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Imperfect Women - Season 1 - Episode 01: Eleanor

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00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path, as long as we had each other
00:33to come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:56But that's not what happened.
00:58We were supposed to be the best, and we would have to give you the best.
01:55When was the last time you saw the deceased?
01:57Um, we had dinner last night.
02:00You don't seem sure about that.
02:03No, I am. I'm sorry. I am. I just, um...
02:07It doesn't seem possible that that was yesterday.
02:10You know, everything feels just so different now.
02:19Can I ask how?
02:23What happened? Was she robbed?
02:29Oh, that's not information we can share just now.
02:34We're hoping you can help us.
02:35Yes, however I can. What can I do?
02:39You may have been the last person to talk to your friend before the assailant,
02:42so you can tell us anything that you remember from last night.
02:56Okay, okay, okay, okay, okay. Here we go.
03:06Thank you, thank you, thank you.
03:09I would like to thank my coworkers on the South Asian team for letting me win.
03:16And I have to thank our fearless leader, Eleanor, for the two most rewarding, challenging years of my life.
03:22May I say something?
03:23Of course.
03:24So, these somewhat ridiculous cornhole contests do serve a purpose, and it's not just to bring some joy and levity
03:35to the really difficult but crucial work that all of you are doing all over the world.
03:40These moments also mark passageways.
03:44So, Kumal, we raise our compostable cups to you today because we are so proud of everything that you have
03:52accomplished at Rescue and Relief, and we are even more proud of all the work on your horizon.
03:59To Kumal!
04:01Everyone please eat!
04:02I don't want to waste any food!
04:12Good speech, boss.
04:13What?
04:14I was just, you know, giving you a compliment.
04:16Well, don't do that.
04:19What's up?
04:20Do you have a second to talk?
04:21I don't.
04:22I'm so sorry, I don't.
04:23But maybe we can find some time later?
04:25Yeah.
04:26Yeah?
04:27I'll see you later.
04:28Mm-hmm.
04:28Okay.
04:34Aw.
04:35I'm watching.
04:36Aw.
04:37Wait, do I, do I know?
04:39Yeah.
04:39Do I have to do this?
04:40It's just a tradition.
04:42Yeah.
04:42From college.
04:43Yes.
04:43When we were young, we had that taste.
04:45Elle, help me.
04:46I'm, I do not make the rules.
04:48Happy birthday!
04:49Happy birthday!
04:53Ah!
04:54It's odd.
04:55No.
04:55It's gotten worse.
04:57Yeah.
04:57It's disgusting.
04:58It's really bad.
04:58Okay, honey, how has the day been?
05:00Have you been adequately worshipped?
05:03Absolutely.
05:04Artemis woke up at 6 a.m. to start worshipping me.
05:07What?
05:07By demanding pancakes.
05:09Oh.
05:09No, they were so sweet, the girls.
05:10And Howard had them write me little poems.
05:13That is sweet.
05:13Yeah, I know.
05:14It's kind of cheap.
05:15It's personal.
05:17Oh, Nancy.
05:17She deserves to be showered with gifts.
05:19Excuse me.
05:21Oh.
05:21Potato mini galettes with a tomato confin, paired with champagne.
05:25Compliments of the chef.
05:26Oh, thank you.
05:27Please thank Porco for me.
05:28Will do, Miss Boucher.
05:31Amazing.
05:31They look very nice.
05:33Mm-hmm.
05:33I mean, they're tater tots, right?
05:34No.
05:35They are very fancy, artisanal tater tots.
05:39Okay.
05:40Rude.
05:40I love it when you sleep with chefs.
05:42Oh, how's it going with the co-workers?
05:44That's still...
05:45Yes, we are still connecting here and there.
05:50You know?
05:50Yeah.
05:51It's very casual, though.
05:52Did you know that?
05:53Yes.
05:54Nancy, you good?
05:56What?
05:57Is everything okay?
05:58Yes.
06:00Ladies, I wanted to say...
06:02This is gonna be long, because I have to pee.
06:04No.
06:05No, just checking.
06:05I just wanted to say that I'm so happy to be here with the two people that I love most,
06:10who I feel most loved by in our world.
06:12We do love you.
06:13Oh, sweetheart.
06:13There's an Irish saying.
06:15Oh, God.
06:16Please, no.
06:17I'm just kidding.
06:18Happy birthday, beauty.
06:21All right.
06:22I'll be right back.
06:25We have your table ready, Ms. Fajay.
06:27Oh, fantastic.
06:28We don't have to grab that.
06:31Nancy, what is going on?
06:33Are you okay?
06:34Yeah.
06:35No.
06:36Um...
06:37What's happening?
06:38That guy...
06:39It's still happening.
06:41What?
06:42I thought you were breaking it off.
06:43I tried.
06:44I know.
06:45It's complicated.
06:46What does that mean?
06:48Mary doesn't know.
06:49Can you not say anything?
06:50I...
06:51I don't want to make her upset.
06:54But it's okay for me to be upset.
06:57Well, it's not like you're monogamous.
07:00Nancy, if you were being honest with Robert about what you were doing, that would be fine.
07:06I mean, open marriages are like open kitchens these days.
07:09Everybody's putting them in.
07:10It's not exactly Robert's style.
07:12But this thing that you were doing, it's not liberating you.
07:17It's just making you miserable.
07:19I know.
07:19I know.
07:21I...
07:23It's just when I'm with him, I feel powerless.
07:29Do you remember what you said to me about the difference between love and infatuation?
07:36What did I say?
07:38You said that love fills you up and infatuation depletes you.
07:43Are you sure I said that?
07:44Yes.
07:44That sounds more like Mary.
07:45No, you said it to me about Robert.
07:48The day that he proposed.
07:52Sometimes I think you see my life more clearly than I do.
07:55No.
07:56I just...
07:57Hi.
07:58Hi.
07:59It's beautiful.
08:00Right?
08:01What are we talking about?
08:03Just Eleanor's entanglements.
08:07Well...
08:08Oh!
08:08I was offered cocaine in the bathroom.
08:10What?
08:11I didn't take it, but you know, it's nice to be asked.
08:13You still got it.
08:34Hey.
08:35Eleanor.
08:36It's Robert.
08:37I'm sorry to bother you so late or so early.
08:40It's okay.
08:41What's up?
08:42Well, Nancy didn't come home last night.
08:43She's not answering her phone.
08:45She didn't go home with you after dinner by any chance.
08:49Are you there?
08:51You okay?
08:52Yeah.
08:53Yeah.
08:53I'm sorry.
08:54Are you not alone?
08:55No, no.
08:56Um...
08:57Can you just give me a second?
09:08Okay, so...
09:11Nancy hasn't come home yet?
09:12No.
09:13And I've left half a dozen messages and texts.
09:15There's no response.
09:16Um...
09:16Very concerning.
09:18Yeah, I don't...
09:19I don't know, Robert.
09:20I mean, we ate and then she left.
09:24And she told you she was coming home?
09:28I mean, she didn't say that exactly, but I assumed...
09:34That's it.
09:35I'm calling the police.
09:35No, Robert.
09:37Just don't.
09:37Don't do that.
09:39Okay, so...
09:40But you do know where she is?
09:43Not exactly.
09:45Eleanor, what the hell's going on?
09:49Um...
09:49I'm gonna throw some clothes on and come to you.
09:52That's not necessary.
09:53If you could just tell me...
09:54Robert, stop.
09:55Stop.
09:56Do not call the police until we talk, okay?
09:58Please.
10:00Okay.
10:00Okay.
10:01Okay.
10:02I'm on my way.
10:03Shit.
10:07Hey, Jordan.
10:10Can I take these jeans?
10:12No.
10:13Bill?
10:13Hi.
10:15You are?
10:16We need them already?
10:17Yeah.
10:18But it's fine.
10:20Because I was never here, remember?
10:32I'm taking some shoes.
10:33No.
10:38Oh my God.
10:42.
10:42Oh, how much?
10:50Oh.
10:51Oh, sorry.
10:52Believe me.
10:55GLORIA.
10:57Oh, figure out.
10:58Oh, boy.
11:01I plan yourvad pictogramalрен.
11:01If you don't have Hobby!
11:01I mean, I have to be careful.
11:22So she's done with me, she's leaving, is that what this is?
11:28I don't know what she's thinking, and she hasn't said that, but...
11:33Jesus, come on, you came all the way over here, you might as well just tell me.
11:36She's seeing someone else?
11:40I'm so sorry.
11:48Well, there it is.
11:49I really don't want to be in the middle of all this.
11:54So who is he?
11:56She told me it was over, but you know how Nancy is, right?
11:59Like, sometimes she's very clear, and then another...
12:01Then I need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum, the ballet, hospital, where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night, that's what, her alibi?
12:24No, we had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you, not once.
12:34We all had dinner, and then she left.
12:40Would you like a drink?
12:43I quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:48It was like a year.
12:51I did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary, but...
13:09Don't do that, Robert.
13:11It's not you.
13:12She is unhappy with herself.
13:20Thanks for coming, but I need to get myself together.
13:37Can we ask you to sit, sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's, Nancy's.
13:53How do you know it was her?
13:56A wallet containing her identification was found with the body.
14:00Yeah, well, that...
14:04Where?
14:06In Roseco Park, sir.
14:08Under the Colorado Street Bridge.
14:10There's a lot of way there.
14:11I know the Arroyo.
14:12I've been messing in my life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately, those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry.
14:36I'm sorry.
14:38What did you just say?
14:41We need someone to identify the body.
15:08Yes.
15:10That's her.
15:11It's...
15:15That's a nice name.
15:22Miss Boucher?
15:25Miss Boucher?
15:27I asked how long you and the deceased had known one another?
15:31We've been best friends for 25 years with Mary.
15:36I have to call Mary because she can't read about this.
15:40You told Mr. Hennessey that she was seeing another man?
15:45Yes.
15:46What do you know about him?
15:48Not a lot. His name is David.
15:53They met at work?
15:54At work?
15:55Yes.
15:57Mr. Hennessey tells us she was a homemaker.
15:59Yes.
16:00She does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color?
16:17Age?
16:18Race?
16:19Height?
16:19Weight?
16:20No.
16:21I'm sorry.
16:22I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she did it.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:59Of course.
17:04Thanks.
17:31What's so funny about that?
17:34Hi.
17:35Hey.
17:36Hi.
17:38Hi.
17:38I got a cut on my toe.
17:40It's infected.
17:40Whoa.
17:41I got a cat.
17:42You did?
17:42She started feeding a cat.
17:43It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar.
17:47Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:50You okay?
17:50It is my cat.
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Sweetie, why don't you take me inside for a second?
17:55Yes, I do.
17:55Come on, girls.
17:55Who wants some iPad time?
17:56It's not yours.
17:57Go on.
17:57Ellie and Mommy need some grown-up time.
18:03What is it?
18:07It's Nancy.
18:11What?
18:13Oh, Mary.
18:14What?
18:17She's gone.
18:19What do you mean she's gone?
18:21Mary, she's dead.
18:25Mary, she's good.
18:26What are you?
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42Sue, her face was still perfect.
18:50What the fuck was she doing in the arroyo?
18:53I don't know for sure.
18:56What?
18:56What do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:08Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset.
19:33And so, they must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know.
19:45Maybe a couple of weeks?
19:47My God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was going to end it.
19:53I did not think it was going to be a big deal.
19:54I did not think she...
19:58Okay.
19:59Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well, yeah, but neither have you told me, so...
20:18What did you think?
20:19I was going to be judgmental.
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes.
20:29Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her, and I was.
20:34I am the one who told her that she had to break it off with him,
20:37and so she went to see him, and now she's dead.
20:40Are you blaming yourself?
20:41You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:47Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What's going on?
21:00Um.
21:03Okay.
21:06Um.
21:08Your...
21:09Your...
21:10Nancy was killed last night.
21:13They found her.
21:15Oh, my God.
21:16I'm sorry.
21:17Mom.
21:17Oh, my God.
21:19Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26I'm sorry.
21:29I'm sorry.
21:30I'm okay, sweetheart.
21:32I'm okay.
21:32I'm okay.
21:35I'm okay.
21:36I'm okay.
22:03You look out for me, too.
22:12How could I
22:21Ever forget about you
22:31It's too hard to do
22:48Do they really think this will help?
22:52It might. It might make people care about her.
22:56Oh, come on. Be honest. If all you saw was this highlight reel of her life, don't you think it
23:03would hate?
23:03Hate her? Hate's an ugly word.
23:09It didn't be maybe. That's all I saw.
23:13This wasn't even the real her.
23:16Yeah, it was, Ellie.
23:18It just wasn't the whole her.
23:26Have you seen Cora?
23:29No. Not yet.
23:54I don't even know my mom owned any black clothes.
23:57She used to have this gorgeous black leather jumpsuit that she wore when we went to the club.
24:04I can't picture that at all.
24:06She always wanted to take me shopping. I never let her.
24:10I get that. Mothers and daughters. It's very complicated.
24:15No, but I would roast her for all the shopping she did.
24:19Now I'm like, digging through her clothes, trying to find something to wear to her funeral.
24:27Cora, if this feels like too much, we don't have to do this right now.
24:34I can't feel anything, Ellie.
24:37I think you might be in shock.
24:39Is that what it is? Because I feel like something's wrong with me?
24:43Nothing is wrong with you, okay?
24:47I remember being in this room with your mom when you were just an infant.
24:53And she was holding you in her arms.
24:55And she was so in love with you.
25:00Nothing made her happier than being your mom.
25:05And all I did was push her away.
25:09And it's too late now.
25:15It's okay.
25:17Oh, I'm here.
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad.
25:30Oh, Cora, I...
25:33Okay.
25:34I know that he struggles with his emotions.
25:38But trust me, I have known him since I was barely older than you.
25:42It's not just the emotions.
25:45I don't feel safe with him right now.
25:55I don't need a publicist.
25:57I need them to find out who killed my wife.
26:00It's a crisis firm, Robert.
26:04And Daddy just wants to make the introduction. That's it.
26:08Ultimately, it's your choice.
26:11Have you given any more thought to the idea of a reward?
26:15I hate the idea of a bounty hunt.
26:18I know.
26:18No one wants to put any pressure on you.
26:20But at this point, it's just about controlling the narrative.
26:23Hey.
26:23I mean, we're in...
26:25Oh!
26:26Eleanor!
26:26Didn't know you were here.
26:28Sorry to interrupt.
26:29No, come on in.
26:30You've been such a good friend to be here with the family for this long.
26:38I was just headed to the kitchen.
26:41Does anyone else need a drink?
26:43No, thank you.
26:49Is it cold in here?
26:51My sister's just trying to help.
26:52Oh.
26:53Finish all the alcohol in the house.
26:55Yes, I think she's doing that.
26:59Cora asked me if I would stay with you guys for a while.
27:04Okay.
27:05So, how do you feel about that?
27:07It's not about how I feel.
27:10It's about figuring out what's best for Cora.
27:14If I thank you for everything that you're doing.
27:16Don't do that, please.
27:18Robert.
27:19No, it's something I forget to do.
27:22Or I can be a real asshole like that sometimes.
27:24Just taking everyone around me for granted.
27:28How did Cora seem to you?
27:33Is she scared of me?
27:34She didn't use the word scared exactly.
27:40Yeah, it can't be easy.
27:43Losing her mother, seeing them treat me like a suspect.
27:47They're not calling you a suspect, are they?
27:49That's where this is headed.
27:51You know, I have no alibi.
27:52I was home alone that night until I spoke to you.
27:56Sorry.
27:56I can understand having you around.
28:00Like, make her a little more comfortable right now.
28:04I'm gonna come by as often as I can.
28:07But I, I don't think it's a good idea for me to stay here.
28:11Yeah.
28:12Okay.
28:13Okay.
28:26Good afternoon.
28:27Hey, Mr. Shea.
28:28Oh, Sam, you changed your hair.
28:30I like it.
28:32Hey.
28:32Hi.
28:33We didn't think you'd be coming in yet.
28:35We would have gotten more prepared.
28:36Uh, I'm just coming in to grab a few things.
28:38I didn't want to disrupt the flow.
28:40Hi.
28:40You're the boss.
28:41You can do whatever you want.
28:43I just thought you might want some more time.
28:44Yeah, I don't want to make a big deal of it here at the office.
28:46I am so deeply, deeply sorry for your loss.
28:50I can't even imagine.
28:52There are no words.
28:53No words.
28:54Okay.
28:55You've said it, Olivia.
28:59Thank you for that.
29:02Some detectives were here earlier asking a few questions about the timing of that night.
29:08I told them I was already gone by then, so I couldn't help them.
29:12Yeah, they're just ticking boxes, trying to establish their timeline.
29:16Right.
29:17We will have to postpone the Middle East trip.
29:19Of course.
29:20There's too much going on right now for you to worry about that.
29:22They don't want me to leave town.
29:28If there's anything I need to know, you would tell me, right?
29:34Yes.
29:43Hey.
29:45Hey.
29:47We're trying to reach you.
29:48Yeah, it's not a great time.
29:52You going somewhere?
29:53I mean, you're not like leaving, right?
29:56No, I'm just grabbing stuff in case I have to work from home.
29:59I might maybe go into my friends to help.
30:02Who's helping you?
30:05What?
30:05I said, who's helping you?
30:10This is your loss too.
30:13Okay.
30:15Jordan, I think what would be most helpful right now is your discretion.
30:23Okay?
30:23Yeah, sure.
30:24Okay, thank you.
31:28Are you smoking again?
31:32Yes, it's not a cigarette, it's an emotional crutch.
31:36I don't understand why we had to have this memorial so quickly.
31:39Because Robert wanted to get it over with, I think.
31:44Here they come.
31:45Will you just hold this one?
31:46What?
31:46Please, please, please.
31:47Hold it.
31:47Hold it.
31:48Hey guys.
31:50Aunt Ellie, you're smoking?
31:54It's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
31:59Well, we'll save two seats for you.
32:07Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:13Oh, well, Robert's family planned this, so there's not going to be a lot of grief.
32:18We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding, it's a funeral.
32:39Actually, it's a memorial, because there's no body.
32:43We don't believe in shielding them from grief.
32:45Yes, I heard.
32:49Am I crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:55We had the paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:02You just smashed up her roses and...
33:05Yes.
33:06Of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:12Of course.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find childcare on such short notice.
33:47No.
33:50No.
33:51No.
33:52You're up.
33:52No.
33:54No.
33:54No.
33:55You're up.
33:55No.
34:14No.
34:14No.
34:32No.
34:32No.
34:32No.
34:32No.
34:32No.
34:32climbs in starry skies and all that's best of dark and bright meet in her
34:38aspect and her eyes thus mellowed to that tender light which heaven to gaudy
34:51day denies one shade the more one ray the less
35:07it was lovely don't get me wrong it just wasn't her yeah yeah well kit runs a tight ship you
35:15know
35:15she made me send her that byron poem for approval and then she told me no jokes no tears yeah
35:23did
35:24you see that guy in the denim jacket at the church yesterday no i don't think i saw him why
35:34you don't think anybody from nancy's family would have come right no ellie they wouldn't have dared
35:42right
35:45hey so um well howard had this thought was a favor really to ask okay we wanted to know if
35:54it was
35:55possible maybe marcus could volunteer with you because we thought if he saw some real suffering
36:00in the world he could maybe get some perspective and then yes yes yes yes i will find something
36:06for him if he's willing thank you so much ellie that is very generous
36:16there he is no fucking way that's the guy yeah that's what they're saying
36:28how would i know him
36:31why did you ask me that i'm sorry i shouldn't assume no i have never met this person
36:39mom's listed on his website as one of his patrons you know she supported artists
36:45he is a painter dh boyat also known as david
36:50there's chit right on cue do you think this is the guy i think we need to be very careful
36:57to not rush to judgment let's let them talk to him oh my god
37:10what ellie
37:15oh shit oh dh boyat she just put this one up didn't she right before she died that's him
37:22is that mom
37:30hey hey robert dad what are you doing
37:33what are you doing
37:54can we talk about this inside i just want you to take a beat i want you to take a
38:02breath
38:05oh my god robert please please stop it i always wanted to be all mine but she never was
38:12there was always a piece of her that wouldn't be and i always fucking knew it
38:16robert i think that they have people watching
38:18fuck i understand that you're angry you need to calm down
38:22hey don't tell me how i should feel
38:27jesus christ eleanor you don't know everything all right
38:30she's my fucking wife
38:46does he have an alibi david
38:49yeah the guy she was sleeping with
38:52kind of he was maybe at this art event of some sort but he left early honestly they don't
38:58have a lot of information i just i don't think it's him she only told you his first name we
39:03have
39:03nothing to go on it could absolutely be him
39:06she would have told me if he was black
39:08she hardly told you anything
39:10i know but i am her best and only black friend
39:12this would have come up okay
39:19i gave the police the name david what if it's not the stubby person we still don't know who killed
39:24our best friend
39:29i've never seen robert that angry
39:31oh he he has a temper especially when he drinks
39:37or when he's jealous
39:39no he you know he loved her more than anything
39:43anger isn't the opposite of love
39:45sometimes it's the truest expression of it
39:49you can't see it because robert is your
39:53my what my friend he's your friend
39:57you and robert have
39:58a connection
40:01yes her name is nancy
40:03outside of nancy
40:05and nancy knew it too
40:10what are you saying
40:13you're not the only person she confided in
40:19that's all
40:39oh god
40:40i'm sorry
40:42i'm gonna frighten you
40:43how did you get in here
40:45someone propped up the door
40:47i should have texted
40:48yes
40:51sorry can we
41:08look i um
41:14i owe you an apology
41:16the way that i was behaving and what i said was cruel
41:22she was my wife but uh i know you guys were everything to each other
41:31i'm sorry
41:40i don't think i realized how much i needed to hear that from you
41:45are you gonna tell me why you're so dressed up
41:48this is dressed up to you this is how i leave the house after sundown
41:54where are you going
41:56you know how nancy loves the ballet and how i don't you hate it i don't hate it i just
42:05i find it
42:06what's that french expression it's fucking boring and that's not french my legs don't fit in the seats
42:13what
42:17anyways we're supposed to go to the opening tonight
42:21and
42:23i don't know what to do i'm just banging around in the big empty house alone i can't sleep i'm
42:29just
42:29walking around looking for her but she's not there
42:34so i was thinking that i don't know maybe at the ballet i could you could feel her
42:41with you
42:42yeah
42:46yeah
42:48exactly do you think
42:50that's possible
42:51i don't know what's possible anymore
42:56okay
42:58she's just here
43:02you know we were all just here playing stupid fucking card games and now she's just gone forever
43:10it's like i i can't
43:13it doesn't make any sense
43:16so what why shouldn't i be able to go to a place that she loved so much and and and
43:21feel her
43:24i think you have to try
43:29but will you try with me
43:35you want me to go
43:37yeah
43:39no
43:40why not
43:42uh i can't i just can't i mean the optics
43:46fuck the optics who cares about the optics
43:49i do you should
43:51we can't just get dressed up and have a night out on the town together
43:55i'm sorry
43:59i'm sorry
44:01it was
44:02it was a stupid idea
44:05i'm sorry
44:34i'm sorry
45:36Sometimes I hid it so well, I couldn't even see it myself.
45:49Miss Boucher.
45:51Yeah.
45:52I thought you were worried about the optics.
45:54I was.
45:55But then I remembered that French expression, fuck the optics.
46:01Right.
46:03Shall we?
46:30I hope this isn't inappropriate.
46:32But the boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
46:40I hope this is okay.
46:43I hope this is okay.
47:38Transcription by CastingWords
47:48Transcription by CastingWords
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