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Category
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Short filmTranscript
01:43Hi.
01:44Hi, little biscuit.
01:45That's it.
01:48This place is awesome.
01:50Yeah, it's just for a little longer.
01:52Once that gig with HBO comes through, I'm getting my own place.
01:56In the meantime, I'm treating myself.
02:01Cheers.
02:04Cheers.
02:07Glad we're making this happen.
02:08Yeah.
02:09Me too.
02:10Two months of knowing each other and here we are.
02:12You know I'd offer you the role right now.
02:15This is basically just to appease the producers.
02:17Right.
02:18I mean, they have to see something or else I'd be someone who slept with the writer director
02:22to get a part.
02:23But you knew I thought you were perfect for the role even before all that happened.
02:29Yeah, and you came to visit and the place was romantic and yadda yadda.
02:34I mean, it would have been weird if it didn't happen.
02:36For the record, I don't often let things go that far, but I feel like it deepened our trust
02:43for each other.
02:45Yeah, I agree.
02:48Trust and believe.
02:50Like you always say.
02:55So, I got you this plastic tie from the clinic for your arm.
03:03Wow.
03:05So realistic.
03:07Yeah, the less we leave to the producers imagination, the better.
03:11So, I had an idea on the way over here.
03:14What if, for the audition, we scrapped all this and showed the producers something else?
03:21Remember that night when we were drunk at the diner?
03:23The night we were craving biscuits and gravy when I made up that song.
03:28Ben and Joey went walking down the street.
03:30Ben turned to Joey and said,
03:32Hey, wanna go?
03:34Crazy with crazy.
03:36What if, that was my audition.
03:44That's not the audition.
03:46I told you that the part where it changes for the character is...
03:50When he goes from smoking crystal meth to shooting it.
03:53Right.
03:54We've been over this.
03:55Right.
03:56And for the audition, you just want me to inject myself.
03:59With saline solution, yes.
04:02Just like we talked about.
04:06Look, we are looking for that honest moment of euphoria from the character.
04:13We can start when George gets here.
04:15Wait, George is coming?
04:16Oh, damn it.
04:18I forgot to tell you.
04:20My, my friend, the nurse, she had to pick up an extra shift today.
04:26I don't know if I feel comfortable doing this with George here.
04:30George is surrounded by this all the time in his line of work.
04:32And since he inspired the character.
04:34And since George is a super active gay porn star, somehow that gives him authority on how one should inject
04:38oneself.
04:41It's just a weird thing to ask someone for an audition.
04:44Do you not trust me?
04:52I will go to the bathroom and fill up a new syringe right now in front of you.
04:57And prove to you that there's nothing weird going on.
05:02Ben?
05:07Why is there a dead catfish in the sink?
05:16I bought it.
05:19In Chinatown.
05:22I was going to gut it and leave it on your pillow.
05:27Where, why would you do that?
05:29Because this is all a lie.
05:35Don't run from this.
05:38Look, George is on his way and when he gets here, it'll make more sense.
05:44Joey.
05:50I know.
05:57What are you talking about?
06:02Why do you want to hurt me?
06:07You are sabotaging this right now.
06:09This all feels like a sick and twisted plan.
06:17I don't want to hurt you.
06:20When you tell someone that you want to watch them inject themselves with salient solution, it kind of feels like
06:25you might want to hurt them.
06:26Okay, I, I didn't mean to scare you.
06:28I'm not scared. I'm here. If I was scared, I wouldn't have come.
06:31Well, George is great and when he gets here, you'll see.
06:33See what? Because I don't think we're trying to make a movie.
06:36Wow.
06:39This whole time I've known you, all you do is just push yourself further away from the things that you
06:43want.
06:44Well, I know I don't want this.
06:45You don't know what you want. You want one thing until something better comes along.
06:48For months, I have prioritized this until I realized I was being lied to.
06:52Lied to?
06:54You were intrigued by what I had to say.
06:57Yes.
06:57Then you got this idea of who I am.
07:01Yes.
07:02Then you decided to slaughter a dead catfish and leave it on my bed.
07:08What?
07:11Yes.
07:20You're just as crazy as I am.
07:22Oh yeah?
07:24Joey Schlesinger.
07:25I'm just as crazy?
07:27What's up with the fact that you never told me a real last name?
07:30Silver's is a name I go by professionally.
07:32Why? Because of these?
07:34Stalking, breaking, entering. What's up with that?
07:38Get out.
07:40Oh. Catfish got your fucking tongue.
07:42Get out.
07:45Okay. Fine.
07:50Even if this is a story that I'm making up in my head, I just want you to know that
07:55I don't think it's your fault.
07:56All the work we've been doing.
07:59I know. I just don't think I can be a part of it anymore.
08:01Well, George is going to be disappointed.
08:03No.
08:04Nope.
08:05You can't guilt trip me with that.
08:07I fought for you.
08:08I want to believe you.
08:10George is coming.
08:10There's no script.
08:12There's no movie.
08:13You're not even who you say you are.
08:14But you said it's not my fault.
08:15It's not your fault.
08:16What they did to you when you were a child, but...
08:19But you're a fraud.
08:23It's best if I leave...
08:26Oh, the catfish.
08:36Please don't contact me anymore.
08:40Blocked.
08:42Great.
08:59George.
09:01Do I know you?
09:02Oh, no. Sorry. Just a fan.
09:12Hey.
09:16Hey.
09:27Hey.
09:31Hey.
09:41Good day.
10:28I don't know.
10:48I'm sorry.
11:13Oh
11:42Oh
12:41Oh
12:42Oh
13:16Oh
13:51Oh
13:52Oh
13:53Oh
13:54Oh
13:55Oh
14:05I don't know.
14:51I don't know.
15:03I would describe my drag, if I would even call it drag, is visually non-binary, in that
15:13there's a feminine face, but there are masculine features such as a hairy chest or hairy legs.
15:19So kind of blending things that don't go together.
15:25Drag is inherently socially engaged.
15:28You can't have a society without drag, and you can't have drag without society, because
15:32drag is a rejection of society, it's a rejection of cultural norm and stereotype and construct.
15:40But if no one's actually seen you rebel and reject the society you're mocking, did it
15:45even happen in the first place?
15:47If a drag queen falls over in a forest and there's no one around to hear it, did it still
15:51make a noise?
15:53I kind of theorised that current contemporary drag performers, who are kind of new wave
15:58renaissance drag, their drag persona is an extension of who they are as a queer artist.
16:07Which I definitely identify with, because whenever I put on my costumes and perform, I never think
16:14I'm performing as someone else, I think I'm just performing as me.
16:16But dressed up, because if you're not dressed up, no one knows that you need to be looked
16:21at.
16:21But when you're dressed up, everyone knows that they have to look at you, so that's how
16:25I get the attention really.
16:30I started doing drag makeup in the summer of 2016, mainly because I was bored.
16:35And then when I started A Levels, other people liked it, and I do live streams and talk to
16:40people.
16:41A lot of what I do is revolved around hyperfemininity, I'm questioning that.
16:46Why I like learning about it so much is sort of figuring out my own gender identity, coming
16:52into terms with being non-binary.
16:57It is once starting university and learning more about Norwich's queer scene, that I thought
17:02that it's something that I could continue doing.
17:06If that had to be categorised, it's more like club kid, sort of just performer.
17:11I suppose it's hard to sort of fit it into a box or a binary or whatever, when you don't
17:17quite fit into one.
17:19As soon as you say, oh I do drag, people assume you do woman illusion.
17:26Which to an extent, sometimes.
17:28It's not based on the idea of looking feminine.
17:33I feel like I compare my drag a lot to people that are quite girly, because I see them doing
17:37really well, and it almost feels like this drag isn't the right drag, to the extent of
17:43having been told before that this isn't drag.
17:47I view our drag as just as good as anyone else's.
17:50It's completely valid.
17:54The House of Days is a non-exclusive drag collecting.
18:01A lot of drag places around the minute have very funny definitions about what drag is.
18:08And we're just here to remind everyone that that's me not for them to decide, it's for
18:12the performers to decide.
18:16The Norwich queer scene now engages with queer fantasy more so than it does female impersonation.
18:23And the audiences who come to our shows have kind of welcomed it, they enjoy it, they think
18:28it's really cool.
18:30I'd say it's quite close-knit.
18:32Like, we all know each other, we're all friends with each other, and we all get influenced
18:36by each other slightly, I'd say.
18:39It's diverse as well though, and that's what I find quite interesting.
18:42That everyone is accepting, but everyone does different things.
18:48The drag you go out in is basically a big symbol to all the other queerdos around that
18:54are like, oh, you're one of us, you're one of the queer scene.
18:58And it just helps people gravitate together, and there's just a great sense of community
19:04among us, I think.
19:07We love a queer face.
19:09First jug in the gallery was in November 2018.
19:15I'd kind of created this exhibition of adopting the Norwich queer scene.
19:20As well as having art on the walls, it would have a live show, and that live show would
19:25feature the performers who were on the walls as artwork.
19:31Mine's partly a character, but partly sort of like an inward projection.
19:35I based him a year younger than me.
19:37Things that I had previously gone through, they were then projected a year later into drag.
19:44It's the first song when I started sort of doing drag that I was like, I'm going to do this
19:48one day.
19:50And it means a lot to me.
19:55Inside there is still a person who thinks and feels, and is still human.
20:00And people probably forget that when they see people dressed up.
20:05You've got to be aware, going into it as a non-binary AFAB person,
20:09you're almost more likely to get on the list to be a showcase of diversity.
20:17Automatically, people say, oh, you're a bio queen.
20:20I mean, I'm not trying to make a message.
20:21I'm just dressed up in an aesthetic way.
20:25Explaining that and navigating that is quite difficult.
20:28But I find it nice because when I dress up femininely, it makes me feel like I am directly playing
20:35with gender.
20:36And I'm dressing up as a gender.
20:38And it sort of reassures me in where I am as well.
20:42I think Norwich has a really progressive and welcoming drag community.
20:49But I don't know if the rest of England knows that.
20:54But now, I think Liv's just trying to have fun and kind of celebrate who they already are,
21:01rather than trying to emulate other people.
21:05Just being a practicing queer artist, I guess.
21:09I hope that in the wider scale of things, it will pay off eventually.
21:13People will realise that we have built ourselves from the ground up.
21:17In the future, I would hope that we are elevated from where we currently are, because it's what we deserve.
21:24To be part of something like this, we're in control of the current and the near future.
21:31I might not want to be a famous drag performer, but I want to work with other people.
21:38I would like people to see me as I see others.
21:42I want to be able to look at myself and be like, that was good.
21:44I'm going to do that again, with no changes.
21:47I feel like I am going towards that.
21:52Instead of thinking of it in a family setting, we're all basically children.
21:56Yeah. And we're running around.
21:57Running around, looking stupid, doing stupid things.
22:00Because we can.
22:03And because it's our scene.
22:05Like, there's no one telling us what to do.
22:07We're all on this level.
22:09There's no one above us being like, you can't do that.
22:12Because I said you can't do that.
22:16It's exactly what we want to do.
22:18And it's our own special thing.
22:21And not many people in this world get that experience.
22:23But I was that man, you know,
24:11Welcome to Columbus Savings Bank, where hospitality comes first, kindness comes second, and your financial affairs are a very close
24:17third.
24:18My name is Salvatore. Is there something I can help you with?
24:22Well, I'd hope so. You're like the third customer service rep that's sent my way.
24:26You have an account with us, Miss Beckett.
24:28Yes, and I'd like to access...
24:29Do I have your account number?
24:30No, that's the thing. I don't have it. I was just speaking to your colleague and she's...
24:34Take your social security number.
24:36I don't have a social.
24:37How can you not have a social? Every American is born with a...
24:41I'm not American. I'm being deported from the country and I have to move my money to a foreign savings
24:45account.
24:47Oh. Please hold.
24:57Oh. It's so far. It's not that far. It's not so far. It's not so far. It's not so far.
25:02It's so much walking.
25:12Thanks for waiting, Miss Beckett.
25:14Miss Beckett?
25:15I hope the wait wasn't long.
25:17Yeah, it was.
25:18Can I have your full name again?
25:21Bellamy Beckett.
25:22And your date of birth.
25:24Your address.
25:25Your emergency contact.
25:26Your brother's maiden name.
25:27Your bra size.
25:27Your grandfather's burial place.
25:29Your first pet.
25:30It was a Japanese fighting fish called Igon.
25:33Would you please just get me into my account?
25:35Oh, she said please.
25:37Okay, let's see.
25:41I've put in all your information, but some of your responses are incorrect.
25:45I can't allow you access to your...
25:47Sal.
25:48My good, good friend, Sal.
25:51Did you spell my last name with one T?
25:55Or two?
25:57Two.
25:58There's one.
26:00There's one bloody T in my last name, you twat.
26:03Oh, please hold.
26:16Whoa, there, cowgirl.
26:18We're really high up.
26:20I've got you.
26:22What if I fall?
26:23I wonder if that happened.
26:27If I wouldn't.
26:28I don't know what to do.
26:35Marmy, let's get married.
26:37Let's get married.
26:39Tell me, you're crazy.
26:41Of course I'm crazy.
26:45What am I going to do with you?
26:51Yeah, it's Sal again from Columbus Savings Bank.
26:54Hospitality comes first, kindness comes second,
26:57and your financial affairs are a very close third.
27:00Oh, for fuck's sake!
27:03Save me? The absolutely ridiculous spiel.
27:05Did you get into my account or not?
27:08I did.
27:09You just have to pay our closing fee.
27:24I want a wedding. A real wedding.
27:28A bridezilla reception that'll make my sisters jealous.
27:31My family, your family, photographer.
27:34A real photographer.
27:35Not your hipster cousin who fucks with a 35 millimeter.
27:38I don't want it to be forced.
27:41It's not a get out of jail free card, it's our lives together.
27:44But, Sal, we can't have that.
27:46If we don't get married now, they'll send me back to England
27:48and you seriously think you'll love me harder 5,000 miles away.
28:06Listen, Sal, I've got an international flight, two months left on my lease that I've still got to pay for,
28:11student loans coming out of my ears, and now I've got to pay for this too!
28:15It's standard procedure, Miss Beckett. If you read the terms of condition...
28:19Yeah, I'll give you a condition. I'll give you a block of kidneys. I can do that right now.
28:22That won't be necessary, ma'am. Destroying my kidneys does not fulfill the cancellation fee.
28:35Look at you are professional. Stop it.
28:39I want to Siri check my fees up. Everything's gonna be alright.
28:43That's so easy for you to say.
28:45You're like an anchor to the ocean wave not to mind the time.
28:55I'm scared of things I'm not even scared of.
28:58Because if I'm not afraid of losing something, I'll end up losing it.
29:02It's like the fear of losing it is the only reason I haven't lost it.
29:05Like, when I fly on planes and I have to imagine the entire flight, we're going down.
29:10Because the one moment I calm myself, that's the moment we're going down.
29:17Got you.
29:18Why can't we just get married?
29:20I'm ready. Why aren't you?
29:23Be too soon.
29:25Yeah, but it'd make all my problems go away.
29:29Like that.
29:31Let me tell you what.
29:33They try kicking out the country, you and me, we'll get hitched.
29:42I'm nothing if not a green card.
29:45I'm nothing.
29:48Okay.
30:12I'll be right back.
30:14I'll be right back.
30:15If you officially renew your visa, you must make an-
30:21I'm nothing, if not a green card.
30:30Miss Beckett? Is there anything else I can do for you?
30:47.
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