- 7 hours ago
- #badcompany
- #goingmethod
- #dramaseries
Dive into the intense world of "Bad Company" Season 1, Episode 4, titled "Going Method." This episode plunges viewers into the complex psychological maneuvers at play as characters grapple with extreme circumstances. Explore the intricate dynamics of loyalty and betrayal as the stakes are raised higher than ever before.
Witness the unfolding consequences of critical decisions, where every choice carries immense weight. The narrative delves deep into the mental fortitude required to navigate high-pressure situations. Understand the true meaning of commitment and the sacrifices it demands in this gripping installment.
Prepare for a masterclass in character development as individuals are pushed to their absolute limits. "Bad Company" continues to deliver compelling drama and thought-provoking scenarios that will leave you on the edge of your seat. This episode is a must-watch for fans seeking sophisticated storytelling.
#BadCompany #GoingMethod #DramaSeries
Witness the unfolding consequences of critical decisions, where every choice carries immense weight. The narrative delves deep into the mental fortitude required to navigate high-pressure situations. Understand the true meaning of commitment and the sacrifices it demands in this gripping installment.
Prepare for a masterclass in character development as individuals are pushed to their absolute limits. "Bad Company" continues to deliver compelling drama and thought-provoking scenarios that will leave you on the edge of your seat. This episode is a must-watch for fans seeking sophisticated storytelling.
#BadCompany #GoingMethod #DramaSeries
Category
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Short filmTranscript
00:00This organisation is not financially viable.
00:03How much does that cost? I'm a corporate robot.
00:05Is that my suit?
00:06Did you get the email I sent you about the Pulse 54 program?
00:08You're that Scott guy? You know, he's like a cult leader, basically.
00:11He's not a cult leader, he's a gymfluencer.
00:13Mum reckons she's getting a big star.
00:15It's Caitlin Allard.
00:16What?
00:16Can you believe that?
00:17Caitlin, it's her sister.
00:18You know, I could have sold out to Hollywood.
00:20They don't get along.
00:21They're well...
00:21Even better.
00:22Let's get her in here.
00:24F***!
00:27So what you want to do is imagine that the voice
00:29is flowing from the top of the body
00:31down and then out through the anus.
00:34What?
00:35This is a legitimate voice and body exercise, alright?
00:38Can you take it seriously, please?
00:39Sorry.
00:40Okay.
00:41And then it's as if the voice is paint
00:43and you are painting the back wall with your anus.
00:49Can you feel it in your sex?
00:51Fit it up!
00:59Ooh, I love a panel, Chapelleau.
01:01Reminds me of the time Papa took me to Paris, right?
01:03And we were, um...
01:04Morning!
01:04I'll tell you the rest of that later, okay?
01:06Come find me and go.
01:07Okay, everyone got the agenda?
01:08Mm-hmm.
01:09Let me get started.
01:10I have crunched the numbers and decided to move
01:12the peasant show into the smaller theatre.
01:14What?
01:15Do you mean le pis on a moite in today?
01:17Oui.
01:18Yeah.
01:18You've only sold 15% of tickets.
01:20But people just buy them on the night.
01:21Yeah, it's not the 90s.
01:23Last time you felt anything.
01:24Okay, can we just keep the personal stuff out of it
01:26just for once?
01:27So what are you going to put on in the big theatre instead?
01:29Oh, let me guess, Caitlin's off-Broadway show.
01:32Oh, someone's been talking.
01:33Give him a couple of white wines,
01:34he'll sing like a canary.
01:36No, that's not true.
01:37Your sister, Caitlin, has 2 million online followers.
01:40That is how you shift tickets.
01:42But you don't have her yet, do you?
01:43Of course she doesn't.
01:45Following a few leads.
01:46I mean, do you ever talk to her?
01:47I mean, obviously I've got her personal number,
01:49but I'm not going to give you that.
01:51Do you have it, though?
01:53Yes.
01:53Of course I've got it.
01:55We talk all the time.
01:56We were talking yesterday about some character notes
02:01for films that she's doing in Slovakia, weirdly.
02:06Yeah?
02:07Yeah.
02:08Wow.
02:10No, well, okay, why don't we just call her?
02:11Let's call her!
02:12Sure.
02:13Yeah, yeah.
02:13Margie, you don't have to.
02:14No, no, call her, call her, call her.
02:16She loves to hear from me.
02:16Call her.
02:17Please don't.
02:18Hey, Caitlin, it's Marks.
02:21Um, hey, I was thinking about that second scene.
02:25What's his love language there?
02:27Because that might help you to sort of, like, get into the...
02:32Oh, sorry, Caitlin, I've got call waiting.
02:35Just a moment.
02:38Margie, I've got theatre.
02:40Hi, Margie, it's Julia.
02:42Hi, Julia.
02:43Why are you calling me while I'm on the phone to Caitlin?
02:46Because I don't think you're on the phone to Caitlin.
02:48Yes, I am.
02:49Um, so Caitlin's...
02:50Still me.
02:51Slovakia.
02:51Is that hot at this time?
02:54Get off the phone.
02:54Bye, Caitlin.
02:55Bye.
02:55Bye.
02:56She's gone.
02:58So...
02:59That was uncomfortable, wasn't it?
03:01Uh-huh.
03:04How is Caitlin?
03:07Ryan, you're young.
03:08How do I get online followers like this?
03:10Like, look at Caitlin.
03:11Content.
03:12Like what?
03:13Anything.
03:14Songs, stories, photos, videos.
03:17Yeah.
03:18I mean, look at this.
03:22Caitlin can sing.
03:23Yeah.
03:23And look at that, 30,000 likes.
03:25I can sing.
03:26I think it was always hard for Caitlin growing up
03:28because we were both triple threats,
03:29but then I had the looks as well,
03:31so I was like a quadruple threat.
03:33You know what I mean?
03:35Yeah.
03:37Hmm.
03:38Must have been really rough for her.
03:39Yeah.
03:41Pulse 54.
03:42Oh, what's happening today?
03:45Oh, someone's online.
03:48Can I do it?
03:50Let's do it.
03:51Let's do it.
03:53Oh, shit.
03:55Oh, hi.
03:56This is Scott from Pulse 54.
03:58Oh.
04:00Hi, Scott.
04:01It's Julia McNamara from your gym.
04:03Oh, Julia.
04:04Hello.
04:04Yeah, you're one of my top ten clients.
04:06Wow.
04:07Top ten.
04:08Okay, well, you're in my number one of trainers.
04:11Sorry, I have to go.
04:12I'll call you back, Scott.
04:14Bye.
04:14Do you have the Wi-Fi password?
04:16Uh, Shakespeare 88.
04:18Oh, thanks.
04:19Excuse me.
04:20Who are you?
04:22Julian Assange.
04:26Come in the morning warm-up, J-Mac?
04:28Uh, yes, okay, but my anus is staying shut.
04:33Uh, yeah, absolutely.
04:36You know, your body, your rules.
04:38All right, we are finally here.
04:40The Assange story opens this week.
04:43I know.
04:43I know.
04:44Yes, it's a powerful one-man play about exposing the truth at all costs.
04:49Sorry, didn't Julian Assange break the law?
04:51Um, some laws are meant to be broken.
04:53Here we go.
04:54Lefties preaching to lefties yet again.
04:56My gosh, Mum, so embarrassing.
04:58Gary's going to be in the building until we open, and he just wants to say a few words
05:02about his process.
05:03Thank you, Gary.
05:04I will be going full method for this role, okay?
05:07So I'd appreciate if you would call me Julian Assange.
05:10Or Mendax for the Trainspotters.
05:13His dedication to the craft is extraordinary.
05:15He did a computer science course at TAFE for this.
05:18Authenticity.
05:19That means I'll be in character at all times, both on stage and off.
05:23Right?
05:23I wear his clothes.
05:24I carry his laptop.
05:26Mm-hmm.
05:27I feel his pain.
05:28If I seem a little angry or sad, it's only because I am in exile in my heart.
05:35Maybe we should lock Julian in the cupboard and call it Ecuador.
05:39Oh.
05:39Oh, jeez.
05:42Right.
05:43I have tracked down the number for the assistant to Caitlin's LA agent's assistant.
05:48Major breakthrough, J-Mac.
05:50Let's call America.
05:53Okay.
05:56Hello?
05:57Hello.
05:58Julia McNamara calling, CEO of the Argyle Theatre in Melbourne, Australia.
06:04Well, that's rude.
06:06They need a tariff on manners over there.
06:09What does that mean?
06:10Because of rude and American.
06:13Right.
06:14Sorry, why does no one in this place have Caitlin's number?
06:17Didn't she used to do plays here?
06:19Isn't she supposedly Margie's sister?
06:21Yeah.
06:21I can't work out what's going on with this dysfunctional family.
06:24Do you need someone to explain the family dynamic to you?
06:27Could you?
06:27Yes, I can.
06:29I'm going to need a whiteboard.
06:31Give me a minute.
06:32You could have just told me.
06:34And there you go.
06:36You're all signed up.
06:37Yeah, great.
06:37So anyone could just sign up to as many accounts as they wanted to.
06:42Like, you could just, anyone could just go, oh, there you go, another one.
06:46If you have an email address, yeah, you could make thousands.
06:49And this is the Argyle's page here.
06:52Yeah, 140 followers.
06:53Wow, that is fantastic.
06:55It's really shit.
06:56Is it?
06:57Yeah.
06:57Yeah.
06:57But wait till I get on there though.
06:58It'll go through the roof.
07:01So Harmony is Jeremy's third wife, also Caitlin's mother.
07:07You got it.
07:07This relationship ended his relationship with Margie's mother.
07:11Or it was the other way around.
07:13He was a bit of a pants man.
07:14Who's this?
07:15Oh, that's wifey number one.
07:17That was only two years.
07:18How are their four children?
07:19Glad you asked.
07:20These three were steps with her previous marriage.
07:23Should I get another board?
07:24That's not a Barbara step.
07:26That's Margie's half-brother with Jennifer.
07:28Oh my God, you're right.
07:29How does that work?
07:34I can see a pattern emerging.
07:36Gary?
07:36No, Julian.
07:38Keep at it.
07:42Hello, Jane.
07:46Phil, welcome.
07:52Hello.
07:55Hello, Lloyd.
07:57Hello.
08:02Where is everyone?
08:04Alright, so, in summation.
08:06Harmony is Caitlin's mum.
08:07Caitlin was born in Paris.
08:09Margie's mum is Jennifer.
08:10Jeremy left Jennifer.
08:11Full Harmony.
08:13That should clear everything up.
08:14There was one in Barcelona.
08:15No, there wasn't, Donna.
08:16No one's got a good word to say about Harmony.
08:18She left her wine in my wig room once and I'm like, get your filthy chardonnay away from Lady Macbeth.
08:22Yeah, okay.
08:23Can we focus on Caitlin, please?
08:24Is she married?
08:25Have you ever read a magazine?
08:27Business Review Weekly?
08:28Yeah, every month.
08:29There have been eight reporter proposals to Caitlin, but they're all wasting her time.
08:33She's married to a job.
08:34Very relatable.
08:34All right?
08:35Mm-hmm.
08:36What?
08:38Yes, can I help you?
08:40Caitlin Allard, eh?
08:41Sign here.
08:43That signature might be worth something someday.
08:45Yeah, she could sing.
08:46Oh, why is everyone obsessed with her?
08:48Well, if we're listing dally answers, I suppose, you know, couldn't hurt to add one special night up onto the
08:56board.
08:57No biggie.
08:58Just a bit.
08:59Oh, get over it.
09:00Really?
09:00We all know, Christian.
09:02Oh, don't forget, Caitlin dated Hot Props back in their 20s.
09:05Oh, my God.
09:06That's right.
09:08Hang on, who's Hot Props?
09:10Have you not been able to set some props yet?
09:12Why would I go there?
09:13Make sure you set aside a few hours.
09:14Boring.
09:15Sorry.
09:16There's someone still working here who dated Caitlin called Hot Props.
09:22What is going on out there?
09:25I don't care.
09:27I'm going to go find Hot Props, see if he's got Caitlin's number.
09:31Oh, no, no.
09:32Julia, don't call him.
09:33Hot.
09:34You know, everyone thinks she's perfect, but it was my cabbage-fetch doll, you know, and she just took it.
09:39Caitlin, you just took it, you know.
09:42And then she starts gaslighting me about it.
09:45And of course, Papa takes her side, always takes her side.
09:48But it was my name on the birth certificate, you know.
09:51Yeah, I know.
09:53And why am I signing for couriers, Christian?
09:56Sorry about that.
09:56I'll be cleaning the toilets next.
09:58You don't love that, would you?
10:00Scrub her your way.
10:01Oh, no, no, no, no.
10:01Yeah, you will.
10:02You don't love that.
10:03No scrubbing.
10:03No scrubbing.
10:04No scrubbing.
10:06Sorry about that.
10:07You all right?
10:08You'd never catch Caitlin doing that.
10:10No way.
10:11Absolutely not.
10:11Hey, can I offer you two free tickets to a fantastic show we have coming up of La Pisson Amoiti
10:18Entere.
10:19No.
10:20No.
10:23Hello?
10:27Hot props.
10:28What?
10:29Why has he called me?
10:32Uh, they said your name was Hot Props.
10:36Who's been calling me that?
10:37No one.
10:39No.
10:40No.
10:40I misspoke.
10:42They said, guy down there makes hot props.
10:45Well, my name is Pete and I'm part of the team.
10:48Yes, you are, Pete.
10:48You're a huge part of the team.
10:50So I'm here to introduce myself.
10:51Julian McNamara, new CEO of the Argyle Theatre.
10:54Quick question.
10:55Did you ever date Caitlin Allard?
10:57You're not in trouble.
10:57It's not an HR issue.
10:58I did.
10:59You did?
10:59I actually just started working here when I met her.
11:01Had you?
11:02Interesting.
11:02When was I working before that?
11:04I don't know.
11:04Oh, I was selling paintballing in a supermarket.
11:08Were you?
11:09Okay.
11:09Not paintballing in the middle of supermarkets.
11:11I was selling paintballing in the middle of supermarkets.
11:12Right.
11:13Okay.
11:13Wait, hang on.
11:14I'll just say the same thing again.
11:15I was in the supermarket selling paintballing.
11:18Selling paintballing somewhere else.
11:20A little bit like a voucher.
11:22Ah, yes.
11:22I get that.
11:23And are you still in touch?
11:25Nope.
11:25They shut down.
11:26With Caitlin Allard.
11:27Oh, yeah.
11:28Right.
11:28I might have her phone number.
11:30That would be wonderful.
11:31Let's have a look for that.
11:36What's in that file?
11:38Just work, I think.
11:39At the end of the day, it's the government lying to the people.
11:43Yeah.
11:43I'll give you an example.
11:45Gary has 38 outstanding parking fines.
11:48Oh, sorry.
11:49Who's Gary?
11:50Well, that's me when I'm a major.
11:52Oh, sorry.
11:52Yeah, yeah, no, yeah, yeah.
11:53But that's really the state controlling his freedom of movement.
11:56And who really benefits from the revenue raised
11:58by fines?
12:00Big business.
12:01Now you're getting it.
12:02Right, there you are, there you are.
12:03I need your help to go viral.
12:04Come on, follow me.
12:06Be careful.
12:08It's the internet.
12:11This is her.
12:12That's my collie, Cross.
12:14Do you like dogs?
12:15Um, yeah.
12:17Sure.
12:18Of course you do.
12:18Who doesn't?
12:19She's about to jump off.
12:20It's a long video.
12:21Should we go to the end?
12:23No.
12:24No, no.
12:24I just feel like if we just went to the phone.
12:25Oh.
12:27Just made it go back into the photos.
12:28Maybe check in contacts for it?
12:31For my dog?
12:32For Caitlin Ellard.
12:34That you used to date.
12:35I'm so sorry.
12:36That's right.
12:38Contacts.
12:38Contacts.
12:41No, I don't have it.
12:42I don't have it.
12:44Your phone.
12:45Maybe.
12:46Maybe.
12:47I don't know.
12:48It might be a problem with the cloud.
12:51I'm just saying, it's lucky he's hot because I have never met anyone so boring and I worked
12:56in a bank.
12:57Really?
12:57Boring?
12:58I mean, I won't deny he's a smoke show, but you didn't call him hot props to his face,
13:02did you?
13:03Yes, I did.
13:03Thank you for the warning on that.
13:06What's this?
13:07God, we're getting a lot of activity on the socials today.
13:10What's going on?
13:11A lot of people are very interested in Margie playing the lead role and actually, let's
13:15not bother eating those.
13:16It's all brain rot online, isn't it?
13:18It's all nonsense.
13:19What?
13:20I wouldn't even, I wouldn't even, don't.
13:21I can't believe you called hot props, hot props to his face.
13:24You're crazy.
13:25What do you like?
13:25Don't touch my phone like that.
13:26What are you?
13:27What are you?
13:28Wow.
13:29It's a game we play.
13:31It's called phone frisbee and it's normal that I did that.
13:39Oh, I see.
13:41These are about me.
13:42New CEO looks like a neoliberal wet dream featuring Margaret Court.
13:47Oh.
13:49Banktard.
13:49Can't say that.
13:50You can't say that anymore.
13:52The lost Kransky sister.
13:54Garth from Wayne's World.
13:55Classic movie.
13:57Swing.
13:58Sorry.
13:59You need to find out who's posting these comments.
14:01Yeah, I will.
14:02I will.
14:02Just, I don't know, call Instagram.
14:07Okay, so when I do a thumbs up, it means we're live.
14:10Live.
14:10On what?
14:11Just socials.
14:12Everything.
14:13Like everywhere?
14:14Yeah.
14:14People can just join.
14:15We're just live.
14:16Oh, like, yes.
14:16So people can join.
14:17Yeah, a podcast.
14:18Okay, then.
14:19Let's do it.
14:20So.
14:21Mm-hmm.
14:21Thumbs up.
14:22Yeah.
14:23So that means we're live.
14:24Oh.
14:25So they've seen that.
14:25Here we go.
14:27Four, three, two, one.
14:29Not needed.
14:29It's already rolling.
14:30We've been live for 15 seconds.
14:32Hi, I'm Margie Argyle, and I'm the artistic director here at the Argyle Theatre, but also
14:38a storyteller.
14:39You know, I'm a truth custodian.
14:40I'm a disruptor.
14:41I'm a feminist.
14:42I'm a witch.
14:43I'm a woman.
14:44Yep.
14:45Okay, let's go and see what the Argyle team is up to.
14:49Let's go.
14:50Ooh.
14:51Is that close?
14:52No, you're good.
14:55Let's continue our tour.
14:57We are in the creative heart of the building here.
15:00Who's feeling it today?
15:02Whoa, energy is up in here.
15:04If anyone feels like they just want to get up and do a 30-second dance party.
15:12You know, I just say to people in this space, you know, like, if you've got an idea, just
15:17go with it, you know, follow the creative flow.
15:19Hey, whoa.
15:22Hey, hey, hey.
15:34Okay, a little dance party.
15:38Hey, it's Julie McNamara, our new CEO.
15:43Hey, hey, hey.
15:46Come on.
15:47Why don't you go here?
15:48Hey, go here, hey, and I'll come in, hey, hey, hey.
15:54Now, I don't want to do that.
15:55Yep, really good for your fun-loving reputation, Mum.
15:57Ruined.
15:58Well, speaking of that, who has been posting about me
16:01on the Argyle Socials account?
16:03Was it you, Ryan?
16:04What, me? No.
16:06I just helped Margie get online, that's all.
16:08Well, Christian will be looking into it,
16:10and we will find the troll.
16:12Don't know how to find trolls, but, yeah, add that to my list.
16:16Everybody is under scrutiny.
16:18Don't film me.
16:19No, put it up, because you can't stop me putting stuff online.
16:22I think that's something we can all learn
16:23from the Assange story this week,
16:25that everyone should go online and make content,
16:28and authorities can't come in and control the internet
16:34for who wants to go on there.
16:36That's exactly right.
16:38Come on, Ryan, let's go.
16:39Let's go see wigs and wardrobe.
16:43No, no.
16:45Me.
16:45This.
16:46Hey, wigs and wardrobe.
16:52Hello.
16:53Hi, Gary.
16:55Julian.
16:56Yeah, sorry, Julian.
16:57Hey.
16:58Do you get the feeling you're being watched?
17:02No.
17:03Not really.
17:05Anyway, someone in this office is not being honest,
17:08and I've been given the responsibility
17:10to find out who it is.
17:12So tell me, Gary.
17:13Julian.
17:14Yeah, sorry.
17:15Do you know what you think about hacking?
17:18Okay, so...
17:18So we're going like this,
17:19and then we throw it up.
17:21Okay.
17:21Wrong arm.
17:22Throw it up again.
17:24Oh, that was the same arm.
17:25Mm-hmm.
17:25Okay, um, I actually wanted to ask you something.
17:28You weren't the one trolling mum, right?
17:30No, of course not.
17:32Because I know she's annoying,
17:34but she's not like a bad person or anything.
17:35Well, I guess the truth always comes out online, doesn't it?
17:38Come on, let's record this.
17:39Let's go.
17:39Let's go viral.
17:40We've got this.
17:41Yeah, we do.
17:42Yeah, let's go.
17:43Uh-huh.
17:43Uh-huh.
17:49Nice.
17:50Okay.
17:52Should we go from the top?
17:54Oh, you're still going to go.
17:55Okay.
18:01Sorry, what are you doing at my computer?
18:03Just a bit of classified work.
18:05Classified work?
18:06Why?
18:06About what?
18:08Oh, come on, Gary.
18:10Julian.
18:10You can tell me.
18:11We've known each other for years.
18:13Remember that night in Adelaide?
18:14Gary's never been to Adelaide.
18:16Oh, that's right,
18:17because Gary was married back then, wasn't he?
18:18Look, all I'll say is somebody's going to be exposed.
18:22I've got what I need.
18:23How did you know my password?
18:25It was password.
18:26Yeah, it's a password.
18:28I've got to change that.
18:30I'll change it to Margie.
18:33All right, so I've called this snap meeting
18:36because there's been a dramatic increase
18:38of online activity on the Argyle socials.
18:42Ordinarily, that would be a good thing,
18:44but it's actually raised quite a lot of suspicions
18:45because we don't normally get any activity there.
18:49So I'm going to hand over to Gary now.
18:51Julian.
18:52Julian.
18:53The 11th time.
18:55Well, the alarm bells were first raised
18:56when I found these posts under this image
18:59of Margie in the lead role of the peasant.
19:02Let's take a look.
19:03Margie Argyle?
19:05I've been a long-time fan
19:06and finally it's her, not Caitlyn.
19:09Wow.
19:10OMG, can't wait for this.
19:13Margie Argyle is a quadruple threat.
19:15Spot on.
19:17Thanks.
19:17Margie Argyle?
19:18She's an artistic genius.
19:20Oh, my God.
19:21Oh, no, Margie.
19:22And finally, big name brand...
19:25No, not that one.
19:27Margie Argyle is a good singer, not Caitlyn.
19:32It quickly became clear that the posts were coming
19:34from inside this very building.
19:35And after some rudimentary hacking,
19:38I am now able to reveal the identity
19:40of the person doing the post.
19:42Oh, shut up, Gary.
19:43It's Julian.
19:44And let the man speak.
19:45The truth must prevail, remember?
19:47But what am I supposed to do?
19:48You know, why should Caitlyn get to come in here
19:50and take everything away from me again?
19:52I'm a big name too.
19:54Sweetheart.
19:55OK, I think the board will agree
19:56that this is a fireable offence.
19:58Maybe.
19:59But what's more alarming
20:00is the evidence of hours and hours
20:02of company time
20:03being spent on a website called...
20:07Pulse 54.
20:08Oh, no, Mum.
20:09Huh? What is that?
20:10All right, shut up, Gary.
20:11It's Julian.
20:12So embarrassing.
20:14No, this is important information
20:15that needs to be exposed to the board
20:17at all costs.
20:18And you'll both be nagged in my report.
20:21Oh, my God.
20:24What have you guys done?
20:26I've got every conspiracy theory loon on the phone.
20:30One of the videos you two made went viral.
20:33Oh, that's good.
20:33It's great.
20:34No, it's awesome.
20:35The buzz is building for
20:35the Pison and Moiti Interes.
20:37It's great.
20:37It's not that.
20:39Gary's in the background of the video
20:40and everyone in the comments
20:41thinks Julian Assange is hiding out of the theatre.
20:44Oh, Jesus.
20:45There's a bunch of media people outside.
20:46Oh, show me the video.
20:49Yeah.
20:51Zip it A.
20:52Oh.
20:53Yeah, that's good.
20:55Great.
20:56Yeah, thank you.
20:57This is what a feminist does.
20:58Sorry, what's this got to do with feminism?
21:00I'm moving my body and I look hot
21:02and there's nothing any man could do about it.
21:05There's a man right there in the video.
21:07Yeah, I don't know.
21:08Oh, there.
21:10Who's that?
21:10Oh, Jesus.
21:11It's a good promo, though.
21:12Yeah.
21:13No, it isn't.
21:14He just said conspiracy nuts are watching this.
21:16What do we want?
21:16A theatre full of flat earthers?
21:18Well, they deserve art, too.
21:19Oh, Margie, come on.
21:20Well, just delete it.
21:22Come on, Ryan.
21:22Press delete.
21:23Let's all move on.
21:24Done.
21:24You can't delete videos from the internet anymore, Margie.
21:27You've already been memed.
21:28You're a meme.
21:28Well, thank you.
21:29I've got to keep him out of sight.
21:30Julian, this way.
21:32I didn't do the ones about your glasses, by the way.
21:34I don't believe you.
21:35It wasn't me.
21:36It's just actual feedback about your glasses.
21:38Just take it on board, Mum.
21:41Do you know, Gary's becoming a bit of a problem.
21:43I think he actually thinks he's Assange.
21:45He's lost the plot.
21:46Do you know he has 38 outstanding parking fines?
21:49Does he?
21:49Does he?
21:50Wow.
21:50That's a lot.
21:52He'd be terrible if someone called the police.
21:55Yeah.
21:56Would be terrible.
21:58Look, I know this implicates both of you,
22:00but I need to give this information to the board.
22:02I mean, can't you see?
22:03Even if it costs me everything.
22:05Whatever you think is the right thing to do,
22:07you do it, Julian.
22:08You've got to do it.
22:08I mean, you just have to...
22:09Who the hell is this?
22:10Gary Strand.
22:11No, it's Julian.
22:12Oh, no.
22:13Look, you've got 38 outstanding parking fines, okay?
22:16You mind coming with us, please, sir?
22:17What?
22:17No.
22:18They're trying to silence me.
22:19No, you've just got to stop parking on Gertrude Street, mate.
22:22Hey, can't Gary.
22:24Who called the police?
22:25Who was it?
22:26I don't know.
22:27I don't know.
22:27Somebody needs to leak that document to the board.
22:29Yeah, I'll make sure Carmel gets that.
22:31Deep state corruption, that's what this is.
22:34Good luck locking me up.
22:35Do you want to pop that in the shredder, darling?
22:45So apparently he broke bail, and now Gary's in Ballarat, hiding in his ex-wife's house.
22:49He's worried if he comes back to Melbourne, they'll capture him.
22:52Why doesn't he just download a parking app?
22:54Okay, gang.
22:55After the Gary news story, we've finally sold enough tickets in the small theatre to, wait
23:00for it, break-even.
23:03Tonight's already sold out.
23:04It's amazing.
23:05Yeah, the show must go on.
23:07I'm just glad all that social media stuff is behind us, you know?
23:10I just feel like it promotes a distorted view of reality and comparison culture.
23:14I don't want anything more to do with it.
23:16Oh my gosh, Margie, our dancing video, we did got three million likes.
23:19Are you joking me?
23:19No, look at this.
23:20Show me!
23:21Way more than Caitlin's ever got.
23:22Show me.
23:23Oh, suck shit, bitch!
23:25Sorry.
23:26Hope she's seen it.
23:28Oh, Caitlin's seen it.
23:29Everyone's seen it.
23:30Caitlin's agent has even seen it.
23:32How do I know?
23:32Just had her on the phone.
23:34What?
23:34The theatre's got huge buzz now, so Caitlin wants to talk about doing her show right
23:39here at the Argyle.
23:40And that's all thanks to you, Margie.
23:42Well done.
23:43Round of applause for Margie.
23:44Come on.
23:47Artistic genius.
23:49Bring it up!
23:52Watch me work here.
23:56I'm a badass.
24:02Aren't you just a little bit curious about what my audition is?
24:05Oh, the audition.
24:06Everyone wants this role.
24:07You know, I'm talking Nicole, Blanchett, everyone.
24:10This is an anti-nepotism policy.
24:12Oh, she's nepo.
24:13No, not nepo.
24:14It sounds nepo.
24:14It's not nepo.
24:15What are you doing?
24:16Security upgrade.
24:17Margie, I'm locked in.
24:18Oh, why is it hot?
24:20Jesus.
24:21Oh my God.
24:21Christian, we're locked in.
24:22What's going on?
24:23Margie and Julia are trapped in the prop cupboard.
24:25I don't actually know where I am.
24:26I don't know where I am.
24:27Donna!
24:28Julia!
24:29Julia!
24:33Watch me work here.
24:36I'm a badass.
24:40I'm a badass.
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