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  • 21 hours ago
Young And Beautiful
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00:00:00THE END
00:02:00For the moment, folks, here comes one of Hollywood's most successful producers, Herman Klein, president and guiding genius of superb
00:02:07pictures.
00:02:08Mr. Klein, won't you please tell the folks about them this thing by not attending this band's... indigestion.
00:02:19Folks, Mr. Klein will have his little joke.
00:02:23You shouldn't talk like that, Herman. It isn't really fine.
00:02:26Can I help it if I make sense of it?
00:02:28But millions of people are listening into that microphone.
00:02:31Why didn't you tell me that?
00:02:33Good evening, Mrs. Klein.
00:02:37How to do, everybody?
00:02:40If it's a superb picture, it's a...
00:02:44It's a superb picture.
00:02:46I am the president, Herman Klein.
00:02:49I'm much obliged.
00:02:53Check up all those flowers.
00:02:54Buzz out and get a cameraman, and after that...
00:02:56Good Bob.
00:02:56I only got one pair of feet.
00:02:58That's all Napoleon had, or Caesar, or Alexander the Great.
00:03:00So hop on it.
00:03:01You worry about your feet later.
00:03:03All right.
00:03:05Pierre, I want that speaker's table set up right.
00:03:07Put your soul into this, Pierre.
00:03:09It's a big moment.
00:03:10Oh, oui, oui, Mr. Feston.
00:03:16Jake, keep those newspaper men from falling asleep, will you?
00:03:19Right.
00:03:20Burn these over the wires, baby, to Miss June Dale, care of the Wampus Chris Hotel.
00:03:24Will Rogers, Senator Barrow, Wallace Beery, Jimmy Walker, Mary Fitzford, Paul Muni, and Mussolini.
00:03:30They sure are a nice bunch of telegrams.
00:03:32They ought to be precious.
00:03:33I wrote them myself.
00:03:38Come on, come on.
00:03:39Get the lead out of your whoosers.
00:03:41Gee, boy, she's been running me ragged all day.
00:03:43Let me take a breather, will you?
00:03:44Oh, breathe on your day off.
00:03:45Take those music cues with Ted Fioretha.
00:03:47And Sammy, see if all the girls are in the dressing room.
00:03:52Hey, Feston.
00:03:53Hey, come here.
00:03:54I want to see you.
00:03:55Hi, boss.
00:03:58Hello, Miss Klein.
00:03:59Did you call me, boss?
00:04:00Sure, boss.
00:04:02And as I understand it, you're still working for me, ain't it?
00:04:04Why, certainly, just because I've been a little busy with the Wampus, I don't see why you're busy with the
00:04:08Wampus.
00:04:09You know, your desk is already covered over with cobwebs.
00:04:11Now, what harm can a few cobwebs do?
00:04:13You let me worry about that, Mr. Klein.
00:04:15Tomorrow at the Quackadone, I'll be back at the studio giving my all for Superba.
00:04:18You know, I got a good mind to fire you.
00:04:21This time, permanently.
00:04:23Suppose we talk about you for a change, Mrs. Klein.
00:04:25If I may say so, you're looking exceedingly well, and the bloom of youth still lingers in your cheeks.
00:04:30Say, Preston, I pay you to soft-soap the public, not my wife.
00:04:34Harmon, don't aggravate yourself.
00:04:36Remember your acidosis.
00:04:38A truer word was never spoken, Mrs. Klein.
00:04:40There's nothing like aggravation to encourage acidosis.
00:04:47Chickens, please.
00:04:50When you get an eyeful of these Wampus baby scars, I'll guarantee your mind won't be on your stomach.
00:04:55I must join the gentleman of the press.
00:04:57I want to make sure they give Superba Films a plug into Morris paper.
00:05:01Good.
00:05:02Remember, Mr. Klein, the interests of Superba pictures are always closest to my heart.
00:05:07I go to sleep figuring out new ideas to glorify our product.
00:05:11I wake up in the morning figuring out new ways to spread the name of Superba over the world.
00:05:16Morning, noon, and night at Superba.
00:05:18Pictures with soap.
00:05:23I'm getting sick of these banquets.
00:05:26Ah, gentlemen.
00:05:27Hello, loudspeaker.
00:05:28Well, what's new at that Mecca of the Arts?
00:05:30Suburba Pictures, Dean.
00:05:31Oh, why bother me about that, Tintai Patrick?
00:05:33But there's the girl here tonight that's the biggest thing since Garbo.
00:05:36Get a lot of her.
00:05:37A name is June Dale.
00:05:38And take a tip from your Uncle Abner.
00:05:40Now, keep your eyes on June Dale tonight.
00:05:42Never heard of her.
00:05:43Ah, but you will.
00:05:44Boss.
00:05:46Boss, one of the girls hasn't shown up yet.
00:05:48We think something's happened to her.
00:05:50Which one is it?
00:05:52I forgot to ask.
00:05:54Don't forget to remind me to punch you in the nose.
00:05:56All right.
00:06:00Two to one, the Dizzy Dame went to the wrong hotel.
00:06:17All right, say this.
00:06:18Who hasn't shown up?
00:06:19June Dale.
00:06:20June, where's Catherine?
00:06:21Catherine?
00:06:21Here I am.
00:06:22Did you call her house?
00:06:23No, she left before I did, right after she got her note.
00:06:26By note?
00:06:26I didn't send any note.
00:06:27Maybe something's happened to her.
00:06:29Maybe she's been kidnapped.
00:06:30Kidnapped?
00:06:30Let me get out of here.
00:06:33Did you see the note?
00:06:34No, but she said it was from Bob.
00:06:36What's her address?
00:06:37One, 138.
00:06:39June Dale's disappeared.
00:06:41No.
00:06:41It's just me.
00:06:43June Dale's disappeared.
00:06:45Get the police.
00:06:46June Dale's been kidnapped.
00:06:48Who's been kidnapped?
00:06:50June Dale.
00:06:51Yes.
00:06:51Disappeared.
00:06:58White satin gowns.
00:06:59Ladies and gentlemen, sorry to interrupt,
00:07:01but Miss June Dale, popular Walpuss baby star,
00:07:03has disappeared.
00:07:04If there's any hint you can give to the police
00:07:06in our city-wide search, it would be greatly appreciated.
00:07:09Look.
00:07:09June.
00:07:10June, darling.
00:07:12Where have you been?
00:07:13Oh, who is grateful?
00:07:15Two men jumped into my car.
00:07:17I screamed and I bought them, but they hid me.
00:07:20What do they look like?
00:07:22Oh, I don't remember.
00:07:23It was so dark.
00:07:24I was so confused.
00:07:27I...
00:07:27Oh, leave her alone.
00:07:28Can't you see she's upset?
00:07:30Oh.
00:07:31June.
00:07:31June.
00:07:32And Miss Dale has faded.
00:07:34And no wonder.
00:07:34There's a way.
00:07:35There's a way, folks.
00:07:37There's a way.
00:07:38Come on, there's a way.
00:07:39I'm sorry, but you'll have to get out of the way, then.
00:07:43Story, which is horrible.
00:07:44The whole thing was wrong.
00:07:45I remember what they looked like.
00:07:46She's going to be all right.
00:07:46Have any idea who they were?
00:07:48Have a tiny heart.
00:07:49Give her a chance.
00:07:50Get everybody out of here.
00:07:59You two.
00:08:00Me?
00:08:01Yes, you.
00:08:04How was I?
00:08:05You were terrific.
00:08:09This is front-stage stuff, June.
00:08:11You'll have your pretty face in every paper.
00:08:13You'll be in the newsreel with the president, Max Baer, and Amy.
00:08:16Oh, I was scared stiff all through.
00:08:17Oh, you gave a marvelous performance.
00:08:19Bernhardt couldn't have done better.
00:08:21Bob, do I have to keep on with these crazy publicities done?
00:08:26Of course, it's part of the movie Merry-Go-Round.
00:08:30Stars aren't born, they're made.
00:08:31And it's headlines that make them.
00:08:33You can do anything with the headlines.
00:08:35Oh, I'm not underrating you, June.
00:08:37You're a great little trooper.
00:08:39All you need is a break,
00:08:40and you're unable to be on every marquee from Maine to California.
00:08:45You make it sound so easy, but I'm kind of worried.
00:08:49You let me do the worrying, will you?
00:08:51Now, how about turning on a little of that sunshine personality?
00:08:55A little bit tired, aren't you, sweet?
00:08:57No, I'll be all right, dear.
00:08:59You need a little stimulant?
00:09:06Mm-mm, I was about a little chaser.
00:09:09No time to get tanked up.
00:09:11You have work to do.
00:09:12Come on, you girls go on a few minutes,
00:09:14and remember, you don't know what happened.
00:09:17Oh, but, June, I don't see how you can go ahead with all this now.
00:09:21Aren't you too upset?
00:09:22Well, I feel all right.
00:09:23Well, I feel all right, Catherine.
00:09:25I wish I did.
00:09:27Well, darling, don't do that.
00:09:29You'll spoil your makeup.
00:09:30I can't help it.
00:09:33It's like...
00:09:34Like I'd live my whole life through this one night.
00:09:37There's nothing to be afraid of.
00:09:40Oh.
00:09:41What if I didn't make good?
00:09:43Oh, don't be silly.
00:09:45Twenty-three.
00:09:46That hit town?
00:09:47Certainly not.
00:09:49I was Miss Portland, Oregon.
00:09:51Oh, Portland.
00:09:52Keep away from doughnuts, Fanny.
00:09:54How about it, Warpuses?
00:09:55Raring to go?
00:09:56Yes!
00:09:57Well, gather around, Papa.
00:09:58You have some business to tell you.
00:09:59Come on, hurry up.
00:10:00Get around.
00:10:02Now, listen, girls.
00:10:03Pace this in your turban.
00:10:05You're starting up that rickety ladder to success.
00:10:07As Warpuses stars, you're halfway there already.
00:10:10But how far you'll get is up to nobody but your own sweet self.
00:10:14Now, go down there tonight and start those producers thinking about contracts.
00:10:17You're on your way.
00:10:18In just a minute, you'll be hearing Ted Fiorito say...
00:10:22This is Ted Fiorito speaking from the banquet given in honor of the Warpuses Baby Stars.
00:10:37Hello, Laurie.
00:10:39Ah, old man, money-bagged himself.
00:10:41Why'd you pop the pull-up one?
00:10:43He's glad to see you go.
00:10:44How are you, Bob?
00:10:45Miss Clayton, this is Mr. Preston.
00:10:48The irrepressible Douglas, surrounded by beauty.
00:10:50Well, what do you think of this year's Wampus election?
00:10:53Now, make it simple.
00:10:54Well, conservatively speaking, these 12 girls' hand-picked 2,000s are the loveliest,
00:10:59the most gorgeous bunch of kids you've ever seen.
00:11:02Mr. Preston is a publicity man and he never makes an understatement.
00:11:05Why 12 girls? I thought there were 13.
00:11:07Ah, the 13th?
00:11:09Super extra special colossal.
00:11:11That's one of Bob's mild recommendations.
00:11:13The name, June Dale.
00:11:15Goodbye.
00:11:15Goodbye.
00:11:17Shall I make a note of that, Gordon?
00:11:18It won't be necessary. I'll remember it.
00:11:21June Dale.
00:11:25Sit down, Sammy.
00:11:26No.
00:11:27Yeah.
00:11:29Well, Bob, how are you enjoying your little affair?
00:11:33I know that came straight from the heart.
00:11:40Ladies and gentlemen, I'm here in the guise of a fortune teller.
00:11:44I see 13 girls.
00:11:48I predict a marvelous, glorious future for them all.
00:11:51And after Don Raymond sings your song, especially written for this occasion,
00:11:55I shall interrupt from time to time.
00:11:57Take it, maestro.
00:12:08In my memory, I see a garden, a moonless garden, and the one I love, how I love to paint
00:12:25this
00:12:25A pretty picture, for you're the one, dear, that I'm dreaming of.
00:12:37A pretty girl, a lovely evening, to dreamy eyes, like stars above, to loving arms, beyond conceiving, to willing
00:13:01To dreamy eyes, like stars above, at protecting Whereas, save the lover.
00:13:08If I do not wish to come, but I know that I've seen a matter of Bruce, veryD
00:13:27One has known that only let me share, but I do not think I can share.
00:13:31That's what I look like.
00:13:35Miss Jean Carman, Argan's answer to the beauty problem.
00:13:39Wait until you see June Dale, boss.
00:13:41The way I feel, I ought to see a doctor.
00:13:47Miss Judith Allen, the homemade star from Hollywood.
00:13:51Miss Dorothy Drake, some more California sunshine.
00:13:57Miss June Dale, as fresh and fair as a day in June.
00:14:11That was a mild recommendation.
00:14:16Miss Lucy Lund, as radiant as a flower from the hills of Washington.
00:14:23Miss Leoma Judge, society's contribution to the art.
00:14:29Miss Betty Bryson, another California flower.
00:14:37Miss Anne Hubby, of the Indiana Hubby.
00:14:46Miss Jean Gale, San Francisco glories in the Golden Gate, and Jean.
00:14:50Miss Hazel Hayes, golden-voiced beauty, from Paris.
00:14:54Steve Latron, scans it.
00:14:58Miss Leonor Keith, fresh breeze from Indianapolis.
00:15:04Miss Catherine Williams, a budding star from Seattle.
00:15:10Miss Lou Anne Meredith, the southern peach from Dallas, Texas.
00:15:15Miss Gale, darlin'
00:15:17Miss Lou Anne.
00:15:18Miss Lou Anne conference.
00:15:19Miss Lou Anne.
00:15:39Miss Lou Anne Fox.
00:15:48THE END
00:16:10One of them looks like our Hilda
00:16:13Where?
00:16:41Oh, when do you think you'll leave for New York?
00:16:47I may not go until after June
00:16:58If you sign them all, they'd call it a stroke of genius
00:17:00Ah, you mean a stroke of apoplectics
00:17:19Every paper in the country is giving her a break
00:17:21Millions of people already know her name
00:17:23And in addition to that, she's a natural performer
00:17:28Beauty, poise, intelligence, everything
00:17:37I tell you, boss, she can't miss
00:17:40Say, what's the matter that all at once you've got such an interestedness in this girl?
00:17:44Are you in love with her?
00:17:45Mr. Klein, the only reason I'm talking about her
00:17:47Is because I have superba films closest to my heart
00:17:50I don't care what you got next to your heart
00:17:52She ain't got no box office
00:17:53That's what you said about Mickey Mouse
00:17:55When I want you to tie up Walt Disney
00:17:57Now listen
00:17:58I forbid that you never to mention that to me again
00:18:02Anyway, I had a good reason
00:18:04My wife don't like Mike
00:18:06All right, we'll forget Mike
00:18:07You know how important publicity is, Mr. Klein
00:18:10There's nothing you can't do with a headline
00:18:12And this girl is on her way because of headlines
00:18:17There you are
00:18:19Go ahead
00:18:19Have one with me
00:18:21That's good for your stomach
00:18:22Well, here's mud in your eye
00:18:25Yours too
00:18:25Hold them
00:18:37As I was saying, Mr. Klein
00:18:38I hate to see you, Mr. Beck
00:18:40Say, did you get out the press books on the murdering shadows for a ring?
00:18:44Everything's out, Mr. Klein
00:18:45Everything's out
00:18:46Why don't you give this girl a contract?
00:18:48How do I know she can act?
00:18:50What's she done?
00:18:51Where's she from?
00:18:52Never mind
00:18:52Don't tell me
00:18:53I ain't interested
00:18:56Hello?
00:18:58What?
00:18:59Who?
00:19:01Wait a minute
00:19:02That's for you
00:19:03On my private telephone, too
00:19:05Mr. Preston speaking
00:19:07Oh, put him on
00:19:09Why, hello, Mr. Hofstengel
00:19:12Hofstengel
00:19:13My worst oppositionist
00:19:14Say, what does he want with you?
00:19:16Why, yes, I represent Best Dale
00:19:18Well, that's very interesting
00:19:21Well, let's take for lunch
00:19:23Thank you, Mr. Hofstengel
00:19:25It's all right, Mr. Klein
00:19:26Let's forget it
00:19:27Sir, just wait a minute
00:19:29What does Hofstengel want with Miss Dale?
00:19:31I don't know
00:19:31But Hofstengel's an amortization
00:19:33He's developed some big stars
00:19:34Made millions out of personalities
00:19:36Yeah, personalities
00:19:37Fido, the dog wonder
00:19:40Fixie, the queen of wild horses
00:19:42That fellow, the creature, the hyponoceros
00:19:44The rhinoceros
00:19:45A hippopotamus
00:19:46Well, anyway, last year
00:19:47I made four times as much money as he did
00:19:49All right, as you say
00:19:53Say, wait a minute
00:19:53How much is he offering?
00:19:55I thought you said you weren't interested
00:19:57Now, don't change the subject
00:19:59You can't take her over to that loaf of Hofstengel
00:20:01Where's your dignity?
00:20:03Didn't you tell me you had
00:20:04Suburban films next to your heart?
00:20:06Yes
00:20:07Now, listen
00:20:08Maybe we can get together on a little deal
00:20:13That's five bucks I owe you, Margie
00:20:15And believe me
00:20:16You made a great Mr. Hofstengel
00:20:19Okay, Bob
00:20:20Let's try the picture
00:20:33Hold it
00:20:34That's got it
00:20:52Well, if I have to pose for any more pictures
00:20:54I'm going to scream
00:20:56I wonder what magazine will print this one
00:20:58It'll probably wind up in whiz-bang, dearie
00:21:01Well, you ought to be thrilled by all this, Catherine
00:21:03Oh, I suppose so
00:21:05I don't fancy myself much as being a bathing beauty
00:21:08I've dreamed of such different things
00:21:12Like
00:21:14Juliet
00:21:16Heather Gabler
00:21:18Roxanne
00:21:21Oh, all this is so different
00:21:23Oh, have patience, darling
00:21:25I've spent most of my life preparing for Grand Opera
00:21:28Here I am in a bathing suit, too
00:21:30Hazel, after they see you act
00:21:33Maybe they'll let you sing
00:21:34Don't you think a highball would help take off the chill?
00:21:36No, thank you
00:21:37I think we've taken too much advantage of your hospitality already
00:21:41Oh, not nearly, no
00:21:43I'll tell you something
00:21:44If you promise not to betray my confidence
00:21:47The only reason I permitted Bob to use my pool was to see you
00:21:52Oh, that's funny
00:21:53Why so?
00:21:54Well, Bob and I happen to be engaged
00:21:57Oh, I'm sorry
00:21:59I'm not
00:22:06Hi there, girl
00:22:07How are you?
00:22:07Hello, Jean
00:22:08I'm looking for a gal named June
00:22:09Won't I do?
00:22:11Jean sounds something like June
00:22:13Not to me
00:22:14Where's June?
00:22:15Behold
00:22:16Ah
00:22:19Hi, Bob
00:22:22Got heaps, big news
00:22:24Big cheap client-signed contract with warpless stamp boots
00:22:27Fail-faced breast in one smart guy
00:22:30Pretty soon catch him weed ball and lots of warpless
00:22:33Fail-faced breast in heaps crazy
00:22:36What is it, Bob?
00:22:43Oh, Bob, you're marvelous
00:22:45How did you do it?
00:22:46Believe it, another glass of ice off today
00:22:49This is just for one picture, June
00:22:50But when the producers see you on the screen
00:22:52They'll all be fighting for you
00:22:55Isn't that grand, June got a contract
00:22:56There so?
00:22:57Uh-huh
00:22:58Well, I've just heard the good news
00:23:00Congratulations
00:23:00I know you'll make good
00:23:02Thank you
00:23:03Were you able to do anything for any of the other girls?
00:23:06Catherine?
00:23:07Leave it to Dynamite Preston
00:23:08I'll get them something if I have to go on a diet
00:23:10Oh, that's wonderful, June
00:23:14I know you'll be a big hit
00:23:16Thanks
00:23:17I want you to know, June
00:23:18I'm terribly happy for you
00:23:21Thank you, Catherine
00:23:22I know you mean it
00:23:23Soon I'll be congratulating you
00:23:26Okay, girls, okay
00:23:27Now get dressed
00:23:28We have to hop over to the Brown Derby
00:23:29And take some publicity still
00:23:30We'll probably wind up there as waitresses
00:23:32There might be more money in it
00:23:33Good boy
00:23:36Well, Bob, I want to congratulate you, too
00:23:38Not much of a trick selling a girl like June to anybody
00:23:41Oh, I know that
00:23:42I'm congratulating you on being engaged to a girl like June
00:23:45Oh, that
00:23:47You shouldn't tell anybody about us, June
00:23:49About us?
00:23:51Our engagement
00:23:51It's bad dope letting the public in on the know
00:23:54Why?
00:23:55Well, we have to make it look as though you're still doing a solo act
00:23:58It's better publicity
00:24:00Can't you ever get publicity off your mind?
00:24:03After all, this doesn't mean anything to me unless you and I...
00:24:06We have no right, sweet
00:24:07I don't mean anything to anybody
00:24:10And after all, you've got to get around to dances and parties
00:24:13And go up with big shots like Gordon Douglas
00:24:15Oh, it's a swell copy for the columnist
00:24:18And there's no harm in it
00:24:20There might be a fact, Bob
00:24:22Are you trying to arouse the green-eyed monster in me?
00:24:26Fear not, fair gal
00:24:27Nothing shall kill daredevil Preston's love for thee
00:24:32Oh, Bob, why don't you be yourself?
00:24:35Forget that you're a press agent and that I'm an asterisk
00:24:37Ah, do I know how to forget?
00:24:41This is much better
00:24:42Okay, honey
00:24:43Tonight we go for a nice little ride
00:24:46No publicity, no pictures
00:24:48And I might even talk a little baby talk
00:24:52Mr. Preston, sometimes you're almost human
00:24:55That's the Don wanting me
00:24:59And that's not for publication
00:25:01Oh, Bob, look out
00:25:04You hurt?
00:25:05No, just scared
00:25:08Boy, what a story
00:25:30I'm sick of being poor and wearing rags on a time that I
00:25:35I'm sick of being poor and wearing
00:25:37Oh, no, I'm sick of being poor
00:25:41Poor, wearing rags all the time
00:25:43I don't mind something
00:25:45Oh, I'm so frightened I can't even think the lines
00:25:50Oh, I've waited months for this opportunity
00:25:53Now that it's really come
00:25:55I don't see how I can go through with it
00:25:56Carolyn, darling, you've got to get hold of yourself
00:25:59I'm trying so hard to
00:26:00Listen here
00:26:02When you're a big star
00:26:03And you see your name and life
00:26:05You're going to look back and laugh at this silly nervousness
00:26:08Well, I can't help it now
00:26:10And this means everything I ever wept for
00:26:14Why, June, if anything would go wrong
00:26:17It would mean I'd have to go home
00:26:19A failure
00:26:20Oh, please, darling
00:26:21Well, I couldn't stand going back like that
00:26:25I couldn't
00:26:26They'd all be laughing at me
00:26:29Salutations
00:26:30Well, baby starlets
00:26:31Today's a great day
00:26:32Starting your first picture
00:26:33How are you feeling, honey?
00:26:34All right
00:26:37Spreece up, Catherine
00:26:38Your big moment has arrived
00:26:39Why, Klein himself is coming down
00:26:40To get a good look at you two
00:26:41Mr. Klein?
00:26:42Why, sure, give plenty
00:26:43This is it
00:26:44Hey, you're one of the set, girls
00:26:46Oh, all right
00:26:47We'll be right down
00:26:57Couldn't you see the poor girl
00:26:58Was nervous enough
00:26:59Without you making it any worse
00:27:00By calling her attention to it?
00:27:02Oh, she'll be all right
00:27:03Now, don't let the camera fight on you
00:27:05Because after this initiation
00:27:06You'll have it licked
00:27:08I hope so
00:27:10But after it's all over
00:27:12Couldn't we go to some quiet place?
00:27:14Just the two of us
00:27:15Not tonight, honey
00:27:17I've dated you up
00:27:17You're to go to the Grove
00:27:18Douglas is costing a big party for the gang
00:27:21Well, aren't you going?
00:27:23No
00:27:23There's plenty of time for me, honey
00:27:25Fine, come on
00:27:26Get some moves on
00:27:26What is this?
00:27:27A picture studio or a coffee glass?
00:27:29Stop the delay
00:27:29Let's have some action
00:27:30Hold on, you lugs
00:27:31Give us some light
00:27:32Come on, hit him
00:27:33Put a cell on that 18
00:27:35Flood that spot
00:27:37What are we waiting for?
00:27:38Come on
00:27:40Everybody standing around
00:27:41Here you are, boss
00:27:45Have a cigarette
00:27:47Thank you
00:27:54Strike this table
00:27:55I'll take it
00:27:56Miss Dale
00:27:57Miss Williams
00:27:58Set, please
00:27:59Darling
00:28:03You got your lines set?
00:28:05Yes, sir
00:28:06Okay
00:28:07It's a simple scene
00:28:08We'll take it
00:28:14Place it
00:28:20All right
00:28:21Turn him over
00:28:32Mark it
00:28:35106
00:28:35Take one
00:28:37All right
00:28:38Start your action
00:28:41If I don't find a job soon
00:28:43I'm not going to have
00:28:44These shoes left
00:28:45Can you imagine me
00:28:46Looking for work
00:28:47And I bare feet
00:28:48And I
00:28:50I can't stand living here
00:28:51Any longer
00:28:52I
00:28:54Cut
00:28:57Not quite so much tragedy
00:28:58Miss Williams
00:28:59We're not doing East Lynn
00:29:00I'm sorry
00:29:01That's a great help
00:29:02Let's try it again
00:29:06You just take it easy
00:29:08Mark it
00:29:10106
00:29:11Take two
00:29:15106
00:29:15Take four
00:29:17106
00:29:18Take seven
00:29:20106
00:29:21Take nine
00:29:24106
00:29:24Take ten
00:29:26If I don't find a job soon
00:29:28I'm not going to have any shoes left
00:29:30Can you imagine me looking for work in my bare feet?
00:29:34I can't stand being poor
00:29:36Wearing rags all the time
00:29:38If I don't find something soon
00:29:41I'll
00:29:42Help
00:29:43Help
00:29:44Help
00:29:45Help
00:29:45Hey wait a minute now
00:29:47Stop it
00:29:48We've fooled around enough with these girls
00:29:49Oh please Mr. Klein
00:29:51Give her another chance
00:29:54Everyone's unnerving her
00:29:5510 takes is enough chances
00:29:57This ain't an act in school
00:29:58Get out
00:29:59Outside
00:30:04Oh please Mr. Klein
00:30:05And you're fired
00:30:07You're both fired
00:30:08You heartless fool
00:30:10You don't give anyone a chance
00:30:13Standing there criticizing and ridiculing
00:30:16All of you looking on
00:30:17And just daring someone to make good
00:30:20Nearly
00:30:22Laughing behind our back
00:30:23There's nothing human and seasoned about any of you
00:30:27That's enough
00:30:27Put her out of the studio here
00:30:30I'd like to see any one of you put her out
00:30:31And as for you Klein you old windbag
00:30:33You keep your mouth shut out
00:30:34I'll take out your false teeth
00:30:35And bite you in the back
00:30:37Preston
00:30:37You were through
00:30:38You understand
00:30:39Fight
00:30:40For good
00:30:41Why you old esceptic
00:30:42I wouldn't work for you if I had to starve
00:30:44You've double crossed everybody
00:30:45Including your own stomach
00:30:55Oh Catherine
00:31:06Local girl gets break in Hollywood
00:31:09There it is
00:31:10Hollywood
00:31:13We've got to get out of here Bob
00:31:15Away from all this
00:31:17Okay honey
00:31:19Tomorrow we'll drive to Huma and get married
00:31:21Then it's just Mr. and Mrs. Preston
00:31:24Against the whole cockeyed world
00:31:26I won't be afraid
00:31:28As long as we're together
00:31:29I don't care what happens
00:31:31Beginning right now
00:31:32It's just us
00:31:34The army with banners
00:31:37Don't forget that
00:31:39I won't
00:31:40In the morning we'll clear our stuff
00:31:42Out of that cheap studio
00:31:44And then it's
00:31:44Just you and me
00:31:47And the open road
00:31:58Come in
00:31:59Oh hello Dick
00:32:07Is um
00:32:07This on the level
00:32:09As level as a ruler
00:32:10But you've been fired before
00:32:12And you never left
00:32:13I worked plenty hard for that time
00:32:15And the green
00:32:15All I ever got was abuse
00:32:16What you could use
00:32:17Is a good stiff drink
00:32:19Why if it wasn't for me
00:32:20His junk would still be playing in the sticks
00:32:22I'd build up all the talent he's got
00:32:25I'll come back Wednesday
00:32:26When you give this list slide
00:32:27You'll never get this act again
00:32:28At these prices
00:32:30Talk about an act
00:32:31You want to get a load of yourself
00:32:33Reading the riot act
00:32:34To his nibs
00:32:34What do you mean?
00:32:35Well when the fireworks broke loose yesterday
00:32:38They kept the cameras running
00:32:39And your pay off the climb
00:32:40Came through like a
00:32:41A second act climax
00:32:43Well let me get a look at that
00:32:45Horatio
00:32:48I want to hear myself
00:32:49Telling that old hyena
00:32:50Where he gets off
00:32:51Come on
00:32:56How do you feel now?
00:32:58I feel high
00:32:59Oh boy
00:33:00Is that something
00:33:03Listen Dick
00:33:03Has Clank seen those rushes yet?
00:33:05If he ever takes a squid at that
00:33:07All our heads will drop in the basket
00:33:10Hennessey
00:33:10Where are you taking that film?
00:33:12Sure and I'm burning it up
00:33:13I have a wife and six kids
00:33:14I'll get you a job for life
00:33:15If you run that the next time
00:33:16The Clank comes in the projection room
00:33:18I can get you set tomorrow
00:33:19With Hofstengel
00:33:20For twice the dough
00:33:22Well I don't know
00:33:24Here's the cash bonus
00:33:30My lad
00:33:31I'm beginning to think
00:33:31There's something stirring
00:33:32In that dynamic brain of yours
00:33:34That's the phyllo Vance in you
00:33:35Come my lad
00:33:37Hello Mr. Clank
00:33:38Sure this is Hennessey
00:33:40Speaking from projection room number eight
00:33:41Mike
00:33:42Why do you bother me
00:33:43In the middle of the day?
00:33:44The director didn't show up
00:33:45Mr. Clank
00:33:46So I'll be wanting an okay
00:33:47On the scenes we took yesterday
00:33:49I also does a blackface act
00:33:51My honey child
00:33:53Sure
00:33:54Right away Mr. Clank
00:33:55Thank you
00:33:56Come on Dick
00:33:57Let's go
00:33:57I won't get a peek at that old button
00:33:59While the show goes on
00:34:01If I don't get a job soon
00:34:03I won't have any shoes left
00:34:04Can you imagine me looking for work
00:34:07In my bare feet?
00:34:08Your bare feet again?
00:34:10We fooled around
00:34:11I went through all these yesterday
00:34:12Well I guess there's some stuff
00:34:14Following that you ought to see
00:34:17Ten takes is enough chances
00:34:18This ain't an act in school
00:34:20Get out
00:34:22Outside
00:34:22Go on outside
00:34:25You're both fine
00:34:27You heartless fool
00:34:29You don't give anyone a chance
00:34:31Standing there criticizing and ridiculing
00:34:33All of you looking on
00:34:35And daring someone to make good
00:34:39Laughing behind our backs
00:34:40There's nothing decent or human about any of you
00:34:44Stop it
00:34:44Stop it
00:34:46It's wonderful
00:34:47It's magnificent
00:34:49She's terrific
00:34:50By chimney I've discovered another headbird
00:34:53He couldn't discover a hole in his bed
00:34:56She's got everything
00:34:57Voice
00:34:58Fire
00:34:58I've never seen such an acting
00:35:01Hit me Bob Preston
00:35:02Quick
00:35:02He's been fired
00:35:03Fired?
00:35:04Who fired him?
00:35:05Well never mind
00:35:07Where is he now?
00:35:08He's in his office packing
00:35:09Packing?
00:35:25Plipping
00:35:26You fired me for the last time Mr. Klein
00:35:30I fired you before for the last time
00:35:34Bob you take everything so serious
00:35:36You've got to remember you know
00:35:37Sometimes I'm a little
00:35:39What do you call it?
00:35:40Excentric
00:35:40There's another name for being eccentric
00:35:41And to put people like that in a bug house
00:35:46You will have your little joke
00:35:47You can always make me laugh
00:35:53You know
00:35:54Yesterday I guess I was a little angered
00:35:56You know all day my stomach came through
00:35:57But that's dyspastic
00:35:59Made me cross
00:36:01Well I want to apologize
00:36:03I want to apologize to you
00:36:05Because I want to make it up to you
00:36:07Tell you what I do
00:36:08You send for that
00:36:09What's that girl's friend of yours name?
00:36:12Who are you talking about?
00:36:13June Dale
00:36:14You send for June Dale
00:36:17And to show you my heart's in the right place
00:36:19I sign it up for a long contract
00:36:21At $150 a week
00:36:27I say at $175 a week
00:36:35Didn't you hear me say something?
00:36:36I heard they say something
00:36:37But it wasn't enough
00:36:39$200
00:36:40There's no use wasting time
00:36:42Hofstang is no piker
00:36:43He'll pay real money
00:36:44Hofstang
00:36:45Is that gratitude
00:36:47You sell me out
00:36:48To my worst competition
00:36:48Of all the producers in town
00:36:51You've got to pick Hofstang
00:36:54Bob I didn't thought you'd do something like that to me
00:36:59Listen
00:37:00Bob
00:37:00Now
00:37:02Let's be reasonable
00:37:03How do you spell reasonable?
00:37:05Hmm?
00:37:06How do you spell reasonable?
00:37:08Oh
00:37:09That's
00:37:10T-H-R-W-E-H-U-N-D-R-E-D
00:37:13It's the wrong spelling
00:37:17Sit
00:37:20Now
00:37:21Now
00:37:22Listen Bob
00:37:23We're old friends
00:37:24Let's sit down and talk it over
00:37:28Here you are Bob
00:37:32Have a perfecto
00:37:46Try them tears gal
00:37:47The old homestead saved
00:37:48I got the papers
00:37:50You are now a contract player
00:37:51With feature buildings
00:37:52For superb pictures
00:37:53At 500 smackers per week
00:37:55Bob
00:37:55Here it is in black and white
00:37:57Sealed with the emperor's crest
00:37:58Now watch our smoke baby
00:38:00A new star flashes across the heavens
00:38:02June Dale
00:38:05Bob
00:38:06All this is very wonderful
00:38:08But
00:38:08What's that dark cloud on your unfair brow?
00:38:11Oh
00:38:12Well how about you
00:38:14And you and me
00:38:16And the open room
00:38:17That'll have to wait a little while
00:38:20My sweet
00:38:22Now relax darling
00:38:24And close those bright eyes of yours
00:38:26Come on
00:38:27Close them
00:38:29Now open your eyes and say
00:38:31Oh
00:38:32Oh Bob
00:38:33Is it pretty?
00:38:37Oh lovely
00:38:39That's to show you
00:38:40I really need this
00:38:51We'll have to work hard
00:38:53I won't lie
00:38:55As long as we're together
00:38:57But I'll turn on that
00:38:58Fertile Preston imagination
00:38:59And before I'm finished
00:39:00They'll be naming streets after you
00:39:02Lipsticks
00:39:03Powder
00:39:03And even a good five cent cigar
00:39:05Let's get going baby
00:39:07I want a crack that night edition
00:39:22I want a crack that night
00:39:23I want a crack that night
00:39:24I want a crack that night
00:39:24I want a crack that night
00:39:25I want a crack that night
00:39:25I want a crack that night
00:39:27I want a crack that night
00:39:27I want a crack that night
00:39:28I want a crack that night
00:39:28I want a crack that night
00:39:28I want a crack that night
00:39:29I want a crack that night
00:39:29I want a crack that night
00:39:32I want a crack that night
00:39:32I want a crack that night
00:39:35I want a crack that night
00:39:59Hold it, Miss Dale.
00:40:01Thanks.
00:40:02This is heavy hoot from the housewives, honey.
00:40:04Now we've got just one more.
00:40:05Oh, Bob, I'm so tired.
00:40:09All right, buddy, wrap it up.
00:40:11Okay, Bob.
00:40:14You tire out awfully fast lately,
00:40:15whenever I want to put over a publicity stunt.
00:40:18Well, it's not just that, Bob.
00:40:20But if you'd look in your memo book,
00:40:22you'd see that we had a date this afternoon to go to the beach.
00:40:25Sure, I know, but...
00:40:26Oh, darling, we'll have such fun.
00:40:28We'll buy some weenies and find a quiet spot,
00:40:31light a fire and...
00:40:32Bob!
00:40:33Bob!
00:40:34Say, what's the matter that you're here yet?
00:40:36You've got to be at the airport or two o'clock.
00:40:38We were just about to barge out.
00:40:40Mr. Klein, what was that you said about an airport?
00:40:45Didn't he tell you?
00:40:46Why, Henry Brienne arrives, the new French star,
00:40:49bigger than Chevalier.
00:40:50Relax, Mr. Klein.
00:40:51We'll be there on time.
00:40:53Well, never mind the poetry.
00:40:54You get down to the airport.
00:40:56You had no intentions of taking me to the beach this afternoon,
00:40:59and you'll know it.
00:40:59But this is big, June.
00:41:01Every foreign people will have it.
00:41:02Come on, honey, now.
00:41:03Come on, don't get me.
00:41:05All right, Mr. President.
00:41:06Let's go, June.
00:41:10Let's go, June.
00:41:20Don't move.
00:41:21Hold us right where you are.
00:41:22All right, June.
00:41:24I extend you the greeting of the superb pictures.
00:41:27We want you to feel that you'll come to friends
00:41:29who will do everything to make your stay with us
00:41:30both enjoyable and memorable.
00:41:32Welcome to Hollywood.
00:41:34Rain!
00:41:36Rain!
00:41:38Rain!
00:41:39My dear, thank you.
00:41:41You are my first impression of Hollywood,
00:41:44and I lack it very much.
00:41:50Rain!
00:41:51Rain!
00:41:53Rain!
00:41:56And then you go to the Friday morning breakfast club.
00:41:58That's at 8 o'clock in the morning.
00:41:598 o'clock, Maudieu.
00:42:00I do not know it, so it's an hour.
00:42:02You get to know it very well.
00:42:05Okay, let's take it.
00:42:06All right.
00:42:07Still?
00:42:08Now on Tuesday,
00:42:09you go to the Pacific Golf Championship Tournament.
00:42:12But I do not play golf.
00:42:13It doesn't matter.
00:42:14You can wear knickers.
00:42:15No one will ever know the difference.
00:42:16At what time does the golf start?
00:42:19At 7 a.m.
00:42:20Mason, it's possible.
00:42:22When do you find time to leave in this mad place?
00:42:25You don't.
00:42:26Unless you can find a few minutes
00:42:27between work and publicity gags.
00:42:30People who can't take it
00:42:31shouldn't be in this game.
00:42:32And someone told me it was an art.
00:42:35Just one more, Harry.
00:42:36Make it snappy.
00:42:37I have to make a publicity reel
00:42:39with Chris Dale and the heavyweight champ
00:42:40back at the studio.
00:42:46Look, the champ.
00:42:47Hiya, champ.
00:42:48It is the champ.
00:42:49What a man.
00:42:50Hi, kid.
00:42:51You're pretty lucky to work in a picture with me.
00:42:52You know that, don't you?
00:42:53Champ, this is Mr.
00:42:54Oh, never mind.
00:42:55Everybody knows me.
00:42:57What was that?
00:42:58Just the Indian love call.
00:43:00Oh, I thought it was something else.
00:43:03Come on, come on.
00:43:04Let's go.
00:43:04I ain't good all day.
00:43:06I gotta write a story
00:43:07about all the dames
00:43:07that are nuts about me.
00:43:09Oh, so you're a Cazanova.
00:43:12Oh, that guy.
00:43:13He's a pushover.
00:43:14I knocked him out
00:43:15and left him around last week.
00:43:18We're ready any time you are, champ.
00:43:20I want that back.
00:43:22Come on, let's go, baby.
00:43:23And don't pull your punches.
00:43:26That's the stuff, June.
00:43:27This is the honey.
00:43:29The public will eat this up.
00:43:31Movie star takes boxing lessons from champ.
00:43:34Can you hear me?
00:43:35Now watch out.
00:43:36Watch your stuff.
00:43:36Whoa!
00:43:38What is this, Petruski?
00:43:39Where are you going?
00:43:41Well, you see,
00:43:41we were told to deliver this piano to this studio.
00:43:44Now, where do you want it?
00:43:45Oh, I don't want it.
00:43:46Suppose you ask over at the...
00:43:48Oh, get out of here, will you?
00:43:50Come on, Atlas, and pick up your feet.
00:43:54Hey, wait a minute.
00:43:55Hey, what's the matter of you?
00:43:56Can't you see where you're going?
00:43:57Can we get on with this, please?
00:44:00Don't be in a rush, babe.
00:44:01I like your comfort.
00:44:03Okay, let's have the action.
00:44:04Camera.
00:44:07Cut.
00:44:07Now in the next one, champ,
00:44:09you put your arm around the waist like that.
00:44:11Hey, I'm beginning to like this an awful lot.
00:44:13I got a good one.
00:44:14How about one of those quenches
00:44:15where I'm giving you that clock table business?
00:44:19Hey, that's no way to treat a champ.
00:44:21No.
00:44:24There he's by the bell.
00:44:30Well, Laudale is certainly
00:44:32letting her hair down these days.
00:44:34Maybe she'd like to play Tarzan.
00:44:44You're coming along, June.
00:44:46That was a great display of temperament.
00:44:48This has worked for me, too, you know.
00:44:50I can't figure out why you have any score coming.
00:44:52Don't talk to me like that, Bob.
00:44:54You've been mooning around for the last two weeks,
00:44:56giving me a bunch of dirty looks
00:44:57and acting like I was poisoned for you.
00:44:59What if I have?
00:45:00What if I have?
00:45:01We can't go anyplace without someone yelling at me for pictures.
00:45:04I'm sick and tired of being mauled over,
00:45:06of being Queen of the May and Finkel's Diamond Girl.
00:45:10Well, if it wasn't for all that, you'd be still playing bits.
00:45:13Every stunt I pull and let more people went into the movies to see you.
00:45:16That's just it.
00:45:17I'm not, June, dear, your sweetheart anymore.
00:45:20I'm just a bunch of headlines.
00:45:22Nothing more than a Bob Preston creation.
00:45:25Anything you've done for me
00:45:27has been a great big build-up
00:45:29for your own great talents as press agents.
00:45:32That's a cute way of putting it.
00:45:34That's all you've had in your mind.
00:45:36And you know it.
00:45:38It's some sense trying to kid ourselves.
00:45:41We've lost something.
00:45:43Something that was really important to me.
00:45:46We'll never get it back.
00:45:48Maybe I have been a little rough on you.
00:45:50Oh, let's forget all this and go somewhere tonight.
00:45:52Just you and me.
00:45:59I've heard that one before, Bob.
00:46:02I'm through.
00:46:13Come in.
00:46:16Oh, hello, Gordon.
00:46:17If you're busy, I'll turn right around and walk out.
00:46:19No, don't be silly.
00:46:20Come in.
00:46:26The arena's back at the Grove.
00:46:27How am I going tonight?
00:46:28And that, if my memory serves me,
00:46:31is the 21st time I've asked you.
00:46:33All right, Gordon.
00:46:35But I warn you, I won't be the life of the party.
00:46:37There's not going to be a party.
00:46:39Just you and me.
00:46:41I'd like this.
00:46:43Call for me at nine.
00:46:44Right.
00:46:46I'm sorry, but I have to get ready now.
00:46:48Of course.
00:46:49Nine o'clock.
00:47:10There's not a place to put this.
00:47:12I could think of a good place.
00:47:15Say, Stooges, where does this thing belong?
00:47:17Stooges?
00:47:18Say, who do you...
00:47:19Why...
00:47:19Why...
00:47:20Who are you Stooges?
00:47:22Stop drizzling, will you?
00:47:23Where does this thing go?
00:47:25Get out of here.
00:47:26Go on.
00:47:26Get out of here.
00:47:27Get out, you loafers.
00:47:28What are you arguing with the guy for?
00:47:30Come on.
00:47:31Now, listen.
00:47:32You better step on it, because I got lots of work to do.
00:47:37Come on, now.
00:47:38Take it easy.
00:47:38Get a left.
00:47:40Atta boy, Atlas.
00:47:41Atta boy.
00:47:42Atta boy.
00:47:43Hey, what are you trying to do?
00:47:44Break the piano?
00:47:45It pushed me.
00:47:47It pushed you.
00:47:49It pushed you.
00:47:50I never saw the likes of it in my life.
00:47:54You know, you're getting away with murder.
00:47:57The only reason you got the job is because you're my wife's first husband.
00:48:01You.
00:48:02Well, I...
00:48:05But you didn't have to divorce her, did you?
00:48:09Oh, Mr. Klein.
00:48:10Well, well, well, what do you want?
00:48:12A hundred dollars on account.
00:48:13On account of what?
00:48:14On account of the fact I'm going to sell you a song.
00:48:18Are your songs as good as your jokes?
00:48:21I just pulled this one out of the fire.
00:48:23Boy, this is hot.
00:48:24I call it, uh, Hush Your Fuss.
00:48:27Oh, get this.
00:48:29Hush your fuss.
00:48:30Hush your fuss.
00:48:31Love and kisses were made for us.
00:48:33Hey, wait a minute.
00:48:34Wait a minute.
00:48:34Did you pull that out of the fire?
00:48:36Yes, sir.
00:48:36Put it right back again.
00:48:40Look.
00:48:41Hush your fuss.
00:48:42Hush your fuss.
00:48:43Go on.
00:48:43Hush your own fuss and get it.
00:48:45Go ahead.
00:48:45Pull out.
00:48:46Mr. Klein, please hear it all the way through.
00:48:48Say, girls, you want to hear my new song?
00:48:50I just sold it to Mr. Klein.
00:48:52He's crazy about it.
00:48:54No, thanks.
00:48:56Hey, boy, just a minute.
00:48:57Put that piano down here.
00:48:58I want to run through a number.
00:48:59Put her down, Atlas.
00:49:02Now, take it easy.
00:49:03Hold it a little to the left.
00:49:05Atta boy.
00:49:06Now, look out now.
00:49:07Take it easy.
00:49:08That's fine.
00:49:08Now, let her down slow.
00:49:10Atta boy.
00:49:12Atta boy.
00:49:13Now, you're getting there.
00:49:14Slow.
00:49:15Take it easy.
00:49:16A little to the left.
00:49:17That's fine.
00:49:19Now, you did it, Atlas.
00:49:29Open it up.
00:49:33Where's the key?
00:49:35Huh?
00:49:36Where is the key?
00:49:37Oh, the key.
00:49:38Yeah.
00:49:39I have to.
00:49:45What am I looking for?
00:49:47The key.
00:49:48The key.
00:49:49Yeah.
00:49:49The key.
00:49:50I had a key when I...
00:49:51The key.
00:49:52I have to find out a key when I...
00:49:53I can't always...
00:49:55I have to...
00:49:58I have to...
00:49:59I have to find it.
00:50:00If you let go of my hand, I want to find the key.
00:50:03You know anything about my hand?
00:50:18What's going on here?
00:50:26What's going on here?
00:50:27Oh!
00:50:40Oh!
00:50:47Oh!
00:50:49Oh!
00:50:50Oh!
00:50:51Oh!
00:50:51Oh!
00:50:51Oh!
00:50:52Oh!
00:51:09Oh, my God.
00:51:24Oh I guess that's why I was limited. Open her up, huh? Open her up. I gotta, I gotta find
00:51:32out a way up to this.
00:51:49This'll kill ya.
00:51:52Johnny worked on a system, gave each sweetie a tell. And whenever he kissed them, if they hollered he'd yell.
00:52:02You've got to listen to reason, the moon is shining above. That's the reason, it's just a season for love.
00:52:11So hush your blood, hush your blood. Love and kisses are made for us. Love and kisses are true. We
00:52:19need for you and me.
00:52:21What a thrill, what a thrill. Though you're thrilling, I guess you will. You'll be saying it's great. Maybe you'll
00:52:29wait and see.
00:52:30Now it's not so tough when this love stuff gets into our heart. Not so worse to just rehearse the
00:52:38principle part.
00:52:40Listen, hush your blood, hush your blood. Love and kisses are made for us. Love and kisses are true. We
00:52:47need for you and me.
00:52:50Not bad, huh? That's hot, Steve. Hit it again. Wait a second. Hey, boy. Put that table down. Come on,
00:52:57Gene.
00:53:00Let's do that new routine. Okay, Stevie. Grab those bones.
00:53:07Give Hello.
00:53:08Let's do that new routine.
00:53:10Hey, brother. Can't wait.
00:53:19Yeah, in your family.
00:53:21No.
00:53:28Hi, buddy.
00:53:30We didn't see you.
00:53:31We don't know.
00:53:32Thanks a lot.
00:53:33So long, honey.
00:53:41THE END
00:54:11THE END
00:54:57THE END
00:55:03THE END
00:55:29THE END
00:55:32THE END
00:55:36THE END
00:55:41THE END
00:55:53THE END
00:55:55THE END
00:56:00THE END
00:56:00THE END
00:56:00THE END
00:56:03THE END
00:56:03THE END
00:56:03THE END
00:56:03THE END
00:56:03THE END
00:56:04THE END
00:56:04THE END
00:56:04THE END
00:56:04THE END
00:56:05THE END
00:56:05THE END
00:56:05THE END
00:56:05THE END
00:56:06THE END
00:56:07THE END
00:56:09THE END
00:56:14THE END
00:56:15THE END
00:56:15THE END
00:56:24THE END
00:56:29THE END
00:56:30THE END
00:56:30THE END
00:56:33THE END
00:56:42THE END
00:56:45THE END
00:56:56THE END
00:56:59THE END
00:57:16THE END
00:57:19THE END
00:57:20THE END
00:57:26THE END
00:57:28THE END
00:57:30THE END
00:57:31THE END
00:57:31THE END
00:57:40BEING
00:57:41THE END
00:57:43THE END
00:57:47I'M NOT
00:57:48QUITE SURE
00:57:49OH
00:57:50PLEASE UNDERSTAND
00:57:51I DON'T WANT
00:57:52TO HEART
00:57:53BUT YOU SEE
00:57:55WELL
00:57:55RIGHT NOW
00:57:57EVEN THE WAY
00:57:58I FEEL ABOUT
00:57:59BOB
00:58:00IF HE WERE
00:58:01TO COME
00:58:01BACK
00:58:01AND TELL ME
00:58:02HE'S SORRY
00:58:03AND PROMISE
00:58:04THAT THINGS
00:58:05WOULD BE
00:58:05DIFFERENT
00:58:06Well, I don't know just what I'd do.
00:58:11Well, let's leave it this way for the time being.
00:58:13Of course, I'm not going to stop loving you or asking you to marry me.
00:58:17Did you see the kids tomorrow?
00:58:19Game or something.
00:58:20Play a problem a little later.
00:58:22Oh, boy, am I going to have a good time.
00:58:24I'll fight, are you?
00:58:26Can't we have a better table?
00:58:27I don't like this place.
00:58:28It ain't noisy either.
00:58:29I think it's swell.
00:58:30Oh, let's have a good time.
00:58:31Monsieur.
00:58:33Tell me, Bob, is it true?
00:58:35Is what true?
00:58:35A little bird in the studio restaurant this afternoon
00:58:38happened to see a rising young star, Jilt, her handsome young mother.
00:58:43Let's not talk about that.
00:58:45Oh, don't be so downhearted.
00:58:48I know a girl who would appreciate some good publicity.
00:58:51Oh, it's publicity you want, huh?
00:58:53Well, I can give you plenty.
00:58:55I can do anything with a headline.
00:58:57I can even break your heart.
00:59:00Whatever you did, I wouldn't treat you the way June has.
00:59:04Lay off the incense, Sheila.
00:59:05I know you.
00:59:06She was 100%.
00:59:08Whatever she did, she did on the level.
00:59:15Well, I don't blame her.
00:59:18I think I'd throw you over for a couple of million dollars.
00:59:21What are you saying?
00:59:24There's the reason you got your closing notice.
00:59:29Get a picture of that, Bob.
00:59:31It'll make great publicity.
00:59:34Nice headlines, too.
00:59:37Money wins again.
00:59:41Well, maybe it's just because you don't look well in a high hat.
00:59:45Must feel swell to have some other guy beat your time.
00:59:50Where are you going, Bob?
00:59:52Don't leave us.
00:59:58Sir Douglas is the reason for the big farewell scene, huh?
01:00:01Please, Bob.
01:00:02You're drunk.
01:00:03Sure, I was drunk.
01:00:04That's the reason I see everything so clear.
01:00:06You didn't have nerve enough to tell me you wanted to marry a doll, did you?
01:00:10I think you've said enough, Preston.
01:00:12You're an ideal pair, and this is great.
01:00:14Yes, sir.
01:00:15It's a great yawn.
01:00:17Pass the date of Playboy wins movies, sir.
01:00:20You're a great little actress, all right.
01:00:22I really believe what you said this afternoon.
01:00:25Sure, and I was tamping up to fall for it.
01:00:27I taught you a lot, didn't I?
01:00:29There's no headlines of just marrying a guy like me, is there?
01:00:32Please, take me out of here.
01:00:34You're always running out on me, aren't you?
01:00:36Preston, that's enough.
01:00:37Wait a second.
01:00:38There's a lot more I want to say to you.
01:00:46Where's your telephone?
01:00:47Look, I'm sober enough to know this is a great story.
01:01:12She's getting ready to leave.
01:01:15She's on stage three.
01:01:38June, we've got to talk.
01:01:41There's nothing to say, Bob.
01:01:43Yes, there's so much.
01:01:45I bet you love your staff, and I'm sorry for it.
01:01:49June, you've got to listen to me.
01:01:52Sweet.
01:01:53We've meant too much to each other.
01:01:55You can't forget that.
01:01:56I'm going to marry Gordon.
01:01:58We're flying to Yuma this afternoon.
01:02:00You're not fooling me for a minute, June.
01:02:02You're not marrying him because you love him.
01:02:03It's despite me.
01:02:05I'm marrying him for his money, and for all the publicity I can get out of it.
01:02:09June, darling, please listen to me.
01:02:12I'm pleading with you to forgive me for anything I've said.
01:02:15You can't marry him.
01:02:17I love you too much.
01:02:19And you love me.
01:02:20There's no sense kidding yourself about that.
01:02:23You can't run away and marry anybody just because we've had a battle.
01:02:26I don't love you anymore, Bob.
01:02:28Oh, June.
01:02:29Now, will you let me go?
01:02:30I won't let you go, do you hear?
01:02:32Please, Bob.
01:02:35June.
01:02:37I just want to ask you one question.
01:02:39And I know you'll answer me on the level.
01:02:42Do you love Gordon?
01:02:53Abby, dear?
01:02:55I want you to be sure you know that.
01:02:57Yes, I know that.
01:02:59And I am sure.
01:03:04Oh, here we are.
01:03:05Hey, X-free paper, read all of that.
01:03:12I guess that's our plane over there.
01:03:14Hey, X-free paper, read all of that.
01:03:17Hey, X-free paper, read all of that.
01:03:17You're expected to attempt suicide.
01:03:19X-free paper.
01:03:20Hey, a paper, Bob, press and jump down with her.
01:03:23X-free paper.
01:03:25Oh, boy.
01:03:35He's in the Hollywood Hospital.
01:03:40All right.
01:03:41Oh, hurry, hurry.
01:03:42Hollywood Hospital.
01:03:42Please, John, hurry.
01:03:47I told you.
01:03:49And you can tell it to your grandchildren.
01:03:50You can do anything with a headline.
01:03:52Here you are, son.
01:03:53Take the rest of those papers and burn them.
01:03:54Come on, let's roll up.
01:03:55I've got to get to the hospital before she does.
01:04:04I should have known he'd do something desperate.
01:04:06He's so stubborn.
01:04:08Here's some pictures up for me.
01:04:09Run a special front page.
01:04:10Cost me 200 bucks, but it's worth a million.
01:04:13Genius, I call it.
01:04:14Genius.
01:04:32Ditch this coffee grinder.
01:04:34She might recognize it.
01:04:43I'm a sick man, doctor.
01:04:44Hurry up.
01:04:45Give me a room.
01:04:45Where do I go?
01:04:46What do I do?
01:04:47How do I know?
01:04:48I'm only the painter.
01:04:56Give me a room.
01:04:57Quick.
01:04:57I'm sick.
01:04:57Why?
01:04:58Who's the doctor?
01:04:59What is it?
01:04:59I thought Jason, I missed exhaustion.
01:05:01I've got to have a room.
01:05:02Ow!
01:05:03Oh!
01:05:04Quick.
01:05:05What room can we give him?
01:05:06Why, 231.
01:05:07Right this way.
01:05:10In case anybody calls, my name is Bob Preston,
01:05:12and I'm a very, very sick man.
01:05:18And I'm a very, very sick man.
01:05:27You get into bed.
01:05:28I'll get the doctor.
01:05:31Bob Preston, what room is he?
01:05:33231.
01:05:34Do you all right?
01:05:34How is he?
01:05:35He's a very sick man.
01:05:42Bob, darling.
01:05:44I love you, June.
01:05:46Oh, Bob, my sweet.
01:05:47There never was anyone but you.
01:05:50Kiss me, honey.
01:06:04Bob, I love you.
01:06:06I'll admit it was justice all to get you back.
01:06:08I love you.
01:06:09I didn't want to see you do anything that you'd be sorry for.
01:06:11Please forgive me.
01:06:12I love you.
01:06:13We'll get married right away.
01:06:14I love you.
01:06:15Please give me a little smile to tell me that you're not angry.
01:06:17I love you.
01:06:18Bob, you're a madman.
01:06:20An absolute raving lunatic.
01:06:23But I love you.
01:06:26I love you.
01:06:27What about this marriage business?
01:06:29I have it all fixed up, darling.
01:06:31I know just what you want.
01:06:32We're going to Antonata.
01:06:34Moonlight, soft breezes.
01:06:36Beautiful music.
01:06:37Just you and me.
01:06:39Oh, Bob.
01:06:40I don't want one of these movie marriages.
01:06:42Sweetheart, it's just going to be a quiet little wedding.
01:06:46Oh.
01:06:56Bye.
01:06:58Bye.
01:07:02Goodbye.
01:07:05Bye.
01:07:07Bye.
01:07:08Bye.
01:07:09Bye.
01:07:10She'll be a star the first time I ever saw her.
01:07:13The first time you saw her, you fired her.
01:07:16Can I help her if I'm a little bit eccentric?
01:07:28That certainly was a quiet little wedding.
01:07:30But, honey, you know we have a lot of friends.
01:07:36What's that, the convoy?
01:07:41Believe it or not, I made a tie-up with the army.
01:07:46Bob, you're slipping.
01:07:47What do you mean?
01:07:48You forgot to let the baby in on this.
01:07:51You think so?
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