- il y a 2 jours
woman on the run 1950
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Court métrageTranscription
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00:05:27Tu savais pas beaucoup de Smiley Freeman. Tu sais qui Smiley Freeman est ?
00:05:30Le gangster ?
00:05:31C'est vrai.
00:05:32Gordon était notre witness.
00:05:33Maintenant, tu es.
00:05:35Moi ?
00:05:35Oui.
00:05:36Tu dois trouver le killer.
00:05:38Nous allons faire le reste.
00:05:41Marrié ?
00:05:42En quelque sorte.
00:05:44Qu'est-ce que c'est en quelque sorte ?
00:05:46Tu es ou tu n'es pas ?
00:05:48Oui, je suis.
00:05:49Où est-tu ?
00:05:50Là-bas.
00:05:511.36 à Linda.
00:05:52Apartment 4D.
00:05:53Je prends M. Johnson.
00:05:55Ok.
00:05:56Hey !
00:05:56Don't wake her up !
00:05:58She's not gonna like it.
00:06:00Well, she'll wanna know where you are, won't she ?
00:06:02We're taking you down to headquarters.
00:06:05Headquarters ?
00:06:05What for ?
00:06:09Protective custody.
00:06:10I see what you mean.
00:06:12Now, where were you standing when he shot at you ?
00:06:13Oh, right down there.
00:06:15Show me.
00:06:17Well, I was right down there with the dog when the car drove up.
00:06:20I didn't pay much attention to it.
00:06:22Little bit later, I heard a shot.
00:06:23I looked up just in time to see this fellow, what's-his-name, fall out of the car.
00:06:27Then the killer pumped another shot right into him.
00:06:30My dog barked.
00:06:31He got out of the car, started to shoot at me.
00:06:35I ducked and he drove away.
00:06:37What kind of a car ?
00:06:38I don't know, a light coupe, they all look alike to me.
00:06:42Well, his aim was all right.
00:06:43He was just shooting at the wrong target.
00:06:46He thought your shadow was you.
00:06:53Will you go call Reardon ?
00:06:55Maybe he won't miss next time.
00:06:57There won't be any next time.
00:06:58Yeah, but suppose you don't get a conviction, then what ?
00:07:00Do I have to spend the rest of my life with police protection ?
00:07:03Or wind up on a sidewalk like him ?
00:07:05What are you worried about ? He missed, didn't he ?
00:07:07Stay here a minute.
00:07:08We'll get the rest of the story downtown.
00:07:13I hate to get mixed up in this.
00:07:15Yeah, it's getting so a man has to be careful where he's looking these days.
00:07:19Take it easy.
00:07:20Keep out of here, will you ?
00:07:21Say, I think I dropped my pipe somewhere around here.
00:07:24Is it okay if I look for it ?
00:07:25Remember where you had it last ?
00:07:26Yeah, it was right over here somewhere.
00:07:28What's the matter about it ?
00:07:29Come on, get out of here, will you ?
00:07:40Pick up Smiley Freeman and everybody connected with him.
00:07:42Put him in a line-up, see if Johnson can identify anybody.
00:07:45I want everybody.
00:07:47No excuses, no lawyers.
00:07:48I want everybody.
00:07:49See if he can pick up anything on that car.
00:07:52Somebody may have seen it.
00:07:59Mrs. Johnson, that's not your husband.
00:08:02The man was killed, he saw it happen.
00:08:04He's right over here.
00:08:07Sorry I had to get you out of bed, Mrs. Johnson.
00:08:09But after all, we had to make sure that he had a wife.
00:08:16Where is he ?
00:08:17He took a powder.
00:08:18Sergeant, pick up Johnson.
00:08:19The idiot will get himself a kid.
00:08:20Get down there and cover the park !
00:08:21Just like him, always running away.
00:08:23What do you mean, always running away ?
00:08:25Running away from what ?
00:08:26From everything.
00:08:27Broadcast description.
00:08:28White, male, American.
00:08:30There's a trench coat, soft brown hat.
00:08:32A very ordinary looking fellow, I'm afraid.
00:08:34Yeah.
00:08:35Well, how would you describe your husband, Mrs. Johnson ?
00:08:38I couldn't.
00:08:39I haven't been able to for a long time.
00:08:41May I go now ?
00:08:43Come on, you mutt.
00:08:45Nice dish, huh ?
00:08:46Nice looking dish.
00:08:48I want everything shut off.
00:08:50Bridge controls, road blocks, everything.
00:08:52I'll stick with her.
00:08:53Right.
00:08:56Did you hear the shots fired ?
00:08:57How could I ?
00:08:58I was in bed, sound asleep.
00:09:00Find any pictures of him ?
00:09:01No, but plenty of her.
00:09:02Just some tired snaps of him.
00:09:04They won't do anybody any good.
00:09:06But keep them.
00:09:10He needs books on psychology.
00:09:13I wonder why.
00:09:14Has he got a problem ?
00:09:16I wouldn't know.
00:09:18Maybe he's confused.
00:09:20Aren't we all ?
00:09:23Pipe smoker.
00:09:24Mmm.
00:09:25What does that mean ?
00:09:26Nothing.
00:09:32Oh, he's got two suits.
00:09:35One of which he's wearing.
00:09:36What does he get what he looks like ?
00:09:37Nobody pays any attention to him anyway.
00:09:40Not even his wife.
00:09:41You're really wasting your time.
00:09:43There must be at least 20,000 men in San Francisco
00:09:45who answer that description.
00:09:47How are you going to find him ?
00:09:48There'd have to be something different about him.
00:09:50Different anyway from other people.
00:09:52There is something different about him.
00:09:53There's something different about everybody.
00:09:54And we're going to dig till we find out what it is.
00:09:57Now you see our problem, Mrs. Johnson.
00:09:59Why won't you help us ?
00:10:00I'm helping.
00:10:00What do you want me to do ?
00:10:01I want you to answer a few questions.
00:10:03Go ahead, ask.
00:10:04Now, where does he generally go when he's not at home ?
00:10:06I haven't the faintest idea.
00:10:07Has he any relatives in this area ?
00:10:09No.
00:10:09Who are his friends ?
00:10:10I don't know his friends.
00:10:11The dog is our only mutual friend.
00:10:13You always go to sleep when he walks the dog ?
00:10:15No, sometimes he goes to sleep and I walk the dog.
00:10:20Say, Inspector.
00:10:21Here are a couple more.
00:10:23Oh, I'm terribly sorry.
00:10:25There's been a mistake.
00:10:26Release these men at once.
00:10:28Keep digging.
00:10:29Okay.
00:10:29Every man between the ages of 35 and 40 who is out tonight
00:10:32is wearing a trench coat and a snap brim felt.
00:10:35All of them 5'11", weighing 170,
00:10:37and all of them scared to answer questions.
00:10:39The domestic situation in this town must be terrible.
00:10:42Yeah.
00:10:43Kitchen.
00:10:44Well, it's got a stove in it.
00:10:53Hey.
00:11:01Don't you eat anything but dog food ?
00:11:03He's not particular and I'm lazy, so we eat out.
00:11:06Where ?
00:11:06Well, let's see.
00:11:07the corner drugstore, the lobster grill at the wharf
00:11:10when we're in that neighborhood,
00:11:12and when we get real fancy, Manlo's Oriental Roof Garden.
00:11:15Those, usually.
00:11:16We're creatures of habit, I'm afraid.
00:11:18Check the Oriental Roof Garden and they'll still be open.
00:11:20Yes, sir.
00:11:20It's 2 o'clock in the morning.
00:11:21How am I gonna explain this at home?
00:11:23What's going on here?
00:11:24I'm sorry.
00:11:25There's been a mistake.
00:11:25He's sorry.
00:11:26What am I gonna tell my wife ?
00:11:27Come on.
00:11:31What did you and your husband quarrel about tonight, Mrs. Johnson ?
00:11:34We don't have to have a reason anymore.
00:11:35Don't you have a decent picture of your husband ?
00:11:38No.
00:11:38He doesn't like to have his picture taken.
00:11:40I don't want any photographs of him floating around that might get in the papers.
00:11:43The killer doesn't know what he looks like.
00:11:45Didn't he see him ?
00:11:45No.
00:11:46He shot at his shadow.
00:11:48Shot ?
00:11:48He shot at Frank ?
00:11:49Twice.
00:11:49Nobody knows that except the killer, your husband and now you.
00:11:52So let's keep it that way.
00:11:53It's important.
00:11:56He's really in danger then.
00:11:58Worried ?
00:11:58I thought you were beyond worrying about him.
00:12:00I didn't say that.
00:12:02If he doesn't give himself up, you're really gonna have something to worry about.
00:12:06We've got to protect him.
00:12:08Like you did the other witness ?
00:12:09Joe Gordon would be alive right now if he hasn't had his lawyer spring him.
00:12:12Hey Mark.
00:12:13Here's a prescription for Frank Johnson.
00:12:16Husband ill ?
00:12:17No, he just likes to take medicine.
00:12:18What are these for ?
00:12:19I don't know.
00:12:20He just likes to take vitamin pills, cold shots, anything.
00:12:27What's up here ?
00:12:28Studio.
00:12:28My husband's an artist.
00:12:30Oh, I thought you said he worked at Hart and Winston's.
00:12:32He does.
00:12:33He's in charge of displays down there.
00:12:35Oh, window trimmer, huh ?
00:12:38Rembrandt, get down.
00:12:39You know you're not allowed up there.
00:12:42Rembrandt ?
00:12:44It's the nearest we could ever get to owning one.
00:12:46Frank's little joke.
00:12:47He found them at sitting on the street corner one night waiting for someone to adopt him.
00:12:51They recognized each other right away.
00:12:59Is this supposed to be you ?
00:13:01Yes.
00:13:02It was a lovely autumn day.
00:13:04The wind was blowing through my hair.
00:13:07It was all very charming, but that was four years ago.
00:13:09That was Frank's Cyprus period.
00:13:11He had four important periods in his painting career.
00:13:15Say, how did you two ever happen to get together in the first place ?
00:13:19I met him at a friend's house in Carmel.
00:13:21He wanted to paint and I was all for it.
00:13:23I had $5,000 and he had $2,000 in talent.
00:13:27So we got married.
00:13:28After Carmel, he became restless.
00:13:30So we went to Taos, New Mexico, where he painted Indians.
00:13:33That's an Indian.
00:13:34Yeah.
00:13:35Then he got tired of Indians.
00:13:37So we went to Bucks County, Pennsylvania, where he painted old Dutch barns with hex signs on them.
00:13:42Say, did he ever do a self-portrait ?
00:13:43He didn't like himself that much.
00:13:48Did he do these in Pennsylvania ?
00:13:50No, we got restless again, so we came to San Francisco.
00:13:54Here he started sketching crummy old characters that hung around wars, missions and gin mills.
00:13:59That was his social protest period.
00:14:01Then our money ran out and he had to take a job.
00:14:03Couldn't sell the stuff, huh ?
00:14:05He wouldn't try to sell it. Didn't think it was good enough.
00:14:07These sketchbooks are filled with great ideas. He never got around to painting.
00:14:10Well, didn't you try to get a job ?
00:14:12Why should I ? That's his responsibility, not mine.
00:14:17Friend to your husband ?
00:14:19No, that's his burlesque period.
00:14:21Now, that I like. It's pretty good.
00:14:23Yes, but it takes more than talent to have a career.
00:14:26You have to have staying power.
00:14:28Frank's a drifter, so when the money ran out, we just drifted.
00:14:31Who's this ?
00:14:32Oh, some dance team over in Chinatown.
00:14:39Know him ?
00:14:40Oh, he's a retired ferry boat captain who does sand sculptures at the beach.
00:14:45Oh, I know who that is. That's Rembrandt.
00:14:49What has all this got to do with finding Frank ?
00:14:51You just answer the questions.
00:14:53That is, if it doesn't hurt.
00:14:54Why should it hurt me ?
00:14:55It's all passed and done with.
00:14:57If you want to snoop into the remains of our marriage, that's up to you.
00:15:03Don't touch that telephone.
00:15:05If that's your husband, find out where he is.
00:15:07But keep on talking.
00:15:25Hello ?
00:15:26Oh, hello, Frank.
00:15:27Trace that call.
00:15:28Helena, there's something I want you to get for.
00:15:30I'm sorry to interrupt, but if I were you, I'd hang up.
00:15:33The police are tracing your call.
00:15:36Hello.
00:15:37Hello.
00:15:38Hey, hang up.
00:15:40Seems to me I heard music.
00:15:41Wasn't that music ?
00:15:44You didn't do your husband a favor, Mrs. Johnson.
00:15:46It's bad enough to be alone in a big city with no place to go.
00:15:49But as soon as the newspapers hit the streets and the killer finds out he didn't get your husband,
00:15:53there'll be guys looking for him with guns.
00:15:55If I had a husband I wanted to get rid of, I'd do exactly what you did.
00:15:59If he wants to run away, that's his business.
00:16:01And your business too, Mrs. Johnson.
00:16:04I'll be seeing you.
00:16:11No wonder the world's full of bachelors.
00:16:16Little more needling's all she needs.
00:16:18Give her plenty of rope, but keep her tail.
00:16:20She wants to get rid of him.
00:16:21Women are curious.
00:16:22Even that dame will go after him.
00:16:24Ah, come on, be a good fellow and let us up, will you?
00:16:25Who's handling the case?
00:16:26Inspector Ferris.
00:16:27Oh, he's a friend of mine.
00:16:28Is that right, Inspector?
00:16:29Sure, we know him well.
00:16:31Hi, Ferris wants to go.
00:16:32No story.
00:16:32How about that Johnson gal?
00:16:34Is she good looking?
00:16:35What about the witness?
00:16:36What witness?
00:16:37Oh, cut it out.
00:16:38Cut it out.
00:16:39It's already gone to press.
00:16:40Did he get a look at the murderer?
00:16:41No.
00:16:42What's his wife like?
00:16:43Any filth?
00:16:44Lay off the tabloid sex stuff like it.
00:16:46I'll give it to all of you in the morning.
00:16:49Hiya, Homer.
00:16:50No favorites.
00:16:59There?
00:17:04Aw.
00:17:10Huh?
00:17:26No.
00:17:28have no idea what to do with the Frau.
00:17:28Sous-titrage MFP.
00:18:24Sous-titrage MFP.
00:18:56Sous-titrage MFP.
00:18:59Must I?
00:19:00Just look straight ahead like you did when you got married.
00:19:04Incidentally, my name's Leggett.
00:19:05Leggett of the graphic.
00:19:06We've got a dandy little sheet, all full of goo and gore and everything.
00:19:09Hey!
00:19:11Bye.
00:19:12Bye.
00:19:14Bye.
00:19:16Bye.
00:19:17Bye.
00:19:24Bye.
00:32:46Il faut que tu ne se déroule pas avant.
00:32:48Je ne me souviens pas.
00:32:52Qu'est-ce que ça ?
00:32:52Comment ça peut-être perdre un petit peu comme ça ?
00:33:47Surprised? Don't be.
00:33:48Ten dollars and an underpaid store clerk can get you anything.
00:33:50Don't you worry about it. I'll put it on my expense account.
00:33:52But how did you know about it?
00:33:54The menu. You shouldn't have left it. It was very careless.
00:33:56I have inquisitive eyes.
00:33:58Do you always open other people's mail?
00:34:00Mm-hmm. Every chance, I guess.
00:34:02Say, did you get a load of the female impersonator they've got following you?
00:34:05No.
00:34:08Well, let's duck her and get down to business.
00:34:10Hey, Mac, turn left on the next street and then right up the alley.
00:34:13Okay.
00:34:28Mean anything to you?
00:34:29Oh, a lot of things.
00:34:30Something to go on?
00:34:31I'm not sure.
00:34:33What does he mean in there about the doctor and the ampules?
00:34:35It's medicine he needs. He has a bad heart.
00:34:38How bad?
00:34:39Bad enough. I just found out.
00:34:41He's got to have these pills and he can't get them anywhere.
00:34:43The police have seen to that.
00:34:45Ah, squeeze play.
00:34:47That Ferris is smart.
00:34:49Will he die?
00:34:50I don't know. I spoke to his doctor.
00:34:53It isn't serious, only under certain conditions.
00:34:55Oh.
00:34:57Yeah, explain.
00:34:59The police will probably read this note, so I can't tell you where I'll be.
00:35:03But if you think back, you'll know where to find me.
00:35:06What am I, a mind reader?
00:35:08Well, it gives you a clue in this next line.
00:35:10I'll be out in the open under the sun in a place like the one where I first lost you.
00:35:15There is no first in things like these.
00:35:17This is kind of obscure. Does he always talk to you like this?
00:35:20No, it's our first murder.
00:35:23Do you know, Mrs. J., your husband's a pretty clever guy at that.
00:35:26No, I don't. You don't think so, but he is.
00:35:28He's testing you.
00:35:29He's asking you to admit that your marriage is a failure and that it's your fault.
00:35:33He's saying that he understands you, but that you don't understand him.
00:35:36Now, listen, Mr. Leggett of the graphic.
00:35:38I've had just about enough of the all-wise male.
00:35:41In the past ten hours, I've met three men.
00:35:44Three men who all put together haven't known Frank for one fraction of the length of time I have.
00:35:49Yet they all know him better than I do.
00:35:51Well, along the way, I found out a few things myself.
00:35:54I found out how Frank Johnson really feels about me.
00:35:57That at the first chance, his first excuse, he took off, ran.
00:36:01That he didn't even think enough of me to confide in me that he was ill.
00:36:04Then at the store, in the faces of those mannequins,
00:36:07I saw what he really sees in me.
00:36:09All right, it's okay if that's the way he feels about it,
00:36:11but if he wants his ampoules, he'll have to come out of hiding and get them.
00:36:17What did you have for breakfast?
00:36:18Cigarette and coffee?
00:36:20Cigarette.
00:36:20I thought so.
00:36:21Take us over to Lancey's on Powell.
00:36:23Lancey's?
00:36:24Okay.
00:36:25This place has the best wobbles in town.
00:36:26Butter in every little square.
00:36:28View's always better on a full tummy.
00:36:32How about another one?
00:36:34Oh, no thanks.
00:36:36Now that I've got you softened up, Mrs. J.,
00:36:38there's something that I have to tell you.
00:36:40You have to find your husband.
00:36:42No, not for the money, I promise.
00:36:43You are my story, but for yourself.
00:36:46He's challenged you.
00:36:47You've got to accept it or admit he's right.
00:36:49I really would like to find him.
00:36:51If only I could decipher the riddle in this letter.
00:36:53Together we can do it.
00:36:54That letter's like drawing a graph.
00:36:57One line is to Tracy's movements from last night.
00:36:59The other leads back into the past.
00:37:01But you have to remember,
00:37:02where they cross,
00:37:03that's where your husband is.
00:37:05You need a manicure.
00:37:07So I do.
00:37:09You know, this is the first time in my life
00:37:10I ever insisted on helping a woman find her husband.
00:37:13That I believe.
00:37:14By the way,
00:37:15what do people call you besides
00:37:17legate of the graphic?
00:37:18Oh.
00:37:20Oh, people that like me
00:37:21call me Danny Boy.
00:37:26Danny Boy.
00:37:32Fisherman's Wharf.
00:37:33Frank used to come here a lot.
00:37:35I remember once he did a watercolor of a boat.
00:37:38A fisherman admired it,
00:37:40so Frank just gave it to him.
00:37:42Not to be outdone,
00:37:43the fisherman gave Frank a big swordfish.
00:37:46I made a remark about the joys of living
00:37:48for the barter system,
00:37:49and we had a bitter quarrel.
00:37:50But it certainly wasn't the first one.
00:37:52Do you think Frank was referring to a quarrel
00:37:55when he said where I first lost you?
00:37:56What else?
00:37:58Another one started up here on Telegraph Hill.
00:38:01Frank did a canvas at the harbor from here
00:38:03that I thought was wonderful.
00:38:04When I told him so,
00:38:06he insinuated that my taste in art
00:38:07ran to calendars.
00:38:09I said my taste was my own,
00:38:11and I wanted the painting.
00:38:12So he gave it to me.
00:38:14But he signed it to Eleanor's husband.
00:38:17Without telling him,
00:38:18I entered it in the contest
00:38:19they were having here at the art gallery.
00:38:20The oil by Eleanor's husband
00:38:23won first prize,
00:38:24$500.
00:38:26But do you think Frank was pleased
00:38:28when he found out?
00:38:29Oh, no.
00:38:30He refused the money
00:38:31and withdrew the painting.
00:38:33Said he wasn't ready yet.
00:38:34Sounds pretty stubborn.
00:38:36Stupidly stubborn.
00:38:38I wonder if he ever really wanted
00:38:39to be successful.
00:38:41Soon after that,
00:38:42he took the job at Hart and Winston's.
00:38:44You know, the only thing we know for sure
00:38:45is that Frank was at the Oriental Gardens
00:38:47last night.
00:38:48Now we're in the neighborhood,
00:38:49let's drop in.
00:38:50Yeah, he sat around the dressing room
00:38:52until we came down
00:38:52to do the one o'clock show.
00:38:54Then he said he was going
00:38:54to make a phone call.
00:38:55Then Frank wrote the letter.
00:38:57He said to get in touch with you,
00:38:58that he was going to send the letter
00:38:59to a store,
00:39:00care of Mr. Mabus.
00:39:01Haven't I seen you someplace before?
00:39:03Shouldn't be surprised.
00:39:04I've been there.
00:39:05But didn't he say
00:39:05what he was going to do
00:39:06or where he might go?
00:39:07I didn't want to pump him.
00:39:09Say, why don't you try Sullivan?
00:39:10Who's Sullivan?
00:39:11He's a grand mick.
00:39:12Runs a bar across the street.
00:39:13Come on, I'll show you.
00:39:14You can go down the back stairs.
00:39:15Now I know where I've seen you before.
00:39:18Last night.
00:39:18Sure, I was in with Mrs. Johnson.
00:39:20No, I mean the picture
00:39:21that Frank drew.
00:39:23Picture?
00:39:25What picture?
00:39:26Of me?
00:39:26Well, it looks something like you.
00:39:28You know how Frank's
00:39:29always drawing pictures.
00:39:30Did he say who this man was?
00:39:32No, no, he didn't.
00:39:33I wonder if I should have
00:39:34told the cops about it.
00:39:36Oh, well, they'll be back.
00:39:37The man that was in said so.
00:39:38Susie, quit yakking.
00:39:40Uh, do you still have the picture?
00:39:42Maybe I could run it in the paper.
00:39:44Yeah, it's upstairs in my dressing room.
00:39:45I better keep it, though.
00:39:47Hey, Leggett, are you sure
00:39:48you want to help find Frank?
00:39:51Say, don't forget that
00:39:52plug in the paper about us.
00:39:53We can sure use it.
00:39:57Okay, take it from the top.
00:39:59I've got to go see our agent.
00:40:19I've heard about this place
00:40:20for years.
00:40:21Never been here before.
00:40:30What do you have, folks?
00:40:31You hungry?
00:40:32Specialty today,
00:40:33corned beef and cabbage.
00:40:34Or egg for you.
00:40:35No food.
00:40:36Genova rocks for the lady
00:40:37in old-fashioned for me.
00:40:38I think I'll call a paper
00:40:39and see if anything's broken.
00:40:40You can get more out of him
00:40:41alone anyway.
00:40:43Say, why don't you wear a hat?
00:40:45I look funny in hats.
00:40:47You know, you're right.
00:40:50What is it?
00:40:55No, I didn't drop a nickel.
00:41:15Yes, Mrs. Johnson.
00:41:16Frank wasn't here last night
00:41:17just before closing time.
00:41:19Did he say where he was going?
00:41:20No, he didn't.
00:41:21Just borrowed ten bucks is all.
00:41:22Maybe I should tell you.
00:41:24There was a couple of fellas
00:41:25in here this morning
00:41:25asking about Frank.
00:41:27Fellas that you couldn't
00:41:28very well say
00:41:29mind your own business to.
00:41:30Is he in some sort of trouble,
00:41:32Mrs. Johnson?
00:41:33Some.
00:41:33He didn't come home last night.
00:41:35They're all alike.
00:41:36I've been looking for mine
00:41:37for three years.
00:41:40I'm glad I finally met you, Mom.
00:41:42I often wondered
00:41:43what kind of a woman
00:41:44Frank was married to.
00:41:45Not that I imagine
00:41:46he was too easy to live with
00:41:47being so quiet and moody
00:41:49and strange at times.
00:41:50For instance,
00:41:51now look at this picture.
00:41:52Look at the date he put on it.
00:41:54Frank painted this for me
00:41:55about six months ago.
00:41:56It was on St. Patrick's Day.
00:41:58But look at the date on it.
00:41:59March 17, 1947.
00:42:02Well, I suppose
00:42:03it's an artist's privilege.
00:42:05March 17th,
00:42:05that's Frank's birthday.
00:42:081947.
00:42:10We spent the day on the beach
00:42:12at Cypress Point.
00:42:13Then we suddenly decided
00:42:14we had to see the sunset
00:42:15from the top of the mark.
00:42:17So we drove to San Francisco.
00:42:18We had a car then.
00:42:20We had champagne cocktails
00:42:21and watched the sunset
00:42:22over the Golden Gate.
00:42:24After all,
00:42:24it was Frank's birthday
00:42:25and St. Patrick's.
00:42:27We had a beautiful dinner
00:42:28at Andre's
00:42:29and Cafe Diablo at Amigos.
00:42:31Then we drove back to Carmel
00:42:32in the softest moonlight
00:42:33I've ever known.
00:42:34Ah, there's nothing
00:42:35like being young and in love.
00:42:37And daft.
00:42:38To boot.
00:42:38What?
00:42:39Daft.
00:42:40To boot.
00:42:41Well, I guess people
00:42:41are entitled to do crazy things
00:42:43on their birthday.
00:42:44This year we didn't.
00:42:46I went to a movie.
00:42:47Frank came down here
00:42:48and painted that picture.
00:42:50Now I know what Frank meant
00:42:52when he said someone
00:42:53should have been
00:42:53in that picture with him.
00:43:15I have a notion
00:43:16if your husband
00:43:16could have seen your face
00:43:17when you were telling him
00:43:18about that birthday party
00:43:19in 1947,
00:43:20he'd have painted you
00:43:21right smack in the middle
00:43:22of that picture
00:43:23with his arms around you.
00:43:24Ah, sorry I was so long.
00:43:26Oh, Mr. Leggett
00:43:27of the graphic, Mr. Sullivan.
00:43:28He's helping me look for Frank.
00:43:30Hi.
00:43:31Freshen up a little, will you?
00:43:32Now hold the garbage.
00:43:33You?
00:43:33No, I'm fine.
00:43:36Get something?
00:43:37Something I hadn't counted on.
00:43:38What?
00:43:39Frank still loves me.
00:43:41That's a big help.
00:43:42I think so.
00:43:43If it'll help any.
00:43:45Frank asked me
00:43:45how early the Army
00:43:46and Navy store is open
00:43:47the windows down
00:43:48on the Embarcadero.
00:43:49No, he's getting smart.
00:43:50He's changed his clothes.
00:43:52What do you say we cover it?
00:43:53Oh, I, uh...
00:43:55I'm sorry I was so rude
00:43:56a moment ago,
00:43:57but it's always discouraging
00:43:58to hear a wife say
00:43:59that her husband loves her.
00:44:00What do you write?
00:44:01Comic strips?
00:44:02Oh, never more serious
00:44:03in my life.
00:44:04What's the damages?
00:44:05Oh, it's on the house.
00:44:06I hope you find him,
00:44:07Mr. Johnson.
00:44:08Thanks.
00:44:09It's no use looking, honey.
00:44:12Once they're gone,
00:44:14they're gone.
00:44:34How did it happen?
00:44:35I was walking along
00:44:36and she almost hit me.
00:44:37She must have fell
00:44:38from the Oriental roof garden
00:44:40up there.
00:44:42Who is she?
00:44:43She's one of the dancers
00:44:44from the show.
00:44:50Maybe a drink, Sammy?
00:44:51That helps sometimes.
00:44:53No thanks.
00:44:55Hi, Sammy.
00:44:56Let him alone, can't you?
00:44:57I just heard about it.
00:44:59I'm sorry.
00:45:00I can't understand it, Inspector.
00:45:03Susie was happy.
00:45:04We were doing great.
00:45:05There was no reason for it.
00:45:07Sometimes we don't know
00:45:08what makes people tick,
00:45:09even the ones closest to us.
00:45:11I just can't believe
00:45:12she killed herself.
00:45:14Well, maybe she didn't.
00:45:15Inspector, how else?
00:45:16Well, it could have been
00:45:17robbery.
00:45:18She might have surprised
00:45:19somebody in the dressing room.
00:45:21Did you check her stuff,
00:45:22see if anything was missing?
00:45:23No.
00:45:24Well, do it now.
00:45:32We've been through
00:45:33almost all of these places
00:45:34and we still haven't
00:45:35found a lead on Frank.
00:46:07Mind if I look at this coat?
00:46:08That's a man's coat.
00:46:10Mind if I look at it?
00:46:11Say dollars.
00:46:13That's Frank's coat.
00:46:14Where did you get it?
00:46:15None of your business.
00:46:16But that's my husband's coat.
00:46:17No, it ain't.
00:46:18It's mine.
00:46:18The fella came in here
00:46:19and traded that coat
00:46:20and four dollars
00:46:21for a pea jacket and a cap.
00:46:22When?
00:46:23When I opened up this morning.
00:46:24Where'd he go?
00:46:24How do I know?
00:46:25I just sell stuff.
00:46:26I don't watch people.
00:46:27Shut the door as you go out.
00:47:09Look.
00:47:15Well, wouldn't you know,
00:47:16there he is,
00:47:17just like nothing had happened.
00:47:29Frank, I beg pardon?
00:47:32Oh, I'm sorry.
00:47:46I never knew there were
00:47:47so many land-going sailors
00:47:48in the world,
00:47:49all of them wearing
00:47:49pea jackets and seamen's caps.
00:47:56Beat, huh?
00:47:59I might as well admit it.
00:48:01I can't remember.
00:48:02No thanks.
00:48:03There's not much sun left
00:48:04to find him under.
00:48:07If you think back,
00:48:08he said in his letter,
00:48:10you'll know where to find me.
00:48:15Danny,
00:48:16maybe if I'm alone
00:48:17I can figure this out.
00:48:18I've got to go home anyway
00:48:20and feed the dog.
00:48:21He's been locked up all day.
00:48:22Oh, sure, sure.
00:48:24I could meet you later someplace.
00:48:26How about picking me up
00:48:27at the corner of Montgomery
00:48:27and Union Streets
00:48:28when you're ready?
00:48:29It's not much out of your way.
00:48:30All right.
00:48:31I'll meet you there in an hour.
00:48:36Uh-oh.
00:48:38Looks like your shadow
00:48:39has finally caught up with you.
00:48:52Are you as tired as I am?
00:48:54I beg your pardon.
00:48:56Come on,
00:48:56there's no need
00:48:57in spending two cab fares.
00:48:58We might as well go together.
00:48:59But, well...
00:49:00Oh, come on,
00:49:00at least you'll have someone
00:49:01to talk to.
00:49:20As a taxpayer,
00:49:21I thank you.
00:49:35Hello, Rembrandt.
00:49:37I'll be with you in a minute.
00:49:38Hi.
00:49:41What, you again?
00:49:42Who let you in?
00:49:43Landlord, do you mind?
00:49:45Oh, no.
00:49:46Make yourself at home.
00:49:47I love having cops move in on me.
00:49:49Where's the letter?
00:49:49Don't pretend you don't know
00:49:50what I'm talking about.
00:49:51I mean, the letter your pal
00:49:52picked up at Hart and Winston's
00:49:53this morning.
00:49:54I want it.
00:49:55Seize all knows all,
00:49:56except where Frank is
00:49:57and who the killer is.
00:49:59Why don't you go back to jail
00:50:00or wherever did you live
00:50:01and leave me alone?
00:50:02Oh, no, the merry-go-round's over.
00:50:04This case is going cold on me
00:50:06and you're the only live thing in it.
00:50:07So from now on,
00:50:08I'm sticking with you.
00:50:09That's just peachy.
00:50:12Oh, I'm bushed.
00:50:13You ought to be.
00:50:14You covered a lot of territory today.
00:50:16My men are bushed, too.
00:50:17You should be more considerate.
00:50:20Can you make anything out of this letter?
00:50:22It's pretty cryptic.
00:50:23Not yet,
00:50:23but I'm working on it.
00:50:25It sounds like a guy in love.
00:50:28You think so?
00:50:29Yeah.
00:50:31I'll be out in the open,
00:50:33under the sun,
00:50:34in a place like the one
00:50:35where I first lost you.
00:50:37That kind of lays it right in your lap.
00:50:40Doesn't it mean anything to you?
00:50:41I wish it did.
00:50:43I'm glad you're not bringing me my medicine.
00:50:45Oh, don't worry.
00:50:46I'll find you.
00:50:47And I'll be right there with you
00:50:49when you do.
00:50:50Where you go,
00:50:51I go.
00:50:56Would you insist upon going with me
00:50:58if I walked the dog?
00:50:59I walked him.
00:51:00Anyway,
00:51:01there's a man out front,
00:51:02one in back
00:51:02and one on the roof.
00:51:04Fine.
00:51:04I'm staying right here, then.
00:51:05So am I.
00:51:06We'll just wait
00:51:06till your husband comes to you
00:51:08or you can't stand the strain any longer
00:51:10and go to him.
00:51:12Look, Mr. Ferris,
00:51:13maybe you were right
00:51:14in some of the things you said.
00:51:16Today, I discovered a lot about Frank.
00:51:18I never knew before.
00:51:19In one day,
00:51:19what you couldn't find out
00:51:20in four years,
00:51:22I guess I was the one
00:51:23that was mixed up.
00:51:24a lot of it's my fault anyway.
00:51:26I haven't been much of a wife.
00:51:28Well, that's quite an admission
00:51:29from you, Mrs. Johnson.
00:51:31Please.
00:51:32You've got to give me a chance
00:51:33to see Frank alone
00:51:34and give him his medicine.
00:51:36Then if he wants to come in
00:51:37and testify,
00:51:37that's up to him.
00:51:38But it's got to be his choice.
00:51:40I won't try to influence him
00:51:42one way or the other.
00:51:43Whatever he does
00:51:43is all right with me.
00:51:44But you've got to let me
00:51:45see him alone first.
00:51:46I believe you,
00:51:47and I'd like to help you,
00:51:48but I'm a cop.
00:51:50If Frank keeps on running,
00:51:51I'll have no witness
00:51:52to say nothing of a job.
00:51:58He's hungry.
00:52:00Couldn't you have fed him too?
00:52:01I couldn't figure out
00:52:02how to work the can opener.
00:52:03Can I use your phone?
00:52:12Hello, Ferris.
00:52:13Anything come in?
00:52:16Keep it going
00:52:16until we get results.
00:52:17I think we're getting warm.
00:52:19You sure of that?
00:52:21Put him on.
00:52:26Let me GO!
00:52:32I'll try it.
00:52:32Let me get a bit
00:52:32for a second
00:52:33with Ariana Laina.
00:52:33What about you?
00:52:38Do it?
00:52:42Do it.
00:52:49It works,
00:52:49and you are nearly
00:52:50I'm not really
00:52:50You know,
00:53:22It's the only thing I can think of
00:53:35Mr. Ferris
00:53:36Yeah
00:53:39I'm worried about Rembrandt
00:53:41He was so hungry and now he won't touch his food
00:53:43That's funny
00:53:46When his nose is so hot
00:53:48Maybe I'd better take him to the vet's
00:53:49I'll take him
00:53:51I like dogs
00:53:53Get your shoes
00:53:58His temperature is normal
00:54:00In fact he seems to be in perfect health
00:54:01But I'm worried about him doctor
00:54:02He won't eat
00:54:03Maybe he isn't hungry
00:54:04Perhaps he should stay here for a few days for observation
00:54:08May I take a look at your exercise yard
00:54:10Oh yes, right out that door across the hall
00:54:12And doctor, see if you can't coax him to eat something
00:54:20Doctor, I wish you'd look at Emelyn
00:54:22I'm not the doctor
00:54:24I'm here for treatment myself
00:54:26I beg your pardon
00:54:27Your wife thinks you ought to leave the dog for observation
00:54:29That woman's not my wife
00:54:42That woman's not my wife
00:54:44Ferris was there when I got back
00:54:46He knew about Frank's letter
00:54:47Well that doesn't surprise me
00:54:48I knew he'd check that
00:54:50Danny, I've been thinking
00:54:51Why did Frank send it to Hart and Winston's?
00:54:53Well, he didn't want it intercepted
00:54:55Why not leave it with Sammy Chung then?
00:54:57Or give it to anybody he knew who'd bring it to me
00:54:58Why Mavis at the store?
00:55:00You mean you think there's a reason?
00:55:02Something you missed?
00:55:03Yes, something I didn't see
00:55:04Something I overlooked
00:55:06Driver, take us to Hart and Winston
00:55:08Okay
00:55:23Weary, bitter, cynical
00:55:32Fresh, eager, and hopeful
00:55:33The two Eleonors
00:55:37Now I remember
00:55:38One day on the beach at Carmel
00:55:40Just after we were married
00:55:41Frank made a mermaid out of sand
00:55:42It was supposed to be me
00:55:43And a big wave came up and washed it away
00:55:45And he said, well, I've lost you
00:55:47And I said, you'll never lose me, Frank
00:55:49I won't let you
00:55:49That's what he meant in the letter
00:55:51It wasn't a quarrel
00:55:51This means something to you?
00:55:53You know where he is?
00:55:54I'll take you there
00:55:55Inspector Ferris wants to see you
00:55:56Why?
00:55:57Look, he wants to see you
00:55:58Where?
00:55:59Lathus
00:56:36I'm sorry to have to ask you to do this, Mrs. Johnson
00:56:39This man was found in an alley
00:56:41Behind a gin mill on the Embarcadero
00:56:43He'd been brutally beaten to death
00:56:45He wasn't wearing a trench coat
00:56:47But he was wearing a seaman's cap and jacket
00:56:50From what I remember of your husband
00:56:52It could be him
00:56:54I'm not sure
00:56:55So I'll have to ask you to make a positive identification
00:57:01I've been wearing a seaman's cap and jacket
00:57:02So and I'll have to ask you to make a dance
00:57:17You don't know
00:57:17You don't know
00:57:18Loose
00:57:18That man is how
00:57:18The image
00:57:18He's been called
00:57:19That man is
01:10:11Mais ces choses me font maladeur !
01:10:15Sous-titrage ST' 501 !
01:10:16La seconde roule est half-faire !
01:10:18Oh, je ne vais pas le faire de cette roule !
01:10:21Allons-y !
01:10:31Allons-y !
01:10:32Allons-y !
01:10:32Allons-y !
01:10:32N'hésitez pas !
01:10:33N'hésitez pas !
01:10:35C'est le plus grand thrill de la vie !
01:10:48Il faut que je ne vienne !
01:10:50Il faut que je ne vienne !
01:10:51Si, quand on arrive, on voit que Frank est là !
01:10:53Oh, il doit être là par maintenant !
01:11:00Je ne vois pas lui !
01:11:19Où est-il ?
01:11:19Je ne sais pas !
01:11:24Où est-il ?
01:11:40Je ne sais pas !
01:11:52Je ne vois pas !
01:11:54Je ne sais pas !
01:11:59Je ne sais pas !
01:12:01Je ne sais pas !
01:12:03Je ne sais pas !
01:17:04Out there on the midwife
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