- hace 18 horas
Reparto: Antonio Molina, Marujita Díaz, Tony Leblanc, Francisco Bernal, Arturo Marín, Laura Valenzuela, Manuel Zarzo, Manuel Monroy, Vicente Parra, Luis Moscatelli, Salvador Soler Marí, Luis Pérez de León, Aníbal Vela
Dirección: Antonio del Amo
Sinopsis: Entre los pescadores de un puerto malagueño, hay un grupo de jóvenes encabezado por dos hermanos huerfanos, Maria del Mar y Antonio, ambos con aptitudes para el canto y el baile flamencos. Antonio, en realidad, quiere ser torero pero renuncia tras un fracaso detrás del cual están su hermana y los amigos que quieren desviarlo de ese camino. Un empresario madrileño los oye cantar y quiere contratarlos. Ellos no aceptan, pero como la pesca va mal acaban yendo a Madrid. Tienen un golpe de suerte y alcanzan la cumbre del éxito. A Antonio lo contratan para actuar en América.
Dirección: Antonio del Amo
Sinopsis: Entre los pescadores de un puerto malagueño, hay un grupo de jóvenes encabezado por dos hermanos huerfanos, Maria del Mar y Antonio, ambos con aptitudes para el canto y el baile flamencos. Antonio, en realidad, quiere ser torero pero renuncia tras un fracaso detrás del cual están su hermana y los amigos que quieren desviarlo de ese camino. Un empresario madrileño los oye cantar y quiere contratarlos. Ellos no aceptan, pero como la pesca va mal acaban yendo a Madrid. Tienen un golpe de suerte y alcanzan la cumbre del éxito. A Antonio lo contratan para actuar en América.
Categoría
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CortometrajesTranscripción
00:00:21When I mark it, a ray of sunlight turns golden.
00:00:32The little boat returns to the fisherman
00:00:40And on the quiet beach, the fisherwoman
00:00:49To sweeten her wait, she sings of her love
00:00:59Ask the moon and the stars
00:01:08If when you walk away
00:01:19And they will tell you, my dear, how much I love you.
00:01:26And that I never stop sighing for you
00:01:39Fisherman, fisherman
00:01:42Come with me
00:01:46What is life?
00:01:52Near you
00:01:56Fisherman, fisherman
00:01:59I'm jealous of the sea
00:02:04That steals my love
00:02:08And it causes me sorrow.
00:02:14Fisherman, fisherman
00:02:18Come with me
00:02:23That they will never love you
00:02:27That they will never love you
00:02:33How I love you
00:02:40Fisherman, fisherman
00:02:45How I love you
00:03:00Go on, take the boxes up there
00:03:02The auction is about to begin
00:03:03And don't dawdle.
00:03:10Hello, Maria Fermat
00:03:16Hello
00:03:17What does he tell you?
00:03:19You see?
00:03:19Organizing my business
00:03:22Oh, I wish I were a little fish
00:03:24To feel it in your hands?
00:03:25My poor little ones
00:03:26They die as soon as I touch them.
00:03:27But with joy
00:03:28If only I could say the same
00:03:30Oh, you
00:03:31And how romantic he looks today
00:03:32Look what I've brought you
00:03:34Hey?
00:03:36Is that for me?
00:03:37Oh, how lovely.
00:03:38Do you like it?
00:03:39A lot
00:03:43No
00:03:44That's too much for my poverty.
00:03:46I have a lot of money
00:03:47To get you out of it
00:03:48And a lot of nerve
00:03:49So that I can make your face
00:03:50Women
00:03:52It's a gift I'm giving you.
00:03:53So that you don't forget me
00:03:54Or keep a present
00:03:56The future is coming
00:03:58What are you doing here?
00:03:59Seeing what is not in the writing
00:04:01They don't give a break
00:04:01He makes a woman work like that.
00:04:03And what's it to you?
00:04:04Okay, are you going to start already?
00:04:05The day I start
00:04:06I'll finish him off
00:04:08Look at the fighting bocayitos.
00:04:09You
00:04:10Stop laughing and walk away
00:04:13Oh, Miguel
00:04:13You are a civilian
00:04:18Yes, we're already here
00:04:23Let's see if we can make a good profit.
00:04:25There's no way to win with your father.
00:04:27I'll try
00:04:29Hey
00:04:30What's his role among us?
00:04:31Leave it
00:04:32Let's see if I have any luck today.
00:04:36Pearl lot
00:04:38Pearl lot
00:04:40A box of chocolate
00:04:42Another one at the top
00:04:43Another siege
00:04:44A prawn hedge
00:04:45Three hundred euros
00:04:46That's Uncle Shrimp's lot
00:04:47It's worth twice what they asked for.
00:04:49You already know
00:04:49When your neighbor's hump
00:04:50See peel
00:04:51That tera, that tera
00:04:52Not the most
00:04:53Well, these land wolves
00:04:55Going out at hand is important
00:04:56They're all looking at you
00:04:57Nobody opens their mouth
00:04:58This is ridiculous.
00:04:59Let's die by my gun
00:05:00I feel like burning the rigging.
00:05:02And that's the end of this whole story.
00:05:04What I say, and I stand by it, is what I repeat.
00:05:05You can be the king of New York
00:05:06Regarding touching in public
00:05:08He hopes for fortune by bullfighting alone.
00:05:09Tera
00:05:10It contains a chacón
00:05:11It has a spoon inside.
00:05:12I'll tell you a chacón
00:05:13A spoon and a whip
00:05:14A chacón and a man
00:05:15Look at you, you still
00:05:16Shut up, man.
00:05:17That among the fools
00:05:18I'll turn it back into a little car
00:05:19Well, it'll be what I want.
00:05:20That more than you want it
00:05:21A whip and a spoon
00:05:22Let's see if there's any formality.
00:05:23Stop with the nonsense
00:05:24Let it be our turn
00:05:27Good lot, Maria del Mar
00:05:29Abundant and of the good stuff
00:05:30Well, you'll see how it happens
00:05:31Like with spinach
00:05:32You achieve many goals and achieve few.
00:05:33Maybe we'll get lucky
00:05:34Hey father
00:05:36Lot of the invincible
00:05:37Three steel crates
00:05:39Four chocolates
00:05:40One of the tips
00:05:41Two of vine shoots
00:05:43Four of sea bass
00:05:44Two hundred duros
00:05:45One hundred and ninety-nine
00:05:46Come on, cheer up!
00:05:48Cheer up
00:05:49One hundred and ninety-eight
00:05:50One hundred and ninety-seven
00:05:51One hundred and ninety-six
00:05:53One hundred and ninety-five
00:05:55One hundred and ninety-four
00:05:57One hundred and ninety-three
00:05:58It only lasts up to one hundred and fifty.
00:06:00If we reach that amount
00:06:01And nobody finishes
00:06:02Throw the fish into your hand
00:06:03One hundred ninety, one hundred eighty-nine
00:06:04You're going to stay with your father
00:06:05One hundred and eighty-eight
00:06:06That's enough, buy it now
00:06:07One hundred and eighty-eight
00:06:07It doesn't say about the merchandise.
00:06:09Or for the girl
00:06:10One hundred and eighty-five
00:06:10I'm saying this because of the batch.
00:06:11I didn't keep the best ones.
00:06:12Look at you
00:06:12One hundred and eighty-four
00:06:14One hundred and eighty-three
00:06:15One hundred and eighty-two
00:06:16One hundred and eighty-one
00:06:17One hundred and eighty
00:06:19One hundred and seventy-nine
00:06:20One hundred and seventy-eight
00:06:22Uncle
00:06:22Finish off your own lot, Miguel
00:06:24Yeah
00:06:25Before selling it for a pittance
00:06:26I prefer to give it to the poor
00:06:27So what?
00:06:27Alright
00:06:28You go on
00:06:29I understand this
00:06:30And you get out of here
00:06:34So you're keeping the fish, aren't you?
00:06:36Yes sir
00:06:36Say
00:06:37Say
00:06:38But you have to pay me.
00:06:40The six weeks
00:06:41What do you owe me for the boat?
00:06:42Is that a boat?
00:06:43That's a gatecrasher.
00:06:43It's not even good for fishing in puddles
00:06:45But, smooth talk
00:06:46This boat
00:06:47It's good.
00:06:48From the moment you caught
00:06:50All this with her
00:06:51And if you don't want it
00:06:52You leave her
00:06:52I'll give you the whole lot
00:06:54One hundred and fifty hard
00:06:56But I'll take a hundred away from you.
00:06:57For the weeks you owe me
00:06:59How many fewer in the back is better?
00:07:00Take
00:07:01I don't want that.
00:07:02Hey?
00:07:02This is useless, man.
00:07:03Deal is deal
00:07:04And robberies are robberies.
00:07:05Exactly
00:07:06Shut up, child.
00:07:07That it will manage to anger
00:07:09Our well done
00:07:09This is going to end very soon
00:07:11Let's get down to business.
00:07:12Yes, I'm already getting drunk
00:07:13Let's go
00:07:14Huh? Where are you going?
00:07:15To school
00:07:16To school
00:07:16I'm going to teach the multiplication tables.
00:07:18There you go, Rafa
00:07:19Hang on a minute
00:07:23Get it over with before your cousin arrives
00:07:26And don't listen to him.
00:07:26That confuses us
00:07:28Oh, he's going to cheat on her.
00:07:29So I give it to him
00:07:30May your bull be like that
00:07:31Like this
00:07:32Without frying
00:07:33Hey, you don't really like me.
00:07:34No, man
00:07:36Paybug
00:07:37The glory of Curro Mar
00:07:38What are they telling you?
00:07:39Arruebo, Ramón
00:07:40Arruebo
00:07:40To Jerez, tomorrow
00:07:41The workshop has passed
00:07:42To succeed
00:07:43And to earn a few pesetas.
00:07:44When you pick up a coin
00:07:45Really, and do it
00:07:45The fact that?
00:07:46Look
00:07:47Look
00:07:48A natural
00:07:50Wait
00:07:50Look
00:07:51Other
00:07:52Happens
00:07:53Happens
00:07:53Taro
00:07:54Go ahead, go ahead
00:07:54So you can see what this is like.
00:07:56Look, look
00:07:56And the one who helped
00:07:58Give it to him
00:07:59The windmill
00:08:00And another
00:08:01And another
00:08:02Kills receiving
00:08:03Look, like this
00:08:05Getting a slap
00:08:06But nothing
00:08:06You get up angry
00:08:08And for the party, the cuff of the shirt
00:08:09Standing ovation
00:08:10Lap
00:08:10Ear
00:08:10Tail
00:08:11Leg
00:08:11And horns
00:08:11Sealed
00:08:12Three
00:08:12Give me
00:08:13Wow, what a bull!
00:08:14And what if you decide to offer the bull to a millionaire?
00:08:16The millionaire throws you a check
00:08:17And the millionaire blows you a kiss
00:08:19I mean, no, the other way around
00:08:20Do you think so, Maule and I?
00:08:21Do I believe it?
00:08:22For the girls who go here to the bullrings
00:08:24They're going to have to face the football fields
00:08:26But we still have a lot of training to do, okay?
00:08:29So for the dehesa
00:08:30Don't let the scrap-up guy come.
00:08:32Come on, let's go
00:08:33Let's go
00:08:34Where will the nuja go?
00:08:35Grab the curtain
00:08:36Hurry up
00:08:37To the pasture, you scoundrel!
00:08:38Get out of the way
00:08:39Flat feet
00:08:39Oh, brother
00:08:40Yeah
00:08:40I want to be a killer
00:08:44Like the berry José
00:08:45And Vicente Pastor
00:08:49I want to be the best
00:08:51And I have to be.
00:08:54With style and courage
00:08:57I'm not afraid to show off
00:09:02I will drag the danger
00:09:05I know we made ourselves successful
00:09:08And very soon I will triumph
00:09:13The day
00:09:14I listen with emotion
00:09:16As I passed by, the wise fans
00:09:19Greeting me like that
00:09:22Bullfighter of grace and charm
00:09:25The one with the caput and burrao with a thread of a thousand stars
00:09:30Bullfighter of direction and twist
00:09:33More picturesque or more gallant
00:09:36He has not been born
00:09:38Bullfighter of stature and tradition
00:09:41To you, people, for your bravery
00:09:44He's going to cheer you on
00:09:46When you're going for the kill
00:09:48Marking the numbness on the foot
00:09:50And go to the little bull of death
00:09:52River, roll your foot
00:10:11Bullfighter of stature and tradition
00:10:14To you, people, for your bravery
00:10:17He's going to cheer you on
00:10:18When you're going for the kill
00:10:20Marking the numbness on the foot
00:10:22And go to the little bull of death
00:10:25River, roll your foot
00:10:28Wheel
00:10:29At your feet
00:10:51That's not loaded
00:10:51Artoro, Artoro, that's what we do.
00:10:53Come on, let's go
00:10:57Did you realize it wasn't a fault here?
00:10:58And why did you let Saura go?
00:11:01Is my father's story going to repeat itself?
00:11:03Something worse, Marujilla, something worse
00:11:04They're going to kill your brother's soda bottle.
00:11:06They're going to throw it in the plaza, damn it
00:11:08Time to fix the curtain, huh?
00:11:10That?
00:11:10Oh, but the curtain too.
00:11:12Say
00:11:13And the other night it was the cork
00:11:14But the bulls are building their houses at my expense, son.
00:11:17My wife's cousin tells me so.
00:11:18Come on, move your toes
00:11:20Let's hope we arrive in time to prevent a tragedy
00:11:22Okay, let's go
00:11:23Rafa, I think it's them
00:11:24Oh no, they've been caught! It's them!
00:11:26Oh, my little Virgin of Carmen!
00:11:28Oh no, they've been caught!
00:11:29Rafa, run!
00:11:30They're right to call you a duck.
00:11:32Come on!
00:11:32My hat is blowing away in the wind, woman
00:11:34These, you scoundrels, are the ones who come every day
00:11:37Oh, farmhouse!
00:11:38That's about the wool.
00:11:39Juan Ramón, Manolillo
00:11:41Hey, you eat your breakfast, let it loose!
00:11:43Oh my God, little sea of my soul!
00:11:45They haven't been caught by the bulls
00:11:46And don't let it get to you in a bad mood
00:11:47You, stay there
00:11:48Don't let anyone through
00:11:50Rafa, run
00:11:52Take off another year
00:11:53Ramano's face!
00:11:54Juan Ramón!
00:11:55Juan Ramón!
00:11:56Have the bulls done anything to you, my love?
00:11:58Oh, little Virgin of Carmen!
00:12:00What's happening?
00:12:01That one who escapes!
00:12:03Bad luck!
00:12:03Don José, these crooks have put my brother in jail
00:12:06Man!
00:12:06And what they've done doesn't matter, I'm telling you.
00:12:08The trains are going crazy over some silly little thing, Don José, my dearest friend.
00:12:11Over something trivial?
00:12:12A silly, reckless act, like the bulls are being resentful?
00:12:14This deserves to be punished.
00:12:15He deserves it, yes sir.
00:12:16But he's my brother, Don José
00:12:17And if you forgive him, I assure you he will never be born again.
00:12:20I don't trust it, it's inheritance law
00:12:21Aren't you Curro Marquez's children?
00:12:23And my cousin, since I was born to Don José
00:12:25That's why I assure you that he's Juan Ramón, a real character, but he's not a bullfighter.
00:12:28No, sir
00:12:28This worm is the one that's giving him a headache
00:12:30You're the one to blame!
00:12:31It doesn't bother anyone, Don José
00:12:32I just like bullfighting
00:12:34It's a phenomenon!
00:12:35Penomena of what?
00:12:37Bah!
00:12:37Bah!
00:12:37Enough of this nonsense, take him to the Civil Guard station!
00:12:40Oh, please don't hand it over, Armagüena, for everything you hold dear in the world!
00:12:44I mean, and with the lovely party he has at his farmhouse
00:12:46Doesn't that spoil the joy for us?
00:12:48We can still increase it by singing to my brother and me dancing.
00:12:51Hey, do you dance?
00:12:52I mean, like macaroni
00:12:53Look at you!
00:12:54Sa, sa, sa!
00:12:55Sa, sa, sa!
00:12:56Sa, sa!
00:12:57Do you see it?
00:12:57Sa, sa, sa!
00:12:59That is!
00:12:59And my brother sings that from Sirberio upwards there was no other
00:13:02Come on, you swear to him and give him money on top of that!
00:13:04Well, well, that might save him
00:13:07But we'll have to take a little stroll down there.
00:13:10Because those espadrilles aren't for dancing.
00:13:12Whatever you want
00:13:13Alright, let's go inside!
00:13:14You can let him go!
00:13:15Thank you so much, sweetheart!
00:13:17Did you hear to let it go?
00:13:18Oh, my dear cousin, we're saved!
00:13:20Mwah!
00:13:21Let's go inside, kid!
00:13:43Come on, what are you waiting for!
00:13:44Start it up!
00:13:44I don't sing in front of all this
00:13:45I prefer jail
00:13:46What are you saying, you condemned man?
00:13:47It's in your light!
00:13:50Come on!
00:13:53I'll see in jail if he doesn't sing like he says
00:13:58Get out of here, Carthusian monk!
00:14:01Little black boy, Suso, black
00:14:04As black as the urbillo
00:14:08María de los Remedios
00:14:12It's taking my mind off things.
00:14:19At night when the moon
00:14:23He combs his hair at the university.
00:14:27The star of my fortune
00:14:31Through her I will come
00:14:35And the marsh air
00:14:39His goddess
00:14:41Be quiet!
00:14:44Be quiet!
00:14:48Be quiet!
00:14:49Be quiet!
00:14:51Be quiet!
00:14:52Be quiet!
00:14:55Be quiet!
00:15:00Be quiet!
00:15:02Be quiet!
00:15:04Be quiet!
00:15:05Be quiet!
00:15:05María de los Remedios
00:15:08Of the remedies, Maria
00:15:13Remedies, yes, lovesickness
00:15:15They're stealing from me
00:15:23That?
00:15:25Shut up, okay!
00:15:27Remedies will remedy
00:15:29Remedies for my sorrow
00:15:32María de los Remedios
00:15:36Of the remedies
00:15:39Oh, oh, oh, Maria
00:16:12Fix, fix, fix, fix this thing of mine
00:16:19Maria of the remedies, of the remedies
00:16:43Maria
00:16:45Ole
00:16:47Ormigable
00:16:50Ole, my Fribos
00:16:51Ole
00:16:53That was great, my brother.
00:16:55Did you like it, huh?
00:16:56Well, let me tell you, to convince me you have to do something more
00:16:59Do you think that's not enough?
00:16:59And do you want to hit some killer gardens?
00:17:01I think it's great, it's true that I liked you.
00:17:04Now regain your strength, you with me
00:17:07Thank you so much
00:17:07Come on, come on!
00:17:10I'm going to hire them, I'm putting together a show in Madrid where they both look amazing
00:17:14Come on, give me a cane
00:17:15Hey, go away, if I can get them to come with me to Madrid, I'll make them rich
00:17:20Look, this man owns a theater business and he specializes in launching new talent.
00:17:24But if not, he likes the twelfth song
00:17:25Oh, no?
00:17:26Look, I only sing as a hobby and nothing more
00:17:28What he likes is something everyone likes, I'm telling you.
00:17:29Well, shut up and listen to him.
00:17:31Are you willing to hire you and your sister for Madrid?
00:17:33Aydon, José of my soul
00:17:34Aydon, what was your name?
00:17:36Xavier
00:17:36There are two airplanes of my heart
00:17:37Go ahead and use up the contract clause by clause.
00:17:40That I am the representative of the children
00:17:41I mean, ole
00:17:43Paruilla!
00:17:44Paruilla, run!
00:17:45They have hired Juan Ramón
00:17:46Runs!
00:17:47Wait!
00:17:47Come on, woman!
00:17:49Wait!
00:17:50And what do you say?
00:17:52Look, sir, that can't be, I don't know how to sing in public
00:17:54This is how it's handled, you come with a steer.
00:17:56You can bullfight and you can sing about it, one doesn't take away from the other.
00:17:59And if you're so keen, I can include a bullfight with young bulls that we organize for the Jerez fair.
00:18:05I'm already in chaos!
00:18:06Kid, shut up
00:18:07Listen to me, Don José
00:18:08This is driving my brother crazy, and what you're telling him is going to transform him...
00:18:12Clear
00:18:12And fortune passes you by and you ignore it, that's your problem.
00:18:15That!
00:18:15Let me tell you, sir, you are absolutely right.
00:18:17Come on!
00:18:18Shut up, son, shut up
00:18:19Anyway, it's going to my address in Madrid just in case.
00:18:22Well
00:18:23And this?
00:18:24That's going to happen, they'll call me.
00:18:25You owe me
00:18:25As a gift to make you think about it
00:18:27No, no sir, thank you very much.
00:18:29Child
00:18:30Obey your elders; this won't harm anyone.
00:18:32Clear
00:18:33It hurts here, it hurts
00:18:35The little mouth that tells me
00:18:36Or that frog who doesn't love me
00:18:38What a procession of sleepwalkers!
00:18:40What's wrong with you guys?
00:18:41Oh ok
00:18:42We've won the lottery and we've thrown the tickets to the wind
00:18:44Aha, well I've caught one that's prettier than a star
00:18:47Say
00:18:47And the things I'm going to buy with it
00:18:49Mwah!
00:18:51Am I more tired?
00:18:52Well, go to bed, sweetheart.
00:18:52And right now I'm going to scare you with a little coffee and off to sleep
00:18:55We have to go fishing tomorrow.
00:18:56Check this out!
00:18:57Sea urchin!
00:18:58Boy!
00:18:59Wake up now!
00:19:00Oh, cheer up, it's springtime!
00:19:02And what has been lost, for God's sake.
00:19:04But what is that, Rafa?
00:19:05The supply?
00:19:06It's not like you haven't had enough with what you ate tonight.
00:19:09Was tonight's show today, and did it take all week?
00:19:11Ha ha ha!
00:19:13Ha ha ha!
00:19:24Fishing is tough, fishing is tough
00:19:33Pages and tongues, so that those who lived
00:19:41Time, breles, that gleam and shine
00:19:47Like turnip greens, salt and commas, we're waiting for you here
00:19:54With the flower of the seas, fishing was
00:19:58Fishing was
00:20:18The swollen fish and the calamari are going to get married at dawn.
00:20:23A whale and a shark will be the godparents, presumably.
00:20:27Two anchovies from the monastic, two armonetes from that Christian
00:20:32And the snail in the calamá, how joyfully mute, how joyfully mute
00:20:41He'll regret it, for my sweat boil, for the sarmon
00:20:46For my little herb, I want it
00:20:51Oh, how beautiful, how really beautiful, oh, how really beautiful
00:20:57I want it
00:21:00Fishing was
00:21:12Hello
00:21:13Do I dare put you before me?
00:21:15What do you mean, I dare?
00:21:16Am I to blame for anything?
00:21:17Yes, you and your father
00:21:18My father is going to his business
00:21:19And what about mine?
00:21:20Maria Dermal, wait
00:21:21That?
00:21:22I have to tell you something about the boat
00:21:24Well
00:21:24Wait
00:21:25What do you want?
00:21:26It hurts me
00:21:27You wanted me to tell you the good adventure, didn't you?
00:21:30Or I'll tell you right now.
00:21:33If you buy a ticket, you're going to win the lottery.
00:21:35Like a lame sparrowhawk circling me.
00:21:38You're going to trip over a policeman's mustache
00:21:40He's following you without you even suspecting it, smuggler
00:21:43And get off soon, as soon as possible
00:21:44You're already on a trip to Iran.
00:21:46And you won't return.
00:21:47Wow!
00:21:48We'll wait, okay?
00:21:49I wanted to talk to you about the boat
00:21:51Stop joking around
00:21:52That boat is so bad that it's going to sink any day now.
00:21:55And he goes to the bottom with Neptune and his TNO
00:21:57Dimo!
00:21:58We're losing strength!
00:21:59If we can't
00:22:02Come on, man!
00:22:03Get the water out of here, I'll take refuge in a bad situation
00:22:05The boat can't hold
00:22:06Why don't we release the water?
00:22:08No!
00:22:08Strong appetite!
00:22:13If we can't
00:22:14Scratch!
00:22:15This is worth a lot of money
00:22:16And what do we want the money for?
00:22:18To the funeral?
00:22:19Screw us!
00:22:21Cold water
00:22:21Don't scare people!
00:22:23Already!
00:22:23We can!
00:22:24How fast is the water flowing, Miguel?
00:22:25I'm going to help him
00:22:25Come on!
00:22:27We're going to sink!
00:22:30We're not going to get it there!
00:22:32We're not going to get a glimpse!
00:22:34That's the job, let's see!
00:22:36That's a real man!
00:22:38That's a real man!
00:22:39He's the man!
00:22:40Hold me to the boat!
00:22:41Two for March!
00:22:43Hold me!
00:22:44We're not going to get a glimpse!
00:22:46I love the ship so much!
00:22:47That's a real man!
00:22:48He's the man!
00:22:51He's the man!
00:22:54Help! SOS! We're getting wet! SOS! We're sinking!
00:23:06Stand up and go to the cave, Juan Ramón! See you later!
00:23:11Look at him! He's not even moved! My poor little ones, look at them coming!
00:23:14We've come to play games!
00:23:16Oh, Rafa, for God's sake! What happened, man?
00:23:18I already told you this boat was going to sink.
00:23:19Oh, Juan Ramón, son! Has something happened to you?
00:23:21Nothing, this boat is a gatecrasher.
00:23:23Get ready, the whale is here!
00:23:34Okay, so what now?
00:23:37Now? Did it bend and dry up?
00:23:39Don't you think that ocean liner has lasted too long?
00:23:43I'm not talking to you, girl!
00:23:44Nobody is to blame for what happened to us, Don Manuel. It was bound to happen with that boat.
00:23:48I am the one who is completely innocent.
00:23:50And since I don't have it, you have to pay me for the damages.
00:23:53Let the insurance pay for it.
00:23:54What do you think?
00:23:56We don't have to pay anything.
00:23:57That is.
00:23:58Very good.
00:23:59More than you, we have lost.
00:24:01What you have lost is your shame.
00:24:02Yes, but you haven't come across it, have you?
00:24:05Let's go.
00:24:06You don't get paid, Mr. Fatty.
00:24:08Plim, plim.
00:24:09You'll pay for this!
00:24:10Of course! I'll smash it!
00:24:13Hahaha!
00:24:21The time has come, Juan Ramón! It has arrived!
00:24:22Yes, it's time to sneeze.
00:24:24No, man, the apotheosis.
00:24:25Do I feel qualified, huh?
00:24:27I feel shaky, can't you see?
00:24:28Don't you see how to set the dog up with the bulls?
00:24:30Let's go!
00:24:30Where to?
00:24:31He takes this off and then kisses her.
00:24:32Let's see two, know that the new contest includes you.
00:24:34Oh, come on!
00:24:35Maria del Mar!
00:24:36Maria del Mar!
00:24:37Wait!
00:24:39You again? What do you want?
00:24:41I want to tell you that I'm sorry for what happened.
00:24:43Are you here on behalf of your father?
00:24:44From my side only.
00:24:46I am willing to provide you with another boat.
00:24:48Under what conditions?
00:24:50The same as Invincible Island.
00:24:52With the advantage that this one will be new and motorized.
00:24:54Vesca de arrastre.
00:24:56Drag?
00:24:57Man, I like that.
00:24:59Come to your senses.
00:25:00That's to work more.
00:25:01But you know what that is.
00:25:03If it's motorized, then there's no need to row...
00:25:05But you have to crawl, you scoundrel.
00:25:07Hey, that's what I say.
00:25:08Why don't you listen to me and let's go straight for the banknotes?
00:25:12This guy has bad ideas.
00:25:13Shut up, Rafa.
00:25:14Where is the boat?
00:25:15In San Lucas.
00:25:16In the Shipyards.
00:25:17I'll go with you to pick it up.
00:25:19I will go out on credit and it will be like yours.
00:25:22What do you think, Miguel?
00:25:23Answer me, man.
00:25:23Which I believe is a good business.
00:25:25Miguel, tell him yes.
00:25:27I don't want that boat.
00:25:29Well said.
00:25:30Well, I do love it because it's the bread of us all.
00:25:32And that's all there is to it.
00:25:32You will go fishing.
00:25:34Go ahead, everyone else.
00:25:35Oh!
00:25:37I'll convince them myself.
00:25:38But let's see if what you say is true.
00:25:40It's true, and I'm doing it for you, Maria del Mar.
00:25:42Thank you, Rumboso.
00:25:43And what would you do for me?
00:25:44You're going to submit invoices.
00:25:46It's not that.
00:25:47It's because I love you and you know it.
00:25:49Ah, yes.
00:25:49Well, I'm just finding out now, my friend.
00:25:51Because I know you love me.
00:25:53You already know that too well.
00:25:55And I think you're wrong because I can't love you the way you are.
00:25:59So, how would you love me?
00:26:01Fatherless.
00:26:02Ah.
00:26:05And you say it's urgent?
00:26:07You'll see.
00:26:08The boys cannot go out to sea because they lack a boat.
00:26:11And since they fish for us, my father is interested in...
00:26:14That means this is your father's doing, right?
00:26:17I come in his name.
00:26:18By the way, yes, it's already been topped.
00:26:20I'm going to give the order for you to be given a trawler, okay?
00:26:28Hey, how's it going?
00:26:30This is going to happen no matter what!
00:26:32Like the acerola.
00:26:33This thing is a huge thing.
00:26:34No, no, what's the case?
00:26:35It's a ship, for real.
00:26:36He is silent and grows bitter.
00:26:38Well, that's where you stay.
00:26:40See you later.
00:26:42Bye bye.
00:26:52I don't like this going up and down thing.
00:26:54If what I see in my eyes is a bed, comfort, gentlemen, that's what I say.
00:26:58Wow, it's cold in here.
00:27:01There he is, Miguel.
00:27:02Miguel, come closer, they'll see what a boat.
00:27:03There you have it.
00:27:04Do you like it?
00:27:05Too big for you.
00:27:06I mean, and for you.
00:27:07You'll see how much money we make with it.
00:27:09Enjoy!
00:27:10Count me out.
00:27:11You're right, Miguel.
00:27:12What? Is it possible to work under these conditions?
00:27:14What one cannot live with is misguided pride, as is happening to him.
00:27:17One is a coward and the other is proud.
00:27:19You have to name me patron saint, Maria del Mar.
00:27:21That?
00:27:22María del Mar, Rafa.
00:27:23The bomb, the bomb.
00:27:25We have the bombshell news.
00:27:26What's wrong with you guys?
00:27:27Where have you gone?
00:27:28Or Ramón is going to bullfight in Jerez.
00:27:30José has hired me for Sunday, little sister.
00:27:32What are you saying, you condemned man?
00:27:33That's all I needed.
00:27:34Maria del Mar, don't let him, they're going to kill the child.
00:27:36Don't let him, he's already obligated to do it.
00:27:38I will fight bulls above all else.
00:27:39Oh, Miguelillo, what an opportunity!
00:27:41Good idea, Juan Ramón.
00:27:42That's preferable to other things.
00:27:45Count me in to clap my hand until it hurts.
00:27:48Your passion for bullfighting?
00:27:49Look how funny.
00:27:50And you, Dandu?
00:27:51You will not bullfight.
00:27:51Do you understand, kid?
00:27:52You will not bullfight.
00:27:53What, I don't bullfight?
00:27:53No.
00:27:54And even less so now that we have problems to resolve.
00:27:56I'll fix this right now.
00:27:57What are you up to?
00:27:58You'll find out soon enough.
00:27:59Where are you going?
00:27:59Where should I go?
00:28:00Maria del Mar, Maria del Mar.
00:28:02Agree.
00:28:02What do you want?
00:28:03Wait.
00:28:04No more chance of him coming back right away.
00:28:06Listen, cousin.
00:28:08If it happens to me, you'll see what I'm thinking.
00:28:10Nothing of the sort.
00:28:10I'm cutting to the chase.
00:28:11If you let me unravel this, I promise to go fishing in the boat as much as you want.
00:28:15What would you do?
00:28:17Something noteworthy.
00:28:17You leave it to me.
00:28:18You have to tell her I've reconsidered and we'll all fly.
00:28:21But you and I are going to agree sometime.
00:28:24Tell me what you're aiming for.
00:28:25To disillusion your brother forever and injure him.
00:28:27Just leave me alone, my cousin.
00:28:29Come on, let's go there.
00:28:30Okay, let's see.
00:28:31I've changed my mind.
00:28:32Listen for a moment, tell her, Maria.
00:28:34I'm leaving Jerez now, but on one condition.
00:28:36Ask for whatever you want, sister.
00:28:37We'll do it headfirst.
00:28:38Remove.
00:28:39I'll fish in that boat tomorrow.
00:28:42Wow, what a ship!
00:28:43What kind of boat is that?
00:28:44I'll explain this to you later, it's a very long story.
00:28:46But what is very long?
00:28:47And you, you've gone to the bullfights with me, but without complaining, huh?
00:28:50Bad smoke breeds worms.
00:28:52Come here, my weapon.
00:28:54And laugh, you look better that way.
00:28:56You're coming with us, right?
00:28:59Well, nobody can beat you.
00:29:03Seville of my soul, divine land, where your women are like a bouquet of roses and carnations.
00:29:11There is your beauty, today I come, oh God, hear me, I beg you, for your passion.
00:29:20Oh, land of grace, land of salt, the stars of the sky are envious.
00:29:30Oh, Seville of my heart, incomparable city.
00:29:35Even if you think I'm deceiving you, I love you more than my own mother.
00:29:40And I swear on my knees, if I had money.
00:29:45At the top of the gerard, made of gold and pearl, he placed a sign.
00:29:49Saying, long live Seville, the most beautiful place in the whole world.
00:29:53Seville of my soul, divine land.
00:29:56Where are your women, bouquet of roses and carnations?
00:30:01It's me, open up.
00:30:07Ah, it's you, you've caught me by a miracle, I'm going to Jerez.
00:30:09I know about your brother.
00:30:10Watch out, and look what's going to happen.
00:30:11You're going to cause a huge scene.
00:30:14How beautiful you are, girl.
00:30:16And you're not going?
00:30:17I mean, to take you.
00:30:19I'm going on the bus.
00:30:20And hurry up, I'm going to lose it.
00:30:22I hope he loses it.
00:30:23I would take you for a drive around the fair.
00:30:25Long live the course.
00:30:26Who wouldn't feel fabulous by your side?
00:30:28Oh, son, come off, you're a stamp.
00:30:30I just like looking at you.
00:30:32Especially when you get dressed up.
00:30:34I mean, who doesn't like a sweet treat?
00:30:36Okay, let's go.
00:30:40Are you really already made up of "you"?
00:30:42You see, all dressed up and...
00:30:44And with a boyfriend?
00:30:44No, man, no, come on.
00:30:46Yes, yes, with a boyfriend.
00:30:47No, son, no.
00:30:48If you're referring to yourself or Miguel, you're mistaken.
00:30:51Doesn't he love either of us?
00:30:52I haven't had time to think about it.
00:30:53Wait a minute, woman.
00:30:54That?
00:30:55Well, I chose you because of who would decide you.
00:30:58Of the two?
00:30:58Yeah.
00:31:00Well, look, through the middle one.
00:31:01What are you saying, little one?
00:31:02Where is the car?
00:31:03There you have it.
00:31:04Okay, let's go straight to the square, I don't want to miss the bus, okay?
00:31:09And Maria Derma?
00:31:10But he's not here.
00:31:11I thought I was coming with you.
00:31:12Go find her, because this is going swimmingly.
00:31:14Run, grab onto the ground there.
00:31:15Go on, bring it here.
00:31:16Hurry up.
00:31:37Start, wait a moment.
00:31:38Wait, where is it now?
00:31:39He's not coming.
00:31:40Oh, run.
00:31:41Runs.
00:31:42Wait, wait, for God's sake.
00:31:44Don't leave.
00:31:44See you later, little girl.
00:31:45We'll see.
00:31:47Hurry.
00:31:48Now we can go.
00:31:49Close the door.
00:31:50Close the door.
00:31:52are of these.
00:32:11Number, Network,
00:32:27There you have the brown phenomenon.
00:32:31Did he draw a good bull?
00:32:33He's going to lose his appetite for three.
00:32:42No, no, no, no!
00:33:12If they want decorations, let them add a hanging, a pinwheel, six naturals linked with the chest one, nothing from the telephone that you
00:33:18You may dial the wrong number.
00:33:20Anyway, this is nothing for you. I assure you, you'll come out on top.
00:33:23Cheer up, Juan Ramón! Look, look!
00:33:32Rafa, give it your all. Aren't you afraid of what might happen to you?
00:33:35More than you think. But I have to create one tragedy to avoid another.
00:33:38For your mother's sake, keep my secrets. I'm going to give Juan Ramón some wine.
00:33:41To cheer her up?
00:33:42So that it doesn't stand up.
00:33:43And to the bull, to the bull in combination with the one in the pigpen, they give a bucket, a little something from the pharmacy.
00:33:48I don't know what's going to happen.
00:33:49But I prevent a tragedy.
00:33:50I like the idea.
00:33:51In numbers!
00:33:52The time has come.
00:33:54Let's try the wine because of this wise monkey.
00:33:57Come on?
00:33:57What, friend?
00:33:58A little drink?
00:34:00Is it fresh?
00:34:07Is it fresh?
00:34:08Is it fresh?
00:34:09Is it fresh?
00:34:11Is it fresh?
00:34:15Is it fresh?
00:34:16Is it fresh?
00:34:17Is it fresh?
00:34:19Is it fresh?
00:34:21Is it fresh?
00:34:23Is it fresh?
00:34:34Okay, it's your turn now.
00:34:35Do you have any saliva left to swallow, kid?
00:34:37I have heaven in my mouth, which is a ready piece
00:34:38Well, have a little drink, man.
00:34:41Tuáquete!
00:34:44Maria del Mar!
00:34:50Did you like it?
00:34:52Kid, I was thirsty
00:34:53Drink more, cousin
00:35:01Let's see what he does
00:35:12How much!
00:35:14Son, son!
00:35:15How much!
00:35:21How much!
00:35:28What's wrong, doctor?
00:35:30It has nothing
00:35:30Not a scratch
00:35:31He's just asleep, that's all.
00:35:33And what's still left for him?
00:35:34Well, if it has nothing
00:35:35I know what sleep is all about.
00:35:37So take it outside
00:35:38That of the fresh
00:35:38Help me!
00:35:39Come on, you scaredy-cat
00:35:57Here, an Englishman arrived
00:35:59Berigüe
00:35:59And I landed in Cai
00:36:01Yes sir!
00:36:09Try sherry wine
00:36:11In which he flees
00:36:11And it remained in boxes
00:36:13Of course!
00:36:14And it happened
00:36:15That in English
00:36:16What a thing happens, a gentleman
00:36:18Accidentally
00:36:19She got married
00:36:20And also unintentionally
00:36:22The mess
00:36:22Well, when he saw himself with twelve
00:36:24Siquillo with mother-in-law and wife
00:36:25Chabullo the Castilian saying
00:36:28May a bad stab wound befall me.
00:36:32If in England
00:36:34I were someone
00:36:35I were someone
00:36:36It was going to be a dude
00:36:38With great talent
00:36:39Of ruler
00:36:40Mother-in-law, wife and child
00:36:42He would leave them for me without hesitation.
00:36:44And he was giving back to Spain
00:36:47The Rock of Gibraltar
00:36:52Don't be silly, Ramón
00:36:53The rematch will come
00:36:54I'm telling you.
00:36:55Thor and I
00:36:56We looked drunk
00:36:57Damn
00:36:58Poor wife and child
00:36:59He would leave them for me without hesitation.
00:37:01And he was giving back to Spain
00:37:04The Rock of Gibraltar
00:37:44So, how's that going?
00:37:46Come on
00:37:47He wants something blander than the subfamily.
00:37:48And you, cheer up, man.
00:37:50I've seen that he's very happy to have survived.
00:37:52I just can't explain what could have happened, man.
00:37:54No, mine overwhelmed you.
00:37:55Let it serve as a lesson for you.
00:37:58Goodbye, Ordóñez.
00:38:07Have you seen?
00:38:07Three dry cuts, like the sunny one.
00:38:09Have you eaten cod, son?
00:38:10Do it yourself, go on.
00:38:17Is this okay?
00:38:19Superior.
00:38:19Now, to the rhythm of bulería.
00:38:21No.
00:38:22By bulería?
00:38:23Stop with the nonsense, you're going to force me to go out on a tango.
00:38:26Come on, let's go.
00:38:30Property, a doll for the young lady!
00:38:32Thank you so much.
00:38:33Oh, how beautiful!
00:38:34Do you like it?
00:38:34Hello!
00:39:08What are you thinking about?
00:39:10Not at all.
00:39:11Let's go.
00:39:12Let's go.
00:39:29Where is Bajío going?
00:39:30And where are my people?
00:39:31I've been looking for them and I've finally found them.
00:39:33Are you sure they've returned to the village?
00:39:34To the people?
00:39:35I'm surprised because they haven't told me.
00:39:37Don't worry, woman.
00:39:38You're meeting me in Jerez.
00:39:40Oh, you're crazy, Sebastian.
00:39:42Me in Jerez, alone and with you?
00:39:44Oh, you've had a bit too much wine.
00:39:46Come on, take me to the Rota crossroads, they'll be waiting for me.
00:39:49But it goes by so fast that night falls.
00:39:51Hey, girl, what did we agree on?
00:39:53Who do you think you are, man?
00:40:02Where did you go there?
00:40:03Did the earth swallow you up?
00:40:04I lost my car.
00:40:05What's the matter?
00:40:06I don't know the case now.
00:40:07I was waiting to say goodbye to you.
00:40:09Where is he going?
00:40:10Right here.
00:40:11What will the rest of us do without you?
00:40:12I don't understand this, and besides, one more day, Hugo.
00:40:14You're the boss.
00:40:14Marujilla is the one in charge now.
00:40:16I already told him not to count on me.
00:40:18There!
00:40:18We're going to return the boat to its owner; it's what's needed.
00:40:20But right now!
00:40:22Wait, Miguel, we're coming with you.
00:40:23And my little sister was the first.
00:40:24I'll take care of that.
00:40:26You put things down, this is over.
00:40:28Yes, and everything we have is going downhill.
00:40:30Stay down there and we'll throw your stuff down.
00:40:32Take.
00:40:33But I did...
00:40:34Are you crazy?
00:40:35Let's drop this!
00:40:36He talks more than anyone else.
00:40:38I don't know anymore, yeah, man!
00:40:39Come on, I'd argue less about yours.
00:40:41Come on, you love the ship too.
00:40:48Good morning, Miguel.
00:40:51A cigarette?
00:40:53No.
00:40:57What do you think of the boat?
00:40:59I haven't put her in properly yet.
00:41:01I know.
00:41:03And that does you credit.
00:41:05What does he mean?
00:41:07Speak, answer.
00:41:08You have more than enough, you know it.
00:41:10I don't know anything.
00:41:11Speak clearly to me.
00:41:12Do you understand me now?
00:41:14No, sir.
00:41:15I don't understand you.
00:41:18It's no big deal.
00:41:21I wouldn't like to live either...
00:41:26...of favors.
00:41:27Just end it already.
00:41:28What's happening?
00:41:28Stop being half-hearted.
00:41:31Well, here goes.
00:41:32I lived off the favors of a woman.
00:41:35Shit yourself!
00:41:35I'm going to give.
00:41:36Leave me life.
00:41:36Aha, get lost!
00:41:40Aha, get lost!
00:41:42Aha, get lost!
00:41:42Aha, get lost!
00:41:43They're fighting over your father!
00:41:45Kapa!
00:41:45My dear Maldale!
00:41:46They're really giving each other a beating!
00:41:47Do you remember?
00:41:48Do you remember?
00:41:48Don't go that far away, or he'll get killed, let's see!
00:41:58Let it go! Now you can take action!
00:42:14Let him go! Leave him alone! Separate!
00:42:20Come on, leave it alone, man! Leave it alone! I'll deal with it! Tell me, I'm going to rip his skin off!
00:42:24Bighead! Oh, tell me! Oh! Tell me!
00:42:33Leave now, you brave soul! Keep your boat, we don't owe you anything! You've already been paid so much!
00:42:38Hey, leave me alone already! Oh, Miguel, and the mess we made, huh! Ole!
00:42:42He would have gladly ripped her guts out, that jerk!
00:42:46But what happened? It turns out it's from yesterday at the fair!
00:42:49What happened yesterday?
00:42:50That brat would leave Maruilla alone!
00:42:52Bah! I'm not surprised!
00:42:54Miguel, it's not what you think!
00:42:55What do you imagine, Miguel?
00:42:56Nah!
00:42:57That's what I said, Juan Ramón. I'm leaving.
00:43:00Wait a minute. What Rafa told you is true.
00:43:03Yesterday he didn't leave her alone all afternoon, but I don't think she paid any attention to him.
00:43:06And what do you know?
00:43:07What do you mean, "how should I know"? She's my sister!
00:43:09You're right, Juan Ramón. There's no need to get so worked up.
00:43:13Go on. If you're going to leave, at least say goodbye to her.
00:43:20What had to happen, happened, and it's your fault, kid.
00:43:22Why me?
00:43:23You. I'm tired of telling you that that boat was an insult to our dignity.
00:43:26If you wanted, I could pelt him with big bills.
00:43:29Crazy! Are you crazy?
00:43:31Damn it, that's not the case.
00:43:38This isn't over. You're going to pay for this.
00:44:05Hey Miguel. Was there a storm?
00:44:07You look like a castaway.
00:44:10Can you light me up?
00:44:11Say.
00:44:16Take.
00:44:19What's wrong with you? Where did you go?
00:44:22I lost all desire to go.
00:44:24The first thunderclap has already sounded.
00:44:30I know you had a good time in Jerez.
00:44:33Yeah.
00:44:34Things didn't go badly for him.
00:44:37Hey, did Sebastian tell you?
00:44:39What did he tell you?
00:44:41What he told me stays with me.
00:44:44I would like to hear what you have to say.
00:44:46Now we just need to know if I want to tell you.
00:44:49Excuse me, but...
00:44:51I don't have the right.
00:44:52Nothing legal about it.
00:44:53You have a duty not to believe the bad things that are said about me.
00:44:57I mean, if you still appreciate it.
00:44:59It's not a matter of appreciation, but of manhood.
00:45:02I've been told something...
00:45:03You believed it, didn't you?
00:45:05Well, listen carefully to what I'm going to tell you.
00:45:07What hurts me more than the gossip is that you believe it.
00:45:09And since you have lost the faith you had in me,
00:45:12Get out of my house right now.
00:45:13Right now and forever.
00:45:15That's precisely why I've come.
00:45:17I'm telling you that you'll never see me around here again.
00:45:24Goodbye, Miguel.
00:45:26What do you think, kid?
00:45:27I'll fix this.
00:45:28And what do you plan to do?
00:45:30I've already made up my mind.
00:45:32Build me a house?
00:45:32Yeah.
00:45:33Wow! Become a multimillionaire in 24 hours.
00:45:39Go on, go on.
00:45:51Don't cry, little girl.
00:45:53Juan Ramón will leave sad if he leaves you like this.
00:45:55What's leaving?
00:45:56Where?
00:45:57To Madrid.
00:45:58Ole!
00:45:59That?
00:45:59But, but...
00:46:00This can't be.
00:46:02What are you doing, Juan Ramón?
00:46:03The path to glory and fortune.
00:46:05It's already decided.
00:46:07Oh, dear Virgin Mary.
00:46:08That was Rafa putting your mind in your head, wasn't it?
00:46:10No, it's the one that has fallen under its own weight.
00:46:13I thought of it myself.
00:46:14I wouldn't want to upset you more than you already are, little sister.
00:46:17But I have no other choice.
00:46:18They're going to make our lives impossible here.
00:46:20Don't these people say that my strength is singing?
00:46:22Well, let's sing!
00:46:23Go on, dry those tears and give me the card that gentleman gave us.
00:46:27Pack my luggage.
00:46:28I don't want you to leave, Juan Ramón.
00:46:29No.
00:46:31Cheer up.
00:46:31Ole con olen!
00:46:33Ole!
00:46:42Ole!
00:46:44You're going there, that's it!
00:46:46Ole!
00:46:46Okay, enough with the sentimental scenes, I'm going to leave and men don't cry.
00:46:51Juan Ramón.
00:46:52I don't know who said that nonsense.
00:46:59White sea of the stars
00:47:11Dreaming of a sailboat
00:47:17Asleep on the beach is
00:47:24Cheerful as thunder
00:47:29It looks like a flowering armendron.
00:47:35That by a miracle from heaven
00:47:41Next to the stands it sprouted
00:47:46White sea, white and polished
00:47:51I want to sing to you
00:47:56With Andalusian flair
00:48:00Ole con olen!
00:48:03Ole!
00:48:07Ole!
00:48:10White sea pink lit up
00:48:14Beautiful bride of the sea
00:48:18Singing to you, I give my life
00:48:23Ole con olen!
00:48:28Ole!
00:48:32Ole!
00:48:33Ole!
00:48:33Ole!
00:48:33Ole!
00:48:33Ole!
00:48:34Ole!
00:48:36Ole!
00:48:37Ole!
00:48:38Ole!
00:48:40Ole!
00:48:49Ole!
00:48:50Ole!
00:48:52Ole!
00:48:54Ole!
00:48:55Ole!
00:48:55Ole!
00:48:55Ole!
00:48:57Ole!
00:48:58Ole!
00:48:58Ole!
00:48:58White sea pink lit up
00:49:01Beautiful bride of the sea, singing I give you my life
00:49:11Ole with ole, ole
00:49:32Ole, ole
00:50:21Ole, ole
00:50:29Out
00:50:31Come with me
00:50:31We're going far, prosecutor.
00:50:33Carpósito, your colleagues are already there.
00:50:35So what is there to do there?
00:50:36Declare
00:50:36That's snitching, isn't it?
00:50:37I don't have to give you explanations, let's go
00:50:40Didn't you have anything to do anymore, man?
00:50:46Come on
00:50:49Come on, come on, I said
00:50:50How long are you going to keep us here?
00:50:52You here, here, wait
00:50:53Malajoso
00:50:54Is it fixed, my brother's cousin?
00:50:55But Maria, you put up with this
00:50:56Nothing
00:50:57Those people who want to con us, we're the ones who are going to con them.
00:51:00Well, I don't know anything at all about the boat.
00:51:02Ah, neither me, nor me
00:51:02Me neither
00:51:03That's why
00:51:04It's true that you don't know anything at all.
00:51:06Well, we don't know anything.
00:51:08We are?
00:51:08Not a chance
00:51:09We're here, but we don't understand you.
00:51:11More clearly
00:51:11Come
00:51:14You all stay quiet as the grave.
00:51:15And if the person under surveillance is forced to answer, that is to say
00:51:18I'm the only one who knew anything about the case.
00:51:21Hey?
00:51:22Yes, yes
00:51:22Ah, now we're talking
00:51:24And what do you know, cousin?
00:51:25What do I know?
00:51:26Go down, go
00:51:33At two or three o'clock
00:51:36A quarter to the morning
00:51:38I heard, I don't know what
00:51:41That made the heroes tremble
00:51:45I woke up and got dressed
00:51:48Showing off a taste
00:51:50And I ran to the beach.
00:51:52And there I saw
00:51:53For the glory of the parecopón
00:51:55A boat for making porón
00:51:59Boom, boom, boom
00:51:59Boom, boom, boom
00:52:01Boom, boom, boom
00:52:03Boom, boom, boom, boom, boom
00:52:03Boom, boom, boom, boom
00:52:04Boom, boom, boom, boom
00:52:07I swear to you, Mr. Judge
00:52:10That I told him the truth
00:52:12Cut off my feet
00:52:15If I try to make a mistake
00:52:18That's how I saw it.
00:52:21Oh, please have compassion.
00:52:24What's on a plate here?
00:52:27The pile for mom
00:52:37I heard it exploded
00:52:39Exactly the same as when a siphon explodes
00:52:42But I don't know anything.
00:52:45Because I was in my bed to go to sleep
00:52:48Juan Ramón is not here
00:52:50The sea urchin had the cut
00:52:53Maolichos and the raspa too
00:52:56And Miguel leaves, gunshot wounds.
00:52:58Go to sleep
00:52:59It could be that the height
00:53:01That it was porón
00:53:02Boom, boom, boom, boom
00:53:04Boom, boom, boom
00:53:05Boom, boom, boom
00:53:06Boom, boom, boom
00:53:06Boom, boom, boom
00:53:06Boom, boom, boom
00:53:06The Lord
00:53:06Something like that
00:53:11I swear to you, Mr. Judge
00:53:13That I told him the truth
00:53:16Cut off my feet
00:53:18If I try to make a mistake
00:53:22That's how I saw it.
00:53:24Oh, please have compassion.
00:53:27What's on a plate here?
00:53:30The, boom, boom, boom, boom
00:53:45What are you doing?
00:53:48What is this?
00:53:49What did you think?
00:53:51And what are you doing here?
00:53:53What a dust cloud!
00:53:55Feel!
00:53:57Where are Miguel and your brother?
00:53:59Ask that yourself
00:54:00They have their own personal characteristics
00:54:01Look at it
00:54:01Isn't his signature something else?
00:54:02I mean, mark the very face
00:54:04Don't you like faces?
00:54:06What are two multiplication accounts?
00:54:08Silence!
00:54:10Let's see if we can understand each other.
00:54:11I have to give a report
00:54:13Regarding what happened to the commander
00:54:14But if things are clarified here
00:54:17We will avoid greater evils.
00:54:18Where were you?
00:54:19When did the boat explode?
00:54:20Well, you see
00:54:21I was where I was supposed to be
00:54:22When you are where you are meant to be
00:54:23Because when you're where you shouldn't be
00:54:26You shouldn't be where you are.
00:54:27And that's it.
00:54:29We are?
00:54:30I told Raspa, right?
00:54:32Yes sir
00:54:32Natural, Mr. Salado
00:54:34Look at this
00:54:35When one
00:54:37When someone is put in their place
00:54:38To be in your place
00:54:40There's no need to move
00:54:42Because at the moment
00:54:43Because the moment one moves
00:54:44He leaves the site
00:54:45But the one who knows everything is that one
00:54:48Come on, come on
00:54:50I, Mr. Salado
00:54:51Wait
00:54:52Did you hear the explosion?
00:54:53You'll see
00:54:55You'll see
00:54:55I heard what they're saying today
00:54:57Yeah
00:54:57But I heard one thing and I listened to another.
00:54:59Because he who hears but does not listen
00:55:11That reaches one
00:55:11It falls
00:55:12And bam!
00:55:13Splash
00:55:13What I'm saying
00:55:14Right, Maria?
00:55:15Of course
00:55:16The kid is right, man.
00:55:17Right, Rafa?
00:55:19Naturally, man
00:55:19When they catch one
00:55:20This is all a mess!
00:55:23Silence!
00:55:24Or you answer me as God commands
00:55:26Or I've made you from here
00:55:26Oh, don't get like that, Admiral.
00:55:28That we cannot speak to him any more clearly
00:55:30And if we have come like this
00:55:32Or because if we stop coming
00:55:33Having come
00:55:34You wouldn't have felt
00:55:35Enough!
00:55:35It's over!
00:55:36I'll pass the matter on to the command.
00:55:38With a one-month deadline for proceedings
00:55:40And determination of damages
00:55:43And if you are found guilty
00:55:45They will be prosecuted!
00:55:46Bravo!
00:55:47Bravo!
00:55:47Bravo!
00:55:48Get out of here!
00:55:49That's settled!
00:55:50Run, Rafa!
00:55:50Runs!
00:55:55They haven't gotten involved!
00:55:56This is getting ugly
00:55:58Do you know what I have in mind?
00:55:59That?
00:55:59We're going to Madrid
00:56:00To Madrid?
00:56:01To Madrid?
00:56:01But my brother has barely arrived.
00:56:03It doesn't matter
00:56:03Well, Ramón will be earning the money right outside the gates.
00:56:05Since arriving at the station
00:56:06Oh!
00:56:07What great ideas you have, son!
00:56:09Hey, you hedgehog
00:56:10Go here and tell Miguel
00:56:11Of everything that's happening
00:56:12So that you are prepared
00:56:13That is
00:56:13And we're packing our suitcases
00:56:14But right here, right now
00:56:15I mean, come on!
00:56:15Me too
00:56:16You carrying his luggage
00:56:17Come on
00:56:18There's nothing left here.
00:56:38The suitcases
00:56:39No, they're mine
00:56:40Do you want a car, miss?
00:56:42More cars
00:56:42We've been here for 18 hours, plus 2 hours of tip.
00:56:44Come on, man
00:56:45Where are you going?
00:56:46Juan Ramón must be waiting for us now with one already
00:56:49Juan Ramón is currently in the best hotel in Madrid
00:56:51I wish more
00:56:51Oh, how wonderful all this is!
00:56:53Wow!
00:56:55Madrid is so beautiful!
00:57:22Good morning
00:57:23Here we are again
00:57:24Is it 2 to 10?
00:57:25Don't know
00:57:26You never know anything
00:57:28But I'm going to find that out right now.
00:57:33Miss, there's just no way to talk to 2 to 10
00:57:35I've been wanting to talk to him for three days.
00:57:36It's very difficult
00:57:37He has so many jobs
00:57:38But I have a card from the same place
00:57:40From Mela?
00:57:40No
00:57:41I would like to deliver it to you personally.
00:57:42Whatever
00:57:43If he doesn't give it to me, he won't see it.
00:57:45And if he doesn't see her, he won't be able to give it to her.
00:57:47Pepe Antequera's contract
00:57:50There's Don Javier
00:57:51The trials need to be postponed.
00:57:53Take it to the village
00:57:55Miss, give me a line
00:57:58Let's see that contract.
00:58:00Immediately
00:58:03Here you go, miss.
00:58:04Give him my card
00:58:06It's not the time for you
00:58:07And you
00:58:07Well
00:58:07Aphonic?
00:58:08No hoarseness
00:58:09That's a very worn-out story already.
00:58:11There is another, more serious cause.
00:58:13America's contract
00:58:15It's three dates earlier
00:58:16That the undersigned with us
00:58:18And now they are being forced to comply.
00:58:20Do they think I'm in a fig tree?
00:58:22Yes, January 9th
00:58:23I'm watching it here.
00:58:23And yours is dated the 6th
00:58:26Well
00:58:26Look, we're going to finish.
00:58:28Because otherwise we'll be like this all day
00:58:31To be specific
00:58:31I'm going to postpone the premiere
00:58:33Three more days
00:58:33But if you don't bring me a solution
00:58:35Tomorrow
00:58:36I will proceed accordingly
00:58:38Brave collection of scoundrels
00:58:42Should I take them?
00:58:43Put them in a folder
00:58:44And he brings them here
00:58:45Alright
00:58:51Who is it?
00:58:52Yes, server
00:58:53Who is calling?
00:58:54Man, Don César
00:58:55How are you?
00:58:56Didn't you receive my letter?
00:58:57I've already added your recommendation
00:58:59In the new show
00:59:00Yes, yes, don't worry
00:59:01Okay, at your service, Don César
00:59:03Annoy you
00:59:04What nonsense
00:59:05A hug
00:59:06Bye
00:59:07You've already heard it
00:59:08As soon as that recommendation arrives
00:59:09With a card
00:59:10You send it to the theater
00:59:11Don't worry, I'll do it.
00:59:12Stay here
00:59:12Find someone to replace
00:59:14Pepe Antequera just in case
00:59:15I see it as difficult.
00:59:23Wait, miss
00:59:25Did I hand over my card?
00:59:26Now we'll see
00:59:27If the storm has passed
00:59:31And Don Javier?
00:59:32He just left
00:59:34This was to be given to him.
00:59:35Poor boy
00:59:36He's been here several days now.
00:59:37Who?
00:59:37Well, an artist or an aspiring artist
00:59:39He says he's waiting for Don Javier
00:59:40Oh, yes, yes
00:59:41He is Don César's recommendation.
00:59:42They are waiting for you at the theater
00:59:43Show him in
00:59:44And let Peter come.
00:59:47Please come in
00:59:47And you, Peter
00:59:48Come too
00:59:50Good morning
00:59:50Hello good
00:59:51Don Javier has just left
00:59:52And it's left me with a load
00:59:53Let him receive you
00:59:53And I sent you to the theater
00:59:54Peter
00:59:56Accompany him
00:59:56And introduce him to the director
00:59:57Yes sir
01:00:02It must be this way, Rafa
01:00:03I think it's this house
01:00:05You think?
01:00:05Yes, it says so on the card.
01:00:06The number, there it is.
01:00:07Joshua, what's the rush?
01:00:08As if I were putting out fires
01:00:10But it's Don Javier.
01:00:11Come with me
01:00:12Runs
01:00:13Is it not possible?
01:00:14Don Javier
01:00:14Don Javier
01:00:15There are two Javiers of my order.
01:00:16What a huge coincidence
01:00:17We came to see him
01:00:18Oh, but you don't remember
01:00:20From us, Don Javier
01:00:21From my brother and me
01:00:22The Dingy Dingy Ones
01:00:23Those from Mar Blanca, right?
01:00:24Those little boats that disembarked
01:00:25I remember now.
01:00:26You are providence
01:00:27You come like rain falling from the sky
01:00:28Get in, get in the car
01:00:29To the car
01:00:29To the car
01:00:29And he goes to the car
01:00:31Child, woman first
01:00:32Thank you, son.
01:00:33Okay, I'll go in.
01:00:36Jita, child
01:00:37You're there to carry the trunks.
01:00:38Come on
01:00:39Oh, Rafa
01:00:40How lucky!
01:00:47It seems you heard me
01:00:48Because all these days
01:00:48I was talking about you.
01:00:50And where is the singer?
01:00:51Who, my brother?
01:00:52Juan Ramón
01:00:52But isn't the child here?
01:00:53If it came from the front
01:00:54At your mercy
01:00:55Well, my office hasn't shown up.
01:00:56Did I have my card with me?
01:00:57Clear
01:00:57We gave it to her
01:00:58And I've been here for three days
01:00:59No, don't say that.
01:01:00That she hasn't seen it
01:01:00Because that would be worse.
01:01:01That declaring an orphan suddenly
01:01:03What an adventure!
01:01:04No, child, no
01:01:04If only Don Javier
01:01:05He wants to surprise us, doesn't he?
01:01:07I'm the one who's surprised.
01:01:08From what I hear
01:01:08They said he came to find me
01:01:09Yes sir
01:01:10And he promised us that from the station
01:01:12I would go straight to your office
01:01:13Well, it'll turn up eventually.
01:01:14Maybe he's been in the office
01:01:15And they've sent him to the theater
01:01:16Let's see
01:01:24Just like a bullring
01:01:25Tequila
01:01:26Or what luxury?
01:01:28How beautiful
01:01:29And that of marble
01:01:30Look
01:01:31Is Don Paco there?
01:01:32Yes sir
01:01:32They are waiting to begin.
01:01:34Come on
01:01:35Where are they going?
01:01:36You cannot pass
01:01:36They are rehearsing
01:01:37Well
01:01:37May I, Lieutenant?
01:01:39I wanted to tell you that
01:01:41Evarito
01:01:41What have they seen in you?
01:01:43Good morning, Don Paco
01:01:44How's this going?
01:01:45Waiting for you
01:01:46Did you know what Pepe used to be?
01:01:47Yes, what a pain!
01:01:48How will we solve it?
01:01:49Shameless
01:01:50Launching a new figure
01:01:51That I already have
01:01:52Something sensational
01:01:52Has a boy arrived?
01:01:53Asking about me?
01:01:54Are so many coming?
01:01:55This is a gypsy boy
01:01:56Bring one of my cards
01:01:57As far as I know, no sir.
01:01:58Oh, little Virgin of Carmen
01:02:00Something has happened to my brother
01:02:01Don't say that, cousin
01:02:02They suit me perfectly.
01:02:03Take, Folkcore
01:02:04They've kidnapped him
01:02:05Calm down, calm down
01:02:06It will appear.
01:02:06I will mobilize the entire police force
01:02:08If necessary
01:02:09No, arrested
01:02:10Don't bring it to me, Don Javier.
01:02:11That's not it.
01:02:11Leave it to me
01:02:12Sit down over there
01:02:13And wait
01:02:20That?
01:02:21Do you like it?
01:02:22Yeah
01:02:22What's up?
01:02:23Hello
01:02:35Clueless one, come this way
01:02:44Come on, hurry up
01:02:45Everyone on stage
01:02:46Time is running out.
01:02:48And you put on the white gloves.
01:02:50Come on!
01:02:50This was sent by Mr. Garcia.
01:02:51Hey, come closer
01:02:53Thank God
01:02:54Man, he already called me
01:02:55We've been waiting for you for three days.
01:02:57You're a little short
01:02:58But okay
01:02:58Hey, Joaquín
01:02:59Come here
01:03:00Go
01:03:02Take
01:03:02Go on, Joaquín
01:03:04Dress him quickly
01:03:04He's the one we were missing, you know?
01:03:06Come on, let's go
01:03:06Wow!
01:03:07And what are they doing there?
01:03:08We're going on stage soon.
01:03:10Come on!
01:03:11Good luck!
01:03:12Oh well
01:03:13What are they going to come up with?
01:03:14What am I going to be here?
01:03:15Come on, get in
01:03:15We're not here for explanations
01:03:17We can't waste time
01:03:19That's when it's okay
01:03:20What do you know about my brother?
01:03:21Don't worry
01:03:22We'll find him soon.
01:03:23Oh, God wills it!
01:03:24I'm so tired of being alive, Dardijo
01:03:26Here
01:03:29Here's this
01:03:30There!
01:03:31Okay, that's it.
01:03:31Place it
01:03:32I don't understand what it looks like.
01:03:33Late and demanding
01:03:35Come on
01:03:35Go up
01:03:36You, the third
01:03:37That you're taller
01:03:38Go up one step
01:03:39And let's see if we can get started already.
01:03:41Okay, but what am I doing here?
01:03:42Since you're new
01:03:43Just do what everyone else is doing.
01:03:46You'll get the hang of it soon enough.
01:03:47This isn't for me.
01:03:48Come on, this
01:03:49It just arrived and it already thinks it's the database
01:03:51Hey, battery!
01:03:52Let me begin!
01:03:54Are you ready?
01:03:54Yes, let's begin
01:04:05Come on!
01:04:08Let's get started!
01:04:23Let's get started!
01:04:40What is an essay?
01:04:44What is an essay?
01:04:50What's going on here, Mom?
01:04:58Come on, who is that clown who makes so many mistakes?
01:05:00It's a recommended one, a consequence of people joining so late.
01:05:04And recommended?
01:05:05Yes, Mr. César has just arrived, and he's so full of himself... Idiot!
01:05:11What kind of heart have you been holding here?
01:05:14Rafa, have you seen that black guy?
01:05:16A black man? And that's Havana?
01:05:18No, man, no. That one who makes so many mistakes. Don't you think so, Juan Ramón?
01:05:21He's going to confuse everyone.
01:05:25Cut, cut! It's a disaster!
01:05:26Out, out! Very bad!
01:05:29Get that kid out and do partial trials with him.
01:05:32Yes, sir, yes.
01:05:32Very bad, very bad!
01:05:33This can't be happening!
01:05:35Let's do it again!
01:05:36You, Lida, you, Lida!
01:05:37And you, get out of there, you're the one who messes everything up.
01:05:39And you, how do you move?
01:05:42If you did worse than in the first rehearsal.
01:05:44Let's do it again!
01:05:45Joaquín, what's up with the fog? Didn't we agree it was going in this forum?
01:05:48They've brought in some kind of smoke that's worthless and makes us all cough.
01:05:50Let's see how you solve this. Everything goes wrong in this magazine.
01:05:52Don't you know me, Javier?
01:05:54Yes, I know him and he does it very badly.
01:05:56Out of consideration for Mr. César, we will conduct separate rehearsals with you.
01:05:58Of course, you've made so many mistakes!
01:06:00It seems more and more like that to me.
01:06:01Well, he's right.
01:06:02Thank goodness he didn't warn the critics, otherwise we'd be in trouble.
01:06:05What a pity!
01:06:06We'll have to rehearse again, because we also can't count on the star.
01:06:09Oh no!
01:06:09He's a scoundrel.
01:06:10Oh, I'm not leaving without seeing his face, he ducked!
01:06:12Take that, not even me!
01:06:12But where are you going?
01:06:13Oh, Don Javier, my dear, Juan Ramón is in there!
01:06:15I hope it's there!
01:06:16I'm telling you this as someone who doesn't lose his breath.
01:06:18He's one of those clowns.
01:06:19I've seen it too.
01:06:20He's the most ridiculous of them all.
01:06:21Yeah.
01:06:21Listen, Don Javier, do you think washing will get rid of the blacks?
01:06:23Sure, man, sure.
01:06:24What's needed is for him to appear.
01:06:25Oh, let's go find him!
01:06:26Let's go find him!
01:06:26You follow the rehearsal!
01:06:27Come on!
01:06:28Put each one in your place!
01:06:29Your phenomenon doesn't paint!
01:06:30They're uglier up close!
01:06:31I caught you!
01:06:33Oh, no?
01:06:33Well, it's not here.
01:06:34That's their niche.
01:06:35We're going to separate.
01:06:36You guys go this way, I'll go that way.
01:06:38This is nonsense!
01:06:41No, it's not here.
01:06:44Oh well.
01:06:46Scratch!
01:06:46What is he doing?
01:06:47The sense of smell, the one that smells like fish.
01:07:13It's not here.
01:07:14These guys are like statues.
01:07:15If Juan Ramón were here, I would never have met him.
01:07:17But I've seen him, and we have to find him.
01:07:18Of course?
01:07:19Clear.
01:07:21Does this happen to you?
01:07:22Which grandfather?
01:07:23Me too?
01:07:24Which grandfather, cousin, or female cousin?
01:07:25Me too, cousin.
01:07:26God bless you, cousin.
01:07:28What can I lend you, cousin?
01:07:29Let's begin.
01:07:30Days ago, squid, Juan Ramón.
01:07:42I've got it now.
01:07:43Me too?
01:07:43For the glory of my mother who already had it.
01:07:45Me too, Rafa.
01:07:46I already have it.
01:07:47Oh, here!
01:07:47Here!
01:07:48Here it is, Juan Ramón!
01:07:49Here!
01:07:49Oh, I erased this handkerchief myself!
01:07:51Look, I deleted it myself!
01:07:52Go on, Ramón!
01:07:52Salt!
01:07:53Oh, what joy!
01:07:53But man, how did he put you in that trunk?
01:07:55One of these doors must be there!
01:07:56Look at it!
01:07:57Here!
01:07:57It must be here!
01:07:58Look at it!
01:07:59Oh!
01:07:59Let's see!
01:08:00Let's see!
01:08:00But look at you!
01:08:07What a joy!
01:08:08River and soul!
01:08:09Manoleño!
01:08:10What a joy!
01:08:12Has it appeared yet?
01:08:13Here it is, Javier.
01:08:14Married in the maricua!
01:08:15Yes, it's the exact same neighborhood, come on.
01:08:19You guys look great in a photo.
01:08:20Hey?
01:08:23Juama's picture, yes sir.
01:08:25Every cloud has a silver lining.
01:08:27I assure you that the best opportunity has arrived.
01:08:29Hired, Javier?
01:08:30Of course.
01:08:31You'll see what a release it is.
01:08:32Olé!
01:08:32Olé!
01:08:33Thank you so much, Javier!
01:08:34Long live the blacks!
01:08:35Long live the blacks!
01:08:42Long live the blacks!
01:09:07Long live the blacks!
01:09:20Long live the blacks!
01:09:22Long live the blacks!
01:09:22Sea urchin!
01:09:23Long live the blacks!
01:09:27Miguel!
01:09:28Hey Miguel!
01:09:30And the trip?
01:09:31And Maria del Mar?
01:09:32Wait, he told me to come down.
01:09:34What does this mean?
01:09:35What am I trying to get at you?
01:09:36Well, let's see.
01:09:37Look at him, they haven't told you.
01:09:39The folk musicians, advised by Rafa, are starting to lay the groundwork.
01:09:42You'll see what a surprise it is.
01:09:43You'll see.
01:09:44Badly!
01:09:45Little brother!
01:09:46Oh, bye!
01:09:47Together again!
01:09:48Finally!
01:09:50Come here, you're going to see something.
01:09:51What's happening?
01:09:53Read me, girl.
01:09:54Read me.
01:09:55Look.
01:09:56Go there to the hedgehog.
01:09:57Look.
01:09:58I see the hedgehog and Miguel.
01:09:59But it's possible she came.
01:10:01Oh, what joy!
01:10:02Oh!
01:10:03Oh, I'm so scared, Rafa!
01:10:04What will Miguel think when he sees me dressed like this?
01:10:07Give it to me, woman!
01:10:07I'll tell him it's only once, and that you're doing it to encourage your brother.
01:10:11Oh, Miguel is my soul!
01:10:13Juan Ramón!
01:10:14Juan Ramón!
01:10:15Look.
01:10:15Miguel and the hedgehog have arrived.
01:10:17They are there.
01:10:17Take a look!
01:10:19Well, I'm going with them.
01:10:20Hurry up, you need to get dressed.
01:10:22Hey.
01:10:23How are you feeling?
01:10:24Listen, I'm terribly nervous.
01:10:25Don't worry, I'm here to cheer you up.
01:10:27You'll see how successful you'll be.
01:10:29Look at the audience room.
01:10:30Joaquín, give the third one right away, it's getting late.
01:10:33Maria del Mar, get dressed.
01:10:34Yeah.
01:10:34And you, on your way out, because we're about to begin.
01:10:36Good luck, Juan Ramón.
01:10:38Thank you, little sister.
01:10:38And you know what I told you.
01:10:39He leads the horse by the bridle.
01:10:41So, how are you behaving?
01:10:42Very good, two, Javier.
01:10:44Jarre!
01:10:47It's about to start.
01:10:49But anyway, where is Maria del Mar?
01:10:50Well, look, I'm uneasy too.
01:10:52I don't know where they'll find out what I'm doing.
01:10:53I don't know where it is.
01:11:24The stars are already fading and the goats are flying high.
01:11:35The stars are already fading and the goats are flying high.
01:12:05And the stars are already fading and the goats are flying high.
01:12:28And the stars are already fading and the goats are flying high.
01:12:35And the stars are already fading and the goats are flying high.
01:12:44And the stars are already fading and the goats are flying high.
01:12:49And the stars are already fading and the goats are flying high.
01:12:56And the stars are already fading and the goats are flying high.
01:12:56And the stars are already fading and the goats are flying high.
01:12:58And the stars are already fading and the goats are flying high.
01:13:00Thanks for watching the video!
01:13:58Thanks for watching the video!
01:14:26Thanks for watching the video!
01:14:55Thanks for watching the video!
01:15:27Thanks for watching the video!
01:15:27Thanks for watching the video!
01:15:29Thanks for watching the video!
01:15:46Thanks for watching the video!
01:16:10Thank you!
01:16:11Thanks for watching the video!
01:16:55Thank you!
01:17:14Thanks for watching the video!
01:17:53Thanks for watching the video!
01:18:18Thanks for watching the video!
01:18:28Thanks for watching the video!
01:19:20Thanks for watching the video!
01:19:49Thanks for watching the video!
01:20:08This program will last us three months. I'm taking it to America.
01:20:13Come and see what's unbelievable.
01:20:15I can't, cousin, I can't.
01:20:16Make a power, Juan Ramón.
01:20:17The whole town cheers for you and asks you to sing.
01:20:19Let Juan Ramón sing.
01:20:20Come on, man, come with me. Look at the people.
01:20:22Look at all the boats there waiting for you.
01:20:24Come on, cousin.
01:20:28Juan Ramón!
01:20:30Look at both of them.
01:20:32That's a good couple.
01:20:33Little sister!
01:20:34Juan Ramón! We're here!
01:20:37Juan Ramón! Juan Ramón!
01:20:40Majolillo!
01:20:40Look, I'm raising him for when he grows up.
01:20:43So that perhaps we won't be deceived.
01:20:44But you have to come and kill him, right?
01:20:46I promise you, I'll cut off his ears when he's old enough to be a vet.
01:20:59I have a dark-haired song, that of the breeze, of the breeze, without sun, crossing the serene sea, with it I say goodbye to you.
01:21:16There was my beautiful Spain, the land where I was born, pretty, cheerful and graceful, like an April rose.
01:21:32Oh, oh, oh, oh, I'm going to die of sorrow living so far from you.
01:21:45I have a dark-skinned song, made of breeze, of breeze, of breeze.
01:21:52Juan Ramón!
01:21:54Crossing the serene sea, with it I say goodbye to you.
01:22:04I read you're leaving, I'm walking, Spain, you want me.
01:22:11Bye bye.
01:22:13Goodbye, I beg you crying, I hope to see you again soon.
01:22:20Like a burning rose, it perfumes my heart.
01:22:27Bye bye.
01:22:30Goodbye, my beloved Spain, for you I sing my song, as I bid you farewell.
01:22:46And the kiss, and that prayer.
01:22:50And the kiss, and that prayer.
01:22:54Like a burning rose, it perfumes her heart.
01:23:02Goodbye, my beloved Spain, for you I sing my song, as I bid you farewell.
01:23:14And the kiss, and that prayer.
01:23:18My Spain, beloved land, goodbye forever.
01:23:46God be with you, Juan Ramón.
01:23:50God be with you, Juan Ramón.
01:23:52I'll see you again soon, very soon.
01:23:57Like a burning rose, it perfumes her heart.
01:24:09Bye bye.
01:24:17Bye bye.
01:24:18Bye bye.
01:24:21Bye bye.
01:24:26Bye bye.
01:24:28Bye bye.
01:24:30Bye bye.
01:24:33Bye bye.
01:24:36Bye bye.
01:24:40Bye bye.
01:24:42Bye bye.
01:24:43Bye bye.
01:24:45Bye bye.
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