Is Simon the same?
37:10I don't know.
37:11I've never really thought about it.
37:15I suppose that means he isn't.
37:17Lucky you.
37:19Shall I get it?
37:21No, no.
37:22It'll be for me.
37:26Funny about someone.
37:28Doorbell, phone.
37:30They're always for me.
37:34He doesn't seem to mind.
37:37Lucky you.
37:39Hmm.
37:45Rabbi Warburg?
37:49Oh, yes.
37:51Yes, Mr. Fay.
37:52The funeral's tomorrow morning.
37:56Yes.
37:57Yes, sir.
37:59Yes.
37:59If you could be there, ma'am.
38:02Good morning.
38:03I wonder if you can help me.
38:04I saw a display of rattan chairs in your window and I...
38:09Yes.
38:10Yes, from the Gambia, I believe.
38:14Yes, I can believe they're selling well.
38:17No, I was hoping you could tell me who the importers are.
38:22The Carver Group.
38:25Thank you very much.
38:26Goodbye.
38:32I like Frank, too.
38:33But I think Malcolm looked rather sweet.
38:35He's got such an honest face.
38:37Yeah.
38:38God knows what he's doing, working for a multinational.
38:40Now, Hugh Mariner, I can understand.
38:43There seems to be no end to Tessa's admirers, does there?
38:45They were all there at the run.
38:46Checkbooks flapping in the wind.
38:48Er, over ÂŁ3,000, Tessa.
38:50Is that all?
38:51Well, that's just from the collecting tins.
38:53The sponsorship checks won't be in for weeks.
38:55It's one thing getting your workmates to sponsor you,
38:57quite another actually collecting the money.
38:59Oh, no problem with Hugh's contribution, though.
39:01Over ÂŁ600, wasn't it?
39:03And ÂŁ500 from the Carver Group.
39:05It's a shame you couldn't get more of your boyfriends to enter.
39:08They're very generous.
39:09You sound like a high-class poor girl.
39:11Could hardly accuse you of being a cheap thrill,
39:13not at those prices.
39:15That was a sexist remark, Bob.
39:18I think you should apologise.
39:21Yeah, OK.
39:22Sorry, Tessa.
39:30You're still walking?
39:31Only just.
39:32You're right as rain, of course.
39:34Oh, I felt worse.
39:36Never again.
39:37Get off.
39:38She'll have you rattling your collection box on Euston Station next.
39:41It's not me, mate.
39:43Charity begins at home.
39:46Carver Group?
39:47Hi, kid.
39:48It's me.
39:50Any messages?
39:51Mr. Hastings called three times.
39:53Yeah.
39:54And a gentleman from the education department.
39:57Yeah, yeah, yeah.
39:58Mr. Hastings was insisting that you call him as soon as you get in.
40:02I'm off duty today, all right?
40:04Any other course?
40:06Were you expecting anyone else?
40:09No.
40:10Just wondered, that's all.
40:11See ya.
40:16Here.
40:17Fancy a trip down to Brighton?
40:18You can wheel me along the seafront.
40:20It won't help the recession.
40:22Cobblers are the recession.
40:23I might even celebrate with a flutter on the Gigi's.
40:25I think my back leg's running at the 3.30.
40:27Celebrate what?
40:29The first row, mate.
40:31He'd sell his own mother to make a buck.
40:34He never pretended to be in the charity business.
40:36I just don't like being used, Diane.
40:39And he's becoming so possessive.
40:42What have I got myself into?
40:45Are you sure you're into it?
40:47Whatever it is.
40:49I don't know.
40:51It's quite sweet.
40:54He's trying to be what you want him to be.
40:56I didn't ask him to change.
40:59All I wanted was to be given a little space.
41:03A little freedom.
41:05Why do you want freedom?
41:21There you go.
41:23Is it working yet?
41:25I'll tell you what it's working.
41:26Oh, I look forward to that.
41:27I've had livelier evenings of sleep.
41:29That's what I pay you for.
41:31What, to sleep?
41:32To get the drinks in.
41:39She's got a friend.
41:44Max, I do not need a friend.
41:47We are happy today.
41:53Actually, I feel sorry for Hugh.
41:55Whether that's a basis for friendship or not.
41:57Oh, you tell me.
42:01Oh, sorry, my love.
42:02I've got to throw you out.
42:03Oh, yes, of course.
42:04Two of my flock come to see me on my side.
42:06I, sorry?
42:08A spot of pre-marriage counseling.
42:10He's got doubts.
42:11She hasn't positioned me on his self, eh?
42:15Diane.
42:16You would say if you were, you know,
42:19worried about anything.
42:21If there was anything wrong.
42:24It's not serious.
42:25We'll sort it out.
42:27Pat, Lawrence, come on in.
42:29Thank you for going through the office.
42:35Bye.
42:39I only started this thing as an experiment.
42:41Sorry, Frank.
42:43Looks like you're doomed to make yet another killing.
42:45Yeah, well, four more containers and that's it.
42:47You know your trouble, Frank.
42:49You get bored too easily.
42:50Yeah, but think of all the fun I have.
42:52No, I'm not talking about the ladies.
42:53I'm talking about business.
42:54This won't last.
42:56I'll be falling over themselves for, I don't know.
42:58Mongolian scatter cushions in a couple of months.
43:00So, what's wrong with taking the profit
43:01before the fashion changes?
43:03You're a beacon of sound business sense, Jerry.
43:06What's all this?
43:07Short staffing, Frank.
43:08Colin did his hankling on the run on Sunday.
43:10I'm on my own.
43:12You want a job done right.
43:14Well, I'll leave you to do what you do best.
43:17Okay, yeah.
43:18Keep in touch about those Mongolian scatter cushions, will you?
43:21Yes.
43:25Thought you did good on Sunday, Frank.
43:27Yeah.
43:29Not bad for an old man.
43:30Yeah.
43:33Ugly load of old rubbish, aren't they?
43:35I don't know what people see in him.
43:37And I don't know what people see in you.
43:38Now, come on.
43:39Get grafting.
43:44Jeez!
43:45What's that?
43:47Frank?
43:50Max!
43:52Max!
43:53Max!
44:00Tessa, darling!
44:01Where have you been?
44:03Oh, muah!
44:04Mwah!
44:05You look wonderful!
44:07What have you been doing?
44:08We must have a talk at lunch.
44:09Hello, Jana.
44:10Oh, now, don't tell me you've taken up with this blighter again.
44:13I hope you're back in circulation.
44:14These things are so boring without you.
44:16I'm sure you survived, Jana.
44:18I hear you're organizing a season in Budapest.
44:20Yes, I am.
44:21We're moving into Eastern Europe.
44:23We could be interested in sponsoring the tour.
44:25Oh, darling, Rice Culver have 91% committed themselves.
44:28I'm so sorry if I'd only known.
44:30I see.
44:31That could, of course, affect our 91% commitment in Miss Tomov's American tour.
44:37Oh, well, we'll talk later.
44:39Yes, yes, of course.
44:42It always works.
44:44Not always, Hugh.
44:48I'm going.
44:49What?
44:50I'm going.
44:53Bye.
45:01Oh, I thought you were launching an opera.
45:03I left that to the impresario.
45:05Tess, have you got a minute?
45:07Mm-hmm?
45:07I'd like your opinion on this before I show it to Bob.
45:15Seed?
45:17Yeah, she's just walked in.
45:18Tessa, one of your boyfriends.
45:22Hugh Mariner.
45:23Oh, he phoned ten minutes ago.
45:25Tell her I'm out.
45:26I've just told him you're in.
45:27Sorry.
45:30Oh, God.
45:38Hello.
45:39Yes, I'm fine.
45:41You know, I suddenly thought, what's the point?
45:46No.
45:49No.
45:52No.
45:54Look, I don't have to justify myself.
45:56I'm late for a meeting.
45:58Goodbye.
46:00What was all that about?
46:02Nothing.
46:03Just ridding my life of an encumbrance.
46:05Not Frank.
46:07No, Hugh.
46:08Couldn't get rid of Frank that easily.
46:11Marxist ideology failed these people.
46:14Capitalist free enterprise promises to do no better.
46:17In this situation, aid is not an insult.
46:19If they are to live, it is a necessity.
46:22But aid alone cannot remedy the underlying...
46:24I think it's fine.
46:26I expect Bob will have something to say about the Marxism versus Capitalism bit.
46:30But aid alone cannot remedy...
46:31No, no, I think it's fine.
46:33I haven't finished.
46:33Sorry.
46:34But aid alone cannot remedy the...
46:41Hello, Tessa Piggott.
46:44Max.
46:46Where is he?
46:52How is he?
46:53You'll mend.
46:54Can I see him?
46:55Well, he's rested at the moment, but it's okay for you to go in.
46:58Room 406.
46:59You'd better be well and truly rested.
47:01Something on your mind?
47:03A little matter of profiteering from the third world.
47:06Ah.
47:07Horrible looking things, aren't they?
47:08They are, as a matter of fact.
47:10But that's hardly the point.
47:11The point is, love.
47:12That is what he does.
47:16Oh.
47:17Hello.
47:18You must be Tessa.
47:20You must be Jade.
47:21Hello at last.
47:23Is he asleep?
47:28He's faking.
47:29Do you mind if I tear him off a strip?
47:30Help yourself.
47:31Feel free to close your ears.
47:33Listen to me, Frank.
47:35Not only do you follow me to the Gambia uninvited, assuming in your pig-headed, arrogant way that
47:40I'm going to be another of your easy lays.
47:42But you sneak off behind my back, using my contacts to make another fat profit for yourself with those chairs,
47:47and then lie to me about where you've got them, behaving as if you've got some God-given right to
47:51intrude upon every aspect of my life.
47:54Confident that Mr. Frank Fixing Carver has to come galloping across the horizon on his camel.
47:59Love hurts.
48:01Love hurts.
48:02It can leave you crying.
48:04Love hurts.
48:06It can turn you upside down.
48:08Oh, how love hurts.
48:11So if it's just a game that you're playing, you better know that love hurts.
48:22There's no doubt about it, love hurts.
48:27But who can live without it?
48:30Oh, how love hurts.
48:32So you better run and hide.
48:35But remember, love hurts you just the same.
48:58I've hurt you just the same.
49:23I've hurt you just the same.