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Young Sherlock S01E04 [Full Movie] [Full Story]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait!
02:28Run!
02:33Sherlock!
02:48shall we take the floor
02:55no i never was very good at this you did try to teach me
03:00you always had two left feet still do
03:03one two three one two three one two three one two three
03:08look at me mother just us
03:10you me and the music
03:42you're coming out
03:50See how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:14Hey son, I'm looking forward, you're aiming backwards, I'm sure I'm sure.
04:23Have you had enough?
04:25Are you feeling rough?
04:28Thought you'd start hard, well if you'd walk.
04:36I'm waiting.
04:39Right here now, I'm waiting.
04:43For so long, for so long, for so long, to take me, to take me over.
04:52Please, days I've forgotten, now we're so lonely, should be forgotten, how did you feel?
05:19You've got an appointment, princess.
05:42two bushels what you're white just approximate for the drop because if the rope's too short then
05:51your neck won't snap and then you'll be left slowly choking it's a rather undignified way to
05:57shuffle off this mortal coil wouldn't you agree i stand i'd guess seven foot ten inch drop did you
06:04know that the first account of execution by hanging is in homer's odyssey no i did not know that sir
06:09fascinating is this supposed to intimidate me no supposed to kill you i know about british
06:15justice you're not allowed to play both judge and executioner
06:25in five and four are you counting down why are you killing my scientists
06:33in three handler i work through a handler
06:40and he works for not my place to ask only my place to light the fuse and walk away
06:45in two i receive instructions i'm a hired gun that is all then you're of no further use to
06:53me in one what the hell are you doing i think you'll find i don't answer to you my crop
06:58we
06:58don't torture prisoners sir there are rules protocol this woman is trying to destroy me and i will have
07:05my satisfaction and you have every right sir every right but consider this if you would
07:14you're out of favor with the foreign secretary are you not do you really wish to alienate him further
07:19by not consulting with him on such a delicate matter as this may i remind you she is our only
07:25link
07:25to whoever is killing your scientists sir
07:31i was merely endeavoring to loosen their lips but we are englishmen
07:35has to mean something and in a changing world how much do you think you're going to achieve with
07:39your queensberry rules your absurd sense of fair play
07:48listen the ropes
07:49listen the ropes
07:50listen
07:56listen
07:57listen
07:58listen
08:25Let's go.
08:29Find him here for a shift.
08:59I'm afraid there's going to have to be some changes around here.
09:04I'm needed abroad on an expedition by Croft.
09:09I've arranged a government clerkship for you in London.
09:13Thank you, Father.
09:16Sherlock.
09:19I know you're not going to want to hear this,
09:21but your mother and I think it's best if you went to boarding school.
09:31I don't want to leave!
09:35Be strong, my boy.
09:47I don't want to leave you alone.
09:49Mother?
09:51Where are you?
09:54Oh.
10:02Oh, you've brought me home.
10:11You're safe now.
10:25Yes, let's get you sat down and I'll light the fire.
10:27Oh, who's that?
10:28No, mother, mother.
10:29This is James, James Moriarty.
10:31He's a friend of mine.
10:32Hello.
10:33Oh, I'm so glad.
10:35Darling, Sherlock never had any friends.
10:38Oh, really?
10:41Well, it's a pleasure to meet you, Mrs. Holmes.
10:45Darling, can you hear that music?
10:48Oh, that sound.
10:53That's you!
11:05Bea?
11:05Oh, Beatrice.
11:10Oh, my darling.
11:15Bea.
11:28Why are you running away from me?
11:33Bea!
11:34Where are you running off to?
11:38I want to crown you.
11:41I want to crown you.
11:43Come.
11:50Beatrice!
11:51Bea?
11:53Beatrice?
11:56Perhaps...
11:57Perhaps we should sit down for a moment, mother.
12:01All right.
12:02Let's, uh, let's take a seat.
12:15She is absolutely exhausted.
12:17Will you like her?
12:18She needs warmth, rest, and food.
12:20Yes, Sherlock, where is your father in all of this?
12:23This shouldn't all be on your shoulders.
12:25Yes, he's in Vienna.
12:26He's a busy man.
12:28It's all right.
12:29I'm here, and I'm dealing with this.
12:32What?
12:33By breaking her over to the asylum?
12:36They were recording her in there, James.
12:38They were listening to every single word she said.
12:40I had no choice, and Schwan knew about it.
12:42There's a man with a bird's claw.
12:44He's coming back for me.
12:45How did you know?
12:50Sherlock.
12:53Mother!
13:01Mother!
13:03Mother!
13:04...
13:19...
13:20...
13:28I have to find her!
13:31She's not him!
13:32She's not him!
13:33She's not him!
13:34She's not him!
13:36She's not him!
13:39Well done.
13:48Well done.
13:50Let's get you warm and dry.
13:57Stop right there!
13:58You are not taking a-
13:59Master Holmes!
14:01Crowell.
14:02I do apologize.
14:04I heard the commotion.
14:06Yes.
14:06Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11You too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell. I rather need his help.
14:25Yeah, of course.
14:33For your head.
14:40What?
14:40What trouble is she's worth?
14:43The electric shock has clearly fried your faculties, Philpott.
14:47No Cordelia Holmes, no money.
14:51I rather like money.
14:54Do you follow?
14:59Find her.
15:02And quickly.
15:05As you wish.
15:08Sir.
15:15Razor talons.
15:18Sharp as knives.
15:20It's so vivid.
15:24Sweetheart, there is nothing you can do.
15:27He is coming back for me, the man with the bird's claw.
15:30Who is it you're talking about, Mrs. Holmes?
15:34Right, stand by, please.
15:35Let's, um, not grab a patient.
15:40Hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry, we're going to get you brighter's reign.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else, something to clear the fog a little.
16:02It's all right, mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:07I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better?
16:23Yes, I believe that she will, but that's not what I'm referring to.
16:27Julian knows about those recordings.
16:29Now, we don't know whether she's responsible for them,
16:31but either way, this does connect your mother to the murders in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person, hmm?
16:51Bird's claw.
16:52It's a phrase, or a place, or a thing.
17:03Perhaps it's some sort of crest.
17:05The bird's claw.
17:06Good.
17:07Good.
17:07So whose crest?
17:09Someone at the asylum?
17:10Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:29The answers to many of life's problems lie at the bottom of the glass.
17:39The best thing in nature
17:42For drowning your sorrows
17:48For raising your joy
18:00God knows I wonder
18:04If lightning thunder
18:06Were made from the thunder of
18:09Whiskey
18:10Burst
18:20I've seen it somewhere.
18:22Where am I seeing it?
18:26I don't know.
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik
18:38Has a cane.
18:40Yes.
18:41And his cane
18:41Yes.
18:43Has a bird's claw.
18:45All right.
18:47Bravo!
18:49So if I am correct
18:50If it is Malik
18:51What's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:08I've got to be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crow.
19:12That's very, very thoughtful, but we need to pop into town for a few hours, so I'll need you to
19:16look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford police station.
19:32James?
19:34A man can't think on an empty stomach.
19:37Thank you, Mrs. Crow.
19:38Thank you, Mrs. Crow.
19:42Stolen.
19:44More road.
19:46Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a power cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:06Well?
20:08What is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29I can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malik was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane.
20:46The man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance she's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive.
21:08Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolish.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:17And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a half-wit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malick has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malick now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:16There.
22:21Ten minutes with Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:36Mr. Patton!
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft.
22:46What's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very... intense.
23:00Hmm.
23:03What was he like as a small boy?
23:07Well...
23:08Growing up in the same house.
23:12Yes, I can only imagine.
23:19No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:32That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please.
23:46Take the royal throne.
23:52Princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw.
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51They're wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house.
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand,
25:18want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why am I through to be at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22For her majesty's empire.
26:24Don't take the empire for granted.
26:27We may live to regret it.
26:30During your speech, sir.
26:32I thought it odd at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fella had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malick had a conveniently life-saving desire to urinate, I think it fair to say he knew the bomb
26:51would go off a date.
26:52If he is in this safe house, sir, and if he is indeed working against your interests, wouldn't you rather
26:58know?
27:00Let's go, councilman.
27:02Front and back doors are sealed with plate metal.
27:05Baths on the windows half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:21And you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:58And nor I you.
28:04The code is Hydras.
28:07Seventeen stars in the southern sky.
28:47All yours.
28:53Don't force my hand.
28:57Right, come on.
29:02No, thank you.
29:05Malick.
29:10No!
29:18No!
29:19Oh!
29:19I love you!
29:22Oh, my God!
29:23Oh, my God!
29:24Oh, my God!
29:24My God!
29:24I love you!
29:26To run!
29:27Get to run!
29:27Take a walk!
29:28Take a walk!
29:30Bring him to the city!
29:31Am I sure you're right?
29:32Amen!
29:33No.
29:35May I present to you the real Princess Shua.
29:40Your Highness Sir Bucephalus Hodge, I only wish that our first meeting had been under more salubrious circumstances.
29:47Trust me when I tell you that I have spent no expense in my search for you.
29:51Roche, send a wire immediately to the Foreign Secretary.
29:56Roche, be sure to tell him I found her.
30:00Yes, sir.
30:00This is where I saw Professor Malik listening.
30:08Sherlock?
30:10Your mother.
30:12All of her recordings.
30:26I had a little pony.
30:28His name was Dapple Grey.
30:30I lent him to a lady to ride a mile away.
30:33She ripped him and she slashed him and she ripped him.
30:37I'm so sorry.
30:55Why would anybody want to do this?
30:58While you were detained by these nefarious individuals, did you by any chance happen to see this man?
31:09No.
31:10You say I knew he would never have been embroiled in this unsavoury business, Mycroft.
31:15You see, unlike you, Professor Malik understands the meaning of loyalty.
31:19You recognise his name?
31:21Yes, they mentioned him.
31:22Perhaps you miss her.
31:23Perhaps you miss her.
31:23I did not.
31:24Only yesterday they talked of visiting him.
31:25Your Highness.
31:28Did they say where?
31:30At Abton.
31:31Behind the locks.
31:34That's all I heard.
31:39Sherlock, all of these are transcripts of the recordings.
31:44Her entire life is laid out in here.
31:48This is a record of her visitors.
31:50Myself.
31:51My brother.
31:52My father.
31:55There's a Lawson Jaggers.
31:57A lawyer.
31:58Is that someone you know?
31:59No.
32:00When did Jaggers' last visit?
32:03Friday, August 11th, 10 o'clock.
32:06Sherlock, that page has been torn out of the transcriptions.
32:09August 11th?
32:1110 o'clock?
32:12Yes.
32:20Mr. Jaggers here to see you.
32:24This is Holmes.
32:27You're charming to see you again.
32:28I'll leave you two to talk.
32:32Hmm.
32:34New rooms, I see.
32:36Very nice.
32:38Now, perhaps you might continue with our previous matter of business.
32:43Yes.
32:44Yes.
32:45Continue.
32:46Let's go.
32:52It's been scratched.
32:53The cylinder.
32:54It's sabotaged.
32:55Someone must have been rather keen to make sure we don't find out what's on them.
32:58Ah!
33:00Sherlock!
33:00What's all this?
33:08The recordings.
33:10Of our mother.
33:13All of them.
33:18Well, why would someone do this to us, Sherlock?
33:21We are working on that.
33:22We have a lead on the potential whereabouts of Professor Malick.
33:26Um, obviously, Hodge wants to pursue it himself, but...
33:30No, you find Professor Malick.
33:32Right.
33:32You find out why he's been doing this, Mycroft.
33:34You have my word.
33:35And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
33:39our mother.
33:40Wait, who's there?
33:40Where is she?
33:42Suano.
33:43Not the hell her real name is, was she?
33:49She...
33:50She was here just a moment ago.
33:52Tell me, Herms.
33:52If she's escaped, you'll be held personally responsible.
33:55Well, I have men and all the doors.
33:56There's no way she could have got out.
33:58How could she have possibly slipped?
33:59Wait.
34:02Hodge, consider yourself my hunting hound.
34:05Don't bring her back.
34:21This is why she brought us here.
34:24You're an idiot, Herms.
34:25She duped you.
34:27Get out of the way!
34:30Wait!
34:31Stop!
34:35Move!
34:36Get out of the way!
34:38Come on!
34:43Come on!
34:45Come on!
34:48Stand right there!
34:50Stand right there!
35:18There is no Abdon on the map.
35:20She said behind the locks.
35:22Now, could it be somewhere on the canal?
35:25Could Abdon be the name of the boat?
35:27We keep a register of boats and vessels somewhere.
35:29But where is O'Shea?
35:30Well, he hasn't reported back yet, sir.
35:32This is becoming a bloody fiasco!
35:34Find Professor Malick! Damn it, man!
35:36Thinks he can betray me or rip his bloody head off.
35:39Might I ask exactly what the princess said, sir?
35:41She said they were meeting Professor Malick at Abdon.
35:45Behind the locks.
35:47Abdon and Senen.
35:49They're ancient Catholic martyrs.
35:52If I may.
35:54There's a ruined medieval abbey not far from Oxford.
35:56It was once dedicated to them.
35:58Behind the locks?
35:59The locks.
36:00The locks of Marian.
36:02Oh.
36:03An old relic believed to have been kept at the abbey.
36:06According to legend, it was the hair of Mary, mother of Jesus.
36:10Well, I never read it.
36:11How did you know this?
36:12My father encouraged me to read, sir.
36:14Hmm.
36:16Hmm.
36:16Why don't you know this, Mycroft?
36:18Oh, a little scratchy on my esoteric Christian martyrs, sir.
36:24Hmm.
36:25Where is this ruined abbey?
36:28There, sir.
36:29Shuan's making a good habit of beating you.
36:32Nonsense.
36:33As a matter of fact, I think you'll find I helped her to regain her liberty.
36:37Oh, I see.
36:38So you knew about the passageway?
36:40You knew she was going to escape?
36:41I simply decided the world was a more interesting place with her in it.
36:45Mm-hmm.
36:47What a lot of shite.
36:55Ah.
36:57Last in Jaguars, I swear.
37:07Ah.
37:08Smells interesting.
37:21Are you all ready?
37:27There's more than one way to skin a cat, James.
37:30Well, this is how I like to skin my cats.
37:52Oh, dear lord.
37:55Mr. Larson Jaguars, the square.
37:58This is how no charming see you.
38:05What's that?
38:08Sone of a struggle...
38:11you got in the scrap.
38:17so someone erases his conversations with my mother and then he finds himself
38:22unceremoniously erased a rather convenient suicide don't you think
38:28diaries i tell you what business he had with your mother i am going to report this to the police
38:34yes do their jobs for them because i have been suspected of murder before and i would rather
38:39it didn't happen again syndica says the problem with this life is not that it's short
38:45it's that we waste an awful lot of a dick in a boat
39:20i'd like to report of death lawson jaggers solicitor for alba lane and you are
39:29sherlock holmes holmes we have a wire for you
39:36sherlock
39:42shirla
39:50shirla
39:52shirla
39:55shirla
40:02shirla no
40:04sherlock i was only gone for a moment don't you worry crow they won't be taking her anyway i believe
40:07you'll find i have jurisdiction over her
40:11and i believe you'll find i have jurisdiction over this
40:21shirla
40:21is the double barrel 12-bore hammer gone not persuasive enough for you
40:27let her go thank you
40:29we're only acting in her best interests
40:34you knew didn't you
40:36you knew about the recordings about professor malik
40:40why did he do it
40:42you'll have to ask him
40:43i was merely paid to look the other way
40:47i am so sorry mother
40:50i am so sorry
40:51i never loved you
40:53can i respectfully suggest
40:55that you'll fuck off
41:17you're quite sure this is the place
41:19quite sure sir
41:28mr strad i wanted on the record that i was the one who blew this case wide open
41:32yes of course sir
41:36i think i saw movement by the church sir
41:46i wish to be the one to apprehend him
41:48very good sir
41:49too
41:50good sir
41:53not
41:54no
41:57he's no
41:58i
42:03he
42:15he
42:41What day to you, Percephalus?
42:43Kishore Malik
42:46Oh, it's true. My very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't croak the bard at me, sir.
42:58Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, will be forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:56Take your hand out of your pocket, man.
44:05The Ottomans!
44:08The Ottomans!
44:09Hodge!
44:12Hodge!
44:17Right!
44:18Stand down!
44:18The Ottomans can't have gone far!
44:20The Ottomans!
44:22The Ottomans!
44:23Is he being shot?
44:27there's no blood
44:30there's no bullet hole, nothing
44:32serbius separus
44:37he's not
44:38he's not breathing
44:43he's dead
44:50guns and hot toddies
44:52Jesus, you're a woman after my own heart
44:54Mrs. Crow
44:56Mrs. Crow
44:58thank you
44:59you're welcome
45:04must have felt very good
45:05that slap
45:06oh, James
45:10it was such a tonic
45:13so what now
45:16we're still no closer
45:18to figuring out why you were involved
45:20in any of this
45:24the likeliest explanation is always discipline
45:27he's coming back
45:28I was merely paid to look the other way
45:41done
45:47Sherlock
45:49my boy
45:50I heard you had a spot of bother
45:55there's a man
45:56going round
45:57taking names
45:59and he decides
46:01who to free
46:02and who to blame
46:05everybody
46:06will be treated
46:07all the same
46:10there'll be a golden ladder
46:12reaching down
46:16when the man
46:17comes around
46:22the hairs
46:23on your arm
46:24will stand up
46:27at the terror
46:28in each sip
46:30and in each suck
46:32will you partake
46:34of that last
46:35offered cup
46:37or disappear
46:38into the potter's ground
46:43when the man
46:44comes around
46:47the whirlwind
46:48is in the thorn tree
46:51it's hard for thee
46:53to kick
46:54against the pricks
46:57in measured
46:58a hundred weight
46:59and penny pounds
47:02when the man
47:04comes around
47:16and I heard a voice
47:17in the midst
47:18of the four beasts
48:02and I heard the
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