- 2 days ago
Citadel. S02 - E05
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00:14The End
00:14Here's all you need to know
00:16They need you to help me find my wife
00:18Was this Paola Braga the billionaire?
00:20And head of the wealthiest Manticore family
00:22Where can I find him?
00:23Here's our mark, Ah-Joon Yoo
00:25He and his wife will be co-hosting the Greenpeace Gala tomorrow night
00:28We have to get him before Braga does
00:31I have a program and there's only one person in the world who can finish it
00:35Edison
00:36They never expect a woman
00:38You are Edison
00:40It seems like I should be negotiating with your wife
00:45Don't make a fucking sound
00:48I want my wife
00:51Drive
01:12People really negotiate
01:12That I don't even kosten
01:13I need to know
01:16To be prepared
01:17No I need the money
01:18To Tern
01:18Don't pay
01:18It's about
01:19dark
01:24My father
01:24I need to основate
01:28The cave
01:33Hey!
01:35Hey!
01:39Hey!
01:40Hey!
01:43...look for the south east tomorrow...
01:46...two bodies have been found in the...
01:48...two bodies have been found in the...
01:49...on the hill...
01:51...on the hill...
01:52...try this shit off.
01:53Is that a germs, you twerk?
01:55...
02:01Show a little respect.
02:03This driver doesn't deserve respect.
02:05Well, then your mother does.
02:06Not my mother.
02:09I came here tonight, didn't I?
02:21You know, you had the voice of an angel.
02:25Don't you remember?
02:26Our last year in London you were in...
02:29...the Nutcracker.
02:31I mean, the chorus, of course.
02:34Oh, you could hear your voice above all the other little imps.
02:40You were a cherub.
02:44...cute and round and...
02:47...and you had a little solo.
02:50Oh, God, your voice.
03:02You really don't remember?
03:05Not at all.
03:07Huh.
03:10Well, that's a shame.
03:14It's a good memory.
03:18One of the few.
03:19One of the few.
03:35If he was here for us, he'd pull us over.
03:40Smile.
03:41He's on radio.
03:42Smile.
03:44What?
03:46Smile.
03:52Easy.
04:08Easy.
04:09Easy.
04:11Hey!
04:13Oh, no!
04:15Hey!
04:33What the fuck did you just do?
04:35Things change quickly when you have a man in the trunk of your car.
04:37He was a kid.
04:38He was a cop.
04:39There are cameras on every street corner.
04:42In no time, they'll identify the make and model of the unmarked vehicle near the Plymouth Estate
04:47at the time of Paolo Braga's kidnapping.
04:50And it won't be long before they use those cameras to track us where we're heading.
04:53You want your wife back?
04:55Your boy had to die.
04:57It's maths.
05:06You're weak-kneed like your father.
05:09At least Kyle is.
05:13Thankfully, Mason's here to get Kyle's wife back.
05:17At least he takes after me.
05:18He's a fucking monster.
05:21The thing about monsters is, we get things done.
05:25God, this was a mistake.
05:27It's like coming back to you, trusting you again.
05:33We never learn in this family.
05:49What the fuck happened to him?
05:50Mason took Paolo.
05:51He's gonna use him as leverage to get Abby back.
05:54The fuck could you let him take him?
05:55You fucking put this on me.
05:57You brought him back.
05:57God damn it.
06:04Hutch.
06:05Yo.
06:06Tell me you have Edison.
06:07We lost Edison.
06:09No.
06:09Paolo just killed Edison.
06:12That's not Edison.
06:14It's the wife.
06:15She's the hacker.
06:16What are you talking about?
06:17Now I'm confused.
06:19I may have fudged the truth a little bit.
06:22You fudged the truth a little?
06:24What?
06:24We got cruising my bitch to catch him.
06:27We'll find her.
06:28Dick.
06:30We lose Paolo and this is over.
06:36What the fuck you mean he's gone?
06:39Kane took him.
06:41Where?
06:42We don't know.
06:44Is he hurt?
06:45We don't know.
06:49I want you to call in every fucking favor.
06:54Metro Police.
06:5610 Downing.
06:58I don't give a fuck.
07:01Call them all.
07:03Yes ma'am.
07:04Now!
07:06Now!
07:08Now!
07:17Fuck!
07:41Fuckin' idiots.
07:54Your friends or his will find us here.
07:58I'd say we have two hours till they do.
08:02Why don't you go and clean up?
08:22Where would Mason go?
08:23He's laying low until they fly Abbey to London to make the exchange.
08:27But how did he disappear so quickly?
08:29I don't know.
08:30Coming in there was a car parked.
08:32Just off the road.
08:33It was a grey Fiat but I didn't get the plates.
08:36Well, I got some friends at the Met.
08:37They might be able to help with that.
08:39You think he stole the car or?
08:41Or someone else was waiting there for him.
08:44Search all property records in London.
08:46Ever owned by Dahlia Archer or Thomas Kane.
08:49Yep, you got it.
09:09Look at you bringing us back together.
09:12Mending old wounds.
09:17You know this is suicide.
09:20How does this play out?
09:21Get in touch with your people.
09:23Make a trade.
09:25I get my wife, they get you.
09:28There's one big problem with the Arthur.
09:30I don't even know if she's still alive.
09:32It would be very bad for you if she isn't.
09:35It would be very bad for you if anything's happened to her.
09:39He has a son.
09:43Must be what?
09:4510 by now?
09:47Yeah.
09:48I would bring him his wife.
09:51I know you have little regard for children seeing as you once tried to kill your own.
09:58But if you ever speak about my son again, I will burn you to death like your husband.
10:06We're out of time.
10:08We need to call you people.
10:10We need a number.
10:11How do I know you'll hold up your end of the bargain?
10:14You don't.
10:16Number.
10:33How do you want to play this?
10:36There's a corner shop half a mile from here that sells prepaid mobiles.
10:42You stay here, I'll make the call.
11:10We have Edison now.
11:12So all this, it's meaningless.
11:15Unfortunately for you I don't give a fuck about your life.
11:17satellites or the assassin or anything else. I'm just here for my wife.
11:23And you really trust your mother to make the call? Maybe she's negotiating for
11:30something more and we'll sell you out in the process. At least she's not here
11:33negotiating with you. So you don't trust her?
11:45I've been looking for you for a while now. And here you are.
11:52Here I am. I mean, you have to wonder, maybe I wanted to be here, tied up,
12:02to finally have a private audience with Mason Kane. I felt a kind of kinship with you.
12:12Kinship?
12:12We both have parents that wanted the worst for us. I'd fucking applaud you if my hands weren't
12:20tight. You want to give to your daughters, to your wife, a life worth living.
12:31Mason, that's what I want for my boy. I've been looking for you not to kill you. I want
12:38to make you an offer. You and I can create peace. A world free from war, violence, greed.
12:51Isn't that what we want for our children? For Asha. For Hendrix.
13:03Don't talk about my kids. Not interested in your offer.
13:28Who is this?
13:29Joanna. Lovely to hear your voice, dear. Though you do sound a little stressed. Listen, if you want him back,
13:37bring Abby Conroy to the
13:38London immediately. This is you, Dahlia. Well, when your kid's in a pickle...
13:44We have everyone on this. We'll find you within the hour. So I suggest you bring him back to us
13:51before we do find you.
13:53I'll make sure that they don't... Make my death quick and painless? No, you really are out of your depth,
13:59you ridiculous twat. I'll call back with a location.
14:22Time to go.
14:29Is that you, Chris? How's it going, Frank? Frank Sharp. Sharp. The name's Sharp. No, it's not ringing any bells.
14:40Okay, that's fine.
14:42Nothing on Mason yet. Hello. Can I ask Mr. Richard, please?
14:47You let him get to you. It's Francis Sharp. Yeah, I'll say it again. Francis Sharp.
14:53I didn't. If you didn't keep your daughter's very existence from him...
14:58Not a long time ago. All right. Best to your family. Okay.
15:01He never would have flown off the handle. And he never, ever would have betrayed Citadel. And we would not
15:11be in all of this shit.
15:14You are to blame. You created him. You did.
15:18What's the first rule of the agency? Do not get involved with another agent.
15:23Oh. And you two were fucking around like it was fucking spring break. You compromised everything.
15:30Is your mother there? Shut the fuck up. Everything that I built, you compromised.
15:34And had you not murdered his father and created him, maybe the agency would still be standing today.
15:40Why did you bring him into this, Bernard? You knew he was a mole. You knew he was unpredictable.
15:46He's the best killer I have. You have five killers, including yourself and me, and that Paddington bear-shaped motherfucker.
15:53So why did you bring him into this? He was supposed to work!
15:55I was supposed to work!
15:57I was supposed to work again.
15:59I was supposed to work again. I was supposed to work.
16:06He's still...
16:08Fuck.
16:22The things you build are flawed, because you are flawed.
16:36Is that you, Malcolm, you lazy-eyed bastard?
16:40It's Frank Sharp.
16:43He's hung up.
16:46Oh, no, he's back.
16:47Frank Sharp.
16:48No, he's hung up.
17:09You always did have a temper.
17:11What'd they say?
17:12Can I get off the ground now?
17:14Go and pick up your mess.
17:34They're on route.
17:37We should burn the car, steal another one to transport him.
17:39You'll probably be better at that than me.
17:42You got him?
17:44No.
17:44Don't worry.
17:46Gorgeous young men like him don't excite me like they used to.
17:49Yes, I've got him.
17:51You go.
17:53Time's ticking.
18:22Did you charm him with your wiles?
18:27That's right.
18:33Good to see you again.
18:38It's been a while since you signed my death warrant.
18:45You're looking more and more like your father.
18:52Oh.
18:56Chin Chin.
19:03What's he need for you?
19:06Helping him.
19:08Oh.
19:12Love.
19:18Love!
19:22Maybe I wanted to make amends to him.
19:28I was a mantic or mole in the highest echelance of British government.
19:36He knew what I did.
19:39He could have posed a threat.
19:41So you wanted him killed?
19:46I had something greater to protect.
19:50I was helping to build a safer world.
19:53Where the things that happened to my family, to good innocent people, would never happen again.
20:01That's why I built Manticore.
20:04You built Manticore to set the world on fire, just like they did to your husband, so the world could
20:10know your pain.
20:11My father rescued you.
20:15I'm here to do it again.
20:21So, are we gonna negotiate or what?
20:27I'm here to help my son.
20:34But I don't have you gagged.
20:36Do I?
20:49Is that Claude with the curved cock?
20:51Good.
20:52It's Frank Sharp.
20:54Yeah.
20:55Yeah, that Frank Sharp.
20:57I'm good.
20:58How are you?
20:59Listen, I need a favor.
21:01I need eyes on the Plymouth Estate, Windsor.
21:05It's a grey Fiat, around 10.20 this evening.
21:08You can thank me later.
21:09Well, you haven't done anything yet.
21:11Except finally get someone to remember your name.
21:13Fiat 95.
21:14Grey, yeah.
21:14That's it.
21:15The Plymouth Gallery to Croydon.
21:18Okay, thanks very much.
21:19The camera's lost the car on the outskirts of Croydon, but it's definitely them.
21:23Okay.
21:28Here.
21:3037.
21:31Saint Anne's Way.
21:48I'm in here, love.
21:59What's this?
22:07Well, I'm starving.
22:10You must be famished.
22:12No?
22:14I thought it would be nice, you know, a little, um...
22:19Family dinner.
22:22Not sure when we get the chance again.
22:25Come on, I'll be landing in an hour.
22:27Sit.
22:28Eat.
22:35I remember this smell.
22:38Your chicken.
22:39His favourite.
22:43Smells never leave you.
22:45Chicken cacciatore.
22:48Drugstore perfume.
22:52Burning flesh.
23:02The moment I met your father, I knew he was the love of my life.
23:09It wasn't an act or a decision.
23:14It just was.
23:15It was.
23:16It wasn't.
23:17It was.
23:18It was.
23:24and certain.
23:29And he was dishonest and cruel
23:34and small.
23:37And I loved him.
23:40Not because of all,
23:43despite those things,
23:44but because one-to-one
23:49I was his and he was mine.
23:53And here you are,
23:54risking the woman you love
23:56for the woman you married.
23:59I love Abby.
24:01Do you?
24:04She's my wife.
24:08Doesn't mean that you love her.
24:12Nadia?
24:19You're fucking with me.
24:22Excuse me?
24:25You're fucking with me.
24:30No, dear, I'm...
24:31Yes, dear.
24:35I'm simply not.
24:37I can't...
24:37Did you make a deal with him?
24:42Of course not.
24:44He tried to kill me.
24:46Yeah, you tried to kill me.
24:47A few times.
24:54We entered negotiations,
24:56but a deal I didn't make.
25:04Eat up.
25:06And then I'll call Joanna.
25:10And you can get him ready.
25:18It smells just like I remember.
25:20Hmm.
25:28You're looking more and more
25:29like your father.
25:35Not a shred, Omi.
25:49말이...
25:50There.
25:59Say hello to those in the past.
26:01Oh, my God.
26:01There.
26:02Here, let's go.
26:02There, there, there!
26:04I need you there.
26:06There.
26:27you're making a mistake under the hameth bridge east end 4 a.m. don't be late
26:47so you tried to cut a deal with her no I didn't try to cut a deal with her
26:54she tried to cut one with me but it didn't make is that what she said
27:04I'm playing with you I wanted something she wasn't willing to give
27:12well maybe she gave it
27:19is that your father you often think of him
27:27no I dream of my father sometimes
27:33it's the same dream
27:37we're in the ocean off the coast of St. Louis it's just him me
27:47we're drowning
27:52the boat is out in the distance
27:56closer and closer the boat comes
28:00and just as my father realizes that the boat sees us
28:08we'll save us
28:14I push him under the water
28:20I hold down his skull
28:26until
28:29he goes
28:30sleep
28:32it was cancer that took him
28:56not in the dream
28:58pancreatic
29:01never thought that fair
29:04not that it took him
29:06just
29:09I wasn't the one to do it
29:14I heard once that
29:18we become our true selves
29:22when our father dies
29:28I suppose you had a lot more time than me to figure out who that is
29:40your father was a saint
29:44what was that like
29:45I'm done talking about my father
29:47why
29:48I find that it's so
29:51interesting that
29:53your father was killed with
29:55hundreds of others
29:58and then you killed thousands
30:01to avenge his death
30:06do you think he will be proud of you
30:08of what you did for him
30:10is this
30:11what you think you're going to get to me
30:12I don't think you have any intention of following through on
30:16your end of this bargain
30:20I think I leave here
30:23that man
30:26so your players
30:28flattery didn't work earlier
30:31I'm thinking maybe
30:34guilt could
30:54we can't remake the world the way your father saw it
30:56I told you I'm done talking about my father
30:59because he would be ashamed of you
31:01that you're his son
31:04because he would be
31:06I'm giving you a choice
31:08to absolve yourself from what you've done
31:11to reject what you are
31:15that's why he became a spy isn't it
31:18because it was the only way to hide your true nature
31:21your true soul
31:23it was survival
31:25wasn't it
31:26to hide even you from yourself
31:28because if you saw what you really were
31:31you wouldn't be able to go on
31:34you've brought only pain and death
31:37to everyone who loved you
31:40and your daughters
31:41who grow up
31:43and they'll have to spend the rest of their lives
31:46scrubbing themselves
31:47of any residue of you
31:49so
31:50so horrified that they're yours
31:52that they'll dream about drowning you out in an ocean
31:55and wonder
31:56why the world didn't allow them the chance
32:00to kill you themselves
32:19oh god
32:28Bob?
32:34Bob?
32:36Bob!
32:41Fuck!
32:42Fuck!
32:43Fuck!
33:08Fuck!
33:49This was Grandpa Arthur's chair, right?
33:53I remember him.
33:55Bad breath.
33:59How'd he die?
34:01He shot himself.
34:05To spite my mother who loved him.
34:08And did it in that chair to spite me who loved that chair.
34:25You may have just killed your wife.
34:31What are we gonna do?
34:42What size suit you wear?
34:43It looks like it's blood and pure
35:03kind?
35:05I don't know.
35:16Oh, my God.
35:43Oh, my God.
36:16It's still warm.
36:20Not a bad cook.
36:27Yeah.
36:28Addison's gone.
36:30They flew her out.
36:31Oh, my God.
36:46Oh, my God.
36:50Oh, my God.
36:53Oh, my God.
36:55Oh, my God.
36:57Oh, my God.
36:57Oh, my God.
36:59What?
36:59Change of plan.
37:01No, no change of plan.
37:03I'm speaking now.
37:04Charing Cross Tube Station, Old Platform 3, 10 minutes.
37:28Once you've got her, get out of there, no matter what happens.
37:34Just keep her safe.
37:36You understand?
37:37And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
37:45We're going to need every bit of him.
37:48I don't think there's much of Kyle left.
37:51It looks that way.
37:58Let's do this.
37:59Let's do this.
38:00Let's do this.
38:18Let's do this.
38:19Let's do this.
38:20Let's do this.
38:33Let's do this.
38:50Thank you for this.
40:19Stop that!
40:21Joe, don't pull anything.
40:23No one's doing anything.
40:27Where's Mason?
40:28Well, someone has to keep eyes.
40:30I'm certain you're doing the same.
40:35Just the two of you.
40:38Slowly.
40:39I'm sorry.
40:45I'm sorry.
41:15I'm not fucking around.
41:16Shut up!
41:17Okay, let's just relax.
41:25The girl walks to me, then I let Paolo go.
41:31No.
41:31No.
41:33You let him go first.
41:34No, that's not happening.
41:36I'll kill him where he stands.
41:37And I'll kill her.
41:38I will fucking do it!
41:40Help me!
41:41Same time.
41:42What's my guarantee, dear?
41:44What's mine, Dahlia?
41:59I'll kill him.
42:00I'll kill you home.
42:09I'll kill you again.
42:18You're smart moves.
42:20Always a pleasure, don't you?
42:35All right.
42:36Go.
42:39You're safe now.
42:40Am I?
43:01You're safe now.
43:32I told you to go.
43:34Fuck off.
43:35Fuck off.
43:42Down!
43:47Ow!
43:48You're hit.
43:51I'm fine.
43:54Gabby, are you okay?
43:57You mean Celeste?
43:59You mean Celeste?
44:05You mean Celeste?
44:13You mean Celeste?
44:16You mean Celeste?
44:17You mean Celeste?
44:18You mean Celeste?
44:18You mean Celeste?
44:19You mean Celeste?
44:19You mean Celeste?
44:19You mean Celeste?
44:19You mean Celeste?
44:19You mean Celeste?
44:19You mean Celeste?
44:23You mean Celeste?
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