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00:00The Argonne is having a few tiny financial issues.
00:03When my father started this place,
00:04do you think he was thinking about money?
00:06I've just got a little budget here for
00:07Les Paisons et Moitiens today.
00:09The peasant show?
00:10Yeah.
00:10Okay. Not gonna happen.
00:12We've got this new CEO.
00:13She's really throwing her weight around.
00:14Did you get the email I sent you about the Pulse 54 program?
00:17Mum, I'm a gay man and an actor.
00:18Sorry, what?
00:19Oh, that, yeah.
00:21I barely even noticed that anymore.
00:23Ha! Ha!
00:24Maggie's cast me in her French play about a peasant.
00:27This isn't happening.
00:28Oh, dear.
00:28She has got to go.
00:29And I'm more than happy to pull the trigger.
00:34Oh, no, this is bad.
00:35Do we think she's seen this or...?
00:38It just came out this morning.
00:39Okay.
00:39I just can't imagine having a sister this famous.
00:42Oh, poor Maggie.
00:43I'll turn the Wi-Fi off.
00:44Hello!
00:45Yeah.
00:46Morning, everyone.
00:47Oh, Kat, I love your hair.
00:49Thanks.
00:50Kat's got a new fringe, everyone.
00:51I've had it for ages, actually.
00:53You know, I find with my hair,
00:54I just kind of need to follow the natural rhythm.
00:57You know, it tells me which way it wants to go in the morning.
00:59Mmm.
01:00You look great.
01:02Wind or rain, doesn't matter.
01:07Snow or sun, that's just the weather.
01:13Uh...
01:13Bring it up!
01:18Maggie, here you are.
01:2010am start today, is it?
01:21Hey, have you seen Kat's new fringe?
01:23Look at this.
01:24Very stylish and groovy, Kat.
01:26Can we talk spending now, please, Maggie?
01:28Hey, how was your weekend, Julia?
01:29Did you have any hot dates?
01:30Come on, don't be silly.
01:31I don't think anyone's still looking for love at this age.
01:33I'm still looking for love at any age.
01:35I've actually found my 40s to be my most sexually active.
01:38I feel like I'm really in my body.
01:41Right.
01:41Yeah, like I'm really sitting in my sex.
01:44Okay.
01:44I'm feeling good.
01:45I don't feel dried up.
01:47Hey, Mum.
01:47Oh, hello, darling.
01:49How are we?
01:49Hello, son.
01:50Oh.
01:51Son, son, son, son.
01:52That's my mum.
01:53Son.
01:53That's my mum.
01:54So, what the hell is this?
01:55Day one of rehearsal for us and we are getting into character.
01:58Took us.
02:00I want to learn everything there is to know about the craft.
02:02Oh, no.
02:03Don't start saying the craft.
02:05We're meeting Julia?
02:06Uh, yes.
02:07In fact, here's my son.
02:08Come to mummy.
02:09Come on in.
02:10Oh, um, we're doing a little, um, mum.
02:13Yep.
02:13Mumma.
02:14Bubby wants a cuddle from Mumma.
02:16Wah!
02:16I think that's enough, but we have made the point.
02:19Sorry about that.
02:20Let's go.
02:21Thanks, Christian.
02:22Okay.
02:23Yeah, no improv from the admin team.
02:26It's okay.
02:27No.
02:28Was that workplace harassment?
02:29Do I need to, um, report myself?
02:31Let's stop talking about it.
02:32Okay.
02:33Alright, talk to me about the Sydney Theatre Company.
02:35Hmm.
02:35How are they making so much money?
02:37Big names, mainly.
02:38Big names, like who?
02:39Well, Caitlin Allard, for one.
02:41The Caitlin Allard?
02:42Yeah.
02:43Wow, she does stuff for them.
02:44Yeah.
02:44She wouldn't do a show for us, would she?
02:46Well, she has, back when their father was still alive.
02:49Whose father?
02:50Well, she's Margie's sister.
02:52You didn't know that?
02:53Oh, I'm sorry, what?
02:54Different mother, different surname, different vibe.
02:56Let's get her in here.
02:57I don't think that's a good idea because, um, well, they don't get along very well.
03:01Even better.
03:02Let's get Carmel on the line.
03:03We can't afford Caitlin.
03:05I need to stress that.
03:06Ah, don't worry about that.
03:06I'll find the money.
03:07Okay.
03:08I'll find us a new donor.
03:09I'll go one better.
03:09I will get us a new sponsor.
03:11But until then, it's still essential spending only.
03:14Alright?
03:15I'm writing that down so I don't forget.
03:18Mother's been shopping.
03:20These are absolutely beautiful.
03:22They are all handcrafted.
03:24I commissioned a local artist.
03:25And if you look on the bottom, they are individually inscribed with words by me.
03:30I drew a pattern of a majestic woman and sewed all night and...
03:35I think they ran out of room on that one.
03:37Oh, I love it.
03:38Did I hear the word handcrafted?
03:40How much did these cost us?
03:41Thousand.
03:42What?
03:43Four thousand.
03:44Four thousand?
03:45Dollars?
03:46They are cute.
03:47What does yours say, Christian?
03:49Christian.
03:50Oh, that's lovely.
03:51Says it all.
03:52Yeah.
03:53I just feel like things have been really hard lately, you know, so I wanted to acknowledge
03:56that and hold space.
03:58Um, is there anything you've been sitting with, Julia?
04:00I've been sitting with a lot of debt and a crazy spendthrift.
04:03So, no kookaburra for me, thank you.
04:05No, there is.
04:06There it is.
04:07That's nice.
04:09Your strength lies elsewhere.
04:11Mmm.
04:11Chookas!
04:12Those are total chookas.
04:13Okay, what is the chookas thing?
04:15Last week it was eggs, then kookaburras, now chookas.
04:18Why are you all poultry obsessed?
04:19In the theatre, it's bad luck to say good luck, so we say chookas.
04:22Chookas?
04:23Yeah, chookas.
04:24Chookas.
04:24I don't have time.
04:25I'm chasing new sponsors.
04:26Oh, that's good, because I've been thinking during l'epison et moi tientere, we could
04:31project my face on the back of the theatre and I'd just be crying in a continual loop.
04:34Well, chookas, if you think we're paying for that.
04:37Oh, chookas to you if you think you're not paying for that.
04:39Chookas to you.
04:40Okay, chookas.
04:41Oh no, chookas.
04:41Chookas.
04:42Oh, what?
04:43Really?
04:45Yeah, chookas.
04:47Chookas.
04:47Actually, yes.
04:50Chookas.
04:51Hmm.
04:51Hmm?
04:52Oh.
04:53Could we turn the internet back on please, Donna?
05:00Your mum is a hard nut to crack, isn't she?
05:03Yeah, sorry.
05:03No, I just hope she doesn't ruin our play with her budget.
05:06Yeah, me too.
05:07Oh, you were going to tell me about the Smirnov acting method?
05:10Stanislavski.
05:11Oh, yes.
05:12Well, yeah, Stanislavski, yeah.
05:13Okay.
05:14You know what I really feel like, actually?
05:16One of those yummy fishbowl salad things and a green juice.
05:19Oh, yum.
05:20Yum.
05:20Yum.
05:21Yeah.
05:23You want me to get it?
05:24Yes, please.
05:25Okay.
05:26It's part of the relationship building.
05:27Yeah.
05:28Alright, thanks.
05:31Internet's back on.
05:32Oh, good.
05:33Finally.
05:37Fuck!
05:43Hello?
05:44Hello?
05:45Oh.
05:46God, what a smell.
05:48Kat?
05:48Kat?
05:49Uh, homeless man's just walked right in.
05:51Really?
05:51Yeah, the man in the trench coat with the blood-curdling BO.
05:54Yeah, well, we've just described every actor in Melbourne, so...
05:59Oh, Ryan.
06:00How dare you put your finger up at me in a meeting?
06:03Well, how dare you not give Margie the budget she needs for her play?
06:06It has to be unlimited, Mum, okay?
06:08It's really starting to affect our working relationship.
06:10Working relationship?
06:11Oh, darling, she's taking you for a ride.
06:13No, she's not.
06:13She literally sees something in me.
06:15Now, if you'll excuse me, I need to go and deliver her lunch and clean her office.
06:18Okay, good.
06:19Yes, please get out of here because I'm waiting for a very important sponsor.
06:22Go on.
06:22I'm gonna get us the money for a massive star.
06:24Off you go.
06:24No, wait, who's the massive star?
06:26Not your business.
06:26No, Mum, come on, it is my...
06:28Come on.
06:28It's Caitlin Allard.
06:29No way.
06:30No, there is no way you're getting Caitlin Allard.
06:32Literally.
06:33That's a chookers.
06:34That is a hard chookers.
06:36She's in Marvel movies.
06:39Donna, Jacob, you know what?
06:41I'm happy for her.
06:42Who, bub?
06:43Caitlin.
06:44She's doing an off-Broadway show.
06:45What?
06:45No way.
06:46I didn't know that.
06:47Did you know that?
06:48I didn't know that.
06:48Really?
06:49Because it's everywhere.
06:50Yep, off-Broadway.
06:51Which is even cooler than on-Broadway.
06:53So, of course, she gets to do that.
06:55You know, she's probably trying to claw back some credibility.
06:57But honestly, who cares?
06:59You know what I mean?
07:00Who cares?
07:00Who cares?
07:01Who cares?
07:01Who cares?
07:02No one cares.
07:03You know what I mean?
07:04No one cares about it.
07:07You know?
07:07But I just wish her so much happiness and luck.
07:10You know?
07:11Like, good luck, Caitlin!
07:13You know?
07:14Slay!
07:17Slay!
07:20You know what?
07:21Let's get on with actual work.
07:36I mean, it is giving peasants.
07:38Absolutely.
07:39You know what I mean?
07:40I just destroyed Mum over your budgets.
07:43You should have seen me.
07:44Oh, you didn't have to do that.
07:46Did you just heat those up in the microwave?
07:48Yeah, lad.
07:48Do it in the freezer if you want them.
07:49Is this black?
07:51No nugget fingers.
07:52Sorry.
07:53Mum reckons she's getting a big star.
07:55What?
07:56Yeah, get ready for this.
07:57Caitlin Allard?
07:58Like!
07:59What?
08:00Can you believe that?
08:01No, no, no.
08:02Come, come, come, come.
08:03What?
08:04Let's go.
08:05What are you talking about?
08:07What did I do?
08:08Caitlin, it's her sister.
08:12She's just gonna waltz back in here.
08:14Great.
08:15I am so sorry you had to hear that from Greasy Nugs.
08:18I mean, what's going on?
08:20You know, Papa took me to Paris.
08:22It's me.
08:22I know, babe.
08:23I know.
08:25You know, I could have sold out to Hollywood.
08:28My phone was ringing.
08:30You know, but I stayed at the theatre, you know, the true craft.
08:34Yeah.
08:36Yeah, you're an icon.
08:37You know, I've often thought to myself, you know, what if Steven Spielberg called me up and said,
08:42Margie, you know, we've got a film for you here.
08:45It's a role written just for you.
08:47And we'll fly you over first class.
08:49Hope your passport's ready.
08:50And then I get off at the other side and, you know, the driver picks me up and takes me
08:55to my mall.
08:56I'd say, no, thank you.
09:00No, that's right.
09:01Because you're the bigger person.
09:02Yeah.
09:04I've got to get rid of Julia.
09:05That's it.
09:06Yeah.
09:06What are you thinking?
09:08Push her down the stairs or months of emotional bullying?
09:12Well, neither of those.
09:17This is the main office.
09:19Ah.
09:20Christian.
09:21Yes.
09:21This is Nick, CEO of Chevy's Chicken.
09:24Wow.
09:25I love your Friday night chicken meal for one deal.
09:27Big fan.
09:28I came up with that.
09:29Really?
09:29Yeah, I haven't eaten it, obviously.
09:31Yeah, okay.
09:32Nick's in my Pulse 54 community.
09:33We're like the cool group, you, me, Scott.
09:36A bit like the cool group at school.
09:38I'm just kidding.
09:39Have you managed to meet up with Scott yet?
09:41I keep trying to pin him down for a one-on-one, but he's so busy.
09:43No, apparently he doesn't do one-on-ones.
09:45I'm a pilates freak myself.
09:47Same sesh every Tuesday, the last seven years.
09:50That's good.
09:50Me and the gals.
09:51Let's just go through to my office.
09:53They're going through a lot.
09:54I'm happy to be there with them to do the pilates.
09:57Did you do pilates?
09:59Yeah, grab a seat.
10:00I just wanted to bring you in just to talk a little bit about the acting process, you know?
10:04You can access whatever you want for a character.
10:07Stuff from your childhood.
10:09Right.
10:11Like, when did your dad leave?
10:12I was heaps young.
10:13Dad said Mum went psycho after having me.
10:16He had to go.
10:17I was sad and shit.
10:18Okay, yeah.
10:19And what was his name?
10:20Tom.
10:21Mm.
10:22And where were you living at that point?
10:25Camberwell, I think.
10:26Or...
10:26Okay.
10:27I reckon we can use some of that.
10:28So let's, you know, how are you feeling?
10:30Dad, what's coming to mind?
10:31He's walking away.
10:33He's walking away.
10:34He's walking away from you.
10:36And how do you feel?
10:37I feel sad.
10:38Yeah?
10:38What do you say?
10:39What do you say to Dad when he's walking away?
10:40I'm going to say, Dad, come back, please.
10:42Please come back.
10:43Why are you leaving me?
10:44Okay.
10:46Yeah.
10:47You know, you actually have a really raw quality.
10:50I haven't seen it before.
10:51It's fascinating.
10:53Thanks.
10:55Makes me thirsty.
10:56For the stage.
10:57Nah, latte.
10:59Oh.
11:00Mm.
11:00I could get you one.
11:01Oat.
11:02Yeah, sure.
11:03Don't go to the one down there.
11:05Go to the other one.
11:06It's a bit further, but it's better.
11:10Appreciate you taking the time to come in, Nick.
11:12So here's the pitch.
11:14Chevy's Chickens sponsors the Argyle Theatre.
11:17Why?
11:18Because I'm gay.
11:19Because I know Peter is trying to shut you down.
11:21Battery hens, Nick.
11:23That's crazy lefties.
11:24They can't even think for themselves.
11:25I know.
11:26I don't like them either.
11:27Speaking of, did you know in the theatre it's bad luck to say good luck?
11:31They say chookers.
11:32Chookers.
11:33Chookers.
11:33Yeah.
11:34So I'm offering you an exclusive sponsorship deal for $150,000.
11:39Stay with me.
11:40Every play we put on, someone in a Chevy's costume walks on stage carrying a roast chicken
11:46and says...
11:47Chookers.
11:48Chookers.
11:49Suddenly everyone is saying, ooh, Chevy's chickens champions the arts.
11:52It's not the worst idea I've heard.
11:56What's that?
11:57Just wait.
11:57That might just be one of Margie's warm ups.
12:00No, I think that's real.
12:01Okay.
12:01Let's go.
12:02Ah!
12:03What's going on?
12:04Is someone sorting this out?
12:05I'll turn it off.
12:07I think we're good.
12:09Oh my god.
12:09Christian, it's the homeless guy.
12:11Why?
12:11He was cooking in the rehearsal space.
12:13I think it's seafood.
12:14It stinks.
12:15Is there a sewage leak in here?
12:16Hello, hello, hello!
12:17Marcel!
12:18Oh, bloody!
12:21Oh!
12:22Oh!
12:22Okay.
12:23Okay.
12:23Okay.
12:24No kissing in the workplace, please.
12:25Thanks, everyone.
12:26This is Marcel Demarest.
12:27He's our artist in residence all this week.
12:30He's also agreed to run an accessing your inner clown workshop this afternoon exclusively
12:34for us.
12:35Surprise!
12:36What?
12:36I am all the way from France to tell you that none of you are being your honest true selves.
12:43You are all pieces of shit.
12:47Right.
12:48Challenging.
12:48He's a world-renowned clowning expert.
12:52God, how much is this costing us?
12:54You.
12:55Oh.
12:55You have a very tight, trapped energy.
12:58Yes, that's what I've been saying.
13:00He's got no access to her emotions.
13:02I studied under Marcel in France.
13:04I'm one of his disciples.
13:07One of his disciples.
13:09Oh!
13:10Listen to him.
13:13Best use of my life.
13:14I've not had that trench coat.
13:15Get three customers.
13:16Maggie, can we have a word, please?
13:18What?
13:18What do you want?
13:19Let's talk outside.
13:20Give fresh air.
13:22God, alright.
13:23I'll be back, okay?
13:25Ah, je l'ai.
13:26Ah, oui, à bientôt.
13:27Je l'ai, je l'ai.
13:27Au revoir, Maggie.
13:29Oh, pardon.
13:31What?
13:31What do you want?
13:32He's not very funny, is he?
13:33Who?
13:34Your homeless clown.
13:36Marcel?
13:36Oh, no, no, you'll love him.
13:37He's worked in corporate settings.
13:39He opened Steve Jobs right up.
13:41Isn't he dead?
13:42Yeah, but he wasn't always dead.
13:44Oh, this is the dumbest conversation.
13:45The point is, I've got a very important sponsor on the hook,
13:47so leave me out of your whole clowning think tank, whatever it is.
13:52You know, sponsors are a collective decision.
13:54Well, not anymore.
13:55So, chookers.
13:56Oh, chookers.
13:57Oh, chookers.
13:57Oh, chookers, you do.
13:58Chookers.
13:59Chookers.
13:59Chookers.
14:00Chookers.
14:01Steven Job is in a small ball screaming.
14:04Dead.
14:06Slowly, he opens his eyes, he looks at me, and he says, like an iPhone, but bigger.
14:13And voila.
14:14Et voila.
14:15That is how he invented the iPad.
14:17Unbelievable.
14:17I am the catalyst.
14:19Oh, this.
14:21Nick, I thought we might take this conversation offline, maybe go to a cafe, talk more about
14:25the sponsorship.
14:26No, no, I think I want to stick around for this workshop.
14:28Boom.
14:29Boom.
14:30Great.
14:31Yeah, so go and see Donna, jump into some comfies, and I'll catch you in there.
14:34Some what's it?
14:35Comfies.
14:36You can't wear that.
14:37We're going to get right into our bodies during this.
14:39Alright, I'll smash this.
14:40I have been wearing this same jacket since 1992.
14:45Well, I think that surprises no one.
14:46It looks good, Marzi.
14:47Oh, God.
14:49You like it?
14:50Yeah, look, I'll have to run up the flagpole, but I think we might have a deal.
14:55Wonderful.
14:55Good decision.
14:56You won't regret it.
14:57Mum, Margie does not want pastel coloured comfies.
15:00Uh, Nick, this is my son Ryan.
15:02Sup, bro.
15:03Sup.
15:03Ryan, this is Nick.
15:05Nick is the CEO of a huge hospitality company, and he also has a partner called Michael, who's
15:10a man.
15:11Okay.
15:12He's a finance gay.
15:13I'm just saying, not all gays end up in the arts.
15:16Mum, you can't say stuff like that.
15:17Why not?
15:17No, no, it's okay.
15:18She's right.
15:19See?
15:19Look, when I was at uni, I thought the drama department was the only place for me.
15:24But then, I realised that it's okay to love KPIs.
15:28This is cooked.
15:30You're cooked for that, Mum.
15:31That's from the horse's mouth, Ryan.
15:33Is that through here?
15:35Oh, my God.
15:36Yeah.
15:36Oh, okay.
15:39Is that garlic or shit?
15:41Oh, maybe both?
15:42Is that guy living here?
15:43He pockets his hotel per diem.
15:45Come on in, everyone.
15:46Leave your old selves at the door and embrace your inner clown.
15:50Oh, my God.
15:51Does she not have a sense of smell?
16:00What's happening?
16:01I don't know.
16:02Really.
16:03I don't know.
16:06C'est fini.
16:08How funny.
16:09Oh, that stuff is hilarious.
16:12Marcel's going to do another activity for us now about finding a character or personage.
16:17Personage.
16:17As they say in the French.
16:19So, listen up, everyone.
16:20Ears to the front.
16:21We're each going to get into character now.
16:23Who is living inside you?
16:26Hello?
16:27Who is in there?
16:31You.
16:31Get up.
16:33Who is there?
16:34Do not bore me.
16:36All right.
16:36All right.
16:42Go.
16:42Go.
16:42Go.
16:43Hello.
16:44Hello.
16:45Hello.
16:46My name's Walter.
16:47I'm the biggest ladies man in town.
16:49I love rock and roll music in my Cadillac car.
16:52Oh, no.
16:53This is best in no truth.
16:55Yeah.
16:55I feel nothing.
16:57Mm-hmm.
16:57Oh, yeah.
16:58You are empty.
16:59Veed.
17:00Okay.
17:00Get off.
17:02Get off.
17:02Yep.
17:03Empty.
17:04I didn't want to do that.
17:05I really didn't want to do that.
17:06I don't know.
17:07You.
17:12No, no, no, no, no, no.
17:15I have fallen asleep.
17:17I am so bored.
17:18I hope I die in my sleep.
17:22Get out of my eyes.
17:27Oh, dear.
17:30You.
17:32You.
17:32Get up.
17:33No, I won't.
17:35What, you were scared?
17:37No, I'm not scared.
17:38I just have financial reports to check.
17:40Oh, too scared to do it.
17:42Some great corporate leader.
17:44I will not be goaded into doing something silly
17:46by a clown and a bunch of lefties.
17:48Let's get out of here, Nick.
17:49Let's go and sign some contracts.
17:52What have we got here?
17:54I'm Julia McNamara.
17:56Oh.
17:58How much does that cost?
18:00How much does that cost?
18:01I'm a corporate robot.
18:03Is that my suit?
18:04This is something interesting.
18:06Oh, my God.
18:07Ah, ah, ah, ah, ah.
18:08It's a grind set like a mind set.
18:11Ah, ah.
18:11That's funny.
18:12Silence.
18:13I cannot feel.
18:15But I have secrets.
18:17Lots and lots of secrets.
18:20How long have you been living in this corporate hell?
18:2318 years.
18:24Since I lived in Camberwell.
18:26Oh, what?
18:27Oh, but Tom.
18:29Tom.
18:30Hey, come on.
18:32Ryan, you want to jump in?
18:34Yes, come here.
18:35Let Mummy look after you.
18:38What's she doing?
18:39Oh, no.
18:40Oh, oui.
18:40Oui.
18:41Oh, my God.
18:41She's been breastfeeding.
18:43Oh, hey.
18:43Hey.
18:44Whoa.
18:44No.
18:45No.
18:48I'm Maggie.
18:49I feel my feelings and everything's about me.
18:54Everyone pay attention to Maggie.
18:57Oh, incredible.
18:58Now, this is real.
18:59You see what Julia is doing here.
19:01Wait.
19:01Bill.
19:02What else?
19:03Chookies.
19:04Chookies.
19:04Papa took me to Paris.
19:07And now I'm in my forties.
19:10My breasts are so fulsome.
19:11I'm having more sex than I've ever had before.
19:14I don't walk like that.
19:16I don't walk like that.
19:17Julia, I would love to explore this further.
19:20Huh?
19:25Let's all get back to it.
19:27Okay.
19:29Well done, everyone.
19:31Oh, incredible.
19:35Nick, I'm so sorry.
19:36I know that was upsetting.
19:37Are you all right?
19:39I'm just, I'm a corporate robot.
19:40No.
19:41Don't be silly.
19:42My life is meaningless.
19:43No.
19:44I don't even like chicken.
19:45Everyone likes chicken.
19:46Come on.
19:47That was very powerful.
19:49Okay.
19:50I know what I have to do now.
19:53I have so much to learn from you, Marcel.
19:55So how do I find my true self?
19:58You move to France.
20:00You make three payments of 467 euros.
20:04And you smoke this.
20:07Okay.
20:07If you have a credit card or how you say direct debit, de toute façon c'est facile.
20:14Right.
20:15Right, yes.
20:16I'll get my wallet.
20:16Hang on.
20:17Yes.
20:18Hey, Marcel.
20:19Have you seen that I'm doing Les Pies on Immoytienne today?
20:22Ah oui, la pièce indoutable.
20:23Hmm.
20:24I see Caitlyn is doing a show off-Broadway.
20:27Yes, I know, I know.
20:28Why is everyone obsessed with Caitlyn?
20:32Maybe your father loved us slightly more than you.
20:37But remember when Papa took me to Paris?
20:40Remember when we had that tiny rehearsal space in the apartment?
20:43And we'd all get it apart.
20:44This is so boring.
20:46Yes.
20:46Use it for your art.
20:50More wine.
20:52More fun.
20:55Sorry, Marcel.
20:56Has it been a great show?
21:11Well, let's go.
21:25Oh.
21:26Whoa, whoa, what's going on here?
21:27Margie just asked me to clean her office.
21:29Oh, I saw what you, that's disgusting.
21:32She's one of the finest actors in the country
21:33and you're gonna do that?
21:34Hey, hey, hey, what's going on here?
21:36Oh, I hate to be the bearer of bad news,
21:38but I've just walked in on your son,
21:41sexually interacting with that poster.
21:43Sexually?
21:44Yes.
21:44I was just cleaning it.
21:45I don't see tits, it's just Windex and glass.
21:48They're called breasts, Ryan,
21:49and they happen to be attached
21:50to one of the finest actors in this country.
21:52Look, we've all thought about it, okay?
21:54But we don't act on it.
21:56Keep it in there.
21:57I'm gay.
21:58What?
22:00You know what, I've had a huge day, I'm out of here.
22:04Wow.
22:07Ryan, why are you still here?
22:09I'm doing chores, actually.
22:10Chores?
22:11You don't even put a plate in the dishwasher at home.
22:13I did actually want to say, Mum,
22:15you were pretty great up there today.
22:17Oh, thank you.
22:19But in future, can you please not tell Margie things
22:22about my personal life?
22:23Yes.
22:24Or simulate breastfeeding?
22:26Yes, fine.
22:27Or do whatever it is you were doing with that poster?
22:30Oh, okay, yes.
22:30Anything else?
22:37What in hell is that?
22:41Oh, no, no, no.
22:44What's that?
22:45Hallelujah.
22:47Hallelujah, Shari.
22:48Oh!
22:49Oh!
22:53Here comes love us!
22:55Oh!
22:56Oh!
22:57Here comes love us!
23:05Oh!
23:06Oh!
23:09Oh, wow.
23:16We were having a, um, late night clown workshop, weren't we?
23:20Oh, is that what you call it?
23:21Yeah, I was playing the role of a lonely housewife, I think.
23:25Right.
23:26What have I been doing?
23:28You had some really good ideas about slapstick.
23:30Tell her that.
23:31Uh, I don't think so.
23:32No, I need to go back to my job and my life.
23:35Great.
23:35And what about our sponsorship deal?
23:37You know, I want nothing more to do with this place, OK?
23:40Ah, hang on a minute.
23:41We had an agreement.
23:42The agreement is cactus.
23:43It's over.
23:44Your chook is cooked.
23:46Oh, Nick, I think you are being a little hasty.
23:49Hang on.
23:49Oh, no.
23:50Because I've got something that might just change your mind.
23:54Is that breakfast?
23:56Merci, Marcel.
23:58Oh, muscles.
24:00Yum.
24:03Oh.
24:05Oh, Marcel.
24:07No more muscles, please.
24:09Ah, Marguerite.
24:11Julia.
24:12I was hoping you would still be here.
24:13Hey, if anyone's worried about what happened at our workshop last night, it was all made
24:17up, OK?
24:18It's called acting.
24:19Mm, it's not what I saw.
24:20You just don't recognise artistic expression.
24:23Ah, and you don't recognise a clown with STDs.
24:25But the good news is I have secured a $150,000 sponsorship from Chevy's Chooks.
24:31Carmel is thrilled.
24:32Julia, please.
24:33That chook guy is long gone.
24:35Mm, I don't think so.
24:36Already signed off on it.
24:37An exclusive deal.
24:39Their branding on our artwork, plus the placement of a roast chicken in every play moving forward,
24:43carried on by a Chevy's mascot.
24:46That's an artistic decision.
24:47You can't just put roast chooks into plays.
24:49We're a roast chook nation.
24:50Everyone's going to love it.
24:51I don't believe Nick's changed his mind.
24:53You're bluffing.
24:55Yeah, he didn't really have a choice.
24:58Yeah, show him that.
25:01Didn't want his partner seeing this.
25:05Oh.
25:05Ooh.
25:06I look quite good there, don't I?
25:08It's a powerful angle.
25:09Oh.
25:11I think that is the most expensive sexual congress that man's ever had.
25:14I can't believe you used that against Nick.
25:17That's evil, Julia.
25:19Yep, but now we can afford a big star.
25:21So I just need to get a contact for Caitlin Allard's agent.
25:25Got one?
25:27No.
25:28Oh well.
25:30Chookers.
25:45Caitlin has two million online followers.
25:48That is how you shift tickets.
25:50Caitlin Allard, eh?
25:51Oh, why is everyone obsessed with her?
25:53I can't work out what's going on with this dysfunctional family.
25:55Ryan, you're young.
25:56How do I get online followers like Caitlin?
25:58When I do a thumbs up, it means we're live.
26:00What is going on out there?
26:04Excuse me, who are you?
26:05Julian Assange.
26:06I will be going full method for this role.
26:08What are you doing at my computer?
26:09Who has been posting about me on the Argyle Socials account?
26:13Oh my god.
26:14What have you guys done?
26:15What have you guys done?
26:17What are you doing at my computer?
26:19What are you doing at my computer?
26:21What are you doing at my computer?
26:21What are you doing at my computer?
26:22What are you doing at my computer?
26:23What are you doing at my computer?
26:23What are you doing at my computer?
26:23What are you doing at my computer?
26:23What are you doing at my computer?
26:25What are you doing at my computer?
26:25What are you doing at my computer?
26:25What are you doing at my computer?
26:26What are you doing at my computer?
26:26What are you doing at my computer?
26:27What are you doing at my computer?
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