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Love Story - Season 1 - Episode 02: The Pools Party
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00:00For more information, visit www.fema.org
00:15For more information, visit www.fema.org
00:20Good morning.
00:31How good was Florent?
00:33I told you.
00:34Carolyn!
00:36I need the updated book for the Melancho.
00:38Working on it.
00:39Okay, bring it to my desk.
00:42Morning, guys.
01:00Well, can you call our Moscow rep?
01:01She can't close the show for us from Russia.
01:03Hi, I'm her assistant.
01:04She doesn't want the flowers.
01:06Will you take them back?
01:07No, she told me at the casting there were no problems with her visa.
01:11W-w-w-w-waaaah.
01:12Never gonna get it.
01:13Never gonna get it.
01:14Never gonna get it.
01:16Never gonna get it.
01:17Never gonna get it.
01:19Never gonna get it.
01:20Never gonna get it.
01:24Never gonna get it.
01:26Never gonna get it.
01:29Never gonna get it, never get it
01:32Ooh, bop, bop, bop, bop
01:44Why does she dress like a pilgrim?
01:47It's an officer's uniform from the Continental Army.
01:49You know what I mean. Colonial times.
01:52It's an homage to the birth of our democracy, but it's chic.
01:56We would obviously be featuring A-list celebrities, and think of The Access.
02:02I mean, John's just about the only person on the planet who could pick up the phone and call anyone
02:06from Saddam Hussein to Heather Locklear.
02:10I don't know about that.
02:11Maybe even Daryl Hannah, huh? Yeah? She looked pretty good as a mermaid.
02:16Maybe we could put her in a sexy Salem witch outfit.
02:21That'd bank some ad dollars. So you can see it then, right?
02:25All the fun and innovative ways that we could market this.
02:28I mean, the options in Rolodex are endless.
02:33Look, it's one thing for people to be sitting at home, watching the news, reading the paper.
02:38But I just don't see a world in which they're going out of their way to buy a magazine about
02:42politics.
02:43But that's because politics has always been presented the same way, which is just a bunch of old guys falling
02:49asleep on C-SPAN.
02:51I genuinely believe that with the right marketing, we can get people as engaged with politics as they are pop
02:57culture or the NFL.
03:02Where are you in all this? I mean, let's be honest here. That's the real selling point.
03:07If you did this magazine like Martha Stewart Living, you put yourself on every cover, that's a different story.
03:13And some free advice from people actually in the business, your brand's only as strong as its name.
03:20Calling the magazine George after George Washington makes it feel like homework.
03:27I'm going to do another Malbec.
03:29Oh, there she is. My wife was in the neighborhood. I told her about Popeye. Hope that's all right.
03:35In the neighborhood. They live in Rye.
03:39You know, it was just so obvious that these guys had already made up their minds before they even stepped
03:43foot in the restaurant.
03:44It's like, why waste everybody's time?
03:46Because they want to be seen having lunch with you.
03:48You could have pitched them a magazine about hot dogs and they would have taken the meeting.
03:53And a part of you has to be okay with that because, no offense, this magazine does not come to
03:58fruition without your celebrity.
04:00Oh, really? I haven't heard.
04:02Look, I get it. You want to be taken seriously. You want to make your mark for you.
04:09Before what?
04:12I hadn't thought that far ahead.
04:13That's all you think about.
04:14That's why you never know where anything is.
04:17Just the hand cream or the soap.
04:18You know, I just want to create something of my own.
04:21From the ground up.
04:22I just think that if anyone can bridge the divide between politics and pop culture, it's me.
04:28Speaking of things coming together.
04:32You're not proposing, are you?
04:34What? To Daryl?
04:37I forgot I have to be more specific when it comes to your love life.
04:40Daryl was seen buying a wedding dress in a thrift shop in Santa Monica.
04:46Just thought it seemed weirdly specific.
04:51You know, you're supposed to be a refuge from all this noise and bullshit.
04:54Oh, my God. I'm sorry. I didn't know that was my role.
04:57Fuck off.
04:57No, no, no, please. Let me try again.
04:59Mr. Kennedy?
05:00I have your sister on the phone from Cornell Hospital.
05:09Calvin has to push the meeting with creative to two.
05:12Apparently, there's some kind of emergency.
05:19Do you think you should be reading tablets while you're at work?
05:21It's people.
05:23Honey, I know you don't care.
05:25But my astrologer did see John and Daryl fighting at a Halloween store in the village.
05:29Like, screaming at each other.
05:31And she also said they're both Sagittarius's, which is like, Jesus, take the wheel.
05:35Yeah, well, I'm a Capricorn, so we probably wouldn't have fared much better.
05:38Also, maybe it's people like your astrologer peddling gossip about them that's a problem.
05:43Maybe if people left them alone, they'd thrive.
05:46You know, I know you're trying to take the high road, but I don't want to.
05:50Is that the press packet?
05:52Yeah.
05:53I love having to compile favorable press clippings from each beak in order to justify the entirety of the publicity
05:59department.
05:59I know he increased your clothing allowance when he got that promotion.
06:02I do not feel bad for you.
06:04Black paperclips.
06:05I couldn't find any.
06:07There's a Staples on 57th and 3rd.
06:10Serious?
06:10He's fired people for a whole lot less, and I would rather not lose you as an assistant.
06:15Okay, let's scrap this.
06:17He hates full body shots.
06:18He thinks he has chicken legs, and let's ditch the New York Magazine piece.
06:21He doesn't like being compared to Ralph.
06:23Lauren?
06:24No, Macchio.
06:27A karate kid?
06:30You know what my dad told your father before we got married?
06:33Keep her riding, and she'll always be in a good mood.
06:37See, I wish we would have known that.
06:39We would have installed a riding ring in your apartment.
06:42Still, I recommend you stay on two feet for a while.
06:45You said you had a headache before you were thrown from the horse.
06:47Were you experiencing any other symptoms?
06:49No, I was just tired.
06:51I didn't have much of an appetite, so I didn't eat breakfast, which is probably where all of this started
06:56in the first place.
06:57And as far as lifestyle?
06:59I'm as healthy as can be.
07:00I don't eat sweets.
07:02I exercise every day, sometimes twice a day.
07:06Mom.
07:06She smokes.
07:07This is just retribution for making her meet with a nutritionist during recess.
07:12Yes, thank you again for neutralizing my sweet tooth at such a young and impressionable age.
07:16We'll need to keep you overnight as a precaution.
07:19Monitor your vitals.
07:20No, thank you.
07:21I will not sleep a wink in this place, and what I need is a good night's rest.
07:27If you do insist on leaving, you'll need to sign discharge papers stating that you left against the medical...
07:32I've spent my fair share of time in hospitals.
07:34I know how it works.
07:37Of course.
07:38I'll be back to check on you in a bit.
07:40Thank you, Dr. Moore.
07:49Why don't you and Maurice head to the cafeteria, I'd love a cup of tea?
07:53You think that'll be enough time for him to relay all your reservations about the magazine?
08:00Why don't you and I go get some tea?
08:01And list the fireworks.
08:05Please try to maintain inside voices.
08:14Well, I'm just trying to understand why you'd want to join the ranks of an industry
08:18that's profited off our family's misfortune for years.
08:23Generations, actually.
08:24Why is it any different from you working at Doubleday or Caroline writing books?
08:27Those are genuine interests of ours that we've cultivated over years.
08:32And this idea of seemingly out of nowhere,
08:35and you finally passed the bar exam.
08:38I mean, I just think you should...
08:39Dad wanted to be a journalist.
08:40I mean, before Grandpa roped him into politics.
08:44Is that what all this is about?
08:46Wanting to feel closer to your dad, come here?
08:52No.
08:52I'm just saying that, like,
08:55my interest isn't entirely out of nowhere.
08:58If Caroline wanted to start a magazine,
09:00no one would bat an eye at it.
09:02I'm just...
09:04I can't stand by waiting for my life to start.
09:07I'm 33 years old.
09:09When Dad was my age, he was a father,
09:11a best-selling author, a congressman, and a war hero.
09:14Yeah.
09:16It's like you said, he didn't really have a choice.
09:19And I can tell you,
09:21success isn't all that triumphant when it's expected of you.
09:31Now, will you please break me out of this place?
09:36The brawl culminated in blows being exchanged.
09:40Marky Mark was said to have punched
09:42maverick record-labeled talent scout Guy Ossiri.
09:46The fight spilled out onto the streets,
09:47but was eventually broken up by party work.
09:50Who picks a fight with Madonna?
09:53Well, he also allegedly called a member of her entourage
09:56a homophobic slur.
09:58Well, wait a sec.
09:59He only called the guy a homo.
10:02I'm just saying,
10:03I think we all assumed he meant faggot.
10:07Yeah, he's practically Harvey Milk.
10:08All right, settle down.
10:09You know what I meant.
10:10He's a loudmouth rapper from Boston.
10:12People don't give a shit if he's politically correct or not.
10:15And therefore, neither should we?
10:17That's a hell of a mission statement.
10:19The campaign is a cultural phenomenon,
10:22and we're just getting out of the red.
10:24I don't think we can afford to kick him out of bed
10:26over a drunken indiscretion.
10:28Careful there, Todd.
10:29You're sounding a little guy.
10:30It might not be our call.
10:32According to his team,
10:33Mark feels the underwear campaign
10:35has overshadowed his burgeoning rap career.
10:40I didn't realize Marky Mark and the funky bunch
10:43were plotting global domination.
10:45They also said that he doesn't like all the attention
10:49that the campaign has brought him from gay men.
10:54Are you kidding me?
10:55I mean, he did everything short of dry-humping the runway
10:58at the L.A. show.
10:58What, did he think all those men in the crowd
11:00were just huge fans of shitty hip-hop?
11:02Well, the partnership has clearly become untenable,
11:06so we need to replace him quickly and seamlessly.
11:10And let's also issue a statement condemning his bullshit.
11:15Will you be issuing that statement personally, or...?
11:21No.
11:25So who do we like to replace him?
11:28Uh, we have Brad Pitt, uh, Jason Priestley, Keanu Reeves...
11:33No, no, no, no, no, no, no, no, no, no, no, no.
11:36I don't want to get involved with another established celebrity.
11:39I want someone who our customers can bestow their fantasies onto.
11:44I want a fresh face that will instantly ingrain itself
11:50into the public consciousness.
11:51You pluck Kate Moss from obscurity.
11:55If anyone can mint a star, it's you.
12:02You catch that little dig?
12:04Ugh, he knows full well that I'm known that fought for Kate.
12:07He'll be compared to a teenage boy by the way.
12:09I know, but you can't let him rattle you.
12:11In fact, I think it probably turns him off.
12:13Telling me to settle down, go fuck yourself.
12:15Can you imagine if Kate called someone a faggot and assaulted them?
12:17She'd be crucified.
12:18That, or young girls everywhere would be committing hate crimes.
12:22Anyway, I'll see you tonight.
12:24Yes, I'll be peddling your book with my life depends on it.
12:29I'm going to have to go smuggle a model out of Moscow.
12:30Ah, you're doing God's work.
12:33Amen.
12:38Welcome to Heart of the City.
12:40I'm John Kennedy.
12:41Clean air, less traffic, adequate housing.
12:44Those are some of the things that New Yorkers only dream about.
12:47But some New Yorkers...
12:48Get the fuck out of the way, asshole!
12:51Cut!
12:53Let's take five, everybody.
12:55Get out of the street.
12:59Sorry about that, John.
13:00Sure you don't want to use that?
13:02We are highlighting the wonders of the city.
13:04You're doing great, by the way.
13:05Really?
13:06I feel like I'm in my head.
13:07Oh, no.
13:08I will tell you.
13:09Okay.
13:10Okay, guys.
13:11On to the next round.
13:12Hey, superstar.
13:15What are you doing here?
13:17The table read got postponed, so I thought I could see you in action.
13:20Well, I don't know how entertained you're going to be.
13:23Oh, I love that I get to be the one behind the camera for once.
13:28Excuse me.
13:29Can I get you anything, Miss Hannah?
13:31Uh, coffee or tea?
13:33I'd love some candy, actually.
13:35Anything sour.
13:36Huge fan.
13:40This is the whole crew?
13:43Yeah, we're just shooting a thing for PBS.
13:44I love it.
13:45It reminds me of my early days, doing guerrilla shoots, doing no permits.
13:49Sound guys also doing the lighting.
13:50It's what real filmmaking should feel like.
13:53Community.
13:56What are you writing?
13:58I am just tinkering with the script.
14:00Can I hear it?
14:02Well, it's not like a monologue or anything.
14:04I'm just, uh, talking about the city.
14:06I know, but you're still on camera delivering lines.
14:09You still have to emote.
14:11I'm fine.
14:15You mad at me or something?
14:18No.
14:18No.
14:19I'm just, I'm just trying to focus.
14:21I just thought you might want my input since I'm an actual actor.
14:24What the fuck?
14:26Yeah?
14:28Did they follow you here?
14:30No.
14:30Maybe it was the giant film crew that tipped them off.
14:33You just said how small it was.
14:35All right, I'm going to go.
14:38I'm sorry, all right?
14:39Yeah.
14:40I'm just trying to focus and do a good job.
14:42You're incapable of doing a bad one.
14:44Come here.
14:46See you back at home?
14:47Yeah.
14:47I have an event tonight.
14:49It's a work thing.
14:50Tear your hair out, but I'll see you after.
14:53Maybe, um, just give them a couple good shots on your way out.
14:56See if they'll fuck off.
14:56Okay.
14:59Daryl, this way.
15:00This way, please.
15:01Bye.
15:02Daryl, thank you.
15:06Daryl, all right.
15:07Daryl.
15:24If you ever get close to a human, and you woman be here, be ready, be ready to get confused.
15:51Daryl, you look so gorgeous.
15:56Daryl, you look so gorgeous.
16:00Daryl, you look so gorgeous.
16:02I'm the one who's in, and you're the one who's in, and you're the one who's in the person.
16:27You know, I was hoping you wouldn't notice me.
16:31It's hard not to.
16:37This feels like one of those nightmares when you show up to school and realize you're naked.
16:40Except you're getting paid.
16:42Because unlike everybody else, people actually want to see you naked.
16:45We should all be so lucky.
16:49Why didn't you tell me you were working this?
16:53They don't really tell us what the events are.
16:55They just give us a time and an address and a pair of underwear.
16:58Plus, I try not to make it a habit to call someone after I've left them like 50 voicemails.
17:03No, I'm sorry.
17:05I am.
17:06Work's been crazy.
17:07No, you know what?
17:08It's fine.
17:09You should get back to the party.
17:11Hey, I'm working too.
17:12Really?
17:13Then why don't you take up all of your clothes and grab a tray?
17:17For what it's worth, I think there's about five men in this city that can pull off that uniform.
17:28I'll see you later, yeah?
17:29Have you seen the book?
17:31She did this all by herself.
17:33I had nothing to do with it.
17:34Thank you for having me here.
17:36I'm loving to show you the book.
17:38It's really kind of terrific.
17:42She did it all by herself.
17:44I had nothing to do with it.
17:46No?
17:46That's great.
17:48Relax, John.
17:49She's here.
18:01Hi.
18:02Hey.
18:05How are you?
18:06Good.
18:07It's nice to see you.
18:08Yeah, you too.
18:11I didn't realize Kelly was a photographer as well.
18:15Yeah, you know, I don't think she actually took any of the photos.
18:18I think she more, um, curated them.
18:22Sorry, I wanted to come over earlier, but I have to.
18:24No, it's fine.
18:25I'm sure you have a lot of hands to shake.
18:30You really know how to make an entrance, by the way.
18:32Although, I'm not going to lie, I was sort of hoping it was Prince.
18:35Oh, is Prince supposed to show tonight?
18:37Do you think Prince are his VPs?
18:39That's a good point.
18:46Did you get my flowers?
18:48Which ones?
18:49Well, you wouldn't call me back.
18:51There wasn't much to say.
18:52It was one date.
18:53I don't know.
18:53I just, um, I feel terrible about how everything transpires.
18:58Multiple bouquets of flowers to my office.
19:00It was really not necessary.
19:03Did you like them at least?
19:06Calvin only allows white orchids in the office,
19:08and my apartment's basically death row for vegetation.
19:14I just, um, I can't seem to function knowing that you hate me.
19:19I don't know you well enough to hate you.
19:21Daryl and I were not together when you and I met you.
19:23You really, you don't have to do this, seriously.
19:25It's not like you bamboozled me.
19:26I knew what I was signing up for.
19:28Well, what does that mean?
19:29It means there's your world,
19:31and then there's mine,
19:33that I inhabit with everyone else.
19:34Look, I'm gonna...
19:36It was nice to see you.
19:38Enjoy the party.
19:40Wait a second.
20:02Carolyn.
20:05Carolyn!
20:06John, you have a girlfriend.
20:08Hey, and I don't have to turn on the TV or open up a newspaper to know that you two
20:12are everywhere.
20:13It's like we're all living in the John and Daryl fun house.
20:15Look, she came back into my life in this very weird time, and we have a lot of history together.
20:20No, you don't.
20:22You don't have to defend your relationship to me. I get it.
20:25There's obviously a reason you two keep finding your way back to each other.
20:29Plus, she understands this weird fishbowl that you live in.
20:33If I were you, I wouldn't want to throw that away either.
20:35So let's just be friends.
20:37Whatever stress or guilt you're feeling, you're absolved.
20:40I promise.
20:44I just wish I could explain to you how even the simplest things can become so complicated for me.
20:51How badly I wish I was someone else when I met you.
20:58It is what it is.
21:02I'll see you now.
21:33I wish I could explain to you.
21:33Can you tell me how to explain to you?
21:33Yes, thank you.
21:34Oh, absolutely not. It's disgusting.
21:38You scared your husband's gonna catch you?
21:42Please, look at him.
21:46I swear to God, they need a program for the partners of recovering addicts
21:50on how to cope with their newfound sanctimony.
21:53The other day, he lectured me on the pitfalls of a Diet Coke.
21:57I saw you talking to John earlier. How was that?
22:01It was fine.
22:02What, do I need to hang you out the window? Give me some details.
22:06We're just gonna be friends, which we should have done from the beginning.
22:10You don't want to be his friend.
22:12Either way, that ship has sailed.
22:14I don't blame him. He's dating a beautiful movie star. What's not to love?
22:19Well, look, I love John,
22:23but there's a lot of trade-offs being with someone like that.
22:26I mean, there's a rush walking into a room with someone everyone wants to talk to,
22:30feeling like of all the people they could have on their arm, they chose me.
22:35I must be fascinating, too.
22:37But at the end of the day,
22:39they never really choose you, you know,
22:43not in the way that you wish they would.
22:46Shiny people like that,
22:48they belong to everyone.
22:50All I'm saying is,
22:52it's better to be adored
22:56than enamored.
23:00I was going out, as you can imagine,
23:03and I, um, I had some lessons
23:06in the very first lesson.
23:14Hey.
23:16I'm just grabbing some more rolling papers.
23:19You need anything?
23:20I don't want to go.
23:21I don't want to go.
23:23I don't want to go.
23:24I don't want to go.
23:26I don't want to go.
23:27Hey, brother.
23:28How's it going?
23:30I think something's up with your stove.
23:32I'm just getting, like, a ton of gas.
23:36Come on.
23:37Next.
23:39Maybe turn off the stove first?
23:41Right.
23:41Good looking out.
23:42Let's fucking suck the blow up.
23:45Hey.
23:46Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
23:54Hey, you're here.
23:56I think you know everyone.
23:58Um, oh, wait, this is my friend Chandra
24:00from the retreat I did in Peru.
24:01She's the one who knows your cousin Bobby.
24:03How do you know him again?
24:04Uh, I guess technically Riverkeeper.
24:06Do you guys mind not?
24:09Oh, sorry.
24:23Well, is it, like, a family thing, the event tonight?
24:26No.
24:27Why?
24:29I just didn't know if maybe your mom and sister were there,
24:31and that's why you didn't invite me.
24:33You have to stop with this narrative
24:34that you're, like, persona non grata, okay?
24:36It's not true.
24:40Babe, you have Kennedy memorabilia everywhere.
24:42It's not memorabilia, Daryl.
24:44These are not baseball cards.
24:46They're family heirlooms.
24:50Well, can you hang out for a little?
24:52You've been out all night.
24:53Exactly.
24:55I'm exhausted.
24:55From your work event?
24:57You don't even have a job right now.
25:03Now, maybe give me a heads up
25:05the next time you want to have people over at my place.
25:06Your place?
25:07I live here, too, John.
25:09Do you ever notice how quickly it becomes your place
25:10any time anything remotely inconvenient happens?
25:13Remotely inconvenient?
25:14I don't even know who half these people are.
25:16Yeah, because you don't even make an effort
25:17to get to know them.
25:18Oh, I'm sorry.
25:19Why don't we get Chandra over here
25:20and we can blow some lines off my dad's inaugural address?
25:28I'm going to crash?
25:30It was nice to see all of you.
25:35Hi.
26:02Should we go?
26:05On the condition of a clean slate, which you agreed to.
26:10And yet every time I look at you, your mind is clearly someplace else.
26:15All I want is for you to need me as much as I need you.
26:19I don't even know what that means.
26:23That's because you're repressed, John.
26:25Like, I say this with love, but between your lineage and your heritage,
26:28you're like the poster child for emotional avoidance.
26:32Between my lineage and my heritage?
26:34Yes.
26:35Oh, my God.
26:35This, this, what we're doing in front of your friends right now
26:38is exactly how we end up on the cover of People magazine every week.
26:41Who cares?
26:41I'm trying to talk to you about real life.
26:44Our relationship becoming a global punchline is real life, Daryl.
26:47And if you can't see that, then I don't really know what to tell you.
27:16I don't really know what to tell you about.
27:27Hey.
27:29I let you keep that uniform.
27:32Ow.
27:34That didn't hurt.
27:36Didn't you play football in high school?
27:39So?
27:42So you're supposed to be tough.
27:50Why do you always like to do that?
27:52What, pinch you?
27:53Mm-hmm.
27:54I don't know.
27:54Do I do that often?
27:55Uh, yeah.
27:56I guess I didn't really notice.
27:59No, that's not, that's not true.
28:01I, um, when I was little, I was playing hide-and-go-seek with my sister and her friends,
28:10and I was hiding in this little compartment in my stepdad's entertainment unit, you know,
28:16by the TV, and all of a sudden I started having all these really dark thoughts that something
28:23bad had happened to them.
28:27And I got scared, so I, I climbed out, and they were all just sitting there making friendship
28:34bracelets.
28:35Like, they all just, they all just stopped looking for me, and no one said anything, and
28:41I just, I lost it.
28:45And I started hyperventilating, and my mom was trying to calm me down, and she just kept
28:50telling me to pinch her arm.
28:52I think she wanted to have me focus on something else.
28:56Eventually I stopped crying.
29:02Well, if that was me, I would have never stopped looking for you.
29:14I'm going to get a water.
29:16I can get it for you.
29:17Oh, no.
29:18It's fine.
29:39You okay?
29:40Yeah.
29:58John, tell me what it was about Governor Florio and his record that seemed to result
30:03in his winning the award this year.
30:05Well, for this year, the award was given on the basis of the governor's, uh,
30:09stand on gun...
30:10Yep.
30:17What?
30:20What if we did a little shopping?
30:26So, uh, are we allowed to be in here on the weekends?
30:32No, I'm serious.
30:33What happens if somebody walks through that door?
30:35Then what are we going to do?
30:36Uh, we split up and run like hell.
30:41What shoe size are you going to do?
30:45Thirteen?
30:46Yeah.
30:49Why are you doing this for me?
30:51Hmm?
30:52Because you're a good person.
30:54And you deserve more than you think you do.
30:56Hmm.
31:01Plus, you got to dress for the part you want, not the part you have.
31:03Right?
31:05I still know a few of their moves.
31:10Oh, Jesus.
31:13Don't act like you're not a dress.
31:18That's the opposite of an aphrodisiac.
31:20I don't know.
31:21What is it?
31:24Come on.
31:46I, uh, I read in the trades you're going to be working with Ann-Margaret?
31:52Yeah.
31:53How cool.
32:02Your mother isn't feeling well.
32:05She'll be taking dinner in her room, but she sends her regrets.
32:19John.
32:20Yeah.
32:35Daryl!
32:40Daryl!
32:41Daryl!
33:07Daryl, come on.
33:16Daryl!
33:27Thank you, Yoji.
33:33Is she gone yet?
33:44what are you doing
33:45i can't stick around anymore hoping you're to change or start to give a shit
33:49give a shit what do you think i'm doing here
33:51it's not enough to just show up john you have to actually be with me when we're together
34:01what is it that you're waiting for
34:03what is it that i haven't proved to you yet
34:07no one is going to love you the way that i love you john
34:10okay no one is going to be able to put up with all the cameras
34:14and the tabloids in your family and i mean say what you will but there's a reason the public
34:20is so invested in us it's because they know we have something worth paying attention to
34:26and you know we've talked about how i feel like work has been kind of drying up for me
34:32or maybe that's just the universe making space for us
34:36for me to be more to you in this next chapter of your life
34:42are you even still in love with me
34:46of course i love you
34:56i'm done
34:59because i won't accept your marriage proposal when we're at each other's throats
35:02this has been five years john if you wanted to marry me you would have
35:06you really believe that why'd your friends tell the press our engagement was imminent
35:09what are you talking about the convenient details of your wedding dress
35:13what did you think you'd get through to me via the tabloids
35:17see this is where your family is with your head
35:20not everything is a ploy john or an angle or some machination of the kennedy court
35:33where are you going back to la
35:38i don't want you to leave i want to work through this
35:43we'll be back in a few days what are you just going to leave them
35:51you need to ask yourself what it is you really want
35:54not your family not what you think people want what you want
36:12can you confirm he's been submitted
36:13it's the biggest modeling campaign in the world my dad
36:17okay just um do me a favor and flag his headshot for calvin
36:20wow really done a 180 on this relationship huh
36:24i just think you'd be right for it i mean
36:27you said it yourself he's gorgeous
36:28oh so this is just strictly professional
36:32jules
36:33what are you doing with this guy
36:41you look very familiar where would i know you from
36:46uh
36:50i'm not sure
36:59wow looks like you have quite a few notes there
37:02hi hi
37:04oh some of them are just words of encouragement
37:07hmm i don't recall getting any of those when you gave me notes on my book
37:11oh that's because praise makes you horribly uncomfortable
37:19have you ever thought about writing one a memoir
37:25no absolutely not
37:27well don't you tell the authors you work with it's an opportunity to make sense of the past and
37:33reclaim the narrative some of them yes but not everyone's past should be revisited
37:41do you ever think about what your life might have looked like if you married somebody else
37:45i did marry somebody else i know you still have his last name
37:50i wasn't talking about ori
37:54you know you never called him that until after he died
37:58our entire marriage you refused to call him anything other than mr onassis
38:03i already had a father who didn't parade us around the greek islands like he won us at an auction
38:08that was because i think we needed it whether you or the rest of the world liked it or not
38:14do you ever think about what if you had married somebody other than dad
38:18just lived a normal life i think we both know if anyone had offered me anything normal i would
38:25have been bored to death even knowing what you know now about some of the choices he made
38:38all relationships have their disappointments it's just a matter of how you're let down what you
38:47you don't think your relationship has drawbacks no i don't you might but i didn't need the same
38:54things that you did you've been nothing but supportive of your relationship you acquiesced
38:59to my relationship what that was because i wanted to make sure you were marrying for the right
39:04reasons what possible ulterior motive could i have had marrying ed well exactly you made a stable choice
39:15god forbid i choose a man i could actually depend on at any rate your brother
39:22he was more overt at pressing my buttons but you
39:28you weren't exactly an apple polisher not everything we do is in reaction to you the same
39:34way your varied love life wasn't only a reaction to your mother
39:41the end of the day your wounds informed your choices just as mine did and once i realized that
39:47ed was the right one for you i shut my mouth didn't i i think you failed to
39:55contextualize who i was raised by i mean you know your grandmother but you don't know my mother
40:02her only dream for me was to become the most beautiful accessory to the most coveted man
40:10and i think well i think i exceeded those expectations
40:22but i do realize that i might have gone about it in the wrong way at times
40:32but i did have your best interests in mind sweetheart
40:38i know
40:42do you
40:46i know mom
40:54do you
40:55i do need notes on my latest draft by the way
41:16the delivery guy didn't want them
41:20white orchids
41:27hi
41:28hey
41:29hey
41:29are we still good for lunch
41:30yeah
41:31no i'm i'm starving
41:35those can stay at my desk
41:41come on
41:42come on hank
41:43come this way
41:44can i get your autograph
41:44oh um
41:46sure
41:48thanks john
41:49do you want
41:50hank
41:51hank
41:53hank
41:55hank
41:57hank
41:57hank
41:58hank
42:15hank
42:16well i had to
42:18wait for the ashes
42:20all right
42:21my car's downstairs
42:22okay
42:23i'll see you soon
42:46oh hello sweetheart
42:48it's mommy
42:50well i just
42:52was checking in
42:53to see
42:55well i haven't
42:57spoken to you since you left so abruptly the other night
43:02anyways
43:05call me
43:07all right
43:09very good
43:11bye
43:16my take a little cry
43:18to come undone
43:22now we'll try
43:24to stay
43:25blind
43:27to the open field
43:31outside
43:33hey child
43:36stay wilder than the wind
43:41and blow me into a cry
43:46who do you need
43:49who do you love
43:52when you come undone
43:57who do you need
44:00who do you love
44:03when you come undone
44:11lost
44:12lost
44:13in a snow-filled sky
44:16we'll make it all right
44:19to come undone
44:22now we'll try
44:24to stay
44:26blind
44:28to the home
44:30and fear
44:32outside
44:32outside
44:33hey
44:34hey
44:35child
44:36stay
44:37wilder than
44:40the wind
44:41and blow
44:42me into
44:45cry
44:46who do you need
44:50who do you love
44:58who do you love
45:04when you come undone
45:12who do you need
45:16who do you love
45:18who do you love
45:21you
45:22you
45:23you
45:23you
45:23you
45:23you
45:28you
45:29you
45:30you
45:32you
45:33you
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