- 7 hours ago
How To Get To Heaven From Belfast S01E08 [Full Movie] [Trending]Full EP - Full
Category
🎥
Short filmTranscript
00:26Two little girls went out one night.
00:31They gave everyone the most terrible fright.
00:35What happened next, they'd rather not say.
00:40They closed their eyes and wished it away.
00:43Booker, we need to erase the line.
00:47I love you.
00:50They can't outrun it.
00:52It haunts them still.
00:57Separate, but inseparable.
01:01I love you.
01:02I love you.
01:04I love you.
01:07I love you.
01:17I love you.
01:18I love you.
01:27I love you.
01:28I love you.
01:51He's dead.
01:52We'll just…
01:53we'll just...
01:54We'll just have to move her.
01:56Move her?
01:56You know like cover up, hide her.
01:59Stop it.
01:59Okay, come on, help me.
02:01No!
02:02Help me!
02:03Look, I was driving. I was driving.
02:06I'd been drinking.
02:07Well, then.
02:08Look.
02:11Look.
02:13No.
02:17No.
02:19I can't.
02:21I can't be cruel.
02:24If I go to prison, promise me you'll take care of my kids.
02:28What? You're not going to prison.
02:29I just killed someone.
02:30Well, Jim's a great dad.
02:32If I get put away, he will fall to pieces, Laura.
02:34I think he's stronger than you give him credit for.
02:36What is this? Do you don't want to take care of my kids?
02:38Well, it's not that.
02:39What's wrong with my kids? My kids are fucking delightful.
02:41I just think you shouldn't catastrophize.
02:43I am not catastrophizing.
02:45This situation is catastrophic.
02:47You can't catastrophize. I'll catastrophize.
02:49Well, everyone already thinks she's dead.
02:50What?
02:51Well, you don't go to prison for killing a dead person.
02:53There's a body, though.
02:55Oh, God, Robin, we're fucked.
02:57Robin.
02:59She said I like chaos.
03:03She's right. I do.
03:05And you were 16 years old.
03:07You thought you were having a friend.
03:10This is great as messing.
03:11You just got caught up in it.
03:13I wanted caught up in it.
03:16Why's that?
03:19When I was a young girl, all I thought about was the future.
03:25What I'd do, who I'd be with, the excitement of everything that lay in front of me.
03:30But now I'm there.
03:31I'm in the future.
03:33This is it.
03:37Clinging on in the second act.
03:39I keep thinking if this was a script and I was a character, it wouldn't work.
03:44I wouldn't work.
03:47I don't know what I want or what I believe in.
03:49I don't even know if I'm the hero or the fucking villain.
03:52Should I not know these things by now?
03:56I don't know who I am, Liam.
04:00And when I look back at that person I was,
04:05at that young girl, at that funny, fearless, ambitious young girl,
04:10I wonder what should make of me now.
04:15And I worry that I've let her down.
04:24I know who you are.
04:28It's true.
04:30I see you, Sersha.
04:49Shut the cop.
04:51The cop's here.
04:59What do you think's going on?
05:01I think he's sitting there questioning her.
05:04Like interrogating her.
05:05Probably.
05:06I wouldn't want to be anywhere else but here.
05:12I don't want him to see us.
05:14I don't want him to see us either, Robin.
05:15So what do we do?
05:17Grab the door.
05:19And then when she answers, we grab her.
05:21Okay.
05:22What if he answers that?
05:23Shit, see, this is why I wanted us to have a secret knock.
05:25Oh, God, please, no, not the secret knock.
05:27You're like, oh, when are we ever able to use a secret knock?
05:29I can't get into this.
05:30Look at us now.
05:31If he answers it, we'll just lag it, okay?
05:35I mean, it's nowhere near as good as a secret knock.
05:38Do not say secret knock.
05:40Fine.
05:45Hello?
05:48Don't worry, don't worry.
05:51No.
06:01You're pissed off.
06:02I get it.
06:03But I really think we should just sleep on it.
06:05You know who's in there?
06:06The guard man.
06:07The man boy.
06:07The lame cop.
06:08But the cop man, Liam, you have to get rid of him.
06:10I think we should talk to him.
06:12Talk to him.
06:12Talk to him, talk to him.
06:13Talk to him, she says.
06:14Yeah, maybe not right now, though, because you're both being kind of mental.
06:18We have good reason to be kind of mental.
06:20Oh, my God.
06:22Did she have sex on?
06:24No.
06:25Is that his shirt?
06:27Hey, maybe I had sex with him a bit.
06:29Jesus Christ, Susan.
06:30Was that good or bad?
06:31Well, it was good.
06:32But I'm engaged to someone else.
06:34Well, so bad.
06:34For us, I mean.
06:36Okay, I'm confused.
06:37There's been a development.
06:40What sort of development?
06:43It's Gretchen.
07:11Oh, you've got to be fucking joking.
07:14Saoirse, wait!
07:16Why is this?
07:21I'm sorry.
07:23I'll kill her!
07:25You've killed enough people for one evening.
07:26There will be no more killing of the people.
07:27Thank you, please.
07:32I'm so sorry.
07:50You can never just fall for a normal one.
08:03Where?
08:05Where?
08:06We dragged her over there.
08:09This might be funny if it wasn't so messed up.
08:13Three of us trying to prove she's still alive.
08:15I mean.
08:16Like we're a stupid little investigation let us.
08:19We're the reason she's gone.
08:21What?
08:24She's gone?
08:36A puncture repair kit?
08:37Yes.
08:38What have you punctured?
08:39My tyre.
08:40Why would you have done that?
08:42I didn't.
08:43Well, then why would you need it repaired?
08:46Okay, yeah.
08:47Do you have one or not?
08:49I've got a bottle opener.
08:55What Ross has asked us to do, it just feels extreme, babes.
09:00It doesn't matter what it feels like.
09:01Killing a client, though, it's fucked up.
09:06She's not a client anymore.
09:07It just all feels a bit shit, you know?
09:10It's not like when you dealt with that fella,
09:12the one that went all chibs or bells on his per-week-year friend.
09:15He had it coming.
09:16He spoke to me.
09:17What?
09:18Standing there, with a bolt in his head,
09:21talking to me.
09:22Only for a second or two.
09:23What did he say?
09:25Something about flowers.
09:26Flowers?
09:27Roses.
09:28He was trying to tell me something about roses.
09:31Maybe he wanted to buy her roses.
09:34The gear.
09:36One last, messed up, romantic gesture.
09:39Men like that, they always think they're Prince Charming.
09:43You never realise they're the big, bad wolf.
09:45And this is what I'm saying.
09:47You wouldn't lose any sleepover of a prick like that.
09:51You can't leave the process.
09:53The order's been given.
09:55Ross isn't fucking about.
09:56Is she?
09:58I mean, per week, credit going here was one thing,
10:00but they wipe out her entire family.
10:03It's quite the body count, babes.
10:05There's three others you said.
10:06Old friends.
10:07What's that crack?
10:08I'm not sure.
10:09You know, when I first joined the society,
10:11I was told that people like us are just wired differently.
10:15That's why we can do what we do.
10:18And ordinary people, they can sense it.
10:21And that's why they usually don't get in our way.
10:24But not these three.
10:26Maybe they like the excitement.
10:29The disruption.
10:30Maybe they want to be punished.
10:33Maybe they're searching for something.
10:37Truth.
10:38Or meaning.
10:39Or maybe they're just wired differently too.
10:47And now, the wee adventure must come to an end.
10:52Run, rabbit, run.
11:01What now?
11:03He doesn't know where exactly,
11:05but Liam knows Charles is buried somewhere on the Skook grounds.
11:08Thanks to you.
11:09Oh, yeah, let's go over that again.
11:10That's useful.
11:11Surely you'll keep quiet.
11:12Why would I?
11:13Because you slept with him.
11:14I didn't.
11:15Oh, my God, I didn't sleep with him to, like, silence him.
11:17You had sex with him, and you think he still might turn you in.
11:20Jesus Christ, how shy of your moves.
11:21Okay, that's...
11:25This has nothing to do with my moves.
11:26My moves are actually pretty.
11:27Can we please not talk about your moves?
11:28He has principles.
11:29Well, does he?
11:30What did he do with them when he was riding you?
11:32Pop him on the nightstand?
11:33Girls, please.
11:36We can't go back.
11:39Not now.
11:41There's two ways this thing ends.
11:42With answers or without them.
11:44I know which I'd prefer.
11:45What about you?
11:51She's the only one who can end the story, and she's out there somewhere.
11:54She has to be.
11:56And we need to find her.
12:07Can I have a double cone, Granddad?
12:09A double cone?
12:10Strawberry and chocolate, please.
12:11Go on, then.
12:13I bring her here every Friday.
12:15It's her we treat if she's good.
12:17I'm always good.
12:19Sprinkles as well, please.
12:20Rainbow sprinkles.
12:22No.
12:23Granddad's family live together, so it probably makes sense to start there.
12:26You'd have to get them all in the same room.
12:29That won't be a problem.
12:31You pull the blinds, you pull the curtains, you seal the door from the outside, you leave
12:36a small gap for the substance to be piped through.
12:38Is this that toxin they're using now?
12:41One of the gears at the meeting, Harkin.
12:43You know Harkin.
12:44She told me all about it.
12:45And in a few minutes, it'll be all over.
12:48She's lost a powerful amount of weight, you know.
12:50You have to leave the door sealed for a few hours, just to be safe.
12:53Zen thick, maybe.
12:54Otherwise, you may take yourself out.
12:56Once you've unsealed the door, you screw it with an appliance, a boiler, a gas cooker.
13:02You make it look like an accident.
13:05There's milk in this.
13:07Did you not want milk?
13:14Do you trust her?
13:16I don't know.
13:18But we need her.
13:21All right.
13:42Some folks say I'm not a dude.
13:46You know, they might be right.
13:49But I don't care what the people say.
13:53Live the way I like.
14:05Please, Owen.
14:06I'm getting my daughter out of here.
14:08So things turn into a fucking shit show.
14:10Listen to me.
14:11I did listen to you.
14:13I did.
14:14We all did.
14:15Look where that's got us.
14:16You can't run.
14:17Yeah, yeah, yeah.
14:18Leaving is not an option.
14:19Booker was very clear about that.
14:21But now Greta has.
14:22And she's contacted Maria.
14:23It's not safe.
14:24Exactly.
14:25Greta isn't a victim anymore.
14:26Not as far as they're concerned.
14:27She's a threat.
14:28They take that seriously.
14:30If they want to find us, they will.
14:33I'm not saying you shouldn't run.
14:34I'm saying you can't.
14:50I'll talk to her.
14:54Can I help you?
14:55Do you have a restroom I could use?
15:04Can I help you?
15:08That's all.
15:10Thanks.
15:11Thanks.
15:24Oh.
15:31It wasn't your fault, Greta.
15:39We know that.
15:41And we won't tell anyone.
15:43What is this?
15:44We are all finding it so difficult.
15:50We want to forget it.
15:51The whole thing.
15:52We want to just forget it happen.
15:53You think I don't want that?
15:55It's just you knew.
15:56You had a relationship with him.
15:58Our only connection to him is...
16:01Me.
16:04It's just...
16:07We're finding it really difficult.
16:11Yeah, you said that.
16:12We can still, like, say hello, you know, in the corridor or in class.
16:21They're generous.
16:23Look, we're sorry.
16:25Are you?
16:25You killed him.
16:26Robin.
16:27No, I'm sick of dancing around it.
16:29We don't blame you, Greta.
16:31It's just we can't continue like this.
16:35We can.
16:39Goodbye, Greta.
16:59Wait.
17:10To keep you going.
18:04Yeah, gang.
18:08I don't know what she was thinking, Booker, which is ironic.
18:12I've dedicated a lot of time to that cause.
18:16Cause?
18:17Trying to work Greta out.
18:20I was obsessed with it.
18:22Do you regret it?
18:27Some of it.
18:31But I believed in it.
18:34I mean, can you imagine?
18:36If we could separate ourselves from our trauma.
18:40Completely.
18:41Totally.
18:42Not learn how to manage it.
18:43Not numb it.
18:44But to leave it behind.
18:47So it becomes faint and weak like a dream you once had or a story you were once told.
18:54To be reborn.
18:56To become someone else.
18:58To be reincarnated while you're still alive.
19:00It would certainly make my job easier.
19:05People can't let go of the past.
19:11Whatever happened to that little girl you brought to see me all those years ago?
19:15Her parents had been killed.
19:18She's doing well.
19:20Took me a long time to get her to speak, I remember.
19:23Well, she's no trouble with that these days.
19:26She works with me now, actually.
19:29She'll be helping on this.
19:31So there's a plan.
19:35There's a plan.
19:36Don't worry.
19:38But we have to be careful.
19:44Discreet.
19:55Gather the others in here and I'll come back and explain everything.
20:08Right.
20:09Let's go through what we know.
20:10Heaven's Vale, 1997.
20:13There's a fire in a church.
20:15Eight children die.
20:16There's something weird about this fire.
20:18Something that spooks the whole community.
20:20There's a mass exodus.
20:21You don't really believe this is something supernatural?
20:23This is a ghost story?
20:25Every story is a ghost story.
20:26We're all haunted by something.
20:27We know that better than anyone.
20:28Oh, fantastic.
20:29What?
20:30Jimmy's phone's died.
20:31Why the fuck are we supposed to find this nursing home?
20:34Think we could ask Tommy for a charger?
20:37No.
20:38But two children survived that fire.
20:41Two little girls.
20:41Greta and Jodie.
20:42Whatever happened that night, they saw it.
20:45And it was fucking terrifying.
20:46The big bad.
20:47That's what I don't get.
20:49Isn't that what the doll complex is about?
20:50Margot Amy's right about all the work she did to help her move on from the big bad.
20:54Transform her into someone else.
20:56Why would she go back there?
20:57She'd been running from this thing, from this place her whole life.
21:00Maybe that's the point.
21:03Maybe she knows she can't outrun it.
21:05But it's going to catch up with her eventually.
21:08We need to get to the end of this story.
21:10Maybe she needs to go back to the beginning.
21:17Where are you headed?
21:19Cork.
21:20Jump in.
21:21Back to where it all started.
21:27Rebel County, eh?
21:29That's right.
21:31Well, he can take your path of the way.
21:34That's great. Thanks.
21:38What's your name?
21:41Grainne.
21:42What's yours?
21:44Conrad.
21:45You shouldn't get into cars with strange men, do you know?
21:49You're a strange man, are you, Conrad?
21:52I'm serious.
21:54You get in the car with the wrong person and...
21:57I could be dangerous.
21:59I could be dangerous.
22:03What takes you to Cork?
22:05I'm from there.
22:07Is that right?
22:08Well, not Cork, exactly.
22:10Beyond Cork.
22:12Beyond Cork.
22:13Oh.
22:14Where only the bravest men do venture.
22:18Or women.
22:19Or women, yeah.
22:20Well, it's just a tiny little village.
22:22Nothing special.
22:24Actually, that's not true.
22:26The place I'm from...
22:28They say it's a thin place.
22:31Thin place?
22:32It's a place between two worlds.
22:36Where the walls, between heaven and earth,
22:40are weak.
22:47The veil of reality is at its most fragile.
22:50At any moment, God might choose to lift it up
22:53and show us what lies behind it.
23:00Did he ever show yet?
23:02No.
23:05No matter how much I begged him to.
23:12Why have we stopped?
23:16Look at you.
23:17You're shivering.
23:21What?
23:28One second.
23:47What do you say?
23:56It shouldn't be too long.
23:58Who?
24:01What's going on?
24:03Speak of the devil.
24:08We're bound to catch over there.
24:09She's on foot.
24:10And I hit her with the car.
24:12That's bound to take the wind out of her sails a bit.
24:14Sorry, I didn't mean to sound quite so delighted there.
24:17Yeah.
24:17I was thinking of the other issue.
24:20What other issue?
24:24Look, Liam, if they know where he's buried...
24:26If they know where my dad's body is,
24:27then they must have known this whole time.
24:29I just don't understand why they'd suddenly tell us now.
24:32Like, like, what's changed?
24:42I have.
24:44I can't believe you didn't take the fucking evidence board down.
24:47I didn't have time.
24:48I didn't know you were going to knock someone down.
24:49What?
24:49We did knock someone down.
24:51Well, we did.
24:51A bit.
24:52But she got up again.
24:53And it wasn't someone.
24:54It was Greta.
24:55What's your point?
24:55I don't know.
24:56Liam has it all.
24:57Every single thing we know.
24:59Oh, he's going to be pissed off.
25:00I realise that.
25:01I mean, slashing his tyre and leaving him stranded was bad enough.
25:03Right.
25:04But to do it after you've made love to him.
25:05Don't say made love, Dara.
25:07It turns me.
25:08No, she's not wrong.
25:10I mean, did you really have to do a riding run?
25:12It's done now, OK?
25:13He's going to realise where we're heading,
25:14and he's going to follow us.
25:15The clock is ticking here, girls.
25:17There's no time to lose.
25:18Let's go.
25:25Why are we going so shortly?
25:27I'm not doing it.
25:28The car's doing it.
25:28Tell me the car's doing it.
25:29The car is doing it.
25:31The car doesn't have a mind of its own.
25:32This isn't chitty-chitty fucking bang-bang.
25:35You pull the blinds.
25:37You see the door from the outside.
25:39You leave a small gap for the substance to be piped through.
25:43Welcome to Nocturra.
25:44Sorry about the cone situation.
25:46No sweat, babes.
25:48I must order some more.
25:49Hmm.
25:54My granda used to get me one of these every Friday.
25:57Strawberry and chocolate.
26:00My wee treat.
26:01Is that right?
26:02If I was good.
26:05I was always good.
26:08I had them wrapped around my wee finger, so I did.
26:11Are you staying in the village?
26:14No.
26:16I am visit, babes.
26:18Have you any sprinkles?
26:23I like rainbow sprinkles.
26:25Let's go.
26:28Never mind.
26:32In a few minutes, it'll be all over.
26:38It's done.
26:39It's done.
26:40What next?
26:41We find Greta.
26:42What about the others?
26:43They're looking for her too.
26:45We find her, we find them.
26:47Good thinking, babes.
26:50Why is nothing working on us to Christ, Dara?
26:53Well, how's it my fault?
26:54It's never been the same since you decided to fill it with petrol.
26:56Are you serious?
26:57We've been in two car crashes and you just run someone over.
26:59But yeah, it's probably the petrol thing.
27:00Jesus Christ.
27:01I know, she's unbelievable.
27:02No.
27:03No, no.
27:04Jesus Christ.
27:05Jesus Christ.
27:10Oh, what the fuck does he want?
27:16It's the Kursia walkers.
27:18What?
27:18Yeah, Mary, for the grace, the Lord is with thee, blessed art thou amongst women, blessed
27:22with the fruit of thy own, Jesus.
27:23They're headed to knock.
27:25By foot.
27:26Why?
27:26Yeah, Mary, for the grace, the Lord is with thee, blessed art thou amongst women, blessed
27:30the fruit of thy own, Jesus.
27:31You say miracles happen there.
27:32Well, we could be doing with one of those right now.
27:39Now, what's happened here is, the vehicle has gone into what's called limp home mode.
27:44Do you know what that means, Gerdles?
27:45We don't.
27:45Ah, sure, why would you?
27:47But then the very same thing happened to me.
27:49Heck, keep a firm hold on him there, lads.
27:51We don't want him freewheeling down that hill.
27:53He's done it before, and he can gather some speed, I tell you.
27:56What's happened is, the system here has detected a fault in the car, like maybe...
28:00You put petrol in a diesel engine?
28:02Exactly.
28:03Oh.
28:04You knock someone down.
28:05You get the idea.
28:06And it activates this sort of security feature type thing.
28:09And thus, it only starts shutting down bits of the car to protect itself from further damage.
28:13I tell you, it's fierce clever.
28:15What are we going to do?
28:16Where is it you're headed, Gerdles?
28:18We're going to this little village called Callion Yow.
28:20Who?
28:20There's a nursing home there, or just outside it.
28:24Knock, she.
28:24Ah, shall we pass it?
28:26Someplace, that.
28:27Brendan thought it might have been Bono's house.
28:29It wasn't Bono's house, Brendan.
28:30It was a nursing home.
28:32How far away is it?
28:33A few miles, maybe.
28:34Have you packed your hiking boots?
28:36We're in a bit of a hurry.
28:37None of you lads have a car.
28:39We're the Carcio walkers, Gerdles.
28:41Not the Carcio drivers.
28:45Although...
28:52Oh, yeah.
28:53For there'll be the odd crater, and they're determined to do the walk.
28:57But the only might be giving them a bit of jib, or they're back and be playing up on them.
29:01And the idea just came to me.
29:04Merciful Jesus!
29:06We need something that'll give them a bit of respite, but allows them to stay with the main group.
29:11You know, if they want to have a bit of a prayer or whatever.
29:14I feel like we should pray.
29:15Ah, why so?
29:17Hey, I'm Mary, full of grace.
29:18Lord, it's with thee.
29:19Blessed art, dear, most women, and blessed women.
29:20Thy own Jesus.
29:21Holy Mary, mother of God, rid her sinners, tell the hour of her death they'll live.
29:25Here, Mary, full of grace, large believe, let's have the outcome.
29:39If it's been a while since you've seen her, just be prepared.
29:43She might look a bit different.
29:45I'll bear that in mind.
29:47But she's still your ma'am.
29:48It's lovely, really, the whole cycle of things.
29:51You get to mind her now, just like she once minded you.
29:56Yeah.
30:11You're surprised to see me.
30:14You are rotten inside.
30:24What a place, eh?
30:26Margot's money went a long way.
30:28The irony of that.
30:30You realising I wasn't actually worthless.
30:35I have a daughter myself now.
30:38She's nothing like me, though.
30:41She's perfect.
30:46But, um, I can't be with her anymore.
30:52Because, well, the shadow follows me around.
30:58I want her to walk in the light.
31:03But it's hard.
31:05You know, it must have been difficult for you to, to let me go.
31:09I mean...
31:13Not because you actually cared.
31:19Because you liked it.
31:24Control.
31:26Deciding whether I could eat or sleep or wash.
31:32Given that, it must have been difficult.
31:36Made you powerful.
31:40I was completely at your mercy.
31:46You were a cruel, vengeful god.
31:51Who are you?
31:53What's that?
31:55Who are you?
31:57Who am I?
31:58Sorry to interrupt.
32:02Won't be a sec.
32:03Who is she?
32:06This is your daughter, Mrs. O'Hara.
32:09No.
32:10Nora.
32:11Stand back, love.
32:13Just stop it.
32:14Just calm down.
32:15You're hurting me.
32:16Stop it.
32:17Ow!
32:25Get out.
32:27Get out.
32:30Immig.
32:31Immig, lad.
32:49You need a basket?
32:51Oh, yeah.
32:52Do you have one?
32:53No.
32:56You need some crack.
32:57Oh.
32:58You need a scream.
33:00You really think that's where she's headed?
33:02She ran before.
33:03At the beginning.
33:05She ran away from me.
33:07I thought it was just instinct or fear.
33:10Adrenaline.
33:10But...
33:12She just wasn't ready.
33:14She had unfinished business.
33:18There we are now.
33:20Great to meet you, guys.
33:21Yeah.
33:23Thanks, mate.
33:24Hey.
33:25Good luck.
33:26God bless now.
33:33Much better than it last night.
33:36Yes.
33:37Of course.
33:37Just looking for you.
33:39Welcome.
33:40How can I help you?
33:41We're friends of Nora O'Hara's daughter.
33:44Oh.
33:44You came.
33:46Is she here?
33:47She was.
33:54And she was looking for us?
33:56No.
33:57But I am.
34:03I think we should have a chat.
34:05Don't you?
34:08Can you give us a minute?
34:11I wouldn't go far, ladies.
34:19I feel awful.
34:21I do.
34:23And I feel stupid, Saoirse.
34:26You shouldn't.
34:27No.
34:30I'm sorry.
34:34She was here.
34:36She was just here.
34:37We were so bloody close to her.
34:40I can't bear it.
34:40How's Mrs. O'Hara now?
34:42Well, I had to sedate her.
34:43So distressing for the daughter.
34:45No wonder she had to leave.
34:46Let's get you a cup of tea.
34:47I need to update her notes.
34:49I've left them in her room.
34:50I'll go.
34:51She's one, two, one, right?
35:02I just need to find her.
35:04I need to know.
35:07Then whatever has to happen can happen.
35:09I will face up to every single mistake.
35:11Every fuck-up.
35:12I'll be accountable.
35:13I will tell you whatever it is you want to know.
35:17I just...
35:20What?
35:28I need to get to the end of the story.
35:59What are we hoping to achieve, exactly?
36:02I'm not sure.
36:06Do you think the vibe's weird in here?
36:11We're broken into the room of an unconscious pensioner.
36:14All right, see the vibe is weird, Robin.
36:15Yes.
36:34Jesus.
36:39Jesus.
36:39Was she near about it then?
36:42Read it?
36:45Lies. Lies. All of it.
36:50Come closer.
36:59You can't believe a word of it.
37:02It is a work of fiction.
37:05We know that Margot Haney wrote this book.
37:09Was she possibly game by lying?
37:11She wasn't lying.
37:13She was lied, too.
37:16Magritte?
37:17Is that what she calls herself now?
37:21You know about the fire?
37:23The big pot.
37:24She did it.
37:25She did it on purpose.
37:28She locked those children in there.
37:31She set it alight.
37:32She watched it burn.
37:34She watched them die.
37:38The other little one helped her, but she was stupid and sad and easily manipulated.
37:44That can't be true.
37:45It was covered up.
37:47Sure isn't that how we like to do things here.
37:51Then the story started.
37:55People said something supernatural happened that night.
38:00Sometimes a myth gets closer to the truth.
38:05There was something unnatural about that girl.
38:10Always.
38:12Something rotten.
38:15And it infects everything she touches.
38:19She frightened me.
38:22She frightened me.
38:24She frightened me still.
38:25You should be afraid, too.
38:31Oh, I am afraid.
38:35I'm terrified.
38:36I'm terrified.
38:39Not by what you said or what I heard, but...
38:44But what I saw.
38:49I saw the light in your eyes, the adrenaline rolling through you.
38:52You enjoyed that.
38:54You enjoyed saying those things.
38:59I see what you are.
39:02And you must have been a force to be reckoned with in your brain.
39:08What fucking chance did she have?
39:14That fire wasn't the big bad.
39:19You were.
39:28Listen.
39:31Liam says he'll help us track Crowdertyne.
39:33Then he's gonna immediately arrest us.
39:35Probably.
39:38What is it?
39:40We just spoke to Greta's mum.
39:44I think we always knew it.
39:46I think we sensed it, even before Charles Sampson,
39:49that it was something very...
39:53very dark and damaged and sad about her.
39:57Well, he didn't ask.
39:59Because he didn't want to know, not really.
40:02Just wanted to distance ourselves from it.
40:06At least he knew I did.
40:07You think she could have started that far?
40:10Wouldn't be the first time a child would have fucked up thing,
40:12because fucked up things happened now.
40:16She's facing her demons.
40:17She might have gone back to the police.
40:18She's been avoiding for almost 30 years.
40:21The church.
40:23That's right.
40:24You find the church.
40:27Or what's left of it.
40:40So come on show me.
40:44Just where you were today.
40:48There's a call I owe.
40:51To you now.
40:56so come on sell me will you break all you can't find
41:03who do you need me to show you how i kept my side of the bargain
41:14now it's your turn what what bargain i told him if he had us come here
41:22where'd you bury the body
41:28where's charles sampson
41:43there was a funeral that day
41:48one of the teachers the priest
41:54you buried him with the priest i didn't know what else to do and
42:02you were so scared
42:13we're leaving
42:20you know this story might not end the way you wanted to sir
42:27so
42:53So this is Heaven's Veal.
43:01What the hell is that?
43:04I have no idea.
43:41Oh, my God.
43:43Oh, my God.
43:45Oh, my God.
43:47Oh, my God.
43:51Oh, my God.
44:37Oh, my God.
45:03Oh, my God.
45:07Oh, my God.
45:07Oh, my God.
45:08Oh, my God.
45:21Oh, my God.
45:31Oh, my God.
45:39Oh, my God.
45:43Yeah.
45:50Oh, my God.
46:23The bikes, we saw them too late.
46:30We didn't know they were in there.
46:32We didn't know.
46:40That's what Charles Samson wanted to talk to you about.
46:45You found us.
46:48Fuck, I wish he hadn't.
46:52And what about Judy?
46:58It was an accident.
47:00I swear to you as it was.
47:10I truly thought that I could become someone else.
47:13I thought I could leave that messed up little girl behind.
47:16And she'd always find me.
47:20She'd tap me on the shoulder and drag me back here.
47:25Well, maybe that little girl needs you to look at her.
47:28Tell her it's okay.
47:35Oh, God.
47:44If it has to happen, I thought it might as well happen here.
47:48You should leave.
47:50We're not going anywhere.
47:53She's dangerous.
47:55We know.
47:57Our Father, who art in heaven,
47:59hallowed be thy name.
48:01Thy kingdom come.
48:02Thy will be done as it is in heaven.
48:04Give us to stay our daily bread
48:06and forgive us our trespasses
48:08as we forgive them.
48:09Shut the fuck up!
48:18Let's do this!
48:21What do you want?
48:28What do you want?
48:32Let's break the side of the screen
48:39and save the ship.
48:51I don't understand.
48:54You don't need to.
48:56Take care, babe.
49:01Mommy!
49:02Oh, my God, I'm sorry.
49:05I'm so sorry.
49:07I'm so sorry.
49:11Is she letting them go?
49:12She must be.
49:15I'm sorry.
49:18Oh, dear.
49:25I still can't believe it, Booker.
49:27How the hell did you know?
49:28That story the midwife told us on the bridge.
49:31That prick talking about roses.
49:35Men like that don't get poetic when they realise they're about to die.
49:39They get angry.
49:41He was trying to say russa.
49:45How could this be happening to him when he's got the boss's blessing?
49:48She betrayed her own clients for profit.
49:57Let a violent man straight to the woman that she promised to protect.
50:09She had it coming.
50:13So, did anybody that helped her?
50:27What noise, then, babes?
50:29For awesomeing?
50:32Because we're at a bit of a less end, aren't we?
50:35Now that you've wiped out the entire organisation and stuff.
50:39We could start over.
50:44Do things our own way.
50:47We need soldiers.
50:49That's true.
50:54The ones that are wired differently, too.
50:57We'll sort the dates off later, babes.
51:00I'll grab this.
51:01Let's grab a burger!
51:10She'll probably say goodbye this time.
51:15Bye, grab her.
51:43Bye, baby.
51:44Maybe God listen after all.
51:49Bye, baby.
51:52Bye, baby.
51:55Bye, baby.
51:56Bye, baby.
51:58Don't say it's easy
52:02When it's not
52:06When it's not
52:16Feeling like you're barely around
52:24And you can't tell the sea from the horizon
52:32The only love you understand is poison
52:40And even after all this time
52:44Just noises, just noises, just noises
53:05You're buried under the love
53:10That you have lost to the ages
53:19This is all at your ages
53:31Would it be possible to get a wee bit more milk?
53:37Never worry
53:46Do you think she'll be okay?
53:49Greta?
53:52I hope so
53:52I'm just glad it's all over
53:54Yeah
53:56I mean, what a relief
53:58Totally
53:59Although
54:01I'm not saying I enjoyed any of it
54:03You know, like at all
54:05Oh God, no
54:05Absolutely not
54:06But
54:07You know
54:09It did sort of
54:11Shake us up a bit
54:17Don't know why you brought that with you
54:20Greta forgot it
54:21Didn't want to just leave it there
54:22Didn't feel right
54:23Sit up
54:26Sit up
54:44Holy shit
54:58I want to make one thing clear
55:01We are not
55:03Under any circumstances
55:05Getting involved in this
55:12Pick up strangers on the road
55:15As a young boy I was told
55:19But I could never ever listen
55:25I was on route to Monterey
55:29And she was heading the same way
55:33All aboard my Silverado
55:38She's a California poppy of the PCH
55:42Blooming on the roadside
55:47Hitching and a thumbing and a bumming ride
55:50And a golden ray of sunshine
55:53Yeah, the California poppy of the PCH
55:57Blooming on the roadside
56:00A hitching, a thumbing and a bumming ride
56:04And a golden ray of sunshine
56:07And a golden ray of sunshine
56:10And a golden ray of sunshine
56:12And a golden ray of sunshine
56:31Yeah, Mother
56:31Only the sun isones
56:33Yeah, those days
56:50No more than that
56:59No more than that
Comments