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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Episodes]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took a cell.
08:36What do you got?
08:37I don't know.
08:39I don't know.
08:54L. E. S. S. R. 1.
09:23Hey, I thought you might be thirsty.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:51What is less...
09:54or what?
09:55Lesser one?
09:57It's left, straight forward,
10:00stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said,
10:19no matter where we are,
10:21as long as we're together,
10:23we're always...
10:26we're always in the studio.
10:53I don't know.
11:03I don't know.
11:31I don't know.
11:55Más de 600 vidas inocentes foram sem fadas.
11:59Por esses crimes abomináveis, nós vamos caçá-los.
12:03E o americano John Tracy e as pessoas que o ajudaram.
12:26Parece que é um roubo para mim.
12:28Quem está fazendo as brancas?
12:32Você está a for?
12:34Sim.
12:36Sim.
12:37Fudeu, fudeu!
12:38O que foi?
12:45Fudeu!
12:47Let's go, everybody, to the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:55Hey, hey!
12:57Go, go.
12:58Go, go, go.
13:23Go, go, go, go, go.
13:39He said to make his way back to school
14:05What are you doing?
14:07The pistons, we didn't leave anything
14:09This won't work
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:21Oh fuck!
14:23Go, go, go, go!
15:03Don't shoot!
15:03Don't shoot! Don't shoot!
15:06Don't shoot!
15:09Hold on!
15:10Go! Go!
15:10Go!
15:12Go!
15:13Go!
15:14Go!
15:21Go!
15:22Go!
15:22Go!
15:23Go!
15:23Go!
15:24Go!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:35Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that!
15:51I'm sorry.
15:54Fuck.
15:59It's the way.
16:03It was supposed to be the easy part.
16:13Where's Paul?
16:29Where's Paul?
16:35Go!
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a picture here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and he robes an
16:55apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02You know, I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you don't seem to be
17:25any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora!
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but, uh...
18:37I call the memories that have been poisoned.
18:55I don't know.
19:18Where was this?
19:22It's a park
19:28And you went there just to take the picture
19:30Yeah
19:33It's supposed to be a Christmas card
19:39My dad thought we only needed a camera and a tripod
19:43My brother is out
19:49They weren't paying attention so all the pictures kind of came out awful
19:54And we started arguing and my mom took the camera and just
20:04She just gave it to a stranger
20:09That's all I did
20:15And at the end when he gave the camera back
20:19He said we were a beautiful family
20:38That's not poison
20:49Everything you care about
20:51It's all still in there
20:56That doesn't mean that you won't have pain
21:01But you don't have to go through that alone
21:04Yeah
21:07He was going to be there
21:24I will
21:28Really?
21:31Yeah, it's mine
21:37Okay
21:53What now?
21:58He's bouncing a signal all over the place
22:00If they really put their back into it
22:02They could walk the call back to Rio
22:03But nothing closer
22:06Untraceable
22:13Are you good?
22:17Yeah, I'm good
22:25I'm good
22:38Well
22:41His name is Vico from a local favela
22:44He hasn't said much and I haven't let the locals ask
22:47What are we waiting for?
22:48I just
22:49With all the respect, Mr. President
22:50We don't know what Chris may have told him
22:52It's happening and I will interrogate him personally
22:55I want him cutting to pieces until the answers start to flow
22:58I will not tolerate one man operated with impunity
23:02Making a mockery of...
23:03I'm sorry, sir
23:04Don't interrupt me
23:06I'm sorry, but I'm in a connection here that I think you'll want to help
23:10It's John Creasy
23:28Mr. Creasy
23:30I know you got a lot going on right now, Mr. President
23:33So I'm not going to keep you for too long
23:36I just want to let you know
23:38That I'm coming to see you
23:40Is that so?
23:43Unfortunately
23:44When I get there, we won't have much time to talk
23:47You know it's illegal to make threats like that
23:50Even in jest
23:51Oh, I'm very serious
23:53I know what you did, Mr. President
23:56You
23:57Torres
23:59And Tatner
24:00And I'm going to make sure that each one of y'all pay
24:04I just called to make sure that you have the opportunity
24:07That the Redburns and all the other families in that building didn't have
24:11The opportunity to say goodbye to the people that you love
24:15Because I am coming to see, Mr. President
24:20And by then it will be too late
24:35I just called to make sure that you have the opportunity
24:38That the Redburns and all those other families in that building didn't have
24:42The opportunity to say goodbye to the people that you love
24:46Because I am coming to see, Mr. President
24:49And by then it will be too late
24:52I want an honest assessment
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely
25:02But
25:04I don't think that's what's happening here
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you
25:13He just kills you
25:15Something's not right
25:16I want this dealt with once and for all
25:19We didn't come this far to let one man screw it all up
25:22You're absolutely right, Mr. President
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up
25:30Yes
25:32Sir
25:34We will get this handle
25:35I can assure you
25:53paying me
25:54What's this deal?
25:55No
25:55I will get this deal
26:00I can't be paid
26:01I can't fix that
26:07What was there in the pocket?
26:09There was only a key to a bank box.
26:13I'm sure.
26:14I opened the pocket and there was a key to it.
26:18I was wondering how they would pay with this shit.
26:22They were hoping to find money in the pocket.
26:26And now they were hoping to find money in this pocket.
26:31It wasn't money, it was something they wanted to sell.
26:33I didn't understand.
26:37Like...
26:38I don't have any certainty,
26:40but I heard them talking about a recording.
26:43Or a fita.
26:45Yes.
26:47From the guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:53Yes, it was President Carmo.
26:54Who was the guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:00Are you sure it's a recording of the President Carmo?
27:04Ferraz.
27:05I don't know.
27:06What's the thing?
27:15I'll join the whole team now and send them to the Bank BCI-4488.
27:20Go!
27:24Go!
27:38Get into space.
27:40Go!
27:41Go!
27:42Go!
27:48Right then!
27:49Go!
27:50Come on!
27:50Come on!
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:17What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 230 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:36Let's go now!
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah. I go in, I make sure they see me, and draw security so they can get to happen.
30:28I have them, girl.
30:33You ever want a place?
30:35Yeah.
30:36You grew an eye on set.
30:48Hey, I'll be okay.
30:49Hey, I'll be okay.
30:59Crazy check-in.
31:03All right, we set, we set, we set.
31:05Over the room.
31:12Let's go.
31:13We set.
31:14Let's go.
31:26I'm sorry.
31:29Let's go.
31:30We set.
31:32Let's go.
31:33Let's go.
31:34We're here.
32:04What are you doing?
32:15What are you doing?
32:18Paul, come in.
32:21What are you doing here?
32:22Please, someone found me, but they're not here yet.
32:26Alright, just walk away, we'll find something else.
32:28Just give me a second, okay?
32:33Paul, get up, get up.
32:37No.
32:38I can do this.
33:10I can do this.
33:12Fuck you.
33:13Goddamn!
33:15Fire!
33:16No, no, no, no!
33:25What's the location for?
33:42Paul.
33:44That's your location, Paul.
33:48Goddamn, my nigga!
33:49On the left.
33:51Let's go!
33:53Oh, you can hear me on one more way?
33:55No.
33:58Stand down, Christy, I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tap and Bella.
34:02We're headed to the staircase.
34:04Okay, go.
34:05Hi.
34:10What?
34:22Fuck!
34:23Fuck, Vico!
34:26How did you get out of here?
34:27I'm crazy, fuck.
34:29I didn't know for this.
34:31We're moving to the meeting point.
34:33Get out, get out, get out, get out!
34:36Hey, your pose here.
34:37The insult is crazy.
34:40This is a fucking shame.
34:44More when all's happening.
34:50Alright, lock it down.
34:51Get on the radio, lock it down.
35:02Get on the radio, lock it down.
35:17Oh, my God.
35:45Oh, my God.
36:15Oh, my God.
36:22Okay.
36:25Let's go.
36:26Oh, my God.
36:39now exit well on iron floor two north west we will be resistance okay we're on our way
37:19stop fucking shooting
37:32get out of the way
37:56are you okay
38:15are you okay stay here
38:28chrissy chrissy we're pinned to the second floor of the section area we're gonna run out of ammo before
38:33they do can you get to us
38:47are you okay
38:48yeah
38:48oh
38:50oh
38:57oh
38:58oh
39:00oh
39:01oh
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41:23oh
41:34I know what it is!
41:37Rebecca!
41:38No!
41:41No!
41:43No!
41:43No!
41:44No!
41:44Please!
41:44Precise!
41:48Precise!
41:49Oh!
41:50Oh!
41:51Oh!
41:52Oh!
41:52Oh!
41:53Oh!
41:56Oh!
42:20Oh!
42:32Oh!
42:37Oh!
42:52Bosta! Bosta! Bosta!
42:54Bosta! Bosta!
42:59Bosta!
42:59This is for me, bro.
43:06Bosta!
43:15Bosta!
43:21Bosta!
43:22Bosta!
43:28Bosta!
43:33Bosta!
43:33Bosta!
43:45Bosta!
44:08Bosta!
44:09Bosta!
44:24Bosta!
44:34Bosta!
44:38Bosta!
44:53Bosta!
44:56Bosta!
45:00Bosta!
45:07Bosta!
45:09Bosta!
45:13Bosta!
45:15Bosta!
45:18Bosta!
45:29Bosta!
45:34Bosta!
45:36Bosta!
45:37Bosta!
45:39Bosta!
45:40Go left, go left.
45:47Creasy.
45:48Just go on, be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just keep going, Paul.
45:52Oh, shit.
46:39Stop right there.
46:40don't move you shoot her you dead one second yes I know
46:53given that you've killed Teppin I'm not seeing a lot to look forward to so drop
47:02your fucking gun or the last thing you see will be another dead Raeburn
47:25good boy now stand up I'll give you the honor of going first
47:36stand up
48:11yes
48:11yes
48:12yes
48:30yeah
48:30yeah
48:30yeah
48:31yeah
48:32yeah
48:36yeah
48:40yeah
48:42yeah
48:42yeah
48:43yeah
48:47yeah
48:49yeah
48:51yeah
48:53ahhhh
48:53yeah
49:06ahhhh
49:08ahhhh
49:10Oh, my God. Oh, my God.
49:12Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay? No, just stay with me. It's okay.
49:21Oh, my God.
49:23Oh, my God.
49:26Oh, my God.
49:30Did you take that?
49:33Christy, God.
49:36Oh, my God.
49:44Oh, my God.
50:08A high risk effort to expose the conspiracy.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, olha quem eu achei.
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura, mas nem eu.
50:27Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não. A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Libração.
50:47Você tá se falando ali de Carmo?
50:48Ivan disse que você precisa trabalhar no seu inglês antes de qualquer outra coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E o vagabundo tá cagando pra isso.
51:01Se você preferir aprender o russo,
51:03então vai trabalhar também.
51:21A última vez que eu vi a minha família,
51:25eu não estava no melhor.
51:27E às vezes,
51:30eu acho que esse desespero vai me derrubar completamente.
51:35Porque do que aconteceu com eles,
51:38eu não tenho nada a curtir.
51:41Não as escadas para expulsar.
51:44But I've come around to the idea that because they raised me the way they did, my family
51:52ultimately left me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away, and you don't
52:09always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:32I never have to do so.
52:54I never have to do so.
53:02Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Mount Kreef.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:44Look, I have tremendous respect for what you were able to do, and a fair amount of egg on
53:48my face at one of our guys.
53:49That's just the reason you had to do it.
53:51John, that's not why I'm calling.
53:51Okay, well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I don't, but they're actually long listened to that.
54:09No one else has had first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something you're ready to revisit.
54:27Send me what you got.
54:58And on.
55:07Cory of Day that's bringing you my choice,
55:08Say, hey, Jesus Oh, please, I'm taking you next week.
55:11Ah, mac, yeah.
55:11Nice slamker Kathy.
55:13I know a truly good question there.
55:13All right.
55:13If you can run through the 5 million total into Вちゃ,
55:14Try some more serious.
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