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Law and Order Toronto: Criminal Intent - Season 3 - Episode 01: Skin Deep
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00:05In Toronto's War on Crime, the worst offenders are pursued by the detectives of the Specialized Criminal Investigations Unit.
00:13These are their stories.
00:38Barbara, you should have brought flowers for her birthday.
00:42I don't need flowers.
00:44I need news, Detective Michaels.
00:47I can't go on like this.
00:49We've run out of leads.
00:54If I knew once.
01:02Let's go.
01:03Looking good, Ainsley.
01:06All right.
01:07Love that post.
01:12All right, I think we're done.
01:17You stay for a drink?
01:19Thanks, Riley.
01:20I think I'm just going to go.
01:23Everything okay?
01:25Sure.
01:28Never going to be hotter than I am now, right?
01:50Donnie.
01:51The clothes are the ladies, Frank.
01:54Wendy, there's only one lady in this room for me.
02:01No open drinks near the samples.
02:04Hey, Ainsley, is that your name?
02:06The girls need to get ready for the finale.
02:07Help them.
02:08Be helpful.
02:10Hold this.
02:11Are you even in the right look?
02:13It's the last flavor.
02:17This is not what I expected.
02:20Hey, ladies.
02:21Eyes on me, please.
02:22Remember what we talked about.
02:24Powerful and fluid.
02:26Let's have some fun.
02:28Mr. Sharp.
02:30Excuse me.
02:37It's only three, right?
02:38And it's only four, right?
02:40It's only five, right?
02:41It's only six, right?
02:42It's only seven, right?
02:44It's only eight, right?
02:45You're the last girls at the party today.
02:49No hard feelings.
02:51We're not bleeding.
02:54Oh, you're sleeping.
02:57You wish you were out there?
02:59No, I appreciate this job.
03:02But, yeah.
03:05Look, we will have lunch on Monday
03:07and we'll talk about your future.
03:11You can still get me as the after party, right?
03:13Oh, my God.
03:22I'm leaving.
03:23And you should, too.
03:24It's about to become hunting hour.
03:26The plus one remains.
03:31Oh, oh, sorry.
03:32It's okay.
03:33Let me get you another.
03:35You a designer?
03:36Cosmetic surgeon.
03:38And the reason why everyone here looks so good.
03:40Mmm, mmm.
03:41I said, oh, let's crash here.
03:48Oh, my friend found this online.
03:54I don't know what you're talking about.
03:55You lied to me.
03:56You said it was for your part.
03:57Get him, I'm working right now.
03:58Take this down now.
03:59I am working right now, okay?
04:00Hey, what are you?
04:02Oh, oh, oh.
04:03Don't touch her.
04:06Whoa, whoa, whoa.
04:06Riley.
04:07Let's get back to work.
04:09Right now.
04:12Hey.
04:14I think it's time to call her tonight.
04:16Okay?
04:18Frank, take care of this.
04:20All right.
04:21Come on, let's get you in.
04:27No!
04:28Help!
04:29Help!
04:31Help!
04:50Help!
04:53Help!
04:56No!
04:57Stop!
04:58Stop!
04:59Wait, wait, stop!
05:01Stop!
05:01Fuck!
05:47This is the new East End, Hector.
05:50We started emptying the trucks into this section a couple weeks ago after the old one got full up.
05:56I mean, if she'd been dumped in the old site, we never would have seen her.
05:59Lucky.
06:00Yeah.
06:01Just think I'd buy a lot, I'll take it on the way home.
06:05You guys got a system in place for tracking what part of the city she comes from?
06:09Give me a sec. I can narrow it down to within about four blocks.
06:12Thanks.
06:18What is she, 19, 20 years old, tops?
06:22Bruising on the throat.
06:26Particular hemorrhaging in the eyes.
06:29She was strangled.
06:33They're polished, but the nails have been clipped and cleaned.
06:37Maybe she fought back and the killer rewarded her with a post-mortem manicure, no trace evidence.
06:44These marks on her body, they're not bruises.
06:50These scrapes, they didn't bleed, they were made post-mortem.
06:53Maybe the killer dragged her after she was killed.
06:56The person adjusts their grip and repositions.
06:59These are deep and continuous.
07:02I'm not sure she was dumped from that truck.
07:04I think she was dragged here by a vehicle.
07:08Graf.
07:10Rear axle.
07:11Another tarp that loader could have dragged her.
07:18Ainsley Scott, Elmira, Elmira, Elmira, Elmira, Elmira.
07:44Ainsley Scott, Elmira, Elmira, Elmira, Elmira, Elmira.
08:12Take your pick.
08:14It's hard to shake that Catholic guilt.
08:17No, I'm lapsed.
08:18Well, obviously something's bothering you, sir.
08:20You're evading eye contact, rubbing your neck with one hand, nodding.
08:24That's the holy trinity of non-verbal guilt right there.
08:27Are you insinuated that I have something to do with my daughter's death?
08:30No, sir.
08:31I'm insinuating that you think you did.
08:36Ainsley called last week.
08:39Excited.
08:40Daddy, I think I got my big break.
08:42Said she needed $700 for headshots.
08:44I told her I didn't have it.
08:47Maybe your birthday, sweetheart.
08:49So she said she'd find another way.
08:51Is this why this happened to her?
08:52Because she found another way?
08:56Um, did she tell you what that, uh, big break was?
09:00I didn't want to jinx it.
09:05Here.
09:08I'll give you more.
09:14If Ainsley's body was dumped here, she was picked up on Friday.
09:29I got it here.
09:41Sorry, detectives.
09:42She wasn't dumped at her building.
09:44She's only been dead three days tops.
09:46Well, there's no collection on Sundays.
09:48So wherever she was dumped, she was picked up on Monday.
09:51Judging by the way her larynx was fractured,
09:54the killer most likely used his elbow or forearm
09:56and put his entire body weight on top of her to close her airway.
10:00Vaginal injuries, tearing, abrasions, all consistent with sexual assault.
10:04But in absence of seminal fluid, the killer wore a condom as residue.
10:07But no DNA.
10:09Now, we know that sexual murders are committed by one of two kinds of people
10:13with pathological disorders.
10:15Those who kill to hide the sexual assault
10:17and those who find gratification in the act of killing itself.
10:21The latter are planners, harder to catch, and explains the condom
10:26and the clipping and cleaning of the fingernails.
10:29What about those, uh, those blue marks on her skin?
10:32Results aren't back yet.
10:33Most likely some sort of dye.
10:35Is this the trash for my dent?
10:37Yeah.
10:38They appear to be mostly fabric swatches.
10:45You see, the light passes through.
10:48It's pilling.
10:49It's cheap.
10:51Disperse blue.
10:52A derivative dye often used in outdoor textiles.
10:54Exactly.
10:55Outdoor blank.
10:56It's tablecloths when, uh, clothing manufacturers use it to cut costs.
11:01Given the right moisture conditions, it can stain skin.
11:04Um, okay, so these swatches were caught up in the tarp she was wrapped in,
11:09so what are we thinking?
11:10Dumpster from the fabric store?
11:12Clothing manufacturer, textile mill,
11:15somewhere that has its trash collected on Mondays,
11:17and no doubt a, uh, CCTV dead zone.
11:24The killer, he keeps telling us that he's smart.
11:29Let's believe him.
11:34Four down, two to go.
11:36There's no security cameras.
11:37This could be it.
11:39Remote, not much traffic.
11:41Calling the IDENT team?
11:42Well, before we waste their time, let's see if we're wasting ours.
11:50Okay.
12:01Bateman.
12:08Call him in.
12:10We found our dumpster.
12:12The owner of Walsh's textile mill is in France.
12:15He's been there for the last five months.
12:16Must be nice.
12:17What about an employee?
12:19No, they didn't recognize Ainsley from the photographs.
12:21They're mostly older women, new Canadians.
12:24Probably don't want to get on the wrong side of the law.
12:26And it doesn't really fit the profile, does it?
12:28No, our killer took his time.
12:30He's entitled.
12:30Plus, the land isn't fenced in.
12:32Anyone could have driven in there and dumped the body.
12:34Anyone who knew there weren't any security cameras.
12:36Which is why we're looking into ex-employees and anyone in the neighborhood on the sex offender registry.
12:41You'll visit her.
12:42Blood in the dumpster from the textile mill is from our victim in the landfill.
12:47But that's not the only DNA I found.
12:49Ainsley might not be the only victim.
12:53This is where your first victim would have been before the loader dragged her off.
12:56So anything from Walsh's textile mill would have been dumped here?
13:01Yeah, if it's from that dumpster one month ago or one year ago, then it's in the cell.
13:07You sure your dogs can smell a body through all this trash?
13:09Up to 15 feet, 30 in the water.
13:25We got another one deeper down.
13:27Most of one anyway.
13:30This isn't just a crime scene.
13:32It's a graveyard.
13:42This isn't just a crime scene.
13:42Victim number two, Freya Klein, killed a month ago.
13:45Still in possession of a German driver's license.
13:47Freya was killed in the same way Ainsley was.
13:49Asphyxial with a fractured larynx.
13:51There's no ID yet on our Jane Doe.
13:54Her DNA was found in the textile mill dumpster with the others.
13:57And a broken hyoid bone indicates the same cause of death.
14:00She must have been in pretty bad shape if we needed a computer to tell us what she looked like.
14:04Yeah, that Silva places her body in the landfill for about a year.
14:07Uh, all three were sexually assaulted. All three had their fingernails clipped.
14:11Same ammo, same killer.
14:13A year ago, a month ago, and now, as the pen cycle is speeding up,
14:17we know that, uh, serial killers would find their methods over time.
14:20But this guy, no mess, no DNA.
14:22We haven't found his first kill.
14:24Anything else connecting these three women?
14:27Well, Freya Klein's parents said she mentioned something about an ad campaign and Ainsley just got new headshots.
14:32Now, Ainsley's headshot, though, that's, that's full body. That could indicate fashion model.
14:36Fashion models do ad campaigns.
14:39Yeah, and Jane Doe's got a gap in her teeth. That's a thing.
14:41Just like supermodel Laura Stone.
14:44Yeah, and it's fashion week.
14:45Okay, I'm sorry. Did I miss that you're both fashion buffs?
14:48Oh, human beings have been decorating ourselves since the beginning of time.
14:52Yeah, that's fascinating.
14:53Do we change our outside to mask what's within or to, uh, to express it?
14:58What's this? Little black dress. This was in Ainsley's purse?
15:01Yeah.
15:02Perhaps we hit the runway, see if they're serving drinks with swizzle sticks like these.
15:09They were giving these out in drinks backstage opening night.
15:12And we'll be finding them in the bellies of our brand Zeno for decades.
15:16Walk and talk.
15:17Next model!
15:19I have five designers a night, five nights a...
15:22No! No! Can we try to have a heartbeat?
15:25Excuse me, uh, do you recognize this woman?
15:29No.
15:30What about her?
15:32Ainsley was a PA opening night, Dorian Sharpe's big show.
15:36Did you hire her?
15:38Yeah.
15:38No. Ainsley is what happens when someone uses their status to make you hire help with no experience.
15:44I see. And who of status imposed Ainsley Scott on you?
15:48A modeling agent, Sonoya Lee. She's around somewhere.
15:53Check the bar.
15:57This is awful. Yes, I knew her. Ainsley wanted me to rep her. She was persistent.
16:04I just wasn't sure if I could sell her.
16:07But you went out on a limb for her. You got her a job backstage.
16:09Yeah, she reminded me of me when I was young.
16:11How so?
16:12Small town, starry-eyed.
16:14When was the last time you saw Ainsley?
16:16The party on Saturday night. After I left, I heard that she got into an altercation with a
16:22photographer named Riley Chan. I heard it got really ugly.
16:25Does Riley Chan have a reputation for having altercations with young women?
16:29I don't know. But he did Ainsley's headshots.
16:32Well, Ainsley's dad said she couldn't afford headshots.
16:36Maybe Riley Chan has a side hustle?
16:42She attacked me. I just did her headshots. For free.
16:45Well, I mean, they weren't entirely for free. There was, uh, a price.
16:50An exchange.
16:52Tradesies?
16:52Yeah, we, uh, found other women on your quiet night page, too. Was it tradesies with them as well?
16:58I took her photos down.
16:59Well, we found them.
17:00No, I mean, I felt bad. I even went to Ainsley's place to apologize.
17:04What? An argument broke out. One thing leads to another, and...
17:07No, there were cops at the apartment, so I left.
17:09Well, I hope you have someone to corroborate that, because as far as we know,
17:12you're the last person to see Ainsley alive.
17:15Me and a bunch of other people. She was drunk. Dorian Sharp kicked her out himself.
17:19Well, I mean, you being such a nice guy, but you walked her out and got her a cap?
17:23I was working.
17:23You got proof?
17:25Photos from the after party.
17:26Well, let's see them.
17:30Sign an NDA.
17:31Oh, well then.
17:32Riley, you're going down for distributing pornography without consent.
17:36That's sex offender registry.
17:38Worry about us, not the NDA.
17:43That necklace. She wasn't wearing that when she was found.
17:47Who's the guy?
17:48Frank Maddox, cosmetic surgeon to the elite.
17:52He walked her out of the party and never came back.
17:54Yeah, I was chatting with her until the altercation.
17:56I offered to get her a cab, but she wanted to walk.
17:58Where'd you go after that?
17:59Home. To my wife.
18:02Good boy.
18:03I'm not stupid. The sort of girls at these things, it's a child support lottery.
18:07Gosh, all these poor wealthy men getting taken advantage of in VIP rooms all across the nation.
18:12Well, that's the epidemic of our times.
18:15These sharp parties sure look wild. Wilder than the ones that TPD throw at Christmas.
18:20I thought we got wild.
18:21Yeah, no, we don't get that wild.
18:24These girls know what they're signing up for when they walk through that door.
18:27And they're pulling each other's hair out to get in.
18:29And your wife is cool with that?
18:30You staying so late at these parties all by your lonesome.
18:33I met my wife at a sharp party.
18:35Oh yeah?
18:35Years ago.
18:36He flew me down when he had his place in Honduras.
18:38Introduced me to a pretty girl from back home.
18:41She was a model.
18:42So you and Sharp are close.
18:45I'm his doctor.
18:46Hmm.
18:46An artist with a Botox brush.
18:49Sharp doesn't like aging.
18:50Oh.
18:51And what else, um, stops aging?
18:54Seriously, I'd like to know.
18:56You know, what do you do for these guys?
18:58You do the, uh, PRP hair regrowth?
19:01Testosterone.
19:02Uh-oh.
19:03Looks like we hit a nerve.
19:05Now, what are the side effects of testosterone treatment?
19:08Uh, aggression, hypersextrose?
19:10Not at a legal dose.
19:12Right.
19:12Because if you were to inject a man with more than a legal dose,
19:16and that man were to, say, uh, hurt a woman,
19:20that would make you, uh...
19:21An accomplice.
19:25Can't you ever inject yourself?
19:28Puzzleark.
19:32Do I need to call a lawyer?
19:33No.
19:34That one's on me.
19:36I crossed the line.
19:37All right, bring it in.
19:38I'm sorry.
19:42Yeah.
19:43Okay.
19:45So, are we giving out hubs now, or...?
19:47Ainsley fought back.
19:49Why else would the killer have clipped and cleaned her fingernails?
19:52There's no scratches on his face and neck,
19:54and given how she was pinned down,
19:56the only place she could reach would be there, or...?
19:59His back, and he didn't even win.
20:01Not once.
20:03Only when I mentioned the testosterone treatment.
20:06So, who are you thinking?
20:07Grandiose senses self as the trait of the power control serial killer above the rules.
20:12We've been looking at the players.
20:14It might be time to consider who built the playground.
20:16You're talking about Dorian Shaw.
20:20There he is.
20:22Dorian.
20:24I didn't see you on the schedule.
20:26Yeah, the girls fit me in.
20:27Fashion week's really doing a number on my energy.
20:29Need a little pick-me-up.
20:30Sure, we can do a milligram of B12.
20:32Yeah, B12.
20:33It's not really what I was thinking.
20:36Well, if you want to do testosterone, we're going to need to stay below 200.
20:39Why is that?
20:41I'm concerned.
20:43About your heart.
20:44Your liver.
20:44Oh.
20:45Okay.
20:46Well, I appreciate the concern, Frank.
20:48I really do.
20:48But let's just stick with the regular doses, okay?
20:51We can discuss cutting back another time.
20:58Here, a girl was killed after your party.
21:01Same girl you asked to leave.
21:04I did, yeah.
21:05Jeez.
21:06Cops brought me in to talk about it.
21:11Think you had something to do with it?
21:13Or?
21:13They didn't say that, but it's...
21:18It's how they make me feel.
21:25Frank and his friends party with part-time babysitters like a gang of delusional vampires.
21:31But Frank is harmless.
21:34What about Sharp?
21:35Is he harmless?
21:36I met Sharp when I was down in New York on a shoot.
21:40And did he ever?
21:42No.
21:43At, uh, 22, I was a little long in the tooth for him.
21:48But I heard stories about the kind of sex he was into that it could get rough.
21:52Are we talking consensual?
21:54You know, we used to let men tell us that truly liberated women were down with
21:58anything they wanted.
22:00But, uh, consensual wouldn't be the first word that comes to mind.
22:03You think Sharp's capable of murder?
22:07Wendy.
22:09Dorian Sharp has a life that gives him access to an unlimited supply of young women.
22:13When we enable men like that, they lose perspective.
22:16When we enable him?
22:18Women are victims, detectives.
22:21And then it's up to us to come forward.
22:23Even when that's a very dangerous thing to do.
22:26We can offer you protection.
22:28We can protect anyone you connect us to who corroborates your story.
22:31There is no protection against that kind of money and power.
22:35You know, I always got a bad vibe off Sharp, but he wasn't dangerous.
22:40Until he was in an expensive suit.
22:43An expensive suit?
22:45What was he wearing before that?
22:47Cup rolls.
22:47I suppose he started out in some textile mill on the north end of the city.
22:52Crawled his way off the factory floor.
22:58Your first job in the industry is right here in Toronto at Walsh's textile mill.
23:03Was that a tough job?
23:04We drove past it on the way here.
23:06What a dump.
23:08Right.
23:08Well, I wasn't there long.
23:10No, you were poached by Atelier X off to the Big Apple.
23:14Five years later, you were creative director.
23:16So why'd you leave?
23:17Atelier stripped my designs of their most interesting aspects.
23:21So, uh, yeah, I left.
23:23Came home.
23:24Started my own empire.
23:25Do you know this woman?
23:28No, I don't think so.
23:29No?
23:30Because you asked her to leave your party.
23:31Well, I asked lots of young ladies to leave my parties.
23:34There's a certain decorum that I think might have skipped this generation.
23:37Huh.
23:38What about her?
23:39Have you ever seen her before?
23:43Doesn't look like a model, huh?
23:45No, I don't think so.
23:46Her name is Freya Klein.
23:47She was also found in the landfill.
23:49Are you sure?
23:50Detectives.
23:51A bead?
23:52What, from a necklace?
23:54Yeah, probably from a dress, I would imagine, yeah.
23:57Seamstresses aren't what they used to be, I guess.
23:59Seamstresses.
24:00Young ladies.
24:01I bet you long for the good old days down in Honduras.
24:05Your botulism guy, Frank.
24:07You told us that you used to fly people down there quite a bit for some pretty wild parties.
24:11Did those women display appropriate decorum?
24:16He flew Frank down to Honduras to help set up his stem cell research center.
24:20Anti-aging research center.
24:22That's right, yeah.
24:23Is there a problem with that?
24:26Looking for more beads, detective?
24:30No. Buttons.
24:33See, I love buttons, and what would happen if I pushed that one?
24:37Well, if I push that button, it locks my office door,
24:40so people can't come in and bother me.
24:42So you don't want people to come in?
24:45Or to get out?
24:46Tell you what, detective.
24:48I'll wait to push that button until after you leave.
24:51How's that?
24:58You think that's our killer?
25:00I think we just walked out of the crime scene.
25:07You found this bead in Sharp's office.
25:10Yeah, we did.
25:10We believe it matches the necklace Ainsley Scott was wearing the night she died.
25:14Well, anyone with an RBC Cub card can buy one of those on Instagram.
25:18And no CCTV footage from the night of the murder.
25:21No.
25:23What about your first kill theory?
25:25What does our timeline tell us?
25:26In 2010, after his career took off in New York, Sharp bought an estate on Roatan Island in Honduras.
25:33It was fast becoming a medical tourism destination for the wealthy.
25:37In 2013, he funded an anti-aging lab there that was doing some pretty questionable legal
25:42things with stem cells.
25:44Even bragged at the New Yorker that he discovered the fountain of youth.
25:47But no missing women in Honduras.
25:49Ah, please say no, but we're gonna keep digging.
25:51Then in May 2021, Sharp leaves New York and returns to Canada to go out on his own.
25:58But we haven't found any other murders that match his MO, at least none connected fashion.
26:02Wait, wait, I was wrong.
26:03We do have murders that match his MO?
26:05No, about when he came back to Canada.
26:09According to this article, after he left Atelier X, he leased a building in Manhattan for his new headquarters.
26:15In May 2021.
26:18May 2021?
26:21When did he start his operation in Toronto?
26:23Not until August 2021, three months later.
26:26Oh.
26:27So why the sudden change of plans? Why'd he cut and run for the border?
26:31Because she's there.
26:33Our primary victim's in New York.
26:36These are the unsolved homicides in New York City from 2021.
26:40Remove anything after August 21.
26:44Remove anyone under 16.
26:47Remove all the men.
26:49Remove any females over 30.
26:51And narrow it to deaths that occurred in the month before Sharp left his New York City headquarters.
26:58If one of these women were his first victim, there's a chance he left DNA.
27:03Detective Sergeant Michaels, thanks for meeting with us.
27:05Laura was found on the lower level of the plaza.
27:07We have no idea how she got there or who she was with.
27:10Were there any parties or events at the hotel that night, Detective Michaels?
27:13Uh, yeah, there was a bar mitzvah and a fashion show reception.
27:17We couldn't find anyone who remembered seeing her.
27:19The crime scene was a mess.
27:20She had a bloody nose and a crushed larynx.
27:22Tell us she got DNA.
27:23Male DNA blood sample coming your way.
27:26Obviously, we have no match.
27:28Look, Detective's her mother, Barbara.
27:31And she's been, uh...
27:33Yeah.
27:34I'd love to find this guy for her.
27:36Of course, Detective Michaels.
27:37You'll be your first call.
27:39Appreciate it.
27:40Okay.
27:40We need a warrant for Sharp's DNA.
27:42It's bound to be a match.
27:43To get a DNA warrant on someone like Sharp, you'll need at least one woman to corroborate
27:48Wendy Maddox's sexual assault implication.
27:51We're gonna be dealing with fear, intimidation, and...
27:53Stop, stop, stop.
27:55I have complete faith that if anyone could cause that first domino to fall, it is you guys.
28:06No, I haven't heard that Sharp assaults women, but maybe I wouldn't.
28:11Your clients wouldn't come to you?
28:13They might be afraid that what I would do would cost them work, like get him arrested.
28:16Which I would.
28:17Miss Lee, of all the models we contacted, there were three that we couldn't reach and
28:21they were all your clients.
28:23Uh, Anna, Trident, Joy Williams, and Lucy George?
28:27Becca, remember, in the fridge, okay?
28:29Not in the bin.
28:31Uh, yes, Anna, she got cancer, poor thing.
28:35Uh, Joy, she tragically took her own life, and Lucy George.
28:39Uh, I haven't heard from her in ages.
28:43I'm really sorry, detectives.
28:44Should I cancel your call at two?
28:46Rebecca, would you happen to have an emergency contact for Lucy George?
28:50I would have that.
28:51Give me a minute.
28:57Lucy wanted to tell the world what a creep that Sharp was,
29:00but I warned her against it.
29:02I mean, she was saying some wild stuff, and I was wondering if she was hearing stuff right,
29:06you know?
29:06Lucy has pills, but she doesn't always take them.
29:08But wild things like what?
29:14Look, Doris, anything you say might help us.
29:17Oh, Lord.
29:18Uh, stuff like he was forcing pregnant women to get rid of their babies so he could steal the
29:24fetus's stem cells.
29:26I told her, Lucy, you sound crazy as a loon.
29:29And you didn't want her to speak out?
29:31I wanted her to talk to a psychiatrist.
29:34But instead, she stopped talking to me.
29:36Said she was going out to California, try her luck out there.
29:39You know, get in the movies.
29:41I don't have her Los Angeles phone number.
29:43Keep looking for her on the TV, but I haven't seen her yet.
29:46She's not on social media?
29:47No, she shut all that down.
29:48She thought Sharp was stalking her.
29:50You know, if you find her, you might want to tell her.
29:53Her mother would love to hear from her.
29:54Of course.
29:55Do you have a photo of Lucy that we can see?
29:58Yeah.
30:05Gap in those crooked old tees.
30:07Couldn't afford braces.
30:08Wouldn't you know it's the look now?
30:10I'll get the kettle.
30:14It's quite this while.
30:16We've seen that gap before.
30:19Lucy is our Jane Doe.
30:21I'm sorry.
30:23Lucy George's mother is not an eyewitness.
30:26Theo.
30:26There's just not enough for a DNA warrant.
30:28Come on.
30:29The dental records prove that Lucy George is our Jane Doe.
30:32Lucy knew what Sharp was all about.
30:33She wasn't afraid to talk, and then she's just gone.
30:36It's a credible theory.
30:37But I need this to be tight, airtight.
30:39This guy has a huge team of lawyers.
30:41Yeah, well, our laws apply to the rich as well.
30:44We all seem to forget that.
30:45Billionaires get a free pass, yet over and over again,
30:48we bear witness to the horrific misconduct of unchecked wealth.
30:52That's why I'm being extra careful.
30:54Which is why I'm done with careful.
30:55We don't need a DNA warrant for Sharp.
30:57Frankie.
30:58We need to get this guy.
30:59Frankie.
31:00Frankie!
31:03Well, you're about to be very, very busy.
31:07Cheers.
31:08Roach will talk to your agent, and we'll start booking you.
31:11Hey, kid.
31:12Take your break.
31:16Put that down.
31:19Oh, my goodness.
31:20What's, uh, what's happening here, folks?
31:22Well, Detective Graff was just about to forfeit his career.
31:25Ah, you really should listen to my lawyer.
31:28That tracks.
31:29Do not spend time alone with this man.
31:30Tell your friends.
31:31What do you mean?
31:32No, it's all right.
31:33She has a contract.
31:34He likes the invisible ones that nobody will miss.
31:37The ones with big dreams and no chance.
31:40But do you know what's got me wondering?
31:42Is what happened in New York?
31:45What pushed you over the edge of the murder?
31:48Did something humiliate you to make you want to go further?
31:51Did Laura Johnson reject you?
31:53Tell you that, uh, you're old enough to be your dad?
31:57Or maybe he had some performance issues.
32:00Is that why you started taking testosterone?
32:01Whatever it is that made you snap, it awoke something in you, didn't it?
32:06Something dark, something you like.
32:08Oh, please.
32:09You know, you really didn't need to resort to, uh, burglary here, detectives.
32:13If you want my DNA, I'll give it to you.
32:18I don't know any Laura Johnson, and I have nothing to hide.
32:26I've got nothing to hide.
32:32Huss, huss, huss, huss!
32:34Sharp, we need to talk.
32:36I'm listening.
32:36The cops are asking questions about Ains.
32:40Come on.
32:48Sharp, get off him!
32:51Sharp, get off him!
32:53Hey!
32:54What?
32:56Where the hell, man?
32:57Good job, bro.
33:05Senoya, you need to stop worrying.
33:07Worrying causes wrinkles.
33:10Look at me.
33:12I feel like a teenager.
33:13You know why?
33:14Because I have nothing to worry about.
33:16Okay?
33:21I think we should get down there.
33:22He knows where we're coming from.
33:23It's okay.
33:23I just parked a spin team outside his headquarters
33:26the second we get confirmation that the DNA bought.
33:31It's not a match.
33:33How is that possible?
33:35Blood sample from the body in New York
33:36didn't match Sharp's cheek swab.
33:42Come on, you can't be serious.
33:44I reviewed your evidence.
33:45You have no prosecutable case at this time.
33:47Dio, everything points to Sharp.
33:49Sharp willingly gave you a cheek swab
33:51and the DNA did not match the blood
33:53left at the murder scene
33:54that you claim was his first kill.
33:56He did, didn't he?
33:58Did what?
33:58He gave us a cheek swab.
34:00Willingly.
34:01Handed it right over.
34:05Yeah, Lucy, you in the building?
34:07Okay, can you leave us in the kitchen ASAP?
34:11Hey, you want to fill me in?
34:13Well, this is going to sound a little weird,
34:15but just bear with me.
34:16I always do.
34:17Doris George's statement,
34:18the fetuses,
34:20they're full of stem cells.
34:21Yeah, I'm not so sure how reliable...
34:23Sharp willingly gave us his DNA.
34:25Why?
34:26Because he knew it wouldn't match.
34:29Wait, so you're saying it wasn't Sharp's DNA
34:31at the crime scene in New York?
34:33Well, it was his DNA,
34:35his blood DNA.
34:36Because Sharp is a chimera
34:39from Greek mythology,
34:40the lion and the serpent together,
34:41two beings in the same body.
34:43Chimerism in humans
34:44refers to somebody
34:45who's had a stem cell transplant,
34:47something that Sharp was experimenting with
34:49in his fight against aging.
34:50Okay, I'm with you.
34:51Just take it back a little bit.
34:52Here.
34:53Hmm.
34:55When somebody has a stem cell transplant,
34:57their DNA is mainly replaced
35:01by the donor's DNA.
35:04Take it away, Ms. Hilma.
35:06It's true.
35:07But only the DNA in the blood.
35:10He has two sets of DNA.
35:12The other cell's skin or saliva
35:14from a cheek swab won't change.
35:16So he gave us his saliva
35:18because he knew it wouldn't match
35:20the blood found on Laura Johnson in New York?
35:22Which contained his donor's DNA,
35:24and that's why he cut and cleaned their fingernails,
35:26because the skin cells underneath
35:28would have Sharp's original DNA.
35:30At that lab in Honduras,
35:31he took the stem cells and changed his blood.
35:34We need to find the donor or the records.
35:37This has got to prove it.
35:39Uh, you can start in the hallway.
35:40Thanks.
35:41Oh, and mix some bleach
35:42into the floor cleaner for me.
35:45That's oddly nostalgic for me.
35:46My mother used to use it
35:47to, uh, keep the neighbor's pig farm at bay.
35:50You know we could have bought the DNA.
35:53Are you kidding me?
35:54I miss all the fun.
35:55I wish I could see the look
35:57on that detective's face
35:58when he saw the results.
35:59I mean, priceless.
36:01You know, if I thought I was gonna live forever,
36:02I'd try to avoid life in prison, Sheriff.
36:05Well, here's an idea.
36:06Why don't you fix it, Roach?
36:08Or don't.
36:09Whatever.
36:09I'm on a plane in a few hours anyway.
36:11It says here the lab burnt down nine years ago.
36:15The records were incinerated,
36:16it was arson,
36:17and they never solved it.
36:19What about permits?
36:20I mean, he must have detailed
36:22the procedures he'd be doing.
36:23Well, I'm getting the impression
36:24that Honduran law is, uh,
36:25lax to those with means.
36:30Wait a minute.
36:33We had a sexual assault complaint
36:35against Sharper from 2012,
36:37but Graff,
36:37Luke do testified on his behalf
36:39to quash the charge.
36:40I knew she was hiding something.
36:42You think she knows
36:43what happened to the lab?
36:44I think she knows everything.
36:48Ah, Miss Lee,
36:50thanks for coming.
36:52Hey, would you like
36:53to finish that at all?
36:54The rest of your meal?
36:55Yeah, my eyes were bigger
36:56than my stomach.
36:57It's just I noticed
36:58how you saved that, uh,
37:00that salad.
37:01It was a bit of a tell.
37:03My grandfather,
37:03he grew up during the Depression,
37:05he never left anything
37:06on his plate,
37:07and even the way
37:08dentures were back then,
37:09it wasn't a pretty sight,
37:10let me tell you.
37:11No, he knew poor.
37:13poor, just like you.
37:15Excuse me?
37:16No hint of an accent.
37:18I never thought
37:18to look for you
37:19in Honduras.
37:24One second, sorry.
37:26It's my partner.
37:29She says there's a,
37:30there's a cleaning van
37:31outside Sharpe's office.
37:33I wonder what that's about.
37:34You said you had information
37:35on Lucy George?
37:36Oh, yes, I, I do.
37:38Please take a seat.
37:45Uh, first, I would, uh,
37:47I'd like to talk to you
37:48about, uh, your home
37:50in, uh, Honduras,
37:51or, well, your lack thereof.
37:53Detective, I don't like
37:54your tone.
37:55What about Dorian Sharp?
37:56You like him?
37:57I mean, he, he hired you
37:59from off the street.
38:00You were homeless, correct?
38:01Sleeping rough?
38:02Yes, actually, I was.
38:05At that point in my life,
38:06I was lucky if I could sleep
38:07in a public bathroom.
38:08And then you had
38:09your own bathroom.
38:10Sharp lifted you out
38:11of poverty and offered
38:12you opportunities
38:13beyond your wildest dreams.
38:15How could you say no
38:16to him, to anything he asked?
38:18So when he needed you
38:20to, uh, discredit a woman's
38:22sexual assault allegation...
38:23I told the truth.
38:24That woman was lying.
38:25I understand.
38:26You were just a kid,
38:29and you cared about him,
38:30and he was more
38:31than just an employer.
38:32He was a savior of sorts.
38:34But that does not give him
38:35the right to exploit you,
38:37to abuse you.
38:37Detective Graf.
38:39The relationship that I have
38:40with Dorian Sharp
38:41is purely professional.
38:42It's okay, Sonoya.
38:44I know what happened
38:45in Honduras.
38:47Dorian Sharp's the bad guy here,
38:49and for that, I'm sorry.
38:54Does this feel familiar?
38:56What's happening here?
38:57What I just did.
38:58A couple of low blows
38:59and build you back up again
39:01and make you feel safe.
39:02Because that's what monsters
39:04like Sharp do.
39:05They break you down,
39:07and then they put you back together.
39:09Okay.
39:09I want my lawyer.
39:10Oh, what?
39:10Vincent Roach?
39:11Yeah, sure.
39:12Isn't he on Sharp's payroll, too?
39:15I mean, he's a paid servant,
39:17just like you.
39:18I'm not a servant.
39:18No, what are you, then?
39:19I'm a survivor.
39:20No, you're a chimera,
39:21just like Sharp.
39:22Except for you,
39:23it's part predator,
39:25part prey.
39:25It's how you survived.
39:27You needed those young women
39:28to shoulder the burden
39:30of what he was doing to you.
39:31I didn't know such thing.
39:33Sure you did.
39:35No, you didn't write the menu,
39:37but you served those women
39:38up on a plate.
39:39You fed the beast.
39:40And as the world changed,
39:42as women's eyes were opened
39:43to the horrors
39:44that waited for them,
39:45behind closed doors,
39:47you were the lure Sharp needed.
39:48A false beacon
39:50calling vulnerable young women
39:52to their deaths.
39:53No.
39:54Laura Johnson,
39:55brutally murdered in New York.
39:56And bingo,
39:57you have your own modeling agency.
39:59Freya Klein,
40:01a stranger to this country,
40:02tossed into a dumpster.
40:04He met Freya about an ad campaign.
40:06Campaign that, uh,
40:07poof,
40:08magically disappeared
40:09along with her.
40:11And, uh,
40:12where's Lucy George?
40:13Lucy went to California.
40:15No, Lucy went into landfill.
40:17And it broke her mother's heart
40:19when we identified her remains.
40:21Take a look.
40:22How did you describe
40:23Ainsley Scott again?
40:25A starry-eyed
40:26reminded you of yourself.
40:29He said he saw spirit in her.
40:32So I drove her to his office.
40:35I was helping her.
40:36Oh, you were helping her.
40:37You drove her to a meeting,
40:38a go-see,
40:39in the middle of the night.
40:40Didn't she find that a little odd?
40:42Was she scared?
40:44What did you tell her
40:45to ease her fears,
40:46to get her to cross
40:47that dark threshold?
40:50Imagine those, uh,
40:52those starry eyes, yeah?
40:54As he pushed his elbow
40:56down onto her throat
40:57and stole her last breath.
40:59Stop it!
40:59Oh, that man,
41:01he loves a pack.
41:01I didn't know
41:02what he was doing.
41:03You gonna bring on
41:03the waterworks?
41:04Sure, go ahead.
41:05Hey, okay,
41:06there's one for Lucy,
41:07there's one for Laura,
41:08and there's one for Freya,
41:09and, well, damn it,
41:11take them all.
41:11You earned them.
41:12I was helping them.
41:14Were you?
41:16I was helping them.
41:18No, you weren't.
41:21But you can.
41:22You can help them.
41:23Right now,
41:24I need to know
41:25how Sharp changed his blood.
41:26It was a stem cell transplant,
41:28wasn't it,
41:29at the lab in Honduras.
41:31I...
41:32Sonoya, I need proof.
41:33I need the name
41:34of the donor.
41:35I don't have...
41:35It's the only way
41:36we can connect Sharp
41:37to the bloody left
41:38on Laura Johnson.
41:39I can't.
41:39Why?
41:40Because...
41:40Because what?
41:41Because the donor died.
41:47He made me get rid
41:49of my baby.
41:54And he...
41:55used the stem cells
41:57to heal himself.
42:04Look, I'm shot.
42:12But you can't help
42:13those women now.
42:15You can bring them justice.
42:17You can bring justice
42:18to the women he killed.
42:22Sonoya,
42:24your blood is your testimony.
42:32Toronto police.
42:33I need you to stop
42:34what you're doing.
42:35Now.
42:38Dorian Sharp.
42:39You're not going
42:40anywhere this time.
42:42Are we really going
42:43to go through this charade?
42:44Excuse me, I'm late.
42:51How's that feel?
42:53We're going to need
42:54another sample.
42:54Blood, this time.
42:58Should be a 50% match
43:00for Sonoya.
43:09I updated Detective Michaels
43:11in New York.
43:12Thanks.
43:13Sharp made his fortune
43:14making women's clothes,
43:16and he used it
43:17to steal their boys.
43:19Well, four of those women
43:20finally got a chance
43:22to say something about it.
43:25We're going to go.
43:52We'll see you next time.
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