00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Or
02:50No
02:50No
02:50No
02:50No
02:50No
02:50No
02:51No
02:52No
05:44There's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday and especially Tom after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it.
06:20Just tell me what happened, please.
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old.
06:37He lived in one of the camps where things were already hard, but that night it got even worse.
06:43His mom went into labor alone in the middle of the night.
06:47She was very sick.
06:48Had no one to help her.
06:49So Malik ran for four miles all the way to where the SOS team was staying and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children.
07:38No one knew who had survived.
07:42And Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:07We all have our breaking point, and that was Tom's.
08:11At least, I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor.
08:16We tried to give him support.
08:18But something in him had shifted.
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I...
08:41I...
08:42You didn't know any of this?
08:45No.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets on your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:51I'll see you next time.
10:29I'll see you next time.
10:54I'll see you next time.
11:18I'll see you next time.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they run away to the sea with their buddies.
12:16And here's what I'm going to do.
12:28And here's what I'm going to do.
12:39And here's what I'm going to do.
12:45Oh, my God.
12:46Oh, my God.
12:46Keep look out.
12:48Keep look out.
12:50I'll see you next time.
12:52I'm going to do a little bit.
13:05I'm going to do a little bit.
13:52Oh, my God.
13:58Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:12Alice?
14:15Tati?
14:33So it's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a mitra.
14:51A dog of a mitra.
15:10I came as soon as I could.
15:12Hey.
15:15Um, yeah. I spoke to Jordan. You will, right? Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alex, there is no easy way to say this.
15:35You know, um, I met her, actually.
15:40That, that woman that you're, were, were they, are they?
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:07So, what happens now?
16:12My God is he will show up somewhere, or makes contact with someone in the next 48 hours, and then
16:18you both need to decide what happens next.
16:23If I were you, I would go to R, go to R, go to R, there's no need to hang
16:28around him, I must say.
16:30If he turns up, he'd be the first one to know.
16:33Okay?
16:33All right?
16:35Great.
16:37Addis, um, uh, I wish I had better news. I'm sorry.
16:41No, it's okay. You've been very kind to me. Thank you.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
17:04Mm hmm.
17:06I know the truth.
17:10Mm.
18:42Hi.
18:43Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57Oh, really?
20:00Come on, Jeff.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepeteans.
20:15What's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:21Cool.
20:22Did you say the Nepeteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I want to hear.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
20:37Rock-cut architecture.
20:38When it was annexed by the Romans, it fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:02Very.
21:35He's coming back.
21:37He's coming back.
21:47He's coming back.
22:11He's coming back.
23:59Excuse me?
24:00Excuse me.
24:02Excuse me.
24:04I need help.
24:06Please.
24:12Hello.
24:13Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:15Maurice?
24:16Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal.
24:26Do you have an address or a number or something?
24:28Oh, I'm afraid I can't give his address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell...
24:37Yeah.
24:37Okay.
24:38I'm sorry.
24:38When was that?
24:39I can't just give out his address, you understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02What's that?
25:03Oh, wait.
25:06She said she was in the house of Maurice.
25:13Sorry.
25:17I'm sorry about my calling.
25:18Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Yeah.
25:25Yeah.
25:26Bye-bye.
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ? Je t'ai perdu, c'est quoi le bordel ?
26:38Viens là , pourquoi tu veux pas me parler ? Je te promets que t'en viras jamais comme la mienne.
26:43Alex, 20 minutes. Laisse-moi 20 minutes.
26:4620 minutes ? Comment ça, 20 minutes ? J'ai pas connu pour deux, toi.
26:49Pour deux, c'est le téton gay, ça.
26:50Bah, tu vas me foutre, on va t'éconner.
26:51Passer !
26:52Oh, tu es assiduée ? Tranquille.
27:00Ça va, oh.
27:01Ça va.
27:02Tu vas te blesser là , arrête.
27:04Ça se voit qu'elle en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient plutôt.
27:10Comment vous pas avez confiance ?
27:14Comment on fait maintenant ?
27:19Regarde-moi, Christophan !
27:27Come on, come on, come on.
27:29Come on, come on, come on.
27:31Cassez-vous, I'm calling the police!
27:32Oh!
27:33Oh!
27:34You hear me? You're sour?
27:35Come on, let's go!
27:37Put it in my brain!
27:39What did you say?
27:40You can't speak again once again?
27:42Just like that?
27:43I'm calling you!
27:44I'm calling your mother!
28:04I'm calling you f-a-la-la-la-la!
31:39Let's go.
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:10Here's your mom.
32:15Something has happened, I need to see you right away.
32:19Is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go there, now.
33:17Go there, now.
33:17Go there, now.
33:18Go there, now.
33:32Go there, now.
33:35Go there, now.
33:36Go there, now.
33:38Go there, now.
33:38Go there, now.
33:39Go there, now.
33:40Go there, now.
33:41Go there, now.
33:42Go there, now.
33:42Go there, now.
33:43Go there, now.
33:43Go there, now.
33:43Go there, now.
33:43Go there, now.
33:45Go there, now.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:59you
34:59you
35:00you
35:00you
35:00you
35:00you
35:00you
35:13you
35:14you
35:15you
35:15you
35:15you
35:21you
35:46you
35:56you
35:58you
35:58you
36:18Get in! Now! Quick! Quick!
36:33Are you okay?
36:35Yes. Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh, my God.
36:42Freeze, freeze, slowly.
36:44Oh, my God.
36:45You're safe, please.
36:48It's Durand.
36:49The works at SOS?
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:57Uh, does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To... to know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First...
37:48First...
37:49We need to go somewhere safe.
37:51First.
37:54Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a Bette Noire for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:39Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom?
39:00Yes.
39:06I have reason to believe.
39:09Oh, no.
39:09You are...
39:10You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah.
39:42When did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So, Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh, my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux.
41:13Nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe, la trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:35istice.
41:35Wasau animmé.
41:42C'est direct.
41:44Se, vous avez eu.
41:44Steele Operative Testamentiques.
41:44Duels widow.
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