- 17 hours ago
Young Sherlock S01E07 [Full Movie] [Full Story]Full EP - Full
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00:01Hey son, I'm looking forward, you're aiming backwards, up to some shore, have you had enough, are you feeling rough,
00:15but you're still hard, well if you're wrong.
00:23I'm waiting, like you now, I'm waiting, for so long, for so bad, to take me, to take me over
00:38the days, as I've forgotten, now it's a long way.
01:05It's not your fault Sherlock, it's not your fault.
01:20It's not your fault Sherlock Holmes for sorrow, tears for joy.
01:44Andrews, what are you doing?
01:47How do you know what I'm saying?
01:49Five's for a girl and four's for a boy
01:56Five's for silver, six for gold
02:03No, no, no, no, no, don't go
02:06Please, I'm Michelle, I'm her
02:11Andrews, Andrews!
02:15Andrews!
02:17Sean!
02:18Sean!
02:24Sean, you're all right
02:26I got you
02:27Come here now, get him, Sean
02:28That was a terribly stupid thing to do
02:32Here, let's get you up
02:33No, no, no, Sean
02:35She's trying to shoot my father
02:37And we have to stop her
02:38I'm not leaving you down here
02:39Sherlock!
02:41Oh, he's bleeding
02:42I think that has something to do with the bullet in his abdomen
02:45Yes, I'm sorry to be a burden, brother dear
02:47No burden, brother dear
02:48Come on, let's get him off
02:49If she gets to my father, we may never find Beatrice
02:53Go
02:54Go, James, go!
02:56Now, if you listen to me, we are going to get fixed up
02:59Are you crying?
03:00No
03:02Why not?
03:04One, two, three
03:05Up you go!
03:08Sherlock!
03:10He's been shot
03:11Oh my poor boy
03:13We have to find a hospital
03:15A dash of opium would be greatly appreciated
03:27This way
03:28Why? How do you know?
03:29There's only one hospital still open
03:31Sadly, it's where the gunfire's coming from
03:33No
03:42You're right
03:43You're right
03:44I see
03:44Turn him down
03:44Take him
03:45Take him
03:46Take him
03:50Go
03:50Go
03:51Go
03:52Go
03:52Go
03:53Go
03:54Go
03:54Go
03:55Go
03:55Go
03:58Go
04:06What are you doing?
04:07Give me that. I'm stopping you from shooting that man.
04:10Why? Because that sure looks quieter.
04:14That's his father.
04:15I didn't know.
04:16Easy, easy.
04:21I'll be taking that.
04:23Thank you kindly.
04:28Up we go. Over the top.
04:33Right, in the back.
04:34Where are we going?
04:35I'm afraid we're going to have to go the long way around, brother.
04:38All aboard.
04:39Off we go.
04:41You may be my way, James.
04:43But I have no wish to see you dead.
04:45Am I the fair, everyone, huh?
04:47Because you shot Sherlock.
04:49Not intentional.
04:50Oh, right. It wasn't intentional. I suppose that makes it okay, then.
04:53I'll be sure to tell him.
04:56How is he?
04:57He's alive.
04:58You'll be glad to hear.
05:01His brother's looking after him.
05:04Is Sherlock looking for his father?
05:05Yes.
05:07Where are you going?
05:08To find Sherlock.
05:09He's looking for Silas. I'm looking for Silas.
05:11And Sherlock has a rather stubborn habit of finding people.
05:14There's only one hospital still open in Paris.
05:17That's where Mycroft will take him.
05:20Come in.
05:21Come in.
05:22Come in.
05:23Come in.
05:50you had no choice there'll be more of them
05:54we need to go
06:02jane we need to go
06:27oh
06:45Oh, come on, I'm just going to make my life.
06:58Oh, come on.
07:28Oh, come on.
07:30Come on.
07:31Let him work.
07:40He's stubborn as a mule.
07:42Yes, he is.
07:43He will be up and drowning.
07:44I spoke mad in no time.
07:45You watch.
08:10I suppose no news is good news.
08:12Oh, come on.
08:28How are you going to do it?
08:30Well, I've done my best, but it's a bit better now.
08:35Thank you, sir.
08:37Thank you, sir.
08:40Daddy.
09:16Come on.
09:17Come on.
09:18Come on.
09:18Come on.
09:19Come on.
09:36Mother.
09:40Oh, my darling boy.
09:42Sherlock.
09:44Oh, there he is.
09:47Little brother.
09:48Luckiest Englishman alive.
09:51Can I give you some water?
09:53Yes, yes.
09:55Ah!
09:56He's too stubborn to die.
09:58James, where on earth have you been?
10:01Are you all right?
10:03Are you all right?
10:09I'm fine.
10:11James.
10:12I'm fine.
10:14I'm fine.
10:16You're still lazing about, I see.
10:18Up you get.
10:20What?
10:20There's work to be done.
10:22Oh, I'm only messing, Mrs. Holmes.
10:26It's good to see you.
10:29Did you stop her?
10:34I did.
10:37And I brought her here.
10:39Now, don't piss your bedpan.
10:42She's unarmed.
10:48Hello, Sherlock.
10:50What on earth are you doing here?
10:52I need to speak with you.
10:53An inch to the left, my brother would be dead.
10:55I wasn't aiming at him.
10:57I was aiming at your father.
10:59Ah!
10:59Well, that is understandable.
11:01I've tried to shoot him twice myself and missed both times.
11:05James?
11:06Why is she here?
11:08Because I think you need to hear what she has to say.
11:14My name is Xiaowei.
11:17I come from the village of Tai'an and Gansu.
11:21High in the hills.
11:26This is the effect of what the scientists in Oxford were working on.
11:31What you saw in that tunnel.
11:33They first tested on my village.
11:38On my parents.
11:42There is a mineral deep beneath my people's lands.
11:45Professor Malik found a way to transform that mineral into a creeping death.
11:50And turn it into a weapon.
11:52The program was paid for by your government and run by Becephalus Hodge.
11:57But Professor Malik betrayed him.
11:59Sold it to the highest bidder.
12:02A private buyer.
12:04My father.
12:07Yes.
12:13I'm so profoundly sorry.
12:17It's not your pity I need, but your help.
12:20To ensure this can never happen again to anyone.
12:23Anywhere.
12:24You want to stop our father.
12:26And you want to find him.
12:28Yes.
12:29I propose we combine our talents.
12:31Double our chances of tracking him down.
12:34Yes.
12:35But on one condition.
12:38We have to find out where Beatrice is from Silas.
12:41So you cannot touch him until we have that information.
12:45And after that?
12:46Oh, after that you can do whatever you like to him.
12:48And provided my sons don't have any objection, of course.
12:52Given the circumstances, I do not intend to stand in your way.
12:55I find it difficult to condemn him to death so readily.
13:01What if that's what it takes to find Beatrice?
13:04That's what it takes.
13:06He's still in Paris.
13:08Or at least the man who works for him is.
13:10His name is...
13:13Kashkali.
13:14At the demonstration, the boys were told to follow the usual channels at the two corners.
13:19For those of you who wish to place an order, it's only fitting that we should meet at the famous
13:23two corners.
13:24Two corners?
13:28An intersection?
13:29Doesn't exactly narrow it down, Sherlock.
13:41Matchboxes.
13:43What do you mean, darling?
13:44On the table where Father was set, they were matchboxes.
13:49With a design on the front of two corners.
13:54Was there an address in it?
13:59I wasn't close enough to get a good look.
14:02I can't be sure.
14:04Well, this is as good a place as I need to start.
14:08I'll get going.
14:11I'll go with him.
14:14Well, I'd be delighted to have your company.
14:15Come on.
14:21Come on.
14:23Come on.
14:23You could make you so rich.
14:29Come on.
14:31Come on.
14:36Come on.
14:39Come on.
14:40Snowdress.
14:42Excuse me.
14:45Have you found this one?
14:48No.
14:51It's impossible.
14:52Impossible is a word.
14:54Only found in the dictionary of fools.
14:58That's what Silas said.
15:01Why that quote maybe means something?
15:04Originally, who said it?
15:07Napoleon Bonaparte.
15:10Napoleon.
15:21It's Napoleon's hats.
15:24Famous bicorn.
15:25It has two corners.
15:27Legle l'olive.
15:28What?
15:29The eagle and the olive on the outskirts of Paris.
15:32It's a restaurant where Napoleon supposedly left his hat behind him.
15:35It's only fitting that we should meet at the famous two corners where you can contact Mr. Esser Casca.
15:43Do is genial.
15:44You have no idea.
15:49I fear that I may have unwittingly set this all in motion.
15:53Why do you say that?
15:54About a year ago, father asked me what I was working on.
15:58Yes.
15:59Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
16:04I didn't know any details at the time, but I told him that I was working for the government.
16:07It was secret.
16:10He obviously set about making his own inquiries.
16:13The only person who can be blamed for what has happened is your father.
16:18Oh, let's let my Groff torture himself, mother.
16:22At least for a while.
16:27Right-o.
16:29Where are you going?
16:30I need to get a message to London, warn them that father has the weapon.
16:35Another nail in the coffin of what remains of my career.
16:40Try not to die in my absence, would you?
16:43Hmm. Reasonable request, mother.
16:46Thank you, darling.
16:50No sign of his head.
17:01You can ask me, you know.
17:03What you've been wanting to ask since you shot that soldier.
17:09You're not nearly as mysterious as you assume.
17:13Hmm.
17:18When you killed for the first time.
17:23How did you feel?
17:25A great weight on my chest, pressing harder every day so I can hardly breathe.
17:32And now I live with it.
17:38Strange.
17:42I don't feel any of that.
17:55I don't feel any of that.
17:56I don't feel any of that.
18:11I said Kashkali has a regular table at a brasserie called The Eagle and the Olive.
18:16Where he meets his potential customers.
18:18And tomorrow he is meeting a man called the Duke de Mont.
18:21But still no sign of silence.
18:23No, I'm afraid not.
18:25This is all.
18:26So we will need to lure him out of the shadows.
18:29But how, darling?
18:32By posing as customers.
18:34Hmm.
18:37Please don't mind your stitches.
18:39I am all right.
18:45This is what we are going to do.
18:50Bonjour.
18:54Bonjour.
19:06Sorry, madame.
19:07It's occupied.
19:08I'm expecting something.
19:10Yes.
19:11Oui.
19:12Madame de Mont.
19:13Mother will explain the Duke never attends meetings.
19:16That's his wife's duty.
19:17Enchantée.
19:19What if he recognizes you?
19:20With him we're thunk.
19:25Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
19:33Excusez-moi, monsieur.
19:34Le Duke de Mont.
19:36Cecile Filliman.
19:37I'll give him the sales pitch.
19:39Then, the Duke will duly hand over his money, which James will deliver to my mother, allowing us to finance
19:45stage two of the operation.
19:54What is stage two of the operation?
19:57I'm so glad you asked.
19:59I have something for you.
20:01You will ask to meet the bigwig himself.
20:04Excuse me, madame.
20:08Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
20:23Keep moving.
20:24Oui, c'est pas tout à fait ça.
20:27Je repris ma brosse à dents.
20:29Bonjour.
20:30And voilà .
20:31He'll tell us where Beatrice is.
20:33Yeah.
20:34That's it.
20:35What could possibly go wrong?
20:38The key to being successful confidence men...
20:40And women.
20:42The key to being successful confidence men and women is confidence.
20:50Love the eye patch.
20:55Enchanté.
21:02Oui, bien, monsieur.
21:05Excusez-moi, monsieur.
21:07Le Duke de Mont.
21:10Cecil Fillimont.
21:14So.
21:17Where is Mr. Cosgalli?
21:19I do hope you understand, Duke.
21:21The unexpected events of our demonstration have forced us to change our plans.
21:26My instructions were to hand the money only to Mr. Cosgalli himself.
21:32I don't deal with the monkey.
21:34Only with the grinder of the organ.
21:36Speaking as a monkey, I concur.
21:39More common sense is what is needed in this topsy-turvy world of ours.
21:43But, if that is your instinct, you will have to come back another day, understood?
21:48Understood.
21:49Then I shall take your advice.
21:53It would be remiss of me not to inform you that the incident in the tunnels has only, in fact,
21:59proven the potency of our product.
22:02We're selling out fast.
22:06If you delay, you would risk missing out altogether.
22:15Have a good day, sir.
22:20Have a good day, sir.
22:23I'm out of the way.
22:25Are you kidding me?
22:27Come on.
22:28Come on, look at me.
22:30Come on, look at me.
22:31Come on, look at me.
22:31It's a good day.
22:33It's a good day.
22:33I'm sorry.
22:36I'm sorry.
22:36I'm sorry.
22:41I'm sorry.
22:45Permit.
22:50Burgundy, 57.
22:51Some people say they prefer a 62, but for me, if I wanted that much oak, I would eat a
22:57tree.
23:00So, tell me what you think of my proposal.
23:04You introduce me to your boss, and in return, I furnish you with a finder's fee.
23:14Voilà .
23:19You carry your money in a plant pot.
23:27Mr. Holmes is in the back.
23:31Perhaps Mr. Holmes could come here?
23:33You would be able to talk to him more freely and private.
23:41If you wish to meet him, there it is.
23:55It's in here.
23:58Merci.
24:02I do not see Mr. Silas Holmes.
24:07If you please.
24:11Monsieur.
24:20So, we both know you're not the Duke's wife.
24:25Who are you really, madame?
24:29Do you doubt my monies?
24:33Pardon?
24:34Do you doubt the value of my money?
24:36Do you believe it's real?
24:38It looks real.
24:41You are correct.
24:42I am not madame Dormand, and I do apologize for the deception.
24:47But now that I have your attention, I should like to inform you that I am working on behalf of
24:53a very prominent British investor,
24:56who wishes to make a significant purchase from Mr. Silas Holmes, and if you play your part in arranging this,
25:06I can assure you that the money in that pot is merely the tip of the iceberg, purely for your
25:13own pockets, you understand.
25:15So, as I see it, you have two options.
25:20You can either continue to insult me, and let this golden opportunity slip through your fingers, or you can simply
25:29introduce me to Mr. Silas Holmes.
25:33And this is taking too long.
25:49Come back here, tomorrow, at the same time, and I will have an answer for you, madame.
25:54Thank you, sir.
25:56I am much obliged.
26:19He's sending a telegram to Silas.
26:44I'll go ahead.
26:45Of course I'll distract you.
26:46No, no, no.
26:46All distraction.
26:47How about this time we don't do one of your clever little scams, or pickpocket dances?
26:54Just let me try something.
27:00Good morning, sir.
27:02Good morning, sir.
27:02Good afternoon, sir.
27:03This man was here for a few cents.
27:08I will see what he sent.
27:10Well, sir.
27:17For your bag.
27:21For you, it looks like the dress is too bad.
27:26Mr.
27:27No?
27:33Well, that's it.
27:45Mrs. Holmes, your husband's in Constantinople.
27:52Pardon me.
27:59I need to see the ambassador.
28:02Mycroft Holmes.
28:04The point is, ambassador, I now know who sabotaged our government's secret weapons program,
28:09and indeed I know who stole the weapon.
28:13Yes, yes, well, go on.
28:15Regretfully, sir, it was my father, Silas Holmes.
28:24Are you certain of this?
28:25I'm afraid so, sir.
28:27And it appears that the government's interests are now aligned with my own.
28:31Then we must find my father and bring him to justice.
28:35Yes.
28:36Well, quite.
28:38Quite.
28:38Quite.
28:40I shall wire the foreign secretary immediately.
28:42Yes, sir.
28:43Please wait here.
28:44Will do.
28:55I shall wire the same medical clinic.
28:56Bye.
28:57Bye.
28:57Bye.
28:57Bye.
28:58Bye.
28:59All right.
29:09Bye.
29:17Apologies for the wait.
29:18Not at all, sir.
29:20I have a reply from the Foreign Secretary.
29:22It informs me that you are in disgrace,
29:24and in fact no longer work for Her Majesty's guard.
29:27Yes, well, it's a little more nuanced than that.
29:29There is, however, a path to redemption,
29:33if you are prepared to walk it.
29:36Now listen.
29:38Carefully.
29:46The train leaves in an hour.
29:58It's not your injury that makes you weak.
30:00It's your insistence that your body is unchanged.
30:04My body has changed.
30:06It's changed because you shot me in the stomach.
30:10The details are irrelevant.
30:13Not to me.
30:17You think strength is something physical?
30:21It's body mass,
30:23and muscle,
30:26and reach.
30:29All of which you have over me,
30:31and yet I've bested you in every encounter.
30:37because the real strength comes from here,
30:42and here.
30:49James,
30:51James,
30:51James,
30:52you found him.
30:54I did.
30:56Well, he found his own attire.
31:01Mother,
31:02were you met with success?
31:04I was.
31:05The British government
31:06has offered her full support
31:08in helping to bring fathers to justice.
31:11Excellent.
31:13So this is what it's come to.
31:15It would certainly seem that way.
31:17Wonderful.
31:18Right, then.
31:20Constantinople.
31:36Where are we going, exactly?
31:38To meet a friend of mine.
31:46This is Hermine.
31:48She has agreed to help us.
31:49Welcome to my city.
32:03Show her the photo.
32:14Have you seen this man?
32:16No.
32:26Auntie.
32:27You can put your dress on, Nicky.
32:29I'll let them open up.
32:31Sorry.
32:35That small child is going to find our father,
32:37is he?
32:37The lowly status of the street urchin
32:39is what makes them the most useful of allies.
32:42They can go anywhere.
32:44They are invisible.
32:46They're irregulars.
33:13Sir, they are looking for you.
33:25I will.
33:26Aferrin, teşekkür ederim, Burak.
33:31BeklediÄŸimi.
33:37Aferrin, teşekkür ederim.
33:45Aferrin, teşekkür ederim, Burak.
34:00they have found your father he knows you're here with me how it seems our street telegraph works
34:09both ways he wants to see you alone well darling I have to come with you he was quite specific
34:18if you
34:20want to see your sister you come alone very well Sherlock good luck
34:51do you know why magic is so beguiling Sherlock no when something seems to defy rational explanation
35:08wonder the impossible made possible
35:24is she still alive please sit I'd rather not
35:30what you did back in England solving all this finding me here so clever I'm proud of you my son
35:38not natural for a father to leave his boy for dead now is it
35:42Sherlock what are you talking about in the tunnel I was shot
35:47you ran
35:49I ran because that crazy woman was trying to kill me
35:53I was the one under attack remember you really think I'd want any harm to come to you
36:05harm
36:08you've done nothing but harm
36:11look at me you broke my heart you broke my mother's heart and only God knows what you've
36:18done with my sister so I ask you politely please tell me is my sister still alive
36:31Beatrice is fine I made sure she was looked after
36:40where is she
36:43I still love you you know I'm still the man who raised you
36:47you're a monster oh Sherlock don't be so simple were all of us capable of good and evil even if
36:56it
36:56helps to call it that you included whether you realize it or not tea no I acted
37:06in my best interests of course I did but I also acted in yours you think you would have become
37:14the man you
37:14have had you not been tested in the fire I can't listen to this and yet you can't leave
37:19can you I can't leave because you won't tell me where my sister is where is she
37:27she's here in Constantinople with me you can see it tomorrow if you like but
37:38I request something in return
37:42so that's his price
37:45that's his price
37:47sure she wants me dead and if she kills me well then you'll never find Beatrice
37:53our futures
37:55are intertwined bring
37:57shuan tomorrow the square same time and i'll give you your sister
38:03well then the choice is not choice at all you really find it that easy condemning someone to
38:09death you owe shuan nothing no i don't find it easy but if it was my sister then i wouldn't
38:14have
38:14the slightest breath of hesitation i don't think you should either
38:19am i interrupting not at all
38:23no cracks a noble heart good night sweet prince
38:29and flights of angels sing thee to thy rest
38:43i'm pleased for you that your journey ends well that you'll see your sister
38:51thank you afterwards your father is mine to do with as i see fit
38:57i realize this is hard for you but we had an agreement i want what's mine and you shall have
39:03it
39:04you have my word
39:11the porter and the princess
39:21scout
39:24never made it to the illustrious position of porter and i was never a princess only shall we
39:42how do you feel how am i supposed to feel how do you want to feel however i'm supposed to
39:51you are a work in progress sherlock
40:24i think just me and mother from here
40:40is that there he is
40:45she's not with him let me talk to him i don't trust him i'll be fine mother you wait with
40:50my
41:07i can't see my sister
41:08silas
41:10don't you call me father
41:14i can't see my sister
41:16do you know this city was built to rival the majesty of rome
41:22it had the most sophisticated defense fortifications in antiquity it has survived foreign empires
41:31brutal wars disease
41:36just about anything human history could throw at it this city has endured
41:45a lovely lecture is it finished
41:50she doesn't exactly look ready to surrender shirley she is
41:56she just doesn't know it yet
41:59what are they talking about
42:01what are they talking about
42:05you i expect
42:10now as you can see i'm ready to deliver
42:14so
42:17where's my sister
42:18what are they
42:42Bee?
42:44Bee?
42:45Oh, Mother!
42:53My darling.
42:57You'll move, my boy.
42:58I've missed you.
43:03I've missed you.
43:03Silas.
43:04Son.
43:07You know what troubled me the most about killing that soldier?
43:12I might have got a dance for her.
43:14Move.
43:24Let me see your face.
43:26Sierra!
43:34I find myself rather lost for words, which won't be a first.
43:40What's the matter, Mother?
43:43It's not her.
43:45Mother.
43:49Silas.
43:50Trust me.
43:52It's not Beatrice.
43:55How about him, Princess?
43:56Thank you, James.
43:58James.
44:06You're not my daughter!
44:07I've got her.
44:14Matt!
44:18Find her!
44:19Nathan.
44:20You!
44:21I knew you'd betray me, Sherlock.
44:25Are you not my son, after all?
44:29Hello, Mother.
44:34Bea?
44:36Bea?
44:45Sherlock.
44:48Mycroft.
44:50Close your hands.
44:54If you'd be so kind.
44:59You too, brother, dear.
45:07Isn't this nice?
45:17It's now what you think it's for.
45:22You too.
45:23And that can seem to say, you know.
45:27And let me up and see you.
45:31The chances all I left on might be
45:35Hiding their tricks of my scene
45:39Used to be the greatest now I see
45:47Time is fine, it's time to try to walk in
45:56Time is fine, it's time to try to walk in
46:02Cause I can't hear my love, this time you don't know
46:11And when you fall in love, people beat on the drum
46:15The kisses you keep on following now
46:23It's the age of two for us to come and be here all
47:01You're right, you're right
47:20Sorry you're right, you're right
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