- 21 hours ago
Igra sudbine - 1767 epizoda NOVO
Category
📺
TVTranscript
00:00.
00:20Hello.
00:22Hello, this is for you.
00:25What is inside?
00:26You don't need to know.
00:27Okay.
00:29Where do you need to bring?
00:31You need to bring to business club.
00:34Right.
00:36You have one thing.
00:37I'm so sorry.
00:39I'm so sorry.
00:41When are you shaking?
00:45Are you shaking me?
00:48Do you want me to talk about this situation?
00:52Nothing is happening.
00:53It's not, mother.
00:54I'm sorry.
00:56I'm sorry.
00:57I'm sorry.
00:59I'm sorry.
00:59I'm sorry.
01:00You're laughing at me.
01:03I'm sorry.
01:07I'm sorry.
01:09I'm sorry.
01:09I love you.
01:10What is this?
01:11Why is this?
01:13The earth is called Nadu.
01:15The Nadu, it is.
01:18I just have to find a solution for that.
01:23You have to find a solution for that.
01:26But you don't go to solarium, friend.
01:29What solarium?
01:30I'll go to solarium.
01:32Then I'll go to solarium.
01:40You'll try to stop thinking.
01:42I don't think it'll be easy.
01:44Did you succeed?
01:46Unfortunately, no.
01:48Why do you think I'll call Nadu to help?
01:51It's not a bad idea.
01:53Nadu came to ask for a vrtić.
01:55She wants to work.
01:57I'll call her.
01:59Let's hear her later.
02:02Diana?
02:04I'm here to tell you to understand your friend
02:06because she's in front of her hand
02:09and she won't be able to go.
02:12And now I don't believe anything.
02:15I'll wait to hear you.
02:17There's a connection with Lengi Velicki.
02:22Why?
02:24And then I'll call her.
02:26I'm trying to find her.
02:28I'm trying to find her.
02:30I'm trying to find her.
02:33I'm trying to find her.
02:35I'm trying to find her.
02:37I'm trying to find her.
02:40I'm trying to find her.
02:41I'm trying to find her.
02:44I'm trying to find her.
02:46Let me go, Rasola!
02:49I'm trying to find her!
02:49In the church, let me go!
02:51Anonymous alcohol agent!
02:52Let me go,ピリッツ!
02:55Let me go, Rasola!
02:57Let me go, I'm going to put my arm on my arm!
02:59Here we go.
03:03Mhm, you've found me, yes?
03:09Good.
03:11Good.
03:14I'll do everything as you said,
03:16and for you, and for Mr. Velibor.
03:20Mr. Velibor?
03:22Yes.
03:24Why are you talking?
03:27What did you know?
03:30Nothing, eh?
03:33I've been asked for anything.
03:38Someone, someone needs something to know.
03:42No one knows anything.
03:45You're a bit nervous, dear.
03:49Something doesn't go well on the job.
03:51Everything goes as it needs.
03:53I'm happy to hear that.
03:54I kod mene je sve konačno spremno.
03:56A zašto?
03:57A za naš susred, naravno.
04:00Do toga neće doći.
04:01Novac ćeš ostaviti iza Šanka u Business Clubu.
04:04Moj saradnik će doći i pokupit će novac, i to je to.
04:07Priča je završena.
04:09Uslovljavanje
04:10jedne ovakve veličine
04:12i nepoštovanje
04:14mene, a u braku
04:15može da ima
04:17i imaće velike posledice
04:19Posledice? A kako to misliš?
04:21Znaš šta misliš?
04:23Za početak spavat ćeš
04:26na kauču
04:27Ja?
04:28Ti? Na kauč, Mido Pjanović
04:30Tako je. Kako?
04:31Pjanović Mido. Pjanović?
04:33I, nao izvinju Pancetović
04:37Stavi tamo
04:38iza šanka da ga niko ne vidi
04:40Dobro. Neko će doći
04:42po njega
04:43Pa čekaj, komarac, neću da upademo nevoljno zbog tebe
04:46Stvarno nema. Ma uzmi kofer
04:48Veruj mi, neće ti faliti
04:50dlaka sa te tvoje ćelove glave
04:52A ti kaže
04:54Bezvirgi, hajde, uzmi, stavi to tamo
04:55i ne pitaj više
05:06Alo, eh
05:07Se odlug mog vrata je u koferu
05:09iza šanka u biznes klubu
05:29Kažu da život piše romane
05:32Kažu da život nije fel
05:38Ponekad pobodi, al često mane
05:42I sve je nežvesno
05:45Osim sudbine
05:52Kao u ljubavi i u ratu
05:56Kuca se nema pravila
06:01Imaš jedan život
06:04Samo jednu šansu
06:06Da postaneš nikom
06:08Jer zvezda
06:10Sve mi rad
06:14Igra sudbine
06:17Kao kolo sreće
06:19Nekoga hoće
06:22Nekoga baš neće
06:24Kao na uletu
06:26Sve se okreće
06:28A mi smo talci
06:33Svoje sudbine
07:01Sve se okreće
07:15The name is Velibor Topić. Do you know anything about it?
07:22I don't know who it is.
07:26Do you read the news? Do you know what happens to you?
07:29I don't know. Is it a known personality?
07:38In the rubric of the Crone Chronicles, it's true.
07:43Topić, I don't know.
07:47I read some of the members about him.
07:50What does he write?
07:54He writes about food.
07:57He writes that it was a very big and important event.
08:02Is it interesting?
08:05There is no one photograph.
08:07That's good for you. It's normal for people like this.
08:10He writes that he left his family.
08:14Okay.
08:15His son and his daughter.
08:17It's weird that someone has a family.
08:20It's not that it's weird.
08:22But it's obvious that this family is hidden.
08:26I think they didn't want or they didn't want to participate in the food.
08:33Do you know why?
08:36No.
08:36No.
08:38No.
08:47No.
08:50No.
08:51No.
08:52No.
09:09No.
09:11That's not enough.
09:12I don't think I knew you knew you were going to call out this.
09:16in the business club in Shanka.
09:18Listen, tell me, where are you from?
09:21That's not important.
09:23What's not important? It's very important.
09:25The only important thing is that the whole amount is here.
09:28Where are you now?
09:29In the business club.
09:31Take a car.
09:32Yes, that car has a number.
09:34Really?
09:35The most important.
09:37Don't worry about the number. Just take a car.
10:00Please, give me a car.
10:02Which car?
10:04A car that I've given you.
10:07How do I give you a car?
10:09Give me a car.
10:11Please, give me a car.
10:12Please, give me a car.
10:13Which car?
10:13A car that I've given you.
10:15Give me a car.
10:16Why don't you give me a car right now?
10:19It's better days. Why do I do it?
10:21Give me a car.
10:27Allow me.
10:31You're going to make more mangoes.
10:33I'm going to start making mangoes.
10:43You're all of them.
10:59Who are you sir?
11:03Others are you, are you who are?
11:04We have some people.
11:05I'm JP Mavenuant.
11:07Alomant.
11:08I am I just listening to the man who tells you.
11:10That You say exactly?
11:11Unis altro name the person?girl.
11:13Unisalted
11:13name the person he tells you. That's on
11:13It's not a coincidence, is it not?
11:15No, it's not a coincidence.
11:17But it's strange that they have a nickname,
11:19and that they are not in trouble.
11:21Okay, maybe you're right,
11:23maybe you're right,
11:24but when you take a look at all other details,
11:27it's not a surprise.
11:29I don't understand what you think.
11:31You've met his brother?
11:32Yes, he was in the visit.
11:35I heard that he was talking about.
11:37Is he his nickname?
11:39I don't know, I don't ask him.
11:41What did you ask?
11:42Okay, there is a good way to understand it.
11:46Listen to Vanja.
11:47You have to get back to contact
11:49with the former employees.
11:51No, it doesn't come up.
11:53Why?
11:54Because there is no need to mix them
11:56in what's going on.
11:58The other thing is doing a good job.
12:00Is that not the most important thing?
12:01It's interesting.
12:05Why did you think so, Vanja?
12:11To make the next step.
12:19If you think about it,
12:21you'll see that you're getting paid for it.
12:22You shouldn't come up with your hands,
12:26you'll get a little bit more.
12:27Then, you'll start to get up with your hands,
12:28and then you'll go to him.
12:29You understand?
12:30Then your hands to get the hands on,
12:33you'll move your hands,
12:34and then you'll get it out of your hands.
12:36and then you put the leg in the stomach.
12:38And now it's very important to shoot,
12:40and now it's always going to shake.
12:41And now, because we don't have to count on the strength,
12:44it's important to be precise.
12:45So, shake, shoot in the plexus.
12:48And then you get out of the air.
12:50You understand?
12:50Yes, not from the strength,
12:53but from the globe.
12:54That's right.
12:55So, you've got to shoot,
12:57and shoot.
12:59Yes, please.
13:01Please, please, please, please.
13:03Please, please, please, please.
13:04Please, please, please, please, please.
13:06You have to try.
13:08Practical?
13:08Yes.
13:11Asija, God will never replace them.
13:15Yes, I think so.
13:16But if I get to that,
13:20I want to be prepared.
13:23What will that be?
13:25What will that be?
13:25What will that be?
13:26What will that be?
13:27I'm doing that,
13:28because I'm going to go on to my training,
13:30and they're really liked it.
13:34It's been nice.
13:35Well, I'm so happy because of you.
13:38But...
13:38And,
13:39I've been there for one reason.
13:45I, I've got to make a decision.
13:53Please,
13:54That's why I decided something very important.
13:58What did you do?
14:11No, I want to get any contact with Vitamira.
14:16What?
14:18He wasn't a good worker.
14:20He was. He just used the situation. He used me sexually.
14:24I don't want to think he can return to my life.
14:26Okay.
14:28You won't have to do that.
14:31You've already done a lot for this company.
14:34Some of you would have told me.
14:35Some of you.
14:37But not the teaser.
14:40I'll stop.
14:42Everything is okay.
14:43I'll finish with Vitamira.
14:45He'll surely tell me everything we need to know.
14:50You can go home, you're free.
14:52Thank you, Gabriel.
14:53No?
14:53What's your name?
15:07No.
15:08No.
15:09No.
15:10No.
15:12No.
15:19I decided that when I finish the school, I will go to the police.
15:25In the police?
15:26Yes.
15:27Where would you go now?
15:29I thought about it and I think it would be great to talk with Vukashir.
15:33Please, Vukashir, what is this?
15:37What is this?
15:39To work in the police?
15:40Yes.
15:41What am I doing?
15:44I like that.
15:45But why?
15:46What is this?
15:47I don't understand what you're doing in the police.
15:49No, nothing.
15:50I just want to take care of myself.
15:57Do you want to say that I don't want to take care of yourself?
16:01I don't have to say that.
16:05Only life showed different.
16:12I don't want to take care of myself.
16:14I don't want to take care of myself.
16:17I don't want to take care of myself.
16:18I don't want to take care of myself.
16:19I don't want to experience your life.
16:19And if something happens, I want to be ready for myself.
16:23And physically and mentally.
16:27I hope you understand me.
16:29Sorry.
16:31Well, I don't want to think about that.
16:32Wait, Mom.
16:32I haven't thought that.
16:40Hey, what are you doing, brother?
16:43Don't ask me anything.
16:45You're crazy.
16:46Leave me here.
16:48How do I speak to you?
16:51You know how.
16:52How? Did you know something about Velibor?
16:55Of Velibor, unfortunately, I didn't.
16:58Nothing.
16:59Nothing new.
17:00The relationship with everyone already knows.
17:02You know, man is dead, but he is dead.
17:04There is no one here. God knows what to know.
17:06The situation is quite unpleasant.
17:08In which sense?
17:10I can't do that via the phone.
17:12How do we go?
17:14We have to see each other and see each other.
17:18Okay. Then we will do that.
17:46So, this is done.
17:49Is there a difference in any other?
17:49I must have no idea.
17:51What does it mean?
17:52I gave up the money.
17:53And?
17:56They didn't know or appeared.
17:58Wait, wait, wait.
17:59Is everything done?
18:02I don't know.
18:04The attorney gave up the money,
18:07that's why I was engaged,
18:08but he didn't have it before.
18:10Do you think something happened?
18:12I don't know.
18:13Is it a money?
18:15I don't know, Biljana.
18:17You can understand.
18:18I don't know if someone's angry,
18:19what is this?
18:21I have to ask you something.
18:37Are you ready for the time?
18:40Yes, yes.
18:44All the single ladies.
18:45Yes, she lives in Biljana.
18:48She lives in Biljana Ožegović.
18:49Yes, she lives there.
18:53My professor Kaptevanja.
18:55Boga Ožegović.
18:58She lives in Biljana Ožegović.
19:01You understand?
19:02I understand, I understand.
19:04Bebice,
19:06you really don't need to be in love.
19:08I'll quickly get back.
19:09When the time is finished, I'll go.
19:11Okay, take this one.
19:12Okay.
19:13No, you don't like that with your hands.
19:15You can see that I'm going to take a hand.
19:17You need to take a hand.
19:19Take a hand.
19:20Take a hand.
19:21Take a hand.
19:22Take a hand.
19:22Take a hand.
19:23Take a hand.
19:25Take a hand.
19:26Take a hand.
19:29Take a hand.
19:34Take a hand.
19:34All the single ladies.
19:36All the single ladies.
19:39All the single ladies.
19:41All the single ladies.
19:43All the single ladies.
19:43All the single ladies.
19:44Odlično.
19:45Može.
19:46Odlične su.
19:47Stavi ih sad na ruku.
19:49Dobro.
19:50Stavljam.
19:53Jedna.
19:56One.
19:58One.
19:59One.
20:00Eto.
20:01Now hold the letter.
20:03Okay.
20:03And you'll put the letter in the back.
20:07What do we do?
20:19Let's say.
20:20What do you want to ask?
20:23What do you want to ask?
20:23How do you know that they won't be able to give you that money?
20:30I don't know.
20:31That's why I hired him.
20:33He needed to give you money.
20:35And that we know that we have to do it.
20:38I hope you know what you're doing with me.
20:43What do you want to say now?
20:46What do you want to say?
20:46I want to tell you.
20:48That if you don't want to be the same as you thought you would like to fall into the house.
20:54What the house?
20:55The house that you saved yourself yourself.
20:58All the action and all the lies.
20:59Where you are.
21:01You're dead.
21:03You're dead.
21:05I learned it, OK.
21:06I told you about how to hearом, Victor.
21:07Not to blame me for my life.
21:09I don't want to admit that I said something to you.
21:12I didn't think anything wrong. I was thinking about what to do.
21:15That's how you hold yourself.
21:29I'm listening. It's very important to listen to me now.
21:33I'm listening.
21:34It's very important that you don't leave any pressure on that cover.
21:39Okay.
21:40I understand.
21:41I understand.
21:41Then you'll take that cover.
21:43Wait, wait, wait. Relia.
21:44What do you mean?
21:45How do I tell you about it?
21:48What do you say?
21:49What do you say about it?
21:52Tell me that you have an infection in your hand.
21:54I don't want to tell you that I have an infection in your hand.
21:58Okay.
21:59Tell me that you saw that different dancers wear it
22:01and then you'll try that new style.
22:04Like if you have an infection.
22:07Okay.
22:08That's not a bad idea.
22:09Okay.
22:10What do you do with this book?
22:11This book you'll leave somewhere in Viljoz Egović.
22:14But it's very important that no one of you don't see that you're doing it.
22:17You mean I'm going to kill him?
22:19No.
22:19You don't have to kill him.
22:20You have to leave him somewhere.
22:23I know he won't find him immediately,
22:25but he'll find him after some time.
22:28Do you understand?
22:28Wow.
22:29Can you do it?
22:31I can do it.
22:32I can do it.
22:34But by one way, my beautiful girl.
22:46Excuse me, Nati.
22:47Excuse me.
22:48Hello.
22:49Hello.
22:49I'm Nada.
22:50Stella, I'm nice.
22:53I'm my beautiful sister from Crne Gore.
22:56She's not born, but we love her when we are born.
22:58She's nice.
23:00I'm nice.
23:01I'm nice.
23:02I'm really nice with my sister.
23:02I'm really nice with my sister.
23:05Yes.
23:06Stella is really nice.
23:07You'll see.
23:08When you know you'll be able to click on it.
23:11I'm almost done.
23:13I'm almost done.
23:13We need to do something for Lenkin brand.
23:15We need to do something for Lenkin brand.
23:15Oh, great.
23:16Yes.
23:17Where is Lenka?
23:21What happened?
23:23Well, Lenka is...
23:25Lenka is...
23:26...Nestala, Nadu.
23:28How did she do it?
23:30We were together.
23:34Well, it wasn't.
23:36I don't know how it happened.
23:38We were here together.
23:40We ordered some food.
23:42She came to take the food.
23:44And she just didn't go back.
23:46Are you serious?
23:48The most serious.
23:49How is it possible?
23:52It's possible.
23:54And the police?
23:56What are they saying?
23:56Is there some doubt?
23:58No.
23:59No.
24:00My hope is...
24:01We'll be here.
24:02We'll wait for any information.
24:03But now...
24:04We don't know anything.
24:06We didn't know anything.
24:07Oh...
24:08That's why I called you.
24:10Let's go.
24:11Let's go.
24:12Let's go.
24:13Let's go.
24:14Let's go.
24:19Let's go.
24:25The thing is very serious.
24:27We don't have time for your stupidity.
24:29Okay.
24:30From the other day,
24:30To my other days.
24:35You better read the language,
24:36What is the result of it?
24:38What is the result of it?
24:40You have to tell us what is happening.
24:42What is it?
24:47What is it so,
24:49what is it?
24:52What is this?
24:53What is it so far?
24:56What is it so far?
24:57What is it so far?
24:59What is it?
25:00to look at you like the body of a broken door and listen to you.
25:03Do you understand?
25:07Okay.
25:09You were looking for yourself.
25:10Yes, I looked for myself, tell me.
25:13One woman is close to Alekseo Žegović.
25:19In that book,
25:22there is a request for the purchase of Alekseo Žegović.
25:28Do you understand?
25:30Okay.
25:30And when he will pay the huge loan that is required from him,
25:35then you and I will go wherever you want
25:39and you will be able to tell you,
25:40I want this, I will buy you.
25:44Then you say, I want this, I will buy you.
25:47I want all this, I will buy you.
25:50Whatever you want,
25:53it is yours.
25:56It is...
25:58It is...
26:01It is fantastic, my baby!
26:04I knew that you are the best, the best, the best!
26:29All the rich ladies!
26:32All the rich ladies!
26:49All the rich ladies!
26:52All the rich ladies!
26:54All the rich ladies!
26:56All the rich ladies!
27:12All the rich ladies!
27:15That's it, that's my hope.
27:17We are now, Stella and I are ateliel.
27:20Yes.
27:21I hope I hope that everything will be solved soon,
27:24but the fact that now there is no longer.
27:27And the meetings and meetings come every day.
27:30I can't believe how you are.
27:32You can't believe how you are.
27:34Listen, Stella and I are women from marketing.
27:37Don't lie.
27:38We don't know anything about the materials,
27:41about the creation of Halina.
27:42We don't know anything about you.
27:45I know that it is a profession.
27:48I remember that you are doing it.
27:50Yes, I am, but...
27:53Yes, but...
27:54We need help.
27:57We need help.
27:58I know that you are now doing another job.
28:01I heard that you are planning to do it.
28:04Yes, I am planning to do it.
28:06But nothing needs to be changed.
28:08Yes, but to be decided.
28:11We need help, and momentally, to help us.
28:16And we are now going to fire...
28:18To help us...
28:18To help us, like...
28:19To help us.
28:35We need help it in a while.
28:37Yes, we should be prepared.
28:39We need help.
28:39To help us, as we are helped us...
28:41To help us, as we will help us.
28:41I'm doing everything, Olga. Everything that you said.
28:43The scales, the dancing, the tonalities, everything, everything.
28:47Super, super, everything is nice.
28:48Only you don't have to do with it, you know, you can't do your voice.
28:51Don't worry, I'm taking notes on your voice.
28:55Where are you from? I hope you don't start to imitate Dijanu Erski.
29:00No, no, Olga, tell me that I'm ready for my first billboard.
29:05Znate, i onda sam ovako stala kodogledala i spremala se za taj billboard i onda sam vidjela ovde, razumete, ovde
29:14neke kao male, kao neke tačkice, ne znam šta tačno.
29:20I onda sam ja rekla sebi, Ksenija, nemoj da se uzbuđaš, nego odmah na botoks, jer sve ima lek.
29:28Na botoks ruku, to prvi put u životu čuo.
29:31Pa da, zato sad moram da nosim rukavice, znate, da pazim, da ne povredim svoje ruke.
29:37A i Olga, da vam kažem, to su sad nove generacije, svi su tako lepi, ja moram da budem lepa
29:42kao oni.
29:44Dobro, pretpostavljam da znaš šta radiš, okej.
29:48Ništa, ćemo da krenemo sa časom.
29:50Može.
29:51Hajde.
30:06Ljuboj devojke, ja sam stvarno polaskana ovim vašim zahtevom, ali baš te me zatekle.
30:12A vjerujem ti, jedna ne bila i nismo se potpuno pogubile, mislim, ništa od ovoga nije planirano.
30:18Kunem ti se, meni je ovo litsko fali da poludim, ali ja to sebi sad ne mogu da dozvolim, jer
30:23ja teljel sad na meni.
30:25Mislim, ja ne znam što bi radila da mi Steleni je tu sad, stvarno.
30:29Nado, ti si nam jedini spas, da ne kažem nada.
30:32Dobro, dobro, dobro, dobro, dobro.
30:36Dobro, ništa, ajde.
30:38U redu, može.
30:40Pristaješ?
30:40Pristaje.
30:41To, nado, legendo, nado, nado, nado, nado, nado, nado, nado, nado, nado.
30:46Jao, hvala si to, neg, ovo ti neću zaboraviti, hvala.
30:49Nema na čemu da mi se zahvaljaš, stvarno.
30:51Vidim da ste u haosu i sve ćemo to da rešimo.
30:54I onako mi se Aleksa još nije javio sa ovim oko igrovonice, tako da eto, sve nam se poklopilo.
30:59A nije se javio, pa nije, nije, nije.
31:02Nego da se vratim na Lenku, ne mogu to da izbacim iz glave nikako, bože.
31:06Are you trying to give you information to the media?
31:11That they will bring them there?
31:27Tell me, Pile Dekino.
31:30Why does he sing like he's standing on rap?
31:33I don't know, it's a lot of music.
31:38It's really loud.
31:40I have to admit that it's not a strong side.
31:47What's that, Pile Dekino?
31:49Tell me, Pile Dekino, what's going on?
31:52It's possible that you can't be able to stay without listening to the media.
31:59Okay, don't worry about it.
32:01Don't worry about it.
32:07Don't worry about it.
32:11Don't worry about it.
32:12All at home are very serious.
32:14And they say that you've lost the fight.
32:21And that you've forgotten.
32:24That you've lost the fight.
32:25And you've got to ask me.
32:30That's why I didn't want to.
32:33Yes.
32:34What's wrong with you?
32:36I'm going to be a very, very angry.
32:40Well, then Dekin will be hard to find that you won't be angry.
32:46Oh my god, you're a sweet guy.
32:59So, let's alarmise the media?
33:02I don't think that's what happened to me.
33:04We're sitting here and we don't do anything every day.
33:06I mean, we've seen the police, of course,
33:10but from them there's never any information.
33:13Maybe that's the most famous option to the media.
33:17I think that's a great idea.
33:19Yes. Plus, people, I really have a lot of contact with the media.
33:24That's right, you can say it's nice and maybe someone can see it.
33:27The only thing I don't know is how to do it exactly.
33:32Maybe to give us information about the size of the hair,
33:34what is wearing, what is wearing, what is wearing.
33:37Yes, I said, what is wearing that day.
33:40If you have a photo of the day, or maybe from the day,
33:43or from the day.
33:43Great, great, great.
33:45Great idea, great idea.
33:46So, I'll do it.
33:49Wait, wait, wait, wait, wait.
33:50I don't know, are we happy to go to this story?
33:54No, no, no, no, no, no, no, no, no, no, no.
34:09I don't know.
34:10I'm a man, no, no, no, no, no.
34:19I'm a man, no, no, no.
34:32I don't know.
34:33I don't know.
34:35We're all good.
34:36I was happy with you.
34:38What do you do?
34:42You're right teacher.
34:44What am I saying?
34:46I'm an English teacher teacher.
34:49That's it.
34:50It doesn't matter how much you have to do it.
34:53No, no, no, no.
34:55We'll see it next time.
34:57No, no, no.
34:58I just want to tell you, I'm sorry, but I think you're young, beautiful, you don't need to do these
35:03interventions, you know, there's time for that.
35:05Yes, I think I'll do it.
35:08Let's do it.
35:08It was a good job.
35:11See you.
35:30I'm just going to ask if everything is okay.
35:32Yes.
35:33Yes.
35:34Enjoy.
35:42Manja, I didn't call you so much for the evening.
35:46Ah, I'm happy that I heard that.
35:59I'm not sure if you're in the house, you're in the house, you're in the house.
36:02What's happening?
36:04Okay, Biljana, you want to go out and I'll tell you that I'm really...
36:08I'm really...
36:10I'm a bit more than your attitude.
36:12See, we're talking about something.
36:13Please, keep it.
36:15That's right.
36:17You're crazy, you're looking at me.
36:19But you'll see your God one day.
36:33You're crazy, you're crazy, I'm still crazy...
36:35...if you, you're crazy, you're miserable.
36:36Yes, although I'm no longer as a police agent.
36:37Yes, I'm in the house.
36:38Yes, I'm in the house because I'm alone.
36:40Yes, if I'm in the house.
36:40I didn't have to say nothing but no, it's no, no, no, no.
36:43The location is entire.
36:45My great deal is, I know, the information is in the house.
36:46Yes, I know.
36:52You're in the house.
36:52I know that you're in the house.
36:52We've got no peace for the house.
36:53We're in the house.
36:53And I know as a place.
36:53I can't give you the money.
37:03Where is this?
37:16What happened? What happened?
37:17Good news, brother. We got to Alex's house.
37:22Great.
37:23What is it?
37:25Why would it be good?
37:28What happened?
37:30Who will pay the money?
37:31Who will pay the money?
37:32Until this will last.
37:45Everything about my husband,
37:48will be my thing immediately.
37:50Sorry, I really don't have time to stop.
37:59What happened?
37:59Okay, what happened here?
38:18What happened?
38:27What happened?
38:33What happened?
38:34We lost a lot of time.
38:35Okay.
38:37And what would you do?
38:39What would I do?
38:39We will do this.
38:51What?
38:53What happened?
38:54What happened?
38:55What happened?
38:58What happened?
39:00What happened?
39:04I don't know what to do with me.
39:49I don't know what to do with me.
Comments