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The.Sandman.S01E11 [Full Movie] [Full Storyline]Full EP - Full
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00:03:19Gracias por ver el video.
00:04:14Gracias por ver el video.
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00:16:40Could you tell us a bit about your process?
00:16:44Do you have any advice for those of us who are just starting out and finding
00:16:47it difficult to not hate every single thing I write?
00:16:54I am sad to report that I've been doing this for a very long time and it doesn't
00:17:03get any easier, but try not to be discouraged when it is difficult.
00:17:09My debut novel was rejected by seven publishers before it became a bestseller.
00:17:18Right.
00:17:19That's it for today.
00:17:21Oh, don't forget the assignment.
00:17:23The same event told from two characters.
00:17:25Very different points of view.
00:17:35Did you get it?
00:17:36It took some doing, but...
00:17:39Yeah.
00:17:45It's, um...
00:17:47It's perfect.
00:17:49Thank you.
00:17:51You're welcome.
00:17:52I think it's admirable how far a writer like you will go when it comes to research.
00:17:57Ah, well.
00:17:58It's handy to know a soon-to-be doctor.
00:18:02I actually wanted to be a writer, but my parents insisted I have something to fall back on.
00:18:08I still write, er, when I have time, but...
00:18:10Your parents are very wise.
00:18:15You're better off.
00:18:17I promise.
00:18:21Er, so, what do I owe you?
00:18:24Nothing.
00:18:25Stop, Nora.
00:18:26Honestly, it probably would have been incinerated anyway.
00:18:30Um, just don't tell anyone where you got it.
00:18:33I won't.
00:18:34I promise.
00:18:35And, um, if you wouldn't mind, would you sign this for me?
00:18:44Of course.
00:18:49Any idea when the new book is coming out?
00:18:54Er, no.
00:18:55But you will definitely be in the acknowledgements.
00:18:58Is it a sequel?
00:19:01Or something new?
00:19:04That would be telling.
00:19:35Who is it?
00:19:37Richard Maddox, to see Erasmus Frye.
00:19:41Armin, straight down.
00:19:50Are you alone?
00:19:53It's just me.
00:19:55I've got it.
00:19:55Well then, come in, dear boy.
00:19:59Come in.
00:20:15How are you, Richard?
00:20:18Have you written anything profound and stirring recently?
00:20:24You know I haven't, Mr Frye.
00:20:27No.
00:20:30I haven't written a single word in a year.
00:20:32Nothing I haven't thrown away.
00:20:34Then I suggest you sit down, have a drink, and show me my present.
00:20:38Not necessarily in that order.
00:20:42Yeah.
00:20:56Oh, well done, dear boy.
00:21:00Oh, well done, dear boy.
00:21:02Oh, a genuine trichino berzoa.
00:21:06Do you know about these?
00:21:08They're generally removed from the stomachs of young women who are in the habit of ingesting their own hair.
00:21:17The Rapunzel syndrome, it's called.
00:21:21Bezoa was for once believed to possess mystic powers.
00:21:25They can remedy poison, make the sick well.
00:21:29Edward IV survived the effects of a poisoned wound due solely to the possession of a Bezoa.
00:21:37Yes, I see, I'm lecturing again.
00:21:41An old writer with no one to talk to grows fond of the sound of his own voice.
00:21:48But I suppose you'd like your present now.
00:21:56I was twenty-seven visiting Mount Helicon, researching yet another novel I was sure to abandon.
00:22:04This one steeped in Greek mythology.
00:22:06And while I was there, I discovered a trove of ancient texts about the muses and how to control them
00:22:14using moly,
00:22:16sorcerer's garlic and certain lost rituals.
00:22:21The hardest part was getting her back to England.
00:22:51Yes, she is.
00:22:55What would you with me now, Erasmus?
00:22:58Am I to perform for your amusement?
00:23:02Is this man to be our audience?
00:23:05Yuck!
00:23:06This is Richard Maddock.
00:23:08He's a novelist, or at least he's written one extremely successful first novel, but now he finds himself quite unable
00:23:16to write anything else.
00:23:18Richard, this is Calliope, the youngest of the nine sisters. She was Homer's muse, so she ought to be good
00:23:25enough for you.
00:23:27Calliope, I'm giving you to Richard. You're his now.
00:23:33But you said that you would free me before you died.
00:23:37Put not your trust in princes, my dear. Nor in an aging author who has never been what you might
00:23:44call a shining example when it came to keeping his word.
00:23:49What you promised.
00:23:52Writers are liars, my dear. Surely you've realized that by now.
00:24:02Don't worry, she can't run away. She's bound to you now, just as she was once bound to me.
00:24:10Then why keep her locked away?
00:24:12Because I couldn't bear to look at that pouty, aggrieved little face of hers all day.
00:24:18And neither will you, I assure you.
00:24:22I don't know if I can do this.
00:24:25Of course you can, dear boy.
00:24:38They say one ought to woo her kind.
00:24:42But I must say I found force most efficacious.
00:24:52Now don't be fooled. She's not human. She's thousands of years old. She was created for this. This is her
00:25:00purpose. To inspire men like us. After all, she gave me fame, glory, novels, poems, plays. You'll see.
00:25:14If that's true, why would you?
00:25:16My time is past. All my best work is out of print. Even muse inspired. Nobody reads Erasmus Fry anymore.
00:25:29Now take the little cow away, Richard. I never want to see either of you again.
00:25:37However, if you ever happen to feel a spark of gratitude, you might persuade your publisher to bring Here Comes
00:25:45a Candle back into print. I was particularly proud of that one.
00:25:54No.
00:26:04No.
00:26:05No.
00:26:06No.
00:26:08No.
00:26:09No.
00:26:13No.
00:26:32No.
00:26:35No.
00:26:37No.
00:26:38No.
00:26:38No.
00:26:39No.
00:26:40No.
00:26:42No.
00:26:43No.
00:26:43No.
00:26:44No.
00:26:44I am a goddess
00:26:47A daughter of Zeus
00:26:50I am not a possession
00:26:52To be kept
00:26:54And used
00:26:55And traded
00:26:58You must set me free
00:27:00You have only to say the words
00:27:02I will, I promise
00:27:04But um
00:27:09Do you think you could
00:27:11Help me
00:27:13First
00:27:15Inspire me
00:27:18Just for one book
00:27:19And then I will
00:27:20Let you go
00:27:21I swear I will
00:27:24Writers are liars
00:27:28Not all of us
00:27:31Just one book
00:27:37Please
00:27:44I choose with whom I share my gifts
00:27:50Perhaps we both need time to think
00:27:53I'll see you
00:27:54I'll see you
00:27:59All right
00:28:12There's nothing
00:28:13I'll see you
00:28:19I'm sorry
00:28:21I'll see you
00:28:51Gracias.
00:29:04Gracias.
00:29:23Gracias.
00:29:53We can't articulate, fuddle our words.
00:29:57We couldn't pinpoint exactly what it was he did that we felt was so wrong.
00:30:01So yeah, Borky is crazy.
00:30:16You seek to woo me with presents?
00:30:21Is this not how it's done?
00:30:24I think you know how it is done.
00:30:29An artist prays to the muses.
00:30:34He offers vows of service and devotion to the goddesses in exchange for divine inspiration.
00:30:40An artist does not hold a muse against her will.
00:30:44You gave Erasmus Frye what he wanted?
00:30:46I did not.
00:30:49He took it from me.
00:30:57I had returned to Mount Helicon.
00:31:00To the sacred springs.
00:31:03I lay my scroll upon the shore and I went bathing as I had always done.
00:31:11He found it there.
00:31:13He read it.
00:31:15And said,
00:31:19Calliope, you may call me master.
00:31:22And then he burned my scroll, which bound me to him and now to you, unless you say the words.
00:31:30That I may be as free as you are.
00:31:32You think I am free?
00:31:38I got the advance for this book two years ago.
00:31:40I haven't even started it yet.
00:31:42I don't even know what it's about.
00:31:47I am drowning, Calliope.
00:31:55Please.
00:31:58I am begging you.
00:32:02Ask me again.
00:32:05When I am free.
00:32:28Ask me again.
00:32:42You better be fucking writing.
00:32:45I would be if you weren't calling to harass me.
00:32:48Your publishers just called to harass me.
00:32:51They want the booking now.
00:32:54I just need a couple of weeks.
00:32:55Ricky, it's nine months overdue.
00:32:59You're technically in breach.
00:33:01I don't know what they want me to do, Harry.
00:33:03These things take time.
00:33:04Ricky, you've had time.
00:33:06You've taken your time.
00:33:07You've also taken them money.
00:33:11I know.
00:33:12Now, you have to give them something.
00:33:15Anything, a chapter.
00:33:17Or they're going to cancel the deal and demand the advance back.
00:33:20But there won't be anything I can do.
00:33:23Because you'll no longer be my client.
00:33:27Do you understand?
00:33:31Don't be fooled.
00:33:33She's not human.
00:33:34She's thousands of years old.
00:33:37She was created for this.
00:33:39This is her purpose.
00:33:40To inspire men like us.
00:33:46Rick.
00:33:48Say something.
00:33:50So I know you understand.
00:33:51I understand.
00:33:55I'll send you something.
00:34:17I know you.
00:34:21It doesn't get me yet.
00:34:26I'm sorry, will you want me to go back and enter?
00:34:27Take all the hands.
00:34:33I know.
00:34:35What, I'm not doing this.
00:34:38You're right.
00:34:41What are we going?
00:34:56Gracias.
00:35:12¡Ladies of Meditation, Remembrance, and Song, Harken to Me!
00:35:20¡All right!
00:35:22¡Enough, beautiful voice!
00:35:31We feel your pain, daughter, but we cannot help you.
00:35:34You were snared upon Helicon according to the mysteries.
00:35:37You are lawfully bound.
00:35:39But it is not just my mother's.
00:35:42Is there nothing you can do?
00:35:44No one who can intercede on my behalf?
00:35:47There are a few of the old powers who are willing
00:35:49or able to meddle in mortal affairs in these days, Calliope.
00:35:53Many gods have died, my daughter.
00:35:55Only the Endless never fade.
00:35:57And even they have been having a difficult time of late.
00:36:03Still, every little bit helps,
00:36:06as the old woman said when she pissed in the sea.
00:36:09The Endless.
00:36:11There's a thought.
00:36:13After all, the dream king and Calliope were close at one point.
00:36:17Not for long.
00:36:18And remember, sister Self,
00:36:20they did not part on the best of terms.
00:36:22Still, she did bear his cup.
00:36:27That boy child who went to Hades for his lady love
00:36:30and died in Thrace, torn apart for his sacrilege.
00:36:35He had a beautiful voice too.
00:36:39Orpheus.
00:36:40Dream king will never help me.
00:36:44Not after what I did to him.
00:36:46He hates me for that.
00:36:48And I despise him.
00:36:51I would not accept his help.
00:36:52Foolish child.
00:36:54O'Nerys is in no position to help you,
00:36:57even if you wished it.
00:36:59Which is unlikely.
00:37:00Like you, your former husband has been ensnared by mortals.
00:37:03He is immured beneath the ground,
00:37:06leaving this realm gripped by sleeping sickness
00:37:09and a plague of dreams and nightmares wreaking havoc.
00:37:12I am sorry, little one.
00:37:16No.
00:37:18Your prayers were wasted.
00:37:20There's nothing we can do for you.
00:37:23Please.
00:37:24And nothing you can do but hope.
00:37:28Please don't leave me for you.
00:37:33I beg for you.
00:37:39We've got a nice little bidding war on our hands.
00:37:43Every major studio wants a piece of it.
00:37:46Film, broadcast, streaming.
00:37:48Er, who's the frontrunner?
00:37:50Whoever lets him write and direct.
00:37:53They won't even let Joe Rowley write and direct.
00:37:55Joe Rowley needs a new agent.
00:37:57Tell her to call me.
00:37:59I will never understand how a work of genre fiction
00:38:02came to be nominated, let alone shortlisted.
00:38:05The committee felt that his new book has transcended genre.
00:38:09Have you read it?
00:38:10No.
00:38:11Of course not.
00:38:12Well, I have.
00:38:14And it reads like I've written by an entirely different man.
00:38:17It's a gorgeous book.
00:38:20Quote, it's remarkable.
00:38:22I mean, the sheer richness of the material.
00:38:25Yes.
00:38:25Why has he gone and changed his name?
00:38:28How do you mean?
00:38:29From Richard to Rick.
00:38:30About the cave.
00:38:32I think it probably speaks to the novel's theme of reinvention.
00:38:36I think it probably speaks to the orphan's pretension.
00:38:39Where were we?
00:38:40I was saying how much I loved your characterization of Eileen.
00:38:45Oh.
00:38:45There aren't enough strong female characters in fiction.
00:38:48Not even fiction written by women.
00:38:50I agree.
00:38:52And I know it's fashionable at the moment to say that only women can write authentically
00:38:56about the female experience.
00:38:57But I do tend to regard myself as a feminist writer.
00:39:06And where does that voice come from in you?
00:39:10The female voice?
00:39:15From the women in my life.
00:39:47I'm shooting the movie version in Los Angeles.
00:39:49The studio have hired me a private jet.
00:39:51So we shouldn't have any trouble getting you into the country.
00:39:53And who knows?
00:39:56Maybe we'll decide to stay in LA.
00:40:02Maybe we will decide?
00:40:06Can you not allow yourself to enjoy our success?
00:40:11Even for a second.
00:40:13We are telling stories that move and inspire people.
00:40:21Isn't that what muses were made for?
00:40:24My sister goddesses and I were born.
00:40:26We were not made.
00:40:28Sorry, it's Larry.
00:40:30Did you talk to the studio?
00:40:37No.
00:40:38I need them to guarantee at the outset that cast and crew will be made up of at least 50
00:40:44% women.
00:40:44And people of colour.
00:40:46And then we need to publicise it so they can't back out of it when it comes to hiring people.
00:41:02We're all in the movies.
00:41:04We're all in the movies.
00:41:11We're all in the movies.
00:41:12Are you fucking kidding me?
00:41:14No.
00:41:16No.
00:41:18No.
00:41:18No.
00:41:19No.
00:41:19I am making so much money.
00:41:23I've earned care of the money.
00:41:30No.
00:41:31No.
00:41:32No.
00:41:33No.
00:41:34No.
00:41:34No.
00:41:34No.
00:41:35No.
00:41:36No.
00:41:37No.
00:41:38No.
00:41:39No.
00:41:40No.
00:41:40No.
00:41:41No.
00:41:45No.
00:42:05I call to you, Oniros, that you may hear me.
00:42:09Come to my aid when I say your name out loud.
00:42:19Morpheus, what does it mean?
00:42:24It is the name of the god of dreams.
00:42:32You're writing him a letter?
00:42:35Something like that.
00:42:56You're mine.
00:42:59By law, the god of dreams can't save you.
00:43:23Thank you for agreeing to do this interview at your home.
00:43:25Thank you for getting the word out about the new book.
00:43:27So, I thought I'd start by asking about your formative literary influences.
00:43:33Well, I wouldn't even be a writer if it wasn't for having read people like Shirley Jackson and Margaret Atwood
00:43:40and Octavia Rebutler.
00:43:42Having read Eaglestone, the writer that came to mind was the late Erasmus Frye.
00:43:47Oh. Sorry, did you say the late Erasmus Frye?
00:43:51He's, um... He died.
00:43:56Last summer? Did you know him?
00:43:59Well, I didn't know him. We met on a couple of occasions.
00:44:03He was very kind about my work.
00:44:08He must have been almost 90. Did he, um... Did he die of old age?
00:44:15No. He actually poisoned himself.
00:44:18Apparently, the last thing he did was write a letter to his old publisher, begging them to bring one of
00:44:23his books back into print.
00:44:25Here comes a candle, I suppose.
00:44:27I think it was. How did you know?
00:44:31It was perhaps my favourite book when I was growing up. It was very moving, honest, and... strange.
00:44:45Poor old sod.
00:44:47It's a shame people stopped reading him. That his work fell out of fashion.
00:44:52Not that you'll have to worry about that. You're Richard Maddock.
00:44:55Oh, sorry. Rick Maddock.
00:44:59Right. Next question.
00:45:10You came.
00:45:15You called.
00:45:18They told me you had been in prison. Just like me.
00:45:23Not like you.
00:45:26My suffering was nothing compared to yours.
00:45:28Don't say that.
00:45:31Comparing our suffering only compounds it.
00:45:33It pains me to hear of your misfortune.
00:45:36I'm glad that you're free.
00:45:39You were bound here by the laws.
00:45:43I know that you cannot free me.
00:45:47Only he can do that, but perhaps you might inspire him to let me go.
00:45:56I will do all that and more.
00:46:01Dream.
00:46:02He must be punished.
00:46:05How? What punishment could be enough?
00:46:09Even his death would not bring back what he has taken from me.
00:46:13He's nothing.
00:46:15He's just a man.
00:46:17I cannot allow him to go free.
00:46:19Why?
00:46:20Because I was once yours.
00:46:23Because he heard you.
00:46:28The last time I saw you, you said you would never speak to me again.
00:46:32I'm sorry.
00:46:34I...
00:46:35I did not know where else to turn.
00:46:39You misunderstand me.
00:46:42When I heard you call to me.
00:46:45Even after all this time.
00:46:54Let me help you.
00:46:58Please.
00:47:00I owe you that much.
00:47:09What will you do to him?
00:47:27What the...
00:47:28Who the fuck are you?
00:47:30Get out of my house.
00:47:32Be quiet.
00:47:34You are keeping a woman here against her will.
00:47:38I have come to request that you set her free.
00:47:42You out of your mind?
00:47:44There's no woman here.
00:47:45I'm calling the police.
00:47:46Do you know who I am?
00:47:47I know precisely who and what you are, Richard Maddock.
00:47:55Are you going to call the police?
00:47:57No.
00:47:58I will not call any human agency.
00:48:02Just let her go.
00:48:03You don't understand.
00:48:04I need her.
00:48:05If I didn't have her, I wouldn't be able to write.
00:48:07I wouldn't have ideas.
00:48:09Look.
00:48:10I have money.
00:48:11Hold your tongue.
00:48:18She has been held captive for more than 60 years.
00:48:24Demeaned.
00:48:25Abused.
00:48:27Defiled.
00:48:28And you will not set her free because you need ideas.
00:48:33Well...
00:48:34If it's ideas you want, then you shall have them.
00:48:38In abundance.
00:49:05Here comes.
00:49:09¿Qué hiciste conmigo?
00:49:13¿Estás dando sueños ahora?
00:49:18¡Dale!
00:49:19No he hecho nada para ti, Richard Maddock.
00:49:24Te conociste Morpheus.
00:49:27Quien los romanos llamaron el Shaper de Form.
00:49:30Él fue a veces mi esposa.
00:49:33Y el padre de mi hijo.
00:49:36No, no, no, no.
00:49:38No, no, no.
00:49:39No, no, no.
00:49:41No, no, no.
00:49:42No, no, no.
00:49:42Pero es demasiado tarde a que no de eso preocupa ahora.
00:49:52Y en la escuridura,
00:49:55pensaba sobre la historia en cada estrellas.
00:50:01En la escuridura,
00:50:02como las flores.
00:50:05Flicke.
00:50:07Fade.
00:50:09En la escuridura.
00:50:11Un saludo.
00:50:24Gracias.
00:50:24Um, any questions?
00:50:28Oh.
00:50:30Ah.
00:50:31Ah, the young woman in the third row.
00:50:37Your work spans so many genres, so many worlds, so many different kinds of characters.
00:50:45May I just ask, where does all that come from?
00:50:49For me, ideas don't come from anywhere.
00:50:57They're all around us, all the time.
00:51:00I could write an entire novel set at...
00:51:06..a book reading.
00:51:08LAUGHTER
00:51:09Where, er, something had happened to the world outside,
00:51:13a holocaust of some kind.
00:51:17But the audience was safe.
00:51:21As long as the author kept reading.
00:51:24Thank you.
00:51:25Or, a story about the fraternity of critics.
00:51:30In reality, a dark brethren linked by profane rites and blood vows.
00:51:37To destroy an author, they sacrifice a child and perform a critical mass.
00:51:47Or a city where the streets are paved with time.
00:51:51A train.
00:51:53Full of silent women.
00:51:55Driven by a blind man.
00:52:07Heads made of light.
00:52:08Sorry.
00:52:12Sorry.
00:52:13A weregoldfish.
00:52:15Who transforms into a wolf at full moon.
00:52:19A man who inherits a library card to the Library of Alexandria.
00:52:25Two old women taking a weasel on holiday.
00:52:36There's a steam note about silence, using the words,
00:52:39dark, ragged, never, screaming, fire, kiss.
00:52:47There's an old man who owns the universe and kept it in a jam jar.
00:52:52A man who falls in love with a paper doll.
00:52:54Mr. Maddock, it's Nora. What's happened to your hands?
00:52:57Oh, my God. I'm just having so many ideas.
00:52:59I didn't have a pen or any paper.
00:53:02I just used my hands.
00:53:08I said I needed the ideas, but they're coming too fast.
00:53:12You need to get him to the hospital.
00:53:14No, please. Go to my house.
00:53:17There is a woman in a room upstairs.
00:53:21She's locked up in there.
00:53:24Tell her that she can go.
00:53:25That I free her.
00:53:27I don't understand.
00:53:29Take my keys, let her out.
00:53:31Make her leave.
00:53:32Make her go away.
00:53:36I signed a book for you once, didn't I?
00:53:41Please.
00:53:44Okay. Okay, I'll go.
00:53:47Make it stop.
00:53:49Tell her I am sorry.
00:53:52Magical and alchemical traditions seen as a cargo cult.
00:53:56We'll meet you at the hospital.
00:53:57The sun setting over the Parthenon.
00:53:59Shark's teeth soup.
00:54:00A nightingale.
00:54:01A rose bush.
00:54:02And a black rubber dog collar.
00:54:21Hello?
00:54:58It's over.
00:55:08Thank you.
00:55:10No has merely answered your call.
00:55:15What will you do now?
00:55:20I think what I must do is to try to make sure that this
00:55:26never happens to anyone else ever again.
00:55:31How?
00:55:31I do not know.
00:55:35By inspiring humanity to want better for themselves
00:55:38y los demás, y los demás,
00:55:41y los demás,
00:55:41y los demás,
00:55:42y los demás,
00:55:43y los demás,
00:55:45y los demás,
00:55:46y los demás.
00:55:53Usted ha cambiado, Oneros.
00:55:56En los días,
00:55:57te hubiera dejado aquí
00:55:57para rotar un cabello.
00:56:04¿Puedo siempre me hate?
00:56:05¿Puedo siempre me?
00:56:07¿Por leaving you?
00:56:10¿Por blaming you for what happened?
00:56:12No.
00:56:16I have learnt
00:56:18much in recent times
00:56:22and...
00:56:23no matter.
00:56:26I do not hate you.
00:56:34I think you should release the mortal now.
00:56:38He has set me free
00:56:40and without forgiveness wounds will never heal.
00:56:42You would forgive him
00:56:44for what he has done?
00:56:45I would not forgive what he has done.
00:56:49But I must forgive the man.
00:56:51Not for him.
00:56:53For me.
00:56:56Will you free him?
00:56:59If that is what you wish...
00:57:01If that is what you wish...
00:57:03it shall be done.
00:57:14I'm back, Mr. Maddock.
00:57:16How are you feeling?
00:57:17I...
00:57:20I don't know anymore.
00:57:22I...
00:57:23keep trying to think.
00:57:26I did what you asked.
00:57:27I went to your place.
00:57:29There was just...
00:57:31a book.
00:57:32There was something she said.
00:57:35The...
00:57:36paper of forms.
00:57:39There was a name.
00:57:40She wrote it down.
00:57:43I...
00:57:45I wish I could remember.
00:57:47It's so hard to...
00:57:50think all of a sudden.
00:57:53Is there anyone I should call?
00:57:55She's gone.
00:58:02And it's all gone with her.
00:58:04The ideas.
00:58:06The stories.
00:58:11They were all hers.
00:58:14Whose?
00:58:15Who are you talking about?
00:58:23I have no...
00:58:25idea.
00:58:32No idea.
00:58:39No idea.
00:58:39May I...
00:58:40visit you...
00:58:41in the dream realm sometime?
00:58:44So that we may...
00:58:45finally talk about our son.
00:58:51And...
00:58:52grieve him...
00:58:53properly?
00:58:56One day.
00:58:57Perhaps, but...
00:59:01I understand.
00:59:03your son.
00:59:18Thank you.
00:59:21I will not forget this.
00:59:25Fare you well.
00:59:31¡Gracias!
00:59:59Amén.
01:00:28Amén.
01:01:03Amén.
01:01:26Amén.
01:01:59Amén.
01:02:28Amén.
01:02:58Amén.
01:03:28Amén.
01:03:56Amén.
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