- 14 minutes ago
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00:00Tonight on Wiseguy.
00:46Sous-titrage ST' 501
02:02Oh, it's so wonderful to be home.
02:10Please, can we go faster?
02:13Look at these potatoes.
02:15Take the other bridge.
02:16Oh, look at this traffic.
02:18Why don't you call it?
02:19Well, I can't.
02:26Dial your number and hit send.
02:32Send or settle.
02:34We're sorry.
02:35The number you have dialed is not in service in area code 201.
02:39Why am I getting New Jersey?
02:41You're in the 201 area code.
02:43I'm in 718.
02:44I want Vincenzo.
02:45He's in Brooklyn.
02:47Well, I'm in Brooklyn.
02:48The phone's in Jersey.
02:50The phone is right here.
02:52Technology.
02:59Good.
03:02Hello?
03:03Oh, Vincenzo.
03:05Ma!
03:06Hey, where are you?
03:07Here.
03:08Here?
03:09Where here?
03:10New York.
03:11We're on the way to drop our things off at Tito's house.
03:14Then...
03:15Hello?
03:16Vincenzo?
03:17Ma?
03:18You there, Ma?
03:20It...
03:21Noise.
03:21Only noise.
03:39Hello?
03:40Amber, it's Vinny.
03:42Listen, we need a rain check for dinner tonight.
03:44My Ma just got back in town.
03:45Oh, but that's great.
03:47Any chance for late dessert?
03:49Yeah, you can let yourself in.
03:51You got a key.
03:53Okay.
03:54Bye.
04:13Hey, Ma!
04:15Vincenzo!
04:16Vincenzo!
04:17Oh!
04:19Oh, but you look great.
04:21Oh, I feel great.
04:22I think Europe agrees with me.
04:23Maybe too much.
04:25Hey!
04:26Vincenzo!
04:27I know.
04:29Welcome home.
04:30Welcome home.
04:31It's good to be home.
04:32Even if it is a little premature.
04:35Hey, pooch!
04:36What do you see, pooch?
04:38How's it going, man?
04:39Let me get my hat.
04:42Ma, what'd you do?
04:43Buy out Europe?
04:43Oh, well, maybe we bought too much.
04:47Pooch, get that van unloaded.
04:59I suppose we can make it home.
05:13Oh, my God.
05:16These are my things.
05:18It's my mother's from the old country.
05:20Vincenzo and I thought these things would make you more comfortable.
05:24Oh, thank you.
05:29Come on, guys.
05:30Let's go.
05:31Be careful with that.
05:34You go down there.
05:35I'll show you where it goes.
05:38Poochie, I want to get started in the greenhouse right away.
05:40Well, I got that under control.
05:43Well, what's the deal, Mom?
05:44You weren't back for another couple of months yet.
05:46When do I meet her?
05:48I knew it.
05:48I knew that's why you came back.
05:53You build it one like the old one.
05:55That's wonderful.
05:57He's still been working around the clock
05:59since I heard you were coming back premature.
06:02Poochie, find a good place for my girlfriend.
06:07Uh, what's the kid been doing?
06:10Yeah, he's been keeping a low horizon.
06:12I'll check her out.
06:17Well, of course I want you to meet her, Ma.
06:19Tonight.
06:20I'll cook some pasta.
06:21I can't do it tonight.
06:22It's too short of notice.
06:23Well, tomorrow, for lunch.
06:25She works.
06:26Oh, she's got a good job?
06:27Yeah, she's got a very good job.
06:29Is she Italian?
06:31No, Ma, she's not Italian.
06:34Not all nice people are Italian, you know.
06:35Uh, but she is Catholic.
06:37Yeah.
06:38Is she from our parish?
06:40No.
06:41Well, when am I going to meet her?
06:43Tomorrow night, for dinner.
06:45I'll take you all out.
06:49Well, let him go see his lady friend.
06:51There'll be no need for dinner.
06:52Go, go.
06:53All right.
06:54You happy, huh?
06:55Tomorrow for dinner?
06:56Yeah.
06:56Okay.
06:58Good to have you home, Ma.
06:59Thank you, darling.
07:00Good to be home.
07:01Okay, I'll see you later.
07:02Yeah.
07:03Jen's over.
07:05Oh, he looks terrible.
07:07I should have never left.
07:21Hi.
07:23Hi.
07:27I'm sorry I ate the whole thing.
07:29It was so good.
07:30That's all right.
07:33I lost my appetite anyway.
07:36What happened?
07:37Well, my mother.
07:40She wants us to have dinner with her and Donna
07:43you both tomorrow night.
07:46So that's nice.
07:47Oh, yeah.
07:48Well, we'll see how nice.
07:52I'm worried about my table manners.
07:55No.
07:57You're not the one I'm worried about.
08:00Oh, so it could go on.
08:03I'll be the picture of decorum tomorrow.
08:17Oh, no.
08:18Oh, my God.
08:28Oh, my God.
08:38Oh, yeah.
08:38Oh, yeah.
08:40Oh, my God.
08:45Oh, yeah.
09:04And I know just what to do, oh, oh, wrap it up and give it all to you, oh, wrap
09:12it up and give it all to you.
09:24Mom, why don't you talk to me, please?
09:34You know, it's not what you think it is.
09:35I don't have to think.
09:37I can see.
09:47You know, you're not being fair about this.
09:49I don't want to talk about it.
09:50Well, you don't want to talk about it.
09:52It was important enough for you to come all the way back from Italy.
09:54To meet a nice girl.
09:56Amber is a nice girl.
09:58Nice girl, naked and wet.
10:00I heard that.
10:03Mmm, it smells great in here.
10:06Can I help you with breakfast, Mrs. Zayupo?
10:08I've been making my son breakfast for 30 years.
10:12I'm really sorry.
10:14This isn't exactly the way I was expecting our first meeting either.
10:20I just hope I haven't offended you.
10:30I hope we can see each other again.
10:33That's right, for dinner, right, Ma?
10:35We're all going to have dinner together, right, Ma?
10:37It was Rudy's idea.
10:40Well, I'm very much looking forward to meeting your husband.
10:59She's older than you.
11:00She dyes her hair.
11:02Oh, so what, Ma?
11:03She's a mature woman.
11:04She can do what she wants.
11:05Well, why isn't she married?
11:06Because she's a widow.
11:07That's why.
11:08Oh, she's a young widow.
11:09What did she do?
11:09Work him to death?
11:10Oh, Ma, will you please?
11:13Hmm.
11:14Does she know you're a policeman?
11:16No, she doesn't know I'm a policeman.
11:18So, she thinks you're a gangster?
11:21What kind of mature woman dates a gangster?
11:34Vincenzo looks so bad.
11:36The house looks bad.
11:38Maybe if I'd been here, it wouldn't happen.
11:41You're going to ruin your dinner.
11:43I'm doing nothing.
11:44I'm, uh, powdering.
11:47Calota.
11:49All I've been listening to is you, Freddy.
11:53You're going to scare that poor girl away.
11:55Oh, good.
11:56She's not for Vincenzo.
11:57She's an older woman.
11:59It shows Vincenzo is a man.
12:02He ain't out chasing girls.
12:04She's been married.
12:05She's in the music business.
12:07That makes her an interesting person.
12:10Ah.
12:12Which one do you like?
12:13You know, Vincenzo has never talked about a girl in his life the way he talks about this one.
12:18I just don't understand it.
12:21Why should you understand what they don't understand?
12:24Which one?
12:26Uh, this.
12:31Carlota.
12:34You go put on your dress.
12:36You come back.
12:38You show me how beautiful you are.
12:50Trust your son, Carlota.
12:53And give the girl a chance.
13:03This kid hasn't been doing much.
13:06He was in the rag trade about a minute and a half.
13:08And he bought some record company.
13:10He sold his interest to his partner.
13:12Some Brajol named Bobby Travis.
13:14Didn't do much before that.
13:16Now he does nothing.
13:20Oh, Carlota.
13:21You look beautiful.
13:25You in better spirits?
13:26No.
13:28You might at least try to put on a little smile.
13:43I don't know, must be something in my blood.
13:45But even with all the aggravation, I just...
13:47I can't imagine myself doing any other kind of work.
13:50You like your work. It's good.
13:53Obviously, it likes you.
14:02It's nice to know what you want to do with your life.
14:05Hey, Vincenzo.
14:07Yeah.
14:08Yeah, I guess it is, yeah.
14:24I proposed to Carlota at this very table.
14:27Vinnie was there.
14:29And when she said yes, oh, I was the happiest man in the world.
14:45The three of us at this table, we've been widowed.
14:51It's a strange kind of loneliness when someone you love dies.
14:55It's hard to explain.
14:56The smart woman can get through it if she knows the difference between love and loneliness.
15:02It doesn't confuse them with the first thing that comes along with two legs.
15:07Come on with your two legs.
15:09You need to dance.
15:30Yeah, I swear I don't know what's gotten into my mother.
15:34I think it's kind of sweet.
15:36Sweet?
15:38Yeah.
15:39Vinnie.
15:40She's just been a good mother.
15:53what are they doing
15:54let them be
15:57I like her
15:58I know what you like
16:00the qualities, strength, character
16:03good heart
16:05you know, you spoiled Vincenzo
16:09he wants in his woman
16:10what he sees in you
16:13Vincenzo's not ready for marriage
16:15hey, you cut short our trip
16:19my greenhouse isn't even ready
16:21and all the way back in that jet
16:23I gotta listen to him
16:24waiting plans and names for your grandchildren
16:27God, Lord
16:29the only one talking about marriage
16:31is you
16:42please, I want to apologize
16:45for ruining dinner
16:47you didn't ruin dinner, Mrs. Ayupo
16:50Rudy, I would like to speak to Vincenzo
16:54to kill that
17:05no, Vincenzo
17:06I'm no happier with my behavior
17:09than you are
17:11I'm worried about losing you
17:13I cannot loosen me
17:15Vincenzo
17:16if you two are serious about each other
17:19tell me
17:21we don't even know the answer to that ourselves
17:23we're just having a good time
17:24getting to know each other
17:25I can't see into the future
17:31Rudy has given up one life for another
17:33because he loves me
17:35I love him
17:36but the heart must have a practical side
17:41Rudy and I know many things about each other
17:44when I fell in love with him
17:46I knew exactly who he was
17:49you mustn't fall in love
17:50in the middle of a living, Vincenzo
17:52it isn't fair to anyone
18:11you know, it turned out to be a really nice evening
18:14yeah, it really did
18:19Amber
18:21I've got something to tell you
18:29I'm a cop
18:38Hey everybody
18:39he's a cop
18:41Vinny Terranova's a cop
18:43Amber
18:43Amber
18:45cop
18:50Vinny, are you alright?
18:51you want to sit down?
18:52no
18:54no
18:57I just want to get this off my chest
19:02I'm a cop
19:04under arrest
19:06spread him
19:06spread him
19:08you have the right to remain silent
19:09you're a cop
19:10anything you say can and will be used against you in a court of law
19:15I hate you
19:16you have the right to an attorney
19:19if you can't afford one
19:21one will be provided for you
19:25if you understand these rights as I've explained them to you
19:31Vinny?
19:33Vinny, are you alright?
19:34Vinny, are you alright?
19:36what's wrong?
19:37Vinny, are you alright?
19:37nothing, nothing
19:39it's not important
19:42can I get a beer?
19:44yeah
20:05this has to be for you
20:07Who is it?
20:12Good morning.
20:13How'd you get up here?
20:16Don't they scream people at the door anymore?
20:19Vincenzo, we need to talk.
20:23Good morning.
20:29I had a very enjoyable evening.
20:33I want to apologize for my wife's behavior.
20:36No, you don't need to apologize. She only wants the best for her son.
20:40If you'll excuse me, I have an early business meeting.
20:43Pucci will take you where you want to go.
20:45No, no, that's not necessary.
20:46Of course it's not necessary, but I have a car available.
20:50And I'd like to talk to Vinnie alone, eh?
20:54Okay. Thank you.
21:02Okay, Pucci, let's go.
21:15Nice girl, smart, pretty.
21:18She's not a girl, she's a woman.
21:20To me, she's a girl.
21:28Vinnie, I don't like to see you and your mother acting like this.
21:32You think I like it?
21:44Amber was not exactly what Carlotta expected.
21:48A woman older than you.
21:50A woman with her own business.
21:52A business known for its flamboyance.
21:55A widow, your mother wasn't counting on that.
22:02Is this the husband?
22:03Yes.
22:08Your mother know this?
22:09No.
22:11Any children?
22:12No, no.
22:15No need for your mother to know.
22:16Oh, please.
22:19Vinnie, your mother and I were raised in a time
22:21when people stuck with their own people, people of their own blood.
22:25Now, anything goes.
22:27And who's to say what's right?
22:28If two people are good together, that's what's important.
22:35Let's talk about you.
22:37About me.
22:44You've been, uh, dabbling in our business.
22:48I am not in our business.
22:51So far you have failed in the garment trade and the music business.
22:56I did not fail.
22:57You didn't succeed.
22:59You have nothing to show for your efforts.
23:01Vinnie, dabbling is five for a single young man.
23:04But if a man is going to raise a family, he has to be serious.
23:10He has to think more about leaving something behind for the family, for their future.
23:16Now, if a man is going to be truly successful,
23:20he has to have an understanding with powerful men.
23:26But I thought you were out of the business.
23:28I am. I am.
23:29But I still have the influence to help you.
23:32If you were some Pinocchio, I wouldn't lift a hand.
23:35But like it or not, I married your mother.
23:37You are stuck with me.
23:40And there are certain people...
23:43...who might not understand that.
23:55...we are now seeing...
23:57...for a matter of time...
24:01...but what is it?
24:05...and...
24:06...my team, my brother.
24:13...okay...
24:14...for a matter of time.
24:16You do not know your father.
24:17That is the night.
24:22So.
26:26Why do you stop?
26:38Don't hear you, Bo.
26:46My old friend, who has died?
26:52Joey Boats, they shot him five times while he sat in his Cadillac.
26:57No kidding.
26:59When?
26:59Just this morning.
27:02He loved that Cadillac.
27:04That poach.
27:05You know Vinny Terranova, my stepson.
27:09Say hello to Anthony Zifo.
27:11Mr. Zifo.
27:12Tony, please.
27:16Vinny.
27:16Joey Grasset, Jimmy Logadici, Pazzi Palaro, Sylvester Pasternak, Tommy Sturian, and Mr. Callahan, and Albert, Albert and Albert.
27:36How are you doing?
27:38How are you doing?
27:38Okay.
27:39Hey, Rico.
27:41And he said.
28:03Mrs. Terranova.
28:08Mrs. Terranova.
28:13I'm in love with your son.
28:16I don't want him to be happy, just like you do.
28:25I may not be the woman you would like for your son, but sometimes when these things happen, they just
28:34happen.
28:36Vinny and I didn't will this any more than you did.
28:45I don't want to take your son away from you.
28:52It's not easy for either of us.
29:21It was right in his driveway. His family heard the shots. Poor Joey Boats.
29:28I think it was the Asians. He was doing something with the Asians. Eh, Albert?
29:32It wasn't the Asians.
29:38But hey, Joey's dead. And, uh, I'll provide for his family.
29:44It is only proper.
29:47Too much of what goes on now is no longer proper. It's a sad thing for me.
29:53You retired with dignity. There's none of that left. No dignity, no self-respect.
29:58We can't even talk amongst ourselves like men because other men are listening.
30:02Well, that's a great excuse. They sit and do nothing.
30:06Nobody's sitting. We got business.
30:08What kind of business? I hear you're in the boat business now.
30:13Got a deal for you anytime.
30:16I'm here.
30:18Tophead, enough.
30:25I did not come here for this.
30:27What did you come here for, Nostalgia?
30:29What's wrong with Nostalgia?
30:30Well, for old men, nothing. For young men, it's death.
30:38And, uh, well, this, uh, this thing of ours has become the contemplation room at Calvary.
30:46Yeah, Albert.
30:47Hey, Don Antonio, I'm happy with what I got.
30:50Yeah. So what's the problem?
30:52Well, the problem is, uh, there are guys out there that aren't so happy.
30:58Hey, sir, what do you want? You want to go outside and declare yourself?
31:03No.
31:05I say that to this room.
31:07Now, what is this?
31:08The Festival of Buffons?
31:11It's our club, where differences should be discussed in an atmosphere of mutual respect.
31:19Excuse us, uh, Tanayupo, about the death of, uh, Joey Boats.
31:24It, uh, left us all a little dingy.
31:28He sure loved that Cadillac.
31:35This is better. It's much better to laugh and go forward.
31:42I am very happy to be back in America with my family.
31:50Vincenzo is my stepson.
31:54His mother, his mother, his mother is thinking about grandchildren.
32:00Now, these things tend to push a young man into marriage.
32:03I began to think what a joy it would be to me to have my old friends gathered on such
32:08a happy occasion.
32:10Then it occurred to me that such an event might be misinterpreted.
32:19If there should be a marriage or not, I don't want my friendship with Vincenzo to be seen as a
32:26passing of a torch.
32:31He is not my son by blood, but he is my son.
32:38I want his life to be full and happy.
32:42And I want to be able to talk to him without you jabrons thinking that we're hatching a plot.
32:48Ah.
32:50This is, uh, wonderful news.
32:52So when are you getting married?
32:56I'm not.
32:57How do you give your mother grandchildren and not get married?
33:00Well, I'm just...
33:01You're marrying a putain.
33:02I'm not getting married.
33:05So you came all the way out here to tell us, uh, to leave a guy alone that we ain't
33:09even bothering?
33:11I came to tell you that this man was not in our business.
33:17That's all my protection.
33:19There is a crisis in this room.
33:23I can smell it all the way out to Brooklyn.
33:26That's why I'm here.
33:28And if this crisis finds its way to our family,
33:36I will return to the business.
33:44You do not want that.
34:13I'll return to the business.
34:16No.
34:22Vincent Terranova?
34:24Yeah. You're under arrest.
34:26For what?
34:27For the illegal exportation of cassette masters owned by Winston Newquay.
34:31Hey, I'd love to do with that.
34:59This is great!
35:02What the hell is the matter with you?
35:05Ayupo just gave you the keys to the candy store.
35:07Yeah, I know. You got the social club wired.
35:09That's right. For eight years. They're masters at avoiding self-incrimination.
35:14Just how long has Ayupo been back?
35:18My mother dragged him out of Italy when she found out about Amber.
35:23Yeah, he's here on his brother Tito's passport.
35:31You're not gonna deport him, are you?
35:34Because Frank, all he wants to do is spend the rest of his days tending his greenhouse and doting on
35:38my mother. He's perfectly harmless.
35:40Oh, Frank.
35:45He is out of the business.
35:47That is not the way it sounded to me.
35:50Well, you haven't been listening very closely. He's not passing the baton.
35:53He's just letting family know that I'm in a bubble now.
35:56I will grant you, he did not overtly come out with it, but he made it clear, crystal clear, to
36:02that assemblage that Don Ayupo is back in America.
36:05So what?
36:09And it doesn't matter anyway, because that is the first and last time that I'm dealing with the commission.
36:14Vince, I do not have to tell you how many miles of track we would have to lay to get
36:17a guy as close as you just got to the commission.
36:20In terms of manpower, money, and dumb luck, the OCB just hit a gold mine.
36:24Well, why is it when the OCB strikes gold? I'm always the one that gets the shaft.
36:28Oh, come on, Vince.
36:29Frank, Don Ayupo made promises to my mother. Now, I am not helping him break those promises.
36:36Vince, this is what we do. This is what it's all about. The aggravation, the wreckage that becomes our home
36:42life. This is it. This is the pay dirt.
36:44The OCB has never run across something this big. Zippo, Joey Boat, Cereco, you just cannot walk out on this.
36:53Frank, my whole family is wrapped up in this one. It's just not my head in the noose.
36:58Ayupo is going to be sucked back into the business and I'm going to ruin my mother's marriage at the
37:02same time.
37:08You know the only thing that makes any sense out of this? Amber.
37:13Because everybody else I know in my life is either pretending to be somebody else or is wanted by the
37:17law.
37:17And you expect me to climb into bed with every single one of them.
37:21I finally get somebody real in my life. I can't even get close enough to fall in love with her.
37:32All right, Vince. You sort this out. But I am not going to let this die on us while you
37:39do.
37:47You're not going to deport him, are you? I don't see how I can.
37:56You're not going to deport him, they're drinking water.
38:16Oh, Vincenzo. I've been thinking.
38:22Indeed.
38:24So have I, Mom.
38:32Now, I think part of the reason that you don't like Amber
38:38is because you don't know how I feel about her.
38:44I guess I'm not very good at discussing my feelings,
38:50especially about women,
38:53and definitely not with my mother in church.
38:57In churches where feelings should be discussed.
39:00Yeah.
39:05I don't know, Mom. It's just that when I'm around her,
39:11I forget about all the lousy things in my world,
39:16and I really need that.
39:20Vincenzo, are you sure she's right for you?
39:22She works very hard at her job.
39:24She might not always be there for you.
39:26I'm glad she works hard and that she likes what she does.
39:31For my hours, it kind of takes the pressure off of me.
39:36I don't know, Mom. I don't know if I could be happy with a woman
39:39that just wants to bounce babies on her knees
39:42and nag me about the garbage.
39:48Does any of this make any sense to you?
39:51Huh? You okay?
39:53No.
39:55Vincenzo, I will trust your judgment.
39:57In case you decide she is the one for you,
40:00I want you to have this.
40:02Your father gave me this ring.
40:06Be happy, Vincenzo.
40:08That's all we ever wanted for you.
40:13I know.
40:16I love you.
40:29Hey, come on. We're dancing.
40:35Do you like that?
40:37No.
40:39Go.
41:00How are you doing?
41:02Good morning.
41:04You're all alone here.
41:06Yeah.
41:07Would you like to join us at our table?
41:11Well, thanks for the time.
41:13I'm waiting for somebody.
41:15Your lady friend.
41:17Yeah.
41:19Well, that's good.
41:22Okay.
41:24I'll enjoy you some.
41:26I'm sure you will.
41:28If you change your mind.
41:45Hi.
41:46Hi.
41:49Haven't you run out of quaint little neighborhood places to take me to yet?
41:53What are you kidding?
41:53We haven't even started on the dives yet.
41:56No, no, no, no.
41:58I took the privilege of ordering up some champagne.
42:00Oh, my goodness.
42:01What's the occasion?
42:04What are you, a hermit?
42:05Look around you.
42:06Today's the start of the festival of St. Antony's.
42:08Oh, yeah, good old St. Antony.
42:11I always loved this feast.
42:13What do you do, anyway?
42:17You know, I don't know.
42:20I just figured it was always an excuse to just drink a lot of wine and eat a lot of
42:24pasta.
42:25Well, here's to good old St. Antony, whatever he did.
42:30What do you do, Mr. Antony?
42:30Uh, swung the corner, Mr. Antony.
42:32Si, si.
42:33Uh, for the lovers.
42:35Oh, thank you.
43:12I spoke to your mother.
43:16I thought at the very least you should know how I felt.
43:18Or maybe I just wanted to hear myself say it out loud.
43:20I don't know.
43:21But I think she appreciated it, the effort, anyway.
43:34Amber.
43:37There's something that you don't know about me.
43:45Ordinarily, I just don't bop in and out of people's lives like this.
43:53Oh, great.
43:54Here it comes.
43:55Well, here what comes?
43:57I don't know.
43:59But it's bad.
44:02You're having trouble telling me something, Vinny.
44:04Why don't you just come out and say it?
44:09It's over.
44:10What?
44:12Yeah, you're kissing me off, right?
44:14Amber, I'm not...
44:14Look, Vinny, please don't explain, okay?
44:17We had a few laughs.
44:19We had, you know, good times.
44:21I'm an adult.
44:22Hey, I got a stock portfolio.
44:23I can handle this.
44:25What I don't need right now is a lecture.
44:27What I need is to get some sleep.
44:30Thanks for the memories.
44:31It's really been a slice.
44:32Amber, Amber, please.
44:33Just sit down.
44:35Sit down.
44:40What you don't know about me...
44:50I'm a federal agent.
44:55Amber.
44:58Remember Frank McPike?
45:00Yeah.
45:01He's my boss.
45:03What?
45:04Yeah.
45:09We acquired Dead Dog Records from the DEA
45:13so that I could work inside the music industry.
45:30Vinny.
45:34Why are you telling me this?
45:43Because I think I want to marry you.
45:45You think?
45:47I mean, I know.
45:49Well, you think or you know?
45:50I think I know.
45:53Well, if you only think you know,
45:55what is it I'm supposed to say.
46:07Say you think about it.
46:10Okay.
46:32Well, if this isn't a sign, I don't know what is.
46:36Oh, Vinny Terranova with two R's.
46:40I would love to think about it.
47:02I'm so happy.
47:03I'm so happy.
47:04I can't tell you, Vincenzo.
47:05Vincenzo.
47:06You make me so happy, happy, happy, happy, happy.
47:10Oh, it's a wonderful day.
47:11Yes, a wonderful day.
47:13Yeah, okay, ma.
47:14Wonderful, wonderful.
47:17What's the celebration?
47:18Hey, Rudy, Vincenzo's getting...
47:20Ma, Rudy, Amber and I think we're engaged.
47:24Why don't you say so?
47:26I just did.
47:27This calls for my grappa.
47:29Go get it.
47:30Oh, yeah, yeah.
47:30We'll all take a drink.
47:32Yeah, yeah.
47:33To celebrate.
47:33Now, ma, ma, ma.
47:35You can't get all crazy on us now.
47:37Please, huh?
47:39Mia, Mia.
47:41You think you're engaged.
47:43I think I'm happy.
47:55You know, I haven't had a drink since my wedding,
47:57but tonight's a night to celebrate.
47:59We're going to get drunk.
48:07Oh, my God.
48:08Amber, call the police.
48:10Vincenzo.
48:11Rudy.
48:17Shh.
48:19Okay.
48:45Oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:55It's all right, it's all right, it's all right.
48:59Oh, oh, oh, it's all right.
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