The Atomic Brain: Monstrosity (1963)

Retrotari

Monstrosity is a 1963 American science fiction horror film produced by Jack Pollexfen and Dean Dillman Jr. and directed by Joseph V. Mascelli. The film stars Marjorie Eaton, Frank Gerstle, Erika Peters, and Xerxes the cat. It tells the story of a wealthy elderly woman who wants to have her brain transplanted into the head of a young woman. Actor Bradford Dillman, the younger brother of co-writer and producer Dean Dillman, Jr., narrated the film.

Transcript

00:00:02can death be outwitted is the secret of eternal life just around that corner

00:00:09today medical science patches up mutilated bodies transplanting human skin eyes limbs even vital

00:00:17organs is the next step the transplantation of the human brain many scientists answer yes

00:00:24but they pause and add a grim warning for in the ancient folk legends tales are told of blood

00:00:31sucking vampires crawling out of graves to live on the bodies of helpless victims

00:00:37is man now doomed to produce a race of ever-living monstrosities worse than the vampires of legend

00:00:44will ruthless men and women of great wealth and power greedily buy or steal the living bodies of

00:00:49the young and beautiful so their brains may live on forever such questions may seem fanciful but at

00:00:57this very moment scientists are working on the answer to brain transplantation and human bodies

00:01:03are used this girl was buried in a nearby cemetery yesterday only a few hours ago her body was stolen

00:01:14by dr otto frank and brought to this hidden laboratory he has grafted a living animal's brain into this

00:01:22newly dead body if the experiment works the next step will be the transplantation of a human brain

00:01:31the brain cells are being reactivated by an atomic fission produced in the cyclotron

00:01:53has he found the way to outwit death or has he created another

00:02:12the

00:02:16the

00:02:17the

00:02:40Deep below, Dr. Frank takes the chance of smashing his way into a newly sealed vault.

00:02:45His experiments cannot continue without another body.

00:03:00The watchman's mind was not on body snatches, just his usual nip.

00:03:16The watchman's mind was not on body.

00:03:17The watchman's mind was on body.

00:03:23The watchman's mind was on body.

00:03:38Inside the vault, a body waits.

00:04:04This is one of the doctor's mistakes, a monstrosity, an animal's brain grafted to a human body.

00:04:11Leaving the dead watchman, the monstrosity carried the girl's body out of the vault.

00:04:15It fears and obeys one master, Dr. Frank.

00:04:33The End

00:06:15Here beneath the old mansion, the doctor carefully prepared for another transplant.

00:06:19This body had been in the vault for only a few hours.

00:06:22Chances seemed better this time.

00:06:24Still, Dr. Frank was doubtful.

00:06:26Tissue and dead bodies deteriorates rapidly.

00:06:28Where were the live, fresh bodies he'd been promised?

00:06:33He bitterly resents that every step forward depends on the whim of a miserly old woman brooding upstairs in her

00:06:39bedroom.

00:06:42And Hetty March wonders, has she been a fool squandering money on this strange experiment?

00:06:48Money hoarded through a long, greedy lifetime?

00:06:51Each day more money, each day death getting closer?

00:06:55Ah, but to start life again in a brand new body, beautiful and young.

00:07:00No price can be too high for that.

00:07:02Can she really trust the doctor?

00:07:04Can she really trust anyone?

00:07:05Hasn't everyone tried to cheat her?

00:07:07Wanting her money while they smiled at her ugliness?

00:07:09But they never got a penny.

00:07:12Oh, how she made them sweat.

00:07:14Especially this old fool, companion and gigolo.

00:07:18How many years she's kept him dangling on promises.

00:07:22Well, sometimes it's convenient to have a man.

00:07:24Especially when he comes cheaper than servants.

00:07:28Is that the Austrian girl?

00:07:30Lionel Rhodes, 18, no family.

00:07:33Pleasing personality.

00:07:35Whatever that might mean.

00:07:38Thick ankles, pimply face.

00:07:40But she always smiles when she's spoken to, very likely.

00:07:44Well, application forms for a servant girl don't usually include bust, waist, and hip measurements.

00:07:50All three will be here tomorrow, and then you can choose.

00:07:53Early this evening at Greenhaven Cemetery,

00:07:55the body snatchers brutally murdered night watchman Robert Payne, 62,

00:08:00who evidently interrupted his killers during their ghoulish task.

00:08:03His neck was broken.

00:08:04The imprint of the huge pair of hands was found on his throat.

00:08:07It's the opinion of the police that the same gang that is previously...

00:08:10Ring for Dr. Frank.

00:08:14So that's what he was doing.

00:08:42I'm going to play.

00:09:01So that was coming.

00:09:36More of it, hocus-pocus, Eddie.

00:09:39The doctor transplanted a brain from a live dog to a dead human body.

00:09:45You saw the creature walk out of that cylinder alive.

00:09:49How many failures since then?

00:09:52Still draw money.

00:09:56The bodies must be fresh.

00:10:01This specimen is excellent.

00:10:02And the police are looking for the body structure.

00:10:05Why the local cemetery, doctor?

00:10:07Are you trying to blaze a trail to our door?

00:10:10The final test was essential for your protection.

00:10:13As for the police, if they come here, I hit this switch,

00:10:16a nuclear reaction is set off.

00:10:18Close the circuit breaker.

00:10:19Ah.

00:10:20And in a matter of minutes,

00:10:22this house and any evidence it might contain

00:10:25becomes a radioactive hole in the ground.

00:10:26Be careful.

00:10:28But we can wait for that

00:10:29until after your operation.

00:10:31Well, nothing must go wrong.

00:10:38There's no sign of life.

00:10:40Watch.

00:10:41Oh, grass.

00:10:41I feel like it's easy.

00:10:42I know.

00:10:42There's no sign of shit.

00:10:43No sign ofa.

00:11:08There's no sign of a fire.

00:11:09I know.

00:11:10There's no sign of a fire.

00:11:10There's no sign of fire.ð

00:11:17She lacks but one thing.

00:11:20The brain.

00:11:22Hans was still living when he was dragged from that wrecked car.

00:11:26That's why we succeeded with the transplant.

00:11:29She seems alive.

00:11:31She is to a limited extent.

00:11:33She'll be able to move around, but the brain deterioration is too extensive for thought processes.

00:11:42She's alive.

00:12:11She's alive.

00:12:41Sykes, pardon me, but how far is Hollywood from here?

00:12:53All right, let's see.

00:12:57Sixteen kilometers.

00:12:59About ten miles.

00:13:00Which way?

00:13:02That way.

00:13:05Are you going to Hollywood?

00:13:07No such luck.

00:13:08I'm what's known as born domestic.

00:13:11For the next 12 months, I'll be scrubbing floors and making beds.

00:13:15But when my time's up, Hollywood will look out.

00:13:19That's strange.

00:13:20A foreign domestic agency paid my passage, too.

00:13:24I'm from Vienna, Austria.

00:13:26Oh, really?

00:13:27Mm-hmm.

00:13:27I'm from England.

00:13:28No.

00:13:29Is this your first trip?

00:13:31Yes.

00:13:32I'm awfully excited.

00:13:34Por favor.

00:13:35I know speak English very good.

00:13:59Are you going to work for Mrs. Marge, too?

00:14:02This sounds like a sister act.

00:14:08You, too?

00:14:10Nina Rowe.

00:14:12Yes, sir.

00:14:15Anita Gonzales.

00:14:22Beatrice Mullins, sir?

00:14:24That's right.

00:14:25Are you Mr. Marge?

00:14:27No.

00:14:28I work for Mrs. Marge.

00:14:30Come along.

00:14:34Three new bodies.

00:14:36Fresh, live, young bodies.

00:14:38No families or friends within thousands of miles.

00:14:41No one to ask embarrassing questions when they disappear.

00:14:57Victor wondered which one Mrs. Marge would pick.

00:14:59The little Mexican, the girl from Vienna, or the buxen blonde?

00:15:04Victor knew his pick.

00:15:05But he still felt uneasy.

00:15:07Making love to an 80-year-old woman in the body of a 20-year-old girl is insanity.

00:15:12Still, Hetty's plan to transfer her fortune to the new body had been brilliant.

00:15:17Unpleasant to think of what was going to happen to these girls, but a man has to consider his own

00:15:21future.

00:15:22What would happen to him if Hetty were to cast him off after all these years?

00:15:33Warm welcome, they hang out.

00:15:35Well, there's your new home, girls.

00:15:40Give me the shivers.

00:15:42Aren't there any neighbors?

00:15:44No.

00:15:46Are there any other servants?

00:15:48No, but I don't think you're going to find it boring.

00:16:03The End

00:17:10What was that?

00:17:11No one's to leave this house without permission.

00:17:13Enough.

00:17:14Hurry along.

00:17:15Hurry up.

00:17:15Now go.

00:17:16No one's to leave this house without permission.

00:17:53Put down your luggage.

00:18:16Turn around.

00:18:18Slowly.

00:18:21Get the doctor.

00:18:23Get the doctor.

00:18:24Get the doctor.

00:18:51Get the doctor.

00:18:55As with the other bodies stolen from cemeteries, the nerve endings of the brain were too far

00:18:59gone to receive a proper transplant.

00:19:01The experiment had failed to produce anything more than a walking, breathing, zombie-like

00:19:04creature.

00:19:05But the doctor permitted her to wander about the laboratory.

00:19:08She was quite harmless and, at times, even amusing.

00:19:13Charming, isn't she?

00:19:16Did you want something?

00:19:18Mrs. Marks is waiting for you.

00:19:21The girls have arrived.

00:19:24She does need to have a brain.

00:19:27My three advantages.

00:19:36I want them examined immediately.

00:19:39Very well.

00:19:41This way.

00:19:47Victor, the doctor can conduct the examination perfectly.

00:19:52What an old spoiled sport I am.

00:19:58Have you disconnected the phone?

00:20:00Can't I depend on you for anything?

00:20:02Won't it be nice when those girls start calling police, employment agencies, immigration authorities,

00:20:09consulates?

00:20:10There will be no phone calls.

00:20:20Idiot.

00:20:21She's useless.

00:20:22There is one more test I should make.

00:20:24Do anything you want with her.

00:20:26The other two?

00:20:27Perfect medical specimens.

00:20:30All right, Anita.

00:20:31Get dressed now and wait for the others.

00:20:44Mrs. March, I am now giving you notice.

00:20:47I do not care to work in this house any longer.

00:20:49I demand that...

00:20:50You have signed an agreement.

00:20:52If you have any objection, you will discuss them with the immigration authorities as provided

00:20:57for in your papers.

00:20:59But, Mrs. March...

00:21:00Later.

00:21:03Stand up, my dear.

00:21:05I've got the same measurements as Marilyn Monroe.

00:21:21The lucky girl?

00:21:23Yes?

00:21:25Allow me to be the first to offer congratulations.

00:21:30To both of you.

00:21:37For me?

00:22:00Come on.

00:22:01Come on.

00:22:16Your room is in the basement, Anita.

00:22:18Nina.

00:22:19Your room is upstairs, right across from the top of the stairs.

00:22:26I'll have to show you.

00:22:54I think it will be lonesome down there.

00:22:57Nonsense.

00:22:57You'll be all right.

00:22:58Go on.

00:23:14Go on.

00:23:17Go on.

00:23:19Go on.

00:23:23Go on.

00:23:23Go to your place.

00:23:27Gracias.

00:25:25Yes.

00:25:27But she would have said goodbye.

00:25:30Why should she?

00:25:31We only met her yesterday.

00:25:35I don't blame her for not wanting to sleep in the basement.

00:25:37No.

00:25:39It's funny, though.

00:25:42Mrs. March wouldn't even listen when I asked to be dismissed.

00:25:52This hose gives me the creeps.

00:25:56She doesn't even have any uniforms for us.

00:26:00What in the world do you think you're doing?

00:26:02He told us last night to clean and polish in here.

00:26:04Look at your hands.

00:26:06That will leave a stain on them.

00:26:09Now, now, don't argue.

00:26:10Go in and wash them immediately.

00:26:12You can put the things away after Niner cleans them.

00:26:17Mrs. March, where is Anita?

00:26:21Anita?

00:26:22Oh.

00:26:24She left.

00:26:26Last night.

00:26:28I would like to give notice, too.

00:26:30I will discuss it with you.

00:26:32Another time.

00:26:50I will discuss it with you.

00:26:51I will discuss it with you.

00:26:52I will discuss it with you.

00:26:53I will discuss it with you.

00:26:55I will discuss it with you.

00:26:59I will discuss it with you.

00:27:01I will discuss it with you.

00:27:09Niner, Niner, come here this instant.

00:27:20Yes, Mrs. March?

00:27:21Your name is Niner.

00:27:23But Mrs. March, she's got polish all over her, and I'm not doing anything.

00:27:27I don't want you running up and down stairs.

00:27:30Those pretty legs of yours will get ugly muscles.

00:27:34Send Niner to me.

00:27:36Yes, ma'am.

00:27:38I'll be in my room.

00:27:47Be come with me.

00:28:05I want to show you something.

00:28:19Niner wouldn't leave without taking her clothes.

00:28:21I think we'd better get out of there, fast.

00:28:24Bea, I'd hate to go if she's still here.

00:28:27You'll go now if you go with me.

00:28:51This hinge is loose.

00:28:53Help me.

00:28:56Oh, come on.

00:29:11Aw.

00:29:13Oh, come on.

00:29:14Oh.

00:29:14Oh, come on.

00:29:16Ah.

00:29:19Oh, come on.

00:29:20Oh, come on.

00:29:36One last experiment before Dr. Frank would be ready.

00:29:39But this was the most critical of all the experiments.

00:29:42For the first time, the grafting operation would be performed on a living human body.

00:29:47And the brain would come from the doctor's favorite cat.

00:29:52Anita was ready.

00:30:06It's me, Nina.

00:30:08What about your clothes?

00:30:12Never mind. Let's go.

00:30:41Let's go.

00:30:42B?

00:30:43She almost saw us.

00:30:46Let's wait a while to make sure we won't run into her.

00:30:49Let's go.

00:30:53Let's go.

00:30:57Let's go.

00:31:05Let's go.

00:31:07Let's go.

00:31:10Let's go.

00:31:12Let's go.

00:31:18Let's go.

00:31:26Let's go.

00:31:36Let's go.

00:31:38Let's go.

00:31:39Let's go.

00:31:50Let's go.

00:31:53Let's go.

00:31:56Let's go.

00:31:58Let's go.

00:32:00Let's go.

00:32:13THE END

00:32:37THE END

00:33:11THE END

00:33:31THE END

00:33:32THE END

00:33:38THE END

00:33:39THE END

00:33:46THE END

00:33:47THE END

00:33:54THE END

00:34:06THE END

00:34:17THE END

00:34:24THE END

00:34:25THE END

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00:34:29THE END

00:34:30THE END

00:34:46THE END

00:34:52THE END

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00:35:09THE END

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00:35:19THE END

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00:35:25THE END

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00:35:56THE END

00:35:57She thinks she's a cat!

00:36:02nice kitty

00:36:20Well, I see you still resent the way Mrs. Marsh treats you.

00:36:24I can't say that I blame you.

00:36:26Kitty's always been very fond of me, haven't you?

00:36:31Does she have all the instincts of a cat?

00:36:35Watch.

00:37:05She ate it.

00:37:07I can't say that I blame you.

00:37:37P. Is that Anita?

00:37:43Where?

00:37:45Oh, I don't think so.

00:38:10Look out!

00:38:14Somebody help her!

00:38:16Come on!

00:38:27Come on!

00:38:31Come on!

00:38:32Come on!

00:38:36Come on!

00:38:37Come on!

00:38:44Back!

00:39:08I still think you should have locked them up.

00:39:11They're not about to leave this house after what they've witnessed.

00:39:14They know Hans is outside there.

00:39:29Even if we could get past that creature outside, there's still the electric fence.

00:39:34The phone's dead. Can't get help that way.

00:39:39If we could get the car...

00:39:43That's it. Victor!

00:39:46Victor!

00:39:48He likes me, I guess.

00:39:53If you could get the keys from him...

00:39:59Hey!

00:40:03I was having a little nightcap.

00:40:09Who do you think you are, pinching me?

00:40:12What?

00:40:13What?

00:40:15Maybe you'd like some company.

00:40:17Someone like me?

00:40:21That's more like it.

00:40:26Don't you like me, Victor?

00:40:36Don't you like me, Victor?

00:40:40Wait.

00:40:54Hans is chained.

00:40:55Let's go outside.

00:40:57Outside?

00:40:58I think I'd like that.

00:41:09I think I'd like that.

00:41:28I don't like people.

00:41:36Victor!

00:41:38No!

00:41:41Oh, my God.

00:42:12Anita.

00:42:15What are you doing up there?

00:42:18Anita, what's the matter with you?

00:42:20Don't you know me?

00:42:22Anita, listen to me.

00:42:24It's...

00:42:58Anita.

00:43:00Anita.

00:43:04They're right there.

00:43:06Don't move.

00:43:07I'm coming.

00:43:08Anita.

00:44:12Anita, let me help you.

00:44:33Anita, wait.

00:44:37Anita, wait.

00:44:38Anita, wait.

00:44:47Anita, wait.

00:44:47Take my hand.

00:45:04Anita.

00:45:07Anita.

00:45:08Anita.

00:45:09Anita.

00:45:10Anita.

00:45:21Anita.

00:45:24Anita.

00:45:25Anita.

00:45:29Anita.

00:45:30Anita.

00:45:32Anita.

00:45:33Anita.

00:45:34Anita.

00:45:37Anita.

00:45:38Anita.

00:45:40She will live.

00:45:41Well, Anita won't.

00:45:43She's dead.

00:45:49Nina, dear, come along with us now.

00:45:54You've had a bad shock.

00:45:57Get out of here, both of you.

00:46:02You stay with me.

00:46:26Why don't you do something for her?

00:46:29I've done what I can for now.

00:46:32Later, an operation might be possible.

00:46:36I'm preserving the eye.

00:46:37Let me show you from over here.

00:46:46The cellular structure is being kept alive by these electrical vibrations.

00:46:51I use the same principle in keeping that hand alive.

00:46:56Dee is a very lucky girl.

00:47:00You think that ironical?

00:47:02Let me explain.

00:47:05I'm the only man alive today capable of restoring your friend's sight.

00:47:10Dr. Alexis Carell, who pioneered the transplanting of vital human organs,

00:47:16kept the portion of an animal's heart alive for many years.

00:47:21For this, he received the Nobel Prize, and I, who have so far surpassed his efforts...

00:47:28Surely you don't want to compare yourself with Dr. Carell.

00:47:32He was humane.

00:47:33I, too, fight to preserve life, and to find the means to improve the lives of future generations.

00:47:39Your viewpoint is that narrow ignorant one, held by the medical society today, which forces me to work in a

00:47:45place like this.

00:47:46To give in to the whims of a foolish old woman, because she can supply me with the funds I

00:47:51need to continue my work.

00:47:57You're going to be all right.

00:48:00Nina?

00:48:01Yes, Bea.

00:48:02I, I can't see.

00:48:05What?

00:48:05You're underbandaged.

00:48:08Something happened.

00:48:10Don't think about it now.

00:48:12Listen to me, Bea.

00:48:14Are you listening?

00:48:15This is important.

00:48:16Yes.

00:48:17We must be ready if a chance comes.

00:48:19I remember now.

00:48:21It was Anita.

00:48:23She...

00:48:24Oh, my eye!

00:48:25My eye!

00:48:27My eye!

00:48:35They'll leave.

00:48:36Did this chance take effect?

00:48:39I'm a doctor.

00:48:40I'll take care of her.

00:48:42I'm sure you will take excellent care of her.

00:48:44until your plans call for something else.

00:48:48Or am I to be the next one, doctor?

00:49:01There.

00:49:02You got all the clothes?

00:49:04Yes.

00:49:05And made my hair appointment?

00:49:07I took care of everything on your list while you were talking with the lawyer.

00:49:12Hair appointment Monday, 10 a.m.

00:49:14Charles of the Ritz.

00:49:16Under Nina's name.

00:49:19I'll want Nina to model these later, after I've rested.

00:49:24You tell her.

00:49:37They're back.

00:49:39I'll have to leave you now.

00:49:41Remember, I'm going to try to get us out of here tonight.

00:49:44No.

00:49:46Forget about me.

00:49:48I won't go.

00:49:50B, don't talk like that.

00:50:06Mrs. Marche had not realized her new body had such a satisfactory shape.

00:50:10Perhaps not as spectacular as the English girl, but in excellent taste.

00:50:15She couldn't help being amused.

00:50:17The stupid girl was not only modeling Mrs. Marche's future wardrobe, but Mrs. Marche's future body.

00:50:23So firm.

00:50:24So nicely rounded in places manlike.

00:50:32You might have knocked when you came in, Victor.

00:50:36I'm sorry.

00:50:37Don't stop yourself showing my account.

00:50:40Does my, uh, aged lock in VAR disturb you?

00:50:45That's unkind.

00:50:46Shut up.

00:50:49You see, it's hard for a vain, stupid man to realize that he holds no attraction for a lovely young

00:50:57girl.

00:51:01You're not needed now, Victor.

00:51:04Close the door quietly when you go out.

00:51:08I'm not going to be needed at all.

00:51:12That's what you're saying, isn't it?

00:51:15After tomorrow.

00:51:16When...

00:51:17Victor!

00:51:18That's enough!

00:51:21Get out!

00:51:22That's the way it's going to be when what?

00:51:32Don't ask tiresome questions.

00:51:35That will be enough for tonight.

00:51:37I want us both to get some rest.

00:51:40Try to sleep.

00:51:41But Mrs. Marche...

00:51:42That's an order!

00:51:44Do as I say!

00:52:09You're not looking for me, are you?

00:52:11Why would a pretty young girl want to be around an old man?

00:52:16What did you try to tell Mrs. Marche?

00:52:18Hmm?

00:52:21So that's what you plan to do.

00:52:24Get rid of old Victor once you get all that money.

00:52:28The only thing is, of course, it won't really be you.

00:52:34Victor, please tell me.

00:52:37Try to make sense.

00:52:38I am telling you.

00:52:40Tomorrow, you'll be one of the richest women in the world.

00:52:45There's a press release.

00:52:47It's in the mails now.

00:52:48To all the major news syndicates.

00:52:52Orphan girl, soul heir to March millions.

00:52:57Niner Rhodes has a lucky star.

00:53:03I don't understand.

00:53:06The next press release will be March Mansion destroyed by fire.

00:53:11Cinderella girl, Niner Rhodes, soul survivor.

00:53:16Only it won't be you.

00:53:20It's a pity, too.

00:53:22You're nice the way you are.

00:53:28Please don't let it happen.

00:53:30You could help me and Bea get away.

00:53:34When you're a rich woman,

00:53:36you wouldn't forget an old friend.

00:53:39A friend who'd saved your life, would you?

00:53:48Get out of the car.

00:53:50And stay there.

00:53:50Victor, Bea too.

00:53:52Bea must come too.

00:53:54Wait a minute.

00:53:57Just to make sure.

00:54:12Sign this.

00:54:1930.

00:54:34The

00:54:35The

00:55:37I'll get Victor to help me and we will carry you.

00:55:53Do you want something from Victor, dear?

00:55:58Sit down, my dear.

00:56:00I'm afraid you're wearing yourself out with all this rushing round.

00:56:05I don't like that.

00:56:06You realize she's mad, don't you, Dr. Frank?

00:56:09Relax.

00:56:11Hurry, doctor.

00:56:16I'll be ready for you shortly, Mrs. March.

00:56:20I'll be waiting.

00:56:32It's finally about to happen.

00:56:39You don't know what it's been like for me, living with this ugly body of mine.

00:56:48Knowing that any attention I received was not for me, but my money.

00:56:59Well, nobody got any of it.

00:57:08I've never known what it was like to be loved for myself alone.

00:57:17Why did you kill Victor, Mrs. March?

00:57:20Victor.

00:57:23Victor was a fool.

00:57:30I'm a practical woman, Dr. Frank.

00:57:34A businesswoman.

00:57:36I've never been a very practical person.

00:57:39I suppose that makes me a fool, too, in your eyes.

00:57:43Of course not.

00:57:44Relax, Mrs. March.

00:57:45Just relax.

00:57:47Relax.

00:57:48Relax.

00:58:38Waking up, are you?

00:58:39Good.

00:58:41I want to talk to you.

00:58:49You signed a paper making Vicky a legal guardian.

00:58:53That's right, isn't it?

00:58:55I did something, something, didn't I?

00:58:59That would probably work as well for me.

00:59:03We could stay here.

00:59:06None of this would have to be destroyed.

00:59:10You're eating better, aren't you?

00:59:12I thought you'd try it on your own.

00:59:16I want to know if Mrs. Marge didn't intend blowing me up, along with all the rest of this.

00:59:28You're a very wealthy woman now, Niner.

00:59:31What I must decide is how to keep you and your friends available.

00:59:36With the least amount of nuisance to myself.

00:59:40I could keep you under sedation, until your signature was required.

00:59:46Or I could replace your brain with one more amenable.

00:59:52What about Mrs. Marge, doctor?

00:59:55Mrs. Marge no longer has a thing to say.

00:59:59Do you, my dear?

01:00:04Completely recovered, I'd say.

01:00:06How do you feel?

01:00:14I guess a transplant would be better.

01:00:17It won't hurt.

01:00:24Dr. Frank had enjoyed this transplantation.

01:00:27Mrs. Marge's brain winding up in the body of the cat.

01:00:33Poetic justice to think of autocratic Mrs. Marge

01:00:36scavenging in back alley garbage cans for her dinner.

01:00:49But Mrs. Marge doesn't take things lying down.

01:00:57Mrs. Marge

01:01:14Oh!

01:01:18Oh!

01:01:21Oh!

01:01:22Oh!

01:01:33Oh!

01:01:36Oh!

01:01:48THE END

01:02:19THE END

01:02:41THE END

01:03:17THE END

01:03:18Mrs. March did not intend to let her money get out of sight.

01:03:20She would follow that girl.

01:03:22Sometime,

01:03:24someplace,

01:03:25revenge would come.

01:03:32THE END

01:03:41THE END

01:03:53THE END

01:03:54THE END

01:03:59THE END

01:04:02THE END

01:04:10THE END

01:04:33THE END

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