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How To Get To Heaven From Belfast S01E06 [Full Movie] [Recommended]Full EP - Full
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00:26You killed him.
00:31He didn't do anything wrong. He was a good person.
00:37Why?
00:40Why did you do it?
00:43Stop talking.
00:43Yes, here's your pipe down.
00:45She has a gun.
00:46I always run out of duct tape when I need it most.
00:48I don't care.
00:48Well, I do, Billy. Big balls.
00:52Right. Where is it?
00:54The dictapol.
00:54So you did open the box?
00:55No, lucky guess.
00:56Did you listen to it?
00:57No.
00:58That actually was a treat that time.
01:01Right?
01:04Tell me where it is or I'll start putting bullets in people.
01:11I give it to Liam.
01:13Who's Liam?
01:15The man you killed last night.
01:17The cop?
01:17Did you kill more than one man last night?
01:19How do you know him?
01:25Well, we don't really.
01:26We met him in Magdara.
01:27He's from Magdara?
01:28Yeah.
01:37What's going on?
01:39Is she leaving?
01:43Is she gone?
01:44No.
01:44I think so.
01:46We should escape.
01:47Brilliant idea.
01:49How?
01:49I haven't worked up at all yet.
01:52It's my fault he's dead, isn't it?
01:54Because I was obsessed with finding Greta.
01:58Poof!
01:59Greta evaporates.
02:00And now you're going to Marsh.
02:02Made a name Breslin.
02:05Originally from Tyrone.
02:07Moved to Dublin as a kid.
02:08Daddy got a better job.
02:11Blah, blah, blah.
02:13Uni in London.
02:15Let's see what your degree is in, babes.
02:18Classics!
02:19Good for you, Gwania!
02:22What's wrong?
02:23Is it the vape?
02:25No.
02:25The smell?
02:26It's not the vape.
02:27Is it the precautionary gun?
02:30Is it killing the vape?
02:31Sort of.
02:32It's just precautionary.
02:34That's why we call it the precautionary gun.
02:37You won't even have to touch it.
02:38It's for the midwife.
02:39Why will she need it?
02:41She...
02:43She won't.
02:44Babes!
02:45You really need to look up the meaning of precautionary.
02:49You have a decree in classics, for Christ's sake.
02:51Why might she need it?
02:53We had this one incident once, one time.
02:59What sort of incident?
03:00We were looking after this woman, and she contacts her ex.
03:04She's an abusive prick.
03:06Unbelievably dumb, considering he's the reason we had to evaporate her in the first place.
03:10Anyway, he tracks her down.
03:11So, the midwife had to sort of shoot him through the head a bit.
03:17It was quite the fucking hoo-ha, let me tell you, babes.
03:21When will she be here, this midwife person?
03:23Sid, I have to warn you, she's a bit of a dickhead, but she's good at her job.
03:27I might give her a call, actually.
03:31You're almost there, babes.
03:33Then, what it is you're running from, will all just be something that happened in somebody else's life.
03:39What?
03:5219th of April, 2003.
03:54At last, I finally made him see sense.
03:57He finally listened.
03:59He's left town.
04:00I'm so happy.
04:02Jason Meadows will trouble me no more.
04:04Shit.
04:13Nate.
04:14Nate, are you a credit card?
04:16I am, Maggie.
04:17Nightmare.
04:18Is this your Margo?
04:19Yes.
04:21I...
04:22Of course, his name isn't really Jason Meadows.
04:25I felt guilty lying to the others about that.
04:28I'm definitely going to do English Lit.
04:30I'm going to be a playwright.
04:31You know, like, Brian Freale, or Arthur Miller, or...
04:34I know what a playwright is.
04:36Nice job.
04:37I needed a story they'd understand, so he became the obsessive, jealous boyfriend.
04:41I thought it might be a bet.
04:43But I have this thing about cows.
04:45I don't trust them.
04:47Jesus Christ.
04:48Sister!
04:49I was praying.
04:51They'd never understand the truth.
04:53I barely understand the truth.
04:56Can you do an A-level in chatting?
04:58What?
04:58Like, could I be a conversationalist?
05:01Is that a thing?
05:02No.
05:08But that doesn't matter.
05:10It's over.
05:11I'm somebody else now.
05:14I don't hide from the bogeymen these days.
05:18Come in.
05:20I tell them to fuck off and leave me alone.
05:23What the hell are you smiling at?
05:24You're late.
05:26Sorry, sister.
05:26I'm going home.
05:31I'll go home.
05:41I'll come in.
05:42I'm sorry.
05:43I have to go home.
05:55I'm sorry.
05:55You're well.
05:56I have to go home.
05:56I'm sorry.
06:18The truth is, well, I don't think I've ever really thought about it.
06:23At university, I mean.
06:26I'm very hesitant to say this, considering the sheer amount of eyeliner you're wearing.
06:32But you're bright, Greta.
06:35Look at me, please.
06:37You decide what happens now.
06:39Only you.
06:41Shit, sorry.
06:42You and God.
06:43I always forget to include God in this stuff, and I'm really supposed to because of the whole...
06:48None thing?
06:49Yeah.
06:50You can do anything you want to do.
06:53Be anyone you want to be, Greta.
06:55Come on.
07:11Okay, Patricia.
07:12Okay.
07:13Thanks.
07:14Bye.
07:14Bye.
07:14Bye.
07:14Bye.
07:15Bye.
07:20Bye.
07:24Bye.
07:26I need to talk to Inspector O'Neil.
07:28Well, let me ask first if you can see him.
07:29If you can see me.
07:34Booker.
07:35Sit.
07:36I said sit.
07:39I need you to listen.
07:40You don't have a lot of time.
07:42One of your guards, Liam.
07:43Liam Cells.
07:44He's dead.
07:45What? How?
07:46I shot him.
07:47I had no choice.
07:48He was escorting those three women.
07:50The ones that you assured me wouldn't be a problem,
07:52but they had the box and they opened it
07:54so they know what's inside.
07:56Hold on.
07:56No, we don't have time for that.
07:57So I don't know if they've listened to it
07:59or if they've talked to anyone.
08:00I'm going to keep him alive until I've figured that out.
08:02Where is it?
08:04That's the more pressing matter.
08:06They gave it to Liam.
08:07They're saying that it was on his person when he died.
08:11Jesus Christ.
08:12I need you to speak to the station in Dublin.
08:14Dublin.
08:14Find out where the body is
08:15and tell him that someone will be along
08:17to pick up his belongings.
08:19There's a good boy.
08:22Oh, hello, Inspector.
08:24Inspector O'Neill here
08:24from Lockdart Police Station, Donegal.
08:26One of my guards, Liam Kells, was involved in it.
08:29Guard of Kells, that's correct, yes.
08:34Lucky.
08:35Lucky?
08:36Well, apart from the broken rib,
08:38the impact, you know.
08:40I don't understand.
08:41Stop the bleeding bullet!
08:43Like something I overfill him.
08:45I'm Bosco, by the way.
08:47And Bosco's a saint before you start.
08:49My man didn't name me after a puppet.
08:51Can I see that?
08:53See, now,
08:55I'm wondering if we actually
08:56should be touching this stuff.
08:58It wouldn't be evidence or anything, would it?
09:00I know the guards want to speak to you.
09:02I am a guard.
09:04Yeah, there is that.
09:11Right, well, I'll be back in a moment to check your vitals.
09:14You say it with trouble, handsome, yeah?
09:42All right, well, I'll be back in a moment to see you.
09:50One, two, three, and go.
09:52Are we going on three or are we going on go?
09:54We're going on go.
09:55Dara, why wouldn't we go on go?
09:57What are we trying to achieve here exactly?
09:59Well, there might be something on that table that'll help us free ourselves, like a knife.
10:03Oh, yeah. I'm sure she's just going to leave a knife lying around.
10:05Will you try and be a bit more positive?
10:07Come on, Saoirse. She could come back any minute.
10:09And?
10:10She's going to kill us.
10:12I don't care anymore.
10:13Well, I do. I've got three kids who depend on me, Saoirse.
10:15So get fucking shuffling, all right?
10:17Fine.
10:18Right.
10:19One, two, three, and go.
10:21One, two, three, go.
10:24One, two, three, and go.
10:26They're ours in there.
10:27One, two, three, and go.
10:29And go.
10:31And go.
10:32Go.
10:34Stop.
10:37It's just all our stuff.
10:40Wait a minute.
10:42Were those red envelopes in your bag, Saoirse?
10:45They're exactly like the ones Greta sent us.
10:56It was you.
10:58You did it.
11:01I didn't do anything.
11:03Not really.
11:04It was your ideas, Saoirse.
11:06You were the one who told me I had to confront him.
11:08That actually happened.
11:09So, Jason Meadows was just there, again, watching her.
11:13Yeah, I just sort of marched right over and told him it was over between us.
11:17Then I told him to piss off and leave me alone.
11:20And he did.
11:22He was too old for you, anyway.
11:24And what's it been now?
11:25Like, a week?
11:26Uh, ten days.
11:27Woo!
11:28But I have even more good news.
11:30You know Declan Ryan from the boys' guild?
11:33Well, his man died away.
11:34So?
11:36Which means he has a free house.
11:37Which means he's having a fucking party.
11:40Oh, my God.
11:41A party like America.
11:42And Declan Ryan's cousin, David Ryan, a.k.a. the massive right from my bus stop, will also be there.
11:48Let's just skip pee and make a plan.
11:50We've a lot to do before tonight, girls.
11:52Woo!
11:53Who the hell is Dara?
12:02You're fucking adorable, Dara.
12:04And you know what?
12:07So, do you want to go to the party?
12:09Oh, yeah, sure.
12:11Like, together?
12:16Well, yeah.
12:17I mean, if both of us are going, we'll be there together and that'll be class.
12:25You're never going to tell people about us, are you?
12:27Are you?
12:27I've told people.
12:28Saoirse and Robin aren't paper.
12:30I've also told Greta.
12:32Hey, but you're transferring her?
12:34Actually, she's not weird, and she transferred here, like, two years ago.
12:37So, maybe we should call her something else now.
12:40You're not going to go to hell for being gay.
12:42Hey, Dara.
12:43It's 2003.
12:44It's not like the olden times.
12:47I like what we're doing now.
12:50Riding in a bog.
12:51We're riding.
12:52Well, we'll be riding.
12:53Not now, we won't.
12:59We need alcohol, obviously.
13:01Don't look at me.
13:02We've already watered down our entire drinks cabinet.
13:04My mom's so going to realise it's only a matter of time.
13:09So, what about drugs?
13:12What about them?
13:14Should we be doing drugs better?
13:16My dad still has some codeine from when he put us back out.
13:29Oh, my God.
13:30Greta, did you do this?
13:32Make our tattoos.
13:33This is such a good idea.
13:35We should totally start making this place our own.
13:38Nobody else ever uses it.
13:40I could write here.
13:41I could write David Ryan here.
13:43When did you do this?
13:44Greta?
13:45Greta.
13:48I need to go back.
13:50There's something I forgot.
13:53Bye.
13:57Bye.
14:02What's wrong with her?
14:33Perhaps now you'd like to talk?
14:39Tape, 113.
14:40Belfast.
14:41Rorning.
14:42Still no movement.
14:4719th of April, 2003.
14:50So, she's agreed to a meeting.
14:52A sorrowful woman.
14:53That's a cottage.
14:54Okay, Miracle Man.
14:55Your friends are on their way.
14:57Your friends?
14:58The filth.
15:00I mean the guards.
15:01That was a joke.
15:02It's probably not funny if you are actually a filth.
15:05A guard.
15:06Sorry.
15:07Just been on a night shift.
15:08It's fine.
15:09Now, we will need to scan you for us, okay?
15:12So, let's go.
15:15Now.
15:16You can take your lucky charm, which I'm afraid.
15:19I don't think anyone's going to swipe a chicken.
15:21Don't worry.
15:22It's not an iPad.
15:23I look after her, Pee, will I?
15:25Let's go, handsome.
15:28Is it really her?
15:30Mm-hmm.
15:31She's very keen to speak to you.
15:34We can't.
15:35That was the condition.
15:37We'll be discreet.
15:39Showing up at my school and painting that thing on the wall that's discreet, is it?
15:42Well, that was her idea.
15:44Well, it's fucked up.
15:47If that symbol showed a statement to you, why did you mark yourself with it?
15:55I wanted to change its meaning.
15:59Associate it with something new, something positive.
16:02I have friends now.
16:04I have a whole new life now.
16:06Well, I think that's why she's so upset.
16:09The difference.
16:10What?
16:13Well, you don't know what happened to her?
16:17Afterward, you don't know what they did?
16:26Dearly beloved, we gather here today for the funeral mass of Father O'Brien.
16:33A man of God who devoted his life to the teachings of Christ.
16:38A religious education teacher.
16:40This is brilliant, isn't it?
16:42It's a funeral, Robin.
16:44I know, but we're missing double mass.
16:46Where the hell did credit go?
16:48After the service, we'll take Father O'Brien to his final resting place.
16:54In the school cemetery.
16:58What's that about?
17:01Look, Tara, what have you done?
17:02Fix it.
17:03She's way out of your league.
17:04She's playing a different sport.
17:07She wants me to, like, tell everyone.
17:10So?
17:11Oh, no, my mom and stuff.
17:12Through the immaculate heart of Mary.
17:14She wouldn't think it's right.
17:16You don't think it's right?
17:17Catholic Church is such a chokehold in you, Darrell.
17:20That's simply not true.
17:21He's need.
17:22Well, I'll be back in a minute.
17:29Oh, Jesus, through the immaculate heart of Mary, I offer you my prayers.
18:01What the fuck?
18:05I knew there was something really wrong, and you wanted to give up, and I knew we couldn't.
18:08I knew there was more to all this.
18:10Like, those emails were so strange, and I knew it wasn't her in the coffin.
18:13I just thought if I could convince you.
18:15I thought, you know, if I could make you see this like I did.
18:19So I sent you the letters.
18:21I can't believe I'm here in this, Susha.
18:25I just wanted to get to the truth.
18:27For all of us.
18:29Oh, that's okay, then.
18:31It's not, and I know that now.
18:34Everything's just make-believe to you, isn't it?
18:36What?
18:37Do you think we're just characters you made up in your head?
18:41Of course not.
18:42Everything's just material.
18:44Everything's just a story.
18:46You're like one of those weirdos in the mud.
18:50What?
18:51Mudlarkers?
18:52Yeah, you're a mudlarker.
18:55Scavenging around in other people's lights for the bits you've been shiny.
18:58Or interesting, and you've gone over them because you're so unhappy in your own fucking life.
19:03Don't pretend like you haven't loved every minute of it, Dara.
19:05What part of this have I loved?
19:07Oh, don't pretend like it hasn't shaken you up a bit like you haven't been bored.
19:12Fucking senseless.
19:13Dara, your world has been kept so small and so safe.
19:17My world is small, is it?
19:19You can't even tell me how you felt about her.
19:21Look how that turned out.
19:21Seriously, it's true.
19:23I mean, why take the risk?
19:24She was only going to hurt you eventually.
19:26Isn't that right, Dara?
19:27Well, because your relationship is so perfect.
19:30Is that why you're flirting with that poor lad?
19:32Girls, come on now.
19:33You dragged him into all this shit and now he's dead.
19:35Dear Jesus.
19:35Fuck you.
19:36No, fuck you.
19:38Who the hell do you think you are?
19:40You both need to calm down, okay?
19:42Because if I'm expected to mediate here, then we're fucked.
19:44I am nobody.
19:45John Hume, I am nuts.
19:47You're just a stupid TV screen scripter.
19:49Oh my God, Dara.
20:01Yeah, you did deserve that, though.
20:11There he is.
20:14The inspector's arrived now and she wanted everything that they found at the scene.
20:19The box?
20:20Mm-hmm.
20:20Don't worry, I already gave it to her.
20:22Where is she?
20:24What did she look like?
20:25She was one of them, what you call it, the non-uniform ones.
20:29Plain clothes?
20:30Mm-hmm.
20:30She's in the room waiting for you.
20:33Uh, careful.
20:35Slow down.
20:38Shit.
20:40Shit.
21:11I saw.
21:14Honig me.
21:15In the Irish, in a sentence, Miss O'Casey.
21:18Uh, um, honig me and I got war.
21:24I saw the sea.
21:26Correct, if uninspiring.
21:31So, listen, Big Mandy will go to the office for us if we pay her a fiver.
21:34A fiver?
21:35Don't start, Dara.
21:37Sorry, sister, I forgot something.
21:38I had to run home.
21:40Let's see.
21:41I would.
21:42I would like.
21:43The volume.
21:45In a sentence, please, Miss Heaney.
21:48The volume.
21:57The volume, yeah, I'm going to mock for Belfast.
22:02Good luck.
22:05I think she's got it.
22:08I heard.
22:11What did you say?
22:12I started.
22:15I'd like to get to heaven.
22:16I went.
22:19I finished.
22:28Why is nobody on a walk?
22:30Should we dry the door again?
22:32What?
22:32In case it's magically un-fucking-bolted itself?
22:37Psycho features disconnect and all that.
22:44Look at this.
22:46Metamorphosis?
22:47What is that, a hairdresser's?
22:48Oh, that bitch doesn't have a hairdresser.
22:50Stay to those dead ends.
22:52Oh, is there something on that pad?
22:54Give us that pencil.
22:55Yeah.
23:02This is Greta's writing.
23:04Are you sure?
23:05I'm sure.
23:05It's a number.
23:07What is that?
23:08Is that Irish?
23:10It feels familiar.
23:11So Greta was here.
23:19She was probably held here like us.
23:21Yeah, well, not exactly like us.
23:23What do you mean?
23:24This would suggest she'd more freedom.
23:27You know, every time we talk about what might be going on here, it's like Greta's been dragged
23:31into something beyond her control.
23:33What if she's the one who's in control?
23:35Maybe she told that psycho to bring us here.
23:37Oh, but why?
23:37Because we know too much.
23:39Because we're too close to something.
23:40And she's good at getting other people to do her dirty work for her, isn't she?
23:44Separate but inseparable.
23:45Just like us.
23:46That night changed everything for us.
23:48We buried a fucking body for her.
23:51We lowered that man into the ground.
23:55The ropes!
23:56We used ropes that night.
23:58They were in the cabin.
23:59That's how we did it.
24:00That's how we got them down there.
24:11There's no way my arse is fitting through that thing.
24:16How did it go with Sister Patrick?
24:19Good.
24:20She thinks I should apply for university.
24:22And she's quite right.
24:24You should.
24:25Perhaps I could study psychiatry.
24:28I think you'd be brilliant.
24:30How to take the Hippocratic Oath.
24:32That's right.
24:34Did you?
24:35Of course.
24:37It doesn't need to say you can't have a relationship with a patient.
24:42Hypocrite.
24:43The Hippocratic Oath.
24:45That's a very amusing play on words, Greta.
24:48You always were a clever girl.
24:51Is that right?
24:52Your circumstances were exceptional.
24:55And I gave up my career to look after you.
24:57Oh, did you save me, Margot?
24:59We saved each other.
25:05How's the book going?
25:09The book will help people.
25:12Help people understand.
25:13Not girls like me.
25:16What about girls like her?
25:23That's right, Margot.
25:24I'd like to talk about her.
25:26You had to be separated.
25:29For both your sakes.
25:30What happened to her?
25:31Listen to me, Greta.
25:33If you're on a sinking ship and there's an island ahead, what do you do?
25:38You jump off the ship and swim to the island.
25:42I want to know what happened to her.
25:44You are on the island, Greta.
25:47You're safe.
25:48You don't swim back to the boat to examine it.
25:51If there's someone cling to the wreckage, you do.
26:08You should try to eat something.
26:10You guys have a long journey ahead.
26:12I'm just not that hungry.
26:13Maybe it's the nerves.
26:15Do you need a nervy poo?
26:16It might help.
26:18There is nothing to be nervous about.
26:21And I'll be with you every step of the way.
26:24Look, she's an experienced medwife.
26:26And it's important to remember that this is what we do, babes.
26:30And we're really good at it.
26:32We're professionals.
26:35I'll clear up.
26:35What happens to the information?
26:38What's that, babes?
26:39My information.
26:40You said that you put it into a system.
26:42Before we move you on, we need to know everything about the person we once were.
26:48That tells us what to avoid, where to avoid, who to avoid.
26:52And when you've done that?
26:53We destroy all the records.
26:55Greta Heaney is dead.
26:56And any trace of her existence disappears just like that.
27:03Evaporation, baby.
27:11This is getting insane.
27:13We must be getting close to something.
27:15Hmm.
27:17Sasha and the others, you think they're involved?
27:20Whatever this is, they're in it all to their neck.
27:23Well, now I understand the need for all the secrecy.
27:26The whole Midnight Cowboy vibe.
27:30Have you ever seen Midnight Cowboy?
27:34No.
27:35Ray.
27:35Because this definitely isn't the vibe.
27:38Like at all.
27:41Why would someone try and kill you?
27:45Well, you had something she wanted.
27:47A tape.
27:49A recording.
27:51Of what?
27:55A father.
27:57My father.
27:59I only listened to a second of it.
28:00Someone stole it from the fucking hospital.
28:03This whole thing is so messed up.
28:04Well, what did you hear?
28:06What did you hear?
28:08He was making a no.
28:11It was the 19th of April.
28:1319th of April, 2003.
28:15Finally a meeting.
28:15Mentioned a meeting.
28:16Says the sorrowful woman has a cottage.
28:21He, uh, the caretaker's place on the grounds of the school.
28:24That was all I got.
28:25Right, well, I've been looking into the school.
28:27The headmistress now was the headmistress then.
28:28She might know something.
28:30We have to be careful here.
28:35Yeah.
28:36I just really need to know what happened to my father that night.
28:49She didn't come?
28:50No.
28:53She came.
29:11She said you'd go by Geordie, no?
29:16She said you'd go by Grissa.
29:21Let's sit.
29:40What the fuck is dark?
29:42She has our clothes.
29:43We should have just worn our clothes.
29:44He sank my mask when he let me leave the house in that skirt.
29:46It barely covers my hole.
29:48Finally.
29:50Hand them over.
29:51Hand what over?
29:52The clothes.
29:53Grada has them on.
29:55Is she not here?
29:56I thought she was coming with you.
29:57She'd already left when I called to hers.
29:59Oh, my God.
30:00This is mortifying.
30:01I don't think she's coming.
30:02She has to come.
30:03She has the clothes.
30:04I saw her with Jason Meadows earlier.
30:08I think she's going to meet him.
30:09I think that's where she is.
30:11I'm worried, girls.
30:12I don't trust him.
30:25Sorry for the bait.
30:27No problem at all.
30:28Thanks for air.
30:34I don't trust him.
30:38This isn't about the dinner lady again, is it?
30:40No.
30:41Oh, thank God.
30:42We're actually here to ask some questions about a couple of past pupils.
30:45Saoirse Shaw, Robin O'Casey, Dara Frail, Greta Heaney.
30:49They were here in Two Tales on a Tree.
30:51Saoirse Shaw.
30:53The writer.
30:54That's the one.
30:55Well, I don't watch it, Murder Code.
30:57But I will say that the storyline of Episode 4, Series 2 had a striking resemblance to a short story
31:03that I myself had published in the local paper that year.
31:08Right.
31:08But like I say, I don't watch it.
31:11We're looking into a connection between these girls and a man named Charles Sampson.
31:16I can't say that rings a bell.
31:18He was an investigative journalist from Liverpool.
31:24I remember him.
31:26He offered me money for Greta's file.
31:29Greta Heaney.
31:30Did you?
31:31Indeed, I did not.
31:33I didn't like it.
31:35A grown man like him sniffing around a young girl.
31:38He was a well-respected journalist.
31:40And well-respected journalists often bribe teachers to provide them with confidential information about minors in their care.
31:46Do they?
31:48This would have been in 2003 when he came here.
31:51Yes.
31:52Might it have been the 19th of April when you spoke to him?
31:55Definitely not.
31:56I remember that date because that was my colleague Father O'Brien's funeral.
31:59Have you any idea what Charles was looking for?
32:02In the files?
32:03None.
32:04I mean, Greta was clearly troubled.
32:08She was very vulnerable.
32:11I don't know what happened to her, but something did.
32:14She always seemed sort of...
32:18What?
32:21Haunted.
32:24What became of her?
32:26She passed away recently, I'm afraid.
32:41Do you still have it?
32:43I'm sorry.
32:45I'm afraid.
32:46Right, come on.
32:48Come on, what the fuck?
32:49Jesus!
32:50Don't look.
32:50Why can I not look?
32:52Come on.
32:53Jesus!
32:55Jesus!
32:56Jesus!
32:56Come on!
32:57Jesus!
32:58Jesus!
32:58Hurry up!
32:58Jesus!
32:59Jesus!
32:59Oh, Jesus!
33:00There we go!
33:01Oh!
33:02You all right?
33:03Oh, I don't think so.
33:05Good stuff.
33:05Carry her.
33:07Carry her.
33:07Carry her.
33:09Come on, Sirsha.
33:10Hurry up.
33:11Yeah.
33:13Please get in the boat.
33:15Oh, shit!
33:15Look, Sirsha!
33:16The volume of Niaw means heaven.
33:17I've got it!
33:26Niaw means heaven!
33:28What?
33:28I just remembered something Greta said years ago.
33:32This must mean Heavens Veal!
33:35Heavens Veal is a place!
33:36Oh, hurry up, girls!
33:37Before Trigger Abbey gets back!
33:38Good point.
33:39Shift on, Sirsha!
33:40If I fall, will you catch me?
33:42Of course!
33:43My fucker will.
33:45Oh!
33:47Oh!
33:48Oh!
33:48Hello!
33:48Excuse me!
33:49Excuse me!
33:50Do you have a phone?
33:52Huh?
33:53A mobile phone!
33:54Do you have a mobile phone?
33:56Of course I have a mobile phone!
33:58Do you think we don't have mobile phones in Donegal?
34:00Is that it?
34:01Typical bloody patronising well-class people.
34:03Can I use it?
34:05Well, I don't have it with me!
34:06Robin, look!
34:08What's wrong?
34:08What you doing?
34:09What's wrong?
34:10I'm stuck!
34:12I told you my arse wouldn't fit through this fucking thing!
34:16I'll just...
34:17Angle it a bit!
34:18Well, she's tried that!
34:19I tried that!
34:20I had no idea her arse was that big!
34:21No, it's very deceptive.
34:23Deceiving.
34:24Deceptive!
34:25I'd ring the fire brigade if I were you!
34:28On what?
34:31Here it is.
34:33We can destroy old documents after a certain period, but...
34:36I always felt weird about that.
34:39Sister Thomas thinks I have a hoarding problem.
34:42But, I mean, she's gotta be a massive arsehole problem.
34:46So, we all have our crosses to bear.
34:50Should be in here somewhere.
34:52Hart.
34:54Heaney.
34:56Heaney.
34:58Heaney.
34:59Gratahini.
35:01You can read it here.
35:04I'll wait outside.
35:07Um...
35:08She's got that wrong.
35:09My father wouldn't have blackmailed anyone.
35:13Let's just have a look.
35:14God.
35:15Yeah.
35:16What does it say?
35:19What?
35:21What?
35:23What?
35:23It's empty.
35:24No.
35:25That's...
35:26Better than heaney.
35:34Nora O'Hara.
35:43Sorry this has taken so long.
35:45I've never made blamange.
35:48She's fucking unhinged.
35:50I read the files.
35:52I know you did.
35:54When I had to leave my daughter, I thought about you again.
35:59I actually felt sorry for you.
36:02I mean, you weren't perfect.
36:04Far from it.
36:06But I thought how hard it must have been for you to walk away from me back then.
36:12Easiest thing in the world.
36:14You sold me.
36:16You did it for the money.
36:18You were rotten inside.
36:20Still are.
36:23Heaven's veil infected you.
36:26That's her.
36:28My wife's here.
36:34You're not really here.
36:35You're dead.
36:36Am I?
36:37You must be by now.
36:39You're just desperate to find out, aren't you?
36:43So why don't you?
36:45You know where I am.
36:47You remember the number.
36:48You wrote it down.
37:07I was just...
37:09I wanted to check on the status of my mother, Nora O'Hara.
37:15Yes, I can wait.
37:20Well, you've given yourself away now, haven't you?
37:23Now someone knows you're alive.
37:26You'll never escape it.
37:28You can't run away from what you are.
37:47I'm sorry.
37:49I'm sorry.
37:54Are you?
37:56Really?
37:56I had no idea.
37:58Did you ever ask?
38:03Jodie feels that she's ready to talk about Heaven's Veil.
38:08That's insane.
38:09I am insane.
38:10Obviously, it would be better if you've been involved.
38:12No, I told you I can't do that.
38:14I won't do that.
38:15No, it would be handled very delicately, Greta.
38:18I wouldn't reveal any details about your new lives, your identities.
38:24You'd be very safe.
38:25Not as safe as if we didn't talk to a fucking journalist.
38:28I can't believe you're being so stupid.
38:29Nobody ever listened to my side of things.
38:32There is no your side of things, or my side of things.
38:35There is just what happened.
38:37And it's awful, but it happened, and it's over, and we can't change it.
38:40I want to tell my story.
38:43Your story is my story, though you'll ruin everything.
38:46That's not fair.
38:48I'm sorry.
38:50You were able to move on.
38:53To put it behind you.
38:56To lock me in a box like a doll you don't want to play with anymore.
38:58But I couldn't.
39:00I am still there, in that place, on that night.
39:06There's no escape.
39:08I still have the scars all over my body.
39:12And every time I close my eyes, I see this fucking thing.
39:15It's you.
39:16I don't believe you.
39:20I didn't forget you.
39:24Look at this.
39:26I did this so I wouldn't.
39:30I couldn't.
39:37I kept you with me.
39:40Well, all this has certainly taught you how to manipulate a situation.
39:43What does he mean?
39:43You want to talk about someone manipulating a situation?
39:47You're a fucking journalist.
39:48You're a grown man intimidating two vulnerable girls.
39:51Hey, I'm on your side here.
39:52Really?
39:52What they did was a horrific social experiment.
39:55Please leave us alone.
39:56I'm sorry, but people need to know.
39:59I just feel like, if I don't say it out loud, or if I don't get the words out, then
40:09they'll choke me.
40:15I'm a woman.
40:18I need to hold my eyes.
40:22What are you doing?
40:24What?
40:24I'm sorry.
40:24I'll just let you go back and let me see them all later.
40:28I'm sorry.
40:30I'll just let you know what I'm saying.
40:39Sorry, what's this?
40:42Once you interact with your family
40:45and you are good to connect with you
40:53through you have you done anything
40:55do you have registered with us
41:00except time for you
41:05for your family
41:15What are you saying?
41:45I need to think.
41:48What did she say to you?
41:52She needs to think.
41:57Perhaps you should go.
42:05I know it.
42:07That's your bike.
42:13I'm giving you a chance here.
42:15Both of you, a chance to control the narrative.
42:19She wants you to leave.
42:25No.
42:26You're making a mistake.
42:27Get out.
42:28Josie.
42:29Leave.
42:30Hey, that's...
42:34Came with that.
42:35Yeah, I was about to.
42:39Now, come on.
42:46Oh my God.
42:50What is that?
42:53Greta.
42:55You're recording us.
42:56Did she know?
42:57Did you know who you said?
42:58Of course I didn't know.
43:00Give it to me.
43:03Fuck you.
43:06This is bigger than you.
43:08Give it to me.
43:11Right.
43:12You're playing.
43:12No.
43:13Come on.
43:13Come on.
43:14Give it to me.
43:16Stop fucking yourself.
43:18Leanna!
43:19Leanna!
43:20Leanna!
43:21Leanna!
43:21Leanna!
43:21Right.
43:21Right now.
43:22Right now.
43:23Give it to me.
43:24What the fuck is that?
43:25Come on.
43:26Twitter.
43:29Let's go.
43:30No!
43:31No!
43:32No!
43:34No!
43:34No!
43:35No!
43:36No!
43:37No!
43:38No!
43:38No!
43:39No!
43:40No!
43:51I didn't mean to.
43:53I just wanted him to get off of you.
43:55Is he breathing?
43:56Is he still breathing?
44:01Get him to stop.
44:04Stop.
44:05Abriless, stop.
44:06I don't know you're ever known.
44:09I'm so sorry.
44:10I'm so sorry.
44:11I'm so sorry.
44:12I'm so sorry.
44:14I'm so sorry.
44:20Is he dead?
44:22You've hurt me.
44:40I'm so sorry.
44:43What do you think?
44:53It was just there. It was just there on the table. What the hell? What? Someone's coming. What are we
45:01going to do? I can deal with them, but you need to leave. You need to leave now. Take this.
45:07Destroy it. Okay. No one. Okay. You were never here. I was never here. Okay. Go. Go to the back.
45:12Through the window. They won't see you. Go.
45:14I brought her down on her.
45:15Are you there, Nana?
45:18Oh, my gosh.
45:20We go.
45:21We're going to retire.
45:24Go. Go.
45:29Nana!
45:35Nana, we're going to move it.
45:48I just remember feeling in my hand. And I remember thinking I had one chance. So I took it.
46:03We have to go to the place.
46:06No, they won't believe me.
46:08He was harassing you. Watching you. Stalking you.
46:12And I attacked you. It was self-defense.
46:14They won't believe her.
46:15What?
46:16She'd been dating him. She met him here voluntarily.
46:20It wasn't her fault, Saoirse.
46:21This is Northern Ireland.
46:22If a woman is raped, gets pregnant, discovers having that baby will actually kill her.
46:27That woman has two choices.
46:28Has the baby and dies.
46:31Or finds a way to abort that pregnancy and goes to fucking jail.
46:34What else does she have?
46:41We'll help you.
46:57They don't believe it.
47:00Maybe it's just a shower.
47:03Maybe it'll stop soon.
47:07Time for plan B then.
47:09What's plan B?
47:12Maybe we bury him.
47:30Should I say a prayer for him or for us?
47:37What? No.
47:40If we get ourselves cleaned up, we can change at the party.
47:43We can't go back to the party.
47:44We have to.
47:46All four of us, we have to go back to the party.
47:48In case what?
47:53In case someone asked us where we were.
48:02It stopped raining.
48:27We should pretend to have fun.
48:32It just goes through you like a ghost.
48:36It just goes through you like a ghost.
48:40And on behalf of this is everything.
48:46Things will never be the same again.
48:50They'll never forget what happened tonight.
48:55No matter how much they want to.
48:58They'll be pulled back.
49:00Dragged back.
49:01Haunted by it forever.
49:04I know how these things go.
49:07I really believed I could become somebody else.
49:10But maybe I'll never be able to move on.
49:14If I can't run away from who I really am.
49:18Maybe it's time to run towards it.
49:46As I say, I've never made Le Mange before.
49:49It could go either way.
49:51I need to look at her notes.
49:52Sure thing, babes.
49:53They're all on the system.
49:57Shit.
49:59Shit.
50:19It's time to run.
50:21It's time to run.
50:31I'm serious.
50:32I feel totally lost.
50:33If I'm asking for help, it's only because being with you has opened my eyes.
50:39Could I ever believe such a perfect surprise?
50:41I keep asking myself, wondering how
50:44I keep causing my eyes, but I can't look out
50:47Wanna fly to a place where it's just you and me
50:49Nobody else, so we can be free
50:52Nobody else, so we can be free
50:55All the things you said, all the things you said
50:57Running through my head, running through my head
51:00All the things you said, all the things you said
51:06All the things you said, all the things you said
51:07And I, and I
51:36And I'm all mixed up
52:06I'm feeling colder than worse
52:20I'm feeling colder than worse
52:39I'm feeling colder than worse
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