#STORY #StoryChannel #FullEpisode #BingeWatch #4KHDR #PremiumSeries #NonStopDrama
Category
📺
TVTranscript
00:19It's okay, gorgeous.
00:20Damn it all.
00:23Damn it all.
00:30Damn it all.
01:00Damn it all.
01:07Damn it all.
01:07Your turn.
01:18Can I help?
01:20I hope so.
01:21I'm looking for a man.
01:22Five foot nine, brown eyes, dark cropped hair.
01:25He may have come in here with a young woman.
01:26Look.
01:28Love.
01:29I'm sorry for you, being there myself.
01:33Trust me.
01:34But what people do in that room, well, that's their business.
01:37Alright.
01:39So he's here.
01:43Let me guess.
01:45Paneer, tikka, bangan, bata and a masala chai.
01:49Oh, where's your mother?
01:52Oh.
02:16Where's your mother?
02:17Oh!
02:31Food's here.
02:34He said he'd call us when it arrived.
02:55Police.
02:56Shots have just been fired at this side of my cabal.
02:58If we can't trust the NCU, then we can't trust the police.
03:00Get the money.
03:01What?
03:02Huh?
03:03You're heavily.
03:04No.
03:05You're off.
03:05No.
03:06No.
03:08Oh.
03:08Oh.
03:13Oh.
03:17Oh.
03:19Oh.
03:21Oh.
03:22Oh.
03:23Oh, oh.
03:23Oh.
03:25Oh.
03:26Oh.
03:28Oh.
03:48I don't know.
04:07I don't know.
04:37I don't know.
04:38I don't know.
04:50You're heading right for them?
04:51I don't know.
04:59I don't know.
05:09I don't know.
05:13I don't know.
05:16I don't know.
05:23I don't know.
05:24I don't know.
05:25I don't know.
05:26I don't know.
05:39I don't know.
05:57I don't know.
06:06I don't know.
06:07I don't know.
06:10I don't know.
06:11I don't know.
06:13I don't know.
06:24I don't know.
06:30I don't know.
06:51I don't know.
06:58I don't know.
07:09I don't know.
07:21I don't know.
07:38I don't know.
07:50I don't know.
07:54I don't know.
07:55I don't know.
07:56I don't know.
07:59I don't know.
08:15I don't know.
08:31I don't know.
08:33what we're doing.
08:34The talking.
08:35This is the big one after all.
08:37Just letting you know.
08:38I'm out of courtesy.
08:42Well, I need just a picture of efficiency.
08:45Passing messages along like a chimp.
08:54Just in there.
08:58How's it all going?
09:01Everything's fine, but there's been a change.
09:05Deb, it's gone. Campbell's put me in charge of the investigation.
09:10Well, congratulations, Will. No excuse for not finding them that way.
09:49Thank you, Will.
10:24I don't know.
10:32Nancy, it's me.
10:34Boss?
10:36I need a favor.
10:38He was suspended.
10:39This case was taken everything, my marriage and now my career.
10:42If you think I'm a Pegasus mole, you should hang up right now.
10:45Oh, I see Campbell's crew is still camped outside.
10:49Nancy, seriously, how long have we known each other?
10:55What can I do?
10:58I don't know.
10:58Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
11:03He was developing high heat resistant polymers for wind turbines.
11:07I'm not sure I value you.
11:08That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:13Do me a favor.
11:14See if it matches what the weapons on that drone are made of.
11:17I'm on it.
11:17Good girl.
11:19How's the team?
11:20All over the place.
11:21I'm preparing a briefing on Amitold.
11:24Full background check that works.
11:25Feels like a wild goose, James.
11:27Who was there?
11:29O'Neill.
11:48No, you're not doing that.
11:49Doing what?
11:50You're not killing whoever's in that lorry so you can steal it.
11:53Well, you have a very low opinion of me.
11:55Actually, I was going to pay them to take us to London.
11:57I was just going to make him ask questions.
11:59Well, I need more insulin soon, so we'd better come up with something.
12:02Okay, so we just talked to him.
12:03We appeal to his better nature.
12:06I'll do it.
12:08Give me your hand.
12:10Don't say a word.
12:11It's all yours.
12:13Hi.
12:13Hello?
12:15Hi.
12:16Sorry.
12:16We've just gotten into an accident a few miles back.
12:19Just wondering if you can help us.
12:20No, be able.
12:22Our phones are fucked.
12:24We need to get back to London as soon as possible.
12:26I'll take some either.
12:29Maybe you're a good Samaritan.
12:40Who are you, love?
12:43Not really.
12:44No.
12:44I need to get back to London.
12:46I need to get to my daughter.
12:50This is her.
12:51She's six months old.
12:56It's a different fellow in the picture.
13:02Yeah.
13:05Yeah.
13:06You're right.
13:09Okay, I'm a prison transport officer.
13:11I used to get this man back to London.
13:13And the only reason I'm doing any of this is to get back to my daughter.
13:16My name is Amber.
13:17What's her name?
13:18What's your name?
13:19Paul.
13:19Paul, okay.
13:20Great to meet you, Paul.
13:21Five grand.
13:22I said I'd handle this.
13:23We're out of time.
13:25Half now, half when we get there.
13:26But we need to leave immediately.
13:31Charlotte.
13:40No stops.
13:41No questions.
13:51It's nothing to sit on.
13:54I've just come back from my job.
13:57Take these.
13:59My granddaughter gave them to me.
14:01It's better than sitting in dark, yeah?
14:05Right.
14:07Okay, then.
14:23Better nature, my ass.
14:25He was about to take us.
14:26Bryce.
14:27He was.
14:29Seems kind.
14:30Well, your sob story didn't work.
14:35He may seem kind, but great is what moves him.
14:39You must ride him.
15:22I hope you sleep well.
15:24Yeah, thanks.
15:25Something smells good.
15:27Won't be ready till lunch.
15:30There is a fresh pot of coffee.
15:33Yeah, I'll take some coffee.
15:35Do you mind if I make a bottle up for the baby?
15:37She'll be awake in like ten minutes, so.
15:40Like clockwork, aren't they?
15:42Yep.
15:47Little clockwork terrorists.
15:54So you got caught up with Tiborough?
15:56Yeah, I mean, we've never actually met, but.
16:00I'm sorry, how do you know him?
16:04We go way back.
16:06But I haven't seen him.
16:08In years.
16:10Vic.
16:12Sugar.
16:13Just milk.
16:14Please.
16:18So, um...
16:21Hi.
16:22Who's Sebastian?
16:25Sebastian.
16:25Sebastian.
16:30Just a name, Tibor and I used to use.
16:34Silly Sebastian.
16:37Whenever one of us would do...
16:40something silly.
17:04I don't know about you, but the question I'm asking myself is...
17:07who is Amber Todd?
17:13Never an officer's dying when that convoy was hit.
17:16Yet she got stone out of that tunnel like she was dancing through raindrops.
17:21So is she one of us?
17:23Or another one of them?
17:26Now, now she's put together a brief that you all should have received by now.
17:31Use it.
17:33Now, we have two days to put Tibor's stone on the stand.
17:37We need to move fast.
17:39Let's get to work.
17:58Do you really believe that about Todd?
18:02You want a fresh thinking?
18:20Amil?
18:21Amil?
18:21He wants to see you.
18:42Three minutes.
18:50You think it's like a big risk?
18:52Asking me to come here?
18:53One of my people is in police custody.
18:55She was caught with a firearm.
18:57Nina, drag us.
18:58I need you to get her out.
19:01That's impossible.
19:04You asked me to put strings on that, I could expose myself.
19:07I'm in charge now.
19:08You've got me exactly where you want me.
19:10Don't risk it.
19:11You told me what to do.
19:13I need her released.
19:17Why?
19:18Who the hell is she?
19:19An acid.
19:22She paralyzed one of my men when she was just a kid.
19:25He put his hands on her.
19:26Well, he tried to.
19:28She was with a group of workers who were bringing her into the country.
19:31I think the word is trafficked.
19:37I've always had a knack for spotting raw potential, so I had Deepa Stone take her under his wing.
19:43I'm sure of the rogues.
19:43She knows him better than anyone.
19:46There's no one else who can get close to him.
19:49Set her free.
19:50Locate Stone.
19:53She'll finish the job.
19:56Back on.
20:05How's your wife?
20:07Is she getting the treatment she needs?
20:09Because I know how expensive that can be.
20:12You don't bring her into this.
20:13I didn't.
20:17You did.
20:19That's exactly my point on potential.
20:22When we discovered your wife's diagnosis, I knew right away that you'd do anything to save her.
20:33And here we are.
20:35Family is everything, isn't it?
20:39Anita and Saffron.
20:43I don't ever think you've asked.
20:46I can deliver you stone, that's all.
20:49Enough.
20:51No more.
20:52I thought you'd say that.
20:56Check your phone, Will.
21:07Pretty young girl, your daughter.
21:09Get Nina out.
21:12Use the NCU to locate Stone, and she'll handle arrest.
21:22I say when it's enough.
21:34Roger Breaker?
21:36Anyone got their ears on?
21:38This company never hurts.
21:42This is Longshot.
21:42How you doing, ma'am?
21:44Hello, Rogue Coast.
21:45Longshot, this is Midnight Rambler.
21:48Good to meet you.
21:50Good to meet you, Rambler.
21:50Heading anywhere exciting?
21:52I've been excited about a northbound run with a trailer full of pallets.
21:56Good.
21:57I doubt you'd believe me even if I told you, ma'am.
22:00Try me.
22:00Good to meet you, Rambler.
22:01I'm sorry.
22:01I'm sorry.
22:01I'm sorry.
22:14Good to meet you.
22:15All right.
22:16So, where does this strong moral compass of yours come from?
22:20You mean the one that makes me uncomfortable killing people with my bare hands?
22:27Freud has a theory. Psychodynamics.
22:32Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
22:40Is a father a criminal, Amber? Is that what made you this way?
22:45I prefer Albert Mandura's social learning theory.
22:49If a child frequently witnesses law-breaking, being rewarded, or going unpunished, they may come to view such behavior as
22:55desirable.
22:56Was mommy a serial killer?
23:03This is fun.
23:27Is it okay?
23:33Do you need more research?
23:34Yeah?
23:34Can you see me, the 하는데, who is a serial killer?
23:42I mean, what do I do?
23:43I mean, I'm okay.
23:44Don't you do.
23:44I think I'm okay.
23:45I don't think I'm okay.
23:47I think, you know, I think I've got an example.
23:52No. No, no, no, no, no. I'm not with the team who attacked you.
23:56If I was, I'd have turned up with more than stolen case files and me dick in me hand.
24:01I know you.
24:02Yeah, my name is Alex Tebbit. We spoke on the phone two days ago.
24:05Your NCU?
24:06Yeah, well, I was.
24:10They think I'm the mole responsible for the attack and you and Todd's family in a prison van.
24:14Look, I need you and your team to help me. Can I come in?
24:17They kicked you out and you think I'm going to trust you?
24:22I swear to God, I'm offering you a chance to help save their lives.
24:34Tell them what you told me.
24:36Will O'Neil, the man that took my job, is setting up your friend.
24:43What makes you think he's bent?
24:45One, the intel that made us move stone early came from O'Neil's department.
24:50Two, O'Neil was one of the few people I knew where Ollie and Mia were.
24:53And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
24:59By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:04He keeps their attention elsewhere while he ships in Tilda Pegasus.
25:08If O'Neil is the mole, then breaking him might be the only way to get Amber back.
25:14Okay. How do we break him then?
25:16They'll want to interview you about Amber, and when he does, Bosh, we prove his connection to Pegasus by getting
25:22into his phone.
25:23Whoa, whoa, whoa. Just wait a second.
25:25Yeah?
25:25That's a criminal offence, Phil.
25:27I know. Look, I've heard what he says, and I'm convinced.
25:30I'm in.
25:31But I'm not expecting any of you to put yourselves at risk.
25:34If you're in, I'm in.
25:35What do we do?
25:36When he interviews you, you distract him.
25:40We can talk bollocks for five minutes while you nick his phone.
25:48It's called storytelling, and it's an art form.
25:52Are we really doing this?
25:53At Amber, yeah.
25:55Yeah.
25:56And Joe, we need to make these bastards pay.
26:02Breaker, Breaker, this is Midnight Rambler.
26:05So listen, I just called a mate.
26:07Someone's been putting a word out.
26:08They're looking for a man and a woman, same as the pair you picked up.
26:15He'll give you a hell of a lot more than five grand if you hand him over.
26:20How much more?
26:49Aina's still in custody.
26:51Well, we need to fix this.
26:52The adults are handling it.
26:55Her value is declining.
26:57How many times is she going to let stones slip through her fingers?
27:00Huh?
27:01She's becoming a liability.
27:05She's becoming a victim.
27:07She's becoming a victim.
27:08Keep your mouth shut.
27:20Keep your mouth shut.
27:28Right through these, huh?
27:30Some of us have to get our hands dirty every once in a while.
27:34Nice place.
27:36Are these originals?
27:38Are you into art?
27:40I'm into money.
27:41This is Harrison's son, Declan.
27:44How's your father?
27:46Yeah.
27:46Yeah, fighting, you could fight.
27:51This is the future of absolute power.
27:55It's a next-gen plastic polymer.
27:57Stronger than metal, so it doesn't warp under heat.
28:01And?
28:02It flies with feet rounds.
28:06Try it.
28:10It's completely untraceable.
28:12Dismantled, they'll easily pass through any metal detector.
28:15Perfect for international shipping.
28:17If you catch my drift.
28:19Thank you for that, General.
28:22How many have you manufactured?
28:24Will they be ready for the day of action?
28:26We have 2,000 ready to go for the UK market.
28:29Another 10,000 ready by Friday for your European clients.
28:32Don't jump ahead of yourself.
28:35You assure me of more certainty about Harrison's release.
28:39My clients don't need to be connected to this highly publicized criminal investigation.
28:44Mr. Dempsey will walk.
28:46And if he doesn't, you can always close the deal with me.
28:51With respect.
28:52You're not your father.
28:54Harrison Dempsey is Pegasus.
28:56That's why I deal with him and only with him.
29:00Well, that seems a little old-fashioned.
29:03With respect.
29:06Please.
29:07Please, ignore the boy.
29:09We are here to show you why you shouldn't be shopping anywhere else.
29:13The deal will not go through until Mr. Dempsey is released.
29:17Which he will be.
29:26Excuse me, Jack.
29:27Of course.
29:33You're embarrassing us.
29:34Me?
29:35You want a fucking weak link?
29:37Begging for a deal that's already been done.
29:38We should be naming our fucking bride.
29:40I'm going to show you the ropes because that's what the old man wants.
29:42If you spook Mikhail and this deal falls through, we lose millions.
29:45Right?
29:46So please, please, do me a favor, you silver spoon prick.
29:48Just shut the fuck up.
29:58It's Parkway in there.
29:59Told you they were powerful.
30:10Keep it on, and I'll pay for the couch.
30:18I'll tell to my clients to have little big notifications.
30:22And I'll reach out to my European contacts.
30:28I'll tell you what's going on, and I'll tell you what's going on.
30:54So, everyone, thanks for coming.
30:57All right, sir, I don't need to look so worried.
31:00It's just me to ask you all some questions, and as long as you're straight with me, there shouldn't be
31:04any issue.
31:07This part, I'll start with you.
31:11So, phone's in here, please.
31:18Amber's in a lot of trouble, and I need to bring her in.
31:21I know the two of you qualified together.
31:23You care about her.
31:25Ollie and me are two.
31:27I need to locate her before something happens that can't be undone.
31:33Besides Ollie, all the people that she trusts are out there.
31:36I've no idea where she is.
31:45Freud also wrote an essay about grief of loss.
31:48Mourning him melancholia.
31:53And?
31:55How did your son die?
31:57What?
31:58Your son.
32:02I was lying about that.
32:04I never had a son.
32:08But you told me about him.
32:09I told you what you wanted to hear, Amber.
32:11I needed you to trust me.
32:14See?
32:14The moment I said dead, child, you create a backstory for my behavior.
32:19You let your guard down.
32:21So I tell you about Mia?
32:23So you'd have something to use against me?
32:24You needed something to cling to.
32:27That's what makes you so profoundly, predictably human.
32:33There is nothing redeemable about you.
32:41Tell me where Ollie and me are.
32:45The point of a safe house is not giving them the address.
32:47Tell me where they are.
32:48Calm.
32:49Tell me where they are, you fucking safe about!
32:52Listen to me.
32:54We agreed.
32:55You'll see your family after you get me to the old building.
32:58So you're keeping them hostage?
33:02I'm the only thing keeping them alive.
33:04Me and the person I sent them to.
33:10You should be a little more grateful.
33:40Marcus, shut up.
33:47Mate, um...
33:48It's a long shot.
33:49I've been getting off since you've come here, child.
33:51I don't know.
33:52How about you land this?
33:53I don't see anybody.
33:55I don't see anybody.
33:57Mr. Azulange!
34:00Let's go!
34:03Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:08Start you off with the police?
34:09Yeah.
34:09Have a CID play.
34:11Oh, right.
34:11CID.
34:12Yeah.
34:13Cool.
34:13Well, that makes it.
34:14It'll change the operation.
34:17Yeah.
34:17Obviously, I don't see you.
34:18I don't see you.
34:19I don't see you.
34:19I don't see you.
34:20I don't see you.
34:21I don't see you.
34:22I don't see you.
34:23I don't see you.
34:23I don't see you.
34:24I don't see you.
34:24I don't see you.
34:30Yeah, between studying, the baby, or what?
34:35I don't know how she does it.
34:37You see me?
34:37I can barely keep my poor plot alive.
34:39You know what I'm saying?
34:41It's like my hopes.
34:43I'm not going to have to change.
34:44I don't know what it's going to be in my place.
34:46It's a lovely view.
34:47It's a nice place to be in here.
34:50It's what we've seen.
34:51It's a lot.
34:52It's mad, isn't it?
34:53What about her mother?
34:55What about her?
34:57I'm sure it's a, you being the tight-knit unit you are, that she would have told you
35:03that her mother's incarcerated in Westhorn Prison for armed robbery.
35:24You're lying, Jamal.
35:26She kept it from you, didn't she?
35:35You sure that's the only thing she's hiding?
35:51I mean, honestly, I think you know a person.
35:57Right, look, you share the same scrap of carpet at work.
36:00You know, secret Santa, which was me, by the way.
36:05What are this really nice, handmade paper dove?
36:09Where is she, Jamal?
36:10Just go and lie about you there, folks.
36:12Actually, where is she?
36:22I don't know.
36:30Mr. Hawkins?
36:34You know, I just, I'll come with you.
36:37I'll talk you through all this.
36:39Colin, do you know what?
36:39I think I'll just throw this.
36:41Throw my hat and the ring, I'll give the application.
36:42Go, go, go.
36:43Do you know what I think?
36:44Good place.
36:44We won't cut out.
36:45What's the worst?
36:47Yeah, the worst is broken.
36:59Excuse me.
37:01You're okay, sir?
37:04Sorry for all the missed calls.
37:06I just wanted to hear your voice.
37:09Yeah.
37:31Have we arrived?
37:33This isn't London.
37:42Yeah, it's me.
37:43I'm here.
37:44What went up?
37:52What are you doing?
37:53What's wrong?
37:55I need my shot.
37:58Paul!
37:59Paul, are you there?
38:01Come on, talk to me, Paul.
38:02Please, it's not too late.
38:03Just let us go.
38:05I can't.
38:06I can't.
38:07They will kill you.
38:08What's up?
38:09Listen, we can help you, Paul.
38:11Okay, we can help you,
38:12but you have to let us go right now
38:13before they get here.
38:19I've been told to give this to you.
38:23Hello?
38:24You okay?
38:26I'm sorry I let you down.
38:29You're getting another shot.
38:30I have a location for you.
38:32We got you, Paul?
38:34We got it.
38:35You're being released.
38:35No charge.
38:37Let's not have this conversation again.
38:39No loose ends.
38:41Understood.
38:43You're my most valuable asset, Nina.
38:45No one can count on you.
38:47The things we're going to do together.
38:52Now give back the phone.
39:02Listen to me.
39:02Listen to me.
39:03You made a mistake,
39:04but you can fix this, okay?
39:05If you don't, we're all dead.
39:07Unlock the door!
39:09They put the payment of 50 grand
39:11to hand you out.
39:12You are never going to see that money, Paul.
39:14Okay?
39:15It's not how these people work.
39:17I've seen what they're capable of.
39:20You are better than this.
39:23You are better than them.
39:25You don't know me.
39:27You don't know me!
39:28My job is dealing with criminals
39:29every fucking day!
39:31I know I'm a decent person
39:32when I see one!
39:33Fuck the money!
39:34Don't you want to see your granddaughter grow up?
39:39Oh!
39:59Wait!
40:00Wait!
40:00Wait!
40:00Wait!
40:01Please, Ron!
40:02Please!
40:02What the fuck is this?
40:07Stand him up.
40:09Do it!
40:10Fuck you.
40:12Please, don't!
40:13I have nothing to...
40:14Shut up, Sparkle.
40:14Please, please, just let me go, please!
40:19Jesus!
40:20Shall I make us all look up at the two
40:21while we wait?
40:36Come on!
40:38Come on!
40:39Get him out!
40:42Get out!
40:44Come on!
40:45Come on!
40:48Come on!
40:50Come on!
41:06What's this then?
41:11Okay, that's not for us.
41:19Sebastian.
41:22You found him then.
41:27Yeah, sorry, I'm...
41:29It's fine.
41:32Was he a... a relation?
41:37My husband, Deboe's father.
41:44I'm so sorry, I...
41:46Don't be.
41:56It was a virus. We had to go.
42:01Deboe and I keep them together.
42:10Food's ready.
42:12I'm so sorry.
42:40I'm so sorry.
42:45Why didn't you wait for me?
42:47I thought you were locked up.
42:49This wasn't the moment to prove yourself.
42:52How did the meet with Michael go?
42:54Did you show him the product?
42:57Yeah, it was a successful test.
43:01Where's Miles?
43:06Are you fucking serious?
43:08Look, it worked.
43:09Okay?
43:10Michael says his clients will wait for us, so as long as the old man walks, then we're all set.
43:15And then what?
43:17What do you mean?
43:19You're smarter than people think, but you can't do what I do.
43:23That's why you'd make good partners.
43:26In the war.
43:32Yeah, Harrison will never let me run anything, so...
43:35Your father doesn't see you, but I do.
43:38We kill Deboe.
43:39We take our share of the Michaldia.
43:41We set up our own.
43:43Fuck Pegasus.
43:44Fuck Harrison.
43:46You and me.
43:56All right.
44:14Rich.
44:20Insulin.
44:21There.
44:26Give me the address.
44:28Give me the insulin.
44:29Give me the address if you save us first.
44:34I want my family back.
44:37I want my family back.
44:42G.
44:43L.
44:443.
44:46A.
44:46X.
44:47Y.
44:48G.
44:49L.
44:493.
44:49A.
44:50X.
44:50Y.
44:51Yes?
44:52You see?
44:55You're learning.
44:56No.
45:01No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
45:03T-Bar.
45:04T-Bar.
45:05T-Bar.
45:20T-Bar.
45:21Oh.
45:23Oh God.
45:24Oh fuck.
45:25T-Bar, please.
45:26Please.
45:27Please.
45:28Please.
45:30T-Bar.
45:31T-Bar.
45:32T-Bar.
45:33T-Bar.
45:34T-Bar.
45:36T-Bar.
Comments