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House.Of.Guinness.S01E04.540p.X265.AAC [Full Movie] [Ranked]Full EP - Full
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02:12I'm requesting a lady to dance, you stand at the proper distance, bend the body gracefully, accompanied by a slight
02:20motion of the right hand in front.
02:24You look at her with complacence.
02:27What?
02:29And then you respectfully say, you will be pleased, or will you favour me with the next dance?
02:35Benjamin, are you listening to me? Otherwise you're going to make a complete arse of it.
02:42The lady is smart enough to know that the dance you're requesting is a means to an end, and a
02:46way of making an introduction on behalf of someone else.
02:50If she thought you were asking on your own behalf, she would, without doubt, tell you to fuck right off.
02:56Completely, totally sober, yes?
02:58I've been like a kestrel hovering over a field mouse.
03:01I want this dance, but...
03:03And so, go and introduce the Guinness family, the news to Dignes Hillman.
03:14Well, for God's sake.
03:18Mr. Benjamin Guinness, are you looking for me?
03:20Then will you be pleased, sir, or will you favour me, sir, with this next dance?
03:26What?
03:28What?
03:34What?
03:43So, why have you chosen me as your dance partner, Mr. Guinness?
03:46There are so many women here, younger and prettier.
03:49Prettiness is opinion.
03:51What is your opinion of me?
03:52My opinion is that I wish I had a very large glass of whiskey right now.
03:57You seem quite nervous.
03:59Not much of a dance, yet.
04:00So why do it?
04:03Anyway, Benjamin, as you may know, I'm a single woman, and you are a single man.
04:08Look, it might be helpful to point out that I am rather a leaf in the wind in all of
04:12this.
04:12You are a single man, and in the words of Jane Elston...
04:15Who?
04:15A single man in possession of a good fortune must be in want of a wife.
04:20Is that why you asked me to dance? Because you are in need of a wife?
04:24First, in truth, I am not in possession of great fortune.
04:28Because your brother's got all the money, yes?
04:29Can we at least move around a little bit?
04:31And perhaps you were instructed by one of those brothers to approach me as a kind of calling card.
04:39And since your elder brother got married today, I can only assume you are here on behalf of the next
04:42brother in line.
04:44Look, when the inevitable happens and Edward tells me that I completely fucked this up, tell him it wasn't my
04:49fault.
04:50Tell your brother, from me, that I am not a name on a list. I am not in search of
04:55a husband.
04:57And the porter that he brews in his brewery tastes to me like bitter, bitter ashes.
05:08Bitter ashes.
05:26Look, I know this is wildly wrong. I've never done, and everyone is staring. But you look a little lost.
05:33I wondered if I might rescue you.
05:42Of course.
05:46Oh, my God.
05:49Oh, my God.
05:53Oh, my God.
06:01Oh, my God.
06:35Oh, my God.
07:08I, um, couldn't help never seeing the two of you on the dance floor.
07:12I must say, you looked completely natural together.
07:15Really?
07:16That's odd.
07:17Because Benjamin was just telling you about a girl he met in London with reflective eyes.
07:23And with him, he's apparently falling in love.
07:28Excuse me.
07:32Yes, well, it was out of the blue.
07:36A chambermaid.
07:38Your name is Guinness.
07:42That is not who you are.
07:44It is what you are.
07:47Now, you can have all the chambermaids you want.
07:49Well, they're busy with the one I have.
07:51But you will marry within this room.
07:54Obviously not Lady Christina Madden, who is penniless and a lunatic.
08:01I'm a man in love.
08:08However, if you really want me to fall out of love, well, then I suggest the family do something about
08:14my income.
08:15There is no chambermaid, is there?
08:184,000 per hour.
08:19That's all I ask.
08:22And I have St. Chelsea for myself and my bride who will be chosen within this room and who will
08:27be very, very suitable.
08:30You are indeed a Guinness.
08:32Do we have a deal, aren't I?
08:36Leave it.
08:37Of course there was a plan.
08:39Benjamin was to make the initial request on behalf of Edward.
08:41So Edward could save face in case of rejection.
08:44Well, he has been rejected.
08:45The second most important man in Ireland should move on.
08:49No, no, no, no.
08:51He is Edward.
08:52If she refused him, he would pursue her in this rejection.
08:59If you had chosen Adelaide, you would pursue her.
09:03Pursue her with all this wit and energy.
09:04Possibly forever.
09:06Until she gives in.
09:08People always want what they can't have.
09:11Mr. Plunkett.
09:12Mrs. Plunkett.
09:14I hear you need a carriage.
09:16My wife stumbled in the dance.
09:19I hope you're not hurt, madam.
09:21William, I didn't give our wedding gift to my brother.
09:24She'll go and make sure he gets it before we leave.
09:41You may have heard that I was taken ill on the road to Colombo.
09:45I did not hear that, madam.
09:47On the road.
09:50And in a carriage.
09:51I lost a baby.
09:55Will you be needing a carriage home straight away, madam?
10:01Nothing in this room is as it seems.
10:04There should be cards in which there's a list of who you will fuck and then move on from.
10:16You have no affection for me.
10:20We came together briefly.
10:22And then we came apart.
10:24And now we both continue on.
10:38Now I can barely stand, let alone dance.
10:41Of all idiotic fucking things.
10:45But I would like most of all now,
10:48and whenever I fall,
10:52is for someone to hold me.
10:59I've allocated the gift
11:01and arranged the carriage.
11:03Perhaps, Mr. Rafferty,
11:06you will tell the bride and groom
11:08that we've had to leave.
11:13Rafferty! Mr. Rafferty!
11:20Mr. Rafferty!
11:22Come.
11:25I...
11:26I just described you,
11:27to my new wife,
11:28as my foreman.
11:31This really is a terribly inadequate word
11:33for what you are.
11:34You're more of a...
11:37linchpin.
11:41Protector.
11:43Weapon of control.
11:44Mm-hmm.
11:50He sounds indispensable.
11:52I have a carriage and four
11:53to take you later
11:54to St. Ann's Park.
11:55What time do you plan to leave?
11:57Oh, is he your timekeeper too?
11:59Well, perhaps now that
12:00Mr. Guinness has a wife
12:02to take care of him,
12:04I might be relieved
12:05of the more intimate duties.
12:10Such as deciding his bedtime?
12:14I'm speaking for myself.
12:17I'm not quite ready for bed yet,
12:20Mr. Rafferty.
12:33Arrange the carriage for midnight.
12:34Yes, madam.
12:37I'll make the lights dim
12:38so bride and groom
12:40can kiss along the way.
13:09So...
13:11How goes the rest of the family?
13:13Benjamin is sober. Edward has been refused.
13:16For now, yes. On both counts.
13:20Your Uncle Henry is horrified that this sexual dancing face-to-face has been allowed.
13:26I told him it is the wicked times that we landed in.
13:31At least the Fenians were hiding themselves.
13:37What?
13:49How do you think it will be acceptable for us to leave these pigs to the trough?
13:54We are here for a purpose.
13:56No. I'm here for a different purpose.
14:00You wanna know what my purpose is?
14:01Oh, yeah.
14:02To reconnoitre this building with a view to someday returning to plant a bag of fucking dynamite under the stairs.
14:10My purpose appears to be on his way to see me now.
14:16I want you to both fucking leave. I want you to leave right now.
14:20Well...
14:22I want you to both fucking leave right now without any kind of noise, any kind of fuss.
14:27I was told by your brother that we have business.
14:30If you do not leave, I will have Mr. Rafferty escort you both to a closed window, which he will
14:35throw you both through.
14:37We are here by invitation.
14:39Really?
14:42I thought you didn't want to make a fuss.
14:46Well, I've been told who you are. Who the fuck is he?
14:49Brother.
14:54I understand. It is your way. You people living down in the docks and ditches of Dublin for brother and
15:04sister to fuck you.
15:06Stop! Stop! Stop! Stop! Stop! Stop!
15:10I'm gonna poke you up. You're dumb.
15:14Go and dance.
15:15I don't dance.
15:16Go and stand and look awkward then.
15:24If I see her being led towards any closed windows, it'll be a different sort of fucking dance that breaks
15:32out.
15:38I think your brother should join us.
15:39This is my fucking wedding!
15:41Your brother's joining us anyway.
15:43Oh, fuck.
15:51You ballooned the house of Guinness in front of the whole of society.
15:55We are indeed in front of the whole of society, so you will sit down, you will sip some whiskey,
16:02you will smoke your cigar, because here, of all places and on this day of all days, you cannot turn
16:07over the tables.
16:09Understand? Before your marriage is one week old, the truth about it could be revealed.
16:15The truth, Arthur, and the future are to be discussed here briefly as a first step.
16:21So, you use my wedding day as a trap.
16:25A trap from which you will be freed the second after you engage with this lady.
16:30Fucking lady!
16:31Who I have discovered to be reasonable and who is someone we must deal with sooner or later. I have
16:36chosen sooner.
16:37I can't even speak.
16:38Then only listen.
16:40I have no interest in the destruction of your reputation.
16:43I have suggested a gradual movement without their luck.
16:47Towards a position of constructive engagement.
16:48And the House of Guinness, as you call it, would be a place where both sides of the argument could
16:53be put.
16:54And we might move your people towards a position where the prospect of a united and free Ireland would become
16:59inevitable.
17:02And what about you?
17:03Hmm?
17:05Do you think it is also inevitable that everything our father stood for gets destroyed?
17:12My opinion is irrelevant, Arthur. This is business.
17:19Everything you see in this room is about appearances and propriety.
17:24Hmm.
17:27So you invite a blackmailer to the ball?
17:29It does not suit me to do this.
17:33I'm the fucking best man.
17:37My own brother.
17:42Does this to me.
17:46Your brother is doing what is best for you.
17:50Consult your wife. She is a realistic woman.
17:52Arthur, the election is just a few months away.
17:55And to win it, you must be unblemished.
17:57Everything is at stake.
17:59And anger makes poor decisions.
18:01Listen.
18:02Many workers will be voting for the first time, including this lady's supporters.
18:08You'll need at least some of their votes to win.
18:12When you are back from your honeymoon, I'd like to put forward a set of proposals.
18:16About how to best represent Fenian interests and Pyrdomen.
18:44About how to best represent Fenian interests and Pyrdomen.
18:47the ranks.
18:52Is that progress?
18:57Shouldn't you be out amongst your family finding yourself a wife?
19:02Shouldn't a woman of your age already have found yourself a husband?
19:09I'm waiting for someone to take me seriously.
19:26Oh, my God.
19:43Who invited the fucking Fenians?
19:47I did.
19:49I'm calling you.
19:51Blessed are the peacemakers, for they will be called the children of God.
19:58Okay.
20:12I'm sorry.
20:17I'm sorry.
20:17I'm sorry.
20:19I'm sorry.
20:20I'm sorry.
20:37I'm sorry.
20:45I'm sorry.
20:49I'm sorry.
20:52I'm sorry.
20:57I'm sorry.
21:09I'm sorry.
21:10I'm sorry.
21:13I'm sorry.
21:14Who is that?
21:15He looks like a Catholic.
21:17I'm sorry.
21:27Excuse me.
21:29Sorry, excuse me.
21:30I'm just looking for Aloysius Street.
21:34Where Aloysius Street meets First Avenue.
21:41I just landed in New York with you being for him and he's not the streets.
21:46You Irish?
21:48I am.
21:49Yeah, yeah, yeah, I am.
21:51I'm from Dublin.
21:51You Catholic?
21:54Fuck.
22:20Fuck...
22:23Stop that stupid dog!
22:25Stop that stupid dog!
22:27Stop that stupid dog!
22:30Get back here!
22:34A bounce!
22:58Wait.
23:07Say a prayer to your papers of God, Irishman.
23:15Okay, gentlemen, you have now reached the border.
23:18Permission for entry, denied.
23:20You're going around and get the fuck out of here!
23:23Go on!
23:24Get!
23:25Get out of here!
23:27Move back, buddy!
23:29Get out of here!
23:31Get in!
23:32Get out of here!
23:40Get out of here!
23:42Get out of here!
23:43Hell, fuck us.
23:45Come on.
23:47Come on.
23:51You Irish?
23:53You know, since I got off the ship.
23:57If you answer that question, increasingly depends on who I'm talking to.
24:03Welcome to New York.
24:04Come on.
24:11No travel light.
24:13I don't know.
24:14I was obliged to use the suitcase as a weapon.
24:21Dublin's rough.
24:23Cork has its moments.
24:25But...
24:25It's just...
24:26Tastes like a hare by the fucking New York Fire Brigade.
24:30Yeah, you need to know the rules, map of the religions, see those men you just
24:36encountered are the famous Belry boys. Start furs and put them out for money.
24:40Or they take your money so they won't start a fire in the force, please. Fuck us.
24:46Yeah, they hate the Irish and they're born Catholics. These are all things you get
24:50used to in the sea. Incorporate them into your daily routine. That's gonna be my
24:55routine. I'll buy a pair of light or white shoes. I'll buy a gun. William, the man here says
25:04he's your cousin from Dublin. Holy fuck! Is Byron the bad boy from Ballybuck?
25:14Welcome to the revolution, my friend.
25:23I was kind of sure that those letters you sent to me were written when you were drunk,
25:27because, oh, they seem kind of crazy. Yeah, I drink but I don't get drunk.
25:39So your business here is real? My last bottle. I have ten cases being unloaded in the battery
25:53ducts to use of samples. Pick them up from the quay tomorrow.
25:56Yeah, I've seen them around. They sell it like medicine for old ladies.
26:01Yeah, do you have an opener?
26:07You fuck. Sorry.
26:09It's not usually so lovely I've been running.
26:13Yeah, go on. Try what's left.
26:18You appear to care what I think.
26:21I hear you have influence among the Irish community in this beautiful city.
26:41I taste the bitterness of Ireland.
26:44You should use that in the advertising posters.
26:49And I'm here to tell people it's more than medicine for old ladies.
26:54It's an elixir for the soul.
26:57So what is this stuff to you?
26:59It's actually not bare for me.
27:03It's me blood.
27:07You and our cousins through me father, you never met me mother.
27:14I tell you, the Guinness family are wild.
27:20And your mother was one?
27:24Yeah.
27:27So am I.
27:33But they're Protestants.
27:36They walk a tightrope.
27:38And I swear to God,
27:42the man who signed that paper signs all the checks.
27:45His brother Arthur will soon be Dublin's MP.
27:48Edward wants to build bridges with the Fenians.
27:51That's why I'm here.
27:52I told him what my plan was.
27:54I told him who you are.
27:56And he still signed it.
28:01Yeah?
28:04So who am I?
28:06They say in New York you call the shots for us.
28:09For us?
28:11For the Fenian Brotherhood.
28:13And is that us?
28:14For you too?
28:16Because my father died for the cause.
28:19And I am my father's son.
28:22But your reason for being here is this.
28:26You should know, cousin, that the thing the Guinness family is most famous for is giving money to good causes
28:36on the behalf of the oppressed and the unjustly used.
28:45So, you think that these dice for all the Protestants would give money to us?
28:49We think having friends who make good beer can only ever be a good thing.
29:04What?
29:06Is it me making a decision, cousin?
29:24Bye-bye.
29:28Bye-bye.
29:31Time for a shot.
29:32Hey!
29:33Go!
29:33Come here, catch this.
29:34What the fuck?
29:36take it to the battery docks
29:37you tell the longshoremen
29:38anybody with that label
29:40you leave the fuck alone
29:41and you put it on the key
29:42like it was a sleeping baby
29:44tell them it was me who said so
29:54so cousin
29:57I'm gonna need somewhere to stay
30:01won't you say thank you
30:02I'm gonna cut you in on the profits
30:04so it'll be to your benefit
30:39so
31:07You go get your horses out of the rain, I'll help her.
31:09My driver is doing perfectly well, thank you.
31:12Go, see you for the horses.
31:17What the hell are you doing here this time of night?
31:19Hell, you're such blasphemy to the sister of your employer.
31:26Forgive me, Adam.
31:27You're forgiven.
31:31The reason how I am here at this time of night is to see my brother Edward,
31:36who is also here this time of night.
31:39Indeed, he's here at almost any time of night.
31:42As I imagine, are you?
31:46We are very busy, madam.
31:48Madam.
31:51We receive an order in advance of Christmas.
31:54Some from new places.
31:55House of America, yes, I'm here.
31:58And soon, if this expansion continues, neither you nor Edward will ever go home.
32:04Not that either of you have a home to go to, of course.
32:12Shall I bring your brother down?
32:14Why would you do that?
32:22Anne.
32:24If you fall, I will catch you and hold you.
32:33You know, Mr. Rafferty,
32:36I'm beginning to suspect you might actually have compassion in your soul.
32:42Which makes you even more dangerous than you already are.
32:58Anne?
32:59What the hell am I doing here?
33:02My name is Guinness.
33:03This is the Guinness Brewery.
33:05And everyone appears to be astonished to see me.
33:09Did the doctor give you any news?
33:11It was always I that gives news to the doctor.
33:13Telling him of some new thing I can no longer do.
33:16He has no idea why.
33:18The only good piece of news he has given me is that, in spite of my recent miscarriage,
33:24he sees no reason on earth why I should not be able to bear another child.
33:34Anne, for God's sakes, it's almost ten o'clock.
33:37There is something that cannot wait.
33:41When was the last time you spoke to Arthur?
33:46I've been busy here.
33:47He's been busy with his election campaign.
33:49And you have had no involvement in his campaign whatsoever?
33:52No, I've not.
33:53He said he didn't need or want me.
33:55And thanks to the work of our representative in New York,
33:57this expansion is taking all my focus.
34:03What's in the envelope?
34:06Proof that he does need you.
34:09Fuck.
34:13In your absence, my husband's brother has been acting as his running mate.
34:18And?
34:19It seems that Arthur and his team have developed what they think is a very clever system for rigging the
34:25election.
34:27It's the train ticket.
34:31Didn't you want him to get elected to build bridges instead of burning them?
34:38The Tory party has secretly taken over premises on Capel Street, supposed to be a printing works.
34:46Whoever casts a postal ballot in advance of the election in favour of Sir Arthur Edward Guinness is given a
34:53used train ticket.
34:56You take your ticket to the printing press and a man hidden behind a wardrobe gives you five pounds.
35:03That is the brilliant secret strategy that Arthur has come up with.
35:08To help win Dublin for the union.
35:13If this becomes public, the family's reputation will be destroyed.
35:17It is your fault, Edward.
35:19You should have been with him.
35:22My fault?
35:24I cleared the fucking path.
35:27I stopped the Fenians from blowing his political career out of the water,
35:31but it seems he is perfectly capable of destroying it himself.
35:35He cannot be left alone, not ever.
35:36I am chained to him.
35:41He chained me to Arthur to stop him from sinking into his own fucking pit of arrogance,
35:47but he will drag me down with him.
35:52I will not let it happen.
35:55And where are you going, Abby?
35:58To find my fucking brother.
36:08Open these gates.
36:09Now, chase yourself, Mr Guinness.
36:19Oh, my God.
36:31Oh, my God.
36:33Oh, my God.
36:34Oh, my God.
36:34Oh, my God.
36:35Oh, my God.
36:36Oh, my God.
36:43Oh, my God.
37:07God right here in the stable behind the Guinness yard a new life for this miserable dark fucking
37:16world and in answer to your unspoken question I do know where your brother is but five pounds
37:23doesn't get you in the right postal district let alone street or street number so he's in a private
37:30house somewhere you've not been responding to your mail mr. Guinness but I wrote to you when the
37:39election campaign began with your brother shouting so loud about the sins of others
37:46silence is getting more and more expensive you've already been paid for your silence
37:53yeah but this is like an ongoing continuing political situation
38:02especially as I'm hearing rumors of train tickets
38:16tell me where my brother is and I will address your previous comment as regards train tickets
38:22when I get into my office tomorrow morning you work Saturdays I work every day as do I
38:33going home street
38:42you give the people bear mr. Guinness I give them babies
38:52and on Sunday we rest
39:21oh shit
39:37Why are you here? This is where I go. I'm here about this.
39:43I'm told that's how it's done. You do it with tickets instead of writing notes on paper.
39:47Told by who?
39:49I'm half naked on a doorstep.
39:50If I'm going to sort your fucking mess out, I need to know. Told by who?
39:54A mess. What mess are you talking about? I'm just doing what the liberals are doing.
39:58I was told by people who have done this before. They said, oh, you're just doing exactly what the liberals
40:01are doing.
40:01You really don't need to get involved.
40:03Arthur, I really do.
40:07I'm told by those who know about these things that I will easily win now.
40:12You fucking perpetual shipwreck. You fucking train crash. You piece of bedroom. You chaos.
40:20You fucking chains. I was hurt. Let me stop.
40:23You fucking burn.
40:24Shh.
40:25You're waiting for fucking neighbors.
40:27Neighbors?
40:29Yes, neighbors.
40:32Stop playing with that fucking dog.
40:36You must be quiet, you see. Most people have them. Two up, two down. No gas. No water. There's no
40:50toilet. But it's called freedom.
40:58I have wishes. What on earth is going on?
41:02Ah.
41:03Okay, so, Artie, this is my brother, Edward.
41:07And, Edward, this is Lord Arthur Pellum Clinton.
41:13Godson of the leader of the Liberal Party, William Gladstone.
41:18A friend of a friend rents this place.
41:22We come here when Artie...
41:27Well, Artie's in Dublin.
41:35We met at Eton.
41:36Very pleased to meet you.
41:39Pleasure.
41:41Pleasure.
41:48Goodness, is it getting light outside already?
41:49Yes, I believe it is. It's getting rather late. Or early.
41:53I should be getting back.
41:57Arthur, you get dressed. I will wait outside.
42:12Shh. Shut the fuck up.
42:13Shh.
42:15Shh.
42:17Shh.
42:18Shh.
42:20Shh.
42:20Shh.
42:21Shh.
42:23Shh.
42:31I found him, and I have never, ever seen him look up here.
42:40Brother was a runaway, he ran to Amsterdam, I was nine years old.
42:51Oh, and by the way, please, do not mention trade tickets or wardrobes to my wife.
42:55He called out to me, on that day, I was walking in the woods.
43:10I didn't realize, when he said goodbye, we look more for ourselves, thank you.
43:18But he meant goodbye, for good.
43:31So, where did you find him?
43:33Where Livia? Playing cards with some gentlemen.
43:36I can speak for myself, and I can also choose not to speak at all if I wish.
43:41That is quite right. He has no obligations, just as I have no obligations.
43:46I'm just curious as to who it is he's playing cards with.
43:49Oh, don't be alarmed. Bluebloods. Lords, at the very least.
43:54You play with kings and queens, not jacks.
43:56No knaves, my dear. No, no, no.
43:58I went looking for him out of concern, not curiosity.
44:01Concern? About what?
44:02Edward doesn't understand the complex nature of modern politics.
44:06Look at him, he's an idealist.
44:07He wants me to be elected to parliament so I can help run the business.
44:10He is concerned I might lose.
44:13Edward, his name is Guinness and this is Dublin.
44:16Of course he won't lose.
44:17You two are well matched in your certainty.
44:21Yes, we are. Very well matched.
44:24And what you see at this breakfast table is a very rare thing.
44:27A marriage based on absolute honesty.
44:32Edward, you're too busy doing what you're good at.
44:34You two were born for different things.
44:37As the elder brother Arthur was born to inherit and enjoy the company of the rulers of the Empire in
44:43London.
44:45As the younger brother you were born to work and to earn.
44:48Your ability is in trade.
44:51Perhaps that's why on our wedding day when you asked Miss Adelaide Guinness,
44:55a lady raised among French and Spanish nobility to dance,
44:58she was suddenly otherwise engaged.
45:10Well, I will leave you to your wardrobes and your train tickets.
45:14What did you say?
45:16Good day, Lady Olivia.
45:20Please take whatever that factory thing was you were wearing with you.
45:31Arthur.
45:34In company, I will always be your rock.
45:39But, now we are alone.
45:44Watch fucking train tickets.
45:48Watch fucking wardrobes.
45:58Tonight there's gonna be a jailbreak.
46:02Somewhere in this town.
46:05See me and the boys, we don't like it.
46:08So we're getting up and going down.
46:12Hiding low, looking right to left.
46:15If you see us coming, I think it's best.
46:18But move away.
46:19Do you hear what I say?
46:21From under my breath.
46:24Tonight there's gonna be a jailbreak.
46:28Somewhere in the town.
46:31Tonight there's gonna be a jailbreak.
46:35So won't you be around?
46:55In the town.
46:58Tonight there's gonna be a jailbreak.
47:01So don't you get back out?
47:04Tonight there's gonna be a jailbreak.
47:07I'm gonna find myself in
47:10Tonight there's gonna be trouble
47:14Tonight there's gonna be trouble
47:37Tonight there's gonna be trouble
47:38Tonight there's gonna be trouble
47:56Tonight there's gonna be trouble
48:00Tonight there's gonna be trouble
48:00Tonight there's gonna be trouble
48:00Tonight there's gonna be trouble
48:00Tonight there's gonna be trouble
48:00Tonight there's gonna be trouble
48:01Tonight there's gonna be trouble
48:02Tonight there's gonna be trouble
48:06Tonight there's gonna be trouble
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