- 13 hours ago
How To Get To Heaven From Belfast S01E06 [Full Movie] [New Drama]Full EP - Full
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00:26You killed him.
00:31He didn't do anything wrong. He was a good person.
00:37Why?
00:40Why did you do it?
00:43Stop talking.
00:43Yes, here's your pipe down.
00:45She has a gun.
00:46I always run out of duct tape when I need it most.
00:48I don't care.
00:48Well, I do, Billy. Big balls.
00:52Right. Where is it?
00:54The dictapol.
00:54So you did open the box?
00:55No, lucky guess.
00:56Did you listen to it?
00:57No.
00:58That actually was a treat that time.
01:01Right?
01:04Tell me where it is or I'll start putting bullets in people.
01:11I give it to Liam.
01:13Who's Liam?
01:15The man you killed last night.
01:17The cop?
01:17Did you kill more than one man last night?
01:19How do you know him?
01:25Well, we don't really.
01:26We met him in Magdara.
01:27He's from Magdara?
01:28Yeah.
01:37What's going on?
01:39Is she leaving?
01:43Is she gone?
01:44No.
01:44I think so.
01:46We should escape.
01:47Brilliant idea.
01:49How?
01:49I haven't worked up at all yet.
01:52It's my fault he's dead, isn't it?
01:54Because I was obsessed with finding Greta.
01:58Poof!
01:59Greta evaporates.
02:00And now you're going to Marsh.
02:02Made a name Breslin.
02:05Originally from Tyrone.
02:07Moved to Dublin as a kid.
02:08Daddy got a better job.
02:11Blah, blah, blah.
02:13Uni in London.
02:15Let's see what your degree is in, babes.
02:18Classics!
02:19Good for you, Gwania!
02:22What's wrong?
02:23Is it the vape?
02:25No.
02:25The smell?
02:26It's not the vape.
02:27Is it the precautionary gun?
02:30Is it killing the vape?
02:31Sort of.
02:32It's just precautionary.
02:34That's why we call it the precautionary gun.
02:37You won't even have to touch it.
02:38It's for the midwife.
02:39Why will she need it?
02:41She...
02:43She won't.
02:44Babes!
02:45You really need to look up the meaning of precautionary.
02:49You have a decree in classics, for Christ's sake.
02:51Why might she need it?
02:53We had this one incident once, one time.
02:59What sort of incident?
03:00We were looking after this woman, and she contacts her ex.
03:04She's an abusive prick.
03:06Unbelievably dumb, considering he's the reason we had to evaporate her in the first place.
03:10Anyway, he tracks her down.
03:11So, the midwife had to sort of shoot him through the head a bit.
03:17It was quite the fucking hoo-ha, let me tell you, babes.
03:21When will she be here, this midwife person?
03:23Sid, I have to warn you, she's a bit of a dickhead, but she's good at her job.
03:27I might give her a call, actually.
03:31You're almost there, babes.
03:33Then, what it is you're running from, will all just be something that happened in somebody else's life.
03:39What?
03:5219th of April, 2003.
03:54At last, I finally made him see sense.
03:57He finally listened.
03:59He's left town.
04:00I'm so happy.
04:02Jason Meadows will trouble me no more.
04:04Shit.
04:13Nate.
04:14Nate, are you a credit card?
04:16I am, Maggie.
04:17Nightmare.
04:18Is this your Margo?
04:19Yes.
04:21I...
04:22Of course, his name isn't really Jason Meadows.
04:25I felt guilty lying to the others about that.
04:28I'm definitely going to do English Lit.
04:30I'm going to be a playwright.
04:31You know, like, Brian Freale, or Arthur Miller, or...
04:34I know what a playwright is.
04:36Nice job.
04:37I needed a story they'd understand, so he became the obsessive, jealous boyfriend.
04:41I thought it might be a bet.
04:43But I have this thing about cows.
04:45I don't trust them.
04:47Jesus Christ.
04:48Sister!
04:49I was praying.
04:51They'd never understand the truth.
04:53I barely understand the truth.
04:56Can you do an A-level in chatting?
04:58What?
04:58Like, could I be a conversationalist?
05:01Is that a thing?
05:02No.
05:08But that doesn't matter.
05:10It's over.
05:11I'm somebody else now.
05:14I don't hide from the bogeymen these days.
05:18Come in.
05:20I tell them to fuck off and leave me alone.
05:23What the hell are you smiling at?
05:24You're late.
05:26Sorry, sister.
05:26It is.
05:53But, why don't you remember that, man?
05:56I know, you're a gayer rich man.
06:18The truth is, well, I don't think I've ever really thought about it.
06:23At university, I mean.
06:26I'm very hesitant to say this, considering the sheer amount of eyeliner you're wearing.
06:32But you're bright, Greta.
06:35Look at me, please.
06:37You decide what happens now.
06:39Only you.
06:41Shit, sorry.
06:42You and God.
06:43I always forget to include God in this stuff, and I'm really supposed to because of the whole...
06:48None thing?
06:49Yeah.
06:50You can do anything you want to do.
06:53Be anyone you want to be, Greta.
06:55Let's do it.
07:04You know, he's missing it.
07:26I need to talk to Inspector O'Neil.
07:28Well, let me ask first if you can see him.
07:29If you can see me.
07:34Booker.
07:35Sit.
07:36I said sit.
07:39I need you to listen.
07:40You don't have a lot of time.
07:42One of your guards, Liam.
07:43Liam Cells.
07:44He's dead.
07:45What? How?
07:46I shot him.
07:47I had no choice.
07:48He was escorting those three women.
07:50The ones that you assured me wouldn't be a problem,
07:52but they had the box and they opened it,
07:54so they know what's inside.
07:56Hold on.
07:56No, we don't have time for that,
07:57so I don't know if they've listened to it
07:59or if they've talked to anyone.
08:00I'm going to keep him alive until I've figured that out.
08:02Where is it?
08:04That's the more pressing matter.
08:06They gave it to Liam.
08:07They're saying that it was on his person when he died.
08:11Jesus Christ.
08:12I need you to speak to the station in Dublin.
08:14Dublin.
08:14Find out where the body is
08:15and tell him that someone will be along
08:17to pick up his belongings.
08:19There's a good boy.
08:22Oh, hello, Inspector.
08:24Inspector O'Neill here
08:24from Lockdart Police Station, Donegal.
08:26One of my guards, Liam Kells, was involved in it.
08:29Guard of Kells, that's correct, yes.
08:33Lucky.
08:35Lucky?
08:36Well, apart from the broken rib,
08:38the impact, you know.
08:40I don't understand.
08:41Stop the bleeding bullet!
08:43Like something I overfill him.
08:45I'm Bosco, by the way.
08:47And Bosco's a saint before you start.
08:49My man didn't name me after a puppet.
08:51Can I see that?
08:53See, now,
08:55I'm wondering if we actually should be touching this stuff.
08:58It wouldn't be evidence or anything, would it?
09:00I know the guards want to speak to you.
09:02I am a guard.
09:04Yeah, there is that.
09:11Right.
09:12Well, I'll be back in a moment to check your vitals.
09:14You say it with trouble, handsome, yeah?
09:15All right.
09:50one two three and go are we going on three are we going on go we're going on go dara
09:55why wouldn't
09:56we go on go what are we trying to achieve here exactly well there might be something on that
10:00table that'll help us free ourselves like a knife oh yeah i'm sure she's just gonna leave a knife
10:04lying around will you try and be a bit more positive come on sir she could come back any
10:09minute and she's gonna kill us i don't care anymore well i do i've got three kids who depend
10:15on me sir just to get fucking shuffling all right fine right one two three and go one two three
10:23one two three and go and go and go go stop
10:37it's just all our stuff wait a minute were those red envelopes in your bag sir
10:44shan they're exactly like the ones greta sent us
10:56it was you you did it
11:01i didn't do anything not really it was your ideas shan you were the one who told me i had
11:07to
11:07confront him that actually happened so jason meadows was just there again watching her and
11:13yeah i just sort of marched right over and told him it was over between us then i told him
11:18to piss
11:18off and leave me alone and he did he was too old for you anyway and what's it been now
11:24like a week
11:25uh 10 days but i have even more good news you know declan ryan from the boys school well has
11:33ma and dara away so which means he has a free house which means he's having a fucking party
11:39oh my god a party like america and declan ryan's cousin david ryan aka the massive right for my bus
11:46stop will also be there let's just skip p and make a plan we've a lot to do before tonight
11:51girls
12:02you're fucking adorable dara and you know what so do you want to go to the party oh yeah sure
12:10like together well yeah i mean if both of us are going we'll be there together and that'll be class
12:25you're never gonna tell people about us are you are you i've told sisha and robin aren't people
12:29i've also told greta hey but you're transferring actually she's not weird and she transferred here
12:36like two years ago so maybe we should call her something else now you're not gonna go to hell
12:41for being gay dara it's 2003 it's not like the olden times i like what we're doing now
12:49riding in a bog we're riding well maybe riding not now we won't
12:59we need alcohol obviously don't look at me we've already watered down our entire drinks cabinet
13:04my mom's so gonna realize it's only a matter of time so what about drugs
13:12what about them should we be doing drugs better my dad still has some codeine from when he put us
13:18fuck out oh my god credit did you do this make our tattoos this is such a good idea we
13:36should totally
13:36start making this place our own nobody else ever uses it i could write here i could write david around
13:42here
13:43when did you do this greta greta
13:48i need to go back there's there's something i forgot
13:54bye
13:57bye
14:02what's wrong with her
14:05what's wrong with her
14:06what's wrong with her
14:07what's wrong with her
14:08what's wrong with her
14:12what's wrong with her
14:20what's wrong with her
14:21what's wrong with her
14:22what's wrong with her
14:23what's wrong with her
14:24what's wrong with her
14:24what's wrong with her
14:25what's wrong with her
14:25what's wrong with her
14:26what's wrong with her
14:26what's wrong with her
14:26what's wrong with her
14:26what's wrong with her
14:26what's wrong with her
14:27what's wrong with her
14:32what's wrong with her
14:33Perhaps now you'd like to talk?
14:39Tape, 113. Belfast, morning. Still no movement.
14:4719th April, 2003. So, she's agreed to a meeting. A sorrowful woman. That's a cottage.
14:54Okay, Miracle Man. Your friends are on their way.
14:57Your friends?
14:58The filth. I mean the guards. That was a joke.
15:02It's probably not funny if you are actually a filth.
15:05A guard. Sorry. Just been on a night shift.
15:08It's fine.
15:09Now, we will need to scan you for us, okay? So, let's go.
15:15Now, you can't take your lucky charm, which I'm afraid.
15:19I don't think anyone's going to swipe a chicken. Don't worry. It's not an iPad.
15:23I'll look after it for you, will I? Let's go, handsome.
15:28Is it really her?
15:30Mm-hmm. She's very keen to speak to you.
15:34We can't. That was the condition.
15:37We'll be discreet.
15:39Showing up at my school and painting that thing on the wall, that's discreet, is it?
15:42Well, that was her idea.
15:43Well, it's fucked up.
15:47If that symbol showed a stab into you, why'd you mark yourself with it?
15:55I wanted to change its meaning.
15:59Associate it with something new, something positive.
16:02I have friends now. I have a whole new life now.
16:06Well, I think that's why she's so upset.
16:09The difference.
16:10What?
16:13Well, you don't know what happened to her?
16:16Afterwards?
16:18You don't know what they did?
16:26Dearly beloved, we gather here today for the funeral mass of Father O'Brien.
16:33A man of God who devoted his life to the teachings of Christ.
16:37A religious education teacher.
16:40This is brilliant, isn't it?
16:42It's funeral, Robin.
16:44I know, but we're missing double mass.
16:46Where the hell do credit go?
16:48After the service, we'll take Father O'Brien to his final resting place.
16:54In the school cemetery.
16:58What's that about?
17:01Look, Dara, what have you done to fix it?
17:03She's way out of your league.
17:04She's playing a different sport.
17:07She wants me to, like, tell everyone.
17:10So?
17:11I don't know. My mum and stuff.
17:14She wouldn't think it's right.
17:16You don't think it's right?
17:17The Catholic Church is such a chokehold in you, Dara.
17:20That's simply not true.
17:21Please need me.
17:27I'll be back in a minute.
17:29Oh, Jesus, through the Immaculate Heart of Mary, I offer you my prayers.
18:01What the fuck?
18:04I knew there was something really wrong, and you wanted to give up, and I knew we couldn't.
18:08I knew there was more to all this.
18:10Those emails were so strange, and I knew it wasn't her in the coffin.
18:13I just thought if I could convince you.
18:15I thought, you know, if I could make you see this like I did.
18:19So I sent you the letters.
18:21I... I can't believe I'm here in this, Susha.
18:25I just wanted to get to the truth.
18:27For all of us.
18:29Oh, that's okay, then.
18:31It's not, and I know that now.
18:34Everything's just make-believe to you, isn't it?
18:36What?
18:37Do you think we're just characters you made up in your head?
18:41Of course not.
18:42Everything's just material.
18:44Everything's just a story.
18:46You're like one of those...
18:48one of those weirdos in the mud.
18:50What? Mudlarkers?
18:52Yeah.
18:52You're a mudlarker.
18:54Scavenging around in other people's lights for the bits you find shiny.
18:58Or interesting, and you fawn over them because you're so unhappy in your own fucking life.
19:03Don't pretend like you haven't loved every minute of it, Dara.
19:05What part of this have I loved?
19:07Oh, don't pretend like it hasn't shaken you up a bit like you haven't been bored.
19:12Fucking senseless.
19:13Dara, your world has been kept so small and so same.
19:17My world is small, isn't it?
19:19You can't even tell Niamh how you felt about her. Look how that turned out.
19:21Seriously?
19:22It's true. I mean, why take the risk?
19:24She was only gonna hurt you eventually.
19:26Isn't that right, Dara?
19:28Well, because your relationship is so perfect.
19:30Is that why you're flirting with that poor lad?
19:32Girls, come on now.
19:33You dragged him into all this shit and now he's dead.
19:35Dude, Jesus.
19:35Fuck you!
19:36No, fuck you!
19:38Who the hell do you think you are?
19:40You both need to calm down, okay?
19:42Because if I'm expected to mediate here, then we're fucked higher.
19:45I am nobody!
19:45John Hume, I am not.
19:47You're just a stupid TV screen scripter!
19:49Oh my god, Dara.
19:58Oh my god!
20:00Oh my god!
20:01Oh my god!
20:01Yeah, you did deserve that though.
20:11There he is!
20:14The inspector's arrived now and she wanted everything that they found, Rich, at the scene.
20:19The box?
20:20Mm-hmm.
20:20Don't worry, I already gave it to her.
20:22Where is she?
20:24What did she look like?
20:25She was one of them, what you call it, the non-uniform ones.
20:29Plain clothes?
20:30Mm-hmm.
20:30She's in the room waiting for you.
20:34Eh, careful!
20:35Slow down!
20:38Shit!
21:11I saw.
21:14Not like me.
21:15In the Irish, in a sentence, Miss O'Casey.
21:18Eh.
21:20Eh.
21:20Eh.
21:21Eh.
21:21Eh.
21:24I saw the sea.
21:26Correct, if uninspiring.
21:31So, listen.
21:32Big Mandy will go to the office if we pay her a fiver.
21:34A fiver?
21:35Don't start, Dara.
21:37Sorry, sister, I forgot something.
21:38About to run home.
21:39Let's see.
21:41I would.
21:42I would like.
21:43A fiver.
21:45In a sentence, please, Miss Heaney.
21:49A fiver.
21:57A fiver.
21:58I was like a little girl.
22:00The other one is a little girl.
22:00For Belfast?
22:02Good luck!
22:05I think she's good.
22:08I heard.
22:11What did you say?
22:12I started.
22:15I'd like to get to heaven.
22:16I went.
22:19I finished.
22:28Why is nobody on a walk?
22:30Should we dry the door again?
22:32What, in case it's magically un-fucking-bolted itself?
22:37Psycho features disconnected, all that.
22:44Look at this. Metamorphosis.
22:47What is that, a hairdresser?
22:48That bitch doesn't have a hairdresser.
22:50Stay to those dead ends.
22:52Oh, is there something on that pad?
22:54Give us that pencil.
23:02This is Greta's writing.
23:04Are you sure?
23:05I'm sure. It's a lumber.
23:08What is that? Is that Irish?
23:10It feels familiar.
23:12So Greta was here.
23:19She was probably held here like us.
23:21Yeah, well, not exactly like us.
23:23What do you mean?
23:24This would suggest she had more freedom.
23:27You know, every time we talk about what might be going on here,
23:30it's like Greta's been dragged into something beyond her control.
23:33What if she's the one who's in control?
23:35Maybe she told that psycho to bring us here.
23:37I have a wife.
23:37Because we know too much.
23:39Because we're too close to something.
23:40And she's good at getting other people to do her dirty work for her, isn't she?
23:44Separate but inseparable.
23:45Just like us.
23:46That night changed everything for us.
23:48We buried a fucking body for her.
23:51We lowered that man into the ground.
23:55The ropes!
23:56We used ropes that night.
23:58They were in the cabin.
23:59That's how we did it.
24:00That's how we got them down there.
24:02Oh, the ropes!
24:05Yo!
24:06Bigel!
24:06Ha!
24:10There's no way my horse is fitting through that thing.
24:16How did it go with Sister Patrick?
24:19Good.
24:20She thinks I should apply for university.
24:22And she's quite right.
24:24You should.
24:25Perhaps I could study psychiatry.
24:28I think you'd be brilliant.
24:30I'd have to take the Hippocratic Oath.
24:32That's right.
24:34Did you?
24:35Of course.
24:37It doesn't say you can't have a relationship with a patient.
24:42Hypocrite.
24:43The Hippocratic Oath.
24:45That's a very amusing play on words, Greta.
24:48You always were a clever girl.
24:51Is that right?
24:52Your circumstances were exceptional.
24:55And I gave up my career to look after you.
24:57Oh, did you save me, Margot?
24:59We saved each other.
25:05How's the book going?
25:09The book will help people.
25:12Help people understand.
25:13Oh, girls like me.
25:16What about girls like her?
25:23That's right, Margot.
25:24I'd like to talk about her.
25:26You had to be separated.
25:29For both your sakes.
25:30What happened to her?
25:31Listen to me, Greta.
25:33If you're on a sinking ship and there's an island ahead, what do you do?
25:38You jump off the ship and swim to the island.
25:41I want to know what happened to her.
25:44You are on the island, Greta.
25:47You're safe.
25:48You don't swim back to the boat to examine it.
25:51If there's someone cling to the wreckage, you do.
26:08You should try to eat something.
26:10You guys have a long journey ahead.
26:12I'm just not that hungry.
26:14Maybe it's the nerves.
26:15Do you need an air VP?
26:16It might help.
26:18There is nothing to be nervous about.
26:21And I'll be with you every step of the way.
26:24Look, she's an experienced midwife.
26:26And it's important to remember that this is what we do, babes.
26:30And we're really good at it.
26:32We're professionals.
26:34I'll clear up.
26:36What happens to the information?
26:38What's that, babes?
26:39My information.
26:40You said that you put it into a system.
26:42Before we move you on, we need to know everything about the person you once were.
26:47That tells us what to avoid, where to avoid, who to avoid.
26:52And when you've done that?
26:53We destroy all the records.
26:55Greta Heaney is dead.
26:56And any trace of her existence disappears.
26:59Just like that.
27:03Evaporation, baby.
27:11This is getting insane.
27:13We must be getting close to something.
27:14Hmm.
27:17Sasha and the others, you think they're involved?
27:20Whatever this is, they're in it up to their neck.
27:23Well, now I understand the need for all the secrecy.
27:25The whole Midnight Cowboy vibe.
27:30Have you ever seen Midnight Cowboy?
27:34No.
27:35Right.
27:35Because this definitely isn't the vibe.
27:38Like, at all.
27:41Why would someone try and kill you?
27:45Well, you had something she wanted.
27:47A tape.
27:50A recording.
27:51A what?
27:55A father.
27:57My father?
27:58I only listened to a second of it.
28:00Someone stole it from the fucking hospital.
28:03This whole thing is so messed up and...
28:05What did you hear?
28:08He was making a no.
28:11It was the 19th of April.
28:1319th of April, 2003.
28:15Finally a meeting.
28:15Mentioned a meeting.
28:16Says the sorrowful woman has a cottage.
28:22The caretaker's place on the grounds of the school.
28:24That was all I got.
28:25Right, well, I've been looking into the school.
28:27The headmistress now was the headmistress then.
28:28She might know something.
28:30We have to be careful here.
28:35Yeah.
28:36I just really need to know what happened to my father that night.
28:49She didn't come?
28:50No.
28:53She came.
29:11She said you'd go by Geordie, no?
29:16She said you'd go by Grissa.
29:21Let's sit.
29:40What the fuck is dark?
29:42She has her clothes.
29:43We should have just worn her clothes.
29:44He saved my mask when he let me leave the house in that skirt.
29:46It barely covers my hole.
29:48Finally.
29:50Hand them over.
29:51Hand what over?
29:52The clothes.
29:53Grada has them all night.
29:55Is she not here?
29:56I thought she was coming with you.
29:57She'd already left when I called to hers.
29:59Oh my God.
30:00This is mortifying.
30:01I don't think she's coming.
30:02She has to come.
30:03She has the clothes.
30:04I saw her with Jason Meadows earlier.
30:08I think she's going to meet him.
30:09I think that's where she is.
30:11I'm worried, girls.
30:12I don't trust him.
30:25Sorry for the bait.
30:27No problem at all.
30:28Thanks for air.
30:35Right.
30:38This isn't about the dinner lady again, is it?
30:40No.
30:41Oh, thank God.
30:42We're actually here to ask some questions about a couple of past pupils.
30:45Saoirse Shaw, Robin O'Casey, Dara Frail, Greta Heaney.
30:49They were here in 2003.
30:52Saoirse Shaw.
30:53The writer.
30:54That's the one.
30:55Well, I don't watch it, Murder Code.
30:57But I will say that the storyline of Episode 4, Series 2, had a striking resemblance to
31:03a short story that I myself had published in the local paper that year.
31:08Right.
31:08But like I say, I don't watch it.
31:11We're looking into a connection between these girls and a man named Charles Samson.
31:16I can't say that rings a bell.
31:18He was an investigative journalist from Liverpool.
31:24I remember him.
31:26He offered me money for Greta's file.
31:29Greta Heaney.
31:30Did you?
31:31Indeed, I did not.
31:33I didn't like it.
31:35A grown man like him sniffing around a young girl.
31:38He was a well-respected journalist.
31:39And well-respected journalists often bribe teachers to provide them with confidential information
31:44about minors in their care, do they?
31:48This would have been 2003 when he came here.
31:51Yes.
31:52Might it have been the 19th of April when you spoke to him?
31:55Definitely not.
31:56I remember that date because that was my colleague Father O'Brien's funeral.
31:59Have you any idea what Charles was looking for?
32:02In the files?
32:03None.
32:04I mean, Greta was clearly troubled.
32:08She was very vulnerable.
32:12I don't know what happened to her, but something did.
32:14She always seemed sort of...
32:18What?
32:21Haunted.
32:24What became of her?
32:26She passed away recently, I'm afraid.
32:41Do you still have it?
32:43I'm sorry?
32:45Her fire?
32:46Right, come on.
32:48Come on, what the fuck?
32:49Jesus!
32:50Don't look.
32:50Why can I not look?
32:52Come on.
32:55Come on.
32:56Jesus, hurry up.
32:58Jesus.
32:59Oh, Jesus.
33:00There we go.
33:02You all right?
33:03Oh, I don't think so.
33:05Good stuff.
33:05Come on, Sirsia.
33:07Carry her.
33:09Come on, Sirsia, hurry up.
33:13Please, get in the boat.
33:15Oh, shit, look, Sirsia.
33:16The volume, yeah, I've got in tomorrow.
33:18Bikes to get to heaven.
33:26I've got it.
33:26Meow means heaven.
33:28What?
33:28I just remembered something Greta said years ago.
33:32This must mean heaven's veal.
33:35Heaven's veal is a place.
33:36Oh, hurry up, girls.
33:37Before Trigger, I'll be getting back.
33:38Good point.
33:39Shift on, Sirsia.
33:40If I fall, will you catch me?
33:42Of course.
33:43Like fuck-a-well?
33:44Oh, Jesus.
33:47Oh, oh, hello.
33:48Excuse me.
33:49Excuse me.
33:50Um, do you have a phone?
33:52Huh?
33:53A mobile phone.
33:54Do you have a mobile phone?
33:56Of course I have a mobile phone.
33:58You think we don't have mobile phones in Donegal?
34:00Is that it?
34:01Typical bloody patronising Belfast people.
34:03Can I use it?
34:05Well, I don't have it with me.
34:06Robin, look.
34:07What's wrong?
34:08What you doing?
34:09What's wrong?
34:09She's stuck.
34:10I'm stuck.
34:12I told you my arse wouldn't fit through this.
34:15Second thing.
34:16I'll just angle it a bit.
34:18Well, she's tried that.
34:19I tried that.
34:20I had no idea her arse was that big.
34:21No, it's very deceptive.
34:23Deceiving.
34:24Deceptive?
34:25I'd ring the fire brigade if I were you.
34:28On what?
34:31Here it is.
34:33We can destroy old documents after a certain period, but...
34:36I always felt weird about that.
34:39Sister Thomas thinks I have a hoarding problem, but, I mean, she's got a, being a massive arsehole problem.
34:46So, we all have our crosses to bear.
34:49Should be in here somewhere.
34:53Heart.
34:54Heaney.
34:56Heaney.
34:59Grataheaney.
35:02You can read it here.
35:04I'll wait outside.
35:08Um, she's got that wrong.
35:09My father wouldn't have blackmailed anyone.
35:13Let's just have a look.
35:14Come on.
35:15Yeah.
35:16What does it say?
35:20What?
35:21What?
35:23It's empty.
35:24No, that's...
35:26Grataheaney.
35:34Nora O'Hara.
35:42Sorry, this has taken so long.
35:45I've never made blancmange.
35:48She's fucking unhinged.
35:50I read the files.
35:52I know you did.
35:54When I had to leave my daughter, I thought about you again.
35:59I actually felt sorry for you.
36:02I mean, you weren't perfect.
36:04Far from it.
36:06But I thought how hard it must have been for you to walk away from me back then.
36:12Easiest thing in the world.
36:14You sold me.
36:16You did it for the money.
36:17You were rotten inside.
36:20Still are.
36:23Heaven's veil infected you.
36:26That's her.
36:28My wife's here.
36:34You're not really here.
36:35You're dead.
36:36Am I?
36:37You must be by now.
36:39You're just desperate to find out, aren't you?
36:43So why don't you?
36:45You know where I am.
36:47You remember the number.
36:48You wrote it down.
37:07Hi.
37:08Oh, I was just...
37:09I wanted to check on the status of my mother, Nora O'Hara.
37:15Yes, I can wait.
37:20Well, you've given yourself away now, haven't you?
37:23Now someone knows you're alive.
37:26You'll never escape it.
37:28You can't run away from what you are.
37:30Ronya!
37:35Well, you seem to have a pretty good life here.
37:40I don't know what you want me to say.
37:42They locked me away.
37:45He told me.
37:48Like I was fucking contagious.
37:53I'm sorry.
37:54Are you?
37:56Really, I had no idea.
37:58Did you ever ask?
38:03Jodie feels that she's ready to talk about Heaven's Veil.
38:08That's insane.
38:09I am insane.
38:10Obviously, it would be better if you've been involved.
38:12No, I told you I can't do that.
38:14I won't do that.
38:15No, it would be handled very delicately, Greta.
38:18I wouldn't reveal any details about your new lives, your identities.
38:24You'd be very safe.
38:24Not as safe as if we didn't talk to a fucking journalist.
38:27I can't believe you're being so stupid.
38:29Nobody ever listened to my side of things.
38:32There is no your side of things or my side of things.
38:35There is just what happened.
38:37And it's awful, but it happened.
38:38And it's over.
38:39And we can't change it.
38:40I want to tell my story.
38:43Your story is my story, though.
38:44You'll ruin everything.
38:46That's not fair.
38:48I'm sorry.
38:50You were able to move on, to put it behind you, to lock me in a box like a doll
38:57you don't
38:58want to play with anymore.
38:58But I couldn't.
39:00I am still there, in that place, on that night.
39:06There's no escape.
39:08I still have the scars all over my body.
39:12And every time I close my eyes, I see this fucking thing.
39:15I don't believe you.
39:19I didn't forget you.
39:24Look at this.
39:26I did this so I wouldn't.
39:30I couldn't.
39:37I kept you with me.
39:40Well, all this certainly taught you how to manipulate a situation.
39:43What does he mean?
39:44You want to talk about someone manipulating a situation?
39:47You're a fucking journalist.
39:48You're a grown man intimidating two vulnerable girls.
39:51I'm on your side here.
39:52Really?
39:52What they did was a horrific social experiment.
39:55Please leave us alone.
39:56I'm sorry, but people need to know.
39:59I just feel like, if I don't say it out loud, or if I don't get the words out, then
40:09they'll
40:09choke me.
40:22Sorry, what's this?
40:25Great, so what?
40:29Yes, go to form your power beyond our own
40:35I'll finish this later
40:42If it took a problem time burst in this
40:49Or what their fault first shame me
40:54Oh
40:59No, I don't know.
41:02I'm not one of them.
41:05I'm not one of them.
41:08I'm not one of them.
41:11I'm not one of them.
41:15Okay. Um...
41:18What are you saying?
41:24I'm not one of them.
41:27I'm not the only one.
41:30I'm the only one.
41:32I want to call you Carl.
41:36I'm not only.
41:40But I'm sorry for you.
41:44I need to think.
41:48What did she say to you?
41:52She needs... to think.
41:57Perhaps you should go.
42:05Annette?
42:07That's your bike?
42:13I'm giving you a chance here.
42:15Both of you, a chance to control the narrative.
42:19She wants you to leave.
42:25No.
42:26You're making a mistake.
42:27Get out.
42:28Jodie.
42:29Leave.
42:30Hey, that's...
42:34Give me that.
42:35Yeah, I was about to.
42:39Now, come on.
42:46Oh, my God.
42:50What is that?
42:53Chris.
42:55You're recording us.
42:57Did you know?
42:57Did you know who you said?
42:58Chris, I didn't know.
43:00Give it to me.
43:03Fuck you!
43:06This is bigger than you.
43:08Give it to me.
43:11Right!
43:12No!
43:12Come on, come on.
43:14Give it to me.
43:15Give it to me.
43:16Stop fucking your mouth, Brenda.
43:18Sarah!
43:21Right now!
43:22Jesus!
43:23Give it to me.
43:24Motherfucker!
43:25Come on, Twitter!
43:29Let's go!
43:30No!
43:36No!
43:36No!
43:38No!
43:38No!
43:40No!
43:42No!
43:44No!
43:45No!
43:46No!
43:47No!
43:51No!
43:53No!
44:01No!
44:02No!
44:04No!
44:04No!
44:06No!
44:06No!
44:07No!
44:08No!
44:08No!
44:08No!
44:08I'm so sorry. I'm so sorry. I'm so sorry. I'm so sorry.
44:20Is he dead?
44:22You've hurt me.
44:48Where did you get the knife?
44:50What?
44:52The knife.
44:53It was just there. It was just there on the table.
44:58What the hell?
44:59What?
45:00Someone's coming.
45:01What are we going to do?
45:02I can deal with them, but you need to leave. You need to leave now.
45:05Take this. Destroy it, okay?
45:08Tell no one, okay?
45:09You were never here. I was never here.
45:11Okay, go.
45:11Go to the back, babe.
45:12Through the window. They won't see you.
45:14Go.
45:14I'm rolling on down, Earl.
45:15He's all dead.
45:18Oh, my God.
45:22He's all dead.
45:25Go.
45:25Go.
45:26Go.
45:30Santa!
45:48I just remember feeling in my hand.
45:52And I remember thinking I had one chance.
45:57So I took it.
46:03We have to go to the place.
46:06No, they won't believe me.
46:08He was harassing you.
46:11Watching you.
46:12Stalking you.
46:12And I attacked you.
46:13It was self-defense.
46:14They won't believe her.
46:15What?
46:16She'd been dating him.
46:18She met him here voluntarily.
46:20It wasn't her fault, Saoirse.
46:21This is Northern Ireland.
46:22If a woman is raped, gets pregnant, discovers having that baby will actually kill her.
46:26That woman has two choices.
46:29Has the baby and dies.
46:31Or finds a way to abort that pregnancy and goes to fucking jail.
46:34What else does she have?
46:41We'll help you.
46:57I don't believe it.
47:00Maybe it's just a shower.
47:04Maybe it'll stop soon.
47:07Time for plan B then.
47:09What's plan B?
47:12We bury him.
47:29Should I...
47:31Say a prayer?
47:34For him or for us?
47:36Just...
47:37What now?
47:40We get ourselves cleaned up, we can change at the party.
47:43We can't go back to the party.
47:44We have to.
47:46All four of us, we have to go back to the party.
47:48Just in case what?
47:51In case what?
47:53In case someone asked us where we were.
48:03It's stopped, Brayden.
48:27We should pretend to have fun.
48:46Things will never be the same again.
48:50They'll never forget what happened tonight.
48:55No matter how much they want to, they'll be pulled back, dragged back, haunted by it forever.
49:05I know how these things go.
49:07I really believed I could become somebody else, but maybe I'll never be able to move on.
49:14If I can't run away from who I really am, maybe it's time to run towards it.
49:20If I can't run away from who I really am, maybe it's time to run away from who I really
49:31am, maybe it's time to run away from who I really am.
49:46As I say, I've never made blemange before.
49:49Could go either way.
49:51I need to look at her notes.
49:52Sure thing, babes.
49:53They're all on the system.
49:56Shit.
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