- 6 hours ago
Category
🎥
Short filmTranscript
00:22Your first priority to me, for now, Ayaa.
00:30I will talk to you.
00:35Yeah, yeah.
00:37Sarah is a little more unknown to me,
00:38so there's a little more gray area that I'd like to explore,
00:41but Tulay is obviously hard to ignore.
00:45Salud.
00:46My heart feels safe with you.
00:49Already there is connection, there's feelings,
00:52and we can barely even speak.
00:55The Trip and the Lady went back,
00:58making a couple of couples.
00:59Thank you, Brazil!
01:01Yes, I loved the meeting,
01:03but you did everything today.
01:05Don't talk to me anymore.
01:06No, no, no.
01:07You're not with me.
01:19Hey, my friend is .
01:41The trip came back from his date and totally ignored me.
01:46I guess that means he and Lady have a good connection.
01:49But this attitude made me feel rejected and my way of defending myself was through rage.
01:57I just want to send him, you know where, Giselle says he mistreated her.
02:11Honestly, I didn't see it, I wasn't there when she said he mistreated her.
02:15But I did notice that when Tripp got closer to me, Giselle got super jealous.
02:21She gave me a dirty look, she gave Tripp a dirty look and she left.
02:25I'm going to talk to him to see what's going on.
02:41I am feeling emotionally and intellectually confused because this is not normal for me.
02:52This is not a normal thing in my life to like to hook up with one girl one day and
02:56then the next like, you know, I'm with somebody completely different.
02:59I feel like I'm in the middle of a love triangle where the women can communicate with each other, but
03:05I can't.
03:06There are real feelings involved and I don't want to hurt anybody or be hurt.
03:12Giselle is very good.
03:14Well, Giselle is feeling a lot of emotion, English language barrier.
03:24Giselle connection, so many emotions in one quick, so much heart, so me heart in one moment.
03:35Comprende one moment, right?
03:37This heart, my heart in this particular moment.
03:41So, my heart go many directions.
03:44Sometimes one moment makes my heart feel, you know, so most of the time, my heart for some, when open,
03:52for someone go many, many, many.
03:56It's time with Tripp trying to talk, but I'm not sure what he's trying means.
04:01It looks like some kind of fruit.
04:04But momento, English, ding, ding, unique.
04:08I have a question.
04:10Do you like Giselle?
04:13Giselle, okay, so...
04:14What do you feel for Giselle?
04:18Giselle, my connection, yes, yes, different from...
04:26...lady.
04:29Giselle was the first one who had a date with Tripp.
04:32And I don't want to be fighting with her.
04:35But, right now, there's more jealousy.
04:38The girls are very possessive.
04:41I feel like my connection with Tripp is real.
04:43And I'm not sure what she feels about him.
04:46I think it's more like a physical attraction, but it's not something emotional.
04:51Well, I thought...
04:52Well, it's all right.
04:52Good morning.
04:55Good, see you.
04:58We'll carry each other...
05:02Through the waves and thunder...
05:15today i woke up with a horrible anxiety attack i'm very angry about what happened yesterday
05:22with trip i'm trying to take deep breaths in and out for a moment he made me feel very rejected
05:34so it's like it hurt me
05:44everybody heard giselle yelling at trip i think trip definitely has the tendency to rub these women
05:49the wrong way i don't think he necessarily does it on purpose but you have to be cautious of that
05:53you have to know that when you're talking to these women that there is the chance that they're
05:56going to take something the wrong way
06:00what i don't know what you said
06:04lizard lizard i however am feeling great i mean my day with id was romantic it was special
06:11it was just incredible i'm hoping that we're going to get to know each other on a different level
06:21you play games yeah you hmm that's what you do
06:33dylan is the guy i really want to know and i see how hard sarah is trying to seduce him
06:41i will try to spend more time with him
06:47i want to show him that we harmonize best so i want to start a ritual in which i use
06:54specific stones
06:55yeah you're like no no no
06:58i didn't bewitch him but i hope he is enchanted by me
07:13i'm a personal trainer and this is my profession my passion my life and i love a woman who's into
07:20fitness before lady left my room last night we agreed to work out at 8 a.m this morning so
07:26i'm
07:26very excited to share this with her
07:36regardless of how tired i feel routine and being on schedule are extremely important to me
07:41the marines definitely instilled a punctuality and just the honor and commitment to your word and time
07:53and uh i look at the time now it's 8 10 and it's 8 20 still no lady
08:02this hurts i had so much excitement that things were going to go so well
08:06half hour that's how long the workout was supposed to be
08:08this is just straight up not showing up
08:11this feels very disrespectful
08:38i have just been stood up this does not feel good
08:41being left hanging i'll give her the respect that she gave me
08:45so cara já tá de triste amiga sim nossa que cara idiota eu dei uma oportunidade pra me conectar mas
09:08na vida real eu nem olho pra cara dele
09:12por isso que me deu raiva porque eu tô pra me conectar
09:15so cara égore temer mais
09:20aisha room is jesal i saw they posing how she was because of him yesterday she spent the whole night
09:25crying
09:25literally the whole night she's my friend i'll take a stand for her it's simple
09:34Toi, tu n'as pas respecté Gisèle hier.
09:40Je voulais, juste je voulais te dire ce que je pense, parce qu'hier, Gisèle a pleuré.
09:46Moi, Gisèle, je me disais avant que je respecte une connexion vraie, mais je dois aller à un autre date.
09:56Il m'a n'estapelé un peu.
09:58C'est quoi ce mot de respect, frère? C'est quoi ces gens?
10:01Disrespect, quelqu'un a fait disrespect.
10:04Moi, le coeur me me me me me me me me me me me me me me me me me
10:08me me me me me me me me me me me me me me me.
10:14Je suis blessé, à un moment donné, il veut dire que je respecte les femmes, tu ne respectes personne.
10:19Tu ne respectes personne, et je te le dis face à face.
10:22Tu n'as pas respecté Gisèle, hier de temps à pleurer, et tu te feras pour que le roi du
10:26monde, tu n'es personne, je suis une ...
10:27Vira à patueur.
10:28Voilà ce que tu es.
10:29She's furious with me.
10:31Je ne sens pas que j'en ai fait pas pour te te marier de cette perre.
10:36Je me me merse de ce que je veux.
10:36Mais, elle est merveilleuse.
10:47you have 30 minutes to write a song and 90 seconds to sing it to the guys
11:05lady late and so for now i take a break
11:24there seems to be a language barrier and cultural difference mashed into one moment here i was
11:31raised to always respect not just women but but everybody the women are seeing me for someone
11:36that i'm not and there's no way of me to to communicate it's a helpless feeling
11:48trip hasn't talked to me at all this morning first trip didn't want to work out and now
11:53iman has started fighting with trip about what happened with giselle and it bothers me a lot
11:58honestly i don't know what's going on
12:06hello everyone thank you this year come on over let's go thank you that saves the day
12:12come on ladies come on over can you hear me
12:17yeah yeah so we have done a couple of exercises we have learned the power of a long gaze and
12:24we have
12:25learned the influence of pheromones when it comes to attraction scientists have shown that 30 of all
12:31communication is done through the tone of your voice when you are speaking and this is especially
12:36true when you're trying to build attraction so today's task you have 30 minutes to write a song
12:42and 90 seconds to sing it to the guys
12:49and we're going to let the guys do the same thing and do a performance yourself
12:53are you up to that guys absolutely of course yeah yeah yeah
12:56I don't do anything.
12:58No, no, no.
12:59But at a moment,
13:01I have mutual respect in life.
13:08It's coming up, Jocelyn, Jocelyn.
13:10I don't want to do anything.
13:12I don't want to do anything.
13:13I don't want to do anything.
13:14I don't want to do anything.
13:21Jocelyn.
13:26All right, give me a second.
13:31What's going on?
13:48Show that, how you're feeling.
13:50This is important.
13:51This is your chance to take that anger
13:52and show how you're feeling.
13:57I don't want to participate in this game
14:01because it's based on communication with three guys.
14:05But I have no communication with any of them.
14:08I don't have dates, no discussion, nothing.
14:13I want you to tell me that through your music.
14:16I want to hear you say that.
14:18This is your opportunity to have a platform
14:20to bring that all out.
14:24Okay.
14:25All right, ready?
14:26Yay!
14:27We got this, let's go.
14:28Y'all.
14:36I'm very happy to hear about this.
14:37I am really happy to have a date.
14:38I'm so happy to have a date.
14:40After my date with Khalil
14:42I was relieved and relaxed.
14:45I was content.
14:47But I think Jennifer likes Khalil
14:49and it really frustrates me there is a silent but very tense competition between me and jennifer
14:58so i decided to write about that
15:05i wrote my song for khalil i'm giving my all for this connection to become very strong it's my goal
15:15now you know i planned my life at 11 and i always said that at 25 i would find someone
15:23to get married to
15:26i'm turning 25 now it's time for me to find someone
15:31tie him up and get married aeri also likes him but i want him
15:46out of sheer anger i'm writing a song about trip i'm putting all of my feelings
15:50onto that piece of paper once my creativity starts up i can't stop it and the more i write
15:57the more relieved i feel
16:15lady stood me up i can't explain myself to giselle and i'm getting yelled at there's a lot of tension
16:22and
16:23anger i don't have a way to fix this and i feel more misunderstood than ever
16:39okay it's time let's go outside let's go everybody
16:49does everyone got to see
16:55so all of you had a chance to write down your emotions your feelings i know you haven't been
16:59able to communicate with each other the frustration because of the language barrier but this is your
17:04chance to find love this is your chance to make a connection so we're going to get started i need
17:11to know who would like to go first
17:16okay we have a volunteer
17:34finally i have the opportunity to tell them everything that i have on my mind
17:41hello guys
17:42hello guys
17:44hello guys
17:46hello guys
17:47i'm a good one because i'm someone who is very happy with values
17:51that is the family values
17:53the knowledge of living in society
17:56white or white we are wrong
17:58because the real love is the heart
18:01the heart is a very sensitive
18:04since this adventure i have come to you
18:08i'm coming with you all the time
18:10jilan
18:12salut
18:13you come here
18:14you're afraid of me
18:16and why are you afraid of me
18:18the woman is the humanity
18:22she has said my name twice
18:24it's a little difficult for me to understand the exact emotion that she's feeling but i think her eyes
18:29combine with her body language and her tone i can kind of add those up together and get a somewhat
18:34answer she's upset she's upset if she feels that way i'd love that she's expressing it
18:45a lot of the women seem angry
18:48this is not a good thing
19:15this is your heart to work
19:18I don't understand anything about what's happening, but I don't want to get rid of it.
19:23It's incredible.
19:30It's because we women, like Rosette, in this world.
19:34It's wonderful!
19:39The tone of her song makes me feel guilty in a way.
19:44She's really upset.
19:46So, I don't think this is a good thing.
19:52Who will go next out of the women?
19:56All right, Imani, come on over!
19:58It's wonderful.
20:01Oh, yeah, about to drop the hottest diss track.
20:03She's about to mic drop.
20:06Want to say something?
20:07Salut!
20:12Granted, I'm the house busybody.
20:13When I have something to say, I say it.
20:16But they don't really know who I am.
20:22Oh, okay. She looks at me.
20:24I don't want to be angry, but I'll just say what I think about you three.
20:30Dylan, there's no connection between you and me.
20:33You're beautiful physically, but it's not the physique that counts.
20:37What?
20:38Kali, you're a person that's very honorable.
20:40You're very gentle.
20:40You're very careful.
20:42I like your character and how you trip.
20:45You're too much to give you a show and you're so gentle.
20:48Your way to speak is worse than mine.
20:50Believe me, Siri.
20:52It's wonderful!
20:59Let's go, Jen!
21:01We're not going to be a person who's a good person
21:10I want to be a good person
21:12I want to be fun, fun, fun!
21:14Thank you!
21:21Your smile loves me
21:22When you look at me, I'm going to be crazy
21:26Bravo!
21:27It's a bimba, Mexico!
21:29Shakira!
21:57That was good!
22:00I'm not good at writing
22:02But I know that Dylan is alive
22:05Ok?
22:06Ok!
22:08Ok!
22:10As we can't make ourselves clear through words
22:14Through music, you can understand which feeling a person wants to convey in that moment
22:23Through this song, I want to convey to Dylan
22:27In a relationship, there should be a lot of fun and a partnership
22:36I can understand Sarah's song, so I know it's about Dylan
22:41It upsets me when I see them together
22:44When writing, I had tears in my eyes
22:47A lot of emotions came up while I was writing, yeah
22:55I love you very much
22:57Our connection is strong
23:00Our bodies are magnetic
23:03I want to dance with you
23:05The whole night
23:07I see you with other girls
23:12I don't know who has better character
23:18Wow!
23:23Tula specifically is one of the girls that tells her emotions with her eyes and definitely her tone of voice
23:30I can't understand what she's saying
23:32But clearly it's easy to tell that something is wrong
23:35Heidi, are you ready?
23:37Yay!
23:37Yes!
23:37Come on sweetie
23:39Come on sweetie
23:55I'm ready for the song
24:08I wrote that song only for Khalil
24:11I wrote that song only for Khalil
24:13I looked at his face while I was singing but he was smiling as usual
24:18Probably he didn't understand the lyrics
24:21Since there's no way he can understand
24:24That was good
24:27Wow!
24:28Good job
24:29I don't know what she said
24:31It was so cute
24:32Yeah, it was so cute
24:33Alright, Jennifer, your turn
24:35She's leaning fans
24:38That was gentle
24:39That was an appetizer
24:42Oh girl
24:43Yeah, JEMI Fest��
24:51Давайте Welcome
25:12I have no idea what the hell she said, but I know it was directed at me when she said
25:16my name.
25:17Her song has definitely got my mind spinning.
25:20I already perform her song, it's just like so cute, you know, she's just standing up
25:23there with her soft voice, but Jennifer's tone, it just kind of took me by surprise,
25:28especially knowing like how bad our first date was.
25:31I mean, maybe there is something there, I don't know.
25:34All right, Giselle, your turn.
25:36Giselle!
25:37Giselle!
25:38Ariane!
25:41I'm a Taekers of Divertida.
25:43Gentile and faithful.
25:46It's my way to become.
25:48So young girl, go from the throne because you are not king.
25:56I'm very capable!
26:05That was a surprise, yeah.
26:08Okay, I see.
26:11Wow.
26:12Trip is ridiculous.
26:15It looks like he's thinking that I have a crush on him.
26:19I am not begging to have you back.
26:23Yeah, like, get down, get up the throne.
26:28Okay, lady, you're the last one.
26:30Lady.
26:37Because of what happened with Trip, which I really don't understand,
26:41I've made the decision to write my song for one person, that's Trip,
26:46because I felt that I really connected with him.
26:48I want to tell Trip, even if he doesn't understand me,
26:51that I'm happy to feel what I feel when I'm close to him.
27:22She seems so relaxed, like as if nothing is wrong,
27:25but I clearly tried to show her that I am hurt and upset that she blew me off.
27:29It makes me feel that the deeper connection that I am feeling maybe isn't shared.
27:35So Dylan, Khalil, you're doing this together.
27:37Yeah, yeah, yeah.
27:37Are you ready?
27:38Come on over.
27:38Yeah, we're ready. Let's go.
27:40All right.
27:42Me and Khalil have decided to do a duet,
27:45so that way when we portray our tone,
27:47the women can't turn against both of us like they have turned against Trip.
27:50It's really just strength in numbers.
27:52We know the girls won't be able to understand the exact words that we're saying,
27:55but we're hoping the tone that we portray
27:57is going to be able to show the true emotions that we're feeling.
28:02To all of you, we didn't come here for the drama.
28:06All right, we came here for our baby mama.
28:09Dear Trulai, you make me feel like the month of July.
28:13I know this girl.
28:14She cooks so good like my mama.
28:17From Brolivia, her name is Juliana.
28:19Oh!
28:22That was good.
28:24I know this girl's from Japan.
28:27Maybe our plan will to be her man.
28:30Jennifer, I love your roots.
28:32From Brazil, you've got the looks.
28:35That kill.
28:37In this house, we've seen some things,
28:40but we think you all deserve rings.
28:43All right.
28:47Those two boys' songs was great.
28:52I even got goosebumps.
28:54But I got jealous when I heard him say Jennifer's name.
29:00Trip, are you ready?
29:03I believe whether I am or not, it must be done.
29:06It must be done.
29:08I'm just trying to communicate my thoughts and feelings,
29:12and I don't know if they'll understand me,
29:14but maybe they can feel what's going on.
29:18Uh, well, here it is.
29:27So much anger.
29:29So much hate.
29:34No control.
29:36I can't relate.
29:40I feel no love.
29:44I feel no hate.
29:46I just want to communicate.
29:59My only heart.
30:02It's wrong to dry.
30:05Lady.
30:11Late.
30:15And so for now,
30:17I take a break.
30:20Holy s***.
30:26Lady, promise.
30:27Ding, ding, ding.
30:28English, promise.
30:29Español, promise.
30:30Word.
30:31You break me ahead of the world.
30:33I'm the bad.
30:34It's clear.
30:36Lady and I can't communicate.
30:38Our connection does not transcend the language barrier.
30:51Lady.
30:52Late.
30:55And so for now,
30:57I take a break.
30:59Holy s***.
31:04I'm worried because Tripp stopped
31:07and he looks like he's going to cry.
31:09And suddenly I hear,
31:10broken lady.
31:12I don't understand what's going on.
31:14And I don't know what it means,
31:15but I know it was said with sadness.
31:28Lady blew me off this morning.
31:30But she acts like she's not bothered at all.
31:36Maybe through my tone,
31:38lady can understand the disappointment that I'm feeling.
31:42That was actually a really powerful experience
31:45to hear all of your emotions,
31:47your tones in your own languages.
31:49From your happiness,
31:51to your sadness,
31:53to the hurt,
31:54whatever you're feeling.
31:56There's a lot to think about here.
31:58There's a lot of emotions from everybody.
32:03All right.
32:03I'll talk to you soon.
32:08I'll talk to you soon.
32:11I'll give you every part of me.
32:13When I shouldn't.
32:15Maybe I shouldn't.
32:18And I don't know how you go to sleep.
32:20With the secrets that you keep.
32:23Maybe I shouldn't.
32:29Look, look, look, look.
33:00I felt very stupid because I wrote him a song, I sang him a song for you, and then he
33:07says to me, like, broken, I mean, like, bye.
33:11What I'm asking myself now is why did he decide to stand up in public, take a microphone
33:17and tell everyone.
33:19It's something between the two of us.
33:21Not everyone needed to hear that.
33:25Lady, lady, lady, would you like to come outside with me?
33:35Si, no.
33:37Primero quiero darte eso.
33:43Come on.
33:49Lady, this morning, work out, knee, up, look for you.
33:54Work out, eight, eight, me, lady, ocho, lady, lady, ocho, no, lady.
34:07¿Comprende?
34:07Yo fui esta mañana.
34:08¿Comprende?
34:09So, me, like, lady, no, lady, well, you think lady no.
34:17Escúchame, escúchame, yo salí, no a las ocho en punto, a las ocho, a las, a las ocho en
34:25punto, yo no salí.
34:27Yo salí a las ocho y cuarto, más o menos.
34:30Como unos minutos después.
34:32Subí, te busqué, te golpeé, tú no estabas.
34:35Lady, no tenga, when you, lady, promise, ding, ding, ding, English, promise, español,
34:40no promise, word, ding, ding, any bells, español, inglesa, promise, promesa, promesa, lady,
34:49promesa.
34:49Yo sé, yo sé.
34:50Trip, promesa, together, ocho, correcto?
34:55Calmate.
34:56This is your heart, you hurt me.
34:58Calmate, calmate.
34:59No, tú a mí.
35:04En Colombia, en Colombia, people are very relaxed in regard to time.
35:09It's like, ah, the bus comes at 2 p.m.
35:12We know the bus really comes at 2.15.
35:14In the United States, I know that if the bus comes at 2 p.m., the bus comes at 2
35:18p.m.
35:19So the cultural difference is obviously like, gosh.
35:24Porque tú dices delante de todo el mundo, lady, broken.
35:28Tú me humillaste delante de todo el mundo.
35:31I cannot understand, you don't understand, like, listen, I can't understand, I can make
35:34this easy.
35:35I find you, I don't find you, maybe, maybe not.
35:37It's clear, and our connection does not transcend the language barrier.
35:42In America, I have no problem reading signals.
35:44That's never been an issue.
35:45But here, the misunderstandings, the miscommunications, these are all, this is tough.
35:55I don't understand what's going on, but he made me feel really bad, and he doesn't want
36:02to talk to me.
36:03I definitely don't want to see Tripp's face.
36:05I don't want him near me.
36:08Personally, I want to go home.
36:15There's some tension that you guys have created with the girls.
36:19So three ladies may not want to continue this journey with you and go home.
36:26There's blood in the water, love in my car, there's blood in the water, love in my car.
36:42Thank you, girl.
36:59Hi, how are you?
37:01How's your evening going?
37:03Good.
37:04Good.
37:08Good.
37:08Tripp.
37:09Khaleel?
37:10Come on over.
37:17It's been a day for you guys, eh?
37:19It's been a few days.
37:20Yeah.
37:25Today we saw a lot of intense moments.
37:27It seems like there's some tension that you guys have created with the girls.
37:31So three ladies may not want to continue this journey with you and go home.
37:38We're all here trying to find love, and it's very up and down, and you're trying not to,
37:42you know, step on these landmines and piss these girls off, but we're not actually realizing
37:46the things that we're doing wrong.
37:48It sucks to know that there are girls that are ready to call it quits and just decide that
37:52it's not worth it.
37:54On our first night here, Sangeeta told us that any of us could leave if we weren't
37:57making any connections.
37:58I could be interested in someone today, and I wake up and she's not there.
38:02This makes everything more of a challenge and everything more stressful.
38:06So, I am going to give you the translation devices to have an open, raw conversation
38:11with these ladies.
38:12Uh, yes.
38:13Yes.
38:14Yes, please.
38:15Even playing field now.
38:17Try these on for this time.
38:19I will take them back later on.
38:21That's about time.
38:23And I will show you how to use this.
38:25All right.
38:25But essentially, you will have a conversation with them.
38:29You will understand them, what they're saying.
38:32Then these three ladies will make a decision.
38:35They may pack their bags and leave the villa.
38:41Yeah.
38:43I'm trying to guess which of these women want to go home.
38:47And I'm hoping that it's not ladies because, at the very least, there needs to be some closure.
38:53Let's go.
39:07Let's go.
39:15Next I'm on, Love and Translation.
39:31And I'd never thought someone would be leaving so soon.
39:34And we had to make these women feel valued and cared for.
39:37So, Dylan looks like YUM.
39:39It feels weird.
39:41But I can't imagine that there's something really intimate out there.
39:45We promise you, we will do better.
39:48For all.
39:49We got to be able to find that common understanding.
39:52In different cultures, like that might be a different scenario that she persists.
39:55I understand that.
39:56I understand.
39:56Sometimes I have to put cultures aside when it comes to just like...
39:59The thing is, we don't really have room to put cultures aside.
40:01I feel like a fool.
40:03I've misread all of the signals.
40:05Anybody can leave at any time.
40:07I mean, that could be somebody that...
40:09I'm very invested in.
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