- 3 hours ago
Citadel Season 2 Episode 5
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00:14Here's all you need to know.
00:16They needed to help me find my wife.
00:19Was this Paola Braga the billionaire?
00:20And head of the wealthiest Manticore family.
00:22Where can I find him?
00:23Here's our mark.
00:24Ah-Joon Yoo.
00:25He and his wife will be co-hosting the Greenpeace gala tomorrow night.
00:29Like, we have to get him before Braga does.
00:31I have a program and there's only one person in the world who can finish it.
00:36Edison.
00:36They never expect a woman.
00:38You are Edison.
00:40It seems like I should be negotiating with your wife.
00:45Don't make a fucking sound.
00:48I want my wife.
00:51Drive.
01:22I want my wife.
01:33Hey!
01:35Hey!
01:39Hey!
01:39Hey!
01:41Hey!
01:42Hey!
01:43Hey!
01:52Turn that shit off.
01:53Is that a Jones, you twat?
02:01Show a little respect.
02:03This driver doesn't deserve respect.
02:05Well, then your mother does.
02:07No, my mother.
02:09I came here tonight, didn't I?
02:16There were birds in the sky.
02:21You know, you had the voice of an angel.
02:25Don't you remember?
02:27Our last year in London, you were in the Nutcracker.
02:31I mean, the chorus, of course.
02:34Oh, you could hear your voice above all the other little imps.
02:40You were a cherub.
02:44Cute and round and...
02:48And you had a little solo.
02:50Oh, God, your voice.
03:02You really don't remember?
03:05Not at all.
03:07Huh.
03:10Well, that's a shame.
03:14It's a good memory.
03:18One of the few.
03:35If he was here for us, he'd pull us over.
03:41He's on radio.
03:42Smile.
03:43Smile.
03:44What?
03:47Smile.
03:53Easy.
04:09Easy.
04:13Time to go.
04:16Yeah.
04:33What'd the fuck did you just do?!
04:35Things change quickly when you have a man in the trunk of your car.
04:37he was a kid he was a cop there are cameras on every street corner in no time they'll identify
04:44the make and model of the unmarked vehicle near the plymouth estate at the time of paulo braga's
04:50kidnapping and it won't be long before they use those cameras to track us where we're heading
04:53you want your wife back the boy had to die it's maths
05:06your weak need like your father at least kyle is
05:13thankfully mason's here to get kyle's wife back at least he takes after me he's a fucking monster
05:21the thing about monsters is we get things done god this was a mistake
05:28coming back to you trusting you again
05:33we never learn in this family
05:49what the happened to me he took paulo he's gonna use him as leverage to get abby back
05:54the fuck could you let him take him don't you put this on me you brought him back god damn
05:58it
06:05hutch yo tell me you have edison we lost edison no paulo just killed edison
06:12that's not edison it's the wife
06:15she's the hacker what are you talking about now i'm confused
06:19i may have fudged the truth a little bit you fudge the truth a little what we got
06:25frozen on the beach to catch him we'll find her dick we lose paulo and this is over
06:36what the fuck you mean he's gone kane took him where we don't know is he hurt we don't know
06:50i want you to call in every favor metro police 10 downing i don't give a fuck call them all
07:02yes ma'am
07:04now now
07:07now
07:08now
07:08now
07:16Jack!
07:42Fucking idiots.
07:54Your friends or his will find us here.
07:59I'd say we have two hours till they do.
08:02Why don't you go and clean up?
08:22Where would Mason go?
08:23He's laying low until they fly Abbey to London to make the exchange.
08:27How did he disappear so quickly?
08:29I don't know.
08:30Coming in, there was a car parked just off the road.
08:33It was a gray Fiat, but I didn't get the plates.
08:35Well, I've got some friends at the Met.
08:38They might be able to help with that.
08:39You think he stole the car, or?
08:41Or someone else was waiting there for him.
08:44Search all property records in London
08:46ever owned by a Dahlia Archer or a Thomas Kane.
08:49Yep, you got it.
09:09Look at you bringing us back together.
09:12Mending old wounds.
09:17You know this is suicide.
09:20How does this play out?
09:22Get in touch with your people.
09:24Make a trade.
09:25I get my wife, they get you.
09:28There's one big problem with your offer.
09:30I don't even know if she's still alive.
09:33It would be very bad for you if she isn't.
09:35It would be very bad for you if anything's happened to her.
09:39He has a son.
09:43Must be what?
09:45Ten by now?
09:47Yeah.
09:49I would bring him his wife.
09:52I know you have little regard for children,
09:54seeing as you once tried to kill your own.
09:58But if you ever speak about my son again,
10:01I will burn you to death like your husband.
10:06We're out of time.
10:08We need to call you people.
10:10We need a number.
10:11How do I know you'll hold up your end of the bargain?
10:15You don't.
10:17Number.
10:33How do you want to play this?
10:36There's a corner shop half a mile from here
10:38that sells prepaid mobiles.
10:42You stay here, I'll make the call.
11:10We have Addison now.
11:12So all this,
11:13it's meaningless.
11:15Unfortunately for you,
11:16I don't give a fuck about your satellites
11:18or the assassin or anything else.
11:21I'm just here for my wife.
11:23And you really trust your mother to make the call?
11:28Maybe she's negotiating for something more
11:30and we'll sell you out in the process.
11:32At least she's not here negotiating with you.
11:36So you don't trust her?
11:45I've been looking for you for a while now.
11:48And here you are.
11:52Here I am.
11:53I mean, you have to wonder.
11:57Maybe I wanted to be here.
11:59Tied up.
12:01Mano-mano.
12:03To finally have a private audience with Mason Kane.
12:07I felt a kind of...
12:10kinship with you.
12:12Kinship?
12:12We both have parents that wanted the worst for us.
12:16I'd fucking applaud you if my hands weren't tied.
12:22You want to give...
12:24to your daughters...
12:26to your wife...
12:28a life worth living.
12:31Mason, that's what I want for my boy.
12:35I've been looking for you not to kill you.
12:36I want to make you an offer.
12:40You and I...
12:43can create peace.
12:45A world free from war...
12:48violence...
12:49greed.
12:51Isn't that what we want for our children?
12:54For Asha.
12:55For Hendrix.
13:03Don't talk about my kids.
13:07Not interested in your offer.
13:13Fuck.
13:28Who is this?
13:29Joanna.
13:31Lovely to hear your voice, dear.
13:32Though you do sound a little stressed.
13:35Listen, if you want him back...
13:37bring Abby Conroy to London immediately.
13:40This is you, Dahlia.
13:42Well...
13:43When your kid's in a pickle...
13:44Leave everyone on this.
13:46We'll find you within the hour.
13:48So I suggest you bring him back to us...
13:51before we do find you.
13:53I'll make sure that they don't...
13:57No, you really are...
13:58out of your depth...
13:59you ridiculous twat.
14:01I'll call back with a location.
14:22Time to go.
14:29Is that you, Chris?
14:31How's it going, Frank?
14:32Frank Sharp.
14:36Sharp.
14:37The name's Sharp.
14:39No, it's not ringing any bells.
14:40Okay.
14:41That's fine.
14:42Nothing on Mason yet.
14:45Hello, can I switch to Richard, please?
14:47You let him get to you.
14:49It's Francis Sharp.
14:51Yeah, I'll say it again.
14:52Francis Sharp.
14:53I didn't.
14:54If you didn't keep your daughter's...
14:55very existence from him...
14:58Not a long time ago.
14:59Alright.
15:00Best to your family.
15:01He never would have flown off the handle.
15:04And he never...
15:07ever...
15:08would have betrayed Citadel.
15:10And we would not be in all of this shit.
15:14You are to blame.
15:15You created him.
15:17You did.
15:18What's the first rule of the agency?
15:20Do not get involved with another agent.
15:23And you two were fucking around
15:25like it was fucking spring break.
15:28You compromised everything.
15:30Is your mother there?
15:32Sure.
15:32Everything that I built,
15:34you compromised.
15:35And had you not murdered his father
15:36and created him,
15:37maybe the agency would still be standing today.
15:41Why did you bring him into this, Bernard?
15:43You knew he was a mole.
15:44You knew he was unpredictable.
15:46He's the best killer I have.
15:48You have five killers,
15:49including yourself and me,
15:50and that Paddington bear-shaped motherfucker.
15:53So why did you bring him into this?
15:54He was supposed to work!
15:59He's still...
16:01He's still...
16:08Fuck.
16:13And when do you think about you walking home?
16:18Shit.
16:22The things you build are flawed.
16:26Because you are flawed.
16:36Is that you, Malcolm?
16:37You lazy-eyed bastard.
16:40It's Frank Sharp.
16:43He's hung up.
16:46Oh no, he's back.
16:47Frank Sharp.
16:49No, he's hung up.
17:09You always did have a temper.
17:11What'd they say?
17:12Can I get off the ground now?
17:14Go and pick up your mess.
17:34They're on route.
17:37We should burn the car, steal another one to transport him.
17:40You'll probably be better at that than me.
17:42You got him?
17:44No.
17:44Don't worry.
17:46Gorgeous young men like him don't excite me like they used to.
17:49Yes, I've got him.
17:52You go.
17:54Time's ticking.
18:23Did you charm him with your wiles?
18:27That's right.
18:34Good to see you again.
18:38It's been a while since you signed my death warrant.
18:45You're looking more and more like your father.
18:53Oh.
18:57Chin Chin.
19:03What's in it for you?
19:06Helping him.
19:08Oh.
19:09Um.
19:12Love.
19:18Love.
19:22Maybe I wanted to make amends to him.
19:28I was a mantic or mole in the highest echelons of British government.
19:36He knew what I did.
19:39He could have posed a threat.
19:41Yeah.
19:41So you wanted him killed.
19:47I had something greater to protect.
19:51I was helping to build a safer world.
19:53Oh.
19:54Where the things that happened to my family, to good innocent people would never happen again.
20:01That's why I built Manticore.
20:04You built Manticore to set the world on fire.
20:08Just like they did to your husband so the world could know your pain.
20:11My father rescued you.
20:15I'm here to do it again.
20:21So are we gonna negotiate or what?
20:27I'm here to help my son.
20:34But I don't have you gagged.
20:36Do I?
20:49Is that Claude with the curved cock?
20:51Good.
20:52It's Frank Sharp.
20:55Yeah.
20:55Yeah, that Frank Sharp.
20:57I'm good.
20:58How are you?
20:59Listen, I need a favor.
21:01I need eyes on the Plymouth Estate, Windsor.
21:05It's a great Fiat at around 10.20 this evening.
21:08You can thank me later.
21:09Well, you haven't done anything yet.
21:11Except finally get someone to remember your name.
21:13Fiat 95.
21:14Great, yeah.
21:15That's it.
21:15The Plymouth Gallery to Croydon.
21:18Okay, thanks very much.
21:20The camera's lost the car on the outskirts of Croydon, but it's definitely there.
21:23Okay.
21:29Here.
21:3037.
21:31Saint Anne's Way.
21:48I'm in here, love.
21:59What's this?
22:08Well, I'm starving.
22:10You must be famished.
22:12No?
22:14I thought it would be nice.
22:16You know, a little, um...
22:19Family dinner.
22:22Not sure when we get the chance again.
22:25Come on.
22:26I'll be landing in an hour.
22:28Sit.
22:28Eat.
22:35I remember this smell.
22:38Your chicken.
22:40It's favorite.
22:43Smells never leave you.
22:45Chicken cacciatore.
22:48Chicken cacciatore.
22:49Drugstore perfume.
22:52Burning flesh.
23:02The moment I met your father, I knew he was the love of my life.
23:09It wasn't an act or a decision.
23:14It just was.
23:16He was...
23:18Brilliant.
23:21And intoxicating.
23:24And certain.
23:29And he was dishonest and cruel.
23:34And small.
23:38And I loved him.
23:40Not because of all.
23:43Despite those things.
23:44But because one to one.
23:49I was his and he was mine.
23:53And here you are, risking the woman you love for the woman you married.
23:59I love Abby.
24:02Do you?
24:04She's my wife.
24:05Hmm.
24:08Doesn't mean that you love her.
24:12Nadia?
24:19You're fucking with me.
24:22Excuse me?
24:25You're fucking with me.
24:30No, dear.
24:31I'm...
24:31Yes, dear.
24:36I'm simply not. I can't.
24:37Did you make a deal with him?
24:42Of course not.
24:44He tried to kill me.
24:45Yeah, you tried to kill me.
24:47A few times.
24:54We entered negotiations, but...
24:59A deal I didn't make.
25:04Eat up.
25:06And then I'll call Joanna.
25:10And you can get him ready.
25:18Smells just like I remember.
25:20Hmm.
25:28You're looking more and more like your father.
25:35Not a shred.
25:36Not me.
25:38Boy.
25:38You're looking more.
25:41Yeah.
26:04You're looking more and more like me.
26:06You're a good one.
26:06Say you.
26:06You're looking more like me.
26:27you're making a mistake under the haymoth bridge east end 4am don't be late
26:47so you tried to cut a deal with her
26:51no i didn't try to cut a deal with her she tried to cut one with me but it didn't
26:57make
26:57is that what she said
27:04i'm playing with you
27:07i wanted something she wasn't willing to give
27:12or maybe she gave it
27:19is that your father
27:23do you often think of him
27:27no i dream of my father sometimes
27:33it's the same dream
27:37we're in the ocean
27:38off the coast of son luish
27:41it's just him
27:44me
27:47we're droning
27:52the boat is out in the distance
27:56closer and closer the boat comes
28:01and just as my father realizes that the boat sees us
28:08we'll save us
28:14i push him under the water
28:19i hold down his skull
28:26until
28:27until
28:29he goes
28:31sleep
28:32it was cancer that took him
28:56not in the dream
28:57not in the dream
28:59pancreatic
29:01never thought that fair
29:04not that it took him
29:06just
29:09i wasn't the one to do it
29:14i heard once that
29:18we become our true selves
29:22when our father dies
29:28i suppose you had a lot more time than me to figure out who that is
29:40your father was
29:41a saint
29:44what was that like
29:45i'm done talking about my father
29:48why
29:48i find that it's so
29:51interesting that
29:52your father was killed
29:55with
29:56hundreds of others
29:57and then you killed
30:00thousands
30:00to avenge his death
30:06do you think he will be proud of you
30:08what you did for him
30:10is this
30:11how you think you're gonna get to me
30:13i don't think you have any intention of following through on
30:16your end of this bargain
30:20i think i leave here
30:23that man
30:26so you please
30:28flattery didn't work earlier
30:31i'm thinking maybe
30:33guilt could
30:54we can't remake the world the way your father saw it
30:56i told you i'm done talking about my father
31:00because he would be ashamed of you
31:01that you're his son
31:04because he would be
31:06i'm giving you a choice
31:08to absolve yourself from what you've done
31:11to reject what you are
31:15that's why he became a spy isn't it
31:18because it was the only way to hide your true nature
31:22your true soul
31:24it was survival wasn't it
31:27to hide even you from yourself
31:28because if you saw what you really were
31:31you wouldn't be able to go on
31:34you brought only pain and death
31:37to everyone who loved you
31:40and your daughters
31:41who grow up
31:43and they'll have to spend the rest of their lives
31:45scrubbing themselves
31:47of any residue of any residue of you
31:49so so horrified that they're yours
31:52that they'll dream about drowning you out in an ocean
31:56and wonder why the world didn't allow them the chance
32:00to kill you themselves
32:18oh god
32:20oh god
32:23oh god
32:28Mom?
32:34Mom?
32:40Fuck!
32:42Fuck!
32:43Fuck!
32:45Fuck!
32:52Fuck!
32:59Fuck!
33:02Fuck!
33:04Fuck!
33:27ORCHESTRA PLAYS
33:49This was Grandpa Arthur's chair, right?
33:53I remember him. Bad breath.
33:59How'd he die?
34:01He shot himself.
34:05Despite my mother who loved him.
34:08And did it in that chair to spite me who loved that chair.
34:25You may have just killed your wife.
34:31What are we gonna do?
34:42What size suit you wear?
35:05Lights are on.
35:11Oh, my God.
35:36Oh, my God.
36:06Oh, my God.
36:41Oh, my God.
36:46Oh, my God.
36:49Oh, my God.
36:49Oh, my God.
36:51Oh, my God.
36:55Oh, my God.
36:56Oh, my God.
37:09Oh, my God.
37:19Oh, my God.
37:21Oh, my God.
37:23Oh, my God.
37:25Oh, my God.
37:28Oh, my God.
37:30Oh, my God.
37:43Oh, my God.
37:47Oh, my God.
37:54Oh, my God.
37:59Let's do this.
38:00Let's do this.
38:01Let's do this.
38:02Oh, my God.
38:32Oh, my God.
38:36Oh, my God.
39:10I don't know.
39:37I don't know.
40:20I don't know.
40:23I don't know.
40:28I don't know.
40:30I'm surprised.
40:30I'm certain you're doing the same.
40:36Just the two of you.
40:38Slowly.
40:39Good.
40:58I don't know.
41:00I don't know.
41:00I don't know.
41:07Just know
41:10I go
41:13He goes
41:15She's not fucking around
41:16Shut up
41:17Okay, let's just relax
41:25A girl walks to me
41:29Then I let Paolo go
41:31No
41:33You let him go first
41:34No, that's not happening
41:36I'll kill him where he stands
41:37And I'll kill her
41:38I will fucking do it
41:40Help me
41:41Same time
41:42What's my guarantee, dear?
41:44What's mine, Dahlia?
42:18You're smart moves
42:20Always a pleasure, Dahlia
42:35All right, go
42:39You're safe now
42:40Am I?
43:07Come on
43:32I told you to go!
43:34Fuck off.
43:41Down!
43:47Ow!
43:48You're hit!
43:51I'm fine.
43:54Abby, are you okay?
43:58You mean Celeste?
44:11I'm fine.
44:14I'm fine.
44:29I'm fine.
44:32I'm fine.
45:02Transcription by CastingWords
45:32CastingWords
45:46CastingWords
46:23CastingWords
47:02CastingWords
47:32CastingWords
47:33.
48:04.
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