Love Hurts - Walk Right Back (1992) - video Dailymotion

Paul Lamphrey

An episode from Series 1 of the TV series Love Hurts, which ran from 1992-94. It starred Zoe Wanamaker as Tessa Piggott, a businesswoman recovering from a messy relationship who decides to make a new start and finds herself falling for ladies man Frank Carver (Adam Faith). I only have three episodes of this, and the reason I am uploading them is because Victoria Shalet (she from The Queen's Nose fame) has an early acting role in this.   In this episode (Ep 3) Tessa finds herself having to defend herself against a crooked politician, while Frank struggles to adjust living with his teenage student daughter (Robin Weaver). Victoria Shalet appears as the daughter of Tessa's work colleague Christopher Hamilton (Stuart Fox), who are only just getting over the tragedy of losing his wife. Shalet only appears in Episodes 3-5, and this storyline is never really delved into great depth, sadly. Also in this episode is Jane Lapotaire, Tony Selby, James Warwick and a young Patsy Palmer (pre-EastEnders), as well as footage of Selhurst Park during Crystal Palace's early 1990's heyday.

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14:31the car door, safe on the rock bars. Hold up. I told you he'd be called. Hello, are you Frank

14:39Carver? Yeah, look, of course. Yeah, you know me dad. You was in the class above him at school, wouldn't

14:44you? Anyway, see ya. Night.

14:59Enjoyed dinner. Enjoyed the match. Good. You know, I always thought you were better than Hugh Mariner deserved. Shall I

15:07call you? Yes, yes, that would be nice. Yes. Well, we'd have dinner at the house. The food's not as

15:12good, but there are more professional fowls.

15:17It's both. Thank you.

15:22So?

15:25Well, at least someone's gone this evening.

15:31Charming, witty, distinguished, ex-public school.

15:34Who am I talking about? Hugh Mariner or Charles Tremaine?

15:38So I'm attracted to the same sort of man. Nothing unusual in that.

15:42No. But your experience with Hugh wasn't exactly positive and life-enhancing, was it?

15:49Hmm.

15:50I just found he moved on.

15:52In which direction do you suggest?

15:54What's wrong with your plumber?

15:56My plumber? Anyone's plumber.

15:58Is he?

15:59He'll chase anything that moves. If it doesn't move, he'll kick it till it moves. Then he'll chase it.

16:04Well, he seems to be very single-minded about you.

16:07Do you? Perhaps he likes a challenge.

16:09Yeah, perhaps he does.

16:12Do you?

16:13What?

16:15Or are you a closet snob?

16:18Is that some sort of plumbing joke?

16:22Yeah, of course it's full of animals, Brian. It's a safari park, twit. By tomorrow would be great.

16:30But of course I know it's Sunday. I'm about to go indoors for my roast beef and Yorkshire food.

16:37Oh, God, I can smell it from here, Brian. Lovely.

16:41That's really good news. So when did you find out?

16:46Oh, so when are you moving?

16:49I don't know, Harry. I'm thinking about it.

16:52What about, say, Acton, is it?

16:54Yeah, well, I'm none the wiser.

16:56What is all this?

16:57It's a bit difficult. I realise you've got to give it to someone.

17:00How many papers are you reading?

17:01None. I'm on the phone.

17:03I swear I'll give you a decision soon, OK?

17:06No, I'm trying to write this Freud essay.

17:10Got a cold?

17:11No. Lunch.

17:13Oh, hang on, Harry. What is it?

17:16Nothing. Nothing at all.

17:19Except this place looks like a refugee's camp again.

17:22And unless I'm losing my sense of smell, my lunch looks like it's nowhere near ready.

17:27You're right. In fact, it's not started.

17:29You said you'd cook Sunday lunch.

17:31I changed my mind.

17:32I spent an extra hour in the pub with the lads because I didn't want to put you under pressure

17:36cooking it.

17:36Oh, well, that makes all the bloody difference, doesn't it?

17:39Sorry to have put you to so much extra trouble.

17:41Oi, stop swearing.

17:43Oh, if you want the truth, I'm trying to write this essay and I can't think of a single thing

17:46to say.

17:47Oh, no. That's not like you, is it?

17:49Anyway, you weren't writing an essay.

17:51You were...

17:51On the phone.

17:52You've got no right to hang up on my convers...

17:54Who's this Harry?

17:56And what decision have you got to give him?

17:58Harry's someone I met in a singles bar.

18:00I don't know his last name.

18:01The decision is whether I'll sleep with him next week or the week after.

18:04Depends on whether his wife's away.

18:05All I ask...

18:07It's a girl, Harriet, and the decision is none of your business.

18:11I'm absolutely starving.

18:13Roast beef, Yorkshire pud, sprouts, roast potatoes, gravy.

18:18Great.

18:21That's what I would have liked, too.

18:22But me mum's spending the day with her friend from the Derby and Joan.

18:27If Jade wants to learn how to cook, send her over to me.

18:30I'll give her some cordon bleu.

18:32Thanks, Max.

18:34Oh, you know, it's not easy becoming an instant father.

18:37Just add daughter, eh?

18:39Yeah.

18:40Well, you weren't around too much when she was growing up, were you?

18:43Oh, come on.

18:44Where do you think the money came from?

18:46Where does she think the money came from?

18:47Kids don't think about that.

18:50Remember what you were like at 19.

18:53Leave off, Max.

18:54It's not that bad.

19:09Come on, get up.

19:11What's all this?

19:13Orange juice, toast, coffee and that stuff that looks like yesterday's bonfire.

19:17Thanks.

19:19What's the catch?

19:21There'll have to be a catch, one, dear.

19:23I just couldn't sleep, that's all.

19:26Ah!

19:27What's the matter?

19:28Sugar in my coffee.

19:30Why don't you take sugar?

19:31You're obviously having trouble keeping track.

19:33Put me on your list, okay?

19:37Jade, daughter, white, no sugar.

19:40Look, you've never seen anybody in my bed except me.

19:43You're right, I must be cramping your style.

19:45You said that, I didn't.

19:47You're still keen on her, are you?

19:49This Tessa?

19:51No.

19:53Oh, I don't know.

19:54It's over anyway.

19:56You've been up for hours, haven't you?

19:58You look knackered.

20:00Go and see her if you feel like that.

20:03What?

20:04You know where she lived, don't you?

20:06Where she works.

20:07No.

20:09She wouldn't.

20:10She gives me a harder time than you do.

20:12I'll be told to get lost.

20:14What did she say last time you spoke?

20:16Get lost.

20:18There you are then.

20:19What have you got to lose?

20:37Don't suppose we've had a reply yet, Chris.

20:39We've had some positive response from the Namibian government, but obviously it's early days.

20:43Er, there's an accountancy meeting on Thursday.

20:47What time?

20:483.15.

20:50Never did I ask you if you enjoyed your dinner with Charles Tremaine.

20:53Went very well.

20:54On good form, was he?

20:56Yes.

20:57Why?

20:58Surprised he didn't give you an autographed copy of his book.

21:01Seen The Independent today?

21:03No.

21:04Full-page article about this new book.

21:07The Giving Racket, a critique of aid in the 90s.

21:10Tessa Piggott, director of the development agency Seed, admitted that some of her own staff live in cloud cuckoo land,

21:18neither understanding nor caring about the importance of the money they disbursed.

21:22Let me see that.

21:23I hope he took you somewhere nice for dinner.

21:28Selhurst Park.

21:30Somebody's scored an own goal.

21:32There's no point in phoning him now.

21:35I'm not phoning him.

21:38Good morning.

21:39Hello.

21:40Greater London Radio.

21:42Bill Watson, please.

21:44Putting it through now.

22:01Why the hell shouldn't I?

22:02Don't you think it's important to respond?

22:04Yes, respond.

22:05We should write authoritatively to The Independent.

22:07But I have a chance to debate with Charles Tremaine face-to-face on GLR and the Toby Travers show.

22:12Local radio.

22:12Big deal.

22:13It's a syndicated show.

22:14A lot of people listen.

22:15Even worse.

22:16He'll run rings round you nationwide.

22:19You haven't got enough background knowledge.

22:21Okay.

22:22Brief me.

22:30Hello.

22:31Can I help you?

22:32Yes.

22:33Is Tess around?

22:34Um, she's a bit preoccupied at the moment.

22:37Oh.

22:39I'll wait.

22:51What made her say all this?

22:53I bet she's flavoured the month round here, isn't she?

22:56Well, she just thought it was a dinner date.

22:59Date?

23:00It's important to make them understand that we don't waste money, since that's one of the commonest complaints.

23:06Now, the proportion that we spend on administration, for example, is less than a corp.

23:22What are you doing here?

23:23I've come to see you.

23:25Hey.

23:26It's Giza Tremaine.

23:28Do you want him sorted?

23:29What?

23:30Well, I know a few faces that could see to him for you.

23:32I understand the going rate's 500 for a broken arm, 750 for a broken leg.

23:37Bit of a C and two is a grand and a half.

23:39Now, a hell of a kick in.

23:41Well, that's only a grand.

23:42Cheaper, you see.

23:43More fun.

23:44Morning, squad.

23:46Frank, I haven't the time.

23:49Well, for me, you mean?

23:51For anyone.

23:52Including you.

23:53Especially you.

23:55And I'm busy.

23:56You want me to go?

23:57Yes.

23:58You don't fancy a spot of lunch?

24:00Frank, please.

24:04I don't suppose your dinner's gone down yet, has it?

24:15State of the art, mate?

24:16Hmm.

24:16Used to be.

24:17It's probably three days at a date by now.

24:21You married?

24:24No.

24:25Sensible fellow.

24:27Take my advice, mate.

24:28Stay single.

24:29Um, he's a widower.

24:31Pardon?

24:32His wife died three months ago of a brain tumour.

24:43Did you see her then, Tessa?

24:47Frank, did you go and...

24:48Yes.

24:49...get a resolve?

24:49No.

24:51They're more trouble than they're worth, these posh birds.

24:54You can pay a ton for a night out, not even get a feel.

24:57Shut up.

24:58Okay.

24:59Okay.

25:00Just drive the bloody car.

25:01All right.

25:06What does Brian think of the safari park?

25:09What?

25:10Your accountant.

25:11Does he fancy Windsor's safari park?

25:13I was thinking of putting him for elephant keeper.

25:16They've got a chimp at the safari park, Max.

25:18It drives a cop.

25:19Blimey, does it?

25:20It's the stupidest chimp they've got.

25:25Here.

25:26Give me that strong-armed personnel list, will you?

25:29Want to meet the workers, is that the idea?

25:32Not all of them.

25:33Just one.

25:36Oh, yeah.

25:38Don't worry about that.

25:42Hello, Vic.

25:43Do I know you?

25:44You're the limo driver, then, right?

25:46Usually.

25:46I have days off.

25:47Yeah, but that's your regular job with strong-armed.

25:50That's right.

25:55You drive a lot of tops.

25:57MPs.

25:59Ministers, sometimes.

26:00Sometimes.

26:02While you're waiting for them, you chat to the other drivers.

26:05Pick up bits of gossip, mate.

26:09Ever hear anything handy about a bloke called Tremaine?

26:12Do I know you?

26:14Not yet.

26:15Actually, I will.

26:16I'm your new boss.

26:19Charles Tremaine.

26:22That's the bloke.

26:32Told you we'd make it.

26:36Yeah, only just.

26:37We jumped three red lights, did twice the speed limit, and passed in a disabled bay.

26:42Excuse me.

27:11Hello, Frank Carver.

27:13Shhh.

27:14Shhh.

27:16Yeah, I heard Vic.

27:17Did he?

27:19What chose to remain himself, you mean?

27:21Shhh.

27:23Yeah.

27:24His company, was it?

27:25What is it now?

27:27Shhh.

27:28Do you mind?

27:29Shhh.

27:30Shhh.

27:30Where's he hanging out?

27:31Shhh.

27:32Look, he's there now.

27:34Alright, I'll go straight over.

27:36Thanks, thanks.

27:38Hey, listen.

27:39Something's come up.

27:40I've got to go.

27:41I'll see you at the end of the phone outside, alright?

27:45It's okay.

27:47I don't believe this.

27:50I'll see you later, alright?

27:53Alright.

28:06Good.

28:06If you're trying to be funny, forget it.

28:10I had something to do, that's all.

28:11Tessa's in a bit of a fix.

28:13I'm trying to play a lot.

28:13Oh, yeah, great.

28:13There's always time for Tessa, isn't there?

28:15Hey, wait a minute.

28:16You was the one who told me to go after her.

28:18Get involved in her life.

28:18I didn't say choose between us. I didn't say it's her or me.

28:21Neither did I, so don't yell at me.

28:23God blimey, I can't do anything right for you, can I?

28:25Straight answer, no.

28:28Come on.

28:29No, I'll walk home.

28:30Oh, don't be so stupid.

28:31I'm not stupid and I'm 19, not 9.

28:33Yeah, well, it's a pity you don't behave like it.

28:36Now, come on.

28:36No.

28:37Listen, I've turned my life upside down for you.

28:40No one asked you to.

28:42Just because I've got things to do.

28:44Just because I can't sit all afternoon holding your hands, I'm boring bloody hell.

28:47Just leave me alone. Just go away.

28:48Is he giving you a hard time, Miss?

28:50Yes.

28:50Mind your own business, I'm her father.

28:52No, he's not.

28:52Leave her alone, will you?

28:54But don't try and be a hero, all right?

29:08That's right.

29:09Sling your hook before I call the police, you pervert.

29:48Sling your hook before I call the police, you pervert.

29:48And you.

29:49Hello, boys.

29:50Mmm.

29:51Something smells good.

29:52May I help?

29:53Certainly not.

29:54Diane won't be long.

29:56She's still at the cinema.

29:58A bit more salt.

30:00It's chicken soup.

30:01It's very traditional.

30:02It's very Friday night.

30:03Take them through.

30:05Actually, there's this old joke about chicken soup.

30:07I must tell you.

30:08Excuse me.

30:08Oh, sorry.

30:08There's this guy, and he's dying, right?

30:11He's got some mystery on us.

30:13No one knows what it is, but he's on his way out.

30:15Yeah.

30:15And every day, his wife makes him chicken soup, because it's his favourite.

30:22There'll be Alex.

30:27Oh, dear.

30:30Alex has just redesigned the glasses your mother gave us.

30:33Anthony, leave it alone.

30:34You'll cut your fingers.

30:35He wants to be a juggler when he grows up.

30:36Hello, Tissa.

30:37You're just careful.

30:38I hear you've been having a lively time with Charles Tremaine.

30:40Alex, will you put the glass...

30:41I've been talking to Bob Pierce.

30:44And reading The Independent.

30:46Well, I shot my mouse off.

30:48I didn't know he was gathering ammunition.

30:51Never mind.

30:51I'll get eaten.

30:52The Toby Travers show.

30:54That's right.

30:55Hmm, Bob mentioned that.

30:58He feels he ought to be squaring up to Tremaine, not you.

31:01I know.

31:02I think I'd probably agree with him.

31:04Why on earth?

31:05He's got experience on his side.

31:07He's familiar with the anti-aid argument, and there isn't a personal involvement.

31:10No.

31:11It was me that Charlie tricked, me he quoted, and it'll be me he debates with.

31:16If Bob went on the show, it would make me seem a coward.

31:20Well, perhaps you ought to discuss it more thoroughly.

31:23I think Bob and I have said all we need to say on the subject.

31:26He's given me a few helpful hints on how I should behave myself.

31:30Hello, Simon.

31:30Hi, Bob.

31:34I'm not late, Mark.

31:35No, no, you're fine.

31:36We take care.

31:37Thanks.

31:39Oh, hello.

31:40I'm so pleased you could come.

31:48We take care.

31:49Bye.

31:50Bye.

31:53Bye.

31:55Bye.

31:57Bye.

32:21What's the matter?

32:22The typewriter, it hates me, it's attacking my essay.

32:25Perhaps it knows more than you think.

32:31I'm using those.

32:33Sorry.

32:37Leave things alone. I can't bear it. Leave things alone.

32:41This is hopeless. You don't want me here.

32:43You've never wanted me. Not when I was a kid, not now.

32:46It's all right. I'm going.

32:47That's not true.

32:49Then you'll be able to bring breakfast in bed to whoever you like.

32:51It's a real pain having a daughter in the house, isn't it?

32:54Jade, what are you talking about?

32:56Oh, don't worry. Some of my friends at college are renting a big house in Acton.

33:00I can move in there and I won't bother you anymore.

33:02At least I'll be able to feel it's my home.

33:05Oh, don't worry. I'll leave everything tidy before I go.

33:07Hello?

33:44Your dad in?

33:45I suppose so.

33:47All right.

33:48Fine.

33:49Nifty address this. Very swish.

33:52Very.

33:53Enjoying it, are you?

33:55The high low?

33:56Great, yeah.

33:57All right.

34:06Packed your case, I see.

34:08He doesn't want me here.

34:10What?

34:11He doesn't want me.

34:12Did he say that?

34:14He didn't have to.

34:17So, you're off.

34:21I expect he's difficult to live with.

34:24Always criticising me, always putting my stuff away.

34:27We row all the time.

34:29All the time?

34:29Enough.

34:32He gets up your nose.

34:35Perhaps you get up his?

34:36I do, that's obvious.

34:38There you are, then.

34:40Bit of give and take already.

34:43It's not going to work, Max.

34:46Listen.

34:48You've got to try and understand.

34:51It's a bit odd for both of you.

34:53I mean, most kids grow up and leave home.

34:56You grew up and came back.

34:59I mean, he's used to having his own way.

35:02Being on his own.

35:05That doesn't mean he wants to get shot at you.

35:10It's a matter of getting used to it.

35:14Yeah.

35:16Don't tell him about this.

35:28Think about it.

35:30Think about it.

35:31It's a matter of getting used to it.

35:40It's a matter of getting used to it.

35:53It's a matter of getting used to it.

36:05It's a matter of getting used to it.

36:08It's a matter of getting used to it.

36:10It's a matter of getting used to it.

36:51And it's a matter of getting used to it.

36:55Look, Diane agrees with me.

36:59For you to go on the radio is just pure egotism.

37:05So, he says, Sarah, before I die, I have a confession to make.

37:11This is a guy on his deathbed, Mr. Iornis.

37:14Sorry.

37:15It's a joke.

37:16Oh, right.

37:17So, he says, I can't go to the grave with this on my conscience.

37:20For the last seven years, I have been having an affair with your best friend.

37:26She looks at him sadly, and she says...

37:29They're in bed, but that's no guarantee they'll stay there.

37:31Look, Diane, am I the director of this agency or not?

37:35Oh, Tessa, if we're going to play that game, am I chairman of this agency or not?

37:39Am I embarrassed or not?

37:41Okay, maybe you're right, Bob. Maybe Diane's right.

37:44Maybe I'm wrong, but that doesn't matter.

37:46The producer of the Toby Travers show is setting up this debate as a personal favour to me.

37:50Why?

37:51Well, let's just say I don't think he fancies you.

38:17What's this?

38:18Computer, word processor and laser printer. It's a present.

38:23You don't want it, then?

38:24I didn't say that. Late night shopping, were you?

38:27Eh?

38:28Oh, it's going on 10.30.

38:30Is it? Well, I know someone in the business.

38:32I bet you do.

38:33I can always find a use for it at the office.

38:35No chance. I want it.

38:38I'll call it Ozzy.

38:40You remember Ozzy?

38:42You'd missed eight visits in a row.

38:44I was upset, so you bought me a pony.

38:47Yeah.

38:47Well, I wanted to make it up to you.

38:49You should try keeping a pony in a 30-foot garden.

38:53Yeah.

38:55And I wasn't there very much, was I?

38:57No.

39:01Well, I'm here now.

39:03Yes, you are.

39:11Thanks a lot.

39:12Thanks. Bye.

39:13Bye.

39:14Oh, good luck tomorrow.

39:15Oh, thanks. I'm going to need it.

39:16Here, wait a minute.

39:17The wife looks at the husband sadly,

39:19and she says,

39:21the affair I've known for years.

39:23Why do you think I've been poisoning a chicken soup?

39:30Thanks very much.

39:32Good night.

39:33Good night.

39:34Good night.

39:40Do you want a lift?

39:41Oh, no, thanks.

39:43I'll take a cab.

39:45Yes, sir.

39:50I thought you might explain that chicken soup joke to me.

39:55Okay.

39:56But I can't explain it to you very well,

39:58because I don't think I was listening to you.

40:10I didn't ask you to give up your Saturday.

40:12I'm making up time that I owe.

40:15My hours are a bit erratic at the moment.

40:18My life's a bit erratic, to tell the truth.

40:20How are you coping?

40:22All the evidence isn't in yet.

40:28Chris, er, your daughter, er, what's her name?

40:32Ben.

40:33Well, it is now.

40:34Sorry?

40:35We had a dog called Ben.

40:37It died.

40:38She's a bit fed up with things dying.

40:41People.

40:42So she called herself Ben.

40:44I'm not sure of the psychology,

40:46but it seems to make her happy.

40:48What's her real name?

40:50Isabel.

40:51What do you call her?

40:52Ben.

40:54Well, thanks for these.

40:57Okay.

41:10Frank, I'm up to my ears.

41:12I'm on radio in a few hours,

41:14crossing swords with a particularly slimy politician

41:16called Judas Tremaine.

41:17I'm swatting.

41:18I can't think about anything else.

41:20Okay?

41:21That's one of the reasons that I'm here.

41:24Stop.

41:29What's this?

41:30On the left,

41:31three projects undertaken with government funds,

41:33two in India,

41:34one in Africa,

41:35co-funded down.

41:35Now, on the right

41:36is the company that was given the contract.

41:39Charles Tremaine was a director of that company,

41:41but he never declared an interest.

41:43That's why he's no longer a minister at the ODA.

41:47Where did you get this?

41:49Bit of gossip,

41:50bit of earwigging,

41:51the rest was research.

41:52Easy.

41:53You're crazy.

41:54I'd never use something like this.

41:56Why not?

41:57Judas Tremaine did.

42:12Well,

42:13support.

42:14You didn't have to.

42:15Everyone needs a Jewish mother sometimes.

42:17Fair, sir.

42:19Hello, darling.

42:21Well, I think this is going to be fun,

42:22don't you?

42:23Probably more fun for me

42:24than for you, I suspect.

42:26This is Diane Warburg,

42:28the well-known rabbi and broadcaster.

42:29Oh, you do.

42:30Diane,

42:30this is Charlie Pig's bum-faced,

42:32the unknown two-faced lying toad.

42:41Tee-up.

42:45Why do they never write these instruction manuals in English?

42:48I've completely lost an essay.

42:50Well, it must be in there somewhere.

42:51Well, God knows where.

42:53Isn't your Tessa on the radio?

42:55Not my Tessa.

42:57Who's Tessa, then?

42:58Tessa's Tessa.

43:00No one's suggesting aid is a killer.

43:02I'm glad you're prepared to admit that.

43:04The plain fact is

43:05that many experts in the field now agree

43:07that aid often does more harm than good.

43:10Oh, really?

43:11Now, let me explain why that is so.

43:13A very high percentage of money donated to charity

43:15is routinely spent on administration.

43:18I don't know where...

43:19Moreover, please,

43:19I really must be allowed to finish.

43:21Moreover,

43:22those sums that do find their way

43:24to their destination somewhere in the third world

43:26are often administered by corrupt officials...

43:28The point that I've been trying to...

43:29...by corrupt officials

43:30who often misappropriate funds and donations

43:33made in good faith

43:34by people in this and other countries.

43:36It isn't the way that I've been trying to say...

43:37We should take a break there,

43:38but the debate continues,

43:40so stay tuned.

43:48She's not doing all that well, is she?

43:50Well, she's got the ammunition

43:51if she wants to use it.

43:53What?

43:55You press that one for retrieved, didn't you?

43:57You've just deleted the bloody lot.

43:59No, no, no.

44:00It must be in the memory.

44:01It was in the memory until you pressed that.

44:03Now it's only a memory.

44:05I'm sorry.

44:08I was thinking.

44:09About something else.

44:14It's GLR.

44:16Why don't you go down there?

44:17Pick her up after the programme.

44:19Take her out to dinner.

44:22Tessa, is giving money to agencies such as yourself

44:25simply a ragged?

44:26Well, that's what critics like Mr. Tremaine

44:28would like us to believe.

44:29No, I'm sorry.

44:30I really must interrupt here.

44:31No, it's aid agencies like the one,

44:33Miss Piggott Runs,

44:34that have left Africa littered with

44:36broke contractors and landowners.

44:38But notwithstanding the fact

44:39that the majority of these agencies

44:41do in fact go...

44:41No, I'm sorry.

44:42You've had your say.

44:43It's my turn now.

44:44There's something here

44:45I'd like Mr. Tremaine to look at.

44:46It's an abstract of Seed's

44:48administration costs.

44:49I don't know quite who Mr. Tremaine

44:51is accusing of wastefulness,

44:52but those figures show

44:53it's certainly not us.

44:54At Seed, we never spend

44:56more than 15% on expenses,

44:58often as little as 10.

44:59So Mr. Tremaine has got that wrong.

45:01He's got just about

45:02everything else wrong, too.

45:03This is not a party.

45:05The funding we receive

45:06is not wasted on flash lifestyles.

45:09Charities like Seed

45:10and the people who staff them

45:11are not in the perks business,

45:12unlike some people in Westminster.

45:14We set out to help people

45:15to help themselves.

45:17We work with local people

45:18using local skills

45:19and we're successful.

45:20Tessa, I'm afraid

45:21I'm going to have to stop you there

45:22because this is where

45:23we ask the listeners

45:23to join in on the phone.

45:26The lines are now open

45:26to anyone who wants

45:27to join in the debate.

45:29Peter from Barking.

45:30What's your opinion, Peter?

45:31All this talk about

45:32helping people in other countries,

45:34what about the pensioners

45:35in this country?

45:37Well, of course I agree with Peter.

45:39I just wish more people did.

45:40I'm glad to say

45:41old people are among

45:42our most ardent supporters.

45:45Now it's Frank from Chelsea.

45:47Evening, Toby.

45:48It's Frank here.

45:49Now, listen,

45:50I think Tessa Pickett's right.

45:51That Tremaine doesn't know

45:52what he's on about.

45:53What in particular

45:54do you like about

45:55what Tessa Pickett's saying?

45:57Everything.

45:58Yeah.

45:59Particularly the sound

46:00of her voice.

46:01She sounds like

46:02a very beautiful woman.

46:03She's got a better case

46:04than Tremaine as well.

46:05She's got a better idea

46:06of what she's talking about anyway.

46:08And I bet she's got better legs.

46:10Craig, that's not a very logical way

46:12to judge who's the winner

46:13in a debate.

46:14No, but it's a lot more fun

46:15though, isn't it, Toby?

46:17Oh, you pillock.

46:18Watch out.

46:20Becky.

46:22Oh, hi.

46:23Did you hear me on the radio?

46:25Yeah, loud and clear.

46:27Look, um,

46:28look, I've got to go.

46:29Tell Tessa

46:30I'll give her a call, okay?

46:32Tell her I, um,

46:33I had an emergency circumcision.

46:39There, I'm afraid

46:40we've got to leave it.

46:41I'll be back after the news

46:42with the cooking spot.

46:43My thanks to my guests tonight,

46:44Charles Tremaine

46:45and Tessa Pickett,

46:46and to you for calling in,

46:48giving us your views

46:48on these important issues.

46:50Oh, and by the way,

46:51Frank from Chelsea was right,

46:52but, uh,

46:53Tessa's legs.

46:57Thank you so much.

47:00Goodbye.

47:01And, uh,

47:01congratulations on your success.

47:08Ouch!

47:09What was that for?

47:10No damn well.

47:12It was only a joke.

47:13I knew you'd got him.

47:15What?

47:15Well, half-time,

47:16you're all over the place.

47:18After the break,

47:19you were kicking bits off him.

47:20He wasn't saying anything.

47:22You showed him

47:22the piece of paper, right?

47:24The fiddle?

47:25God, you arrogant man.

47:27I can take care

47:28of the Charlie Judas

47:29remains of this world

47:30without...

47:30I mean,

47:31who do you think you are,

47:32for God's sake?

47:33I don't need your help,

47:35your bloody blackmail notes,

47:36or your opinion of my legs.

47:38You're a clown, Frank.

47:39You know?

47:40A clown.

47:41Pathetic.

48:00Look, I...

48:01I know it was well-meaning,

48:02the stuff you gave me

48:03about Charlie.

48:04You did use it, then?

48:09Come on,

48:10I'll buy you a drink.

48:11Then you can buy me one.

48:13That phone calls,

48:14I mean,

48:15you're bloody outrageous, Frank.

48:17That remark about my legs,

48:18don't you know

48:18what sexist means?

48:20Yeah,

48:20it's someone that's

48:21good with their hands,

48:21isn't it?

48:22Like guitarist,

48:23pianist,

48:23sexist.

48:27Sexist.

48:28Tessa!

48:29Love hurts.

48:31It can't leave you crying.

48:34Love hurts.

48:36It can't turn you upside down.

48:39Oh, how love hurts.

48:42So if it's just a game

48:44that you're playing,

48:47you better know that

48:50love hurts.

48:52There's no doubt about it.

48:55Love hurts.

48:57But who can't live without it?

49:00Oh, how love hurts.

49:03So you better run and hide.

49:05But remember,

49:08love hurts you just the same.

49:27Love hurts you just the same.

49:29Love hurts you just the same.

49:30Love hurts you just the same.

49:33Love hurts you just the same.

49:34Love hurts you just the same.

49:35Love hurts you just the same.

49:36Love hurts you just the same.

49:37Love hurts you just the same.

Love Hurts - Walk Right Back (1992)

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