- 2 days ago
Late Bloomer S03E03-4 (2026)
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TVTranscript
00:01You are listening to Red FM.
00:03I noticed that in Brempton,
00:04a kind of Punjabi romantic comedy,
00:06is going on a shooting film.
00:08In this case, a Canadian jumper
00:09from Punjab came to Punjab.
00:11He was going to get a girl
00:12Oh yes!
00:13A Canadian born internet boy is starring in it.
00:16He didn't call it Jasmid?
00:17Yes!
00:17Lucky Gil, the film director
00:19just came off three successful projects.
00:22Can you keep it here?
00:23There are a lot of fun films.
00:25Take care of yourself.
00:27No tension!
00:35Help me.
00:41It's not about the month for me.
00:43You know it's about my love.
00:45Fuck!
00:48Fuck!
00:50Fuck!
00:52Fuck!
00:53Fuck!
00:54Fuck!
01:03uh hey do you know what time we're starting call time was like three hours ago should be starting
01:09shortly um okay do you know what time that is exactly yeah i can ask them great like now or
01:24yeah one second i'm just finishing my tea okay
01:34sir that's me sir is asking about time yeah okay
01:39yeah okay okay
01:45so what they say should be starting shortly
01:52okay
01:55big fan by the way
01:58nice
02:16what's up guys frame here check out this crazy trailer they got me put up in for this top
02:21secret movie i'm shooting with chris rock we got a whole bathroom with a shower a mini hot tub a
02:28ps5
02:29ice cream machine ping pong table a mini trampoline my own bed in case i get tired
02:35oh you're ready for me damn right on time too let's go
03:07oh
03:09oh
03:09Anyways, we have some scotch if you want.
03:11Laura Bagbool.
03:14No, I'm good, man.
03:16Look, about the script.
03:18I was thinking about just different ideas
03:20that will really, like, elevate it and take it to another level.
03:24I'm also thinking the same way.
03:26Actually, I see we saw here.
03:27He's a uncle.
03:29Yeah.
03:31Okay, here's an idea.
03:32What if the guy at the end
03:35doesn't end up getting the girl, right?
03:36So that, like, reawakens his, like,
03:38warped understanding of what love really is.
03:41It'll make it so much more progressive and modern for us, you know?
03:45Oh, progressive.
03:46Yes, progressive.
03:48Oh, he's coming.
03:49He's coming.
03:49He's coming.
03:59That's what we do.
04:01He's coming.
04:02He's coming.
04:03He's coming.
04:05He's coming.
04:05He's coming.
04:07He's coming.
04:08He's coming.
04:09He's coming.
04:09You both pretend to be gay
04:10so that he can move to Canada and get PR.
04:13That is, right?
04:15Ah.
04:15You don't have a rainbow card.
04:18I don't know, man.
04:21It just, like, feels kind of weird.
04:23Weird? Why weird?
04:24You're not going to be gay.
04:25You're just pretending to be gay.
04:27No, that's not the weird part.
04:29I...
04:29It just feels like a hacky 2000s Hollywood movie.
04:32Like what?
04:33Then there's going to be a marriage auditor
04:34and he's going to have to test our marriage
04:36and we're forced to kiss each other to prove it?
04:40Brilliant idea, Paji.
04:41Brilliant idea.
04:42Paji, write it.
04:43No, no. That's not what I meant.
04:44Oh, Paji, this is going to be our breakback mountain.
04:46I mean, you know how many Oscar awards that won?
04:49That was an authentic story about two guys
04:50trying to figure out their sexuality.
04:52This just feels backwards, man.
04:54Backwards?
04:55No, no.
04:56This is going to be the most progressive thing
04:57ever happened in Punjabi community.
04:59Oh, Punjabi people, gay people,
05:01they didn't know the rights.
05:04We're going to hit the very right audience.
05:07Indians, Canadians,
05:09Latinos,
05:09Gowre, Kale, Afrikke.
05:12Paji, gay Indian.
05:13Gay Gowre, gay Kale, gay Afrikke.
05:14Paji, you're the big star,
05:16you're the big star.
05:17Paji, millions.
05:18Billions.
05:19Paji, Avatar, and Titanic.
05:22Oh, you're behind the scenes.
05:23He's behind the scenes.
05:23Little big director.
05:25You're the lucky guy.
05:26Who's doing it?
05:27I'm going to hit the guy.
05:30I'm going to kill him.
05:31I'm going to kill him.
05:31I'm going to kill him.
05:32I'm going to kill him.
05:34I'm going to kill him.
05:46Don't play at all.
05:46What do you mean?
05:48Really?
05:50It's just the thing.
05:53Did you survive?
05:54It's just the bad thing.
05:56What's the bad thing?
06:00Why didn't you take a sofa?
06:02My sofa had to take a bad thing.
06:05Come out of bed,
06:06Don't sleep peacefully at home.
06:08The bed's ready.
06:09No one doesn't.
06:10Don't think so.
06:11I don't know what to do.
06:13B.J. Supinder is fine.
06:15He built a lot of room for a delay.
06:18Open the door.
06:19No, I don't want to sleep at the TV.
06:22At night, everyone wants to watch TV.
06:24My little girl will be great.
06:28I'll make a decision on you.
06:29I'm going to work on the road.
06:32Okay, Changa.
06:34You're not thinking, Karim.
06:35I don't know what you're doing.
06:43I don't know what you're doing.
06:52Yo, you look so fucking jokes, bro.
06:56Bro, I look like Adam Levine in 2010.
06:59You signed up for a Punjabi movie, man.
07:01Like, last-minute changes are the norm.
07:02Yeah, but this much, though?
07:03The whole concept has completely changed.
07:05Why are you so nervous?
07:06You're only pretending to be gay.
07:08Okay, that's not why I'm nervous.
07:09Alright?
07:11Well...
07:11Yo, man.
07:12This will be great for your career.
07:13This will be like a back break mountain.
07:15Bro, that's not the name.
07:17You know what?
07:17I'm just going to ask the wardrobe guy for something else.
07:20Bhaji, don't you have any other options?
07:21Yo, that's what the director wants.
07:23Mary Marjith wrote the Jalaniya.
07:25Okay, Mary Marjith wrote the Jalaniya.
07:26Different option.
07:29You know what, man?
07:30I'm going to find Lucky and set this whole thing straight.
07:33I mean, like, I'm going to clarify shit.
07:36What?
07:36Yo, don't fuck around with it, bro.
07:39Like, he knows what he's doing.
07:40He knows how to make him smash it.
07:42Yeah, but like...
07:43Shh, shh, shh, shh.
07:44Hold on, hold on.
07:47Yeah, bro.
07:49Yo, what's up, man?
07:50Yeah, I'm down for whacking some balls this weekend.
07:53Pause.
07:55Yo, yo, let's hook up with that, like, fine-ass goodie cart check, bro.
08:00Yeah, yeah, man, the one with the big-ass mummy.
08:02You know what?
08:03Like, fuck, eat me up with my cookies, bro.
08:06What are you talking about?
08:06Please start taking it under you.
08:15Hi.
08:16Uh, I didn't order anything.
08:19Uh...
08:20Is this...
08:21Just Mead's apartment?
08:23Yes, it is.
08:25But he's not here, so...
08:27Oh.
08:27He doesn't know I'm here.
08:28But I come just to hang out.
08:31Mm-hmm.
08:32Oh, did he order me food?
08:34Uh, no.
08:35His mom, actually...
08:37Oh, Pooji.
08:38Yes, she sent food.
08:40Great.
08:41I'll just...
08:41Yeah, actually, Subinder auntie asked me to make sure that Jasmeet gets it,
08:45so maybe I could just put it...
08:48Oh, yeah, yeah, yeah, please.
08:49Come here.
08:53Um...
08:54You work for Pooji.
08:56I do.
08:57Uh, I'm...
08:58I'm helping with the tiffins and the deliveries.
09:00Nice.
09:01Yeah, I used to do that.
09:02Then I got replaced by a robot.
09:04And now you.
09:05So, you're probably a robot.
09:08Zzz...
09:09Beep-boop.
09:10My name is Janat 3000.
09:12I am a robot imported from India.
09:16How may I be of service to you?
09:19Um, I am Neil 2000.
09:22I do not need your service.
09:24I just want the food.
09:27This just means food.
09:28Plus, your nails are dirty.
09:30Okay.
09:31It's not dirt.
09:32It's actually nail polish, so...
09:34Oh.
09:35It's very Prince of Darkness.
09:38Like Ozzy Osbourne?
09:40Yeah.
09:40I love Black Sabbath.
09:41Are you kidding?
09:42That's my favorite band.
09:43Heaven and Hell is my ringtone.
09:45No way.
09:46Mine's Warpigs.
09:48Someone told me a while ago that I was the reincarnation of Ronnie James Dio.
09:52But honestly, I prefer Ozzy.
09:53Well, yeah.
09:54Of course.
09:55Of course.
09:55They're probably walking their dogs in heaven right now.
09:57Probably.
09:58Or Hell.
09:59Yeah.
10:00I think so.
10:03Okay.
10:04Well, um...
10:06I should go.
10:08But, uh...
10:09Thanks for letting me in.
10:12It's no problem.
10:13Oh, and, um...
10:14Mera Tenvad...
10:17Dainu...
10:17And, uh...
10:18Bitch.
10:20Egg Bitch?
10:22What?
10:22Is that what I said?
10:24Was that Punjabi?
10:25Yeah, yeah.
10:26I'm learning.
10:27Okay.
10:28It's really...
10:29Bad.
10:32Well, thanks again.
10:34Yeah.
10:35Jenna, 3,000.
10:37Neil, 2,000.
10:43Bye.
10:44Bye.
10:52Let's go.
10:53Can you go ahead?
10:57You know, Shane, maybe...
10:59Lucky, I had a quick question about...
11:02Lucky, I want to go out...
11:04Thank you, thank you.
11:05Oh, thank you for the酒.
11:05I appreciate it.
11:06Yo, Lucky.
11:08Lucky.
11:09Hey, have you guys seen Lucky?
11:12Yo, Lucky, where are you?
11:14Yo.
11:14Hey, hey.
11:15Wow, what are you wearing?
11:17Uh, I know. It's just...
11:18It's a long story. I'll explain it soon.
11:21Okay. You look like Adam Levine in 2010, but...
11:24Yeah, I trust him.
11:25Sorry, Aniel. Sorry, Aniel.
11:28So, thank you for being here.
11:30We are making a history.
11:33This is gonna be a Super Smash.
11:35Hey!
11:38Thank you. I'm the director of the film, Lucky Gill.
11:41And let me introduce you to a very special guest.
11:44He is the Superstar, upcoming Megastar.
11:47Of the Sora Jiruri Kamashad-ke.
11:49Hey, this is our little film career.
11:52I am so glad, Manu, very happy.
11:54So, please give it up for...
11:57Sajan!
11:58Oh, yes, yes.
12:00Thank you so much.
12:01Thank you so much.
12:03You're feeling very good, Manu.
12:04You've got a very brilliant script.
12:06You've got a great script.
12:08I've got two lines.
12:09Yes.
12:10I'm going to Dubai.
12:11I'm going to get up here.
12:12I'm going to Jajid, 300 square feet.
12:14I'm going to get up here.
12:16I'm going to get up here.
12:17I'm going to get up there.
12:18I'm going to get up here.
12:18I'm going to get a movie.
12:19And the pilot is going to get up here.
12:21It's like this.
12:22So, I'm going to be on Toronto Landway.
12:24To be part of this amazing culture movie.
12:26I'm feeling very proud,
12:28I'm feeling very emotional.
12:30I'm getting up here.
12:36So, yes.
12:37Also, introducing...
12:39Just me.
12:40The other end.
12:42So, let's do the kick things up.
12:44For our audience, please.
12:46My friend, avatar, please.
12:50Vaheguru, Vaheguru, Vaheguru.
12:51Please.
12:52Bless this set.
12:54And all the people on it.
12:56And please forgive us for all the mistakes.
12:58The dirty deeds and stuff.
12:59I don't agree with.
13:00But the lot that's going to happen on this set.
13:02It's like, a lot of it.
13:03This director went crazy.
13:04But like...
13:06You got to laugh at something, right?
13:07Things happen, right?
13:08Hey, I'm lucky.
13:09I haven't got this scripted.
13:10I'm going to get up here.
13:11I'm going to get up here.
13:11But I'm just going to get up here.
13:12Oh, man.
13:13I'm going to get up here.
13:14I'm going to get up here.
13:16Now, continue.
13:17Vaheguru, thank you for blessing my crypto portfolio.
13:20Oh, oh, thank you.
13:20Thank you, Uttarwaji.
13:21Come on.
13:21I'm blocking.
13:22Come on.
13:23Come on.
13:24Come on.
13:24Come on.
13:25Come on.
13:27Come on.
13:27Come on.
13:40Come on.
13:41Come on.
13:59Maaji, have you seen the Pakistani drama?
14:01Okay, Dipra.
14:02I haven't seen the Pakistani drama.
14:04No, they're very nice.
14:05You can see them once.
14:06They're sitting there and they're not going to get up.
14:08They're not going to get up here, but they'll get up here.
14:12They are not going to get up here.
14:16Oh, yes, poor, no.
14:20I said there was no big deal.
14:23I didn't get up here.
14:24I came here as well.
14:25I didn't get up here.
14:26I didn't get up here.
14:26I didn't become a bride.
14:29I wanted a bride.
14:29I didn't know God's mum.
14:31I didn't have to take the same generation.
14:31I don't like to know God who do these things anymore.
14:32I do not know God what else you do,
14:32and this is still going to get there.
14:34Even though Asia is going to go.
14:35Asia is going to come.
14:35Even though Europe is going to come.
14:36No, no, he was left there.
14:39He was a big bitch.
14:42What happened to him?
14:44Where did he go to downtown?
14:46Why did he go to downtown?
14:48He was doing good.
14:51Yes, he was all good.
14:54He kept the roti,
14:57so that he could see him in the drama room.
15:01Yes, he was a kid.
15:02He was a kid.
15:04He didn't get the roti.
15:06He didn't know how to do it.
15:08Okay, so this very first scene,
15:10you guys are going to love it.
15:11It's with the marriage auditor.
15:14He's going to interview a lovely couple.
15:17And you know, they have to prove him
15:18that they are in real relationship.
15:22So what's the best way to do that?
15:24Anybody?
15:26By showing marriage certificate?
15:27No, no, no.
15:29Instead,
15:31by kissing each other.
15:32Much fun here, isn't it?
15:34It's just like the Mac mountain.
15:37Oh, thank you, thank you, thank you.
15:39And my brain is very thin.
15:41Dude, what the fuck?
15:43Oh man, I switched it up on the last minute.
15:45Oh, and I really want to thank Jasmith
15:47for inspiring this whole idea.
15:50Oh, he wrote the scene.
15:52How did he do it?
15:54Oh man, you make up,
15:55you're ready.
15:56This is so good.
15:57And on your mark.
15:57All of you, come on.
15:58Come on.
15:59Come on.
16:01Come on.
16:07Hey, look man.
16:09Is this weird?
16:09Who would be really laughing here?
16:11You know?
16:12Love is a love, my friend.
16:13And you too.
16:14If you're laughing at me.
16:16Here, here, here.
16:18Okay, well.
16:20Can we get an intimacy coordinator, at least?
16:22You know?
16:22A what?
16:23You know how, on sets,
16:24they have like a supervisor
16:25that makes sure everybody's comfortable
16:27and everything's consensual.
16:28Isn't that a thing?
16:29Dude, you're not making a big video.
16:31It's just a small kiss.
16:32I'm going to give you a kiss.
16:34How to kiss.
16:35Can you bring your lips here?
16:37Can you bring your lips here?
16:39Are you guys comfortable?
16:40You want me to hold your hand?
16:44It's not like that, man.
16:45What a shame.
16:46Why are you doing this complicated?
16:48I'm not making it complicated, bro.
16:49I'm just saying we should think
16:50about what we're doing.
16:51Oh, you are just pretending.
16:53To pretend to be gay.
16:55Oh, you're gay.
16:55You're not gay, man.
16:56Again, that's not what I'm nervous about.
16:58Oh, relax, man.
16:59And we are, bring some water.
17:00I'll drink coffee.
17:02Let's go and brush it.
17:03Don't worry about it.
17:04Don't worry about it.
17:05Don't worry about it.
17:06Don't worry about it.
17:07Don't worry about it.
17:07Don't worry about it.
17:07Don't worry about it.
17:08Don't worry about it.
17:10I'm trying to get through the directory, man.
17:15I didn't mean for it to be like this.
17:16Yeah, it would be weird if you did.
17:18Yeah, but maybe this is a good thing.
17:21Like, think about it.
17:22It's like pushing a culture forward in its own
17:24weird way, start a dialogue,
17:26make it more palatable.
17:29Maybe it's just because Navi will do anything
17:31to get paid.
17:32Seriously, I don't get goodbyes from that guy.
17:34Yeah, but he's getting me paid.
17:38Keep working on the fixes, okay?
17:40Okay, man. Whatever. I'm gonna go hit my vape.
17:45Shethi, come here.
17:46The lights are in there.
17:48Come on up.
17:49You'll have to fire.
17:50Let me fire you.
18:01Supinder.
18:02What are you doing here?
18:04What's that?
18:05Please help me.
18:07My mother will do everything.
18:09I don't like cooking.
18:10I don't like cooking.
18:11The living room will be in there.
18:13I can't see the drums.
18:16Okay.
18:17I'll do it.
18:18Okay?
18:22Come here.
18:23Come here.
18:24Okay?
18:36Man, this is crazy.
18:38My mother is in there.
18:40My mother is in there.
18:41Is your family here?
18:43I just saw my friends came.
18:45Yeah.
18:46Nice.
18:47But, man.
18:48I don't like all the things.
18:50I can't show you.
18:52I'll be here.
18:53Why is that?
18:54I don't know.
18:56What are you doing?
18:57How are you doing?
18:58How are you doing?
19:00I'm a man.
19:01I'm a man.
19:01I'm a man.
19:02But, bro, sometimes you need to hide things.
19:06You don't have to hide everything.
19:07I can't show you.
19:10Don't you think, like, bringing them on set, exposing them to something like this will open up their minds?
19:15Oh, man.
19:17Expose.
19:18And then expose.
19:19And then expose.
19:20There's nothing.
19:21I saw them as a groove.
19:23They didn't get into the groove.
19:25They didn't get into the groove.
19:27They didn't get into the groove.
19:27But, it was hard.
19:30They didn't get into the groove.
19:31They didn't get into the groove.
19:34They didn't get into the groove.
19:36They didn't get into the groove.
19:37Hello, brother.
19:41Well, having a marriage certificate and photos from your wedding is all fine and dandy.
19:45But, I'm going to need proof.
19:48Or your peer status will be revoked.
19:53What kind of proof do you need?
19:56Good.
20:00Kiss.
20:01Your husband.
20:04That's it?
20:06Yep.
20:12Begin.
20:14Got them now.
20:16Shouldn't be so hard, if you're married.
20:18Like you said you are.
20:20I'll do it.
20:22Shut up.
20:22Do it.
20:24Do it.
20:28What are you doing?
20:30How do you do that?
20:31How do you do that?
20:32Do it.
20:34You're a big star!
20:36You're a big star!
20:40Are they really the people to tell this story?
20:43He knows what he's doing.
20:44He knows how to smash it.
20:47Mmm, delicious.
20:50Why are you doing this?
20:51Oh, man!
20:52You're so good, man!
20:54You're a big star!
20:56Come on, man!
20:58You have to do this.
21:01Citizenship.
21:03I can do this.
21:05That's it, that's it.
21:07Hey, yo!
21:09Get up, man!
21:10What the fuck is going on?
21:13Dude, shh.
21:15Lucky, can I take five?
21:17Okay, take five.
21:18Please reset!
21:24Sorry, man.
21:25I just tripped out seeing you kiss that dude.
21:27Why?
21:28You homophobic?
21:29Aw, man.
21:29I just feel weird seeing just me kiss, period.
21:32Girl, guy, anyone.
21:34He's like my younger bro.
21:35I don't want to see that shit.
21:36It's gross.
21:36I thought it was great.
21:37I really liked how you played up the nervousness in the scene.
21:40You were, like, pale and you looked like you were gonna shit or vomit.
21:44It was, like, it was real.
21:45Yeah, it was a little too real.
21:48Acting.
21:49Sure you weren't actually nervous?
21:50I mean, he is straight.
21:53Sexuality's the spectrum.
21:54I think everyone's a little gay.
21:56Yeah, right.
21:57Guy's crazy.
21:59Wait, this is a movie about discovering your sexuality?
22:02That's really good for the community, right?
22:04Look, if you feel weird about this, then I think you should maybe not do this movie and just go
22:09and work on yourself, you know?
22:11No, no, no, no, no, no, no.
22:13Just me, he's doing this movie.
22:14If anyone has a problem with this, there's the fucking door.
22:17Anyone, as in an actual queer person?
22:19You know, I had to bend over backwards like 40 different ways to pull this off.
22:22This shit reeks of a desperate cash grab.
22:25Did these guys even consult an actual queer person?
22:27Seriously.
22:36Hey, look, I really think that you should reconsider this, okay?
22:41Let's go.
22:43Let's go.
22:44Let's go.
22:44Let's go.
22:47Oh, shit.
22:48What the fuck?
22:50Uh, yo, I spilled something about a shirt.
22:52I'm going to have to go to wardrobe.
22:54Bro, are you serious?
22:55Are you serious?
22:56Let's go.
22:58Let's go.
22:59Let's go.
23:01If you don't have any money, you'll have to go to my house.
23:05Fine, man.
23:06I just...
23:07Yeah.
23:15I don't know, man.
23:18Look, you sound fed up, too.
23:19Why are you working in this industry?
23:20Why don't you go to Hollywood?
23:25I don't know, man.
23:30Look, you sound fed up, too.
23:32Why are you working in this industry?
23:33Why don't you go to Hollywood?
23:43I don't know, man.
23:44I'm like...
23:45I'm just trying to push the culture forward, man.
23:47Isn't that the whole point?
23:48It's because it's been about three years old.
23:51How many clothes are in your clothes?
23:52You've lost them.
23:53What are you doing?
23:54That's the whole culture, right?
23:55You can get rid of it.
23:57A Ustaj Ji said,
23:59It's the steps to make this place.
24:01Make your own path, man.
24:03The people follow you.
24:04Don't follow people.
24:06You are born in both worlds, man.
24:08You got a chance.
24:09You can finish your morning.
24:11Don't you?
24:14You are born ready like me.
24:47Is he?
24:47Hey, do I have a little room inside?
24:50We'll be around the way.
24:52What a mistake would be, but we don't want to get to the room inside?
24:54Oh no, I'm fine.
24:55Would you be put on your bed top for me, yeah?
24:57Come and get a little room inside.
24:59Hey, come on!
25:01This is no room.
25:03Come on.
25:05Now you can go, the first room inside.
25:10Bye.
25:10Hi, hi. Hi.
25:15Is your camera all along?
25:20Yes, yes.
25:23Is your camera all along?
25:25Is your camera all along?
25:30Is this our camera all along?
26:05Don't worry, man.
26:07I get it done, don't worry.
26:08Leo, let me call you back.
26:10Yo, why didn't you change yet?
26:12Yeah, I did some thinking and I'm not gonna lie, man.
26:16I can't do this with you.
26:17I quit.
26:18What?
26:18Excuse fucking me?
26:19Bro, this shit changed like 50 times, man.
26:21There's no integrity.
26:22I don't know what the intentions are.
26:23Nobody's giving me any answers.
26:24So I can't do this, bro.
26:26I'm done.
26:27Look, man, you've been continuously screwing me over.
26:29Late with the brand videos, giving me attitude, cock blocking me.
26:33I need you to do this film.
26:35How else am I supposed to film my family?
26:37Bro, I don't know, man.
26:37That's not my issue.
26:40Don't mess with a man and his meal, Dismith.
26:43I'm warning you.
26:44Don't fuck up a good thing here.
26:46Yo, what I found for you.
26:48You should be with this one in the next scene.
26:51Oh, man, what you're trying to do?
26:52You're trying to do it, man.
26:53Bro, if I find a wardrobe guy, he's dead.
26:56Where's he?
26:57Don't worry about it, man, because I quit.
27:00Oh, you quit?
27:00I don't want to do it.
27:01And you?
27:03You're fired.
27:05You know what?
27:06I don't need you, Dismith.
27:08I'll find a hundred of you in a second, man.
27:10In a second.
27:14Yo, I quit here.
27:19I'm going to Hollywood, baby.
27:21Dismith.
27:22Let's go, man.
27:25Let's go, man.
27:26Let's go, man.
27:30Let's go.
27:31Let's go, man.
27:32Let's go, man.
27:33Let's go, man.
27:38Hey, are you acting on the air?
27:40What the fuck?
27:41Fuck, please.
27:42I'm so big.
27:42I'm so big.
27:43I'm so big.
27:43I'm so big.
27:44I'm so big.
27:44I'm so big.
27:45I'm so big.
27:48I'm so big.
28:01I'm so big.
28:52Good breath work.
28:53You're taking a really brave step today, all right?
28:55You've got this.
28:56Thanks, Maya.
28:57How are you feeling?
28:58Yeah, I don't know what's going on.
29:00I just feel so weird coming back to this house.
29:05I just feel like I haven't been here.
29:08What are you doing?
29:11Sorry.
29:11Can you hold on a second?
29:12Yeah, sure.
29:13Are you on the phone?
29:15Actually, can I call you back?
29:16Sure.
29:17Yeah, good luck.
29:17And remember, you can leave a toxic environment whenever you want.
29:21Sweet.
29:22Thanks, Maya.
29:22I'll talk to you later.
29:23Okay, bye.
29:27What?
29:29Since when do you drive a Benz?
29:31Since I bought one.
29:32Okay.
29:33Why are you lurking?
29:34Why are you on my ass?
29:36And what the hell is this?
29:37Yeah, that.
29:38That.
29:39A phoenix rising.
29:41A what?
29:42A phoenix rising.
29:44What?
29:45See how stupid that sounds?
29:47When it comes out of your mouth?
29:48No, no.
29:48I actually don't.
29:49Say it again.
29:49A phoenix rising.
29:51Yeah, it sounds pretty fucking good.
29:52I don't know.
29:53So cool now, huh?
29:54Are you chopped?
29:55How's mom not skinning you alive yet?
29:57My body, my choice.
29:59Okay.
29:59What are you doing here?
30:01No, why are you asking me a million questions?
30:03Huh?
30:04What the hell are you doing here?
30:05Outside this early.
30:06I'm jogging.
30:08You're jogging?
30:09In the cold?
30:10Yeah.
30:10Really?
30:11Mm-hmm.
30:13In Crocs?
30:14Yes.
30:14Oh, okay.
30:15Aren't you supposed to be on some live, laugh, love trip in Budapest?
30:18Mom keeping you up to date, eh?
30:20You know Dadi's here, right?
30:21Yeah, no shit.
30:22What do you think I'm doing here?
30:23Okay.
30:24Well, it was nice seeing you.
30:27Are you coming in?
30:27Yeah, man.
30:28Just chill.
30:29All right, give me a second.
30:30Okay.
30:32See you inside, man.
30:33Yeah.
30:45See you inside.
31:12Goddammit, she's an angel.
31:13Yes, Dadi.
31:15Why didn't you do that, Dadi?
31:18Yes.
31:18A little boy, Dadi.
31:20Listen to me, I don't want to do that today.
31:24Today, it was a big crime.
31:26But you didn't get it.
31:28Why did you show me?
31:30Just for me, Dadi.
31:32For me.
31:38Why are you here?
31:41Yes, Dadi.
31:43My dad came to you.
31:46I remember you.
31:48I remember you.
31:49I remember you.
31:50You're a bad boy.
31:52You're a bad boy.
31:54You're a bad boy.
31:55Okay.
31:56Let's go.
31:56Why did you study the third flight?
31:57I'm going to sit down.
32:00Let's go.
32:03Let's go.
32:05Let's go.
32:05You too.
32:09Dadi, I've got some special things here.
32:12What is this?
32:13It's a little bit of cannoli.
32:15I thought it was a very good Italian Italian.
32:18It's very good.
32:19It's a bit fancy.
32:20It's a bit of a bit of a bit of a bit.
32:22It's a bit of a big sugar.
32:23You know, it's a big sugar.
32:26You're also a big sugar.
32:26What are you doing?
32:27Go.
32:28Get out.
32:29What's your name?
32:30What's your name?
32:31What's your name?
32:31What's your name?
32:33What's your name?
32:33Oh, my God.
32:35A glass of water, please.
32:37Your big number.
32:38Go.
32:41Jasmit, you're the name of your name.
32:44You're the name of your name.
32:46You're the name of your name.
32:47You're the name of your name.
32:48You're the name of your name.
32:49Yeah, that's me.
32:50Big family fuck up.
32:51Hey, what have you said to Punjabi?
32:52What have you said to me?
32:56Oh, my God.
32:57Hey, Sustrigal.
32:59Surprise.
33:00I didn't know you were coming.
33:02I know.
33:02I came to see you guys.
33:04How are you?
33:06How's everything going?
33:07It's good.
33:08It's good.
33:09Didi.
33:10Is that just me?
33:12Yeah.
33:13The king himself.
33:15I think he's a big fan.
33:17Do you have a dollar preview?
33:20Oh, my God.
33:21Oh, my God.
33:21Ma ji.
33:22Actually, a space.
33:23A new difference was it.
33:24Why don't you go to the living room comfortably?
33:26Why don't you go to the living room?
33:27Why don't you go to me?
33:28Why don't you go to me?
33:28Why don't you go to me?
33:29Oh, my God.
33:41I'll go get it for you.
33:48Well, since you won't let me get you a dish package, I got you an IPTV for the basement.
33:54You can't watch your Pakistani dramas.
33:56I know how serious this is.
34:01Okay, but you need to relax, too.
34:02So I'll go install it.
34:03Okay, but you need to relax, too.
34:05So I'll go install it.
34:06Okay, what's going on?
34:11Is she that hard to be around?
34:13The things the boys never have to deal with.
34:17I'll go install it.
34:18I'll show you something.
34:29I'll show you something.
34:30I'll show you something.
34:36Hello.
34:37Hello?
34:38Ma ji, pani?
34:39Yes, soni.
34:40How are you talking about this?
34:42I don't think I'm sure.
34:43Oh, who's soni?
34:44I'll just leave you in two weeks, then I'll just leave you alone.
34:47I'll keep practicing my English.
34:49Yeah, I'm looking for a place downtown, too.
34:52Very good.
34:52Are you worried about money, maybe?
34:55No, no.
34:56The job hunt is going well.
34:58Um...
34:58Nali, soni, I'll give you the money.
35:00I'll check her.
35:02But what about paying your dance medical bills?
35:05Oh, you're not paying attention to me.
35:08Baki, we'll see someone else.
35:11Bani, one minute.
35:12Okay, baby.
35:13Baki, you should move your truck before.
35:16Shinda!
35:16How many times are I going to tell you
35:18to stop parking in the fucking laneway?
35:19I'm sorry, Miss Chippy.
35:21Yeah, yeah, yeah.
35:21It's easy.
35:22Move the truck or I'll do it for you, okay?
35:24Yeah, yes, ma'am sahab, yes.
35:26And come see me after.
35:27Am I in trouble?
35:35Okay, baby.
35:37I will send you any listings that I like, okay?
35:40Love you.
35:40Okay, I love you. Bye.
35:58Damn.
36:28Shit.
36:39Can't even fucking breathe in this house.
36:42My God.
36:44Did mom and dad sleep here now?
36:46Yeah.
36:47Daddi took their room.
36:48Man, that's such a trick.
36:50Yeah.
36:51At least she doesn't snore as loud as dad, though.
36:53She's out by 8 p.m. for like 12 hours.
36:55It's great.
36:56Why, so you can sneak out?
36:58You don't know what I do.
36:59Okay, just because you got some whack-ass fire flamingo tattoos...
37:02Oh my God, it's a phoenix rising, dumbass.
37:07This family?
37:08Let's go of nothing.
37:08I swear to God.
37:09Go hang with Daddi.
37:11I will.
37:12I just have to figure out this dongle thing with Neil.
37:14You could help her, you know, or distract her from terrorizing me and mom.
37:18I have other things to do today.
37:20Okay, chill.
37:20She's not even that bad.
37:21Have you seen how hard she is on me and mom?
37:24Even dad's going hard doing double shifts just to avoid her.
37:27God, you guys are so similar.
37:28We are nothing alike.
37:30Just a couple of avoidant kings.
37:33Whatever, man.
38:03Have you seen the whole first time?
38:05Onions are counted at the earning of the man's house.
38:09What?
38:09He's wholesome.
38:11I've been汁ing with my parents.
38:13I almost have.
38:14I think I'm just cutting your hair if I have a GM.
38:16Yes, good boy.
38:18No, my uncle.
38:19Take care of your mama.
38:20Take care of the cripples and your father.
38:21Dad, I have to work.
38:23You've done it.
38:24What messes how mad people?
38:25Your mother didn't teach me to make food.
38:28Leave your phone and make your food.
38:33Get out.
38:34You're going to kill me.
38:37Hear me.
38:40I'm not going to kill you.
38:42I'm not going to kill you.
38:44I'm not going to kill you.
38:44You're going to kill me.
38:46You're going to kill me.
38:47You're not going to kill me.
38:49Get out.
38:51Listen to me.
38:52Wait a minute.
38:54You're not going to kill me.
38:56Look.
38:58What's that?
39:00Big.
39:01Look.
39:02You're going to kill me.
39:03Isn't it Sonny?
39:04Isn't it your little age?
39:06Oh, I didn't even know that.
39:08When I'm married.
39:09I'm going to kill you.
39:11I'm going to kill you.
39:12I'm going to kill you soon.
39:14What are you thinking?
39:17Nothing.
39:18Okay.
39:19Let's go.
39:21I'm going to kill you.
39:33What are you doing here?
39:35I'm the dongle guy.
39:37And I brought some invoices from last year that I forgot.
39:42So everything's running smoothly, huh?
39:45Most days.
39:46I'm hoping to renovate the shed into proper cooking space.
39:49I may have to ask for a loan.
39:51Aw.
39:51I'm sure you'll get it.
39:54Hello, Janet.
39:55How are you?
39:56Hello.
39:58Workplace.
39:59Professional.
40:00Hey.
40:01Hi.
40:02Don't cry.
40:02I'm here now.
40:04Yeah.
40:04Hello.
40:05So, how are you?
40:07How was the trip?
40:08Where'd you go?
40:09Um, I went to Indonesia.
40:12Uh-huh.
40:13Thailand.
40:14Vietnam.
40:15Bhutan.
40:16Bhutan.
40:16I've been to Bhutan.
40:17Really?
40:18In a dream.
40:19Oh.
40:19One time.
40:20It was beautiful.
40:21It is.
40:22There was this, like, cafe by the railroad.
40:24Oh.
40:24Is it still there?
40:25No.
40:26It's not real.
40:28Yo.
40:29What'd it do?
40:30Hey.
40:30A little dongle to cut?
40:31A little dingle in my butt.
40:32Let's go.
40:34Let's see.
40:34There you go.
40:36Hey.
40:36This is the wrong port.
40:38I don't know.
40:38I just got a dongle.
40:39What are you talking?
40:41I just got a dongle.
40:42Yeah.
40:43Let me take a look.
40:43This is a dongle.
40:44I don't know what to tell you.
40:47Let's go see.
40:48It's up to me.
40:49Yeah.
40:52Hi, B.B.
40:54Oh.
40:54That's a girl.
40:55That's a girl.
40:56I thought I was a girl.
40:58I brought a dongle.
41:00A dongle?
41:00Yes.
41:02Tusi Agha, Canada.
41:04Lumbi Lumbi Kushi Kushi Jihaj Suffer.
41:06Yes.
41:07Yes.
41:07I've been practicing.
41:08Yes.
41:09Yes.
41:10Yes.
41:10Yes.
41:13Oh, these are cousins in India.
41:15Yes.
41:15Wow.
41:16So many young cousins.
41:17Yeah.
41:17No.
41:18They're child brides.
41:19Just trying to get us married.
41:22Oh.
41:23Yeah.
41:23Lumbi Lumbi Tushy Tushy Tushy Tushy Tushy.
41:25Jail time.
41:26Jail time.
41:36Hey, what are you doing?
41:37What are you doing?
41:38I had to file my papers.
41:40What?
41:40Here?
41:41Oh, my God.
41:42This has been such a hassle.
41:44Oh, God.
41:53Is there a dish guy here?
41:55Why am I doing the IPTV if you had a satellite guy come?
41:57You think your dad will pay for satellite?
42:00Where'd you find it?
42:01Bathroom.
42:02Hey.
42:03It's a good one.
42:08Yes.
42:13Okay.
42:21Hey, Mom, I can pay for a dish, right?
42:23You don't have to use this blue light or anything.
42:25No, no.
42:27What are you doing?
42:28What are you doing?
42:28Manvi, you don't have to learn lessons.
42:31You have to learn more.
42:32You don't have to learn more.
43:02You don't have to learn more.
43:06What the fuck?
43:07Yeah.
43:14What the shit are you running here?
43:15A psychiatric hospital?
43:16That's the second driver who quit.
43:18What do you say to them?
43:19Shinda has been distracted, okay?
43:21Between this and night school, he's got a lot on his plate.
43:24School for what? Brush up on his fucking ABCs?
43:26His engineering degree.
43:27He needs to focus on that to finish.
43:29He was one of my go-to guys.
43:30Well, then go to someone else.
43:33Just, you know, stop therapizing my guys.
43:36These are working class Punjabi immigrants.
43:37You can't have them talk about their feelings.
43:39It messes my whole system up.
43:41Yeah, I can.
43:41They need therapy.
43:42You need therapy.
43:43We all need therapy.
43:46Fuck this.
43:48You're proving my point.
43:51Not now.
44:11What's next?
44:12Why are you telling me?
44:14Why are you telling me?
44:15Why are you telling me?
44:15Where are you telling me?
44:18Why are you telling me?
44:20I've lost your mission.
44:20Take a little bit of time.
44:21Why do you need your time?
44:22Because of my girl, the girl, it's a big focus.
44:24Why are you trying to have a lot of time?
44:25Why are you telling me?
44:28I don't know.
44:29I don't know.
44:31Hi. Yeah, I can't get away right now.
44:33Can you meet me at the side of the house?
44:35No, just don't go past the front.
44:36Hop the neighbor's fence and then...
44:38What? No, it's easy. I do it all the time.
44:41Come here.
44:42I don't want to eat.
44:44I don't want to eat.
44:45I don't want to eat.
44:58.
44:58.
44:58.
44:58.
44:58.
44:58.
44:58.
45:09.
45:09I don't know.
45:51Okay, I gotta bounce.
45:52What's the rush?
45:54Yeah, yeah, yeah.
45:57Have more, my dear, lovely, beautiful brother.
46:01Have more.
46:02Eat.
46:02Whoa, manvi.
46:05Look at this, a meal for a king.
46:08Two kings and a queen and an elder, the village elder.
46:12Bro, where have you been?
46:13Where have you been?
46:14I eat my eating like everybody else.
46:16Nice.
46:17Me too.
46:17You just disappeared.
46:18I'm eating.
46:19Now you are?
46:20Yes.
46:21Delicious.
46:22Okay, you know what, I really have to go.
46:24I can't get out of here fast enough, eh?
46:26I wonder why.
46:27You just breeze in, wow mom with your dongle,
46:30pick out some wives with daddy.
46:32Always the spoiled golden child.
46:35Yeah, I'm the one that's running around the world,
46:36breaking hearts and getting tattoos.
46:38Yeah, that's me.
46:39Can you speak Punjabi?
46:40I didn't understand what you were talking about.
46:43See, I actually prefer English,
46:45so I can get a sense of the trauma between them.
46:48You don't want to know,
46:49because you can't sit on a camera with your dad.
46:52Yes.
46:53I don't know.
46:55There's no other way.
46:56There's no other way.
46:57There's no other way.
46:57There's no other way.
46:58I'm a man.
47:00Who's a man?
47:03Why are you such a snake?
47:04Why are you such a shit brother?
47:05You didn't even come to my wedding.
47:07Wedding?
47:07Uh-huh.
47:08You call that a wedding?
47:09You signed a paper outside of a courtroom.
47:10I'm going through a divorce.
47:12No, you're going through a breakup.
47:14Everybody's got shit,
47:15but your solution is to abandon people.
47:17No, my solution is to get out of toxic environments
47:19that don't serve me anymore.
47:21It's called self-love.
47:22You have no idea what it's like.
47:23Well, what's it like?
47:24To be a brown girl in this family.
47:26Oh, I don't know how it's like to be a brown girl
47:28in a brown family.
47:28No, you don't.
47:29A nice house.
47:30I have all the freedoms.
47:31I can get a divorce.
47:32I have a job.
47:33I can go out whenever I want.
47:34I travel the world.
47:35Yeah, after I fought for it.
47:37Fucking 25 years.
47:37You're literally the most free brown girl.
47:39You have no excuse.
47:40You think it just happened?
47:41I'm not like you.
47:42Make videos in my basement.
47:44Really?
47:44Oh, you want to talk about that now?
47:46He doesn't give a shit when I do anything?
47:48No, of course not.
47:49Are you crazy?
47:50He loves you.
47:50Every time I leave the house,
47:51you're his lovely daughter.
47:52You're on my ass, dude.
47:53Yeah, right.
47:54And you wouldn't get that
47:54because you're the fucking boy in the house.
47:55I got kicked out.
47:56I shouldn't even be back in this house.
47:58And you want me to fix everything?
47:59Right, no, because usually I am.
48:01Shut up.
48:06Okay.
48:13Take a deep breath.
48:15This is the beginning of the healing process.
48:18Just let it out.
48:20And breathe the positive in.
48:21You're the negative one.
48:23What are you doing?
48:25What are you doing?
48:27What are you doing?
48:28What are you doing?
48:29Oh, my God.
48:29Daddy, stop.
48:30What are you doing?
48:32Yo, get this lady off of me right now.
48:34What's she trying to do?
48:35No, Daddy.
48:36What are you doing?
48:36You're being so racist.
48:37I don't know how to do this stuff.
48:39Oh, my God.
48:40Daddy, let go of his ear.
48:41Oh, my God.
48:41Daddy, let go of his ear.
48:43No.
48:44No.
48:44Yo, I expect this from, like,
48:45a white neighborhood or some shit,
48:46like, not here.
48:47This is crazy work.
48:48Is that Shaxi?
48:49Fuck out of my home.
48:51Go away.
48:51I'm sorry.
48:52She's insane.
48:53So...
48:54I will get the fuck out of your home.
48:56Look, listen.
48:56I just really came for her from my...
48:58What's happening?
49:00Who are you?
49:06Uh...
49:07Uh...
49:07He's my friend.
49:09Junior.
49:10And, uh...
49:11He left his, uh...
49:13Badge.
49:13Yeah.
49:14He left his badge.
49:15Which you have.
49:16Mm-hmm.
49:16So we'll give it back to him.
49:17Yeah, yeah, yeah, yeah.
49:19Thank you, Anbi.
49:20My dear sister.
49:21Junior, do you want something to eat?
49:23Uh...
49:23It smells really good,
49:25but I'm gonna pass.
49:28Uh...
49:28I'm gonna leave you guys
49:29but I don't know what the fuck that was.
49:31Get her a black friend, okay?
49:32Maybe take two.
49:33Go!
49:33Get lost, you fuck!
49:34Have I been meeting you?
49:36Uh...
49:36Yes, sir.
49:38Bye, Junior.
49:43I know.
49:49I know.
49:49Seriously?
49:51Is that the guy you were sneaking out this morning?
49:53Do you want mom and dad to kill you?
49:54What are you doing?
49:55Dude, I know.
49:56What if someone woke up and walked in on you guys?
49:57Are you insane?
49:58Or am I just living my life for myself for once?
50:02Okay, yeah, it's a risk.
50:03Maybe this Mandi likes risk.
50:05Okay, go to his place.
50:06Go to a hotel.
50:07Get your own place.
50:08There's so many other options.
50:09Every time I leave the house,
50:11it's an interrogation.
50:13I am sick of being a good girl.
50:16I just wanna live my life.
50:22You should probably go.
50:25Dad's gonna be home soon.
50:31Look, man.
50:33I feel bad I've incomeed your wedding.
50:35I'm really sorry.
50:41Oh, my God.
50:45She's a terrorist.
50:46You're right.
50:47I told you.
50:57Oh, my God.
50:58You're pissing me off.
50:59That felt really good.
51:38I'm ready.
51:42I'm ready.
51:42I'm ready.
51:42You're good.
51:45Oh, my God.
51:46Oh, my God.
51:47I love you, but I love you, but I love you, so I love you.
52:33Actually, this was a good idea.
52:35Yeah, it was very thoughtful of you.
52:39Hey, did I miss the fight?
52:42No, no, it's coming.
52:45Where's Monty, huh?
52:46I don't know, Australia or something?
52:48Can I win?
53:02Do you guys fight like that?
53:03No.
53:04That would be illegal.
53:08No one can jump that high.
53:10But they can.
53:12Really?
53:12It's like genetics?
53:13No?
53:14No.
53:15It's like a way.
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