- 37 minutes ago
Bad Company Season 1 Episode 3
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TVTranscript
00:00Mal, I sent you about the Pulse 54 program.
00:02Mum, I'm a gay man and an actor.
00:03Sorry, what?
00:04Oh, that, yeah, I barely even noticed that anymore.
00:08Ha! Ha!
00:09Margie's cast me in her French play about a peasant.
00:11This isn't happening.
00:12Oh, dear.
00:13She has got to go.
00:14And I'm more than happy to pull the trigger.
00:18Oh, no, this is bad.
00:20Do we think she's seen this or...
00:22Just came out this morning.
00:23Okay.
00:23I just can't imagine having a sister this famous.
00:26Oh, poor Margie.
00:27I'll turn the Wi-Fi off.
00:28Hello?
00:29Morning, everyone.
00:31Oh, Kat, I love your hair.
00:33Whoa.
00:33Kat's got a new fringe, everyone.
00:35I've had it fridges, actually.
00:36You know, I find with my hair,
00:38I just kind of need to follow the natural rhythm.
00:40You know, it tells me which way it wants to go in the morning.
00:42Mm, you look great.
00:45Wind or rain, doesn't matter.
00:50Snow or sun, that's just the weather.
00:55Bring it up!
00:58Hey!
01:01Margie, here you are.
01:0210am start today, is it?
01:03Hey, have you seen Kat's new fringe?
01:05Look at this.
01:06Very stylish and groovy, Kat.
01:08Can we talk spending now, please, Margie?
01:09Hey, how was your weekend, Julia?
01:11Did you have any hot dates?
01:11Come on, don't be sitting here.
01:13Don't think anyone's still looking for love at this age.
01:15I'm still looking for love at any age.
01:16I've actually found my 40s to be my most sexually active.
01:19I feel like I'm really in my body.
01:22Right.
01:22Yeah, like I'm really sitting in my sex.
01:24Okay.
01:25I'm feeling good.
01:26I don't feel dried up.
01:27Hey, Mum.
01:28Oh, hello, darling.
01:29How are we?
01:30Hello, son.
01:31Son, son, son, son.
01:33That's my mum.
01:33Son.
01:34That's my mum.
01:35Sorry, what the hell is this?
01:36Day one of rehearsal for us,
01:37and we are getting into character.
01:39Took us.
01:40I want to learn everything there is to know about the craft.
01:42Oh, no.
01:43Don't start saying the craft.
01:45Are we meeting Julia?
01:46Uh, yes.
01:47In fact, here's my son.
01:48Come to mummy.
01:49Come on in.
01:49Oh, um, we're doing a little, um, mum.
01:53Yep.
01:53Mumma.
01:53Bubby wants a cuddle from mumma.
01:55Wah!
01:56Oh, I think that's enough, but we have made the point.
01:59Sorry about that.
01:59Let's go.
02:00Thanks, Christian.
02:01Okay.
02:02Yeah, no improv from the admin team.
02:06No.
02:07Was that workplace harassment?
02:08Do I need to, um, report myself?
02:10Let's stop talking about it.
02:11Okay.
02:12All right, talk to me about the Sydney Theatre Company.
02:14How are they making so much money?
02:15Big names, mainly.
02:16Big names.
02:17Like who?
02:17Well, Caitlin Allard, for one.
02:19The Caitlin Allard?
02:21Wow, she does stuff with him.
02:22Yeah.
02:22She wouldn't do a show for us, would she?
02:24Well, she has, back when their father was still alive.
02:27Whose father?
02:28Well, she's Margie's sister.
02:30You didn't know that.
02:31Oh, I'm sorry, what?
02:32Different mother, different surname, different vibe.
02:34Let's get her in here.
02:34I don't think that's a good idea because, um, well, they, they don't get along very well.
02:39Even better.
02:39Let's get Carmel on the line.
02:41We can't afford Caitlin.
02:42I need to stress that.
02:43Ah, don't worry about that.
02:43I'll find the money.
02:44Okay.
02:45I'll find us a new donor.
02:45I'll go one better.
02:46I will get us a new sponsor.
02:48But until then, it's still essential spending only.
02:51All right?
02:51I'm writing that down so I don't forget.
02:55Mother's been shopping.
02:57It's absolutely beautiful.
02:58They are all handcrafted.
03:00I commissioned a local artist.
03:01And if you look on the bottom, they are individually inscribed with words by me.
03:06I drew a pattern of a majestic woman and sewed all night and...
03:11I think they ran out of room on that one.
03:13Oh, I love it.
03:14Did I hear the word handcrafted?
03:15How much did these cost us?
03:17A thousand.
03:18What?
03:18Oh, four thousand.
03:19Four thousand?
03:20Dollars?
03:21They are cute.
03:22And what does yours say, Christian?
03:24Christian.
03:25Oh, that's lovely.
03:26So does it all.
03:27I just feel like things have been really hard lately, you know, so I wanted to acknowledge
03:31that and hold space.
03:33Is there anything you've been sitting with, Julia?
03:34I've been sitting with a lot of debt and a crazy spendthrift, so...
03:38No kookaburra for me, thank you.
03:39Oh, there it is.
03:40There it is.
03:41That's nice.
03:43Your strength lies elsewhere.
03:45Chookers!
03:46That was a total chookers.
03:47Okay, what does the chookers think?
03:49Last week it was eggs, then kookaburras, now chookers.
03:51Why are you all poultry obsessed?
03:53In the theatre, it's bad luck to say good luck, so we say chookers.
03:56Chookers?
03:56Yeah, chookers.
03:57Chookers.
03:57Chookers.
03:57You know, I don't have time.
03:58I'm chasing new sponsors.
04:00Oh, that's good, because I've been thinking during l'episone et moitié intere, we could
04:04project my face on the back of the theatre and I'd just be crying in a continual loop.
04:07Well, chookers!
04:08If you think we're paying for that.
04:10Oh, chookers to you if you think you're not paying for that.
04:12Okay?
04:12Chookers to you.
04:13Okay, chookers.
04:13Oh, no, chookers.
04:14Chookers.
04:15Chookers.
04:15Oh, what?
04:16Really?
04:16What?
04:17What?
04:18Yeah, chookers.
04:19Actually, yes.
04:22Chookers.
04:23Hmm.
04:23Hmm?
04:24Oh.
04:25Can we turn the internet back on, please, Donna?
04:32Your mum is a hard nut to crack, isn't she?
04:34Yeah, sorry.
04:35No, I just hope she doesn't ruin our play with her budget.
04:37Yeah, me too.
04:39Oh, you were going to tell me about the Smirnov acting method?
04:41That is Lasky.
04:42Oh, yes.
04:43Well, yes, that is Lasky.
04:44Okay.
04:45You know what I really feel like, actually?
04:47One of those yummy fishbowl salad things in a green juice?
04:49Oh, yum.
04:50Yum.
04:51Yum.
04:51Yeah.
04:54You want me to get it?
04:55Yes, please.
04:56Okay.
04:56It's part of the relationship building.
04:58Yeah.
04:58All right, thanks.
05:01Internet's back on.
05:02Oh, good.
05:02Finally.
05:07Fuck!
05:12Hello?
05:14Hello?
05:14Oh, God, what a smell.
05:17Kat?
05:17Kat?
05:18That homeless man's just walked right in.
05:20Really?
05:21Yeah, the man in the trench coat with the blood-curdling BO.
05:23Yeah, well, we've just described every afternoon in Melbourne, so...
05:28Oh, Ryan, how dare you put your finger up at me in a meeting?
05:32Well, how dare you not give Margie the budget she needs for her play?
05:34It has to be unlimited, Mum, okay?
05:36It's really starting to affect our working relationship.
05:39Working relationship?
05:39Oh, darling, she's taking you for a ride.
05:41No, she's not.
05:41She literally sees something in me.
05:43Now, if you'll excuse me, I need to go and deliver her lunch and clean her office.
05:46Good, yes.
05:47Please get out of here, because I'm waiting for a very important sponsor.
05:49Go on.
05:50I'm going to get us the money for a massive star.
05:51Off you go.
05:52No, wait.
05:52Who's the massive star?
05:53Not your business.
05:54No, Mum, come on.
05:55It is my...
05:55Come on.
05:56It's Caitlin Allard.
05:56No way.
05:57Yes, wait.
05:58No, there is no way you're getting Caitlin Allard.
06:00Literally.
06:00That's a chookers.
06:01That is a hard chookers.
06:03She's in Marvel movies.
06:06Donna, Jacob.
06:07You know what?
06:08I'm happy for her.
06:09Who, bud?
06:10Caitlin.
06:10She's doing an off-Broadway show.
06:12What?
06:12No way.
06:13I didn't know that.
06:13Did you know that?
06:14I didn't know that.
06:15Really?
06:15Because it's everywhere.
06:16Yep, off-Broadway, which is even cooler than on-Broadway.
06:19So, of course, she gets to do that.
06:21You know, she's probably trying to claw back some credibility.
06:23But, honestly, who cares?
06:25You know what I mean?
06:26Who cares?
06:26Who cares?
06:26Who cares?
06:27Who cares?
06:28No one cares.
06:29You know what I mean?
06:30No one cares about it.
06:32You know, but I just wish her so much happiness and luck, you know?
06:36Like, good luck, Caitlin.
06:38You know?
06:39Slay!
06:42Slay!
06:42Slay!
06:45You know what?
06:46Let's get on with actual work.
07:00I mean, it is giving peasant, you know what I mean?
07:03Yes.
07:04I just destroyed Mum over your budgets.
07:07You should have seen me.
07:08Oh, you didn't have to do that.
07:09Did you just heat those up in the microwave?
07:11Yeah, lad, do it in the freezer if you want them.
07:13Is this black?
07:14Or like...
07:14No nugget fingers.
07:15Sorry.
07:16Mum reckons she's getting a big star.
07:19What?
07:19Yeah.
07:20Get ready for this.
07:20Caitlin Allard?
07:22Like, what?
07:23Can you believe that?
07:24No, no, no, no.
07:24She's like the best actor.
07:25Come, come, come, come, come.
07:26What?
07:26You nugs, let's go.
07:27What are you talking about?
07:30What do I do?
07:31Caitlin, it's her sister.
07:34She's just going to waltz back in here.
07:36Great.
07:37I am so sorry you had to hear that from Greasy Nugs.
07:40I mean, what's going on?
07:42You know, Papa took me to Paris.
07:44Me.
07:44I know, babe, I know.
07:47You know, I could have sold out to Hollywood.
07:49My phone was ringing.
07:51You know, but I stayed at the theatre.
07:54You know, the true craft.
07:55Yeah.
07:57Yeah, you're an icon.
07:59You know, I've often thought to myself, you know,
08:00what if Steven Spielberg called me up and said,
08:03Margie, you know, we've got a film for you here.
08:06It's a role written just for you.
08:08And we'll fly you over first class.
08:10Hope your passport's ready.
08:11And then I get off at the other side.
08:13And, you know, the driver picks me up
08:15and takes me to my mall.
08:17I'd say, no, thank you.
08:20No, that's right, because you're the bigger person.
08:22Yeah.
08:24I've got to get rid of Julia.
08:25That's it.
08:26Yeah, what are you thinking?
08:27Pusher down the stairs or months of emotional bullying?
08:32Well, neither of those.
08:37This is the main office.
08:38Ha.
08:39Christian.
08:40Yes.
08:40This is Nick, CEO of Chevy's Chicken.
08:43Wow.
08:44I love your Friday night chicken meal for one deal.
08:46Big fan.
08:47I came up with that.
08:47Really?
08:48Yeah, I haven't eaten it, obviously.
08:49Yeah, OK.
08:50Nick's in my Pulse 54 community.
08:52We're like the core group.
08:53You, me, Scott.
08:55A bit like the cool group at school.
08:56I'm just kidding.
08:58Have you managed to meet up with Scott yet?
08:59I keep trying to pin him down for a one-on-one, but he's so dizzy.
09:01No, apparently he doesn't do one-on-ones.
09:03I'm a Pilates freak myself.
09:05Same sesh every Tuesday for the last seven years.
09:07That's good.
09:08Me and the gals.
09:09Let's just go through to my office.
09:09We, um...
09:10We're going through a lot.
09:11I'm happy to be there with them to, um...
09:14Do the Pilates.
09:14Do you do Pilates?
09:16Yeah, grab a seat.
09:18I just wanted to bring you in just to talk a little bit about the acting process, you know?
09:22You can access whatever you want for a character.
09:24Yeah, stuff from your childhood.
09:26Right.
09:27Like, when did your dad leave?
09:29I was heaps young.
09:30Dad said Mum went psycho after having me.
09:32He had to go.
09:33I was sad and shit.
09:34Okay, yeah.
09:35And what was his name?
09:36Tom.
09:37Mm.
09:38And where were you living at that point?
09:41Camberwell, I think, or...
09:42And, okay.
09:43I reckon we can use some of that.
09:44So let's, you know, how are you feeling?
09:46Dad, what's coming to mind?
09:47He's walking away.
09:49He's walking away!
09:50He's walking away from you, and how do you feel?
09:52I feel sad.
09:53Yeah?
09:53What do you say?
09:54What do you say to Dad when he's walking away?
09:56I'm going to say, Dad, come back, please!
09:58Please come back.
09:58Why are you leaving me?
10:00Okay.
10:01Now.
10:02You know, you actually have a really raw quality.
10:05I haven't seen it before.
10:06It's fascinating.
10:07Thanks.
10:09It makes me thirsty.
10:11For the stage.
10:12Nah, latte.
10:13Oh.
10:14Mm.
10:14I could get you one.
10:16Oat.
10:16Yeah, sure.
10:17Mm.
10:17Don't go to the one down there.
10:19Go to the other one.
10:20It's a bit further, but it's better.
10:24Appreciate you taking the time to come in, Nick.
10:26So here's the pitch.
10:28Chevy's Chickens sponsors the Argyle Theatre.
10:31Why?
10:31Because I'm gay.
10:32Because I know Peter is trying to shut you down.
10:35Battery hens, Nick.
10:36That's crazy lefties.
10:37I can't even think for themselves.
10:39I know.
10:39I don't like them either.
10:40Speaking of, did you know in the theatre it's bad luck to say good luck?
10:44They say chookers.
10:45Chookers.
10:45Chookers.
10:49Chookers.
10:49For $150,000, stay with me, every play we put on, someone in a Chevy's costume walks
10:56on stage carrying a roast chicken and says...
10:59Chookers.
11:00Chookers.
11:01Suddenly everyone is saying, ooh, Chevy's Chickens champions the arts.
11:05It's not the worst idea I've heard.
11:08What's that?
11:09Wait, that might just be one of Margie's warm-ups.
11:11No, I think that's real.
11:12Okay, let's go.
11:14Ah.
11:15What's going on?
11:16Someone's sorting this out?
11:17I'll turn it off.
11:18I think we're good.
11:20Oh my God, Christian, it's the homeless guy.
11:22He was cooking in the rehearsal space.
11:24I think it's seafood.
11:25It stinks.
11:25Is there a sewage leak in here?
11:27Hello, hello, hello.
11:28Marcel!
11:29Bloody!
11:31Oh.
11:32Okay.
11:34No kissing in the workplace, please.
11:36All right, everyone, this is Marcel Dimarest.
11:38He's our artist in residence all this week.
11:40He's also agreed to run an accessing your inner clown workshop this afternoon exclusively for
11:44us.
11:45Surprise!
11:46What?
11:46I am all the way from France to tell you that none of you are being your honest, true
11:51selves.
11:52You are all pieces of shit.
11:56Mm.
11:57Challenging.
11:58He's a world-renowned clowning expert.
12:01God, how much is this costing us?
12:03You.
12:04Oh.
12:04You have a very tight, trapped energy.
12:07Yes, that's what I've been saying.
12:09She's got no access to her emotions.
12:11I studied under Marcel in France.
12:13I'm one of his disciples.
12:15You are his disciples.
12:17Oh.
12:18Listen to me.
12:21Best use of my life.
12:22I've got that trench coat.
12:23Get through, customer.
12:24Margie, can we have a word, please?
12:26What?
12:26What do you want?
12:27Let's talk outside.
12:28Get fresh air.
12:29God.
12:30All right.
12:30I'll be back, okay?
12:31I'll be right back.
12:32I don't understand.
12:45He opens Steve Jobs right up.
12:48Isn't he dead?
12:49Yeah, but he wasn't always dead.
12:50Oh, this is the dumbest conversation.
12:52The point is, I've got a very important sponsor on the hook, so leave me out of your whole clowning
12:56think tank, whatever it is.
12:58You know, sponsors are a collective decision.
13:00Well, not anymore.
13:01So, chookers.
13:02Oh, chookers.
13:03Not chookers.
13:03Oh, chookers.
13:04Oh, enough chookers.
13:05Chookers, chookers.
13:06Stephen Job is in a small ball screaming.
13:09Hmm.
13:10Dead.
13:11Slowly, he opens his eyes.
13:13He looks at me, and he says,
13:16like an iPhone, but bigger.
13:19Et voila.
13:20That is how he invented the iPad.
13:22Unbelievable.
13:23I am the catalyst.
13:24To all this.
13:26Nick, I thought we might take this conversation offline, maybe go to a cafe, talk more about
13:30the sponsorship.
13:31No, no, I think I want to stick around for this workshop.
13:33Boom.
13:34Boom.
13:34Great.
13:35Boom.
13:35Yeah, so go and see Donna, jump into some comfies, and I'll catch you in there.
13:39Some watsits?
13:39Comfies.
13:40You can't wear that.
13:41We're going to get right into our bodies during this.
13:43All right, I'll smash this.
13:44I have been wearing this same jacket since 1992.
13:48Well, I think that surprises no one.
13:50It looks good, Marzie.
13:52You like it?
13:54Yeah, look, I'll have to run up a flagpole, but I think we might have a deal.
13:58Wonderful.
13:58Good decision.
13:59You won't regret it.
14:00Mom?
14:00Margie does not want pastel colour comfies.
14:03Uh, Nick, this is my son Ryan.
14:05Sup, bro?
14:06Sup.
14:06Ryan, this is Nick.
14:07Nick is the CEO of a huge hospitality company, and he also has a partner called Michael.
14:13He's a man.
14:14Okay.
14:14He's a finance gay.
14:16I'm just saying, not all gays end up in the arts.
14:18Mum, you can't say stuff like that.
14:19Why not?
14:19No, no, it's okay.
14:20She's right.
14:21See?
14:21Look, when I was at uni, I thought the drama department was the only place for me.
14:25But then, I realised that it's okay to love KPIs.
14:30This is cooked.
14:31You're cooked for that, Mum.
14:32That's from the horse's mouth, Ryan.
14:35Let's see if it's through here.
14:36Oh, my God.
14:37Yeah.
14:38Oh, okay.
14:40Is that garlic or shit?
14:42Oh, maybe both?
14:43Is that guy living here?
14:44He pockets his hotel per diem.
14:46Come on in, everyone.
14:47Leave your old self at the door and embrace your inner clown.
14:51Oh, my God.
14:51Does she not have a sense of smell?
15:00What's happening?
15:01I don't know.
15:02Really?
15:03I don't know.
15:06C'est fini.
15:07How funny.
15:09Oh, that stuff is hilarious.
15:11Marcel's going to do another activity for us now about finding a character or personage,
15:17as they say in the French.
15:18So, listen up, everyone.
15:19Ears to the front.
15:20We're each going to get into character now.
15:22Who is living inside you?
15:25Hello?
15:26Who is in there?
15:29You.
15:30Get up.
15:31Who is there?
15:32Well, do not bore me.
15:34Hmm?
15:35I mean, go, go, go, go.
15:41Hello?
15:43Hello?
15:44My name's Walter.
15:45I'm the biggest ladies' man in town.
15:47I love rock-a-roll music.
15:49I love rock-a-roll music.
15:49You're more kind of like that.
15:50Oh, no, no, no, no.
15:51This is best in no truth.
15:53I feel nothing.
15:54Oh, yeah.
15:55You are, you are empty.
15:57V.
15:57Okay.
15:58Get off.
15:59Get off.
15:59Yep.
16:00Empty.
16:01I don't know.
16:01I didn't want to do that.
16:02I really didn't want to do that.
16:03I don't know.
16:04You.
16:09No, no, no, no, no, no, no.
16:12I have fallen asleep.
16:13I am so bored.
16:15I hope I die in my sleep.
16:17Ugh.
16:19Get out of my eyes.
16:22Oh, dear.
16:26You.
16:27You.
16:28Get up.
16:29Uh, no, I won't.
16:31What, you were scared?
16:32No, I'm not scared.
16:33I just have financial reports to check.
16:35Oh, too scared to do it.
16:37Some great corporate leader.
16:39I will not be goaded into doing something silly by a clown and a bunch of lefties.
16:43Let's get out of here, Nick.
16:44Let's go and sign some contracts.
16:45Yoo-hoo!
16:47What have we got here?
16:49I'm Julia McNamara.
16:50Oh, ha, ha.
16:52How much does that cost?
16:54How much does that cost?
16:56I'm a corporate robot.
16:57Is that my suit?
16:58This is something interesting, my God.
17:01Ah, ah, ah, ah, ah.
17:02It's a mindset, like a mindset.
17:05Ah, ah.
17:05That's funny.
17:06Silence.
17:06I cannot feel.
17:09But I have secrets.
17:11Lots and lots of secrets.
17:13How long have you been living in this corporate hell?
17:1618 years.
17:17Oh.
17:18Since I lived in Camberwell.
17:20Oh, but Tom.
17:22Tom!
17:23Hey, come on.
17:24You can't leave.
17:25Ryan, you want to jump in?
17:26Ellie, Ellie.
17:27Yes, come here.
17:28Let mummy look after you.
17:31What's she doing?
17:32Oh, no.
17:32Ah, oui.
17:33Oh, my God.
17:34She's being frustrated.
17:35Oh, hey, hey.
17:36Whoa, no, no.
17:38Er.
17:40I'm Maggie.
17:41I feel my feelings.
17:43And everything's about me.
17:46Everyone pay attention to Maggie.
17:48Oh, and cry, Abla.
17:50Now, this is real.
17:51You see what Julia is doing here.
17:53Wait, Bill, what else?
17:54Chookies, chookies.
17:56They pounded me to Paris.
17:58And now I'm in my forties.
18:01My breasts are so fulsome.
18:02I'm having more sex than I've ever had before.
18:05I don't walk like that.
18:06I don't walk like that.
18:08Julia, I would love to explore this far away.
18:15Let's all get back to it, OK?
18:20Well done, everyone.
18:21My, my, Abla.
18:25Nick, I'm so sorry.
18:26I know that was upsetting.
18:27Are you all right?
18:28I'm just a corporate robot.
18:30No.
18:31Don't be silly.
18:31My life is meaningless.
18:33I don't even like chicken.
18:34Everyone likes chicken.
18:35Come on.
18:37That was very powerful.
18:39OK, thank you.
18:40I know what I have to do now.
18:42I have so much to learn from you, Marcel.
18:44So how do I find my true self?
18:47You move to France.
18:48You make three payments of 467 euros.
18:52And you smoke this.
18:55Hey, OK.
18:56If you have a credit card or, how do you say, direct debit,
19:00de toute façon, c'est facile.
19:02Right.
19:03Right, yes.
19:04I'll get my wallet.
19:04I know.
19:05Yes.
19:06Hey, Marcel.
19:07Have you seen that I'm doing Les Pizons et Moïtien today?
19:09Ah oui, la pièce indoutable.
19:12I see Caitlyn was doing a show off-Broadway.
19:15Yes, I know, I know.
19:16Why is everyone obsessed with Caitlyn?
19:19Maybe your father loved us slightly more than you.
19:24But remember when Papa took me to Paris?
19:27Remember when we had that tiny rehearsal space in the apartment
19:29and we'd all go to the apartment?
19:31It's so boring.
19:32Yes.
19:33Use it for your art.
19:35Mm-hmm.
19:37More wine.
19:38More fun.
19:41Sorry, Marcel.
19:57Well, what's going on here?
19:58Oh, well, what's going on here?
20:12Margie just asked me to clean her office.
20:14Oh, I saw what you...
20:15That's disgusting.
20:16She's one of the finest actors in the country
20:18and you're going to do that?
20:18Hey, hey, hey.
20:19Yeah?
20:19What's going on here?
20:20Oh, I hate to be the bearer of bad news,
20:22but I've just walked in on your son
20:25sexually interacting with that poster.
20:27Sexually?
20:27Yes.
20:28I was just cleaning it.
20:29I don't see tits.
20:30It's just Windex and glass.
20:31They're called breasts, Ryan.
20:33And they happen to be attached
20:34to one of the finest actors in this country.
20:36Look, we've all thought about it, okay?
20:38But we don't act on it.
20:39Keep it in there.
20:40I'm gay.
20:41What?
20:43You know what?
20:44I've had a huge day.
20:45I'm out of here.
20:46Wow.
20:50Ryan, why are you still here?
20:51I'm doing chores, actually.
20:53Chores?
20:53You don't even put a plate in the dishwasher at home.
20:55I did actually want to say, Mum,
20:57you look pretty great up there today.
20:59Well, thank you.
21:01But in future,
21:02can you please not tell Margie things
21:04about my personal life?
21:05Yes.
21:05Or simulate breastfeeding?
21:08Yes, fine.
21:08Or do whatever it is
21:10you were doing with that poster?
21:11Oh, okay, yes.
21:12Anything else?
21:18What the hell is that?
21:23No, no, no.
21:27There's a sherry.
21:31Oh, here comes Flubber.
21:35Oh, here comes Flubber.
21:45Oh, wow.
21:49Good morning.
21:51Oh, girls are out, Margie.
21:53Oh.
21:54You must have fallen asleep.
21:55Oh, dear.
21:56We were having a late night clown workshop, weren't we?
22:00Oh, is that what you call it?
22:00Yeah, I was playing the role of a lonely housewife, you think?
22:04All right.
22:05What have I been doing?
22:06You had some really good ideas about slapstick.
22:09Hell of that.
22:10Oh, I don't think so.
22:11No, I need to go back to my job and my life.
22:13Great.
22:14And what about our sponsorship deal?
22:15You know, I want nothing more to do with this place, okay?
22:18Ah, hang on a minute.
22:19We had an agreement.
22:20The agreement is cactus.
22:22It's over.
22:22Your chook is cooked.
22:23Oh, Nick, I think you are being a little hasty.
22:27Hang on.
22:27Oh, no.
22:27Because I've got something that might just change your mind.
22:31Shop for breakfast.
22:33Merci, Marcel.
22:35Oh, muscles.
22:37Yum.
22:40Oh, Marcel.
22:44No more muscles, please.
22:46Ah, Marguerite.
22:48Julia.
22:48I was hoping you would still be here.
22:50Hey, if anyone's worried about what happened at our workshop last night,
22:53it was all made up, okay?
22:54It's called acting.
22:55It's not what I saw.
22:57You just don't recognise artistic expression.
22:59Ah, and you don't recognise a clown with STDs.
23:01But the good news is I have secured a $150,000 sponsorship
23:05from Chevy's Chooks.
23:07Carmel is thrilled.
23:08Julia, please.
23:09That chook guy is long gone.
23:11I don't think so.
23:12Already signed off on it.
23:13An exclusive deal.
23:14Their branding on our artwork,
23:15plus the placement of a roast chicken
23:17in every play moving forward,
23:19carried on by a Chevy's mascot.
23:21That's an artistic decision.
23:22You can't just put roast chooks into plays.
23:24We're a roast chook nation.
23:25Everyone's going to love it.
23:26I don't believe Nick's changed his mind.
23:28You're bluffing.
23:29Yeah, he didn't really have a choice.
23:32Yeah.
23:34Yeah.
23:36I don't want his partner seeing this.
23:39Ooh.
23:41I look quite good there, don't I?
23:42It's a powerful angle.
23:43Oh, that is the most expensive sexual congress
23:47that man's ever had.
23:48I can't believe you used that against Nick.
23:51That's evil, Julia.
23:52Yep, but now we can afford a big star.
23:54So I just need to get a contact for Caitlin Allard's agent.
23:58Got one?
24:00No.
24:01Oh, well.
24:03Chookers!
24:18Caitlin has two million online followers.
24:20That is how you shift tickets.
24:22Caitlin Allard, eh?
24:23Oh, why is everyone obsessed with her?
24:25I can't work out what's going on with this dysfunctional family.
24:27Ryan, you're young.
24:28How do I get online followers like Caitlin?
24:30When I do a thumbs up, it means we're live.
24:31What is going on out there?
24:35Excuse me, who are you?
24:37Julian Assange.
24:38I will be going full method for this role.
24:39What are you doing at my computer?
24:41Who has been posting about me on the Argyle Socials account?
24:44Oh, my God.
24:45What have you guys done?
24:46It's been gray and doesn't matter
24:50It's no more sun, it's just the weather
24:54Peace and love will last forever
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