- 8 hours ago
Bad Company Season 1 Episode 2
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TVTranscript
00:00It's a disaster.
00:01Bring out your invoices!
00:03And when I do iron out these tiny financial issues,
00:05I get my job back.
00:06And Ryan does too.
00:07Are you even going to apologise?
00:08Oh, sorry for committing fraud.
00:10You know what you should do?
00:11Something Grease-themed.
00:13What about a sexy Sandy?
00:14We're just going to sneak a new thing into the program.
00:17Our major production this season,
00:19the Eason and Moiki in Canada!
00:22It's supposed to be Grease!
01:00Good morning, oh, here we go, wow, looking good, good luck, okay, and no, yeah, hey, I'm
01:16sensing a bit of tension, are you angry with me, oh, what do you think, you look fantastic
01:20in that Grease costume, do you get any nice comments? Well, someone in your beauty school
01:23dropped out from the car as I was leaving, so I guess I have you to thank for that. It's
01:27not personal, all right, I have to stand up for my art. Is it art or play starring you?
01:32Well, that's what the public wants. Speaking of, I've just got a little budget here for
01:35la peison et moitié en tere. Yeah, there you go. Sorry, I don't speak whatever that was.
01:39That was French, and if I could just grab a little signature just from you. Thank you
01:43so much. Is this the peasant show you shouldn't have announced at the launch? I'm not signing
01:46off on that, you did not have board approval. Okay, how do I say this? We're sitting in
01:50such respect, you have no idea about theatre. Why don't you try and sell me this play, in
01:56one sentence? Okay, it's an 18th century French masterpiece where I'm buried up to my neck
02:01in sand for four hours on stage delivering a single monologue, only to be interrupted
02:05twice by the ghost of my dead child. Is that it? Yeah. Ah. Not approved. What did I say?
02:12Monologue, for a start, when in real life do people talk uninterrupted for hours on end?
02:16Happens to me a bit. I think we're done for now, Marguerite.
02:20Okay. You know what, I see what's going on here. Yeah. You haven't loved in many years.
02:26If only you could touch that sorrow. You know, and they're BAM! Life will come in.
02:31Do you know, is there a version of the play where they bury you in sand just above the
02:34mouth? Because I would sign off on that. Why are there always egg people walking around
02:40here? Morning Simone. Simone? Ryan, did you get the email I sent you about the Pulse 54 program?
02:48The Scott guy. You're so obsessed. I'm not obsessed with him. Don't say that. That's silly.
02:52You are. You know, he's like a cult leader basically.
02:55He's not a cult leader. He's a gymfluencer. And I've signed you up for the 6am Saturday program.
02:596am? No, that's it. I'm coming down there for a big row.
03:02Ryan, I'm at work. Ryan. Oh, don't come down here.
03:07Oh, it doesn't matter. I'll never find a place.
03:09Yeah, you need a fish extract. I just use the Nivea from the IGA.
03:14It's quite scaly, isn't it? Is it? What do you mean?
03:16It explains the dandruff as well. No, I don't think that's dandruff. I think that's dust.
03:22That's skin-coloured dust. What? I just finished this, but if it doesn't work,
03:25I just keep making them until we get it right. What's your artistic rationale with this week?
03:29The peasant's hair becomes a symbol of the freedom. I fucking love that. Me too.
03:34Morning. Hi. Good morning. Everyone's here. We can
03:39kick it off. Fantastic. Good morning, everybody. What are you doing?
03:42What are you doing? I always start the meetings, so thanks.
03:45Julie is first on the agenda. What agenda?
03:48We have an agenda now. All items emailed to Christian by 9am. Systems and processes.
03:52People, you can take a seat, Margaret. All right. Well, I'll be straight with everyone.
03:57This organisation is not financially viable. Oh, so not going to acknowledge country or anything?
04:02No, please. It's time for a major strategic review.
04:05Does anyone know the most expensive part of any corporation? Anyone?
04:09I got this. The internet. I think so. It's the staff. The staff. That means you.
04:16So I need to determine job scope and look for opportunities for cuts. That's why Christian
04:20will assist me in conducting performance reviews with each of you starting today.
04:25Oh, but we're not performers. I've never dreamed of going on stage.
04:28Yeah, how is the performance stage? That's a really interesting question.
04:31What? What scene will I do? It's not a literal performance.
04:34Am I up the front on the stage? Is there a text? Is it a one woman?
04:37It's not a ritual performance. It's a review of your performance at work.
04:41Oh.
04:42Okay. I've actually been trying to implement HR strategies for years.
04:45Have you?
04:45Well, I've never heard you mention it. You know what? You should speak more from the diaphragm.
04:49Your words seem to dissipate into the air.
04:51People, we need to start thinking like a business. There will be redundancies.
04:57You will not be cutting my staff. Okay? Over my dead body.
05:00What's next on the agenda, Christian?
05:01A bit of good news, actually. Margie's new work, Scrambled, is upon us.
05:09Oh, is this the egg people thing? No, I don't know. Is that a, what do you call it, a
05:13play, is it?
05:14Devised work. I devised it from source material.
05:18Okay, previews start tonight and there's an exciting photo shoot beforehand.
05:22Yes, Donna and I have four hours to prep half a dozen eggs.
05:25Okay, well, I guess we'll make sure they're at room temperature. The eggs need to be at room temperature.
05:31Okay, performance reviews start today. Check your diaries. Christian, when you're ready.
05:35Christian, when you're ready. Christian, when you're ready.
05:39Off he goes. It's about 20 minutes, but to be honest with you, it is the de-egging that's the
05:44hard part.
05:45Yeah, I can see that. They look absolutely stunning, by the way. It's brilliant.
05:48Thank you. All right, so now we've got half a dozen eggs prep, but they have to de-egg and
05:52then re-egg for tonight.
05:53We are going to have to move very precision. Yes. Oh, sorry, sorry. Simone, yeah.
06:00Hi. Did you just go to the bathroom egg, darling? Yeah, so please don't do that,
06:03because, like, what happens if you slip on your egg cracks? I don't have giant fucking chickens out the back.
06:10Okay, everyone, there's limited eggs. We've got an egg shortage, so let's be careful and mindful.
06:14Take a minute. No, take a minute. Yes. God's sake. Right, let's get back to rehearsal, please.
06:21One of you is rotten. How are we going to embody that? Has anyone got an offer?
06:25Margie up first. Yep, big kahuna. Brave. I'm not scared of it. Really?
06:32Margie, performance review. Ah, not here. What a surprise.
06:37She might be in dress rehearsal. Do you think we'll just take meeting times as serving suggestions?
06:42Rehearsal. Oh, okay. That feels like a version of workplace harassment. What?
06:47Oh, that, yeah. I barely even notice that anymore. You just go, what breasts? Do you know what I mean?
06:55What big breasts? Take that down. Yeah. Yeah. Take it down, for sure.
07:01I feel like you're lingering, Christian. Yeah.
07:04Sorry, Julia. You're not actually going to fire anyone, are you?
07:08I know you would all prefer to interpretive dance until the electricity cuts off,
07:11but unfortunately someone has to make the tough decisions.
07:14Okay, well, I feel like I should warn you. These are theatre folk. They won't go down easy, okay?
07:19I've turned around billion dollar companies. I think I can handle the sewing and knitting club.
07:26Okay. I'm breaking here.
07:28And I know a new life will emerge, but oh God, the cracks, the cracks, the cracks.
07:36What am I over again? Listen, what if we were to do it again,
07:40but I said to you that you are a pathetic nothingness, okay? And your mother, she's dead.
07:44And there's a fox circling, circling, uh-oh, circling. Yes, let's pick it up. Let's pick it up.
07:51Get up. What is this? It's one of our more experimental works.
07:54It's not in a small space, 80 seats. Sorry, there's two theatres?
07:58There are one theatre, two spaces.
07:59I am breaking! Yes, what else?
08:02I don't want a new life will emerge!
08:04Margie, what? You have your performance reviewed.
08:06Oh, we are working here!
08:09They will. Oh, no, I've lost it. Okay, take five, everyone.
08:11Should we go in your office? Oh, no, no. Let's review my performance.
08:17All right, shall we?
08:19Yeah, I'll get my own chair. Oh, there we go.
08:21Did you go to uni for this? Of course I did.
08:24I went to the School of Life and VCA for three years.
08:27You set? Ready.
08:30Margie, how do you think your role helps the company strategically meet KPIs?
08:35My role? Yes.
08:37What is my role? That is my question.
08:39You know, am I a mother? Am I a lover? Am I a storyteller?
08:43You know, first they came screaming at me about KPIs.
08:47KPI, KPI, KPI, key performance indicator, but an indication of what?
08:53A lover?
08:56The suffering of my fellow workers?
08:59Are we not more than human resources?
09:03Oh, Margie.
09:05Oh, don't clap that.
09:07Can you take this seriously, please?
09:09I'm taking it very seriously.
09:10I'm just trying to show you the kind of magic you'll get
09:12if you sign up on my budget for Les Pisonne Moiti Entrette.
09:15The peasant show?
09:16Yeah.
09:16Okay, not going to happen.
09:18Reflecting on our mission, how do you see your role evolving to further contribute to our collective success?
09:24Ah, the mission. The mission.
09:26My mission is the craft.
09:28I'm not writing that to me.
09:29The craft of acting. I get up every day, I act.
09:32This is completely pointless.
09:34Well, thanks for coming, guys.
09:35Okay, eggs, let's get back. On your feet. Let's go, let's get back to the work.
09:38Okay, that's lunch.
09:40Great, I've lost the whole morning. Yep, go eat.
09:43And then de-egg and be back in time to re-egg for the photo shoot. Thanks, guys.
09:47Sorry.
09:48What are you even supposed to be? Spermatozoa?
09:50No. Well, they look very much like spermatozoa for me.
09:53Oh, just say, come, Julia. Take a risk.
09:56Does she really think people are going to pay to see that silly egg show? I don't understand.
10:00People like eggs, I think.
10:02Right, Ryan, what are you doing here? Um, Christian, this is my son, Ryan.
10:06Really? I did not see you as a mother at all. What?
10:10Are you interested in the theatre, are you, son?
10:13No, he has a big future in commerce, don't you?
10:16No, I don't. That's why I'm here to talk to you, Mum.
10:17Sure, whatever it is can wait. I'm really busy.
10:19No, I'm staying with you. We're chatting this out.
10:21I will see you tonight.
10:23Egg?
10:24God.
10:24Mum?
10:26I'm not leaving.
10:28Why is there an egg?
10:30Okay, moving on. Section two.
10:32Just so you know, this is probably one of our busiest days of the year.
10:35Is it?
10:36Okay. What facilitation processes do you engage in to ensure sustainable and productive outcomes?
10:41Now, what have you said there? What were all those words?
10:45We design, we create, we consult. If one of our departments isn't working,
10:50whole production can fall over.
10:51Okay, explain it to me again. You just do wigs.
10:54Just.
10:55Why can't you plonk one on?
10:56Oh, I'm neck down, sorry. What's neck down?
10:58I'm a peruchia. That's a wig maker. Only three of us in the entire country.
11:02Every wig that you see here, handcrafted from human hair.
11:05Oh, well, that's disgusting.
11:07I wash them. I brush them. I love them, Julia.
11:10Now they sound a bit like guinea pigs.
11:11Okay, so I'm done here. Thank you so much.
11:12Hey, we're just looking for efficiencies. That's all.
11:14Aren't you supposed to be on our side?
11:16Hey, everybody, profit is not a dirty word.
11:19But pussy is.
11:20Well, sorry, sorry. Who is that?
11:22That is something I'm dealing with right now.
11:24Wow, I was sorry.
11:24What? What are you doing?
11:26Come on.
11:26Okay, um, I'm so sorry you had to hear that, Donna.
11:31What, pussy?
11:32Don't. Say it again.
11:34In here. I am beyond disappointed, Ryan.
11:37It was funny.
11:38This is a workplace. You can't speak like that.
11:40What is going on with you today?
11:41Dad's moving to the Gold Coast.
11:42Oh, thanks to goodness.
11:43And he's starting a multi-level superannuation fund,
11:46and it feeds into Retirement Lifestyle Village.
11:49Oh, excellent. I look forward to seeing him on a current affair.
11:51Yeah, well, he's asked me to source investors, okay?
11:53So I'm going to move up to the Gold Coast with him,
11:56because this, honestly, it's not working for me.
11:58Ryan, I know he's your dad, but trust me, he's not a good guy.
12:01Please don't let him Melissa Catek you.
12:03Stop trying to rule my life, okay?
12:04I'll leave if I want to leave.
12:06Can we talk about this at home tonight?
12:08Okay, we'll do a big catch-up on Dancing with the Stars.
12:10I'll make your favourite nuggets.
12:12Nugs and DWTS, yes?
12:14It's a good start.
12:15Yes, it is.
12:16Now go home.
12:17Fine.
12:17Okay? Nuggets later.
12:19And don't say pussy, ever.
12:21Fine.
12:24Hello, hi, hi, hi, hi.
12:26I'm Maggie Agar, the artistic director here.
12:28I don't think we've met.
12:29I'm just Julia's son, Ryan.
12:30Can I say something?
12:31You have the most fascinating face.
12:34It holds a million stories, it's wise, he ever hides pain.
12:37Really?
12:38Yes.
12:39My mum can't see any of that, so...
12:40Have you ever acted before?
12:42Me? No.
12:42You have, but...
12:43I haven't. I've not.
12:45Why don't you come with me into the rehearsal space?
12:47I want to have a bit of a chat.
12:48Okay.
12:48Yep, come on.
12:49You sure?
12:50Yeah.
12:50I want to talk to you about the craft.
12:52What's the craft?
12:54Uh, what are we doing?
13:00That's good.
13:01Yeah.
13:02Let it out.
13:03I think it's obvious.
13:04Jacob has to go.
13:05Look what I found here.
13:07Crazywigs.com, Fantasy Wigs Online, The Reject Shop.
13:09These are all cheap wig places.
13:11And then we replace Jacob with AI or, I don't know, a 3D printer.
13:15Save the play 65k.
13:16I have to strongly advise you don't do this.
13:20You know?
13:22Gently advise.
13:24I am so sorry.
13:25I'm running behind Dominique.
13:26But we've got this new CEO.
13:27She's really throwing her weight around.
13:28It knows.
13:29It never gets better.
13:30Oh, but Dominique, it's okay.
13:32We breathe through it.
13:32We take our time.
13:33It's amazing.
13:34And you are going to be amazing.
13:37Jacob, could we have a word outside, please?
13:39Uh, no, because I've now got one hour to fit three eggs,
13:41or there will be no photo shoot.
13:43It really would be better if we could step outside.
13:45Yeah, you can just tell me here, Julia.
13:47We'll do it here.
13:49Jacob, unfortunately, due to a series of strategic realignments,
13:52your position no longer exists at this company.
13:55Sorry, what?
13:56Full details of your redundancy are in this information pack.
14:00Don't give it to me.
14:00Give it to Jacob, sorry.
14:03Effective immediately.
14:07That's it.
14:09Whatever you're feeling, just let it out.
14:11Cold mother.
14:12Empty mother.
14:13And who are you?
14:14Ryan.
14:15But who are you really?
14:16You know, what makes you scream at night and laugh until you cry?
14:19I don't know.
14:20Ah, okay.
14:22You need to work out who you are.
14:24Find your voice.
14:25Maggie.
14:26Yeah?
14:26Julia's fired Jacob.
14:28What?
14:28Come on.
14:29Leave the building, Jacob.
14:31Maggie!
14:32Hey, there's plenty of other jobs in the art.
14:34I can't help you with the resume.
14:35What are you doing?
14:35What?
14:36He's not going anywhere.
14:37Hey, enough with the drama.
14:40Save it for the stage.
14:41How dare you come in here and fire my staff?
14:44You don't feel partly responsible?
14:45I've seen your work credit card.
14:47All right.
14:47If he goes, we all go.
14:49I'm calling a snap strike.
14:50Thank you so much.
14:51No, that's okay.
14:52I'm coming too.
14:53And me?
14:53Well, good.
14:54At least now we'll have internet.
14:55And me?
14:56And me.
14:57Why the hell are you still here?
14:59You don't even work here.
15:00You can't strike if you don't work.
15:02And what about you, Egg?
15:04I just booked a trip to Bali.
15:06Sorry.
15:06Great.
15:07Thank you, Egg.
15:08Appreciate it.
15:08Uh, guys, we've got a photo shoot in one hour.
15:11Can we all just-
15:11Scab!
15:12Let's not say that.
15:13Scab!
15:13No.
15:14Scab!
15:14No.
15:15Scab!
15:15What a shock.
15:16People in the arts trying to avoid work.
15:18Oh, okay, Julia.
15:19If this is all so easy, why don't you do it?
15:22No.
15:22I think we'll be fine.
15:24God, suck your face then.
15:25Make your head small.
15:26It's the wrong size.
15:27It's not my egg.
15:28All right, let's try this one.
15:29Go!
15:30Oh, Jesus Christ, that's two you've humpty-dumpty.
15:32That's the last of the backup eggs.
15:33Let's not break any more eggs, people.
15:35I spilled soy on my suit.
15:37Oh, what, were you bathing in it?
15:38New policy, no more canapes.
15:40The media are going to be here soon.
15:41Okay, everybody listen up.
15:43Just own eggs.
15:43You've got to put your own eggs on.
15:45We're doing our own eggs now, guys.
15:46We're not trained.
15:47No, we're not doing that.
15:48Where's Dominique?
15:49I don't know which one's Dominique.
15:50Has anyone seen Dominique?
15:51Got one?
15:52Okay, just take an egg.
15:54Dominique, put it on your head.
15:55Uh-uh, I'm joining the strike.
15:56Shut up your scab.
15:57You're not joining the strike.
15:58Put an egg on it.
15:59It's easy.
16:00I remember when Papa took me to Paris.
16:03Oh, have I told you this one?
16:04Probably.
16:05But we love to hear it.
16:06Mm.
16:06Le Pison et Moyenne today had just gone on tour.
16:10Um, and the French were saying it was better than the original.
16:12Papa said to me, you will play this one day
16:14and you will play it better than me.
16:16Yeah.
16:18Dominique.
16:18I want to speak to Margie.
16:20You're the star.
16:21We're here to support you.
16:23We're here to help you.
16:24Anything we can do.
16:25Christian.
16:26What the frick?
16:27I was demonstrating how easy it was to get on now.
16:29It's stuck.
16:30It's suctioned on.
16:31I can't get it off without cracking.
16:32How do we-
16:32It's the last of the good eggs.
16:33Okay, okay.
16:34Okay.
16:34I'm just going to grab underneath.
16:36Okay.
16:36Paul.
16:37Don't take my face with it and don't crack it.
16:40It's really sweaty in there.
16:42Who's in there?
16:43Dominique.
16:44Stage fright.
16:45Doesn't want to do the show.
16:46I want to do the photo shoot either.
16:48Oh, thank God.
16:49I'm starting to feel a bit better.
16:51You listen to me, Egg.
16:52You are contracted to take the stage at 7pm.
16:54If you fail to do so, I can and will sue you for damages.
16:57Get it?
16:59She's not-
16:59She not go-
17:00There's no-
17:00No one's suing.
17:02Why would you do that?
17:03That's not helpful.
17:03Speak to Margie.
17:04Okay.
17:05You go get Margie from the pub.
17:06I'll deal with Dominique.
17:07I'm not leaving the building like this.
17:09Yes.
17:09I'll deal with that.
17:10You get Margie.
17:10I can't deal with that.
17:11You're right.
17:11I'll get Margie.
17:12Come on.
17:12Dominique.
17:14Come on.
17:14Shit.
17:15Shit.
17:17Wonderful work on the floor today.
17:18Yeah, it felt so natural.
17:20Ooh.
17:20Mum never let me do it.
17:21Oh my God.
17:23What?
17:24Well, is this some sort of sick joke?
17:26Have you come here to rub an egg on our faces?
17:27According to the Industrial Relations Act, this strike is illegal.
17:31And Dominique has locked himself in a cupboard and refuses to come out.
17:34Sounds like it's a little disaster over there and you need me to come back.
17:37Not really.
17:37Oh, okay then.
17:39So, Ryan, where did you go to school?
17:41Just like...
17:42Fine.
17:42Oh.
17:43Yes, we need your help please, Margie.
17:44Mm-hmm.
17:45I'll come back if you reinstate Jacob.
17:47I'll come back if you do it.
17:49Shh.
17:57Fabulous.
17:58You look excellent.
17:59I'm a monotone.
17:59Go, go, go.
18:00Ready?
18:01Go, go, go.
18:02You're fabulous.
18:03You're done, Janice.
18:04I'm a monotone.
18:05Just get it off.
18:07Ah!
18:07Not like that.
18:08You can't pull it.
18:09My face is stuck in it.
18:10I'm gonna have to vest you up.
18:11What?
18:12I'm gonna vest you up.
18:13Dominique, it's Margie.
18:14Come on.
18:15Yeah, come on.
18:16Come on out.
18:18You're gonna be magnificent.
18:19Ah!
18:20Oh, I can feel it.
18:21It's coming.
18:21It's coming.
18:22Like, you'll step out there and you'll drop in and you'll say,
18:25I am the egg.
18:26Two.
18:27Here I am.
18:27Three.
18:28Stop!
18:30Oh.
18:31You're the force.
18:32You've been magnificent.
18:33It's all in you already.
18:34Thank you, Donna.
18:35You're a valuable team member.
18:37That's the gift you give to the audience.
18:38You share yourself with them and they feel less alone.
18:41Always say the right thing.
18:43Get yourself out there.
18:44Go on.
18:47That's how it's done.
18:52Over here.
18:53Over here.
18:54Okay, we are looking really good.
18:55But can we bring it closer together, please?
18:57Yes.
18:57Powerful.
18:58Hold that.
18:58Still?
19:00Yes.
19:01There he is.
19:02Simone, are you with us?
19:03I'm good.
19:03Is it all?
19:04Wake up.
19:05Wake up.
19:05We're closer together.
19:06Like, presumably we all came from the same carton, right?
19:08So we love each other.
19:09That's raw egg intensity.
19:11Yes.
19:11That's the shot.
19:12Jump in there.
19:13I've got a dinner to go to.
19:15I'm always here for the most important moments, Carmel.
19:18Okay, quick photo with Carmel, everyone.
19:20Important photo with Carmel.
19:21Great.
19:22Good use of time.
19:23Good use of time.
19:25Oh, Jules.
19:27It's been a tough day for you, hasn't it?
19:29It was a bit of cross-purposing, but I think I turned it around.
19:32I just feel like this creative stuff, it's not for you.
19:35Why don't you just sign up on my budget, and then you can just drift away.
19:38Unfortunately for both of us, I'm here till we're back in the black.
19:41Okay.
19:42Okay.
19:43Okay.
19:43Well, fun day.
19:44Cheers.
19:45Julia.
19:45Oh, Carmel.
19:47It's like the wet look, is it?
19:48Just something I'm trying, yes.
19:50Are we going to do the photo?
19:54Great caption for that would be,
19:55Industry heavyweight encourages more women than young.
20:00What the hell is your son doing here?
20:03Ah, just dropping off my keys and some dry shampoo.
20:07Hell, I hope you've changed all the passwords.
20:10I don't want him hanging around you.
20:11Oh, he won't be here, ever.
20:13Don't you worry, Carmel, everything is under control.
20:21So what's your favourite citrus?
20:23I'm just going to get you a water.
20:25Come on, come on, come with me.
20:27Just be strong about it.
20:28You know yourself better than anyone.
20:30Come on.
20:30Better than you.
20:31You only just met him this morning.
20:32Come on, Ryan.
20:33I need you to drive me home.
20:34Let's go.
20:35No, Mum.
20:36I've got something to tell you.
20:37Has your dad's foot turned up on a beach south of Sydney?
20:40No, Mum.
20:41I'm not going to the Gold Coast with Dad.
20:43Oh, that's great news.
20:44We can get back on track.
20:45Maybe you could do an NBA.
20:47I'm not going to the Gold Coast because
20:50I'm a gay man and an actor.
20:53Sorry, what?
20:54It's about time you knew who I am.
20:55Yeah, I know you're gay.
20:56Who cares?
20:57But an actor?
20:58Oh, Ryan, I'm thinking you'll be sick.
21:00Oh, no.
21:01I've seen something profoundly beautiful in Ryan.
21:04Yeah.
21:04Margie said I'm like a big Greek guy.
21:06No, I said you're like a gift from the Greek gods.
21:08Like, yeah, that.
21:09And not only that, but she's cast me in her French play about a peasant.
21:12Mmm.
21:13It's just a small role, but he has the quality I'm looking for.
21:16The tragic sum.
21:17No, this isn't happening.
21:19Unless the play doesn't happen for some silly reason like budgets.
21:23No, Mum, that wouldn't happen, would it?
21:25No, no.
21:26Because then you'd have to go to the Gold Coast with your dad.
21:29He sounds awful, doesn't he?
21:33Oh, sticky.
21:34No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
21:34no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
21:34no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
21:34no, no, no, no.
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