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00:00:00Yes, I actually made it into Helgi's private auction.
00:00:03Oh, my stuff.
00:00:07Helgi is a scandalous billionaire artist who hides his face.
00:00:11I'd love to know what he looks like.
00:00:13But you're just a broke student, Freya.
00:00:16Stop dreaming.
00:00:20Interesting.
00:00:21Who are you, miss?
00:00:25The VIP guests are here with the stuff.
00:00:29No, no, I'm sorry. I'm not a waitress.
00:00:33I'm Freya Davis.
00:00:34I'm working on my master's thesis and you accredited me yourself.
00:00:39You'd better not get on my nerves.
00:00:47Ladies and gentlemen, I present to you the latest masterpiece by Helgi.
00:00:54The highest standard living artist.
00:00:58Setting price, $3 million.
00:01:02And then something happened that no one expected.
00:01:06And it changed my life forever.
00:01:09Oh, no.
00:01:11I ruined a Helgi painting.
00:01:12William!
00:01:14I'm stepping pieces on the page.
00:01:15I'm gonna get 26.
00:01:17Go away.
00:01:22I don't...
00:01:29Are you hurt?
00:01:30Wait.
00:01:32Do I know him?
00:01:38It's okay.
00:01:43It's okay.
00:01:44Look at me.
00:01:46First, brush your lips like this.
00:01:56Take a deep breath.
00:02:00Okay, destroy something else.
00:02:03Close your lips.
00:02:15I'm gonna come back in for your body.
00:02:17Why does it feel so good?
00:02:20I want more than that.
00:02:25I...
00:02:26I remember you.
00:02:27You're that psychologist.
00:02:29The one from television.
00:02:32Right?
00:02:34This is the insurance report.
00:02:36The wine soaked into a canvas.
00:02:38The damage is $5 million.
00:02:42Bring this girl to me.
00:02:43I wanna see her.
00:02:45Now.
00:02:47It's him.
00:02:49Him?
00:02:49He wants to see.
00:02:51So, I'm meeting Helgi right after I ruined his painting?
00:03:04Is anybody here?
00:03:11Don't turn around.
00:03:14Such a good girl.
00:03:15If you only knew what I'm thinking right now,
00:03:18you'd run.
00:03:20But you don't have a chance anymore, Angel.
00:03:22Because soon,
00:03:24you're going to be mine.
00:03:27Are you that scary of publicity?
00:03:32Put both your hands together behind you.
00:03:35But...
00:03:35Why?
00:03:36Too many questions for you.
00:03:39You...
00:03:40You know my name?
00:03:41I have the guest list.
00:03:44Hands.
00:03:49Why are you doing that?
00:03:51So you don't get the urge to take off the blindfold.
00:03:54That's all.
00:03:56That's all.
00:03:58God, she's breathtaking.
00:04:01I can feel her trembling.
00:04:03Don't worry, Angel.
00:04:04I'll be gentle.
00:04:06You are shaking.
00:04:10Why are you so scared?
00:04:13Are you kidding?
00:04:15I already have to do that, and...
00:04:17And now I owe five million for the painting.
00:04:20I...
00:04:20I have no idea where I'll get that kind of money.
00:04:25You could...
00:04:26sell something?
00:04:30I...
00:04:30I...
00:04:30Don't have an apartment.
00:04:33Or...
00:04:34Diamonds.
00:04:35What should I sell?
00:04:40What about your virginity?
00:04:47So...
00:04:48What do you think about the idea of selling your virginity?
00:04:51What the hell do you think you are doing?
00:04:53You're pervert, and...
00:04:54And what makes you think that I'm...
00:04:57A virgin?
00:04:58Because of your dress.
00:05:01Quite modest.
00:05:03Even in the knee you seem to feel...
00:05:06Too exposed.
00:05:07As if you were apologizing for your sexuality.
00:05:15To grab you.
00:05:18Slide a hand...
00:05:21Between your thighs.
00:05:24Push you against the table.
00:05:30Lift...
00:05:33Your skirt.
00:05:39And take your very heart...
00:05:41Like an animal.
00:05:45That's what men...
00:05:46Are thinking about.
00:05:49While you hide...
00:05:51Your bare shoulders...
00:05:53Beneath those innocent curves.
00:05:56Like a neotic fanfic.
00:05:59Hidden behind...
00:06:00A paper cover in your back.
00:06:02Am I wrong?
00:06:05Maybe.
00:06:07But that doesn't mean I'll...
00:06:09Give myself for the first stranger I meet.
00:06:11Even if you forgive my death.
00:06:15No, Freya.
00:06:16I don't need sex from you.
00:06:18You misunderstood my offer.
00:06:20Then explain it.
00:06:22Mister...
00:06:23Your...
00:06:25Purity...
00:06:26Inspires me.
00:06:27So here's the deal.
00:06:29You give out my plays...
00:06:30For a month.
00:06:31And post for my paintings.
00:06:34But...
00:06:35In all your paintings...
00:06:37The women are...
00:06:38Naked.
00:06:39That's exactly why you will be my muse.
00:06:42I will satisfy every part of you.
00:06:45Only...
00:06:45If you obey.
00:06:47I know that's gay.
00:06:49Freya...
00:06:51I won't make you do anything against your will.
00:06:55My professional relationships are clearly regulated.
00:07:00I don't sleep...
00:07:01With my mothers.
00:07:02Okay.
00:07:04Okay, I agree.
00:07:05But we are writing one clause.
00:07:08I'm listening.
00:07:10I want the right to write about my experience from my...
00:07:14Master's thesis.
00:07:15A face like that.
00:07:17And a mind to match.
00:07:19God, she's hard to resist.
00:07:20Deal.
00:07:30Raheem?
00:07:32She did exactly as I said.
00:07:35My good girl belongs to me now.
00:07:45Oh, no.
00:07:47No, no, no, it can't be you.
00:07:51How does it even work?
00:07:54During the day, you're a TV psychologist.
00:07:57And at night, you're a mysterious artist with questionable reputation.
00:08:01Well, it's a little bit more complicated than that.
00:08:04Oh.
00:08:05Let's explain it.
00:08:07Let's go.
00:08:10Time to work on that contract.
00:08:13Come here.
00:08:18Oh, God.
00:08:19He's so intense.
00:08:21How am I supposed to stay calm?
00:08:24So...
00:08:24While we are driving...
00:08:26Maybe you can explain where that switch comes from?
00:08:30What switch?
00:08:31The one that flips you from one personality to another.
00:08:35It's on me.
00:08:40If you're one of us other part, we'd rather others didn't see.
00:08:46You think you don't?
00:08:47Oh, no. I don't have bipolar disorder.
00:08:50Bipolar disorder has nothing to do with it.
00:08:54Look, imagine this.
00:08:57This little Freya.
00:08:59She can't walk anywhere.
00:09:00But for some reason, she's drawn to a dark, clunky game.
00:09:07Scary.
00:09:07She's afraid to go in.
00:09:10She's afraid to go in.
00:09:11She goes anywhere.
00:09:14Shall I keep going?
00:09:17I know.
00:09:18I understand this AD in general.
00:09:30I will be in the studio.
00:09:32Take off what you are wearing.
00:09:34And put this on.
00:09:40Does he want me to wear this?
00:09:43If I put it on, I'm completely his.
00:09:53You should see how divine you look right now.
00:09:57It suits you.
00:09:59Step into the light.
00:10:00I should have worn her.
00:10:03Get a grip.
00:10:03She's just a model.
00:10:05But she's so...
00:10:06No.
00:10:07No, stop it.
00:10:09I've never seen these paintings before.
00:10:12Whoa.
00:10:13Are these paintings no one's ever seen?
00:10:16Does she know my heart that will?
00:10:19Interesting.
00:10:21So I'm...
00:10:22the chosen one?
00:10:27Can I ask you something?
00:10:29It's for my research.
00:10:31Yeah.
00:10:33Why do you show the world only a few of your works if...
00:10:36if you have this many?
00:10:40Life is not Instagram, Freya.
00:10:43I go public.
00:10:45Only with what truly matters.
00:10:47A reminder.
00:10:48I'm conducting a research.
00:10:50Not writing for the gossip color.
00:10:53Any truthful answer, not a pretty one.
00:10:59Truth is banal.
00:11:01And I'll read a man and father.
00:11:04All my life is said to me...
00:11:07a job is done.
00:11:11Only when it's perfect.
00:11:16Sharpened to perfection.
00:11:18Enough to draw blood.
00:11:22Whoa.
00:11:23Is order...
00:11:25really that important to you?
00:11:28Order...
00:11:29and control.
00:11:35Once, a nine-year-old little boy, tired of his homework, asked his father for a break.
00:11:41Do you know what happened?
00:11:44His loving dad drew two lines...
00:11:46on the table...
00:11:48and told him to keep going.
00:11:50And if the boy's elbows crossed the borders...
00:11:53he would hit his hands...
00:11:56with a ruler.
00:11:58I crossed the lines many times.
00:12:04Will he draw the lines...
00:12:06from you too?
00:12:08Yes.
00:12:10And I will use a ruler if you disobey.
00:12:12Was he joking?
00:12:14Or not?
00:12:16Focus.
00:12:17Think on the shadows, the light.
00:12:20Our niggas are delicate.
00:12:22Perfect for my hands.
00:12:24I'm trying to know...
00:12:25what's coming out of that.
00:12:27Step back.
00:12:30Why am I even listening?
00:12:33Because you want to be told what to do.
00:12:37You grew up overprotective.
00:12:40I'm guessing you were raised by your grandparents, right?
00:12:46Everything around you was safe...
00:12:48predictable, controlled.
00:12:50They did their best, but like most other people...
00:12:53they didn't know how to talk to you about sex.
00:12:56That's why at...
00:13:00I'm twenty-three.
00:13:01Twenty-three.
00:13:04You've got a volcano of Persia inside you...
00:13:06but you still don't know how to let the lover out.
00:13:09No.
00:13:10No, no, no. Don't touch anything on yourself.
00:13:18Remember this.
00:13:20Here, you follow all my comments without question.
00:13:26This need to go...
00:13:28dying away.
00:13:34Now lower the other one.
00:13:36But then...
00:13:37the dress will fall and I'll be...
00:13:39I'll be naked.
00:13:42Lower it.
00:13:44Five million in debt on one side...
00:13:47and posing you for a world famous artist on the other.
00:13:52What do I choose?
00:13:54You'll enter the dark cape eventually anyway.
00:13:57The question is...
00:13:59I'm gonna be beside you when you do.
00:14:02You think you understand me?
00:14:05Do you promise...
00:14:07to hold my hand?
00:14:09What is she doing to me?
00:14:10I can't let myself in the love.
00:14:13I want her to be mine.
00:14:15Completely.
00:14:17I do.
00:14:32Lower your hands.
00:14:39Breast taking.
00:14:40Every shape.
00:14:42Every line of her body.
00:14:44Especially her hips.
00:14:48The hollow of her waist.
00:14:51Every curl from shoulder to hip.
00:14:53The line of her neck.
00:14:55It all pulls me in.
00:14:58She will be impossible to forget.
00:15:19She
00:15:20One look from him and I tremble.
00:15:22I've never let a man touch me before.
00:15:25But with him I'm not sure I can say no.
00:15:29I have only one wish.
00:15:33Please, don't stop.
00:15:36Relax. Let your body fall naturally.
00:15:42Easy. Let me guide you. Your eyes go here.
00:15:46Now, give me just a bit of pressure.
00:15:50Now, your hair, it's turning, but it needs to be painted back.
00:15:59Tempt. Not even can my muse truly bear a song.
00:16:07So pure and untouched.
00:16:09She is my perfect virgin muse.
00:16:30I've never been like this in front of a man.
00:16:34Maybe you'll say something.
00:16:36Don't move or talk.
00:16:41I feel like I'm in the movie Contracted Love.
00:16:52Not that I didn't force you to live.
00:16:57Yet.
00:16:58The way he handles me.
00:17:00Why does it turn me on?
00:17:02Why do I want more?
00:17:05Dinner's ready.
00:17:08Do you too?
00:17:15We need to continue.
00:17:18I'm not undressing again.
00:17:21We can have dinner later.
00:17:23No.
00:17:24There must be order and everything.
00:17:27And Freya, you undress as much as I say.
00:17:41Were you expecting something more?
00:17:45Than fight to get on his schedule.
00:17:49For gay preachers are sacred.
00:18:02Who was work genius?
00:18:06She's just a girl like the others.
00:18:09So why can I get her out of my head?
00:18:14Freya, thank you for your work.
00:18:15You did well.
00:18:17See you at dinner.
00:18:23And one last thing about Gabe's schedule.
00:18:25I manage it.
00:18:27So for the future, you'll never be on it.
00:18:29You're here for months only.
00:18:31Until the contract ends.
00:18:35Yes.
00:18:36I'll finish your life anyway.
00:18:39Yes, confirm.
00:18:40The artist is dropping all charges against Ms. Davis.
00:18:43Why is my client so generous?
00:18:45It's not my department.
00:18:46I can't afford to talk, ma'am.
00:18:49I can't afford to talk.
00:18:52I can't afford to talk, ma'am.
00:18:53Yes.
00:18:54You're sitting there, Miss.
00:18:55Sit across from me.
00:18:59Okay.
00:19:32I don't need a starving mother.
00:19:45All right, I'll do it myself.
00:19:48Okay, I trust your taste.
00:19:56Freya.
00:20:05Fitting her now.
00:20:06Are you planning on adopting her after this?
00:20:40I want you to stay in this house longer than a contract requires.
00:20:52To Gabe's new muse.
00:21:00To yet another experiment.
00:21:13Oh no, sweetheart, not like that.
00:21:19Don't slouch.
00:21:23Gabe likes when color was sharp like shards of glass.
00:21:31She knows what I need better than anyone.
00:21:37Remember your place.
00:21:41You're a mannequin I can test in the trash.
00:21:46Anytime.
00:22:02You stand when the Gabe is finished.
00:22:06I need to sleep.
00:22:07I have my thesis pre-defense tomorrow.
00:22:10And I have to be at the university in the morning.
00:22:13Did Gabe give you permission to leave?
00:22:16I don't object.
00:22:22Fine, then the driver will take you in the morning.
00:22:24Not the driver.
00:22:27I will do it.
00:22:30We'll have to leave early in the morning.
00:22:33And I need to stop by campus to...
00:22:35To change.
00:22:36To change.
00:22:38Okay.
00:22:39Not a problem.
00:22:53She doesn't know the minute things she does to me on.
00:22:57Even biting her lip.
00:23:05Why are you looking at me like that?
00:23:07I want to bite that lip.
00:23:12So, should I stop doing it?
00:23:14No, keep doing it.
00:23:15Just one day I might, not hold back.
00:23:18You seem tense today, tell me why.
00:23:19My thesis supervisor is strict.
00:23:21He's going to know right away I'm not prepared.
00:23:24Not prepared?
00:23:25Mm-hmm.
00:23:26You get a direct access to your research subject.
00:23:29Who else can brag about that?
00:23:31That's not enough.
00:23:33After auction, I promised to prepare my demonstration materials and form scientific hypothesis.
00:23:38And I have nothing.
00:23:40Zero.
00:23:42Look back.
00:23:43Maybe this will give you some confidence.
00:23:53Painting?
00:23:53Mm-hmm.
00:23:54I can't believe it.
00:23:56Are you serious?
00:23:56Yeah, sure.
00:23:57It's yours.
00:23:58And use it for your presentation if you need to.
00:24:01This is...
00:24:02Wow.
00:24:03Everyone's going to die of envy.
00:24:05I...
00:24:14Did I do something wrong?
00:24:16Everything is fine and just...
00:24:18I think you're only late.
00:24:20It's yours and do.
00:24:21Why are you so cold?
00:24:25Well, you get an entire thesis to write about me, so...
00:24:28Maybe you will find the answer at the end.
00:24:31Yes.
00:24:33I wonder what it takes to break his perfect control.
00:24:39Are you sure you want to write about him?
00:24:43What's wrong with Helge?
00:24:45Leave her alone.
00:24:47Maybe our innocent Freya wants to dive into the dark depths of the table.
00:24:52Girls, you're being dramatic.
00:24:54We haven't even started.
00:24:56That Helge has a hardcore sexist reputation.
00:25:08Freya, girls, please have a seat.
00:25:09We're going to start class soon.
00:25:12Something looks a little bit different about you, Miss Davis.
00:25:22And so, how do we know that this painting here was done by Helge?
00:25:26And not by one of its thousands of followers?
00:25:30You don't need to worry about authorship.
00:25:32I guarantee it's authenticity, because that's me in this painting.
00:25:43Well, well.
00:25:44I hope I'll pose in your time to think of a scientific hypothesis.
00:25:48Of course.
00:25:49Of course.
00:25:52And so, what is your hypothesis, Miss Davis?
00:25:55So, I assume that Helge, most likely, he has never known love in his life.
00:26:05But you're trying to tell me that Helge, the world's best-selling modern artist, has never known love in his
00:26:12life?
00:26:12And what is that hypothesis based on?
00:26:15In all his works, there is only one person.
00:26:18And always alone.
00:26:24Helge depicts the perfect body, but only anatomically.
00:26:29There is no life in the body, no emotions, no vulnerability.
00:26:35And most importantly...
00:26:37Go on, let's hear it.
00:26:38...the absence of risk.
00:26:40The author is afraid to appear weak, fragile, and he seeks absolute control over his feelings.
00:26:53Was he just here?
00:26:55Did he really hear all of that?
00:26:58Thanks very much for the presentation.
00:27:01Nursing.com is by email.
00:27:03All right, everybody, that's it.
00:27:04Have a great day.
00:27:05We'll see you next time.
00:27:12Miss Davis, may I have a minute?
00:27:15Uh, yes, Professor?
00:27:16I wouldn't get too pleased with yourself.
00:27:19Remember, you're a scholar, but not a mannequin.
00:27:22I understand.
00:27:24And I'll be waiting for your comments by email.
00:27:26No, no, no, no.
00:27:27Listen, why don't we, uh, meet in person, no?
00:27:32That way I can share my thoughts more closely.
00:27:34Do you not agree?
00:27:35Uh, please, Professor.
00:27:37No, let's meet.
00:27:38No, Professor, please.
00:27:39No, no, no, please, please.
00:27:40Uh!
00:27:42Ah!
00:27:43Get away from her.
00:27:45Professor.
00:27:46Please, please forgive me.
00:27:48Oh, stop.
00:27:48Sorry, I...
00:27:48Stop.
00:27:49Don't apologize for that.
00:27:50Never.
00:27:53I am very disappointed in you, Miss Davis.
00:27:57Swallowed up by shallow society, posing for questionable artists, associating with pseudo-psychologists, a star of second-rate TV shows.
00:28:07You'll both regret this.
00:28:08Both of you.
00:28:11Get...
00:28:13Why did he do that?
00:28:15He was playing my mannequin.
00:28:18So that was just an art to claim me?
00:28:21What did you expect for someone who's never known of?
00:28:24You heard everything.
00:28:26So what?
00:28:27Was my hypothesis right?
00:28:31You are not capable of love.
00:28:33All right, Miss Observant.
00:28:35You think I'm incapable of love?
00:28:37Give me your reasoning.
00:28:39But...
00:28:41All other than what you said at the podium, it was subjective nonsense.
00:28:45Stop.
00:28:45I study here.
00:28:47We are not in your studio.
00:28:48Stay back.
00:28:48I will.
00:28:49As soon as you tell me why I'm incapable of love.
00:28:53Okay.
00:28:54Objectively.
00:28:55You are so cold.
00:28:57With women.
00:28:58With me.
00:28:59I can feel it.
00:29:01Maybe you haven't tried hard enough.
00:29:03Try melting the ice.
00:29:16See?
00:29:17Solid proof.
00:29:18So far, all I can see is that you don't know how to kiss.
00:29:23What?
00:29:25Say that again.
00:29:27Do you want me to teach you how to kiss?
00:29:30Is this some kind of science?
00:29:32Mm-hmm.
00:29:33Absolutely.
00:29:35And you're talented.
00:29:37You will learn.
00:29:39Ready?
00:29:41Here?
00:29:42Yes.
00:29:43Where else would you learn if not at a university?
00:29:46Where do we start?
00:29:49If this is just a lesson, why is my heart beating so fast?
00:29:55Part your lips.
00:29:57Part your lips.
00:30:11Very good.
00:30:13Trust me to more.
00:30:15Minds.
00:30:16Clouding the picture frame.
00:30:20I could try to wipe my mind.
00:30:22But it still wouldn't embrace the ache
00:30:27It lives you in my veins
00:30:32What's wrong?
00:30:33Nothing. It was just a kissing lesson and it seems you've learned.
00:30:38But I want more?
00:30:41Damn it. She's going to ruin every rule I have.
00:30:45Pleasure isn't meant to be swallowed in one bite.
00:30:48You need to savor it.
00:30:55So are you going to live?
00:30:58What are you? Some kind of freak?
00:31:01If you are talking about my intimate tastes, they are somewhat specific.
00:31:07In what way?
00:31:09It's too soon for you to know.
00:31:11Our contract isn't so long. When exactly do you plan to tell me?
00:31:16We move step by step. No rushing.
00:31:18Right now, we're going to buy you some new dresses for you to pose in.
00:31:26You mean dress and I have to take off right away? What's the point?
00:31:35God, I hate wasting time on this nonsense.
00:31:40I hate choosing clothes.
00:31:41You won't be choosing my paintings and my rules.
00:31:45You're kidding, right?
00:31:51Are you ignoring me?
00:31:53Hmm?
00:31:56No, I just don't like standing in line.
00:32:03He's an absolute controlling tyrant.
00:32:06Demonier in everything.
00:32:09And yet, that trait of his, it turns me on.
00:32:13I wonder what would happen if I handed all the control of my life to someone like me.
00:32:20Ladies and gentlemen, we apologize. We're experiencing ventilation issues. For your safety, please temporarily leave the premises.
00:32:33What are you on?
00:32:35You didn't hear? They asked everyone to leave.
00:32:38They asked the others to leave.
00:32:39But they wouldn't interfere with us choosing clothes.
00:32:43The boutique owner holds me.
00:32:46So, they closed the whole store only for us?
00:32:51No.
00:32:53For you.
00:33:01Take in the dressing room, please.
00:33:09If I didn't know you, I'd say it was almost romantic.
00:33:17Is this how you usually act when you're having affairs?
00:33:23I don't do romance.
00:33:26I want to do bad things.
00:33:33So, what bad things were you talking about?
00:33:37What are you doing here?
00:33:39Came to help.
00:33:42Okay.
00:33:44Well.
00:33:48Is something wrong?
00:33:50The dress is perfect.
00:33:51The problem is your hair.
00:33:54Come here.
00:33:58Relax.
00:33:59According to our contract, I can touch you in a romantic way.
00:34:02What do you mean?
00:34:03You already did.
00:34:05When you kissed me in the classroom.
00:34:08It was a masterclass.
00:34:10Nothing personal.
00:34:11Mm-hmm.
00:34:13It tickles.
00:34:17Close your eyes.
00:34:22It's not ticklish anymore.
00:34:25It's nice.
00:34:34Now you can look.
00:34:36He acts so cold.
00:34:38But his eyes are burning a hole through me.
00:34:44You're looking at me like you wanna break the contract.
00:34:50Too hard with the contract.
00:34:51Cause I'm gonna tell her to take you live.
00:34:55I am sorry, yeah.
00:34:58I'm gonna tell her to take you live.
00:35:00I am sorry, yeah.
00:35:02The current part.
00:35:04Excuse me?
00:35:05How do you like that dress?
00:35:07Shall I wrap it up?
00:35:08Oh, thank you, Lily.
00:35:09Yeah, I'm gonna take you to wrap it up.
00:35:11Okay.
00:35:24Take off your outerwear.
00:35:38I thought I had rules.
00:35:40She just walked right for them.
00:35:42Wear the dress I told you to wear.
00:35:45Oops, I forgot.
00:35:48Are you going to banish your student?
00:35:52Oh, if you were mine, you wouldn't be able to sit for a week.
00:35:56What?
00:35:57Why not dress for him?
00:35:59You would have made me take it off anyway.
00:36:03But if you need a ritual, paint a dress in me.
00:36:10Come on, you are the artist.
00:36:15Oh, no.
00:36:17Not with brush.
00:36:19With your fingers.
00:36:29This canvas is only yours.
00:36:48His touch is so soft, so careful.
00:36:51But every nerve in me burns for where those touches truly long to go.
00:37:03Please, don't miss a single spot.
00:37:08You don't give orders.
00:37:11Only I get to do that.
00:37:13And if I disobey, will you cut off our relationship?
00:37:29Relationships aren't my thing.
00:37:31Oh, right.
00:37:33Because you have specific tastes.
00:37:38Maybe you will finally open up and tell me what you mean.
00:37:43Come on.
00:37:45I'm not so easily scared as I see my depressed glance.
00:37:54Take me into your cave.
00:38:00You want to see the cave?
00:38:06Then get dressed.
00:38:17This was his danger.
00:38:19This was him.
00:38:21His dark side.
00:38:26What is this?
00:38:35So, this is your hobby?
00:38:43Have you ever tried the classics?
00:38:48Fishing, golf, barrel?
00:38:51I get it.
00:38:53He will make it his early fun of a partner, but none of the hobby is your list.
00:38:56It turns me home.
00:39:05So, question.
00:39:07This hobby, does it fit within what a healthy person does?
00:39:13All of my dark side stays within these walls.
00:39:16And trust me, if there were more rooms like this in every home,
00:39:21we'd have way fewer episodes of domestic violence and murder.
00:39:26So, this is where you are real?
00:39:30Yes.
00:39:30And without understanding this, your research will be incomplete.
00:39:38So, none of this scares you?
00:39:42No.
00:39:43There is nothing I wouldn't do for the sake of my scientific research.
00:39:48Stop.
00:39:51Don't touch anything until you know what you are selling up for.
00:39:55What do you mean?
00:39:59For mothers who are ready for deep work in this fear and control, I have a special contract.
00:40:06Do you have a contract for every situation you like?
00:40:09Even when you are in bed with someone?
00:40:18What?
00:40:27I don't make love.
00:40:31I fuck.
00:40:33Love.
00:40:43Read carefully.
00:40:45Every page.
00:40:48Is.
00:41:03Take care.
00:41:16What?
00:41:16What?
00:41:16well well well what exactly threw you off how to give a stop signal when your mouth is occupied
00:41:28rule number one i set the boundaries you follow them i stop only when you demand it until then
00:41:37you move at my pace you give up control not because you are weaker but because i can hold it
00:41:44are you sure you want to involve me in this
00:41:50i want you exactly as you how many more of these conditions are there i'm tired look i'm ready to
00:42:01go into this experiment strictly out of scientific interests and i marked uh clothes you need to
00:42:09cross out i won't share any single clothes either you sign everything or nothing happens
00:42:31yes professor i started drafting my feedback on your hypothesis
00:42:36and i realized that i can replace it with one word what do you mean professor primitive
00:42:42your arguments they're superficial if you want your diploma make sure your research has depth
00:42:48understand
00:42:51poor mothers who are ready for deeper work with fear and control i have a special contract
00:42:58i hope i am not making the biggest mistake of my life right now
00:43:18those two are about to break their legs tiring with confirmation that body sheet looks good on you
00:43:25basically you're complimenting yourself there isn't a single detail in me you didn't choose
00:43:31people say i have good taste anyway we are here because one artist has fallen his feedback on her
00:43:42how can i call that later drawings
00:43:53you seem tense why
00:44:00first this body suit is uncomfortable
00:44:03second i just signed a contract with a devil and we still don't understand all the terms
00:44:09okay okay so what do you want to know it's that the agreement takes effect after signing i'm surprised
00:44:21nothing is happening
00:44:29are you sure it's nothing
00:44:31are you sure it's nothing
00:44:37what is this
00:44:39the body suit it's pulsing what's wrong with this body suit gabe
00:44:46answer me
00:44:48the body suit is lying with a delicate pulsing membrane built into it turn them off i can't
00:44:56i don't have a remote
00:44:59then how does it work i'll program the timer i thought it would happen in a car on the way
00:45:05home
00:45:05but with traffic i guess it's happening right now
00:45:13isn't it pleasant it is but let's play this game together
00:45:27is this against the contract it is
00:45:30it's right now just what you're so good
00:45:35what's wrong
00:45:36oh damn it
00:45:38these membranes are everywhere
00:45:42it's really not the time
00:45:45please let's move this somewhere less crowded
00:45:48no no no i don't see any good indications
00:45:51how does it match in this ambience
00:46:04i can't barely keep it together
00:46:09should i stop
00:46:13no
00:46:15i just signed
00:46:16sign the contract
00:46:17sign the contract
00:46:18good girl
00:46:20there's nothing here without that now i decide everything
00:46:24i am
00:46:25the dominant
00:46:41excuse me
00:46:43do we know each other
00:46:44i wish i didn't know you about unfortunately
00:46:49what are you talking about about you and gabe
00:46:52you don't belong anywhere near him
00:46:56because you want that spot
00:47:00you're all
00:47:01listen to a seasoned lady
00:47:04don't go back to him
00:47:07get moving
00:47:08and don't look back
00:47:11are you talking like that because you used to be his muse
00:47:14and lost the status
00:47:17i'm not a model sweetheart
00:47:19then who are you
00:47:20you'll find out if you don't leave him
00:47:24but you should leave
00:47:26i'll make sure of this
00:47:39it took a while
00:47:41oh i had some small talk
00:47:44with a lovely lady
00:47:47oh yeah
00:47:49oh
00:47:52hey
00:47:54you actually came
00:47:57hey
00:48:00are you gonna introduce this brave girl next to you
00:48:04sure
00:48:06this is freya
00:48:07young researcher and i'm helping her with the work
00:48:11freya this is jess
00:48:12the artist
00:48:14beyond these paintings
00:48:17the artist
00:48:18you disappoint me gabe
00:48:19is it really hard to find some warmer words for good old jess
00:48:25then i'll introduce myself
00:48:28the person who knows gabe better than anyone in the world
00:48:32yes
00:48:34yes
00:48:34his older sister
00:48:39is she really a sister
00:48:42yeah
00:48:47so what's your research about for you
00:48:51oh it's about
00:48:53basically it's about
00:48:57about him
00:48:58oh
00:48:59oh
00:49:01about gabe
00:49:01or rather
00:49:03about
00:49:04hell
00:49:05yeah
00:49:06yeah
00:49:06it's a research
00:49:10i'm
00:49:11and agreed to be his model
00:49:13for a month
00:49:15oh
00:49:17sounds familiar
00:49:20history repeats itself
00:49:22jess
00:49:26i'm going to grape
00:49:27some drink
00:49:28for a toast
00:49:29no stop
00:49:30i'll do it
00:49:37okay
00:49:38ask
00:49:40ask what
00:49:41would you stay back for
00:49:44you pretended you wanted a drink
00:49:46knowing that gabe would get it instead
00:49:48so
00:49:49let's not waste time on stage
00:49:51or cordoness
00:49:53ask
00:49:55okay
00:49:57what did you mean
00:49:58by history repeats itself
00:50:03let me show you something
00:50:06what are you doing
00:50:08tell me what do you see here
00:50:12who is that
00:50:14she was my best friend
00:50:18but
00:50:19yeah
00:50:20she looks just like you
00:50:22she was gabe's news too
00:50:25what happened to her
00:50:29i didn't protect her
00:50:31so let me at least save you
00:50:38you have to tell me what exactly happened
00:50:41gabe
00:50:42just like clockwork
00:50:44here you go
00:50:45here you are
00:50:48i get why all those viewers are obsessed with you
00:50:53so let's drink to
00:50:55miss hivney
00:50:56let me
00:50:59let's drink to everyone's right
00:51:03to be the honor of their own fate
00:51:07and to say stop
00:51:09in time
00:51:10even when everything seems perfect
00:51:14let's go
00:51:17wait
00:51:18i want to say goodbye to your sister
00:51:22name
00:51:22giselle peters
00:51:24what
00:51:25giselle peters
00:51:27good that's enough
00:51:37come on
00:51:38come on
00:51:40i'll turn you later
00:51:42i'll finish up my research
00:51:48I need to find out what happened to Giselle
00:51:51And what secrets he's hiding
00:52:04Are you serious?
00:52:05How dare you make gay weight?
00:52:09Did you know her?
00:52:12I can see you did
00:52:13What happened to Giselle?
00:52:17None of your business
00:52:19Gabe's waiting
00:52:20Go fulfill the country
00:52:22In the studio?
00:52:26In the cave
00:52:27The cave
00:52:28My instincts scream danger
00:52:30But my heart needs to know what lurks inside
00:52:40Freya
00:52:44You're serious?
00:52:46It's my first time
00:52:48Eladil
00:52:49Lightness
00:52:50Wouldn't hurt
00:52:52Not both
00:52:55She came
00:52:57Just that I knew she would
00:52:58There's a boundary I set for her
00:53:01She's here
00:53:02To see the moon
00:53:13A perfectionism I am
00:53:28He's preparing me
00:53:30For what I don't know
00:53:32But I'm a willing captive
00:53:34Shaking with a fear
00:53:36I've never craved
00:53:37So much
00:53:51Come to me
00:53:55Don't be shy
00:54:00Stop
00:54:01What exactly is happening now?
00:54:04I want to teach you how to follow commands
00:54:05Without question
00:54:14Say yes
00:54:15To what?
00:54:17To me, mine
00:54:20Yes
00:54:35Looks like you are warmed up
00:54:38Now
00:54:39Take three steps forward
00:54:42And press your palms again to follow
00:54:45One
00:54:46Two
00:54:48Three
00:54:50I like the compliance
00:54:52I'm just
00:54:54Learning
00:55:15You're mine
00:55:17All mine
00:55:18Be up still
00:55:19Yes
00:55:34I see you already
00:55:50What did you take?
00:55:53Yes
00:55:54By the cell
00:56:03No
00:56:04No
00:56:05No, no
00:56:05Wait
00:56:07Please stop
00:56:10Are you sure?
00:56:11Yeah
00:56:11Yeah
00:56:16I'm not ready
00:56:17Not today
00:56:19Give me time
00:56:21I'll get used to it
00:56:24I can be useful
00:56:26In other ways
00:56:29We can go back to the studio
00:56:32I'll pause
00:56:34As long as you want
00:56:40Let me through
00:56:41I need to talk to him
00:56:42No need
00:56:43The decision's already been made
00:56:46What decision?
00:56:47He'll be waiting for you
00:56:48Tomorrow in the studio
00:56:51Okay
00:56:52Which dress should I wear?
00:56:54He didn't say
00:56:55Maybe you won't need one
00:56:57Who knows
00:56:59Maybe
00:56:59Listen
00:56:59Freya
00:57:00Is no longer
00:57:01Our ingeniouses
00:57:03Mears
00:57:14So you guys scared?
00:57:16Why didn't you listen to wise jazz?
00:57:19Why ignore my warning?
00:57:21You're wrong
00:57:22I
00:57:24I've been thinking a lot about the girl you told me about
00:57:27Giselle
00:57:29He was obsessed with her
00:57:31It was borderline sick
00:57:33What are you talking about?
00:57:38For example, before posing
00:57:40Gabe would get her aroused
00:57:43But never let her climb it
00:57:46He wanted the studio filled with her special scent
00:57:51Jess, please, huh?
00:57:53I'm already scared enough
00:57:55What happened to Giselle
00:57:58First she was lifted to the sky
00:58:01Then used
00:58:03Then thrown away
00:58:06I don't understand anything
00:58:08I need advice
00:58:11A recipe, what should I do?
00:58:13Jess
00:58:13Either be like everyone else
00:58:16Or
00:58:17Or stay his muse
00:58:19Planned gloves
00:58:22And wait for the
00:58:25Inevitable
00:58:25No
00:58:28I can't live now
00:58:29Not now
00:58:31I have to finish the research
00:58:34At any cost
00:58:54Before posing
00:58:55Gabe would get her aroused
00:58:58But never let her climax
00:59:00He wanted the studio filled with her special scent
00:59:05Good
00:59:06I wanted him to feel something else
00:59:09My heat
00:59:28Because you want to be told what to do
00:59:32You've got a volcano of passion inside you
00:59:34But you still don't know how to let the love have
00:59:39This need to go
00:59:42Dying away
00:59:43You've got a feeling too
00:59:45Take it slow
00:59:47Make it smooth
00:59:48Talk about
00:59:50I want
00:59:51I want
00:59:52I want
00:59:55I want
00:59:55I want
00:59:56I want
00:59:56I want
00:59:56I want
00:59:58I want
00:59:59I want
01:00:00I want
01:00:09Did you think
01:00:10Did you think you were
01:00:11The center of the universe
01:00:14There are others
01:00:16Better than you
01:00:18Obitant
01:00:19Discipline
01:00:20You mean convenient
01:00:28Gabe
01:00:30Do we still have a contract?
01:00:38Look at this
01:00:39Go down
01:00:42You didn't finish your work
01:00:45Paint
01:00:47I'm your muse
01:00:51If not
01:00:53Let's terminate the contract
01:00:56I have nothing to lose
01:00:57You never had anything
01:01:00Gabe reached out his hand
01:01:02When you were drowning
01:01:04In millions of deaths
01:01:14You're a sadist
01:01:18You don't see a person
01:01:22To you
01:01:24To you
01:01:25A woman
01:01:26Is
01:01:28Is clay
01:01:37Look
01:01:39Look what you've done to me
01:01:41Tears break me
01:01:43But I've come to witness
01:01:44I'll be consumed
01:01:53I'll get you
01:01:54Out of here
01:01:55Stop
01:02:01Freya
01:02:05You are incredible
01:02:09What happened
01:02:13Did I
01:02:14Ruin
01:02:15Another painting
01:02:16Look
01:02:24The tears
01:02:26They blow the outline
01:02:30He's
01:02:31Stepped beyond your limits
01:02:32Are you mocking me?
01:02:44Everyone except
01:02:45Freya out
01:02:51You need dinner, Gabe
01:02:53I'll have the table set
01:02:54I told you what to do
01:02:58This
01:03:00This is perfection
01:03:04You are not new
01:03:05Freya
01:03:06You are not new
01:03:08Freya
01:03:08Vyranda
01:03:09Call the ocean house
01:03:11This piece
01:03:12Goes in sale
01:03:13Immediately
01:03:19Freya
01:03:22I knew he'd break you
01:03:24He's
01:03:25I know he's
01:03:45I'm not new
01:03:46I'm not new
01:03:46He's
01:03:47I'm not new
01:03:52Ladies and gentlemen, thank you for coming.
01:03:55Although it's still unclear who should thank whom.
01:03:58Because today Helge is presenting his best work, without exaggeration.
01:04:04Therefore, the starting price for this masterpiece is 10 million dollars!
01:04:1910 million, and that's just the starting price.
01:04:25Who offers more?
01:04:27Eleven.
01:04:29Happy?
01:04:32No, I just want to see how much they sell someone else's.
01:04:43You won't break me some...
01:04:45You should know one detail. This work was literally created with the model's tears.
01:04:54Fourteen!
01:04:56Fifteen!
01:05:01What's happening here is far from reality.
01:05:05Giselle?
01:05:06I told Giselle about you.
01:05:08That's why she's here.
01:05:11You are following my pattern. With your attention, your worship.
01:05:16Gabe gives you an hour from terms of dopamine.
01:05:20It feels incredible.
01:05:22You feel like you're the only one in the world.
01:05:26But...
01:05:27Any small disobedience to the genius...
01:05:32In your clothes to me.
01:05:37Than the doctor of steroids.
01:05:41You begin chasing that familiar dopamine hit by any means possible.
01:05:46Wake up, Freya.
01:05:48If you don't want to end up in the rehab like I did.
01:05:52I don't need saving.
01:05:54I post for Gabe.
01:05:55Just for my research.
01:05:57I don't care about fear.
01:05:59Thirty million!
01:06:03Deadly.
01:06:04What you're saying?
01:06:06All of this is just Gabe's spill.
01:06:09And you are just...
01:06:12Then I grab it in it.
01:06:14Forty-five million dollars!
01:06:16Going once!
01:06:18What are you hoping for?
01:06:21Twice!
01:06:22That he will be grateful for your inspiration.
01:06:26And ask you to be his wife?
01:06:28He is not capable of that.
01:06:31You are used to material.
01:06:34Like Mia does as other girls.
01:06:36Tomorrow, I'll go back to the campus and...
01:06:40This will be over.
01:06:43Forty-five million dollars!
01:06:45Sold!
01:06:49Congratulations.
01:06:50You just officially became mysteries.
01:06:54And finally lost your son.
01:07:05So, a month of research fully confirmed my scientific hypothesis.
01:07:11Now, that was pretty obvious.
01:07:13Madame Dean, would you begin?
01:07:15Or would you rather not?
01:07:17Why not?
01:07:18I would, with pleasure.
01:07:21This is one of the strongest works by our graduates that I have ever seen.
01:07:31And so, I think it would be a big mistake to let go of such a valuable asset to our
01:07:37alma mater.
01:07:37So, I would like to offer you a position at our university.
01:07:45Would you join us?
01:07:46If you don't have any other plans, of course.
01:07:53No? Is that a no?
01:07:56No, no. I'm sorry. No, I don't have other plans.
01:08:01It was my dream.
01:08:03Thank you, Madame Dean.
01:08:05Of course, I accept.
01:08:08Well, thank you.
01:08:10Your regrets.
01:08:16Can we congratulate you?
01:08:19Honestly, I still can't believe I'll be working in the university.
01:08:23I'm not congratulating you with job.
01:08:25Open social media.
01:08:27You're a star now.
01:08:28What are you talking about?
01:08:30Someone launched a hashtag in your order.
01:08:33What does it mean?
01:08:35Read it.
01:08:36Thousands of women are sharing their stories about being fed fairy tales about how inspiring they were.
01:08:43But in reality, they were just used.
01:08:46Every past ends with the phrase, don't be like Freya.
01:08:50Don't confuse with harassment.
01:08:53Congrats.
01:08:54You've become the most hated person in the country.
01:08:58Mm-hmm.
01:09:06Did you do this?
01:09:07No.
01:09:08But it's a fair ending.
01:09:10I'm calling to inform you that your contract has been terminated.
01:09:13You've become a media target.
01:09:15You can't stay near Gate.
01:09:17You'll put him at risk.
01:09:19Pack your things.
01:09:20And get out.
01:09:27Remember, class number one of your contract is keeping Helga's real identity safe.
01:09:37No, no, it's 10 in debt obligations.
01:09:41Mm-hmm.
01:09:43Great.
01:09:58That's it?
01:10:00No.
01:10:04I'm not ready to let her go.
01:10:09Move.
01:10:09I need to talk to her.
01:10:11No, stop.
01:10:12You can't help her now.
01:10:13Yes, I can.
01:10:15I'm a famous psychologist.
01:10:17I sought after guests on talk show, even at the White House charity events.
01:10:20Of course I can.
01:10:21That's exactly the point.
01:10:24You're still everyone's beloved psychologist.
01:10:27And that girl just lost herself.
01:10:30Have you read what they're writing about her?
01:10:33No.
01:10:34Today he paints with her tears, and tomorrow with what?
01:10:41Millions of dollars is a nice compensation for trauma.
01:10:45She stayed quiet, so she consented.
01:10:49Come on, this is just one-word story at best, okay?
01:10:52And you know that.
01:10:53And everybody will start talking about some wasted singer who fell asleep behind the wheel.
01:10:57And that's all.
01:10:58No.
01:10:59No, bro, this is serious.
01:11:01It's a smear campaign that could ruin that innocent girl.
01:11:06Exactly.
01:11:07So only go near Freya if you know how to protect her.
01:11:12Do you?
01:11:13Mm-hmm.
01:11:29Oh, look, there she is.
01:11:31Could've spoken up.
01:11:32Why were you silent?
01:11:33Was opposing voluntary.
01:11:35How much of hell did you pay for it, huh?
01:11:36Did he pay it to keep it quiet?
01:11:49Tell us his name.
01:11:51Who is Helgi?
01:11:53What did he do to make you cry?
01:11:55Is it sure that he hit you?
01:11:56Answer us.
01:11:57Speaking up will help you.
01:11:59Just say Helgi's real name.
01:12:03Will you tell us who he is?
01:12:20I can't say that.
01:12:21A complex.
01:12:22He's covering for here.
01:12:24Beach.
01:12:28You love money, don't you?
01:12:30He's stuck your mouth with it.
01:12:40Freya, wait, wait.
01:12:44Freya.
01:12:45Freya, stop.
01:12:47Stop, please, stop.
01:12:48We need to talk.
01:12:49Right now you're warmed up.
01:12:50You need to calm down.
01:12:52Calm down?
01:12:54How...
01:12:54How could you?
01:12:57Why did you do this to me?
01:13:01I trust you.
01:13:02Shh.
01:13:03I don't want to do this here.
01:13:04So please let's go home and talk calmly, okay?
01:13:08You still don't get it.
01:13:10You betrayed me.
01:13:12And you lost me.
01:13:14Forever.
01:13:20That's it.
01:13:23You will never see me again.
01:13:24You will never see me again.
01:13:29You will never see me again.
01:13:36Ladies and gentlemen, I have a sensational comment.
01:13:40You are psychologists, right?
01:13:42I don't think so.
01:13:43Just wait.
01:13:45I am Helgi.
01:13:52Yes.
01:13:53I take responsibility for what I did to Freya.
01:13:57I'm not hiding behind a heart.
01:13:59I'm not looking for excuses and I'm not asking for forgiveness.
01:14:03The only thing I'm begging for.
01:14:06Leave Freya alone.
01:14:17Here are my proposals for the curriculum.
01:14:20Just like the unionist.
01:14:28Professor?
01:14:29I've managed to convince the Dean to hold off on her decision.
01:14:34Hold off on hiring me?
01:14:35Why?
01:14:36It's a question of reputational risks.
01:14:39Miss Davis, you've got a toxic trail behind you.
01:14:42Do you really want to hurt your alma mater?
01:14:45I need to talk with the Dean.
01:14:47No.
01:14:48No, I'm sorry.
01:14:49That's impossible.
01:14:50She won't listen to you.
01:14:53But...
01:14:55There is a solution.
01:14:57The Dean.
01:14:58She really respects my judgement.
01:15:01And I can push her either way.
01:15:03If you're obedient,
01:15:05then...
01:15:07I can whisper the right decision into her ear.
01:15:11The decision's already been made, Professor.
01:15:15Here is the decision.
01:15:17You are suspended from all your duties effective immediately.
01:15:21All your courses will be transferred to other faculty members,
01:15:25including Miss Davis.
01:15:27And now...
01:15:28Step away from Freya.
01:15:31You can't do this!
01:15:32I just did.
01:15:34Now!
01:15:41Are you okay?
01:15:43I...
01:15:45Unfortunately...
01:15:46I'm used too much.
01:15:47I'm so sorry.
01:15:49But...
01:15:49I guess your nightmare is over.
01:15:52What do you mean?
01:15:53I was actually on my way to show you this.
01:15:58Yes.
01:15:59I take responsibility for what I did to Freya.
01:16:02I'm not hiding their heart.
01:16:03I'm not looking for excuses.
01:16:05And I'm not asking for forgiveness.
01:16:07The only thing...
01:16:08I'm begging for.
01:16:10Leave Freya alone.
01:16:18Now bring me some cold water and me around now.
01:16:30Proud of yourself.
01:16:42That's not heroism.
01:16:44It's irresponsible.
01:16:46You've ruined more than just your own fate.
01:16:50I'm done too.
01:16:51Do you realize that?
01:16:53You had a good salary.
01:16:55I am the one who's done for...
01:17:02Goodbye.
01:17:09Jacob, okay.
01:17:27I'll get something Miranda.
01:17:30Rory Hobbit first Miranda.
01:17:43I saw your speeches at the university.
01:17:48It was brave.
01:17:50It was the only right decision.
01:17:53So you...
01:17:54You come towards my downfall?
01:17:58Now I'm here to ask you.
01:18:02If you want to be with me.
01:18:09Unexpected.
01:18:13Yes.
01:18:14Yes, of course I want to be with you.
01:18:18But the real question is...
01:18:20Do you want to be with someone like me?
01:18:24No.
01:18:25There can't be anything between me and the gape and you until today.
01:18:30But with the gape who admitted his mistake, maybe there is a chance.
01:18:41In your terms?
01:18:42No submission.
01:18:45No submission and no contracts.
01:18:50Are you ready for everything to be voluntary?
01:18:54Or will you clean to being under control?
01:19:08For a long time I thought control was strength.
01:19:12And actually?
01:19:14It was fear.
01:19:17Fear of rejection.
01:19:21I already know it felt like a punishment to me.
01:19:26So when you didn't accept my dark side...
01:19:30I...
01:19:31I feel real pain.
01:19:33And now?
01:19:35Now?
01:19:38Now my reputation is being torn apart.
01:19:41I'm running on every channel.
01:19:44Honestly, I don't give a shit.
01:19:47I don't care that I can control it.
01:19:51Because now...
01:19:55Something else matters.
01:19:58Go on.
01:19:59I'm curious what...
01:20:00Strength is admitting a dark side.
01:20:03And not letting it break anyone ever again.
01:20:06Do you believe I've changed?
01:20:09Words...
01:20:09Aren't enough for me.
01:20:12You have my heart, Rian.
01:20:16No one's ever done that before.
01:20:20I love you.
01:20:22My innocent engine.
01:20:26And honestly, I...
01:20:27I don't know how else to provide a change to you.
01:20:32There is a way...
01:20:34To test that...
01:20:36Pretty easily.
01:20:38Mm-hmm.
01:21:02This way...
01:21:04Yeah, it's put in this way.
01:21:12And if there is a glory...
01:21:12I don't mind looking at my light to feel the same way
01:21:25But I want to leave
01:21:32Can I get nothing more to give
01:21:39Say yes
01:21:42What?
01:21:42To give money
01:21:45Yes

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