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Bergerac S02E06 [Full Movie] [Trending]Full EP - Full
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00:10What else was I supposed to do?
00:12He told us the photograph of Bermuda. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, he did.
00:22Move his car round the back.
00:26Then what? What were you going to do?
00:29What I always do, Michael.
00:32I'm going to clear up your mess.
00:35You have a fag.
00:38Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:51But in your case, I think she really...
00:53Nigel!
00:58Where are you?
01:01Where are you?
01:01...
01:07...
01:16...
01:17...
01:30The number you have dialed is no longer in service.
01:33Please check and try again.
01:35The number you have dialed is no longer in...
01:58I notice you still haven't undied me, Micah.
02:05What's the plan then? Are you going to...
02:09Strangle me?
02:12Are you going to suffocate me?
02:14That's up to you. What won't hurt?
02:18How about old age?
02:19Huh?
02:23Where's Alan now?
02:26If he's not in Bermuda?
02:30You're sitting on him.
02:34Wow.
02:37Okay.
02:41They were fighting about Alan leaving.
02:45And, um...
02:47Michael pushed him.
02:49Alan hit his head on the table.
02:52I came home and found them.
02:54It was an accident, but I knew how it looked.
02:57And Michael wouldn't survive prison.
03:01So...
03:02We didn't tell anyone.
03:05And we put Alan down here.
03:09Is that what no more secrets meant?
03:13Did Tony know and that's what got him killed?
03:15I didn't kill Tony.
03:17I didn't kill Tony.
03:18That was nothing to do with me.
03:19What about Michael?
03:20Was it another argument that got out of control?
03:23It wasn't Michael either.
03:25But he did...
03:27...kill Alan.
03:29So why...
03:30Why is Sir Michael here?
03:31Why am I having this conversation with you?
03:33I'm stronger than him.
03:36You've met him.
03:37He's just a child.
03:41Do you have any children?
03:44Yeah.
03:45Yeah, I do.
03:46I have a daughter.
03:48She's called Kim.
03:49She's actually leaving Jersey.
03:51In 24 hours she's...
03:53She's going to this big music school on the...
03:55Don't tell me about her.
03:57Sorry.
03:58But I know what you're doing.
04:15Don't you want to protect her?
04:17I want her to be brave.
04:20I want her to take responsibility for her actions.
04:23It must be lovely loving someone like that.
04:27You're crossing a line now.
04:29Both of you are.
04:31Listen.
04:32Michael.
04:33Michael.
04:34Complete manslaughter.
04:35He could just be looking in a few years and you...
04:38Helping him conceal it.
04:39You're his mum.
04:39Even the jury will understand that.
04:41You might even get a non-custodial.
04:42But if you kill me now...
04:43I swear to God, we're talking life.
04:46No parole.
04:46No.
04:47No early release for good behaviour.
04:48You are never, ever coming out.
04:50I don't understand why you don't understand.
04:52You've got a daughter.
04:54You'd fight bears for her.
04:56You'd fight armies.
04:58You'd kill one dangerous man.
05:01Someone will find out.
05:03The police know I'm here.
05:05Someone is going to come looking for me.
05:06You'll be long gone by then.
05:09Hey!
05:10Hey!
05:10Hey!
05:10Hey!
05:11Hey!
05:11Hey!
05:11Hey!
05:13Hi, Michael.
05:15Um, is Monica there?
05:16I tried her house.
05:17No.
05:18Um, is that...
05:19Isn't that her car outside?
05:22Then yes.
05:24Ruth?
05:24Hi, I'm here.
05:26Hi.
05:26Michael, let Ruth in.
05:29Hello.
05:30I was just clearing out some of Alan's things.
05:32Oh.
05:33Um, I'm sorry to turn up on the house.
05:36Ah!
05:39Tony!
05:40Tony!
05:42Tony!
05:44Could you call the police?
05:46We need to get Tony's body released.
05:48Um, I've asked them, but, um, I just, I think it would sound better coming from you.
05:53Oh, you've cut yourself.
05:55Oh, um, I was opening a can.
05:58What, with a sword?
06:00Have the police spoken to you, Ruth?
06:02Have they given you any indication of what they're thinking?
06:05Well, haven't you heard?
06:06They've arrested Nicola.
06:10What?
06:11Um, I spoke to them.
06:12Not Bergerac.
06:13A different one.
06:15About an hour ago.
06:17Well, why would they think that she had anything to do with it?
06:20She didn't even know Tony.
06:21Oh, well, they didn't say.
06:24Look, Nicola and I were in touch.
06:27She thought you killed Alan and Tony knew.
06:30And, well, that's what I thought.
06:32That's why I came to see you yesterday.
06:35Look, I'm, I'm so sorry, Monica.
06:37I just, I assumed you'd been told.
06:46Um, Mum, uh, needs to be alone.
06:50Oh, yes, no, of course.
06:53Um, sorry.
07:06And you'll speak to the police about releasing the body?
07:09Yes, sir.
07:10Leave that with us.
07:11No, Rick.
07:12I just think it's really important.
07:33Barney.
07:34Huh?
07:34Here we go.
07:35Forensics have come back with a final report on the card from Alan Barton.
07:37Yeah, I've seen a report.
07:39The card is genuine.
07:40Yeah, that was the, um, the interim.
07:41This is, this is the full file.
07:43Simon, give me the headlines.
07:44Okay, so they compared the card with three samples from friends.
07:48They said the handwriting is superficially adept, but upon further examination,
07:52there are enough inconsistencies to suggest it was not written by Alan Barton.
07:56What?
07:57It was principally in the letter formation, the pressure, slant and the spacing.
08:00Hang on, so Michael forged the card.
08:02Does it say that in there?
08:03It does, yeah, basically in the conclusion at the end.
08:09It wasn't suicide, it wasn't Wanaka.
08:13It was Michael.
08:22David, get two cars ready.
08:24This was Tara.
08:25Bucket.
08:26Everyone!
08:27Listen up.
08:34Gameeeeee.
08:37Oh уровdo.
08:38Okay here.
08:46Kevin Murphy.
08:46I know.
08:48I know it was going to be a deal.
08:50You know your problems?
09:03Oh, my God.
09:22Why have you arrested Nicola?
09:25She was out of the way.
09:26That's a lie.
09:28There are pictures.
09:30There was blood on her coat.
09:32And five years ago, she said one day
09:34she was going to take away the thing you love most in the world.
09:38Monica, just listen to me.
09:40Shut up.
09:41Shut up.
09:42Shut up!
09:45Monica.
09:46Shut up. Just be quiet.
09:51Because I need to think.
09:58Okay, and then...
10:00And then...
10:02And then it's over.
10:03It's over.
10:03And then it's over.
10:09You never answered my question
10:12about the best way to die.
10:14What's suffocation like?
10:16It's pretty unpleasant, I imagine.
10:18Worse than this.
10:26Well, then.
10:42What are you doing?
10:43I'm looking for a plastic bag.
11:10I'm looking for a plastic bag.
11:15You never even get off.
11:24You, Christ, you, you have fucked my life.
11:32Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:40I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:49You've taken everything from me.
11:53Every last scrap.
11:57You've eaten me alive.
12:04So come on then.
12:08Where are we going?
12:11The cellar.
12:28Oh, Jesus.
12:30Fuck.
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me too.
12:35Oh, my God.
12:58Where is he?
12:59I don't know.
13:03Oh, my God.
13:07Oh, God.
13:08Michael, no.
13:10Oh, hey.
13:14Stop.
13:15Stop.
13:15Michael, don't do this.
13:17Look, I spoke to your mom.
13:19She said it was an accident.
13:20I understand that.
13:21Let me go.
13:22Let me run away.
13:23Put the knife down and we can talk.
13:27Michael.
13:28Hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right.
13:35Come on.
13:36It's over, Bob.
13:38Come on.
13:38We've got to face facts.
13:39We've got to be big and brave.
13:42And we've got to say, come on.
13:44Do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever.
13:48I tell everyone.
13:49He runs rings around me, I say.
13:53What's your chess ranking?
13:56200?
13:57One hundred and eighty-eight in the world.
14:01Well, there you are, though.
14:02So, come on.
14:03Let Ruth go now.
14:05Come on.
14:06Poor Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on.
14:10It's over, love.
14:12It's over.
14:15That's it.
14:15Good boy.
14:16Good boy.
14:17There we are.
14:24That was it.
14:28That's my Michael.
14:33It's all right.
14:33Mom's here.
14:36Mom's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:42It's all right, Michael.
14:45Mom's here.
14:50You know, the most interesting thing about all this is, no Jim Bergerac.
14:53Now, I'm not saying he was holding us back, but it is funny how the whole thing resolves the minute
14:57he steps away.
15:05I'm not saying he's holding us back, but it is funny how the whole thing is going to happen.
15:24I don't know.
15:27I don't know.
15:27I'm looking for Nigel.
15:28Nigel Morton.
15:29Nigel Morton.
15:30I think you've got the wrong address, so...
15:32But this is his restaurant.
15:34Um, no.
15:36This is...
15:37Well, it's not really anything right now.
15:39They want to turn it into one of those paint-your-own-pottery places, but I sort of feel that's
15:44had its day.
15:45But we, um, we came here a couple of days ago.
15:50He showed me around.
15:52Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:56Um, students.
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing.
16:02But then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um, older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late sixties.
16:15Absolutely charming, to be fair.
16:18Are you alright?
16:19Yes.
16:22I'm sorry to have interrupted.
16:47I'll have to move on next week.
17:00I'm not hungry.
17:02Are you okay?
17:13you should have told us you were coming here yeah it was just a spur-of-the-moment thing
17:16again this learning wolf bullshit i know this changes nothing about nicola
17:21we are charging her with tony's murder that makes sense yeah and i don't want you within
17:2510 miles of it i won't be we had an agreement jim it's all yours bonnie
17:32we were on our way here clearly
17:37it's a little more of bullshit
18:07you'll be kind to michael won't you yeah we're kind to everyone monica
18:12how's nicola i don't know she's at the station she'll be charged later today
18:21when tony said no more secrets what do you think he meant
18:28indulge me i don't know maybe he was talking about the accident no not alan
18:32not where his body is tony didn't know anything about alan so i keep coming back to this cottage
18:36tony didn't have any money so you needed to sell it but you said no and and what he was
18:41just fine
18:42with that well it was my house yeah i reckon he could be pretty persuasive though and what else
18:46was he gonna do he didn't have any money he didn't have anywhere to live and the solution
18:50to all that is right there look here's what i think either you had to tell tony about alan
18:58you can't sell a cottage with a dead body buried under it and you know what i think he was
19:02probably
19:03okay with that i mean he had secrets of his own but then he's saved by the brother of the
19:08woman
19:08whose death he caused he has this road to damascus conversion he stands up that's it no more secrets
19:15and you panic because that means michael goes to prison i told you tony didn't know about alan
19:21why was he talking to you when he said it he was looking at you in a mirror just like
19:26i am now
19:27in all the hullapaloo i've forgotten that monica there is nothing you can do to protect michael anymore
19:35it's nicola who needs you now don't let her go down for this
19:53i spoke to tony after the speech and i said please don't do this but he'd made up his mind
20:03he was
20:04going to come clean about alan and about the accident as well he said that um he and michael
20:10would be liberated even if they went to prison they'd they'd be free so when i went back to the
20:18room with the knife he was sleeping it was peaceful he didn't feel a thing i mean i don't i
20:29don't care
20:29if you believe me or not i i was there it was peaceful tony didn't have children so he he
20:39didn't
20:40understand you do you'd fight armies for your child you'd fight bears you'd kill one dangerous man
21:15she's all yours
21:21sir your phone it's not evidence there's a seven missed calls from kim uh we can let nicola go
21:28whoa whoa whoa what why monica killed tony she confessed and i arrested her
21:36hi love look sorry something happened at work i just have to go to the station and then
21:42what is it what's wrong i got worried when you didn't turn up when i rang granny i made her
21:59come
21:59here where is she
22:09charlie
22:17hey i'm so sorry
22:21kim says you gave him some money it was for his restaurant how much charlie i know it's uncomfortable
22:29i need to establish if a crime has been committed
22:36a hundred and twenty thousand pounds
22:40right
22:43yeah um listen listen people have lost more so you know don't feel bad but um look now we have
22:53some options
22:54okay did he did he threaten you did he did he coerce you
23:00at first
23:01he wouldn't take it i had to convince him to
23:03that's a common that's you know it's manipulation
23:08they make it seem like it was your choice it's what they do
23:11i'm not an imbecile
23:12oh some some love-struck teenager i can think i can reason i ran a business
23:21i was a magistrate i i've written fucking books
23:24hey no one is blaming you charlie
23:26he took me to the restaurant he showed it to me
23:28and and he had a business plan and there was some partner someone he was working with
23:33okay yeah but they were working together
23:35you know sometimes maybe they switch roles nigel is is the business partner and the other guy is the
23:42the nigel
23:46we were lovers
23:49i know
23:54like i said look we have some options now
23:58these options
23:59they will require me to press charges don't they
24:03well yeah
24:04i won't do that
24:06charlie
24:06i won't do that
24:08i'll be humiliated
24:11i'll be a punchline
24:13i'll be millie faversham
24:16i'm sure you think a reputation is a quaint thing
24:21your reputation waxes and wanes
24:23you don't care anymore
24:24how lovely for you
24:29but for the rest of us
24:33it's a pile of poker chips
24:42i'll say i ended the relationship
24:46i might even throw in something longer and salacious
24:50it was terrible in bed
24:53people will laugh
24:55and i've seen powerful
25:01to the rest of the world
25:05i'll still be me
25:10so
25:11there we are
25:17what happened to you? you look terrible
25:38you can't do this
25:44sue me
25:45sadly i don't have the time
25:46i'm flying back to the mainland
25:47just
25:48waiting for my taxi
25:49you know i have sympathy for
25:51some of the people i deal with
25:53yeah they're unlucky
25:53they're desperate
25:55but then there are the ones like you
25:56the ones that just have a fundamental part of their humanity missing
26:00yeah even other criminals know it
26:02that's why men like you don't do well in prison
26:04so who are you really?
26:06i'm sorry jim i'm
26:08lost
26:09men like me
26:10yeah
26:11and i've done nothing wrong
26:13my girlfriend
26:14gave me some money for a business opportunity
26:16that has frustratingly gone away
26:18and now that
26:19relationship has come to an end
26:22am i missing something? is any of that illegal?
26:25obviously you know the law better than i do
26:30wait you don't think this was a scam?
26:34oh no wonder your cross
26:37look if charlie thinks there's been any kind of double dealing
26:40then she should press charges
26:42and we should go to the police station right now
26:51what's that lassie? she hasn't
26:55oh then i'm confused again
26:58the cab firm said ten minutes
27:02how do you know where i was by the way?
27:04on your second date you took flowers for charlie
27:07you ordered them online from a local florist
27:11and you had them sent to this address
27:14you should be a detective
27:16yeah
27:18people have said that
27:21while i've got you here
27:24i just want to say i think you're too hard on yourself
27:28i'd be a gibbering wreck for years if i've been through what you have
27:31but you're holding yourself together
27:34solving crimes
27:37never mind what charlie says i think you're a great father
27:41just give yourself a pat on the back
27:45did you even lose a child?
27:48no
27:49no
27:50not as such
27:50look i'm not proud of that what can i say
27:52i was intoxicated by i wanted to find a connection so yes
27:57little white lie like
27:59inflating your income or
28:01saying your love downtown abbey when it makes you want to gouge your eyes out
28:07admit it
28:10there's a part of you that thinks she deserves this
28:15she's my family
28:16oh come on
28:17you don't even like her
28:20she certainly doesn't like you
28:24in case you thought it was all just banter
28:27it raises an interesting question doesn't it?
28:30about
28:31about
28:31those men
28:32why they exist
28:34the people they target tend to be
28:37venal and callous
28:39they live for the schadenfreude
28:43makes their eyes roll back in their head jim
28:47and these women
28:49they're cowards
28:52if they were decent or brave those men would have to rock post offices
28:58i'll convince charlie to press charges
28:59you could still be arrested on the mainland
29:01great
29:01yeah looking forward to it
29:02see you in court etc
29:07look i hate to ask but
29:08you couldn't give me a lift to the airport could you?
29:19it's barney crows here can i get five minutes with him today?
29:23yes
29:23it is urgent
29:316.15
29:32yeah that works
29:33thank you wendy
29:55oh
29:55ah
29:56finally
29:56where is everyone?
29:58the pub
29:58waiting for you
29:59it's not everyday we solve two murders for the price of one
30:02especially not two in the same family
30:05i mean
30:06my mum and dad are naturists
30:08shut up
30:09yeah
30:09they spend
30:10half their year
30:12playing table tennis
30:13with other naked pensioners
30:14and i thought that was weird and dysfunctional
30:17but
30:18anyway
30:18great result boss
30:20uh
30:21yeah
30:22yeah it is
30:23tell your face
30:25sorry
30:26it's a
30:27bit of a
30:28crisis
30:29oh
30:30there's some chat about
30:32nominating ruth salinger for an award for bravery
30:35good idea
30:35yeah
30:37i'll pop by her office later
30:38i didn't get a chance to thank her properly
30:40did you hear
30:41that big sale of her company it just went through
30:43who told you that?
30:44it's on the news
30:46uh
30:46has
30:47has nikola gone?
30:48yeah you said release her
30:49no i know i
30:50um
30:51i just i need to talk to her
30:52what time did she leave?
30:53about half an hour ago
30:55about half an hour ago i'm sure you can catch her at a hotel
30:57Cara
30:57that's not my distance
31:00we owe her an apology
31:01hmm
31:02i believe you
31:03tell your face
31:06i'll go see her now i'll go see ruth
31:08um
31:08there's news about this company
31:10where is it?
31:11oh uh
31:12the business bit
31:21after years of building
31:22growing and learning alongside an incredible team
31:25i'm proud to announce that we have officially completed the sale of our company
31:32building this company has been my life's work
31:35we have always fought to be at the forefront of discovery and development
31:40and with this partnership we can do that
31:43huge thanks to everyone at Hobart's
31:45thank you very much
31:46well done
31:47thank you
31:53good on her i say
31:55where is everyone?
31:56the pub
31:56i've been waiting for you too
31:58he wasn't here and
31:59you'd vanished
32:00i was printing something off
32:03we have a printer here
32:05how's your head?
32:07uh
32:07yeah
32:11so are you coming then?
32:12i can't drink i'm on these painkillers
32:15i heard that
32:16some pubs have started doing non-alcoholic drinks
32:20look it's
32:20it's not about the drinks
32:22it's about marking the winds
32:24everyone's waiting they want to do a toast
32:25oh mate i am trying my best here
32:27he's not drinking and
32:30he's
32:32we don't know
32:34no
32:34oh god
32:35what?
32:49sorry for that
32:50no it's okay
32:54you haven't really had a moment just the two of us
32:58how are you feeling?
33:00oh yeah it's been a day
33:01i know right?
33:07i've finally got a date for the cremation
33:10four weeks tomorrow
33:13why does it take so long?
33:16it's like we're waiting in case his condition improves
33:18times
33:21i'm sorry we have to take him back
33:23we have other tests to do
33:24i've ordered a much more detailed post-mortem
33:26i want to check for poisons
33:28poisons?
33:28he was stabbed
33:29no
33:30no you can't do that
33:33he's mine now
33:34you had your chance
33:35you had days
33:35you know who did it
33:36you have to leave him alone now
33:40ruth i think you killed him
33:46theories are like
33:49a line of dominos
33:51you're nowhere
33:52and then
33:53something happens
33:54and one topples
33:55which knocks the next one
33:57which knocks the next one
33:58on and on
33:59unstoppable
34:00and the first domino was
34:03you'd have known about those payments
34:05tony paid ian fifty grand
34:06for swapping the bloods
34:08and he paid carl
34:09for changing his statement
34:10here's what i don't understand
34:12how did he sneak those payments past ruth?
34:14right so you're saying she knew about the payments
34:16i'm saying she authorized them
34:17the first time i met ruth
34:19she said she handled the products and the finances
34:22while tony
34:24did the networking and the schmoozing
34:25in your press release today you said you built this company
34:27you know it
34:29inside out
34:29i don't think your staff
34:31can buy
34:31a paper clip
34:34without your approval
34:34we could run a forensic audit on the company
34:36see if we can find the payments
34:38well hang on let's just play this out
34:39say she did authorize the payments
34:40i'm sure she wasn't exactly thrilled
34:41but it meant that tony didn't go to prison
34:43the scandal didn't capsize the company
34:45but then
34:46fast forward 15 years
34:47tony gets up and he says
34:48no more secrets
34:49and that was a second domino
34:51he tells monica
34:53he means her and alan
34:54and
34:55the car accident
34:57tony going to prison would have been bad enough
34:59but you helped cover it up
35:00that's you screwed as well
35:01that's your whole company
35:03your life's work
35:04gone
35:05and so i wanted to kill him
35:07how is that less of a risk
35:09well it was a calculated risk
35:11and paid off
35:13because look
35:14sel went through their fine
35:15but it was monica
35:17she confessed
35:18yeah
35:19and a confession is usually a bit of a conversation stopper
35:22but then one of my colleagues said something
35:25domino number three
35:26right there was one weird thing
35:28when ruth came in earlier
35:30she was asking about when we'd release tony's body for cremation
35:33well it's gone already hasn't it
35:34why is that weird
35:34i don't know
35:35maybe just the way she said it
35:36i mean maybe it wasn't
35:37first time i met ruth she said the exact same thing
35:40i mean tony's body wasn't even cold at this point
35:41and then when you came round to michael's house
35:43and i was in the cellar
35:44i heard you telling monica she should hurry us up and get tony's body released
35:48yes because i wanted closure
35:51and that was the last domino
35:52when monica was arrested she said tony never felt a thing
35:57he was asleep she said
35:58a knife plunged through all that flesh and muscle and sine
36:03you wouldn't wake up
36:04what are you saying
36:05i'm saying when monica stabbed tony
36:09he was already dead
36:11you don't think it's possible
36:12she said that just to distance herself from what she did
36:14and tony had been drinking all day
36:16he could have passed out
36:17he could have taken a sleeping pill
36:19there was nothing like that in his post-mortem
36:21and that's the thing with tests like that
36:22especially with such an obvious cause of death
36:24they're looking for context
36:26not cause
36:27this is
36:29no
36:29ruth
36:30ruth
36:34no
36:35no just
36:39can you let me
36:40let me out
36:43can someone help me please
36:44um
36:45i'm locked in
36:49hello
36:51you just
36:51you leave me alone
36:56you are insane
36:57you are deluded
36:58you're not fit for purpose
37:01let me out
37:03let me out
37:04let me out
37:26to be fair
37:29he wasn't gonna tell the police about me
37:33we were loyal that way
37:35so why did you do it?
37:38i knew if he confessed
37:41the police would want to know how he got away with it
37:45and they would look at the blood test
37:48and they would
37:48pull at that thread
37:50until they find
37:51ian and carl
37:53and they would keep
37:54pulling
37:55and eventually
37:56they would find me
37:59just like you did
38:02what was the poison?
38:05it would help us to know what we're looking for
38:12hemlock water
38:13hemlock water drop water
38:15owenanthae crocata
38:17i did my dissertation on natural poisons
38:20a bit macabre
38:22perhaps
38:25i had some in my car
38:26can you believe
38:28i found it in my garden
38:30last week
38:31i wanted to study it
38:33It's been used to, um, to treat hepatitis.
38:37Did you know that?
38:38I thought, my God, the lives I could save.
38:44Oh, God.
38:51I thought...
39:16Hello, welcome to the Clifton.
39:18Hi, this is DCI Bergerac. I'm trying to reach Nicola Barton.
39:21She's not answering her phone.
39:22Can you put me through? She's in room 410.
39:24Uh, Miss Barton.
39:26Oh, she checked out about an hour ago.
39:28We ordered her a taxi to the airport.
39:56Oh, my God.
39:57I ran.
39:59I was jumping over the, uh, trolley things and, uh, had to show my warrant card at Passport Control.
40:06And actually, no, I could do that.
40:08They released me two hours ago?
40:10Yeah, I'm sorry.
40:12Look, things got really...
40:15Yeah, we've arrested Ruth.
40:17She did it, too.
40:19It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number two.
40:36That's me.
40:36Please have your boarding passes ready.
40:39Well, um, thanks for letting me know that this could have been an email.
40:46Albeit a long, really weird one.
40:48I wanted to tell you to your face.
40:50A Zoom, then.
40:51We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but...
41:03We're not there yet, but it's different now.
41:06You could be seen with me.
41:08Yeah, well, I'm not saying I might raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon.
41:22There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they'll send it back.
41:26What do you need?
41:26What do you need?
41:26We've got shops from several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You know we have to pay for that door.
41:35Isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage, sometimes...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
41:56No.
41:58Tony.
42:00Monaco.
42:01My God, Jesus.
42:02No, Ruth, it's too much.
42:04There was a time when I'd be buzzing with the horror and the drama of it all, but I don't
42:09want that now.
42:11You'll say you don't run it either, but you love having your finger hovering over the self-destruct
42:16button.
42:17It's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:28And that's the other thing.
42:31You didn't believe me.
42:34I told you about Monica and you didn't listen.
42:37You didn't trust me.
42:40And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once, I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:08Not right now.
43:31Good luck, Jim Bergerac.
43:58Hey.
43:59Have you found Nigel?
44:00Yeah.
44:01But there's nothing I can do without Charlie.
44:05You should go.
44:07It's okay.
44:08I wasn't doing anything today.
44:09We can just watch our own shifts.
44:10Oh, to London.
44:11To the school.
44:13We've talked about this.
44:14Yeah, we did.
44:15But you weren't completely honest with me, were you?
44:18Do I need a liar?
44:19Don't get me wrong.
44:20I think you are worried about me.
44:26But, um...
44:27Charlie saw your computer.
44:29She saw you'd been looking for advice about first-year nerves.
44:34We missed all the clues.
44:36I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this, then I promise you, nothing will ever be this scary again.
44:49But if you don't, if you let fear win, then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:58What about Granny?
44:59Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance, so we might as well keep her around.
45:09Are you sure you can both manage?
45:11Honestly?
45:15It's not your concern.
45:22I'll take care of her.
45:24I'll tell Granny.
45:28That's your chair, Rob.
45:44I'm handing in my nose.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force, but what happened with Ian, that was a wake-up call.
45:53I've allowed the job to take precedence over other areas of my life, and I think it's time I take
46:00stock and investigate other challenges.
46:05And the non-bullshit version?
46:07Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols, even the most basic precepts of policing, to be a serving suggestion that don't apply
46:20to him.
46:20But it never matters, because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules, I mean, that's hardly a shock, but...
46:30Is there anything specific I should know?
46:58Do you miss Jim, but this dynamic is turning me into someone I don't like.
47:01I'm jealous.
47:02I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:06You saw how that went.
47:08If I stay, I'm cursed to spend my whole career sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously, that doesn't have anything to do with wanting to limit the IPOC's investigation of Ian.
47:26I couldn't possibly comment.
47:29I mean, there'll be a quick game of musical chairs as people move up or sideways.
47:35So, how would you feel about switching lanes and taking a more managerial route?
48:05Is it too early to start drinking?
48:09I'm asking the wrong person.
48:34I'm asking the wrong person.
48:37As exhausting as I do.
48:39All this time, you've been biting your tongue.
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
49:00The world was different with Rachel in it.
49:06All this was Fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:33I think Rachel would have been disappointed in me for that.
49:38I think she'd be disappointed in me for lots of things, not least.
49:41The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:55But did we prepare the world for Kim?
49:59I mean, are we making it safer for her?
50:08What I mean is, you do.
50:11I know you do all the time.
50:16But what am I doing?
50:23Perhaps, like you, I need to take myself out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Kara who I work with.
50:54Kara, this is my mother-in-law.
50:57Charlie Hungerford.
50:58Hi, Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:01Kara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:26I want to report a crime.
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