- 17 hours ago
Bergerac S02E06 [Full Movie] [Full Episodes]Full EP - Full
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00:10What else was I supposed to do?
00:12He told us the photograph of Bermuda. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, he did.
00:22Move his car round the back.
00:26Then what? What were you going to do?
00:29What I always do, Michael.
00:32I'm going to clear up your mess.
00:35You have a fag.
00:38Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:51But in your case, I think she really...
00:53Nigel!
00:58Where are you?
01:01Where are you?
01:09There is no masterpiece.
01:09You're a person that will tell me how to make a decision.
01:09I'll tell you.
01:15You're a person that will tell me how to make a decision.
01:16You'll hire me, I'll tell you.
01:17You're all they want.
01:23You're a person that will tell me that you need you.
01:30The number you have dialed is no longer in service.
01:33Please check and try again.
01:35The number you have dialed is no longer in...
01:57I notice you still haven't undied me, Micah.
02:05What's the plan then? Are you going to...
02:09strangle me?
02:12Are you going to suffocate me?
02:14That's up to you. What won't hurt?
02:18How about old age?
02:19Huh?
02:24Where's Alan now?
02:26If he's not in Bermuda?
02:29You're sitting on him.
02:35Wow.
02:37Okay.
02:41They were fighting about Alan leaving.
02:45And, um...
02:47Michael pushed him.
02:49Alan hit his head on the table.
02:52I came home and found them.
02:54It was an accident, but I knew how it looked.
02:58And Michael wouldn't survive prison.
03:02So...
03:03We didn't tell anyone.
03:06And we put Alan down here.
03:09Is that what No More Secrets meant?
03:13Did Tony know and that's what got him killed?
03:15I didn't kill Tony.
03:17That was nothing to do with me.
03:19What about Michael?
03:20Was it another argument that got out of control?
03:23It wasn't Michael either.
03:25But he did...
03:27...kill Alan.
03:29So why isn't Michael here?
03:31Why am I having this conversation with you?
03:34I'm stronger than him.
03:36You've met him.
03:37He's just a child.
03:41Do you have any children?
03:44Yeah.
03:45Yeah, I do.
03:46I have a daughter.
03:48She's called Kim.
03:49She's actually leaving Jersey.
03:51In 24 hours she's...
03:53She's going to this big music school on the...
03:55Don't tell me about her.
03:57Sorry.
03:58But...
03:58I know what you're doing.
04:15Don't you want to protect her?
04:17I want her to be brave.
04:20I want her to take responsibility for her actions.
04:23It must be lovely loving someone like that.
04:27You're crossing a line now.
04:29Both of you are.
04:31Listen.
04:32Michael.
04:33Michael.
04:34Complete manslaughter.
04:35He could just be looking in a few years and you...
04:38Helping him conceal it.
04:39You're his mum.
04:39Even the jury will understand that.
04:41You might even get a non-custodial.
04:42But if you kill me now, I swear to God, we're talking life.
04:46No parole.
04:46No.
04:47No early release for good behaviour.
04:48You are never, ever coming out.
04:50I don't understand why you don't understand.
04:52You've got a daughter.
04:54You'd fight bears for her.
04:56You'd fight armies.
04:58You'd kill one dangerous man.
05:01Someone will find out.
05:03The police know I'm here.
05:05Someone is going to come looking for me.
05:06You'll be long gone by then.
05:09Hey!
05:10Hey!
05:11Shush.
05:12Shush.
05:13Hi, Michael.
05:15Is Monica there?
05:16I tried her house.
05:17No.
05:18Is that...
05:19Isn't that her car outside?
05:22Then yes.
05:24Ruth?
05:24Hi, I'm here.
05:26Hi.
05:26Michael, let Ruth in.
05:29Hello.
05:30I was just clearing out some of Alan's things.
05:32Oh.
05:33Um, I'm sorry to turn off the house like that.
05:39Tony!
05:40Tony!
05:42Tony!
05:43Tony!
05:43Tony!
05:43Tony!
05:44Tony!
05:44Could you call the police?
05:46We need to get Tony's body released.
05:48Um, I've asked them, but I just, I think it would sound better coming from you.
05:53Oh, you've cut yourself.
05:55Oh, um, I was opening a can.
05:58What with?
05:59A sword?
06:00Have the police spoken to you, Ruth?
06:02Have they given you any indication of what they're thinking?
06:05Well, haven't you heard?
06:06They've arrested Nicola.
06:10What?
06:11Um, I spoke to them.
06:12Not Bergerac.
06:13A different one.
06:15About an hour ago.
06:17Well, why would they think that she had anything to do with it?
06:20She didn't even know Tony.
06:21Well, they didn't say.
06:23Look, Nicola and I were in touch.
06:27She thought you killed Alan and Tony knew.
06:30And, well, that's what I thought.
06:32That's why I came to see you yesterday.
06:35Look, I'm, I'm so sorry, Monica.
06:37I just, I assumed you'd been told.
06:46Um, Mum needs to be alone.
06:50Oh, yes.
06:52No, of course.
06:53Um, sorry.
07:06And you'll speak to the police about releasing the body?
07:09Yes, sir.
07:10Leave that with us.
07:11Now, Ruth.
07:11I just think it's really important.
07:15I'm so sorry.
07:21Oh, no.
07:33You're sorry.
07:37I'm so sorry.
07:40I'm so sorry, I'm so sorry, I'm sorry.
07:41I'm sorry.
07:41I'm sorry.
07:41This is the full file.
07:43Simon, give me the headlines.
07:44Okay, so they compared the card with three samples from friends.
07:48They said the handwriting is superficially adept,
07:50but upon further examination, there are enough inconsistencies
07:53to suggest it was not written by Alan Barton.
07:56What?
07:57It was principally in the letter formation, the pressure, slant, and the spacing.
08:00Hang on, so Michael forged the card. Does it say that in there?
08:03It does, yeah, basically in the conclusion at the end.
08:09It wasn't suicide, it wasn't Wanaka.
08:13It was Michael.
08:22David, get two cars ready.
08:24This was Tara.
08:25Fuck it.
08:26Everyone, listen up.
08:28Huh.
08:40Huh.
08:47I don't know.
09:22Why have you arrested Nicola?
09:25She was out of the way.
09:26That's a lie.
09:27No.
09:29There are pictures.
09:30There was blood on her coat.
09:32And five years ago, she said one day she was going to take away the thing you love most in
09:37the world.
09:38Monica, just listen to me.
09:40Just shut up.
09:42Shut up!
09:45Monica.
09:46Shut up.
09:47Just be quiet.
09:51Because I need to think.
09:58Okay.
09:59And then.
10:00And then.
10:01And then it's over.
10:03It's over.
10:03And then it's over.
10:09You never answered my question about the best way to die.
10:14What's suffocation like?
10:16It's pretty unpleasant, I imagine.
10:18Worse than this.
10:26Well then.
10:42What are you doing?
10:43I'm looking for a plastic bag.
11:08What are you doing?
11:24You, Christ, you, you have fucked my life.
11:32Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:39I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:50You've taken everything from me.
11:54Every last scrap.
11:57You've eaten me alive.
12:04So come on, then.
12:09Where are we going?
12:11The cellar.
12:28Oh, Jesus.
12:30Fuck!
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me too.
12:36Oh, my God.
12:42Oh, I'm the...
12:58Where is he?
13:00I don't know.
13:03Oh, God.
13:07Oh, God!
13:08Michael, no!
13:13Oh!
13:14Hey, stop, stop!
13:15Michael, don't do this.
13:17Look, I spoke to your mum.
13:19She said it was an accident.
13:20I understand that.
13:21Then let me go.
13:22Let me run away!
13:23Put the knife down, and we can talk.
13:27Michael, hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right.
13:35Come on, it's over, Bob.
13:38Come on, we've got to face facts.
13:39We've got to be big and brave,
13:41and we've got to say, come on, do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever, I tell everyone.
13:49He runs rings around me, I say.
13:52Huh?
13:53What's your, what's your chess ranking?
13:56200?
13:57One hundred and eighty-eight in the world.
14:01Well, there you are, though.
14:03So, come on, let Ruth go now.
14:05Come on.
14:06Come on, Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on, it's over, love.
14:12It's over.
14:14That's it, good boy.
14:16Good boy.
14:17There we are.
14:20There we are.
14:24There we are.
14:25That's it.
14:28Come on, Michael.
14:32It's all right, Mum's here.
14:36Mum's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:43It's all right, Michael.
14:45Mum's here.
14:50You know, the most interesting thing about all this is, no Jim Bergerac.
14:53Now, I'm not saying he was holding us back, but it is funny how the whole thing resolves
14:57the minute he steps away.
15:05Can't we have found him?
15:16Lots of families around here, so you know.
15:18Lots of birthdays.
15:20Sounds like a great idea.
15:22Would you excuse me one second?
15:24I'll read that.
15:26Can I help?
15:26Yes, I'm looking for Nigel.
15:28Nigel Morton.
15:29Right.
15:30I think you've got the wrong address, so...
15:32But this is his restaurant.
15:34Um, no.
15:36This is...
15:37Well, it's not really anything right now.
15:39They want to turn it into one of those paint-your-own-pottery blouses, but I sort of feel that's
15:44had its day.
15:45But we, um, we came here a couple of days ago.
15:50He showed me around.
15:52Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:56Um, students?
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing.
16:02But then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um, older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late 60s.
16:15Absolutely charming, to be fair.
16:18Are you all right?
16:19Yes, uh, thank you.
16:22I'm sorry to interrupt.
16:23I'm sorry to interrupt.
16:25I'm sorry to interrupt.
16:30I'm sorry to interrupt.
16:32I'm sorry to interrupt.
16:36I'm sorry to interrupt.
16:38I'm sorry to interrupt.
16:41I'm sorry to interrupt.
16:43I'm sorry to interrupt.
16:46I'm sorry to interrupt.
16:46I'm sorry to interrupt.
16:46I'm sorry to interrupt.
16:47I'm sorry to interrupt.
16:47I'm sorry to interrupt.
16:47I'm sorry to interrupt.
16:47I'm sorry to interrupt.
16:47I'm sorry to interrupt.
16:48I'm sorry to interrupt.
16:48I'm sorry to interrupt.
16:52I'm sorry to interrupt.
17:13you should have told us you were coming here yeah it was just a spur of the moment thing
17:16again this learning wolf bullshit i know this changes nothing about nicola we are charging
17:22her with tony's murder that makes sense yeah and i don't want you within 10 miles of it
17:26i won't be we had an agreement jim it's all yours bonnie
17:32we were on our way here clearly
17:36slow more of
18:07you'll be kind to michael won't you yeah we're kind to everyone monica
18:12how's nicola i don't know she's at the station she'll be charged later today
18:21when tony said no more secrets what do you think he meant
18:28indulge me i don't know maybe he was talking about the accident no not alan
18:32not where his body is tony didn't know anything about alan so i keep coming back to this cottage
18:36tony didn't have any money so you needed to sell it but you said no and and what he was
18:41just
18:41fine with that well it was my house yeah i reckon he could be pretty persuasive though
18:45and what else was he gonna do he didn't have any money didn't have anywhere to live and the solution
18:50to all that is right there look here's what i think either you had to tell tony about alan
18:58you can't sell a cottage with the dead body buried under it and you know what i think he was
19:02probably
19:03okay with that i mean he had secrets of his own but then he's saved by the brother of the
19:08woman
19:08whose death he caused he has this road to damascus conversion he stands up that's it no more secrets
19:15and you panic because that means michael goes to prison i told you tony didn't know about alan
19:21why was he talking to you when he said it he was looking at you in a mirror just like
19:26i am now in all
19:27the hullapaloo i'd forgotten that monica there is nothing you can do to protect michael anymore
19:35it's nicola who needs you now don't let her go down for this
19:50okay
19:53i spoke to tony after the speech and i said please don't do this but he'd made up his mind
20:03he was
20:04going to come clean about alan and about the accident as well he said that um he and michael
20:10would be liberated even if they went to prison they they'd be free so when i went back to the
20:18room
20:18with the knife
20:22he was sleeping
20:25it was peaceful he didn't feel a thing i mean i don't i don't care if you believe me or
20:30not i
20:31i was there it was peaceful tony didn't have children so he he didn't understand you do
20:43you'd fight armies for your child you'd fight bears you'd kill one dangerous man
21:15she's all yours
21:22your phone it's not evidence there's a seven of schools from kim uh we can let nicola go
21:28whoa whoa whoa what why monica killed tony she confessed and i arrested her
21:36hi love look sorry something happened at work i just have to go to the station and then
21:42what is it what's wrong
21:55i got worried when you didn't turn up when i rang granny i made her come here where is she
22:01what's wrong with her
22:09i got it
22:10oh
22:10charlie
22:17hey i'm so sorry
22:21Kim says you gave him some money.
22:25It was for his restaurant.
22:27How much? Charlie, I know it's uncomfortable
22:29I need to establish if a crime has been committed.
22:36A hundred and twenty thousand pounds.
22:40Right.
22:44Yeah, um...
22:45Listen, people have lost more.
22:48So, you know, don't feel bad.
22:51But, um...
22:52Now we have some options.
22:54Okay?
22:55Did he threaten you?
22:57Did he coerce you?
22:59At first, he wouldn't take it.
23:02I had to convince him to.
23:04That's a common...
23:05You know, it's manipulation.
23:08They make it seem like it was your choice.
23:09It's what they do.
23:11I'm not an imbecile.
23:13Some love-struck teenager.
23:15I can think, I can reason.
23:18I ran a business.
23:21I was a magistrate.
23:23I've written fucking books.
23:24Hey, no one is blaming you, Charlie.
23:26And he took me to the restaurant.
23:27He showed it to me.
23:29And he had a business plan.
23:30And there was some partner, someone he was working with.
23:33Okay, yeah.
23:34Well, they were working together.
23:35You know?
23:36Sometimes maybe they switch roles.
23:37Nigel is the business partner.
23:39And the other guy is the...
23:42The...
23:42Nigel.
23:46We were lovers.
23:49I know.
23:54Like I said, look, we have some options now.
23:58These options, they will require me to press charges, don't they?
24:03Well, yeah.
24:04I won't do that.
24:06Charlie...
24:06I won't do that.
24:08I'll be humiliated.
24:11I'll be a punchline.
24:13I'll be Millie Favisham.
24:16I'm sure you think a reputation is a quaint thing.
24:21Your reputation waxes and wanes.
24:23You don't care anymore.
24:24How lovely for you.
24:29But for the rest of us...
24:33It's a pile of poker chips.
24:42I'll say I ended the relationship.
24:46I might even throw in something longer and salacious.
24:50It was terrible in bed.
24:53People will laugh.
24:55And I've seen powerful.
25:01To the rest of the world...
25:05I'll still be...
25:10So...
25:11There we are.
25:17What happened to you?
25:19You look terrible.
25:39You can't do this!
25:44Sue me.
25:45Sadly, I don't have the time.
25:46I'm flying back to the mainland just...
25:48Waiting for my taxi.
25:50You know, I have sympathy for some of the people I deal with.
25:52Yeah, they're unlucky.
25:54They're desperate.
25:55But then there are the ones like you.
25:57The ones that just have a fundamental part of their humanity missing.
26:00Yeah, even other criminals know it.
26:02That's why men like you don't do well in prison.
26:04So who are you, really?
26:06I'm sorry, Jim.
26:07I'm...
26:08Lost.
26:09Men like me.
26:10Yeah.
26:11And I've done nothing wrong.
26:13My girlfriend gave me some money for a business opportunity that has frustratingly gone away.
26:18And now that relationship has come to an end.
26:22Am I missing something?
26:24Is any of that illegal?
26:25Obviously, you know the law better than I do.
26:30Wait, you don't think this was a scam?
26:34Oh, no wonder your cross.
26:37Look, if Charlie thinks there's been any kind of double-dealing, then she should press charges
26:42and we should go to the police station right now.
26:51What's that, lassie?
26:53She hasn't.
26:55Oh, then I'm confused again.
26:58The cab film said ten minutes.
27:02How do you know where I was, by the way?
27:04On your second date, you took flowers for Charlie.
27:07You ordered them online from a local florist.
27:10And you had them sent to this address.
27:14You should be a detective.
27:16Yeah.
27:18People have said that.
27:21While I've got you here,
27:24I just want to say I think you're too hard on yourself.
27:28I'd be a gibbering wreck for years if I'd been through what you have,
27:31but you're holding yourself together.
27:34Solving crimes.
27:37Never mind what Charlie says, I think you're a great father.
27:41Give yourself a pat on the back.
27:45Did you even lose a child?
27:48No.
27:49Not as such.
27:51Look, I'm not proud of that.
27:52What can I say?
27:53I was intoxicated, but I wanted to find a connection, so yes.
27:57Little white lie, like...
27:59Inflating your income, or...
28:01Saying you love Downton Abbey when it makes you want to gouge your eyes out.
28:07Admit it.
28:10There's a part of you that thinks she deserves this.
28:15She's my family.
28:16Oh, come on.
28:18You don't even like her.
28:20She certainly doesn't like you.
28:24In case you thought it was all just banter.
28:27It raises an interesting question, doesn't it?
28:30About...
28:31Those men.
28:32Why they exist.
28:34The people they target tend to be...
28:36Venal and callous.
28:39They live for the schadenfreude.
28:43Makes their eyes roll back in their head, Jim.
28:47And these women...
28:49They're cowards.
28:52If they were decent or brave, those men would have to rob post offices.
28:58I'll convince Charlie to press charges.
28:59You could still be arrested on the mainland.
29:01Great.
29:01Yeah, looking forward to it.
29:02See you in court, et cetera.
29:07Look, I hate to ask, but...
29:08You couldn't give me a lift to the airport, could you?
29:19It's Barney Crows here. Can I get five minutes with Emma today?
29:23Yes, it is urgent.
29:316.15.
29:32Yeah, that works.
29:33Thank you, Wendy.
29:55Oh, finally.
29:57Where is everyone?
29:58The pub?
29:59Waiting for you.
30:00It's not every day we solve two murders for the price of one.
30:03Especially not two in the same family.
30:05I mean...
30:06My mum and dad are naturists.
30:08Shut up.
30:09Yeah.
30:10They spend half their year playing table tennis with other naked pensioners.
30:15And I thought that was weird and dysfunctional.
30:17But...
30:18Anyway.
30:18Great result, boss.
30:21Er...
30:21Yeah.
30:22Yeah, it is.
30:23Tell your face.
30:25Sorry.
30:26It's a bit of a crisis.
30:29Oh.
30:30There's some chat about nominating Ruth Salinger for an award for bravery.
30:35Good idea.
30:36Yeah.
30:37Erm...
30:37I'll pop by her office later.
30:38I didn't get a chance to thank her properly.
30:40Did you hear?
30:41That big sale of her company, it just went through.
30:43Who told you that?
30:44It's on the news.
30:46Er...
30:47Has...
30:47Has Nicola gone?
30:48Yeah, you said release her.
30:49No, I...
30:51I just...
30:52I need to talk to her.
30:53What time did she leave?
30:54About half an hour ago.
30:55I'm sure you can catch her at a hotel.
30:57Cara...
30:57That's not my...
31:00We owe her an apology.
31:01Hmm.
31:02I believe you.
31:03Turn your face.
31:06I'll go see her now.
31:08I'll go see Ruth.
31:08Erm...
31:08There's news about all this company.
31:10Where is it?
31:11Oh, er...
31:12The business bit.
31:21After years of building, growing and learning alongside an incredible team,
31:25I'm proud to announce that we have officially completed the sale of our company.
31:32Building this company has been my life's work.
31:35We have always fought to be at the forefront of discovery and development,
31:40and with this partnership, we can do that.
31:43Huge thanks to everyone at Hobart's.
31:46Thank you very much.
31:47Well done.
31:53Good on her, I say.
31:55Where is everyone?
31:56The pub.
31:57I've been waiting for you too.
31:58He wasn't here and...
31:59You'd vanished.
32:00I was printing something off.
32:03We have a printer here.
32:05How's your head?
32:07Er...
32:08Yeah.
32:11So, are you coming then?
32:12I can't drink. I'm on these painkillers.
32:15I heard that some pubs have started doing non-alcoholic drinks.
32:19Look, it's not about the drinks, it's about marking the winds.
32:24Everyone's waiting, they want to do a toast.
32:25Oh mate, I am trying my best here.
32:28He's not drinking and...
32:30He's...
32:32We don't know.
32:34Oh God, what?
32:49Sorry to interrupt.
32:50No, it's okay.
32:54We haven't really had a moment, just the two of us.
32:58How are you feeling?
33:00Oh yeah, it's been a day.
33:01I know, right?
33:07I finally got a date for the cremation.
33:10Four weeks tomorrow.
33:13Why does it take so long?
33:16It's like we're waiting in case his condition improves.
33:21I'm sorry, we have to take him back.
33:23We have other tests to do.
33:25I've ordered a much more detailed post-mortem.
33:26I want to check for poisons.
33:27Poisons? He was stabbed.
33:29No.
33:30No, you can't do that.
33:33He's mine now.
33:34You had your chance.
33:35You had days.
33:35You know who did it.
33:36You have to leave him alone now.
33:40Ruth, I think you killed him.
33:46Theories are like...
33:49A line of dominos.
33:51You're nowhere.
33:52And then...
33:53Something happens and one topples.
33:55Which knocks the next one.
33:57Which knocks the next one.
33:58On and on.
33:59Unstoppable.
34:00And the first domino was.
34:03You'd have known about those payments.
34:05Tony paid Ian 50 grand for swapping the bloods.
34:08And he paid Carl for changing his statement.
34:11Here's what I don't understand.
34:12How did he sneak those payments past Ruth?
34:14Right, so you're saying she knew about the payments?
34:16I'm saying she authorized them.
34:18The first time I met Ruth, she said she handled the products and the finances.
34:22While Tony did the networking and the schmoozing.
34:25In your press release today, you said you built this company.
34:28You know it. Inside out.
34:30I don't think your staff can buy a paper clip.
34:34Without your approval.
34:35We could run a forensic audit on the company.
34:37See if we can find the payments.
34:38Well hang on, let's just play this out.
34:39Say she did authorize the payments.
34:40I'm sure she wasn't exactly thrilled.
34:42But it meant that Tony didn't go to prison.
34:43The scandal didn't capsize the company.
34:45But then...
34:46Fast forward 15 years, Tony gets up and he says,
34:48No more secrets.
34:50And that was a second domino.
34:51He tells Monica, he means her and Alan and the car accident.
34:57Tony going to prison would have been bad enough, but you helped cover it up.
35:00That's you screwed as well.
35:02That's your whole company.
35:03Your life's work.
35:05Gone.
35:05And so I wanted to kill him.
35:08How is that less of a risk?
35:09Well, it was a calculated risk and paid off.
35:13Because look, Sal went through there fine.
35:15But it was Monica.
35:17She confessed.
35:18Yeah.
35:19And a confession is usually a bit of a conversation stopper.
35:22But then one of my colleagues said something.
35:25Dominant number three.
35:26Right, there was one weird thing.
35:28When Ruth came in earlier, she was asking about when we'd released Tony's body for cremation.
35:33Well, it's gone already hasn't it?
35:34Why is that weird?
35:34I don't know.
35:35Maybe just the way she said it.
35:36Maybe it wasn't.
35:37First time I met Ruth, she said the exact same thing.
35:40I mean Tony's body wasn't even cold at this point.
35:41And then when you came around to Michael's house and I was in the cellar, I heard you telling Monica
35:46she should hurry us up and get Tony's body released.
35:48Yes, because I wanted closure.
35:51And that was the last domino.
35:52When Monica was arrested, she said Tony never felt a thing.
35:57He was asleep, she said.
35:59A knife plunged through all that flesh, muscle and sinew.
36:03You wouldn't wake up.
36:04What are you saying?
36:05I'm saying when Monica stabbed Tony, he was already dead.
36:11You don't think it's possible she said that just to distance herself from what she did.
36:15And Tony had been drinking all day.
36:16He could have passed out.
36:17He could have taken a sleeping pill.
36:19There was nothing like that in his post-mortem.
36:21That's the thing with tests like that.
36:22Especially with such an obvious cause of death.
36:24They're looking for context.
36:26Not cause.
36:28This is...
36:28No.
36:29Ruth?
36:30Ruth?
36:31Ruth?
36:34No, just...
36:36No, just...
36:39You let me...
36:40Can you...
36:41You let me out?
36:43Can someone help me, please?
36:45Erm, I'm locked in.
36:48Oh, Jesus.
36:50Hello!
36:51You just... you leave me alone.
36:56You are insane.
36:57You are deluded.
36:59You're not fit for purpose.
37:01Let's go.
37:26You're to be fair.
37:29He wasn't going to tell the police about me.
37:33We were loyal that way.
37:35So why did you do it?
37:38I knew if he confessed,
37:41the police would want to know how he got away with it.
37:45And they would look at the blood test,
37:48and they would pull at that thread
37:50until they find Ian and Carl,
37:53and they would keep pulling,
37:55and eventually they would find me.
38:00Just like you did.
38:02What was the poison?
38:05It would help us to know what we're looking for.
38:12Hemlock water dropped water.
38:15Oh, an anthe crocata.
38:17I did my dissertation on natural poisons.
38:20A bit macabre, perhaps.
38:25I had some in my car, can you believe?
38:28I found it in my garden last week I wanted to study it.
38:33It's been used to treat hepatitis.
38:37Did you know that?
38:38I thought...
38:40I thought...
38:40My God.
38:41The lives I could save.
38:44Oh, my God.
38:50I thought...
38:52The wind winds...
39:00Oh, my God.
39:15Oh...
39:16Hello, welcome to the Clifton.
39:18Hi, this is DCI Bergerac.
39:20I'm trying to reach Nicola Barton.
39:21She's not answering her phone. Can you put me through? She's in room 410
39:56Oh my god. I ran. I was jumping over the trolley things and had to show my warrant card and
40:04passport control. I didn't actually know I could do that.
40:08They released me two hours ago?
40:10Yeah, I'm sorry. But things got really... We've arrested Ruth. She did it too. It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number two.
40:35That's me.
40:36Please have your boarding passes ready.
40:40Well, thanks for letting me know that this could have been an email. Albeit a long, really weird one.
40:48I wanted to turn you to your face.
40:50A Zoom, then. We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but...
41:03We're not there yet, but it's different now.
41:06You can be seen with me.
41:08Yeah, but I'm not saying it would raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon. There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they send it back.
41:25What do you need?
41:26What do you need? We've got shops of several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You know we have to pay for that door.
41:35Isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
42:00Tony, Monaco, Michael, Jesus.
42:02No, Ruth, it's too much.
42:04There was a time when I'd be buzzing with the horror and the drama of it all, but I don't
42:09want that now.
42:11You'll say you don't run it either, but you love having your finger hovering over the self-destruct button.
42:17That's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:29And that's the other thing.
42:31You didn't believe me.
42:34I told you about Monica and you didn't listen.
42:36You didn't trust me.
42:39And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once, I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:06No.
43:08Not right now.
43:31Good luck, Jim Bergerac.
43:57Hey.
43:59Have you found Angel?
44:00Yeah.
44:01But there's nothing I can do without Charlie.
44:05You should go.
44:06It's okay.
44:08I wasn't doing anything today.
44:09We can just watch our own shifts.
44:10Oh, to London.
44:11To the school.
44:13We've talked about this.
44:14Yeah, we did.
44:15But you weren't completely honest with me, were you?
44:18Do I need a liar?
44:18Yeah.
44:19Don't get me wrong.
44:20I think you are worried about me.
44:24But, um, Charlie saw your computer.
44:29She saw you'd been looking for advice about the first year nerves.
44:35We missed all the clues.
44:36I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this, then I promise you, nothing will ever be this scary again.
44:49But if you don't, if you let fear win, then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:59What about Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance, so we might as well keep her around.
45:08Are you sure you can both manage?
45:11Honestly?
45:14It's not your concern.
45:22Okay.
45:24I'll tell Granny.
45:28I should cheer her up.
45:44I'm handing in my nose.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force, but what happened with Ian, that was a wake-up call.
45:53I've allowed the job to take precedence over other areas of my life, and I think it's time I take
46:00stock and investigate other challenges.
46:05And the non-bullshit version?
46:06Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols, even the most basic precepts of policing, to be a serving suggestion that don't apply
46:20to him.
46:20But it never matters, because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules, I mean, that's hardly a shock, but is there anything specific I should
46:32know?
46:58Jim is Jim, but this dynamic is turning me into someone I don't like.
47:01I think I'm jealous.
47:02I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:06You saw how that went.
47:08If I stay, I'm cursed to spend my whole career sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously, that doesn't have anything to do with wanting to limit the IPOC's investigation of Ian.
47:27I couldn't possibly comment.
47:29That means there'll be a quick game of musical chairs as people move up or sideways.
47:35So, how would you feel about switching lanes and taking a more managerial route?
47:47You mean, be his boss one day?
48:06Is it too early to start drinking?
48:09I'm asking the wrong person.
48:11She seemed okay.
48:13She seemed excited.
48:14She did, didn't she?
48:15You needn't have said anything.
48:17She could have stayed, gone next year.
48:20I respect you for not doing that.
48:23Well, sometimes the best thing you can do for the people you care about is to...
48:27...take yourself out of the equation.
48:32We don't have to be friends now.
48:34I'm sure you find constantly biting your tongue as exhausting as I do.
48:39All this time, you've been biting your tongue.
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
49:00The world was different with Rachel in it.
49:07All this...
49:08...was fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:32Ha!
49:33I think Rachel would be disappointed in me for that.
49:38I think she'd be disappointed in me for lots of things, not least.
49:42The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:54But...
49:55...did we prepare the world for Kim?
50:00I mean...
50:02...are we making it safer for her?
50:06Oh.
50:08What I mean is...
50:10...you do, I know you do all the time.
50:14But...
50:17...what am I doing?
50:23Perhaps like you...
50:24...I need to take myself out of the equation.
50:38Perhaps like you...
50:41...I need to take myself out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Cara.
50:53Who I work with.
50:54Cara, this is my mother-in-law.
50:57Charlie Hungerford.
50:58Hi, Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:00Cara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:25I want to report a crime.
51:27I want to report a crime.
51:33I want to report a crime.
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