00:28Transcription by CastingWords
00:58CastingWords
01:12CastingWords
01:13CastingWords
01:15CastingWords
01:45CastingWords
01:52CastingWords
01:55CastingWords
02:02CastingWords
02:22CastingWords
02:28CastingWords
02:33CastingWords
02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:33Let's go, James.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:39Go away.
04:40Don't let your feet go to the left.
05:21Are they with us?
05:22Hey, we need to divert.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divert.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:40We need to drive.
05:42We need to drive.
05:44We need to drive.
05:45Are we good?
05:47Just keep your eyes, Bill.
05:48That doesn't sound like an answer to my question.
05:50Mr.
05:51Mantenham the positions.
05:57We have only a search team.
06:08It's happening.
06:09We have to adapt.
06:10You decide right.
06:10They're going to the park.
06:11They're going to the park.
06:25They're going to the park.
06:29On the right.
06:30On the right.
06:30On the right.
07:39In there?
07:40Yes.
07:44Go on, Paul.
07:46We're just gonna chat for a second.
07:53You can record the interview.
07:55I'll make sure all your questions get asked, but I don't want anyone else in the room when
07:58I'm talking to them.
07:59You seem to be under the impression that you have some authority here, Mr. Creasy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not
08:09only am I offering you my help, but that you needed.
08:13They had men staged all along the convoy route.
08:15That's a clear indication that there's a leak somewhere in your chain of command.
08:20And if you can't trust the men below you, you'd do well to reconsider the man in front
08:27of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful.
09:08So, just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building.
09:19Before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:26Good.
09:28So, when you woke up, you were at your boyfriend's?
09:30He's not really, ma'am.
09:35But, yeah.
09:39He snuck out.
09:41I wasn't planning on staying out.
09:43But then when I woke up, I realized if I didn't rush, Dad would be awake.
09:51Stay at number four.
10:00So you had to get on.
10:02I took Liam's motorcycle.
10:05I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming through this last turn.
10:14I had the light.
10:16But it's like I just sent something coming before I saw it.
10:20So I slammed the brakes.
10:21And then these two fans.
10:24They just came flying through the intersection.
10:27And then a motorcycle.
10:28Like a sport one.
10:30Or a racing one.
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:37Like everything.
10:39The rider was in black clothes.
10:40Black helmet.
10:43Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:48They look new or old?
10:49New.
10:49They look like work vehicles or something with personal vehicles.
10:52Look, I don't know.
10:53Work, maybe.
10:55Okay, let's come back to that.
10:57What happened after the vans?
10:59I took the bike around the corner.
11:03Maybe another half block and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car and he saw me.
11:26And he was calling me and then I...
11:28Okay, okay, let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:35Stop right there.
11:39You didn't even ask her about the bombing.
11:41Suspects were gone before the bombing.
11:43Unless we do it the right way, strong emotions can warp memories.
11:46If I bring all her feelings up to the surface, that's likely to get us less useful intel and not
11:51more.
11:51I'm going to get everything that we need.
11:55Right now, what I need from you are pictures of the most common white van sold in the last five
12:01years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people anymore and not do any more than she does?
12:11If you still have questions after I come out, I won't say anything if you want to go in and
12:16ask for yourself.
12:17Is that fair?
12:23I'm also going to need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back to being on that bike.
12:37I want you to think back to being on that bike.
12:38Now, 20 minutes ago, you were asleep, but from the minute you realized you had to get home, you've been
12:47wide awake, adrenaline pumping, yes?
12:49Yes.
12:50All right, and now you're so close.
12:52You reach that intersection, and then you slam on the brakes.
12:56Because you sent something coming out, does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere.
13:01You have to stop or you're going to get smashed.
13:03How do you feel?
13:07Shocked, surprised, night.
13:14Point to the van, you saw.
13:15Look and point, don't think, just remember.
13:43All right, now I want you to...
13:58I saw his face.
14:00I saw his face.
14:08The writer, just for a second, but I saw it.
14:12Okay.
14:14Okay.
14:14Good, Paul.
14:15Now just hold the story right there.
14:18Stay with the writer.
14:19Mm-hmm.
14:20Stay with the writer, Paul.
14:26Oh.
14:26Oh.
14:48What about the sketch artists?
14:50Sketch artists can be hit or miss.
14:52They end up creating false memories just as often as they bring something back.
14:56CIA has a good one she can sit with.
14:58For now, we should pull the traffic and security cameras in the area from the morning of the bombing.
15:03Maybe we get not only a sighting, but a plate.
15:06I'll put the word out immediately.
15:08Yeah, see, but that's the thing.
15:09How do you run down the lead when you know you got a leak somewhere?
15:11I'm due to brief President Carmo personally.
15:14We will hand-select a small team and make sure to keep the circle as tight as possible.
15:18For now, the plan is fueling.
15:20We'll be ready to return Paul to the U.S. within an hour.
15:23I can't help but notice you only mention Paul.
15:26Given there is a leak, I can see the potential value in having an outsider assistance.
15:32But you need to understand that I am in charge.
15:36Listen, we both want the same thing.
15:38I can't help but notice that you didn't acknowledge that I will be in charge.
15:43You will be in charge.
15:45I'll have a transport arranged for you after I brief the President.
16:00You know your friend Rayburn said we would see that having something to fight for
16:05would bring out the best in you.
16:09Did you believe?
16:12I have seen many situations, Mr. Creasy,
16:15we're having something to fight for
16:17is what brings out the worst in people.
16:21And I suppose that's what continues to trouble me.
16:49Why can't you just come with me?
16:51No, you don't want that.
16:52I do.
16:54I promise I do.
16:55I have work to do here.
16:57But you...
16:58You're not only going to make it home safe,
17:00you're going to have a long life ahead of you.
17:02But for that to turn out well,
17:03you're going to have to find a way to leave all this behind.
17:05The way to do that, it starts right now.
17:07You get on that plane with your best memories.
17:12And you leave everything else, including me, right here.
17:16Never to be thought of again.
17:21You were there when...
17:24when I didn't have anyone else.
17:29It's not something I plan on forgetting.
17:37Okay, time for you to go.
18:01Okay.
18:31It's not something I can do.
18:34Okay.
18:35Okay.
18:45I don't want to stay.
18:57Get down! Get down!
18:59I'm out of the way!
19:13Get down! Get down! Get down!
19:15Decoa! Decoa!
19:17Levante as estadas!
19:19Abaixa! Get down!
19:53I'm out of the way!
19:55Let's go!
20:04I'm out of the way!
20:04BANG!
20:05Fuck!
20:37Wait, wait, why is he turning?
20:45Jesus! Jesus!
20:57Jesus!
20:59Jesus!
21:04Jesus!
21:18Jesus!
21:30Oh, my God.
22:17I'm trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:24Oh, fuck.
22:31Greasy.
22:34Greasy.
22:37Greasy.
22:38All right.
22:42Greasy.
22:44Greasy.
22:45Greasy.
23:01Greasy.
23:03Greasy!
23:05Greasy.
23:05Greasy.
25:53Hello?
25:54Yeah, Melo, this is Creasy.
25:55Yeah, you drove me around for several hours the other night?
25:59Yeah.
26:00Yeah, of course I remember.
26:03Are your friends okay?
26:05Listen, I need some help.
26:06Listen, I need some help.
26:06Listen, I need some help with driving, but you mentioned that you're also the kind of person
26:10who can find all sorts of things, and that's the kind of expertise I need right now.
26:22I need some help.
26:50What if I ask for something that's not money?
26:58Oh, dear.
27:24Oh, dear.
27:54What if I ask for something that's not money?
28:20What if I ask for something?
28:25What if I ask for something?
28:27What if I ask for something?
28:36into something long and messy that doesn't need to concern you.
28:43Look, all I'm asking
28:44is that you find somewhere safe
28:46for us to assess things, and then I'll make sure
28:48that your fee is taken care of. No fee.
28:50I told you what I need.
28:53Relocation with proper papers.
28:56Do we have a deal?
28:57Yeah, we do.
29:04I'm sorry.
29:07I thought I heard someone.
29:11Hi.
29:14I'm Alu.
29:16Po.
29:23Creasy.
29:24Jesus, it's a relief to hear your voice.
29:26Is Po with you? Is she okay?
29:28Yeah, she's safe for the moment.
29:30But after what happened this morning, I absolutely cannot
29:32rely on the Brazilians. I'm 100%
29:34on my own with this one.
29:35You're not on your own.
29:36Sir, I have-
29:37You've got us, and I'm going to get this
29:38taken care of for you.
29:40Hey, Martin.
29:41Tell me who we got on deck and ready to move.
29:43I'm going to send you an extraction
29:44transport plane.
29:45Totally dark.
29:46No Brazilian involvement.
29:47I'm going to get you and Po home as quickly and safely as possible.
29:51Yeah, okay.
29:52Look, I'm going to need some cash for protection and transportation.
29:55You got it. Done.
29:57And beyond that, you give me some exit options, and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know, and until I do, I can't commit to anything.
30:13Okay.
30:14Well, then, John, I think you need to ask yourself, is she really safe with you?
30:20I mean, this is fucking Rayburn's daughter.
30:30We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need?
30:48Music.
30:49What do you like?
30:50Pop, maybe?
30:55I can't turn it off.
30:57You don't like this one?
30:58I do.
30:59I just...
31:00I don't want to take songs I like and...
31:04have them remind me of this.
31:15If you don't want to associate any of this with songs you like,
31:19maybe we'll switch it up.
31:25Oh, well, the midnight headlight, find you on a rainy night.
31:29Steep, fade, up ahead, slow me down, make it more time.
31:33I gotta keep rolling.
31:37I throw the windshield wipers, slapping out of tempo,
31:40keeping perfect rhythm with the song on the radio.
31:43Don't let it go.
31:45Don't let it go.
31:45Come keep rolling.
31:50Don't let it go.
32:10Don't worry, you're safe here.
32:13The favela has its own police.
32:16And my cousin's an important member.
32:22You're gonna have to pay for this.
32:27Mr. Wadja.
32:30It might not work.
32:34Welcome to a new home.
33:08Mr. Wadja.
33:10Mr. Wadja.
33:25Mr. Wadja.
33:27Mr. Wadja.
33:48Mr. Wadja.
34:07Mr. Wadja.
34:08Mr. Wadja.
34:32Mr. Wadja.
34:33Mr. Wadja.
34:33Mr. Wadja.
34:35Mr. Wadja.
34:41Mr. Wadja.
35:06Are you talking about the man on the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you going to kill him?
35:20No, just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:36I don't know.
35:46Then I'll see you when you get back.
35:47I don't know.
35:48I don't know.
35:51I don't know.
35:54I don't know.
36:02I don't know.
36:04I don't know.
36:08I don't know.
36:22There's a place that you can work two blocks away.
36:27Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:34A hard case. My favorite.
36:40I have a daughter, and when my husband was killed, I had a neighbor who would come over to just
36:47talk to her.
36:49Talking is how she processed things.
36:52I think Poe is just like my daughter.
36:55If you want, I'm happy to stay with her, and just listen.
37:02All right, then.
37:04But you? You're just like me.
37:09When things are bad, but we seek silence.
37:16Out of shop. Just around the corner.
37:19See you later.
37:38I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
38:00These are Kushina.
38:03It's kind of like a...
38:05It's kind of like what you call a nugget.
38:09She came nugget, right?
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:48She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07You have me tell.
39:11Well, when you drive a car, you're not just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:31What else do you think of Spanish?
39:44Yes.
39:47Yes.
39:47Do you like the movies?
39:51How do you realize when someone has seen many movies?
40:05That's bullshit.
40:07Car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:21I'll mess you up.
40:24That'd take time.
40:27But if you mix it, the hydrogen peroxide, make something they call jugo de piraƱa.
40:47They got everything out of me.
40:52Do this one scar right here.
40:57Put this on your forehead.
41:01It's going to eat away at your skin.
41:03Then slowly drip down.
41:06Once it gets into your eyes, it's lights out.
41:10Literally.
41:14Once it's on, you got about two minutes before it gets into your eyes.
41:18So talk fast.
41:19Hey, hey, hey.
41:21Hey, hey.
41:21You don't like that.
41:21You're going to get it all alone.
41:23Sekepo.
41:24I'm fine.
41:25I'm fine.
41:26I'm fine.
41:27You're fine.
41:28You're fine.
41:28You're fine.
41:28Do you think you want to try to talk?
41:30I'm ready to try, but you're going to try to try.
41:38So I'm sure you're going to try to try.
41:40Is that clear?
41:42Yes.
41:44What's your name?
41:46Chico.
41:47Who did you do to kill us?
41:49I don't know.
41:51I don't know.
41:52I don't know.
41:55He only told us that we could call us, Matt.
41:57Okay, but I don't think it's a real name.
42:04You helped him with the bombardment too.
42:09Bombardment.
42:10Bombardment.
42:11I don't know about bombardment.
42:12I don't know about bombardment.
42:13I don't know about bombardment.
42:25The clock is ticking now, Chico.
42:28You better come up with some answers.
42:33F.O.P.
42:33Por favor.
42:35Por favor.
42:35Esa es la gente de Osman.
42:37SĆ, Osman.
42:39Yo no los conozco.
42:41Por favor.
42:42Yo trabajo con la faquistĆ³n de fuera de RĆo.
42:45Osman nos comparto despuĆ©s de ver cĆ³mo ofreciĆ³ pagarnos por un golpe.
42:49No sabemos de algo hasta allƔ de la maƱana.
42:52Para, por favor.
42:53Por favor, para.
42:54Estoy hablando.
42:54No sabemos de llegar hasta la base.
42:57Ospar, que se lo harĆ” acĆ” con voy.
43:00Ćl dijo que la base serĆa para donde se iba a desviar.
43:03Por favor.
43:04Por favor.
43:05Ćl dijo que iba a estar con poco personal por las amenazas que Pepe estaba haciendo por todas partes.
43:11Por favor.
43:12Por favor.
43:14Por favor.
43:15Por favor.
43:17Por favor.
43:18Por favor.
43:19Por favor.
43:20Por favor.
43:20Por favor.
43:30ĀæCĆ³mo encuentro a Osman?
43:33El problema aquĆ es este Mr. Creasy.
43:35I necesito asegurarse de que estƔ siendo extranjado, tambiƩn.
43:38Es una cosa cuando estaba ofrendiendo a trabajar con nosotros.
43:41Es otra cosa cuando estaba ofrendiendo a trabajar con nosotros.
43:41Es otra que tener un canĆ³n que se ha quedado completamente responsable
43:44mientras que estoy teniendo con terrorismo y la tragedia.
43:47No a mencionar un prĆ³ximo elecciĆ³n.
43:49Honestly, President Carmo,
43:51yo hablĆ© con Creasy y ahora mismo no confĆa a nadie.
43:54Even si Creasy delivers a nosotros la chica,
43:56todo lo que sƩ de Ʃl me hace que me creen que no estƔ leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief,
44:08I wonder how your government would react
44:10if you had a foreign national on the loose in your country
44:13operating independently, without authority,
44:16and in a way that potentially jeopardized your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey, how did he go?
44:35He made a car.
44:36Why? What happened?
44:38There's a way I can get this guy to lead us
44:40to the people coming after Pope.
44:41So she's not going home?
44:42No.
44:43Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
45:13Is it time to go?
45:17Not sure.
45:28I need your help
45:29or something first.
45:31What?
45:35How do you feel about the sight of blood?
45:38No.
45:38No.
45:50No.
Comments