Carnival of Souls (1962)

RetrotariOTR

Carnival of Souls is a 1962 American psychological horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. The film is set to an organ score by Gene Moore.

Transcript

00:00:00Drag your foot, boy. Look what we got here.

00:00:07Hey, you want to drag, huh?

00:00:09Come on.

00:00:11See that telephone pole?

00:00:13We'll take you, sir.

00:00:14Yeah.

00:00:15Yeah, we can take you.

00:00:17We've got a great time here.

00:00:19Well, I can talk how you take it.

00:00:20Yeah.

00:00:21Yeah, come on.

00:00:22You want to try?

00:00:23Come on.

00:00:24Ha, ha, ha, ha, ha, ha, ha.

00:00:27Grab it up.

00:00:29Come on, man.

00:00:30Get ready.

00:00:31Get ready, stop.

00:00:33Oh no.

00:00:34I'm not sure how to drive this morning.

00:00:35We'll take it.

00:00:36See, we'll see you next time!

00:00:38Nice to meet you.

00:00:40I'm just gonna drive this morning.

00:00:41Oh no.

00:00:42I don't want to drive this morning.

00:00:43Oh no, I'm not sure how to drive.

00:00:44It's morning.

00:00:45Oh no, my gosh.

00:00:46You're all good.

00:00:47I'm not sure how to drive this morning.

00:00:48Yeah, it's morning.

00:00:49Yeah, you're just gonna drive this morning.

00:00:50I was just gonna be here.

00:00:52I don't know.

00:00:53I'm sure I'm going to drive this morning.

00:00:54How did I do.

00:00:55I don't know how to drive this water, but I don't know how to drive this water.

00:01:25I don't know how to drive it.

00:01:44I'm

00:01:51the

00:01:56the

00:01:59the

00:02:04the

00:02:07the

00:02:12Oh, my God.

00:02:42Oh, my God.

00:03:12Oh, my God.

00:03:41You know where this river is right now and with all the mud and sand it's carrying, they may never find that car.

00:03:46Oh, my God.

00:03:47Oh, my God.

00:03:48Oh, my God.

00:03:51Oh, my God.

00:03:57Right there.

00:04:00All right.

00:04:01Now, let's hear your story about how it happened.

00:04:03It wasn't our fault, sir.

00:04:06we were the first ones on the bridge and coming along following the tracks and

00:04:12they wanted to get around us I guess they lost control when they dropped

00:04:16I'm sure you didn't crowd them off

00:04:33we are

00:04:35yeah I'm sure I want to find that car now

00:04:38it's standing with that current we may never find it

00:04:41yeah I guess we do keep trying

00:05:11on

00:05:18yeah

00:05:23yeah

00:05:26yeah

00:05:29yeah

00:05:32Mary Henry are you all right

00:05:37how did you get out

00:05:39and put this on we better get you back to town

00:05:46what about the other girl

00:05:48I don't remember

00:05:53I don't know

00:05:55what about the other girl

00:05:56what about the other girl

00:05:58the other girl

00:06:00yeah

00:06:01yeah

00:06:02yeah

00:06:05yeah

00:06:06yeah

00:06:08yeah

00:06:09yeah

00:06:10yeah

00:06:14Oh, my God.

00:08:16It's just like the one I'll be playing in Utah.

00:08:31It's quite similar.

00:08:33I supervised the installation myself.

00:08:36The accident won't delay your going, will it?

00:08:38No.

00:08:39I'm leaving this morning.

00:08:41There's nothing I can do here.

00:08:43That's right.

00:08:43Well, Mary, you'll make a fine organist for that church.

00:08:47It'll be very satisfying for you, I think.

00:08:49It's just a job to me.

00:08:51Well, it's not quite the attitude for going into church work.

00:08:55I'm not taking the vows.

00:08:57I'm only going to play the organ.

00:08:58Oh, you want more than that?

00:09:00Of course, it doesn't pay much, but, well, at least it's a start.

00:09:05Are you driving by Benton to see your folks?

00:09:09No, I can't.

00:09:10I'm afraid.

00:09:12I've got to leave.

00:09:13I'm going to try to stay through.

00:09:15Mary, it takes more than intellect to be a musician.

00:09:20Put your soul into it a little.

00:09:22Okay?

00:09:30Good luck, Mary.

00:09:32Stop by and see us the next time you're in.

00:09:36But I'm never coming back.

00:09:37I don't know about that girl.

00:09:53How do you mean?

00:09:55The day before yesterday, she was the only one of three girls to survive an accident.

00:10:00You'd think she'd feel a little something like humbleness or gratitude.

00:10:05Never know what she thinks.

00:10:07She's always kept pretty much to herself.

00:10:09Yeah, and maybe in her place I'd do the same thing.

00:10:13Just pick up life again.

00:10:16Well, she's so quiet like she fools you.

00:10:19But she's a tough-minded little thing.

00:10:22I guess that's what it takes to survive.

00:10:25But I still say she's behaving strangely.

00:10:29Well, if she's got a problem, it'll go right along with her.

00:10:32Yep.

00:10:33Yep.

00:11:29Let's go.

00:11:30ken.

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00:16:26I've been saving it for you since I got your letter.

00:16:33I could have rented it yesterday if I wanted.

00:16:35Oh, it's fine.

00:16:37It's just about what I expected.

00:16:39I knew you'd like it.

00:16:42There's ain't no regular room in the house, you know.

00:16:45I only got you and Mr. Linden across the hall.

00:16:49Each room's got its own private bathroom, too.

00:17:00You can take all the baths you want.

00:17:02I'm not one to fuss about things like that.

00:17:05Thank you. I think I'll be quite comfortable.

00:17:08Well, I hope you'll stay a while.

00:17:11I'm downstairs in the back part of the house, so...

00:17:15If there's anything else you need, I guess I'll have to wait for the morning.

00:17:24All right.

00:17:25Good night, Mrs. Calvin.

00:17:45Good night.

00:19:17I don't suppose it's an absolute necessity. I don't know what some of the ladies will say.

00:19:24If they say I'm a fine organist, that should be enough, shouldn't it?

00:19:27Well, yes, of course. We'll let it go at that for the time being.

00:19:33But, my dear, you cannot live in isolation from the human race, you know.

00:19:41Mind if I try this now?

00:19:42I want you to.

00:19:43I'll be next door tonight.

00:20:08We have an organist capable of turning...

00:20:14We have an organist capable of turning soul.

00:20:39We have an organist capable of turning soul.

00:20:51I don't know what will happen to you.

00:22:05What do you see?

00:22:08Nothing.

00:22:09Nothing at all.

00:22:10I practiced all afternoon and got me in the mood.

00:22:13You need some fresh air.

00:22:15I've got to make a call out past the lake.

00:22:17Would you like to come along for the ride?

00:22:20You know that old pavilion out there?

00:22:21Mm-hmm.

00:22:23Will we pass it?

00:22:24Go right by it.

00:22:25Stop and look at it if you like.

00:22:27I would with you along.

00:22:28Well...

00:22:29Good.

00:22:58this used to be quite a place it's been deserted for a long time now when you take me in goodness

00:23:12no it isn't safe out there anymore that's why they put up this barrier be very easy to step around

00:23:19it what attraction could there be for you out there I'm not sure I'm a reasonable person I don't know

00:23:28maybe I want to satisfy myself with the place is nothing more than it appears to be would you take

00:23:35me out there oh the law has placed it off-limits wouldn't be very timely for a minister to break

00:23:42the law would it no maybe I can come back some other time shall we go along now

00:24:12I went for a long drive in the country with my new boss an elderly minister

00:24:31oh that must have been a kick in my head I learned that from my other boarder Mr. Linden

00:24:40did you get your supper oh I forgot well there ain't no boarding house but I got some coffee

00:24:50and the sandwich making is left so I can bring you some up after a while

00:24:54good I'll be taking one of those bottles you're so generous with

00:24:57well take as many as you want I ain't want to make a fuss about a thing like that

00:25:27well come here Mrs. Farmer just just a minute

00:25:48Oh, come here, Mrs. Farmer.

00:25:53Just a minute.

00:26:15I thought you were in the standings.

00:26:18Yeah, I wonder when you asked me.

00:26:21I'm John Linden.

00:26:22I'm your neighbor right across the hall.

00:26:24Now, please, would you excuse me?

00:26:25Hey, I just wondered if you're not doing it.

00:26:28Stand right there.

00:26:29I forgot to introduce myself.

00:26:32I'm Mary Henry.

00:26:36I forgot to introduce myself.

00:26:42I'm Mary Henry.

00:26:42I forgot to introduce myself.

00:26:57I'm Mary Henry.

00:26:58Oh, yeah, I know.

00:27:00I, uh, I heard you tell Mrs. Tom that you haven't ate anything yet.

00:27:03Huh?

00:27:04Well, yeah, I just thought, being able in all this, I haven't eaten anything either.

00:27:08I just thought we had to ask you out for dinner.

00:27:11Oh, that's very thoughtful of you, but I can't accept.

00:27:13I know, I know.

00:27:13I know, I know, we haven't met or anything yet, but I just thought we had to be the same time.

00:27:17I'm sorry, I don't have to excuse me.

00:27:19Look, there's a room at my restaurant, you know, right down the street, and I just thought,

00:27:24well, I'm just kind of a guy who doesn't like to eat by himself.

00:27:26I've made arrangements to eat in my room tonight.

00:27:30I'm just, uh, if you can't do mine, you just call him.

00:27:33Good night, Mr. Loman.

00:27:40Good night, Mr. Loman.

00:27:44Good night.

00:27:45Good night.

00:27:46Good night.

00:27:47Good night.

00:27:48Good night.

00:27:49Good night.

00:27:51Good night.

00:27:53Good night.

00:27:54Good night.

00:27:55Good night.

00:27:56Good night.

00:27:57Good night.

00:27:58Good night.

00:27:59Good night.

00:28:00Good night.

00:28:01Good night.

00:28:02Good night.

00:28:03Good night.

00:28:03I don't know.

00:28:33I don't know what I'm going to do.

00:28:40I don't know what I'm going to do.

00:28:48I don't know.

00:28:55Miss Henry, it's Miss Palmer.

00:29:25Who's the man in the hall?

00:29:31Oh, you must mean Mr. Linden.

00:29:35He has a room across the hall.

00:29:38No, I mean the other one.

00:29:41There is no other.

00:29:44Me and you and Mr. Linden.

00:29:48Us three is all there is in this house.

00:29:51But you must have asked him out there.

00:29:54You're needing this food.

00:29:57On the back, eating makes you jumpy sometimes.

00:30:01Maybe you heard the boards pop or something.

00:30:04These old houses creaked worse than my knees.

00:30:07I didn't hear him, Mrs. Thomas.

00:30:09I saw him.

00:30:13Now, don't talk that way.

00:30:16I don't sleep so good as it is.

00:30:20These old houses, they're big enough so that you can hide a man in every corner.

00:30:30You've just got to not let your imagination run away.

00:30:33Are you going out there?

00:30:34Yeah, of course.

00:30:35There's nobody there.

00:30:49Now, you just go and eat that sandwich I made for you.

00:31:04Don't drink the coffee if coffee keeps you awake.

00:31:06It won't.

00:31:07Coffee never keeps me awake.

00:31:08Coffee never keeps me awake.

00:31:22I'm so glad I'll eat that sandwich.

00:31:24укry

00:31:25Go ahead and eat it.

00:31:27You're doing it please.

00:31:28You're so close

00:31:30Your eyes are going.

00:31:31I'm not going up to you.

00:31:32I'm not going up to you.

00:31:33I don't like you.

00:31:34I'm not going up to you.

00:31:35No, you're not going up.

00:31:36But not even though you're even planning your life.

00:31:38It doesn't have to be a big issue.

00:31:39Yeah, it does not have to be a big issue.

00:31:40You're not even planning your life, but you are going up to me.

00:31:42Oh, my God.

00:32:12Oh, my God.

00:32:42Good morning.

00:32:44I heard your alarm.

00:32:45I knew you'd be up.

00:32:46Guess what I got?

00:32:47I can't imagine.

00:32:48Just what it takes to start the day off right.

00:32:51I'll make it to my room.

00:32:52You know, it saves me having to go out and get dressed up.

00:32:55I had to get dressed to come over here anyway.

00:32:58Oh, it looks just like what I need.

00:33:01And two cups of coffee coming up.

00:33:08Hey, I guess you took her on last night about me coming to your door and all that.

00:33:14I'm not a very sociable person ordinarily.

00:33:17How can I resist inducement like this?

00:33:19What?

00:33:20Come on.

00:33:21I don't know all those big words.

00:33:23I'm just an ordinary guy working in a warehouse.

00:33:25That's all.

00:33:26That makes pretty good money, though.

00:33:28Hey.

00:33:29Look, I got a couple of shots left over from last night.

00:33:32You want a little bit in yours?

00:33:33No, thanks.

00:33:34It's not the recommended breakfast for a church organist.

00:33:37Oh, is that what you do?

00:33:39Hey, you mean they pay somebody to play the organ in church?

00:33:42Some churches do.

00:33:44Hey, I hope you don't mind about this.

00:33:47I just didn't know you were a church woman.

00:33:49To me, a church is just a place of business.

00:33:51What a funny way to look at it.

00:33:54Why?

00:33:55People seem shocked because I took a job in a church and I regard it simply as a job.

00:34:00I'm a professional organist and I play for pay, that's all.

00:34:04Thinking like that, don't I give you a nightmare?

00:34:09Strange you should say that.

00:34:11As a matter of fact, not for that reason, mind you, but I had the strangest feeling last night.

00:34:18Yeah.

00:34:19I had kind of a lost night myself.

00:34:22Funny.

00:34:23The world is so different in the daylight.

00:34:28But in the dark, your fantasies get so out of hand.

00:34:32But in the daylight, everything falls back into place again.

00:34:36Let's have no more nights.

00:34:40Or let's make some more interesting.

00:34:44Hey, how'd you get to be at church organist?

00:34:49I studied in college.

00:34:51I could have gone to college.

00:34:53Yeah, I used to play pretty good football, but they wanted me to take a lot of classes and things, you know?

00:34:58Well, they're that way.

00:34:59Well, I'm just as smart as the next guy.

00:35:02Yeah, but I just didn't dig what they were teaching in school, you know?

00:35:06And the thing I hated most was principal product.

00:35:10Principal product?

00:35:12You know, you know, like a principal product of Brazil, uh...

00:35:19Coffee, beans, a snake oil, you know, like that.

00:35:22I was at school, I couldn't care less.

00:35:25Now you know what I cared about was girls.

00:35:27Didn't they offer a course in that?

00:35:29If I'd have done that, I would have graduated.

00:35:32What's the matter? Can you still taste the coffee?

00:35:37Come on, what do you think, I'm an alcoholic?

00:35:40Look, I'd just like to start the day off in a good mood, that's all.

00:35:43You must be hilarious by noon.

00:35:45Look, I'm just the kind of a guy employed as want.

00:35:48You know, the happy worker.

00:35:50Come on, come on.

00:35:52Did I make your morning happy?

00:35:54This morning, you're exactly what I needed.

00:35:57You're gonna need me in the evening too, you just don't know it yet.

00:36:01I'll rinse off these cups.

00:36:03Oh, no, no, no, no.

00:36:04Just foiled the flavor for tomorrow.

00:36:06Well, thank you for the coffee.

00:36:09It was unsanitary, but delicious.

00:36:11Well, uh...

00:36:13Should have put some of the germ killer inside.

00:36:16Well, I, uh... take the leaves early.

00:36:19I think you can get through the door.

00:36:22You know, you got the wrong impression of me.

00:36:25Well, I meant because you have so many things to carry.

00:36:27Oh.

00:36:29Like I said, I got to leave.

00:36:31Well, it's been a pleasure, Mr. Linden.

00:36:33But I'm sure you have to get to work.

00:36:35Why don't you?

00:36:36No, I had the whole day free for shopping.

00:36:39Does the hem hang right in back?

00:36:54We might change the hemline a little.

00:36:56The drape is just fine.

00:36:58Otherwise, it looks very nice.

00:37:00I'm sure it isn't very chic to take the second dress.

00:37:03But I like it.

00:37:04We offered a little hair to make it straight all the way around.

00:37:07There, do you want to go back to your dressing room?

00:37:09Oh.

00:37:12Oh, wait.

00:37:13You have to get your hair up.

00:37:14I'm sure you have to look at that.

00:37:15Well, I'm sure you're so glad to keep that in mind.

00:37:16Well, the dark and bright, you have to keep that in mind.

00:37:18Well, I'm sure you're here.

00:37:19I don't know where you are.

00:37:20You're right.

00:37:21You're okay.

00:37:22You're right.

00:37:23I'm sure you're right.

00:37:24I'm sure you're right.

00:37:25You're right.

00:37:26You haven't seen in the morning.

00:37:27You'll see in the morning.

00:37:28I'm sure you're down to the morning.

00:37:29I'm fine.

00:37:31You're up for addressing them.

00:38:32I believe I'll have you deliver the dress if you don't mind.

00:38:36I did say I'd take it.

00:38:38What's the matter with her?

00:38:56What's the matter with everyone?

00:39:05Why don't they answer me?

00:39:07Why don't they answer me?

00:39:19Why don't they answer me?

00:39:20Why don't they answer me?

00:40:55What is it?

00:41:05That man.

00:41:06I didn't mean any harm.

00:41:09I just stopped to get a drink.

00:41:12No.

00:41:13No.

00:41:15It was that man.

00:41:16There was someone else there.

00:41:24That strange man was there.

00:41:26Now look.

00:41:26Look.

00:41:26You've had a fright.

00:41:28Hysteria won't solve anything.

00:41:30Now control yourself.

00:41:31Look.

00:41:32I'm Dr. Samuel.

00:41:32My office is right across the street there.

00:41:37You've had a shock.

00:41:39If you would like my assistance, I'll be glad to offer it.

00:41:43Could I come with you now?

00:41:45Certainly.

00:41:46I'll take her over to my office.

00:41:48We'll see that she's all right.

00:41:49It was more than just not being able to hear anything.

00:42:07I'll make contact with anyone.

00:42:10It was as though...

00:42:12As though for a time I didn't exist.

00:42:19As though I had no place in the world.

00:42:21No part of the life around me.

00:42:26And then you saw this...

00:42:28This man.

00:42:31Yes.

00:42:34You'll excuse my back, but I wanted to get some of that written down.

00:42:38I must have been talking for an hour.

00:42:41Anything else?

00:42:42Anything you haven't told me?

00:42:45That's all there is.

00:42:47That's the whole story.

00:42:48He's been following me.

00:42:50That's all there is to it.

00:42:51It isn't that simple, though, is it?

00:42:54What do you mean?

00:42:55He could hardly have been in a park this afternoon,

00:42:57or one of us men would have seen him.

00:42:59And that night in the hallway, you said yourself,

00:43:01the landlady came up a minute later,

00:43:03and she didn't see him, did she?

00:43:05What are you driving at?

00:43:07It's been less than a week since you were in a car

00:43:09that crashed into the river.

00:43:11How you got out of that, no one seems to know.

00:43:14But that experience must have been a serious emotional shock.

00:43:17You think I imagined all of it, don't you?

00:43:19You think I'm insane?

00:43:20I didn't say that.

00:43:21I don't mean that.

00:43:22I'm a competent person.

00:43:24If anything, I'm a realist.

00:43:26I'm not given to imagining anything.

00:43:28Hardwash.

00:43:30All of us imagine things.

00:43:32Have you never heard two men talking behind your back

00:43:35and imagined they were talking about you?

00:43:38Have you never imagined you saw someone you knew

00:43:40and walked up to them and found they were a perfect stranger?

00:43:42I don't see what this has to do with it.

00:43:45The point is this.

00:43:46Our imaginations play tricks on it.

00:43:49They often misinterpret what we see and hear.

00:43:51Do you agree?

00:43:52I suppose so.

00:43:54If that can happen in ordinary times,

00:43:57go a step further.

00:43:58Look what can happen in a high fever

00:44:00or following a serious emotional shock.

00:44:03It doesn't seem possible that I could have imagined all of it.

00:44:07Does this man, this figure,

00:44:09resemble anyone you've ever known?

00:44:10An acquaintance?

00:44:11Or your father?

00:44:12No.

00:44:13You have a boyfriend here or back home?

00:44:15No, and I have no desire for one.

00:44:17Never?

00:44:18No.

00:44:20I'm surprised to find myself saying that.

00:44:23But it's true.

00:44:25I have no desire for the close company of other people.

00:44:29Have you always felt this way?

00:44:33I don't know.

00:44:35Don't you want to join in the things that other people do?

00:44:37Share the experiences of other people?

00:44:39I don't think capable of being very close to people.

00:44:43I do fear that perhaps I am trying to reach out for those other things.

00:44:47Do you feel guilty wanting them?

00:44:50I don't understand you.

00:44:52I'm not a psychiatrist,

00:44:54and perhaps I'm being clumsy at all this.

00:44:56But I am suggesting that perhaps this figure represents a guilt feeling.

00:45:00Oh, that's ridiculous.

00:45:02Maybe.

00:45:03Frankly, I don't know.

00:45:06Well, I know one thing.

00:45:08My imagination is playing tricks on me.

00:45:11I'm going to put a stop to it.

00:45:13You're a very strong-willed person, aren't you?

00:45:16I survived, if that's what you mean.

00:45:18That old pavilion out by the lake.

00:45:22Somehow you associate it with all this, don't you?

00:45:25I could go out there.

00:45:26I could put an end to that, too.

00:45:30I could go out there.

00:45:31Now, don't be hasty.

00:45:34If it is all my imagination,

00:45:36I could put a stop to it.

00:45:38Maybe, but at least someone should be with you.

00:45:40Now, I can't possibly get away now.

00:45:42As you say, Doctor, I'm a person of strong will.

00:45:45And the time to go out there is now.

00:45:47And if I have to?

00:45:49I can go alone.

00:45:50I can go alone.

00:46:20I can go alone.

00:50:20I, uh, I don't want to get turned down again.

00:50:25I was thinking asking you after dinner.

00:50:27I stopped for a bite to eat on the way in.

00:50:30Anyway, I have to practice at the church.

00:50:31Well, look, uh, I thought about if I took you up that wood and go someplace and dance or something.

00:50:39I'm sorry. I'm sorry. I'm sorry. I'm not much for dancing.

00:50:44Hey, uh, you mind if I ask you a question?

00:50:48I won't know until I know until I get it.

00:50:51What, are you afraid of men?

00:50:52No, I'm not afraid of men.

00:50:55Oh, well, you seem sort of cold.

00:51:00This morning when I brought you the coffee. Friendly.

00:51:03This morning I needed company.

00:51:05Well, maybe you'll need company tonight.

00:51:11Better than working home alone.

00:51:14Yes.

00:51:16It is.

00:51:16I should be finished around nine.

00:51:20Would that be all right?

00:51:21That's okay by me.

00:51:24Say, uh,

00:51:27I'll see you in church.

00:51:28I'll see you in church.

00:55:26I must ask you to resign.

00:55:27That does not mean that I am abandoning you.

00:55:55Nor should you turn your back on the church.

00:55:57There is help here and I urge you to accept it.

00:56:25Well, hi there.

00:56:32I've been waiting an awful long time for you.

00:56:34My car is just over there.

00:56:35I know just the right place to go.

00:56:36What's the matter, what's the matter?

00:56:37What's the matter?

00:56:48What's the matter?

00:56:49What's the matter?

00:56:58What's the matter?

00:56:59What's the matter?

00:57:00What's the matter?

00:57:01What's the matter?

00:57:02Why don't you drink either?

00:57:03Why don't you drink either?

00:57:04Not really.

00:57:05Not really.

00:57:06How else is there if you don't drink really?

00:57:08Answer me that.

00:57:11Now me, I not only drink really, I really drink.

00:57:16What's the matter?

00:57:17What's the matter?

00:57:18Do you like the music even?

00:57:25I like it fine.

00:57:26You don't like it.

00:57:28You don't like to dance and you don't like to drink.

00:57:30You don't like for a man to hold you close, that's it, isn't it?

00:57:34That's it, isn't it?

00:57:36I didn't say that.

00:57:37You haven't said anything all evening.

00:57:42Why don't I go play that song again?

00:57:44You like it so much.

00:57:51Hey, Johnny.

00:57:53Who's the doll?

00:57:54Nobody you know, chicken.

00:57:56Oh, come on now.

00:57:57You've been holding out on me.

00:57:59That's not the kind of pig you usually drag around.

00:58:02You quit licking your chops.

00:58:03She's out of your class.

00:58:05You want a bet?

00:58:08Lay off, huh?

00:58:10I got something on the stove there, man.

00:58:12Well, listen, I'll help you put it over.

00:58:14I don't want her to think I even know creeps like you.

00:58:19Good luck.

00:58:25Meet someone you know?

00:58:27Yeah.

00:58:28He's a college fella.

00:58:33He, uh, told me about this girl.

00:58:35He wanted to meet me.

00:58:38He wanted to be to meet her.

00:58:40What are you telling me?

00:58:42I said, how could I?

00:58:44You're my date, you know.

00:58:50He said you, uh, didn't seem to enjoy my company much.

00:58:54Well, that's not true.

00:58:56I really appreciate you taking me out this evening.

00:59:00I've had a miserable night if you haven't.

00:59:02All right.

00:59:04Forget it.

00:59:05Come on, here.

00:59:06Join a party.

00:59:06Drink up.

00:59:07Look, I paid good money for that stuff.

00:59:15It ain't poison.

00:59:16I'm sorry if I annoy you.

00:59:20You know, I don't get you.

00:59:23First, you stand me off.

00:59:24Well, that's okay.

00:59:25That's class.

00:59:26If you got something, you just hold them back.

00:59:29Now, everything I say is okay.

00:59:31You're a mouse.

00:59:32Yesterday, I didn't care.

00:59:36Tonight, I want to be with you.

00:59:39Me or just with anybody?

00:59:41With you.

00:59:48Why don't you fall out, hmm?

00:59:54But maybe you want to be alone, huh?

00:59:56I'll leave you alone if that's what you want.

00:59:58I like being with you.

01:00:00Really, I do.

01:00:02I don't want to be alone tonight.

01:00:05I want to be near you.

01:00:15You mean that?

01:00:17Yes.

01:00:18Why don't you and me get out of here, hmm?

01:00:32You know, my room's only a couple of feet from yours.

01:00:36You're likely to get very far from me, aren't you?

01:00:38You mean that?

01:00:56I'm going to wake Mrs. Thomas.

01:01:02Hello, girl.

01:01:03It's my back of the house.

01:01:04She won't hear nothing.

01:01:15Honey.

01:01:18You don't want to go in there all by yourself, do you?

01:01:21It's dark and it's lonely in there.

01:01:27You don't have to be alone tonight.

01:01:30Just...

01:01:31Let me come in a while and let me stay with you.

01:01:34Look, you don't want to be alone, do you?

01:01:37No.

01:01:38I'm sorry.

01:01:39I'm sorry.

01:01:40I'm out of here.

01:01:41You asked me in.

01:01:42You like me a little.

01:01:44Huh?

01:01:45No.

01:01:46No.

01:01:47No.

01:01:48No.

01:01:49No.

01:01:50No.

01:01:51No.

01:01:52No.

01:01:53No.

01:01:54No.

01:01:55No.

01:01:56No.

01:01:57No.

01:01:58No.

01:01:59No.

01:02:00No.

01:02:01No.

01:02:02No.

01:02:03No.

01:02:04No.

01:02:05No.

01:02:06No.

01:02:07No.

01:02:08No, no.

01:02:09No, no.

01:02:10No.

01:02:11No.

01:02:12No, no.

01:02:12No.

01:02:13No, no.

01:02:15No, no.

01:02:16No...

01:02:25What's the matter with you?

01:02:26What's going on around here?

01:02:27What's the matter with you?

01:02:28What's going on around here?

01:02:32What's the matter with you?

01:02:35That fan is after me.

01:02:37You've got to stop him. He's after me again.

01:02:40I'm getting back.

01:02:41I don't want to go.

01:02:42Not me, sister.

01:02:44That's just what I need.

01:02:46Get me stuffed with some girl who's off her rocker.

01:02:48I don't want to be left alone.

01:02:58Oh, no.

01:02:59Oh, no.

01:03:00Oh.

01:03:01Oh.

01:03:02Oh.

01:03:03Oh.

01:03:04Oh.

01:03:05Oh.

01:03:06Oh.

01:03:28What did you find out, doctor?

01:03:46Not very much, I'm afraid.

01:03:49I'm sure glad you just happened around.

01:03:53I was going to call somebody, but I was afraid you'd have to pick Bill.

01:03:57I came on purpose.

01:04:00I've been thinking about her ever since she left my office yesterday.

01:04:03What's she been up to?

01:04:06Only the devil knows that.

01:04:09I heard her moving things all around that room all night.

01:04:14Never heard such goings on.

01:04:17And she wouldn't let me in her room this morning.

01:04:19She's a strange one.

01:04:21She absolutely refuses my help.

01:04:25I can't say that I blame her.

01:04:26There's something about her that completely baffles me.

01:04:30I've urged her to call upon me if she feels she needs help.

01:04:33And I hope she will.

01:04:35I can't let her stay in this house.

01:04:37You won't have to worry about that.

01:04:39She's determined to leave the city.

01:04:41And she wants to get away as soon as possible.

01:04:44I hope she does leave.

01:04:48I hope she can.

01:04:50I hope she does leave the city.

01:05:04I hope she does leave the city.

01:05:06I hope she does leave.

01:05:10I hope she can.

01:05:12up

01:05:23up

01:05:26up

01:05:31up

01:05:33up

01:05:35You decided to leave, did you?

01:05:37Where you going?

01:05:44I can't refund none of your week's rent when you go off like that.

01:06:05You can use this.

01:06:10I will travel in plumber.

01:06:12I will run and I will run away.

01:06:15I am going to leave.

01:06:20I have to spend it on my life.

01:06:24You can only take the money.

01:06:27I have to put it on.

01:06:30I am going to leave.

01:06:34Sound like your transmission.

01:06:46Can you pull it up on the rack?

01:07:01Okay, fine.

01:07:02Will it take long?

01:07:04Well, I had to check it first.

01:07:06Would you like to get out?

01:07:08May I just sit here?

01:07:10Sure. Suit yourself.

01:08:02Oh, no.

01:08:06Here you go.

01:08:08Beep.

01:08:10Beep.

01:08:12Beep.

01:08:14Beep.

01:08:16Beep.

01:08:18Beep.

01:08:24Beep.

01:08:26Beep.

01:08:28Beep.

01:08:30Oh, my God.

01:09:00Oh, my God.

01:09:30Oh, my God.

01:10:00Oh, my God.

01:10:01Oh, my God.

01:10:02Oh, my God.

01:10:04Oh, my God.

01:10:05Oh, my God.

01:10:09Oh, my God.

01:10:17I want to get out of here.

01:10:19I want to get away from here.

01:10:22Oh, my God.

01:10:23Oh, my God.

01:10:32Oh, my God.

01:10:33Oh, my God.

01:10:34Oh, my God.

01:10:38Oh, my God.

01:10:39Oh, my God.

01:10:40Oh, my God.

01:10:41Oh, my God.

01:10:43Oh, my God.

01:10:44Oh, my God.

01:10:45Oh, my God.

01:10:46Oh, my God.

01:10:47Oh, my God.

01:10:48Oh, my God.

01:10:49Oh, my God.

01:10:50Oh, my God.

01:10:51Oh, my God.

01:10:52Oh, my God.

01:11:53I've got to get away from here.

01:11:56Please.

01:11:57Please.

01:12:03You hear me.

01:12:05You can hear me.

01:12:07They can't see me.

01:12:20Why can't they see me?

01:12:23Why can't I need anything?

01:12:42Please.

01:12:47Will you help me?

01:12:48I need your help.

01:12:54Just a moment, please.

01:12:56Why can't I need anybody?

01:13:15You hear me.

01:13:16It's funny to me.

01:13:24You hear me.

01:14:09I don't belong in the world.

01:14:14That's what it is.

01:14:17Something separates me from other people.

01:14:28Everywhere.

01:14:30They're everywhere.

01:14:33They're not going to let me go.

01:14:36Everywhere I turn.

01:14:39There's something that's blocking my experience.

01:14:43He's trying to prevent me from living.

01:14:47He's trying to take me back somewhere.

01:14:50I can't fight him.

01:14:52I don't know what's real anymore.

01:14:55I came to you, doctor.

01:14:59Because you're my last hope.

01:15:04If you don't tell me, I'll...

01:15:07I have to go back there.

01:15:09He's trying to take me back somewhere.

01:15:12You've got to tell me what to do.

01:15:18I don't know.

01:15:21I don't know.

01:15:23I'll go.

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