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00:00:18Thank you all
00:00:49Thank you all
00:01:26Thank you all
00:01:44Thank you all
00:02:17Thank you all
00:02:45Thank you all
00:02:49Oh yes, gladly
00:02:51Oh, how strange
00:02:53But unfortunately it happened that today I came without
00:02:56Yet I could swear I saw you arriving on the motorbike
00:02:59I could swear to it too and so there are two cases
00:03:03Either you need another pair of glasses or I need to stop drinking.
00:03:07Goodbye, Alan
00:03:08Goodbye
00:03:21West
00:03:37Damn
00:03:51Thank you all
00:04:27Wait for me here
00:04:32Watson, have you seen Tops this morning?
00:04:34Yes, he had a three-day long beard
00:05:04Oh, and how do you justify it?
00:05:34Ah, my initials
00:05:39It's another one, and how do you justify it?
00:05:51It's another one, and how do you justify it?
00:06:00I knocked twice
00:06:01I knocked twice
00:06:01And couldn't you knock one more time?
00:06:03Yes sir, but then Sir Benz would have entered before me.
00:06:07Is it here already?
00:06:08I have instructed your secretary to entertain him for a while.
00:06:12It should be here in a minute
00:06:16He's here for the oil deal.
00:06:18And I can't find the Operation Samara dossier
00:06:48And I can't find the Operation Samara dossier
00:06:50I got ripped off for this radio
00:06:53You need to change it to Mr. Tops's.
00:06:58But, eh, in good taste
00:07:02Eh, yes, yes, yes
00:07:25I am North Kuwait Samara
00:07:30Rich, rich oil, get interested
00:07:41Americans and Russians
00:07:43Very interested
00:07:46Grabbing oil
00:07:50Did you understand?
00:07:54Yes, eh
00:07:57Rao also on the move
00:08:01You have to beat the competition to the punch
00:08:04For the Maiella
00:08:07Mister Toto?
00:08:08Yes, sir
00:08:12Yes, sir
00:08:13Tea for two in Sir Turner's study, please
00:08:15Yes, sir
00:08:35Yes
00:08:37Excuse me, sir.
00:08:38But I don't understand so much interest in an insignificant deposit like the one in Samara.
00:08:42When the whole Kuwait area belongs to British Petroleum
00:08:45Nobody
00:08:47Nobody
00:08:48Not even Sheikh Ali El-Busur
00:08:50Who reigns over the tiny statelet
00:08:52He can accurately evaluate the richness of that subsoil
00:08:55Where the oil gushes
00:08:57Just by pressing a finger on the burning sand
00:09:01You see, Samara is a small town in Kuwait.
00:09:05Which a foreign power could exploit to our detriment
00:09:09Yes, but the intelligence service would start against the adversaries with the handicap of the delay
00:09:14The foreign office has already established a connection network from Barcelona to Samara
00:09:19We just need a shrewd, ambitious and unscrupulous agent
00:09:24It's a big problem
00:09:25Why?
00:09:25007 is busy in Russia with love
00:09:28OSS 117 threatens Bangkok
00:09:30Copland is in Tokyo on an Olympic mission
00:09:32There would be agent 001, a person recommended by Lord Snowdon
00:09:36Well, then let's send this 001
00:09:38And we will also do something nice for the princess
00:09:41I had summoned him, in fact, for four o'clock.
00:09:43And I don't understand his delay
00:09:45It's already five o'clock
00:09:46After you
00:09:51Good morning
00:09:52Agent 001
00:09:53If I'm not mistaken, you were supposed to show up at four o'clock.
00:09:56How do you justify yourselves?
00:09:58Sorry for the delay, my motorcycle was stolen
00:10:01I don't think we could do anything to please the princess.
00:10:04What's up?
00:10:06With your permission
00:10:07I wanted to tell Agent 001 that his motorcycle is in the garage.
00:10:11And who put it there?
00:10:13I
00:10:13Knowing your motorcycle I was able to catch the thief
00:10:17Why didn't you arrest him?
00:10:18Yes, sir
00:10:19With your permission
00:10:21I am a humble servant
00:10:22I don't have a license to arrest
00:10:24You could have handed it over to a policeman
00:10:26Yes, sir
00:10:27Sir
00:10:27But with your permission
00:10:29The policeman with his simple club
00:10:31It would have made him look like a joke
00:10:33And because the thief was armed to the teeth
00:10:35But what am I saying to the teeth?
00:10:37From head to toe
00:10:38And modestly
00:10:39Knowing Hugo
00:10:41I was able to disarm him and force the thief to flee.
00:10:45But couldn't you have killed him with his own weapons?
00:10:48Yes, sir
00:10:48But I don't have the license to kill him
00:10:50All right, Toto
00:10:51Serve the time
00:10:52Right away
00:10:53Not on the desk
00:10:54Excuse me
00:10:56Agent 1
00:10:57Please, 001 I have a license to kill
00:10:59Did you have it?
00:11:00An officer who gets his motorcycle stolen
00:11:03It doesn't even deserve a driving license.
00:11:05You mean, sir?
00:11:06That I'm no longer part of the intelligence service?
00:11:09You will be part of the service
00:11:10Like him
00:11:11Intelligence is not for you
00:11:13Sin of these
00:11:17This means we're moving James Bond from Russia.
00:11:21And we will send him to Samara
00:11:23Impossible
00:11:24James Bond absolutely cannot leave Moscow
00:11:26And besides, that's not Samara.
00:11:29Oh, yeah
00:11:30Lira
00:11:31I wanted to point out here
00:11:33Saudi Arabia?
00:11:35Oh, he's distracted
00:11:36But it's the globe's fault
00:11:37It's so sensitive that I just touch it
00:11:39I ask for permission
00:11:40I ask for permission
00:11:42Excuse me
00:11:46Here is Samara
00:11:49Modestly
00:11:49I the Arab countries
00:11:51I have it at my fingertips
00:11:52I did my military service in Libya
00:11:54Ah, with Sir Alexander's troops?
00:11:57Ninth
00:11:57With the Italian army
00:11:58I was in healthcare
00:11:59Corporal
00:12:00I was Corporal Vaseline
00:12:01General Alexander took me prisoner
00:12:04And in fact I've been here for twenty years.
00:12:06I have grown fond of this land
00:12:07I asked the citizens
00:12:09They gave it to me
00:12:09And here I am, a citizen
00:12:10Here we go
00:12:11Here is the man
00:12:12So you are an expert on Arabic things?
00:12:15Arab things, Turkish things, dirty things, clean things
00:12:18In Egypt for example
00:12:19I'm at home
00:12:20Donate the summer season
00:12:22Me in the waters of the Nile
00:12:23I'm taking a sitz bath
00:12:24And are you really sure?
00:12:26Is that Samara?
00:12:27Enzio, andio
00:12:28Just consult any geographical map
00:12:30And you convince yourself
00:12:31Oh, yeah
00:12:32Among the documents I sent you
00:12:34There must be a little map
00:12:35You can certainly do that there.
00:12:36Yes, yes
00:12:37But unfortunately I don't have the dossier at hand.
00:12:39Turn around
00:12:40And look on your table
00:12:42The little map as he says
00:12:43The little map
00:12:44It jumps in your face
00:12:45Under the eyes
00:12:46No
00:12:49Come on
00:12:55Hey, what was I telling you?
00:12:58Yes
00:12:59Would you like to be a secret agent?
00:13:01The secret agent is my greatest aspiration
00:13:03Would you dare go to Kuwait?
00:13:05But immediately, immediately
00:13:07Sir Baines
00:13:07Would you like to entrust them by any chance?
00:13:09Yes
00:13:09It's a dangerous mission
00:13:11Extremely dangerous
00:13:12Danger is my profession
00:13:14I eat badly, danger in my house
00:13:16You may even be forced to kill
00:13:18Give me the license and I'll kill
00:13:20I make a mess
00:13:22So, Sir Turner
00:13:23I propose you nominate Mr. Toto
00:13:26Secret agent with a license to kill
00:13:28What do you think?
00:13:30Agree
00:13:30Agree?
00:13:31Shall we not come back to this again?
00:13:33Deal?
00:13:34Did it go?
00:13:34He's fine
00:13:35In the meantime I'm taking off this jacket
00:13:37Which does nothing but humiliate my intelligence
00:13:40Clear?
00:13:40Well
00:13:41This means Mr. Toto that from now on you will be agent 008
00:13:45Oh no, oh
00:13:46Oh no, oh
00:13:46I can't understand this double zero.
00:13:49How can I not believe it?
00:13:50It is the acronym that very few agents enjoy
00:13:52Do you understand?
00:13:53The double zero gives you the license to kill
00:13:55Oh yeah?
00:13:56Ah, does this mean double zero for you?
00:13:58But for us it means something else.
00:13:59However, it's not enough for me
00:14:01I want one more zero
00:14:02And what's more, it's barred.
00:14:03But the crossed out zero doesn't exist
00:14:05Eh, what does that mean?
00:14:06Are we inventing it now?
00:14:07We are here for this very reason.
00:14:08The extra crossed out zero
00:14:10It also gives me the license to kill.
00:14:12It also gives me license to steal
00:14:13To cheat
00:14:14And I like to do what I want
00:14:15I want to be a man with free hands
00:14:17In short, you're asking me for carte blanche.
00:14:19Blank paper and paper money
00:14:21Because you understand that I can't leave London
00:14:22Without a little road in your pocket
00:14:24Do you hear that, Sir Baines?
00:14:25This man wants to take advantage of the situation
00:14:27I would dare to call him a pirate
00:14:29Oh no eh
00:14:30Let's not offend
00:14:31Oh, if not, I'll put them on right away.
00:14:33Calm
00:14:33Calm down, Mr. Toto.
00:14:35You don't have to be offended by this.
00:14:36After all, the entire British Empire was made by pirates.
00:14:39And to compensate them, the Queen thought it best to name them baronets.
00:14:42Sir Drake
00:14:43Sir Morgan
00:14:44Sir Toto
00:14:45Oh yeah?
00:14:47Well
00:14:48This business of the baronate
00:14:50Do you like it?
00:14:51Yes
00:14:52You will have it
00:14:52So Agent 008, all we have to do is get to work.
00:14:56Yes Sir
00:14:57Mr. Turner
00:14:59So here are the general instructions before moving on to the details.
00:15:03Yes Sir
00:15:03Never let yourself be photographed for any reason
00:15:06No sir
00:15:06Because for a secret agent the camera is like a gun pointed at the back of the neck
00:15:10Yes Sir
00:15:11And be careful with the microphones
00:15:12Which with modern transistors can hide anywhere
00:15:15In short, distrust everything and everyone.
00:15:17Because in an innocent child, in a dull and insignificant woman
00:15:20An enemy spy can be hiding in a weak and defenseless old lady.
00:15:24If I see a paralytic I'll kill him.
00:15:31Did you find my cenesigri?
00:15:33No Mr. Dobbs
00:15:47With written instructions you will have to make them disappear absolutely
00:15:50Do I burn them?
00:15:51In the ash you can read very well
00:15:53So that means I burn them first and then throw the ash in the toilet
00:15:56What if you don't have time to go to the toilet?
00:15:59I'm shitting myself
00:16:01Are the instructions edible?
00:16:03Oh yeah? I've never tried them.
00:16:07Priest
00:16:08Thank you
00:16:12Not bad
00:16:14We'd like some salt
00:16:16Here are the instructions
00:16:17What have we gone crazy about?
00:16:19And who ate this stuff from me?
00:16:20Isn't there a paper version of it?
00:16:22No you just have to read before leaving for Barcelona
00:16:24In Barcelona you will stay at the Ritz Hotel
00:16:27The doorman will give you a ticket for tomorrow's bullfight.
00:16:30At the plassa de Toro on our agent will sit next to you
00:16:32The watchword is cat eats bull
00:16:34The counterword to the old pizzica
00:16:36One moment one moment let's talk one at a time
00:16:38Eh right left right left
00:16:40Who is eating the old woman?
00:16:42The old woman doesn't eat, she's pizzica
00:16:44It's the cat that eats
00:16:46The old one?
00:16:47No the mouse
00:16:49Listen, I don't understand anything anymore.
00:16:50Couldn't this mouse eat the instructions?
00:16:53It's impossible, there's no time to change the password.
00:16:56In two hours I am
00:16:58Please have a seat.
00:16:59Thank you
00:16:59But this is my watch
00:17:01Well because I asked you for a license to steal
00:17:03I'm sending you to jail
00:17:04And I'll send him straight to the airport instead.
00:17:07His plane to Barcelona leaves in an hour.
00:17:09Take this
00:17:14Take this
00:17:28Take this
00:17:30Excuse me, huh?
00:17:45Ole!
00:17:49Ole!
00:17:51Ole!
00:17:52Ole!
00:17:53Ole!
00:17:55Ole!
00:17:56Who is ?
00:18:05Ole!
00:18:07Did you misunderstand?
00:18:09I didn't misunderstand it.
00:18:11The eye? This one? With the clinical eye.
00:18:17And what if he keeps a clinical eye on it?
00:18:19If I told you that the cat ate the mouse, would you answer me?
00:18:23What's right? It would be strange if the mouse ate the cat.
00:18:28What if I said it?
00:18:29The old woman.
00:18:30What ?
00:18:32The old one?
00:18:33Which old lady?
00:18:33The one that ...
00:18:34How it stings!
00:18:35Exact !
00:18:36The answer is correct.
00:18:37We're on the move.
00:18:39Don't talk, for goodness sake.
00:18:41We are full of microphones.
00:18:42But where are these microphones?
00:18:43In front of.
00:18:44On the hips.
00:18:46And I don't make all these moves.
00:18:48You watch the bullfight.
00:18:50What ?
00:18:50You watch the bullfight.
00:18:52What does he say?
00:18:52You watch the bullfight.
00:18:54And if I wanted to look at it.
00:18:55If you'll let me know.
00:18:56You don't talk like that.
00:18:57He doesn't leave his voice.
00:18:58You talk like I do.
00:18:58But how should I speak?
00:18:59With adenoids.
00:19:00What ?
00:19:01With adenoids.
00:19:02I don't have adenoids, is that okay?
00:19:03Let them come.
00:19:04And make him come to me to make her cry.
00:19:05To the couple of our dress.
00:19:06But what are they doing?
00:19:08But who sent her here?
00:19:10How?
00:19:10Who sent it to us?
00:19:11What does he do?
00:19:13This ?
00:19:13What ?
00:19:14The boss?
00:19:15I am zero zero zero sparrato eight.
00:19:18It's a trolleybus.
00:19:19You don't understand anything.
00:19:25Look, look.
00:19:26Look, look.
00:19:27Sorry, but I don't know anything.
00:19:29But of what?
00:19:29The old woman doesn't answer me.
00:19:30But I don't know this old woman.
00:19:31So what if you keep me here talking for three hours?
00:19:33I ?
00:19:43The representative.
00:19:44But give me a break.
00:19:47Go, go.
00:19:49Portuguese.
00:19:50Italian, please.
00:19:51Yes, but Portuguese.
00:19:52Why ?
00:19:53Because they paid for my ticket.
00:19:54But how come I didn't pay for the ticket?
00:19:55I'll even show it.
00:19:56Where is he?
00:19:57Do you see that he doesn't have it?
00:19:58But how come I don't have it?
00:19:59But I have the ticket.
00:20:00Go away!
00:20:01Go away!
00:20:02But of course take your time with her.
00:20:05Portuguese.
00:20:08Pucciaccia.
00:20:16MEOW!
00:20:20I am the cat that eats coconut.
00:20:23It has a lot of taste.
00:20:24And the old one?
00:20:26What about the old woman?
00:20:28Ah!
00:20:29And you don't tell me anything?
00:20:31U says' a very enterprising shadow with the lady herself.
00:20:33No, right now I'm interested in the old ones.
00:20:36In the generado?
00:20:37Ninth.
00:20:38Of course, the secret.
00:20:52Program, sir.
00:20:53I'm interested
00:20:55Comprelo a usted, por favor
00:20:56I'm interested
00:20:57Es muy importante
00:20:59You are, I told him twice, in Spanish, I'm not interested
00:21:02Do you want me to tell you in Italian? I'm not interested.
00:21:05The old lady who pinches sends it to him
00:21:09Yes, by Jove
00:21:30You are, I told him twice, in Spanish, I don't care
00:21:37You are, I told him twice, in Spanish, I don't care
00:21:47I am the cat that eats the mouse
00:21:48The old pizzica
00:21:50Oh, finally, it's decided
00:21:52Put on a sentimental look, pretend to be tender and rest your head on my breast
00:21:56This goes to everyone
00:21:57People are distracted by the bull
00:22:00The boss wants to talk to her
00:22:02All right
00:22:02Here the blonde calls London
00:22:06Here the blonde calls London
00:22:09London online
00:22:10Zero, zero, zero, crossed out, eight
00:22:13He's ready for the boss
00:22:15Listen up
00:22:17Yes, ready
00:22:19Go to the Stapia attraction right away
00:22:21Save yourself Ocino and ask for them Paco
00:22:23Yes, sir
00:22:24Paco will give you a package and instructions
00:22:27Yes, sir
00:22:29Anything else, boss?
00:22:30Nothing else
00:22:31Then I'll go and close
00:22:33The broadcast is over
00:22:35Too bad, I liked it, it's a nice program
00:22:37But do you know that I offer you my heartfelt compliments?
00:22:41She has nice breasts in Transister
00:22:43Japanese?
00:22:44Yes, sir.
00:22:46Sayorara
00:22:47Permit
00:22:55Permit
00:22:55Nikita calls Olga, Nikita calls Olga
00:22:58English people go to the attractions stapias in the barrio Cino
00:23:02Paco will give him a package and instructions
00:23:04I know what I have to do
00:23:05Over and out
00:23:21And excuse me, sir.
00:23:22Can you tell me?
00:23:23Where does Cino de Pago's attraction lie?
00:23:27I don't understand
00:23:28I don't understand
00:23:28As?
00:23:29The attraction of Cino de Pago?
00:23:31To whom in Barcelona
00:23:32You have many that we follow to a package
00:23:34And he told me before
00:23:34It's been wasting my time lately
00:23:36Be patient
00:23:36But look at that
00:23:38To an Italian abroad
00:23:39What must happen to him?
00:23:42Damned bad spy
00:23:43You thought you'd catch me by surprise
00:23:45But I this machine
00:23:47I'll smash it in your head
00:23:48Tea
00:23:48But to split
00:23:49I will fail to photograph
00:23:51And I want to be photographed
00:23:52Understood?
00:23:53Not her
00:23:53I fail to photograph my frau
00:23:55My wife
00:23:56Pouring?
00:23:57Understood?
00:23:58As a reminder
00:23:59Yes
00:24:00But that one there
00:24:02The one mapped by Vanni Zuzzi
00:24:04But you ignore it
00:24:05You forget it
00:24:06The oblivion
00:24:07You kill him
00:24:08If he wants me to kill him
00:24:11So much the license to kill
00:24:12Tu bist verrugt
00:24:14Ganz verrugt
00:24:15Crazy
00:24:15My car breaks
00:24:17But go away
00:24:18Bagpiper
00:24:19But look at that
00:24:30Look what a beautiful pairing!
00:24:32What does he have to do?
00:24:35What did he want from her?
00:24:37That bully?
00:24:38He wanted to take a picture of me at all costs
00:24:40How cheeky!
00:24:41Not only
00:24:42But when I offered him
00:24:44To kill his wife
00:24:45Things that any individual
00:24:46He would have appreciated it very much
00:24:48He was offended
00:24:49Oh yes
00:24:50Already
00:24:52But excuse me
00:24:53We haven't met yet
00:24:54Haven't we already met?
00:24:55Somewhere
00:24:56I do not believe
00:24:57Possible
00:24:58I think we've already met
00:25:00Somewhere
00:25:01No
00:25:01This is impossible
00:25:02Goodbye
00:25:06Nevertheless
00:25:07That connotation
00:25:08It's not new to me
00:25:30Please
00:25:31Please
00:25:31Lordship
00:25:31Where is it?
00:25:33The attraction
00:25:33Of the payment
00:25:34Barium Cino
00:25:35At the attraction
00:25:36It's not this barium pias Cino
00:25:37Precisely
00:25:39It's a little difficult
00:25:39Go to the station
00:25:40Of the cable car
00:25:41And then I take
00:25:42A little taxi
00:25:54For the attraction
00:26:02For the attraction
00:26:06For the attraction
00:26:35For the attraction
00:26:48For the attraction
00:26:49For the attraction
00:26:50For the attraction
00:27:04Thank you all.
00:27:33Thank you all.
00:28:05Thank you all.
00:28:39Thank you all.
00:28:53There's no need to worry.
00:28:54He will be the one to show up at the only hotel in town where you will be staying.
00:28:58The watchword is always the same.
00:29:00The counterword.
00:29:01The cat eats alone.
00:29:02What's up?
00:29:03You never know.
00:29:06Don't talk about me too much, you have to talk little.
00:29:08What am I saying?
00:29:08Nothing!
00:29:09Especially in Arabia.
00:29:11But there are ears everywhere that listen to you, eyes everywhere that scrutinize you.
00:29:14Even an agent who undertakes important undertakings like this must explain himself in just a few words, telegraphically.
00:29:20Furthermore, a self-respecting agent doesn't drink, doesn't sleep, doesn't eat, doesn't...
00:29:25Nothing.
00:29:26Do you eat?
00:29:26I do.
00:29:26Bad, very bad.
00:29:28No, no, very good.
00:29:29No, no, no.
00:29:30I'm not hungry, you eat.
00:29:31No!
00:29:31You don't have to answer me like that, clearly, right away.
00:29:35Never call a spade a spade, wine a wine, but a spade a wine and vice versa.
00:29:38Understood?
00:29:39Yes.
00:29:39I go to the airport, world on the suitcase, I put the career in my pocket, I go down to the hotel, I open the window and I see
00:29:45sea.
00:29:45I see the sea when it's beautiful, then with a boat I can lay bare the whole desert.
00:29:48He has reached the end of the desert, I ask the station master, to whom I depart the 12.67 train.
00:29:53He tells me the train is leaving, so I tell him, give me half a kilo of bread and a kilo
00:29:56of wine.
00:29:57All right?
00:29:58Perfect!
00:29:59You are the one the interlocutor can trust, let's leave him in doubt.
00:30:04And now let's move on to the suitcase.
00:30:07Here you go, don't touch!
00:30:09This case does not open by pressing the buttons horizontally like normal suitcases, but the other way around.
00:30:16In this way, because the unwary who took possession of it to discover the secrets,
00:30:20If you open it normally, you would be hit by a black, pestilential smoke caused by methylammonium acid.
00:30:26which is located in the safety device.
00:30:28And what is this? A tonic bomb?
00:30:30Almost.
00:30:31So, always remember that you have to open it like this.
00:30:35Yes.
00:30:36A folder containing secret grids and ciphers.
00:30:40A small radio transmitter and receiver disguised as a hairbrush.
00:30:44Paco calls London, Paco calls London.
00:30:46London replies that he's calling Paco.
00:30:48Over and out.
00:30:51Did you hear?
00:30:53Nothing.
00:30:53Me neither.
00:30:54It is guaranteed to work for me.
00:30:56Who for three years feels nothing.
00:30:58Nothing.
00:31:00This sprayer releases beneficial gas.
00:31:03Well.
00:31:04Stopped!
00:31:05Poisonous gas.
00:31:08A gun for every evidence.
00:31:13Here is the charger.
00:31:15Per package.
00:31:17This device releases a 20-centimeter-long knife.
00:31:22Go, go, go.
00:31:23Calm.
00:31:25This, as it looks like a regular cowboy belt, contains 20 pounds of gold.
00:31:30This is the confiscation.
00:31:31Ninth.
00:31:31That amount is only used in case of emergency.
00:31:34Did you understand correctly?
00:31:35And I'm not the one emerging.
00:31:36No.
00:31:37Did you understand?
00:31:38Did you photograph it in your memory?
00:31:40I took a picture of it, but it came out a little blurry.
00:31:42Will you understand?
00:31:42All this stuff.
00:31:43So, open up.
00:31:46Just try.
00:31:46There is no need.
00:31:48Open.
00:31:48I understood everything.
00:31:49I said...
00:31:50But we don't have time.
00:31:51I sent you to Bergoglio.
00:31:53I said open, that's an order.
00:31:54If it's an order, don't apologize.
00:32:06Is anyone coming out?
00:32:07Is it him?
00:32:09No.
00:32:23I understand.
00:32:27New.
00:32:39Excuse me, who is that lady with red hair?
00:32:41I'm sorry, but I don't know her. Is it important?
00:32:43No, but that connotation is not new to me.
00:33:08Here, Olga, are you calling who? Here, Olga, are you calling who?
00:33:13Ivan, Ivan, are you listening?
00:33:33Hey, hey, come on, listen.
00:33:37Da, da, da. Copy that. Over and out.
00:33:50Gentlemen, please, gentlemen, this way.
00:33:53Come, come. Look, look at these fabrics.
00:33:56What colors. Magnificent. It's Fendi.
00:33:59It's Fendi. Please, please, Fendi, come.
00:34:02Look, look at these clothes. Look at these fabrics.
00:34:05Wonderful. Look at those colors. Did you hear that?
00:34:07I know everything. I'll be ready with all our means of elimination.
00:34:11We need to take out the English agent 000 barred 8
00:34:14arriving on the next plane.
00:34:15Oh, very nice, though. It's a bit too expensive.
00:34:18Oh, but for goodness sake.
00:34:26It must be him.
00:34:28Yes, there isn't.
00:34:30Go, go, go.
00:34:31Let the beast come out.
00:34:36Thank you so much, Mr... Mr...
00:34:39The Casser.
00:34:40The Casser.
00:34:41And his exquisite kindness
00:34:42in wanting to offer me this passage.
00:34:44There's only one rate here. How do you do it?
00:34:46I come here quite frequently.
00:34:49Oh, good.
00:34:49And notice by telegraph Mustafa.
00:34:52Mustafa.
00:34:53And who is Mustafa?
00:34:53He is Mustafa.
00:34:55Him?
00:34:56It's cute, huh?
00:34:57He comes to relieve me without fail.
00:35:00Oh, yeah? Leato her.
00:35:01It's nice, I'm from Vignano.
00:35:03This is my first time in these parts.
00:35:05How do I know?
00:35:07But a little warmth, eh?
00:35:09A little warmth.
00:35:10When you think I have to cross the desert to reach Samara,
00:35:14it's hot.
00:35:15Yet I feel the cold on my skin.
00:35:16Do you dare to face the sun's scorch?
00:35:19By force.
00:35:20Is that what you want to do?
00:35:21But then he's a daredevil.
00:35:23No, I'm a secret agent, but...
00:35:25Oh, mind you, Musca, eh?
00:35:27I trust her, I open up because I see that she is a good person.
00:35:31On purpose.
00:35:33Can we trust Mustafa in command?
00:35:37Blindly.
00:35:38By the way it's also...
00:35:40No.
00:35:43It's a bit ugly, though, huh?
00:35:44No, no, no, he's deaf, deaf.
00:35:47Ah, deaf.
00:35:48I understood something else.
00:35:49He is deaf.
00:35:51Boom!
00:35:53He's right, he is really deaf.
00:35:55So, as I was telling you, sir...
00:35:58Mr...
00:35:58Alcassel.
00:35:59Yes, Mr. Alcassel.
00:36:01I'm going to Samara for an oil deal.
00:36:04He won't be able to get there.
00:36:06The sun's anvil did not lose.
00:36:08I have a Bedou friend who knows how to punish the sun's inguinal.
00:36:14With this friend Bedù he might be able to succeed.
00:36:17But the sun does not forgive.
00:36:18First he should acclimatize to the heat.
00:36:21And yes, according to her, I should stay here two or three months to get used to the heat.
00:36:25Ah, I have to beat the competition to the punch.
00:36:28There is a very quick way to acclimatize.
00:36:31Yes.
00:36:31The Turkish bath.
00:36:41Here we are.
00:36:46But what is Via Veneto?
00:36:47Yes, always.
00:36:49There, there is the Turkish bath.
00:36:50I do it very frequently.
00:36:52Can you see it?
00:36:52Yes, but I advise you not to do it anymore.
00:36:55Come, come with me.
00:36:57You'll see that you'll feel fresher afterwards.
00:36:59The bathroom owner has a special system for gradually and promptly accustoming Westerners.
00:37:05Ah, he's a real Turk.
00:37:07Yes, one of those Turks with the red slob just like she wears.
00:37:11He always wears it even when he sleeps.
00:37:13Pure.
00:37:14Ah, this is nice.
00:37:15So are we sure it's an authentic Turkish bath?
00:37:17Oh, sure.
00:37:18Mustafa?
00:37:19Mustafa!
00:37:21Did he come?
00:37:23Yes.
00:37:23How are you?
00:37:24On the ground.
00:37:26But he didn't tell me anything.
00:37:27Take your bags to the hotel.
00:37:29Yes, sir.
00:37:29But excuse me, did you tell me you were deaf and dumb?
00:37:31But it's not as if Mustafa understands words just by moving his lips.
00:37:36Yes.
00:37:36Is that clear?
00:37:36Oh, yeah?
00:37:37I want to try it too.
00:37:41But sonnet!
00:37:42But the sun will shine.
00:37:44Did he swear at me?
00:37:46We don't melt it, it's small, it's a child.
00:37:48And how much is it, friends?
00:37:4852.
00:37:49And it could be my father, right now.
00:37:51I don't know.
00:38:06Mustafa, call Doris.
00:38:08Mustafa, call Doris.
00:38:10Mustafa, call Doris.
00:38:12Salaam.
00:38:17I brought you an important client.
00:38:20I hope you will give him special treatment.
00:38:24Salaam.
00:38:24It's cute, huh?
00:38:26Long live the Orient!
00:38:28But.
00:38:30Please.
00:38:31Thank you.
00:38:32Please.
00:38:32From.
00:38:33Salaam.
00:38:34But where did you take me?
00:38:35At the Turkish bath.
00:38:36But are you sure this is a Turkish bath?
00:38:38Certain.
00:38:39What do you think it is?
00:38:40I think you brought me...
00:38:43Huh?
00:38:44No.
00:38:45They've been closed for a long time.
00:38:47But when did this Merlini travel?
00:38:49Salaam.
00:38:50Thank you.
00:38:54Oh, I mean, is this one staying here?
00:38:56Yes.
00:38:57I'm coming with you.
00:39:00Oh.
00:39:02Salam is her too, you know?
00:39:04Where are you?
00:39:07Yes.
00:39:11Cargo.
00:39:12Did you see that little white man who came in with the keep?
00:39:15Yes, master.
00:39:15You have to strangle him while you bathe.
00:39:17I cannot.
00:39:18Do you dare rebel against my orvi?
00:39:20No, no, master.
00:39:21I'll kill as many as you want.
00:39:23But between bath steam and clothes all in sheets,
00:39:27I can only distinguish shadows.
00:39:29It is true.
00:39:30Then I'll tell you the place it occupies.
00:39:45This little environment is cute.
00:39:47I like it, fresh, airy.
00:39:49For now, yes, but you'll hear when the Turk opens the steam.
00:39:52For the Turk, bathing is like a ceremony.
00:39:54He is the one who opens it for us personally.
00:39:56Oh, I say.
00:39:59Here it comes.
00:40:00The steam?
00:40:00No, Turkish.
00:40:04The Turkish.
00:40:16The Turkish.
00:40:33Get up!
00:40:37You have blue eyes like Marlos
00:40:43You are about on
00:40:45About, casso
00:40:52What beautiful white skin you have
00:40:54Oh, well
00:40:58What a pity
00:41:00To me this Turkish smells like burning
00:41:12An English secret agent is the fifth
00:41:15Go
00:41:16I can't get used to this environment.
00:41:19And then I'm boiling, I'm right next to his river
00:41:22Excuse me, you are already addicted
00:41:24He wants to give me his seat
00:41:26Why not?
00:41:27When it comes to doing a favor for a friend
00:41:30Thank you
00:41:33I'm used to it now
00:41:35Ah, where is it?
00:41:38Oh, a good piracy
00:42:00What resistance he built for us
00:42:02You can even lean on it with your head
00:42:04We lean on it
00:42:06Let's get it together
00:42:06He's a porter
00:42:08No, I want it
00:42:11Who goes there?
00:42:12It's me, the Turk
00:42:13Oh, Turk, what have you got in your head?
00:42:15There is a misunderstanding here
00:42:16Change your path as there is little to do
00:42:18On the contrary, it's all done
00:42:21Agent 000 barred 8
00:42:24Is dead
00:42:25No
00:42:25My nigga choked him
00:42:27But let's not talk nonsense
00:42:29But he didn't notice, did he?
00:42:30He didn't notice it because of the fumes
00:42:32What are we joking about?
00:42:34But did you notice?
00:42:35Eh, he has more patience
00:42:35But who am I talking to?
00:42:37You are speaking to agent 000 barred 8
00:42:41But who strangled that idiot then?
00:42:45Oh God, that dead man was me
00:42:47Help!
00:42:48Fair sea, bastard!
00:42:52Help!
00:42:53Help!
00:42:55Help!
00:42:55Help!
00:42:56Help!
00:42:57Here we delanguage
00:42:58Men of law
00:43:00Help!
00:43:02Where am I taking myself?
00:43:03Where am I taking myself?
00:43:06Do you need help?
00:43:08Yes, I need help
00:43:09I need a dress
00:43:10I'm so sorry, but I don't have any European ones.
00:43:12No, who is European?
00:43:13I need something of any kind
00:43:15I have to disguise myself, disguise myself, mask myself
00:43:17Make myself unrecognizable
00:43:18Why?
00:43:19Because demand is my profession
00:43:21But can I know what your profession is?
00:43:24Me, me alone
00:43:25No, I can't say that.
00:43:26I was saying this once
00:43:27I was losing my skin
00:43:29Okay, whatever you want.
00:43:30The Turk calls Rao
00:43:32Rao, in the sinking
00:43:32Due to a trivial miscalculation
00:43:34Of the late hitman Garco
00:43:36Instead of the English agent
00:43:37The caser was strangled
00:43:39Over and out
00:43:40Forever?
00:43:41Yes, forever
00:44:10You look just like a noble Balisi
00:44:12You stop a lot, Elk White
00:44:14Ninth
00:44:15The time it takes to make a telegram
00:44:18And let me go
00:44:19Do you want to send a telegram?
00:44:20Very good, here it is.
00:44:21Here's paper and pen
00:44:23Thank you
00:44:24Very kind
00:44:25As I see
00:44:26As I can see it is also very well equipped
00:44:27As I can see it is also very well equipped
00:44:42Listen,
00:44:52The post office is far away
00:45:09No, no, no
00:45:11A group of palm trees will lead you
00:45:12In the middle of which is the post office
00:45:14Oh, we finally find this post office
00:45:18Tell me, is there a way to get there?
00:45:21Yes, there is only one and it is a bit inconvenient.
00:45:23The feet
00:45:24At the pedagna
00:45:28Salam
00:45:28Salam
00:45:34Salam
00:45:35Sir Richard Turner
00:45:37Yes, Wellington Street, London
00:45:39Mission too dangerous
00:45:41Omar El Bedou
00:45:42Untraceable, stop
00:45:43If I don't find it today
00:45:44Decline in load
00:45:45I await instructions
00:45:46Agent 000
00:45:48Crossed out 8
00:45:50The letter R
00:45:52And the most recurring
00:46:09Ivan calls Boris
00:46:11Ivan calls Boris
00:46:13Elimination Plan Number 2 at the Telegraph Office
00:46:17Set off the letter R on the typewriter with dynamite
00:46:20Letter R
00:46:21Yes, I understand.
00:46:22Trigger
00:46:39No, no, no, no, no, no.
00:46:56Eduino! Native!
00:46:59Stop!
00:47:04Listen, I've been walking for an hour. Can you tell me where the post office is?
00:47:09Anyone who wants at least an hour's drive is that way.
00:47:13But how did I get from there now? You have to go back, I'm sorry.
00:47:16What did that idiot tell me? Wretched man.
00:47:20Salaam.
00:47:21Yes, yes. Greetings, but deaf.
00:47:38There is no surcharge for suckling camels.
00:47:41I can't read.
00:47:42The letter isn't needed. So, go, go.
00:47:47Olivetti Service. I'm replacing my typewriter. I need to pick it up for cleaning.
00:47:52All right.
00:47:58Where are you going?
00:47:58To make a telegram.
00:47:59It's closed, come back later.
00:48:04Everything is fine.
00:48:05Well, we just have to wait for the black smoke.
00:48:24Salaam.
00:48:25Salaam.
00:48:26Excuse me, I need to send this telegram. Can you tell me how much it will cost?
00:48:31Tresce in line words.
00:48:32But it's expensive. Couldn't there be a reduction?
00:48:34No. And then the text of the telegram must be entirely typed.
00:48:38Can't read?
00:48:41Sorry, I didn't notice.
00:48:43I mean, could this reduction be done, yes or no?
00:48:46But who's talking? A tariff is a tariff.
00:48:48We only give discounts to official bodies.
00:48:50Are you an organ? No.
00:48:51So if you want to streamline your text, shorten it, eliminate unnecessary words, remove adverbs and prepositions; it must be concise, brief, and telegraphic.
00:48:59Aren't we in a telegraph office, are we? All he has to do is hold on to the hub.
00:49:03Thank you.
00:49:04Excuse me, I'm curious. Don't you have a brother in Barcelona named Pago?
00:49:10No. Why?
00:49:11No.
00:49:15As.
00:49:16No.
00:49:20No.
00:49:21As.
00:49:59That's it.
00:50:02Here is the text.
00:50:03IS Chief Wellington 18, London. Very difficult mission, mysterious Bedou. If you don't show up today, I'll decline compensation. Let me know.
00:50:12One pound and 18 cents.
00:50:14Even small change. But couldn't we round it up, make it a pound and that's it?
00:50:19I told him in advance.
00:50:21As?
00:50:22That I told him in advance.
00:50:23No, no. The prioress didn't tell me anything.
00:50:25But what priors? I told you before that to get the discount you need a very special permit from the Ministry of Telecommunications,
00:50:32released only in very particular and special cases.
00:50:49Have you done something?
00:50:50As per your instructions, I placed three charges of dynamite under the car with the detonator connected to the R.
00:50:54It's not possible. Let's go see.
00:50:56Let's go.
00:50:56Come on, go ahead.
00:50:58Walk.
00:51:00Didn't that little man who just came out send a telegram to London?
00:51:03Yes, yes.
00:51:03He typed it.
00:51:05Of course, you know that telegrams have to be typed?
00:51:07And the draft is still on the table.
00:51:19Giel, did you forget to prime the detonator?
00:51:22No, Ivan. I wasn't wrong this time.
00:51:24I swear I triggered it right on the R key.
00:51:26So why didn't he blow up with the telegram full of Rs?
00:51:29The devil must have been on his side, that damned guy.
00:51:32But on his side, an idiot like you.
00:51:34Hit the R.
00:51:35No, Ivan, I'm scared.
00:51:36What are you afraid of?
00:51:37Knock it on.
00:51:38No.
00:51:38Beat it!
00:51:43Beat.
00:51:48Damn.
00:51:48It's at noon.
00:51:50Give me my oil, it's twelve o'clock.
00:51:52But it will be a question of air.
00:51:54These arabesques, though.
00:52:06Salam, lec.
00:52:07Did they bring suitcases for me in the name of Mr. Totto?
00:52:11Yes, sheriff.
00:52:13What sheriff of Egypt?
00:52:14As a comedian from Forvest.
00:52:16Excuse me, your clothing had deceived me.
00:52:18And don't get me confused and give me the key.
00:52:20Of course, but there's a sheriff there who's been waiting for him for a while.
00:52:22Look.
00:52:26Salam and lecone.
00:52:30Sheriff Omar and Belù have their orders.
00:52:32I don't want any bows or salamalecchi.
00:52:35This is the time to show up, I say.
00:52:38The euro is a rude and ignorant sheriff for Giunta.
00:52:41But me?
00:52:42But I don't know.
00:52:42She was supposed to come and welcome me at the airport, in great pomp.
00:52:46and with all the honors due to my rank, to my class
00:52:49and, why not, to my sex.
00:52:52You are right.
00:52:53You are right?
00:52:53How dare he?
00:52:54How dare you give me yours?
00:52:56That we went to school together a few times?
00:52:58Did we eat together?
00:52:59So what?
00:52:59Me effendi?
00:53:00I wonder what they say in England?
00:53:02He who is offended is a believer.
00:53:03So let's get some rules.
00:53:05Did he give it to himself?
00:53:07Yes.
00:53:07Anyway, I only send yours to people I like.
00:53:11I cordially dislike you.
00:53:14So, let's keep our distance.
00:53:15What do you think?
00:53:16I think so.
00:53:18Well.
00:53:19Does she know?
00:53:19That because of him I had to resign from graphics?
00:53:22But the resignation can be withdrawn.
00:53:24Yes, resignations can be withdrawn.
00:53:27But who's going to give me the money for the telegram?
00:53:29I work healthily, I don't go stealing.
00:53:31How much did you spend?
00:53:32One pound and 16 shillings.
00:53:34Here are two pounds.
00:53:36Do you want to go?
00:53:37One moment.
00:53:38I'd like to go and dress up as a Christian first, right?
00:53:40I would advise you to keep these clothes.
00:53:42They are more suitable for the desert.
00:53:44But at least a rinse, a wash, a freshen up.
00:53:48It's best to leave right away.
00:53:49We still have to choose the camels and the journey is long.
00:53:51How do you want?
00:53:52I am pleased to note that you give me yours.
00:53:54Do you know how it is?
00:53:55Since the journey is long, I tried to shorten the distances.
00:54:00Shall we go, Fendi?
00:54:01Let's go.
00:54:04Little boy, come on!
00:54:07They're gone.
00:54:08Well.
00:54:11Doris calls Cia, Doris calls Cia.
00:54:15English agent eliminated Egyptian, Turkish and Russian competition.
00:54:19Zero zero zero barred eight, is now in the hands of our hitman, posing as Omar Bedu.
00:54:25I'm leaving immediately by helicopter for Samara.
00:54:35Doris calls the CIA, our hitman and English agent have been spotted at this moment.
00:54:54Omar!
00:55:12What's up?
00:55:13Omar, I feel like throwing up.
00:55:17It's normal.
00:55:18Camel riding makes beginners seasick.
00:55:21Oh, yeah?
00:55:22Now I understand.
00:55:23Because they call these beasts the ships of the desert.
00:55:29Don't be afraid, after the first few days the camel pain goes away.
00:55:32You get used to it.
00:55:34Oh, yeah?
00:55:34After the first few days?
00:55:36But then, when do we have to walk again?
00:55:40How many days?
00:55:41For many moons to come, if I didn't get you used to riding a camel.
00:55:44But how?
00:55:44I already feel bad with this trend.
00:55:47And you, try running.
00:55:50Ah!
00:55:52It's mourning!
00:55:53Slow down!
00:55:55Slow down!
00:55:56Slow down!
00:55:57Nauseous!
00:55:58Ah!
00:55:58Did you hurt me?
00:55:59Go!
00:56:00You'll see that by falling so many times you'll learn to run.
00:56:03I hurt my plowshare.
00:56:05Force!
00:56:05It's mourning!
00:56:43Faicià
00:56:44What's up?
00:56:45Is this porridge ready?
00:56:47I'm as hungry as a camel
00:56:48Here, here
00:56:50Here we are
00:56:56Don't be frugal
00:56:58No, no, don't be afraid
00:57:00That's it
00:57:01I put the spoon
00:57:02Come on
00:57:12And what is this crap?
00:57:14Ah, okay, you
00:57:15It might be you, but you eat it all
00:57:34Eh, eh, Magens
00:57:35Ah, Sonia
00:57:37Ah, Sonia
00:58:22Go, blondie!
00:58:29But how? Was my canteen half full of water last night?
00:58:33It's good now. Who drank it?
00:58:35The sun is fennic. Its rays evaporate the water from the canteens.
00:58:41Mine is empty too.
00:58:42Able sun! Thieving sun! Water drier!
00:59:09I'm thirsty! I'm thirsty!
00:59:13Waterfall!
00:59:15Waterfall!
00:59:16Waterfall!
00:59:18Waterfall!
00:59:19Was it you?
00:59:20No.
00:59:21And who was it then?
00:59:22The Erco. We are crossing the Five Echoes Gorge.
00:59:26And where are they?
00:59:27Who?
00:59:29These five blind men you mentioned.
00:59:31Up there, on the rocks.
00:59:34Beer!
00:59:37Beer!
00:59:38Beer!
00:59:40Beer, beer!
00:59:43Huh?
00:59:44Huh?
00:59:46Huh?
00:59:46Huh?
00:59:47It is true.
00:59:49Let's go now.
00:59:50A nice ice cream!
00:59:52Ice cream makes you thirstier!
00:59:55Imbecile!
00:59:56But you and your whole family will be an idiot.
01:00:00And if you come down I'll give you two eyes like this.
01:00:02So, so, so, so.
01:00:04Stupid!
01:00:05Cretin!
01:00:07Language!
01:00:08You say you're an idiot, you're ignorant!
01:00:11It will be better now.
01:00:12Go, blondie!
01:00:14All right, let's go.
01:00:43Damn the man!
01:00:45Why don't you do a little business?
01:00:47Why are you obstructing?
01:00:49I'm not saying a flood, but at least a few drops of water!
01:00:53But you don't exist, do you?
01:00:55Yes, but I don't think about it.
01:00:57I try to keep my brain occupied with other thoughts.
01:01:00You try it too.
01:01:01Think something else.
01:01:02I'm thinking.
01:01:03Bravo.
01:01:03What are you thinking about?
01:01:04To a beautiful fountain with a drowned dead man in it.
01:01:06But if I told you not to think about water.
01:01:08Come on, we'd better keep going.
01:01:10Already.
01:01:10Let's go.
01:01:16Waterfall!
01:01:17Waterfall!
01:01:19Waterfall!
01:01:20Waterfall!
01:01:28Waterfall!
01:01:29But where are you going?
01:01:30Where is he back?
01:01:31That well is dry, do I know her?
01:01:33Ah, how beautiful!
01:01:42Here you are.
01:01:44My mouth is watering, it's coming.
01:01:46Come on!
01:01:47Come on!
01:01:50It's dangerous, you'll poison yourself.
01:01:51This water is not drinkable.
01:01:53The well is polluted.
01:01:54And who cares?
01:01:55I did the anti-difice.
01:01:56Will you get typhus?
01:01:57I can even die.
01:02:05Look over there!
01:02:07What's up?
01:02:07That man!
01:02:09Do you know him?
01:02:10Yes.
01:02:11Well, to get angry.
01:02:12No!
01:02:14No!
01:02:15But what are you doing?
01:02:15But come here.
01:02:16Are you crazy?
01:02:17Are you going to play somersaults now?
01:02:19You come!
01:02:19You idiot!
01:02:22Look!
01:02:24Hate!
01:02:36And now?
01:02:40Oh!
01:02:42I mean, are we not playing jokes?
01:02:43Down with the gun?
01:02:44Don't be afraid.
01:02:45He's the one who was supposed to kill.
01:02:46Oh, yeah?
01:02:47Criminal murderer.
01:02:49So you killed my best friend,
01:02:51Sheriff Omar El Bedou.
01:02:53No, I just took out a US Secret Service hitman.
01:02:57I am the real Sheriff Omar El Bedou.
01:03:00And who can guarantee me that that is false and you are the real one?
01:03:02I have the documents.
01:03:03Agent 002 with a license to kill.
01:03:07What if I told you that cats eat mice?
01:03:10The old woman pinches.
01:03:12And now you're getting in touch?
01:03:13Couldn't you have intervened earlier?
01:03:15I had orders to let him do it.
01:03:17Oh, yeah?
01:03:17What if he killed me?
01:03:21I would have intervened.
01:03:22I followed you in the shadows.
01:03:23But what shadows are shadows?
01:03:24It doesn't make me laugh.
01:03:24There's only one here who splits the sands.
01:03:26Tea!
01:03:27No, no, no, no, no.
01:03:55Yes, the beach.
01:03:57The beach that bathes in the bathers.
01:03:59But where do you see the sea?
01:04:01It's a mirage.
01:04:02But what mirage of the city?
01:04:04That's the sea in flesh and blood.
01:04:06Hand.
01:04:07But yes.
01:04:08Lots of sea.
01:04:10Lots of beach.
01:04:12Too much beach.
01:04:15All beach.
01:04:16I told you it was a mirage.
01:04:18What a great scam.
01:04:19Let's go.
01:04:20Let's go.
01:04:23Let's go.
01:04:29Here you are.
01:04:29What's up now?
01:04:30Omar, look at Omar.
01:04:32How beautiful it is.
01:04:32The ice cream man.
01:04:33Ice cream maker?
01:04:34But you dream.
01:04:35Ice cream maker.
01:04:36Ice cream maker.
01:04:37But what ice cream maker?
01:04:38It's another mirage.
01:04:40Give me a nice ice cream.
01:04:42How long?
01:04:43The largest, worth one hundred lire.
01:04:45Payment in advance.
01:04:46Why don't you trust?
01:04:48Wretched.
01:04:50That?
01:04:52Omar, do you want some ice cream?
01:04:54But what are you saying?
01:04:55You see, idiots, it's not a mirage.
01:05:00Where?
01:05:01Where are you?
01:05:03Was he here?
01:05:05Oh.
01:05:07There's no point in looking for it.
01:05:08I told you it was a mirage.
01:05:10Mirage my ass.
01:05:11He did take the hundred lire, though.
01:05:14But I'll have him arrested.
01:05:16Let's go.
01:05:23Look at her.
01:05:24A G.
01:05:26This time you're not fooling me.
01:05:27That's a mirage.
01:05:38Now speed up, Jeffrey.
01:05:41I absolutely have to get to Samara before them.
01:06:22Listen, good man.
01:06:23Huh?
01:06:24Could you tell me where the palace of Sultan Ali el-Buzur is located?
01:06:28As?
01:06:29Ali el-Buzur.
01:06:31Ah, Ali el-Buzur.
01:06:33At the end of this street, you turn right and you will find a square.
01:06:37There is the palace there.
01:06:39Thank you.
01:06:39Not at all.
01:06:40Jeffrey, let's go.
01:06:42This foul black liquid was still there.
01:06:45But of course, wherever you make a hole, it comes out, it doesn't kiss.
01:06:48It must be the devil down there spitting out his rattle.
01:06:51We are the Lecomo, friend Youssef.
01:07:03Omar!
01:07:06Look, there's a, a investigating judge over there.
01:07:08I was right, then.
01:07:09She was a real investigating judge.
01:07:10We could have even asked him for a ride.
01:07:12Oh yeah.
01:07:13And if you can cover it again?
01:07:14Like ice cream.
01:07:15Let's go to Ali's palace.
01:07:16Yes, let's go.
01:07:27The cat eats the mouse.
01:07:30The old pizza.
01:07:38The sheikh is not there.
01:07:45Excuse me, is the sheikh at home?
01:07:48Muhammad!
01:07:49Little God!
01:07:51I mean, is the sheikh at home?
01:07:53Oh, what?
01:07:56Are you fake?
01:07:57Why aren't you answering?
01:07:58But who do you think you are?
01:08:00A May King?
01:08:01Oh, Moor!
01:08:02I'm telling you.
01:08:03I think so.
01:08:04Sir Benz.
01:08:05He's from the embassy, he can come through.
01:08:07Come, Omar.
01:08:12You arrived too late.
01:08:14No, she's the one who arrived too early.
01:08:16Please.
01:08:17You're welcome.
01:08:18But no, let's not pay compliments.
01:08:27Listen, I'd like to know from you how you managed to get here before us.
01:08:31all the unpainted, while this wretch Omar disgusts us.
01:08:37Simply because I came with my car.
01:08:39Ah, she was the third mirage, huh?
01:08:42And as I say, he didn't feel the need to stop and give us a ride to give us back all this
01:08:48street?
01:08:49Eh, what do you want to do?
01:08:50The paths of international diplomacy are infinite and well-defined.
01:08:54Listen, do me a favor, don't intrude on me and tell me instead, why did you say that?
01:08:59that we arrived late?
01:09:01Why is the sheikh in Acaba and does he know with whom?
01:09:05No, with whom.
01:09:07Remember Doris, that young secretary of Mr. Turner?
01:09:11Did you understand.
01:09:12Well, this young lady, with such a plain and humble appearance, was in truth very,
01:09:21very pretty and was part of the American secret service.
01:09:46This will make your melancholy go away.
01:09:51You don't have to be so sad, your back is here.
01:09:54Yes, I know, but I've always been so unlucky with women.
01:09:58I could make you happy.
01:09:59Even my thirty wives made me happy, but none of them could give me an heir.
01:10:04to whom I leave my kingdom.
01:10:06Could I give you a son?
01:10:09Lai, lai, Mohamed, derassila, whatever it is.
01:10:12For a child I would give all my possessions, all my riches.
01:10:16I'm not greedy for money, darling, I love you.
01:10:19Just sign for me as a reminder of the transfer of everything that is underground in your kingdom.
01:10:27Now I understand.
01:10:29I was right when I said that connotation does not change me.
01:10:32That's right.
01:10:33A woman's hair pulls harder than a team of oxen.
01:10:36And then that hair.
01:10:38The hair of Doris, the boss's secretary.
01:10:41We have hatched a snake in our bosom.
01:10:44All is lost now.
01:10:46But what lost?
01:10:46But what lost?
01:10:47According to her, I was doing this little journey, full of attacks, full of mirages, full of solar anvil, just like that
01:10:54of port.
01:10:54But tell me the truth.
01:10:56Is he a diplomat or is he a fool?
01:10:57Huh?
01:10:58Yes, she wanted it, sorry.
01:11:00Woman's hair?
01:11:01It must be fought with woman's hair.
01:11:03I'll show it to you now.
01:11:04You there.
01:11:04Where is the sheikh?
01:11:06Compromise.
01:11:07Now.
01:11:09What does that madman want to do?
01:11:10Sir Baines, wouldn't it be better to intervene immediately?
01:11:14Calm down, calm down.
01:11:16There's still time.
01:11:17You men of action are a little too impulsive.
01:11:20Diplomacy waits first and then intervenes when necessary.
01:11:56What is this escape?
01:11:59Why is my presence rejected?
01:12:01I'm not the bogeyman.
01:12:03What did you see?
01:12:04The scarecrow?
01:12:06Huh?
01:12:06Come forward.
01:12:07Sweeties.
01:12:08Come forward.
01:12:09After you.
01:12:09After you.
01:12:10To me.
01:12:10To the man.
01:12:11Girls.
01:12:12Gentleman.
01:12:13Who are you?
01:12:14To me.
01:12:14To me.
01:12:15To me.
01:12:16But.
01:12:17But.
01:12:19Yes.
01:12:22But.
01:12:23Huh?
01:12:25First of all, I apologize for the intrusion.
01:12:28But I was driven by a family business.
01:12:32But which of them, lord, is the wife of the sirocco?
01:12:34I.
01:12:36I.
01:12:36I.
01:12:37I.
01:12:38I.
01:12:39I.
01:12:40I.
01:12:41And do I say all of them?
01:12:44Yes.
01:12:45Yes.
01:12:45The face of sausages.
01:12:47And I say you have formed a cooperative.
01:12:50Oh, that's a word.
01:12:52It's a lot of hard work.
01:12:53However, unity is strength.
01:12:56It means that instead of having a private conversation,
01:12:59I will hold a rally
01:13:01odalisques
01:13:04the sheikh's wives
01:13:06unite
01:13:07Unity is strength
01:13:09while you
01:13:10you wash yourselves
01:13:12you perfume yourselves
01:13:13you rinse yourselves
01:13:14you make yourselves beautiful
01:13:15more beautiful than you are
01:13:17to be chosen
01:13:19from your consort
01:13:20in a cooperative
01:13:21and marry you
01:13:22if it is he
01:13:23a tandem
01:13:24they
01:13:25this pig
01:13:27this disgusting
01:13:29old fool
01:13:30you know what he does
01:13:31No
01:13:32he betrays you
01:13:33Oh
01:13:34but she's like
01:13:37Yes
01:13:38and you know who he's cheating on you with
01:13:40on
01:13:41Yes
01:13:43I'm telling you
01:13:44Yes
01:13:45and I'm telling you
01:13:47Yes
01:13:47but like you
01:13:49but with an American
01:13:51a daughter of that America
01:13:53where man is submissive
01:13:55from the woman
01:13:56where women rule
01:13:58and while she
01:13:59he grants himself
01:14:00some escapades
01:14:03peripherals
01:14:03neighboring
01:14:06she demands from her man
01:14:08the most absolute fidelity
01:14:10and you know where it is
01:14:13your husband now
01:14:14No
01:14:16I'm telling you
01:14:17Yes
01:14:18I won't tell you what I'm telling you
01:14:20Yes
01:14:21in the oasis of Acaba
01:14:23where he put up
01:14:25to that shameless one
01:14:26a tent
01:14:28garsonier
01:14:29Oh
01:14:30Acaba
01:14:31we must stop
01:14:33absolutely
01:14:34this scandal
01:14:35you are all
01:14:36agree
01:14:37Yes
01:14:37so girls
01:14:39for the Maiella
01:14:40at the canals
01:14:51I don't understand what
01:14:53I want to be that man
01:14:54what do you think?
01:14:55Omar
01:14:55I don't think so
01:14:56I act
01:14:57you who are a diplomat
01:14:59you should know
01:15:00we diplomats
01:15:02we never know anything
01:15:03before it happens
01:15:04we'll see
01:15:05then we think about it
01:15:06and then we decide
01:15:10squadron
01:15:11be careful
01:15:13to Acaba
01:15:16load
01:15:17and what do we do?
01:15:38let's go to Acaba
01:15:40to arrive first
01:15:41to arrive later
01:15:43we diplomats
01:15:44sometimes we have to get there first
01:15:45and sometimes we have to arrive later
01:15:47as in this case
01:15:48to Acaba
01:16:15and if I accept your flattery
01:16:17and you sign it for me
01:16:18the concession
01:16:18of the subsoil
01:16:19I'll sign whatever you want
01:16:21Minnesota dove
01:16:22could I have a small advance
01:16:24No
01:16:25I'll sign it first
01:16:26but I told you
01:16:27I sign everything
01:16:36yes yes yes
01:16:37I sign
01:16:38of course I'll sign
01:16:49Here you are
01:16:50Acaba
01:17:17What's going on? What's that noise?
01:17:19Oh, it's nothing, it's just the wind
01:17:25It can't be the wind
01:17:27In fact, the south wind announces itself in another way
01:17:30Come on, go and see
01:17:39Heaven, my deaths
01:17:46On the ground
01:17:51You betray them
01:17:52Here is the temptation of adulterers
01:17:55All in a hurry
01:17:59We escape with the helicopters
01:18:01No, I can't
01:18:02Let's go
01:18:02My wives wouldn't forgive me for running away with a woman
01:18:05All right, then sign.
01:18:06Oh, oh, oh, oh
01:18:08Awkwardness
01:18:09Sign, I'll tell you
01:18:10Arrabb, arrabbaccio
01:18:13Wait for me here
01:18:16Biglicchi scoundrels
01:18:17And you, you old, stupid pig.
01:18:20Don't you realize that this new sylph
01:18:23This little missal is ruining you
01:18:27I'll take care of you, you know.
01:18:29You liked, huh, to make me die in the desert
01:18:31You liked it
01:18:32But you did not count on the host
01:18:34I'll take care of you
01:18:37Women, to me
01:18:42Calm down, calm down
01:18:43Holy shit
01:18:44I entrust this girl to you
01:18:46Don't mistreat me
01:18:48Because if Allah protects me
01:18:50And with his help
01:18:52I'll work on this one later.
01:18:54Because I'm bad
01:18:56Fierce
01:18:57Cioppa
01:18:58Via
01:19:01But I'll tell you
01:19:03I'll tell you
01:19:04It seems nice to her
01:19:06Getting surprised by his wife
01:19:07In the Carsonier tent
01:19:09With his lover
01:19:10Eh
01:19:10Yes, he is right.
01:19:12But who is she?
01:19:14Where do I explain this to you?
01:19:15It seems nice to you, I was saying
01:19:16I didn't want to betray them
01:19:17I love them
01:19:18I love them all
01:19:19But no one has been able to give me an heir so far.
01:19:21But I'm doing myself a favour
01:19:23But don't think about it anymore
01:19:24But what does he want to do?
01:19:25At his age
01:19:26Let's give ourselves the culinary
01:19:27What age?
01:19:28How old do you think I am?
01:19:30Eh, 80, 90
01:19:31But what?
01:19:32I have to make 35 of them
01:19:3335
01:19:34But I'm doing myself a favour
01:19:38Let him go away
01:19:3935
01:19:40And if he has it, excuse me.
01:19:42She brings herself badly
01:19:43To old age, pregucce
01:19:44No
01:19:45Please inform yourself
01:19:46No, but 30 wives
01:19:48In 15 years that's a lot
01:19:49Yes, I can't tell you that.
01:19:51Of a twisted
01:19:5230 wives
01:19:52It means 30
01:19:5430 first nights
01:19:5530 honeymoons
01:19:57Well, yes.
01:19:58She was tired
01:19:59But I say
01:20:00Blessed be Allah
01:20:01But why didn't she find a helper?
01:20:03But what is he saying?
01:20:04Daughter
01:20:05Calm
01:20:06Calm
01:20:07Calm states
01:20:08No
01:20:08What do you want from me?
01:20:10That you marry him?
01:20:11And despite
01:20:11There is no one who has been able to give me that son
01:20:13That I so desire
01:20:14I was hoping for better luck with this one
01:20:16No, no, no
01:20:17What, what, what, what, what
01:20:20It's not a reason
01:20:21It's not a valid reason
01:20:21I've always wanted too
01:20:24Having a father
01:20:25Yet that's not why I threw myself in.
01:20:28In the arms
01:20:29Of the first mother I met
01:20:30On the path of my life
01:20:31Oh, I say
01:20:32We're joking
01:20:33Yes, you're right son.
01:20:35We are both unfortunate
01:20:40Speaking of unfortunates
01:20:43And of son
01:20:50But do you really believe?
01:20:52That I'm interested
01:20:53That old man
01:20:54Rammolino
01:20:54You won't care
01:20:55And I want to go back to my home
01:21:00If I adopt you
01:21:01You will know how to depend on wives
01:21:03Are you sure?
01:21:04I the mothers
01:21:05I have them in my hand
01:21:08Actually, since you're a little tired
01:21:10I will send you three months
01:21:12Resting in Badem Badem
01:21:14And who will take care of my affairs of state?
01:21:16I
01:21:16To become or not to become the crown prince?
01:21:19It is true
01:21:20I thank Allah
01:21:21To have finally found a son
01:21:37What an egg
01:21:38And what a brain
01:21:40Omar
01:21:40The oil is already ours
01:21:55No, no, commentator
01:21:57He misunderstood
01:21:58I didn't mean a thousand billion
01:22:00I meant to say
01:22:01A thousand billion billions
01:22:03If not, nothing will happen.
01:22:05Listen to me
01:22:06Crete
01:22:07This is my last word
01:22:08Did you understand?
01:22:09To see her again
01:22:13Ready?
01:22:14Yes, Sir
01:22:15It's me, Sir
01:22:17Tell me, Sir.
01:22:18Oh no, oh
01:22:19Don't offend
01:22:20I've never cheated anyone out of anything
01:22:23After all
01:22:23The License to Steal
01:22:25She gave it to me herself
01:22:25The oil is mine
01:22:27By right of descent
01:22:29So why would I have him adopted?
01:22:32To become precisely
01:22:33And the buzzur second, right?
01:22:35And then
01:22:35I'm fine with hearing from you
01:22:37You know what I tell you?
01:22:39That from today onwards
01:22:40She has to call me
01:22:42Royal Highness
01:22:43And Knight of Labor
01:22:44If not, do you know what I do?
01:22:46Telephone to Buckingham Palace
01:22:48And from Philip
01:22:49I'll make us do it
01:22:50One of those head-scratchings
01:22:52That she will remember it
01:22:52As long as he lives
01:22:53Did you understand?
01:22:55Ignorant
01:22:55But everything has to happen to me
01:22:57I'll tell you
01:22:58I'll tell you
01:22:58Yes, waiting
01:22:59I'll pass your son to you.
01:23:01The ceico has there
01:23:02And the buzz online
01:23:03It's really safe
01:23:03What is that lout of a father of mine?
01:23:04Yes, waiting
01:23:06Dad?
01:23:08Dad?
01:23:09Oh, but I say come on
01:23:10Is this crude arriving or not?
01:23:12My refinery is almost dry
01:23:14If you don't have enough oil tankers
01:23:16I take over Onassis' fleet
01:23:17Tell me Arcos
01:23:18By Lauro
01:23:19It doesn't go to expenses
01:23:21You know how I did it
01:23:22Is that okay?
01:23:24Yes
01:23:24So many kisses
01:23:26Oh, Dad
01:23:27Say hello to the mothers for me
01:23:30Accountant
01:23:30But he doesn't want to understand
01:23:31If not even when I play
01:23:32She has to take a shot
01:23:33I say take a shot
01:23:35Yes, sir, mister Toto
01:23:36But
01:23:36Nothing but
01:23:37Nothing though
01:23:38Did you understand?
01:23:39He played
01:23:40Yes, sir
01:23:41And don't bother replying
01:23:42And be grateful
01:23:43Remember
01:23:44That I picked it up
01:23:45From the street
01:23:46After
01:23:47That they had kicked her out
01:23:48Ignominiously
01:23:49What?
01:23:50That they had kicked her out
01:23:50Ignominiously
01:23:51From the foreign office
01:23:52Because of him?
01:23:54Oh yeah
01:23:54In her opinion
01:23:56After I passed
01:23:57All that trouble
01:23:58After I crossed
01:23:59Atlantics
01:24:00Deserts
01:24:01I found the oil
01:24:02I used to come here
01:24:03And I was saying
01:24:04You
01:24:04Accountant
01:24:05Where are you with your head?
01:24:06Please update
01:24:07And you learn our motto
01:24:08As he says
01:24:10With Totoil
01:24:12There is no running
01:24:13But you fly
01:24:14Dear accountant
01:24:15She omitted
01:24:16The most important motto
01:24:18There is
01:24:20Nobody
01:24:21He's stupid
01:24:22Is it clear?
01:24:24It's staminaria啊
01:24:26AND'
01:24:27AND'
01:24:28Thank you all.
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